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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30Hiya Tim
00:01:40Tim we're getting something great something with a real switcheroo
00:01:43Yeah we got a real bubble on it
00:01:45Alright make me bubble
00:01:46Make him bubble
00:01:48Well you know the story
00:01:50Yeah I know the story
00:01:51We'll pick it up before the black wasp has grabbed the girl
00:01:54She's a pretty smart kiddo she knows what's coming and she struggles
00:02:00Wait a minute Joe
00:02:02What's the matter
00:02:03Before she struggles the wasp gives her the business
00:02:05Yeah
00:02:05About the plans remember
00:02:07Yeah
00:02:08He asked her for the plans to twilight's new rocket ship
00:02:10And she turns him down
00:02:10That's right
00:02:11He's about to give her the sting of his breath
00:02:14Sting of death
00:02:15Sting of death
00:02:15Ah captain twilight comes to the rescue
00:02:21Ah but captain twilight was caught off guard
00:02:30Captain twilight realizes he's in the tightest spot of his career
00:02:32Does that stop him
00:02:33No
00:02:34He wathomly gives him everything in his gut
00:02:37He throws himself out of his stuff
00:02:39Why are you
00:02:40Ah he'll almost come back captain twilight
00:02:45He'll almost come back
00:02:45Twilight he comes back again
00:02:47Why are you
00:02:50He almost comes back captain twilight comes and he comes and he comes
00:02:56The wasp is he'll almost come back
00:02:57Ah the wasp is about to give captain twilight the sting of his breath
00:03:03Sting of death
00:03:04Sting of death
00:03:05Why are you
00:03:05Tim what do you say
00:03:17Is that a great twist or not
00:03:18Oh it's great fellas I'll buy it
00:03:21And you can have it
00:03:23Am I crazy
00:03:30Certainly
00:03:31What
00:03:31Well wait a minute
00:03:32You gotta be crazy in this business to make any money
00:03:34Then Mr Moody's crazy
00:03:36Well certainly he's crazy
00:03:38Everybody's crazy
00:03:39We're all crazy
00:03:40So what else have you got
00:03:45Only your character for next month's magazine
00:03:47I couldn't sleep a wink thinking about it
00:03:50The next time you can't sleep
00:03:52Try counting sheep
00:03:53I will
00:03:54My suggestion is to throw this in the wastebasket
00:03:59In that case we'll take the basket up to Moody
00:04:02He might fool you and like it
00:04:04Just a minute Jones
00:04:05I'm still general manager of the plant
00:04:07Hilton Payne remember
00:04:08Oh brother how could I ever forget it
00:04:11And Mr Moody can't approve something he doesn't see
00:04:13No
00:04:14And furthermore I don't approve of anyone who steps on my toes
00:04:18You wouldn't
00:04:19It's like a spot for a pinch hitter
00:04:20What's the scope
00:04:20Hello Betty
00:04:21It's tied
00:04:22He says no I say yes
00:04:23What you boys need is a referee
00:04:25Now honey don't you bother your pretty little head about details
00:04:28Jones and I will settle this between us
00:04:31Maybe I could decide
00:04:33I think I know father's likes and dislikes as well as you do
00:04:36And I've decided it's tops
00:04:40Thanks
00:04:41Well Betty I guess your decision just about covers everything
00:04:45You know it's funny what jealousy can do to a guy's judgment isn't it
00:04:52I can understand that
00:04:54Father thinks I'm going to marry him
00:04:57You know you have the most beautiful eyes
00:05:00Tim
00:05:02Father isn't a well man
00:05:05And the most beautiful hair
00:05:06He depends on me
00:05:09And the most beautiful
00:05:10Tim stop I'm serious
00:05:13Yes I know
00:05:14And well I think that we should do something about it
00:05:18Yes we will
00:05:19But you still have the most beautiful hair
00:05:21And the most beautiful
00:05:22And I've decided to
00:05:23And the most beautiful
00:05:24And I've decided that I'm going to get a doctor
00:05:26Yes
00:05:27Okay okay
00:05:28Miss Wilson where's Mr. Austin
00:05:43Good morning Mr. Moody
00:05:44Yes yes where's Mr. Austin
00:05:46He should be here any moment Mr. Moody
00:05:48Send him in the minute he comes
00:05:50Yes Mr. Moody
00:05:51Good morning Miss Wilson
00:05:55Go right in Mr. Austin Mr. Moody's waiting for you
00:05:57Good
00:05:58Good morning Annie
00:06:06Good morning R.P
00:06:08Glad to see you
00:06:09Hi Tilly
00:06:11Start toiling
00:06:11Here's the morning news
00:06:12Right on the dot
00:06:13What happened to Picklepuss
00:06:15Did he go out of that jam he was in yesterday
00:06:17Yeah he made it all right
00:06:18Just the cops were closing
00:06:19Hold it don't tell me
00:06:20I want to read it later
00:06:21Say how come his nibs is so scared of the comics
00:06:25If I could make a million bucks with him like he did
00:06:27I'd die laughing
00:06:28Why don't you send one in and see what happens
00:06:31A very funny idea
00:06:33The girl that worked before me forgot just once
00:06:35The comics went inside and boom she was outside
00:06:38Yeah well that makes a difference
00:06:40That's why I like you Henry
00:06:44You're honest
00:06:46Don't try to impress me like everyone else
00:06:48Hilton for instance
00:06:49He's just waiting for me to retire
00:06:52Oh I thought you approved of him
00:06:54That he was going to marry Betty
00:06:55He's the man Betty thinks she wants to marry
00:06:58I'm not going to interfere
00:06:59I made a mistake in my own marriage
00:07:01Who am I to tell her what to do
00:07:04I like Betty
00:07:05I hope she'll be happy
00:07:06You never want for anything
00:07:07She won't
00:07:08At least financially
00:07:09Oh then you're going to give Hilton the business
00:07:12Yes
00:07:13But not the way he expects
00:07:15He's a lucky young man
00:07:18I hope he appreciates it
00:07:19Henry the art of appreciation is lost
00:07:21In this world of dog eat dog
00:07:23Everybody is out for something
00:07:26I know
00:07:27A bunch of cutthroats
00:07:29Good morning Marjorie
00:07:35Good morning
00:07:36I'll take this in
00:07:37Good morning Miss Moody
00:07:41Good morning Henry
00:07:42How's Dad?
00:07:43Wonderful
00:07:43He brightens up my whole day
00:07:45Dr. Calloway
00:07:48It's good to see you
00:07:49It's a pleasure
00:07:50Miss Moody
00:07:50This is Dr. Swatsky of Prague
00:07:52Swatsky with the V Calloway
00:07:54Oh sorry
00:07:54With a we
00:07:55How do you do?
00:07:56How do you do?
00:07:57If you gentlemen will wait here a minute
00:07:58I'll go in and prepare Dad
00:08:00That glint in your eyes
00:08:15Can mean only one thing
00:08:16You've got an idea
00:08:17I have and it's a good one
00:08:19I was afraid of that
00:08:20Well what is it?
00:08:21Do you take your medicine?
00:08:22No
00:08:22Why not?
00:08:23Because my medicine does you more good
00:08:25Than it does me
00:08:25Now
00:08:32Open
00:08:34Now do you feel better?
00:08:43Very much better
00:08:44Hello Dr. Calloway
00:08:47I hope you have better luck this time
00:08:50Well I'm sure we will
00:08:51I'm fortunate in having Dr. Swatsky with me on the case
00:08:53Dr. Swatsky?
00:08:54Oh
00:08:55Swatsky, yes
00:08:56Swatsky
00:08:57This is very, very interesting
00:09:00Calloway, my dear colleague
00:09:01I haven't seen one like this recently
00:09:03Wait a minute
00:09:04There's nothing wrong with me
00:09:05Mr. Moody's a man you want
00:09:07Moody, yes
00:09:08Mr. Moody
00:09:09This is a very intriguing example
00:09:11Of the paranoid type
00:09:13Yes
00:09:15Consolidated up four points
00:09:17Associated up five
00:09:18Go ahead and order that mink coat
00:09:20But Hilton told me to sell both of them yesterday
00:09:25Hilton, Hilton, Hilton
00:09:26Were you calling me, R.P.?
00:09:29No, I'm not calling you
00:09:30I'd like to forget you
00:09:32Now, Daddy, don't get upset
00:09:39What would Dr. Calloway think if he saw you this way?
00:09:42Dr. Calloway?
00:09:43Yes, and we're very lucky
00:09:44He's brought a famous specialist from Prague
00:09:47Specialist medicines
00:09:48What good do they do?
00:09:50Betty, I know you're trying to help me
00:09:51But it just won't work
00:09:52All your doctors, specialist medicines
00:09:54None of them do any good
00:09:56Please, Dad
00:09:57Try it just once more
00:09:59This time we'll win
00:10:01I'll bet on it
00:10:02All right, but if you lose
00:10:04This will be the last time
00:10:06It's a bet
00:10:13Dr. Calloway, Father will see you now
00:10:17Oh, Dr. Swatsky
00:10:18Yeah, uh, no, uh, oh, thank you very much
00:10:20Thank you
00:10:20Oh, thank you, thank you very much
00:10:23Hello, Calloway
00:10:27Dr. Swatsky, Mr. R.P. Moody
00:10:31R.P. Moody, how do you do?
00:10:33How do you do, Mr. Moody?
00:10:34Melancholia maribundus, Dr. Calloway
00:10:37Uh, the pleasure is all mine
00:10:39You're welcome to it
00:10:40Mmm
00:10:41In going over your case with Dr. Calloway
00:10:45We have found that sanity runs in your family
00:10:49Right now, I doubt it
00:10:51Now, I also found out that you're a successful businessman
00:10:55Don't you feel sometimes that you're all alone?
00:10:59No, no, no, please, please don't interrupt me
00:11:02Uh, quiet, please
00:11:02Shh
00:11:03Now, at times you have the feeling
00:11:05As though you are in total darkness
00:11:08Answer me, please
00:11:09Yes, many times
00:11:11Good, good, like going somewhere
00:11:12Now, tell me, please
00:11:14When, when those things do occur
00:11:17When I turn out the light and go to bed
00:11:19When you turn out the lights and go
00:11:21No, no, no, no, no, no, no
00:11:22When you laugh
00:11:25When you laugh
00:11:26Is it a high-pitched laughter like
00:11:30Or is it, is it perhaps a hysterical one like
00:11:33It has a slow start and then builds up
00:11:35Or is it a, a full, full, whole-hearted laughter deep like
00:11:41I never laugh
00:11:42You never laugh, no, no, no
00:11:44That, that you don't mean
00:11:45That I do mean
00:11:47I haven't smiled, let alone laughed in 20 years
00:11:50Dr. Calloway
00:11:51That, I cannot believe
00:11:53An acute case of melancholia
00:11:55Hmm, no, no, no
00:11:56The diagnosis we have left behind, my dear colleague
00:11:59The reasons for it
00:12:00The etiology
00:12:01The prognosis of it
00:12:03That's what, what I cannot understand
00:12:05The facial muscles
00:12:08The facial
00:12:09The facial muscles, that is correct
00:12:10That is correct
00:12:11Will you please lean back
00:12:13Mm-hmm
00:12:13Like this
00:12:14The facial muscles
00:12:16Hmm
00:12:17That's strange
00:12:18Strange, very strange
00:12:20Very, very strange
00:12:22No, no, that's correct
00:12:24Now let's see the facial muscles and the reactions
00:12:28Let's see another
00:12:29Ah, observe, Dr. Calloway
00:12:32Absolute and normal reaction
00:12:34Now, let's see this
00:12:36Ah, sit back, please
00:12:37Sit back
00:12:38Hmm
00:12:38Hmm
00:12:40Hmm
00:12:40Now, everything's absolute, you know
00:12:43Better no, but he's going too far
00:12:45Now, now, now, now, Mr. Moody
00:12:48Mr. Moody
00:12:49Mr. Moody
00:12:50Now, please, please
00:12:51Try to think
00:12:52If you can
00:12:53Twenty years ago
00:12:56Twenty years ago
00:12:58Remember
00:12:59Your daughter
00:13:00Was just a little baby
00:13:02What happens to you then?
00:13:05What happened twenty years ago
00:13:06Is no concern of yours
00:13:07I've had about all I can stand for today
00:13:09Ah, Dr. Calloway
00:13:10Unless I have a full cooperation
00:13:13While getting not very fast
00:13:15This is only an idea
00:13:18A clue
00:13:18Perhaps a parallel to jump from
00:13:21What is it, Dr. Svadsky?
00:13:23My dear young lady
00:13:24In 1783
00:13:27Philip of Spain
00:13:29Was suffering from melancholia
00:13:31So moribund
00:13:32That it threatened his life
00:13:33After a search
00:13:35A singer was found
00:13:37Whose voice
00:13:38Had that therapeutic effect
00:13:40Now
00:13:41The singer provided
00:13:43Teutonic
00:13:44And the king imagined
00:13:45The king was healed
00:13:47Oh, brilliant
00:13:48A massively analysis
00:13:49Well, thank you
00:13:50Thank you very much
00:13:50Now
00:13:51The cure
00:13:51It is simple
00:13:52All we have to do
00:13:54Is make Mr. Moody laugh
00:13:56I could have told you that
00:13:57Without a fee
00:13:58The whole world needs laughter
00:13:59Laughter is a medicine
00:14:00And you can't take an overdose
00:14:01Of it
00:14:02It's good for what ails you
00:14:03Falling hair
00:14:04Falling arches
00:14:04Bunions
00:14:05Why the whole world's crying for
00:14:06Say
00:14:07Why don't we bottle it
00:14:09And go into business
00:14:10It is a very refreshing
00:14:12Point of view
00:14:12Well, there must be somebody
00:14:13Who can make him laugh
00:14:14I doubt it
00:14:15Tim
00:14:17I've got the beginning
00:14:18Of an idea
00:14:19And I've got the end of it
00:14:21If the king of Spain
00:14:29Was cured by one singer
00:14:30Then we'll hire
00:14:31The best talent
00:14:32That money can buy
00:14:33They should be able to do something
00:14:34For dad
00:14:35They should be able to do something for dad
00:14:35Freddie Fisher and his band
00:14:42George McKay
00:14:45Bill
00:14:46Daddy
00:14:47Daddy
00:14:49Peanut
00:14:50Darby and Darnell
00:14:52Isabelita
00:14:54And the one of the horror boys
00:14:55Chewy Reyes
00:14:57And his truck
00:14:57And their band
00:14:58By Riley and his musical maniac
00:15:00And Bob Roberts
00:15:02And Mervyn
00:15:03Alphonse Berger
00:15:05And Doris DeWay
00:15:06Al Mardo and his pal
00:15:08Where's Hoskins?
00:15:28Hoskins took the day off to get married, sir
00:15:31I'm his brother
00:15:31Who brought that beast in here?
00:15:34I did, sir
00:15:34He's not a beast
00:15:35He's my dog
00:15:37Well, I'm allergic to dogs
00:15:38And I think I'm going to be allergic to you
00:15:40Get him out of here
00:15:41Say, listen
00:15:42If you want any help
00:15:42You better take what's available
00:15:43And with me
00:15:45It's love me, love my dog
00:15:46Besides, he's a fine dog
00:15:49I'm crazy about him
00:15:51The greatest strict dog that ever lived
00:15:53But he won't do easy tricks
00:15:55Only big tricks
00:15:57And the bigger the tricks
00:15:59The better he'll do them
00:16:00Did he get that build-up I gave you?
00:16:03I told him you won't do easy tricks
00:16:04Only big tricks
00:16:05Come on, let's show him some class
00:16:07Ready?
00:16:08Stand up, boy
00:16:08Up
00:16:09Come on, boy
00:16:10Stand up
00:16:11Up
00:16:11Come on, boy
00:16:12Stand up
00:16:12Up
00:16:13Too easy
00:16:15Lay down
00:16:17Dead dog
00:16:18When I say dead dog
00:16:20You lay down
00:16:21Well, he don't have to lay down
00:16:23He's dead standing up
00:16:24Look over here
00:16:26I'll show you
00:16:26Look right here
00:16:27Right here, look
00:16:27Over here
00:16:28Come on, boy
00:16:29Come on
00:16:29Head up, boy
00:16:30Right here
00:16:30Look, did you see that trick?
00:16:33He moved
00:16:34I hope he didn't strain his shoulder
00:16:36That's all
00:16:37Take it easy
00:16:38You're working a little too fast
00:16:39Slow up a little
00:16:40Take your time
00:16:41Go ahead
00:16:41Lay down, will you?
00:16:42Lay down
00:16:43I think the suit is too big for you
00:16:46Look at that
00:16:46Look
00:16:47Maybe he's expecting mumps
00:16:49Why don't you stop suffering
00:16:51And lay down
00:16:51Collapse
00:16:53Hold up
00:16:53Lay down
00:16:54He won't believe it
00:16:57When I first got that dog
00:16:58He couldn't do nothing
00:16:59Go on and bark
00:17:01Come on, bark
00:17:02That was me
00:17:08Would you like to see him do one more trick?
00:17:10This is the last trick, of course
00:17:12Come here, Flash
00:17:14Flash
00:17:15Come here, Flash
00:17:17Come on, boy
00:17:18Look at that speed he's burning up today
00:17:21He couldn't go any further
00:17:25It's a little uphill over here
00:17:26Now the dog is going to jump
00:17:28He's raring to go
00:17:30Look
00:17:30Can you make it?
00:17:32One
00:17:32Two
00:17:33Three
00:17:34Go
00:17:34There he goes
00:17:35There he goes
00:17:36He's a little out of wind now
00:17:38Take your time
00:17:39What do I give him a little rub down
00:17:40So he can do it again
00:17:41Try it again
00:17:42This time sneak up on it
00:17:43And fall on the other side
00:17:44Go ahead
00:17:45Go
00:17:46There he goes
00:17:47There he goes
00:17:48Boom
00:17:48Well, anyway
00:17:50This is the way he looks after he jumps
00:17:52Like that
00:17:53There it is
00:17:53Oh, he's a great pet
00:17:55I'm telling you
00:17:56There's no limit to his tricks
00:17:58Look at him running around here
00:18:00Look at that
00:18:00There he goes
00:18:01Boom
00:18:01And besides the dog
00:18:04Is a great music lover
00:18:05Oh, he loves high class music
00:18:08But let me tell you
00:18:09Of all the music he's ever heard
00:18:11He likes my music the best
00:18:13He'd rather hear me play one song
00:18:15On this harmonica
00:18:16Than eat 40 or 50 steaks
00:18:17And this is his favorite song
00:18:19Played by his master
00:18:20Callaway, my dear
00:18:32This is the moment
00:18:33When we should observe our patient
00:18:35At the closer range
00:18:36Yes, at the closer range
00:18:39Much closer
00:18:42Doctor, doctor
00:18:51What happened?
00:18:52Contradictory symptoms, Callaway
00:18:53Most contradictory
00:18:54Tell me, please
00:18:56What is his next move?
00:18:58Oh
00:18:58Breakfast
00:19:00Breakfast
00:19:01That is very good
00:19:02Very good
00:19:03Where's Hilda?
00:19:12She took the day off
00:19:12To Mary Hutkins, sir
00:19:13Oh
00:19:14What are you doing here?
00:19:16Well, I'm waiting
00:19:17For Vortable to come back
00:19:18Here are your three-minute aches
00:19:26Now, you like him that young
00:19:29Or
00:19:30Or would you prefer him
00:19:32On the older side
00:19:33Betty
00:19:34Betty
00:19:35Betty
00:19:37Betty
00:19:39Betty
00:19:39That gag always went good
00:19:42In Kansas City
00:19:43Betty
00:19:45Who's this man
00:19:46Trying to take my job
00:19:47Oh, it's just for today
00:19:48Pick me
00:19:49Oh, he's only here for the day
00:19:50For the day?
00:19:52What is he going to do here today?
00:19:53He's here to entertain father
00:19:55Oh, entertain your father
00:19:56Well, I think if you give me a chance
00:19:58To drop my hair
00:19:59I can entertain your father
00:20:00And I'm dropping my hair right now
00:20:02He-pe-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
00:20:07Hey-pe-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-de
00:20:37I'd be a very good idea.
00:20:39You think so.
00:20:53What's the meaning of this.
00:20:55Now everything's going to be all right.
00:20:56How can it be all right with a house full of hoodlums.
00:20:58They're not hoodlums they're a surprise.
00:21:00I don't like surprises.
00:21:01What are you doing here.
00:21:02Well I I.
00:21:03Oh Mr. Jones is just helping.
00:21:05Yeah helping out.
00:21:06Well help me out.
00:21:06Tell me who you're helping.
00:21:07Well I.
00:21:09Well you aren't we Tim.
00:21:11Yeah so like the entertainment.
00:21:12What entertainment.
00:21:13For the employees anniversary party.
00:21:16When did you get that idea.
00:21:17Well that we are recently.
00:21:19That quite recently.
00:21:20Yeah that's fine.
00:21:21Well it's not a bad idea.
00:21:22Well let's start selecting.
00:21:23I've got a place of business to go to.
00:21:24Yeah Mr. Moody.
00:21:26Mr. Moody one more question.
00:21:27Will you ask me later please I have something to look at.
00:21:30I'm crying.
00:21:31Every night I'm alone I keep crying For I seem to be lost in a crazy dream And I'm hopelessly drifting
00:21:53alone.
00:21:54I'm crying.
00:21:55I'm crying.
00:21:56Every night by the phone I keep crying I'm just groping around in a hazy dream For there's no use in dreaming alone.
00:22:00Oh the harder I try to forget all I'm alone I'm just groping around in a hazy dream For there's no use in dreaming alone I'm just groping around in a hazy dream For there's no use in dreaming alone.
00:22:25The more the harder I try to forget all our moments The more the tears come to my eyes Foolish I know But I can't help but feeling That the whole silly thing wasn't why I'm lonely
00:22:54Every morning I wake And I'm lonely As the days pass me by I go drifting along Just like a ship That drifts along at sea
00:23:15Hey Robert Hey Robert Robert I was standing out there And I heard you sing the song.
00:23:19I was singing crying.
00:23:20You said you were crying.
00:23:21That's right.
00:23:22Well Robert I was I got fooled last night.
00:23:25I was crying last night too Robert.
00:23:27I'm gonna cry.
00:23:30Robert listen to me cry.
00:23:32I cried because you I was I cried.
00:23:35I cried.
00:23:36Robert.
00:23:37Robert.
00:23:38Robert.
00:23:39You said.
00:23:40You said.
00:23:41You said.
00:23:42You said.
00:23:43You said.
00:23:44You said.
00:23:45Oh my God.
00:23:46Robert.
00:23:47Robert.
00:23:48What are you doing?
00:23:49Robert.
00:23:50Now you can take a band Mike.
00:23:51Oh I can.
00:23:52What kind of a band?
00:23:53A bubble band.
00:23:54There we go.
00:23:55A bubble band.
00:23:56Robert.
00:23:57Isn't this a terrible way to make a move?
00:23:59Robert I cried every night.
00:24:01I cried.
00:24:02I don't want to set the world on fire.
00:24:05Don't worry you won't with that faith.
00:24:07I don't want to set the world on fire.
00:24:10Hey Mike!
00:24:11Hey Mike!
00:24:12Hey Mike!
00:24:13Hey Mike!
00:24:14Hey Mike!
00:24:15Boy am I put out.
00:24:27Oh, no.
00:24:29Look.
00:24:30Oh, oh, oh, oh.
00:24:32I think that's something that just stops.
00:24:57The doctor is making a lion into a sheep.
00:25:18The lamb, doctor.
00:25:19The lamb, the sheep, the mutton.
00:25:21What's the difference?
00:25:22It is so beautifully symptomatic of father fixation.
00:25:25Now, let me ask you, where is the mutton?
00:25:27All right, don't answer, don't answer.
00:25:29I'm going to ask Mr. Moody myself.
00:25:30I've asked him already once, and I'm going to ask him again.
00:25:33Watch.
00:25:34Very good.
00:25:35Very good entertainment will please my employees.
00:25:37Yes, yes, yes.
00:25:38Mr. Moody, there's one more thing I will...
00:25:40Dr. Oblatsky, please, I'm occupied.
00:25:43Mr. Moody, my name is Dr. Vzwatsky with the V.
00:25:55I'll attend to that, sir.
00:26:05Doris.
00:26:06You can't wear a bathing suit.
00:26:08I'll have to put some more clothes on you.
00:26:24You're welcome.
00:26:38How do you like this?
00:26:52Beautiful.
00:26:54The dress.
00:27:08And this for an afternoon dress, no pins.
00:27:33No pins.
00:27:35No pins.
00:27:42No pins.
00:27:46No pins.
00:27:50No pins.
00:27:55No pins.
00:28:00No pins.
00:28:07No pins.
00:28:14No pins.
00:28:17No pins.
00:28:22No pins.
00:28:23No pins.
00:28:24No pins.
00:28:25No pins.
00:28:26No pins.
00:28:27No pins.
00:28:28No pins.
00:28:30No pins.
00:28:31No pins.
00:28:32No pins.
00:28:34Here I am, I'm going to dance, I've come here, learn you, this rhythm that brings you to the heart, hear you, and repeat your timbales with peace.
00:29:03Rumba, suena con el tiki tiki ta, tiki tiki ta, rumba, suena con el tiki tiki ta, tiki tiki ta.
00:29:19He pensado que te quiero y no sé por qué serás
00:29:37Si será por tus caricias o los besos que me das
00:29:45Yo no quiero que te alejes y te vayas sin saber
00:29:54Que eres tú mi prenda amada y que tú eres mi querer
00:30:02He pensado que te quiero y no sé por qué serás
00:30:12Si será por tus caricias o los besos que me das
00:30:19Yo no quiero que te alejes y te vayas sin saber
00:30:28Que eres tú mi prenda amada y que tú eres mi querer
00:30:36Ya ves, ya ves, mi prenda amada que tú eres mi querer
00:30:46Ya ves, ya ves, mi prenda amada que tú eres mi querer
00:30:55Ya ves, ya ves, mi prenda amada que tú eres mi querer
00:31:17Say, he's bouncing out of it.
00:31:41Anything can happen.
00:31:42Oh, you think so?
00:31:43I know it.
00:31:45Gee, thanks, Tim.
00:31:46I was beginning to doubt my own impulses.
00:31:49Never do that.
00:31:50I like your impulses.
00:32:16Hmm, hmm, hmm, hmm, hmm, hmm.
00:32:19Oh
00:32:49I just remembered.
00:33:19The anniversary of the moody comics was three months ago.
00:33:23He was bound to find out sooner or later don't worry about it I'm not I was thinking about something the doctor said but he was digging in the past and the old man didn't like it huh.
00:33:37Well there must be souvenirs or keepsakes or something around the house.
00:33:43Not in the house.
00:33:45Wait a minute.
00:33:46There's a confidential file in the office no one ever touches it.
00:33:49I've got it.
00:33:51The rapid joint.
00:33:53In broad daylight.
00:33:55Oh tonight.
00:33:56There you are raffling.
00:33:57Start raffling.
00:33:58Hardly worthy of my talents.
00:33:59Now this is going to be very easy.
00:34:02I broke my knife.
00:34:03Maybe I should have brought a tool kit.
00:34:04Oh you should find what you want in here.
00:34:08I don't.
00:34:09I don't.
00:34:14I don't know.
00:34:15I don't know.
00:34:16I broke my knife.
00:34:17Maybe I should have brought a tool kit.
00:34:18You should find what you want in here.
00:34:20I don't know.
00:34:21I don't know.
00:34:22That's glad.
00:34:23Last this time of the night.
00:34:25Might wake up the watchman.
00:34:26Don't worry about that.
00:34:27This building would have to fall down before we can wake up and so.
00:34:31Ansel.
00:34:32Ansel.
00:34:33The watchman.
00:34:34Dear old Ansel.
00:34:35Only one trouble with this thing.
00:34:36It won't open.
00:34:37Oh why didn't you say so in the first place.
00:34:38Marvelous darling.
00:34:39Marvelous.
00:34:40What's that.
00:34:41Just Ansel remember.
00:34:42Oh yeah.
00:34:43Ansel.
00:34:44When may we expect.
00:34:45Just.
00:34:46Three more doors.
00:34:47Two more.
00:34:49Perhaps you better go through this.
00:34:50After all it's your past.
00:34:51Not afraid of all skeletons are you.
00:34:53Skeletons don't worry me.
00:34:55Mother and daddy when they were first married.
00:34:56Mother's kind of pretty.
00:34:57You know put a modern dress on it it could be you.
00:34:58Yeah.
00:34:59Am I crazy.
00:35:00You know.
00:35:01You know.
00:35:02You know.
00:35:03You know.
00:35:04You know.
00:35:05You know.
00:35:18You know.
00:35:19You know.
00:35:20You know.
00:35:21You know.
00:35:22You know.
00:35:23You know.
00:35:24Am I crazy.
00:35:26Or your father's laughing.
00:35:28Yeah.
00:35:30It's too bad he can't laugh like that now.
00:35:32I'll be happy.
00:35:37Oh.
00:35:38Oh.
00:35:52Good evening Ansel.
00:35:57Who are you.
00:35:58I was expecting Ansel.
00:35:59I wasn't expecting anybody.
00:36:01Oh.
00:36:02What's your name.
00:36:03Uh.
00:36:04Betty Moody.
00:36:05Betty Moody.
00:36:06Let's see.
00:36:08Betty Moody.
00:36:11Oh.
00:36:12Yes sir.
00:36:13Your name is on my list Miss Moody.
00:36:15Yes.
00:36:16Well I'm glad my name's on your list.
00:36:19Well.
00:36:20Good night.
00:36:22Good night Miss Moody.
00:36:31Good night.
00:36:36All the time I thought you knew Ansel.
00:36:39Tim isn't it terrible the way people have violent tempers when they're young.
00:36:43Oh that's all right darling I'll forgive you.
00:36:46Mother refers to it as artistic temperament.
00:36:49Father calls it blank blank blank stubborn.
00:36:53And three years later they're of the same opinion.
00:36:56Apparently they haven't changed a bit.
00:37:01Tim.
00:37:02That could never happen to us could it.
00:37:05Not in a million years darling.
00:37:11I'm afraid we're going to have corners again.
00:37:13Back in your cave.
00:37:20Why Betty.
00:37:23I saw a light in the office as I was driving by.
00:37:25I thought I'd come up and.
00:37:26Investigate.
00:37:28And now that you've investigated.
00:37:30I am perfectly satisfied with what I found.
00:37:33What have you found.
00:37:34You.
00:37:36Just when I was getting the silly idea that I lost you.
00:37:39You have.
00:37:41Betty be sensible.
00:37:42You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:47Just a minute Bob you're going too far.
00:37:50Where did you come from.
00:37:51In there.
00:37:52What are you doing here.
00:37:53Looking after Miss Moody's future starting now.
00:37:56And I'd say you've got a great start going through Mr Moody's private papers.
00:37:59Hilton I think you better leave.
00:38:00I'm going to.
00:38:02When I go I'll walk out not sneak out.
00:38:04Sneak out.
00:38:05Isn't that clear.
00:38:06Perfectly clear.
00:38:07I'm not forgetting this shows we'll settle this later.
00:38:17Good morning R.P.
00:38:18Where'd you get that Hilton.
00:38:20Well it was this way.
00:38:21I know you ran into a door.
00:38:23Yes.
00:38:24No I was driving by the office last night I saw a light through the window.
00:38:28I came up to investigate and I found one of your employees going through your private papers going through my papers.
00:38:34Yes.
00:38:35Naturally I took exception and.
00:38:37That's how I got the black eye.
00:38:38Who was.
00:38:40Timothy Jones.
00:38:41Jones.
00:38:42Why that good for nothing.
00:38:43How do you do.
00:38:44Not now Spotsky.
00:38:45Good morning.
00:38:46Oh the paranoid type.
00:38:48Now look Dr. Spotsky.
00:38:50I know but the last time I saw you I told you that Mr Moody was a gentleman that you should have talked to.
00:38:55I know but I'm awfully busy.
00:38:57You should get excited.
00:38:58You see in criminal types.
00:38:59I know but I'm not the one you know.
00:39:02I'm not the one.
00:39:03I know but.
00:39:04Oh.
00:39:05Strange characters.
00:39:07Monthly run through a couple times before he tried on Jim.
00:39:09Ah the story begins away out west.
00:39:14What am I going to be you're going to be month the killer.
00:39:19I'm not afraid of you besides you've got little Rallo and Bill Phillips the two boy ranges trapped in a cabin.
00:39:24Look you move out you're ready to make it around the door.
00:39:29I'll get the talk.
00:39:30I'll get the milk.
00:39:33This is the cabin.
00:39:34Uh-huh.
00:39:36What's that little cabin.
00:39:38Oh remember now we are the two boy ranges.
00:39:44And youth pre-solified.
00:39:51The most powerful youth in all the land.
00:39:59Ah it's a matter of minutes before the killer bashes down the door.
00:40:01Yes.
00:40:02Send Phyllis to the millsack.
00:40:03Ah ha.
00:40:10Okay Monk.
00:40:15On the floor.
00:40:16On the floor.
00:40:17Rallo.
00:40:18We've got the killer.
00:40:19Quick this soul.
00:40:20You mean the rope.
00:40:21The rope.
00:40:22The rope.
00:40:23The rope.
00:40:24Down the rope.
00:40:25No.
00:40:26There we are.
00:40:27Swat.
00:40:28I'm tearing fast Phyllis.
00:40:29But we're not true.
00:40:30Give me a real clue.
00:40:31Exactly.
00:40:33Hey.
00:40:34What's more the boy rangers come through with victory.
00:40:36Right.
00:40:37Ha.
00:40:38They'll keep coming.
00:40:39They'll come through the end of time.
00:40:40They'll always come.
00:40:41The boy rangers will always come.
00:40:43What are you.
00:40:44Ha ha.
00:40:45Hey.
00:40:46How can you be standing there and in the sack too.
00:40:48Well it ain't me.
00:40:49Well who's in the sack.
00:40:51Yeah who's in the sack.
00:40:52I don't know.
00:40:56You scoundrel.
00:40:57Oh Mr. Moody.
00:40:58You scoundrel.
00:40:59You're through.
00:41:00You're finished.
00:41:01Yeah.
00:41:02Get out and stay out.
00:41:03Yeah I know I'm throwing them out.
00:41:04Send my mail to the club will you boys.
00:41:05Bye.
00:41:06Bye.
00:41:07There both of you.
00:41:10A boy ranger never fails.
00:41:12He always goes through.
00:41:20Dad.
00:41:21Dad what happened.
00:41:22Everything.
00:41:23Everything bad.
00:41:24Mainly Jones.
00:41:25Now wait a minute.
00:41:26Nobody's going to sneak behind my back and pry through my private office.
00:41:28I kicked him out.
00:41:29Tim was with me last night.
00:41:31We both poked through your office.
00:41:32Hey.
00:41:33Dad we were only trying to help you.
00:41:35That's another thing I will not stand for.
00:41:37I will not allow anybody to pry into my private life.
00:41:39Well this time you're going to stand for it.
00:41:41It's my life too.
00:41:42And up until now you've run it.
00:41:43Run it.
00:41:44I've been an indulgent father.
00:41:45Right.
00:41:46You've indulged yourself for 20 years.
00:41:47Made me miserable and sorry for you.
00:41:49Now I know why mother.
00:41:51Your mother has nothing to do with this.
00:41:52Leave her out of it.
00:41:53I'm not going to leave her out of it.
00:41:54She's my mother and I'm glad I found out she's a person instead of a rumor.
00:41:59And.
00:42:00And another thing.
00:42:02Whether you like Tim or not I love him.
00:42:05I'm not going to leave her out of it.
00:42:07I'm not going to leave her out of it.
00:42:08I'm not going to leave her out of it.
00:42:103
00:42:134
00:42:145
00:42:174
00:42:185
00:42:195
00:42:212
00:42:234
00:42:255
00:42:275
00:42:296
00:42:325
00:42:335
00:42:34Oh
00:43:04Oh
00:43:34Oh
00:43:55Give me another, will you, Murph? Okay. Make it two. Hi, beautiful.
00:44:00You look almost happy. I am, since you came into the joint.
00:44:05I'm sorry about what happened, Tim. I came as soon as I left Dad. How'd you leave?
00:44:10Alone. I wish we were alone.
00:44:13What would you do? This.
00:44:17Don't you worry, baby, we'll get along. After all, I've still got that comic strip running.
00:44:25You know, as far as your dad's concerned, he's through with me.
00:44:29But I'm not through with him.
00:44:32Neither am I.
00:44:34And we've got unfinished business.
00:44:37We could only find mother.
00:44:41You know, Tim, Henry might be able to help.
00:44:44Henry?
00:44:45Yeah.
00:44:46He's been shaving Dad for the last 30 years. He knows him better than anyone.
00:44:52Hey, Murph, give me a phone, will you?
00:44:54You got the number?
00:44:58Yeah.
00:45:02Um, this here.
00:45:10Hello, Henry.
00:45:11Oh, hello.
00:45:12Hello, Henry.
00:45:13Say, they didn't have saloons like this when I was your age.
00:45:16Bob Henry.
00:45:17Oh, so that's what they call them now.
00:45:19What do they have?
00:45:20Lemonade.
00:45:21Lemonade?
00:45:22I get what you mean, but what's in it?
00:45:25Lemons, sugar, and water.
00:45:27Lemons, sugar, water.
00:45:29Henry, I thought you might be able to tell us something about Mother.
00:45:33Where can we find her?
00:45:35Well, she spends her winters in California, the summer season in Connecticut,
00:45:39and the play season here.
00:45:41Then she should be here now.
00:45:43Well, if she is, she's at the Tower Hotel.
00:45:45Tower Hotel?
00:45:46She's a writer, you know, under the name of Lacey Thornton.
00:45:56Don't get excited, darling.
00:45:57Oh, I'm not excited.
00:45:59I just realized what this means.
00:46:01You see, I've never seen my mother.
00:46:04Now that you're going to see her, you wonder what she's like.
00:46:07Yeah.
00:46:08What is she like you and me?
00:46:12Well, there's only one way to find out.
00:46:24Do come right in.
00:46:29Oh, it's such a relief to be with young people.
00:46:32You know, usually I'm interviewed by these horribly businesslike people
00:46:35who insist upon pinning you down to places and dates and, uh...
00:46:39Oh, I'm sorry, uh, mister...
00:46:41Jones, he's...
00:46:42He's going to be your son.
00:46:44That is, I'm going to marry him and I'm your daughter.
00:46:47Why, how delightful.
00:46:49Oh, I love romance.
00:46:50In fact...
00:46:52A daughter?
00:46:53A Betty?
00:46:55Oh.
00:46:56Oh, it just doesn't seem possible.
00:47:00Little Betty, grown into such a beautiful young lady.
00:47:04And about to marry such a beautiful young man.
00:47:07Oh, it's...
00:47:09Beautiful, period.
00:47:10Oh, oh, oh, do sit down.
00:47:19I wrote your story once.
00:47:20Let me see.
00:47:21It was the book before the last.
00:47:23No, the one next to that.
00:47:25Mother, Dad has been...
00:47:28Well, he hasn't been well and I thought maybe that we could help him.
00:47:33Oh, poor Phineas.
00:47:34He was always hard to understand.
00:47:37But he has done well in business, hasn't he?
00:47:40Haven't you heard?
00:47:41Oh, I've been away for months and months.
00:47:44Oh, ever so long.
00:47:46I used to do all my work in Europe and...
00:47:49Oh, it's so stimulating.
00:47:52Mother...
00:47:53Dad...
00:47:54Dad is quite ill.
00:47:56No, is he?
00:48:01What are you doing here?
00:48:03You're just the guy I'm looking for.
00:48:05I'm here to do you a favor.
00:48:07Here, grab a chair and hang on.
00:48:10You know what I'm gonna do?
00:48:11I'm gonna double your production and triple your income.
00:48:14You know...
00:48:15You know the way things are now.
00:48:16The American working man's got to have something besides an automobile
00:48:19and a house and a lot.
00:48:21He's gotta be made happy and he's gotta be kept happy.
00:48:24Give him music to make him happy.
00:48:26The American working man loves music.
00:48:28You can tell that by the way he jumps when the whistle blows.
00:48:31Why, sure, he just give him...
00:48:33Give him that music and just make his day a big, long, beautiful song.
00:48:37The sky's the limit.
00:48:38Give him that old razzmatazz.
00:48:40Okay, boys.
00:48:41Let him have it.
00:48:42Let him have it.
00:48:43Let him have it.
00:49:06Give him that razzmatazz.
00:49:08I'm getting tired of jazz.
00:49:11I'm plenty slick feller from North Dakota
00:49:15I've even seen a little bit of Minnesota
00:49:18Oh, give me that tea-yuck-a-too
00:49:20And let me holler wahoo
00:49:23Now people think I'm in a rut-a-bust
00:49:26Because they're often out
00:49:27Oh, give me that razz-a-m-a-tay
00:49:41Oh, give me that razz-a-bust
00:50:11Oh, give me that razz-a-bust
00:50:41Oh, give me that razz-a-bust
00:50:43Give me that razz-a-bust
00:50:46Hey, how'd you like it?
00:50:48Get that hardware and those spare parts out of here
00:50:50Absolutely no soul
00:50:53Miss Wilson
00:50:55Yes, sir
00:50:56Miss Wilson, get me a ticket on the train to California
00:50:58Make it the chief
00:50:59Go get it on the super chief
00:51:00I've had all I can stand at this
00:51:01I'm getting out of here
00:51:02If only he hadn't gone completely sour on cartoons
00:51:12Cartoons?
00:51:14What about cartoons?
00:51:16Why, uh, he was laughing at one the last time we were together
00:51:19Or, uh, next to the last time
00:51:22We had gone to a cafe
00:51:24Oh, a modest little place
00:51:26To celebrate the night before his 35th birthday
00:51:29That was the night he had the baby
00:51:32He had the baby?
00:51:34You mean me?
00:51:36No, darling
00:51:37A brain child
00:51:39He drew it on the wall of the cafe
00:51:42Poor Phineas
00:51:43His one ambition was to be an artist
00:51:45But, being artistic myself
00:51:48I realized he could never be a great artist
00:51:50And there's nothing worse than a poor artist, is there?
00:51:54No, nothing could be worse
00:51:55That's just what I told Phineas
00:51:57Oh, it was dreadful
00:52:00He created quite a scene
00:52:02Poor Phineas
00:52:04I never realized what that cartoon meant to him
00:52:07I can
00:52:08Maybe that cartoon was an ideal
00:52:10And you shattered it
00:52:11You took everything away
00:52:12Oh, uh, no, I didn't
00:52:13It was on the wall of the cafe
00:52:15Maybe it might revive something
00:52:18Give him a new life
00:52:19Tim
00:52:21Wouldn't it be wonderful if it would?
00:52:23Oh, but that was 20 years ago
00:52:25It surely wouldn't be there now
00:52:27Could you remember where the cafe was?
00:52:29Well, I don't know
00:52:31But it would be fun to try, wouldn't it?
00:52:33That's the chance we'll have to take
00:52:35I love to go places
00:52:37I remember once in London
00:52:39With the Earl of Catherstone
00:52:42Mother, is this your idea of a nice, cozy little place?
00:52:45I'm positive this is where it was
00:52:47Or is it?
00:52:50Good evening, sir
00:52:51A table for three, please
00:52:53Just a moment, sir
00:52:55Just a moment, sir
00:53:23A table for four, please
00:53:25Chainsaw
00:53:27Chainsaw
00:53:29W전에
00:53:30I love her
00:53:32Yes, sir
00:53:33No
00:53:34It's annoying
00:53:35Yes, sir
00:53:36I even thought
00:53:37I don't...
00:53:40No
00:53:42No
00:53:43Chelsea
00:53:44Unbelievable
00:53:46Love
00:53:47GUY
00:53:48Yes, sir
00:53:50Who
00:56:21That's exactly what I was hoping for when we came in here.
00:56:25Pardon, madame.
00:56:27Your table is over there.
00:56:28Oh, but we don't want to be over there.
00:56:32We want to be over here.
00:56:33Perhaps we could sit over there.
00:56:35Yeah, don't go yet.
00:56:48If you could remember approximately where it was.
00:56:51Yes, I remember.
00:56:52Yes, I remember.
00:56:52I remember it was, that wall.
00:56:54Was it near the corner?
00:56:56Yes, it was.
00:56:57Yes, it was in that corner.
00:56:59Now we're getting somewhere.
00:57:01Gaston.
00:57:02Oui, madame.
00:57:02Qu'est-ce que vous voulez?
00:57:03Je veux un pot.
00:57:04Je veux un pot.
00:57:05Un pot, s'il vous plaît.
00:57:07Oh, à des frères, madame.
00:57:08Et comment?
00:57:09Je veux un pot.
00:57:10What are you doing there, young man?
00:57:30Oh, excuse me, Curly.
00:57:31Monsieur, if you insist on annoying our guests, I'll have to ask you to leave.
00:57:35Pardon me, Junior.
00:57:37Junior, huh?
00:57:44Darling, didn't I teach you not to flirt with strange ladies?
00:57:46Oh, but you can meet some lovely people that way.
00:57:49Mother, would you say the picture would be about here?
00:57:52Yes, it would be right there.
00:57:54Only over there.
00:57:58What?
00:58:00How do you like that?
00:58:26No picture?
00:58:27No picture.
00:58:27No picture.
00:58:30Sorry, Gus.
00:58:31Pierre.
00:58:34Howdy, you're all wrong.
00:58:35I looked, the little man wasn't there.
00:58:37Madame, madame.
00:58:39But why an egg?
00:58:40I ordered roast beef medium.
00:58:42Madame, F is an egg.
00:58:44Baff is beef.
00:58:45You ordered F and not Baff.
00:58:47Why didn't you say that in the first place?
00:58:49Madame.
00:58:50Oh, he doesn't understand French.
00:58:53Probably born in Brooklyn.
00:58:56Well, I know it here someplace.
00:58:58Then it's very simple.
00:59:00Well, all we have to do is take all the paper off the wall.
00:59:02Oh, not all the paper.
00:59:04Just the part of the picture.
00:59:06See, we couldn't do that.
00:59:09Now, supposing the picture was here.
00:59:12Oh, the picture isn't there.
00:59:17All you have to do is put the piece back.
00:59:19The baby.
00:59:21There it is.
00:59:22Right where I said it would be.
00:59:24Would you mind bringing our check?
00:59:34Mind?
00:59:35It will be a pleasure.
00:59:54I don't think Phineas would recognize his own work.
01:00:00But you've got to draw so that he will.
01:00:10I never pay bills.
01:00:12I just signed my name.
01:00:13I was afraid of something like this.
01:00:15I left to see the manager.
01:00:16That's a good idea.
01:00:18I hate to complain.
01:00:18But I think he ought to know how you've annoyed him.
01:00:24Gentlemen, observe that the original cartoon has its lines up, up, and up.
01:00:30That means that the creator of it was in the up mood.
01:00:34In other words, to say, happy.
01:00:36That's good logic.
01:00:37Thank you very much.
01:00:40How's that, Hattie?
01:00:41I really can't say, Timothy, but it does look a little like quack, quack.
01:00:45Don't you think?
01:00:46Could be.
01:00:47Keep it up, Tim.
01:00:47You're doing swell.
01:00:51Oh, that isn't it.
01:00:52But Tim, take a look at mine, will you?
01:00:53Yeah.
01:00:56Gentlemen, of course, I'm not an artist.
01:00:58But from the medical point of view, if Mr. Timothy will trade his nose with this gentleman's ears.
01:01:04Oh, no, no.
01:01:04He couldn't do that.
01:01:06But why?
01:01:06Because I like his nose much better.
01:01:09Thank you, Harry.
01:01:12Mr. Timothy.
01:01:13Yes?
01:01:14Remember that laughter that you wanted to put in bottles.
01:01:17Yes.
01:01:18Do you think that has commercial possibility?
01:01:20Oh, definitely, definitely.
01:01:24How's that, Hattie?
01:01:26Timothy.
01:01:27I just know that is not quack, quack.
01:01:29No?
01:01:30That's baby.
01:01:32All right.
01:01:33Let's go home.
01:01:33Let's put baby to bed.
01:01:34That's it.
01:01:35Congratulations to you, Mr. Timothy.
01:01:37keeping theérencement.
01:01:54Goodсь.
01:01:55I do not know this.
01:01:59You play my own fun.
01:02:00Good question.
01:02:00You play your heart?
01:02:01Yeah.
01:02:01You play your own good luck.
01:02:01You play my own good luck.
01:02:02You play my own good luck.
01:02:03You play your own good luck.
01:02:03Music
01:02:32R.P. We've got to hurry the cabs waiting I don't want you to miss this train I don't intend to
01:02:37Ah this is perfect for you California relaxation in the sun say by the way Hilton
01:02:45Betty happens to need anything now you look out for her won't you of course R.P. Leave everything to me you just get out in that sun
01:02:51Stop harping on that sun business will you I don't tan I burn I know that but as I was saying count on me forget the firm
01:03:00I've forgotten it already R.P. We've got to go the cabs waiting if you've forgotten anything I'll send it to you
01:03:05Hey who's taking this trip you or me?
01:03:08But you know I haven't seen finish for years and it gives me a funny feeling or am I beginning to be afraid?
01:03:13You don't have to be afraid we're doing all we can if he growls that to you just growl right back mother
01:03:18Oh uh are you taking a trip that was her father's bag?
01:03:24Yes he's off to California you'll excuse me there's a cab waiting
01:03:27Oh but he can't do that to us and not after all the trouble we've gone to
01:03:33Uh you just explain it to him mother
01:03:35Oh Phineas
01:03:40Why Hattie
01:03:41Phineas dear how wonderful you look after all these years
01:03:45Why it seems just like yesterday and we were so happy and you were so foolish
01:03:49I was not foolish
01:03:51Now Phineas if you're going to be stubborn I'll have to growl at you and remember you didn't like it before
01:03:56So don't be silly and do it all over again
01:03:58I am not silly
01:03:59Then why are you taking a trip?
01:04:01You took a trip a long one
01:04:03Oh but I like trips trips are so nice but you can't not that we've just found each other
01:04:09Oh Hattie my little flutter brain
01:04:12If you'll excuse me RP we've got to get going the train won't wait
01:04:15Hilton can't you see I'm busy
01:04:17A young man just explain to them that he'll be a few moments late
01:04:22Oh Phineas I want you to meet two of the nicest young people
01:04:25Hattie I don't want to meet any more people I've met enough people today forever
01:04:29That's such a sweet thought Phineas
01:04:31But we'll be all alone or almost and we'll see the picture together
01:04:34Picture?
01:04:35Yes it'll be like old times Phineas darling
01:04:39But I don't want to see any picture now or any other time and that's fine
01:04:42Father you sit right down
01:04:44Phineas you'd better do as she says
01:04:46I guess you're right
01:04:48Chip off the old block
01:04:55Why Paranoid?
01:04:56Now I know that I'm the Paranoid type
01:04:58I know that and we've been all through that
01:05:00But my name is not Nocivoti
01:05:02Now look I'm not the Paranoid type
01:05:06I doubt
01:05:07I don't want to see any more in the other room
01:05:09Before I come in and see a plurござい
01:05:12Nocfot
01:05:15Nocfot
01:05:16Nocfot
01:05:17Nocfot
01:05:19Nocfot
01:05:20Nocfot
01:05:21Nocfot
01:05:23Nocfot
01:05:24Nocfot
01:05:26Yes
01:05:27Nocfot
01:05:29I know
01:05:30Nocfot
01:06:01What do you know? Eleanor's back.
01:06:09Who's Eleanor?
01:06:13How am I doing now, Pete?
01:06:16Great. You're my baby.
01:06:25That's all I wanted to hear.
01:06:31Bye now.
01:06:34Ha, ha, ha, ha, ha.
01:06:36Ha, ha, ha, ha.
01:07:06Ha, ha, ha, ha.
01:07:20Ha, ha, ha, ha.
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