- 2 days ago
Category
😹
FunTranscript
00:00:00The
00:00:06The
00:00:10The
00:00:16The
00:00:22The
00:00:28Mi voto e mi rivoto, suspirando. Passo le notti interi, senza sogno.
00:00:46E' un'implicità, io contemplarlo. Mi passo di la notte, sino a giorno. Mi voto e mi rivoto, suspirando.
00:01:16Passo le notti interi, senza sogno. E' un'implicità, io contemplarlo. Mi passo di la notte, sino a giorno.
00:01:39La notte, sino a giorno.
00:02:08La notte, sino a giorno.
00:02:38Passo le notti interi, senza sogno.
00:02:47La notte, sino a giorno.
00:02:56La notte, sino a giorno.
00:03:05La notte, sino a giorno.
00:03:14La notte, sino a giorno.
00:03:23La notte.
00:03:24La notte.
00:03:25La notte.
00:03:26La notte.
00:03:27La notte.
00:03:28La notte.
00:03:29La notte.
00:03:30La notte.
00:03:31La notte.
00:03:32La notte.
00:03:33La notte.
00:03:34La notte.
00:03:35La notte.
00:03:37La notte.
00:03:39La notte.
00:03:40La notte.
00:03:41La notte.
00:03:42La notte.
00:03:44La notte.
00:03:45La notte.
00:03:46La notte.
00:03:47La notte.
00:03:49La notte.
00:03:50La notte.
00:03:51La notte.
00:03:52La notte.
00:03:53La notte.
00:03:54La notte.
00:03:55La notte.
00:03:56La notte.
00:03:57La notte.
00:03:58La notte.
00:03:59La notte.
00:04:00La notte.
00:04:01La notte.
00:04:04She always spoke of you and how it was important that you would come back someday to this house.
00:04:34You dirty old rascal, how the holy hell did they ever let you back here?
00:04:57How do you know?
00:04:58Oh, by the way, that's a very dangerous game to play.
00:05:02I mean it. Guys have been killed for doing that, so don't joke around or next time you'll end up in the family morgue.
00:05:08Every part of cruel, especially for the ladies, huh?
00:05:11Tell me, what was your average in Paris?
00:05:13Come on, how many?
00:05:14Probably two a day, huh?
00:05:15I've heard the French are eliminating adultery. They refuse to get married at all.
00:05:19And if they do, the husband will be given a maid to help out in case the dear wife gets a headache, is that true?
00:05:23You've become just as pernicious as an old rake.
00:05:26Well, I always liked a little bit of variety and I was born horny. I have no control over it.
00:05:32Well, let's have a look at you. You have the mark of the international traveler. You wear it well.
00:05:37Do I really?
00:05:38As a matter of fact, I've managed to do a little jet setting too.
00:05:41Twenty-five lure days in Turkey.
00:05:43Of course, it doesn't have the same charms as Paris.
00:05:45Well, well.
00:05:47So you've come back to blow your horn and bang it around.
00:05:50No, no. I have no match for the competition here. Don't worry. It's only for a week or two. I should go before the end of the month.
00:05:56Ah, I'm selling the horse. You've done well.
00:05:59I see you've done well.
00:06:00You've done well.
00:06:01I see you've done well.
00:06:02You've done well.
00:06:03In short, it's my success too.
00:06:04And not only in the trade.
00:06:05Ah, yes?
00:06:06Yes.
00:06:07You see, I don't have the vocation of the skull.
00:06:11But I don't even have the hornet.
00:06:13That hornet can become even without vocation.
00:06:16You've done well, you've done well.
00:06:20Eh, mon cher, la femme.
00:06:22Ou è santa? Ou è puttana?
00:06:24È nel nostro giro di santa. Io conosco solo la Sant'Agata.
00:06:28Beh, allora fammi un po' l'elenco delle vecchie amiche.
00:06:31Quelle puttane, eh, le sante, lasciamole perdere.
00:06:34Dunque, Rosa, Rosetta, Rosina, sono riuscito ad andarci a letto solo dopo che si sono sposate.
00:06:39Sì, perché prima si erano rifiutate per una questiona di onestà.
00:06:43Con la D'Amico, invece, non ci sono riuscito, perché si è sposata in Sud America con un'allavatora di bovine.
00:06:49Una produzione di connescatola.
00:06:52Rita Falazza, invece, l'ho perso un poco di vista, ma mi risulta che...
00:06:56...ha sposato come marito un fenomeno, sai, un potente completo.
00:07:00Ma non è che è un fenomeno perché è impotente, ma perché è impotente con sette figli.
00:07:04Invece, Mariella Lorusso non la vedo da molto tempo, ma so che non ha affatto un matrimone molto fortunato.
00:07:10Dicono che c'è un marito un poco cornuto. Mi stai a sentire?
00:07:15Ah, sì, sì.
00:07:17E a Caterina, vuoi dire, eh?
00:07:19Beh, che è rimasta vedova, lo sai, no?
00:07:21Sì, sì.
00:07:23Senti, ma non mi dirai che sei tornato qui apposta per lei?
00:07:27Diciamo che non me la sono mai dimenticata.
00:07:30E allora?
00:07:32Allora, vedi, Caterina, è una che non saprei se mettere o no nell'elenco.
00:07:37Ma tu la frequenti?
00:07:38Sì, sì, ci ho provato, ma niente da fare.
00:07:41È l'unica sconfitta della mia carriera.
00:07:43E d'altronde a Napoleone, che era Napoleone un perso a Batallò.
00:07:46E ci ho provato a marito vivo e a marito morto, sai, mica solo io.
00:07:50Ah, rien a faire.
00:07:51Allora è una santa.
00:07:53E come no.
00:07:54Sono sicuro che a letto farà maragola.
00:07:59Comunque, se non è una santa è una furba, che è più probabile.
00:08:03Mi piacerebbe incontrarla per caso.
00:08:05Ah, e per questo non è che ti devo preoccupare.
00:08:08Tu dammi un giorno di tempo che te lo organizzo io apposta.
00:08:10Un incontro per caso.
00:08:12E mi dici.
00:08:13Vestuale, eh?
00:08:14Here in Catania, they're slowly edging us out.
00:08:18Now that's a shock.
00:08:19But I maintain.
00:08:21In a democracy.
00:08:23If they ever gain control,
00:08:25then that would be the end.
00:08:27And that end is near.
00:08:31Yes, but it's true.
00:08:32I mean, it's evident to them now.
00:08:34Do you realize they're getting stronger each day?
00:08:36We'll all suffer.
00:08:37We ought to have a sense of responsibility
00:08:39to those same traditions that they want abolish.
00:08:42The two of us went into the dining room
00:08:44and she stood there waiting to see what I would say.
00:08:46Only what the hell could I say to her?
00:08:48She'd love it.
00:08:49She thinks she's getting in style.
00:08:51On Sunday, the moving vans came.
00:08:53And the next morning, they got their son registered in school.
00:08:55Really?
00:08:56Oh, I must tell you.
00:08:59Well, Danny is rather pitiful.
00:09:01His poor mind is vague.
00:09:03He gets mixed up.
00:09:04Well, this pretty girl is asking for information.
00:09:06You know, perfectly ordinary sort of routine question.
00:09:09So she asks him what the child's name is
00:09:11and he says, Claire.
00:09:12Odd name.
00:09:13Sex, she says, enormous.
00:09:16Sex, she says, man.
00:09:20I'm losing it.
00:09:21Don't worry, it's against the law.
00:09:22Hello, my boy.
00:09:23Miss Neera, I'm losing it.
00:09:24Don't worry, it's against the law.
00:09:28Yeah.
00:09:30Okay.
00:09:39Just say...
00:09:56Luisa, do you know Giuseppe Lagana?
00:09:59No, but I certainly did know your mother.
00:10:02Is it out, please?
00:10:06It's over 15 years, isn't it?
00:10:08Seems a lot more.
00:10:10Well, it's like being a witness to an historic meeting.
00:10:13When I write my memoirs, I can say I was there.
00:10:16And notice I'm going to the bar discreetly.
00:10:20Well, I imagine I look different.
00:10:26As a matter of fact, no.
00:10:28You've changed a lot, you know this?
00:10:30Well, yes.
00:10:31Why shouldn't I?
00:10:32They used to take their toll.
00:10:33What can we do?
00:10:35You were merely pretty.
00:10:37Now you're stupendous.
00:10:40People are looking at us, do you notice?
00:10:42Do you really care?
00:10:45Oh, maybe.
00:10:46I know who the gossips are.
00:10:48They're all here fishing.
00:10:49And a girl should consider her honor.
00:10:52We're all a little absurd with our sense of honor, aren't we?
00:10:56I was joking.
00:10:58Are you staying through the summer?
00:11:00Well, that depends, I guess, on you.
00:11:05Louisa, wait.
00:11:06What for?
00:11:06I just want to look at you without anyone around, that's all.
00:11:12Well, go ahead then.
00:11:13But hurry before any of our friends comes and notices is why they'd think I was flirting while my husband's in Milan for four whole days.
00:11:20Time is up.
00:11:21I see.
00:11:23No, I don't.
00:11:24I want you.
00:11:25You must know that.
00:11:26I...
00:11:26You're mad.
00:11:28You mustn't say that anymore.
00:11:30You haven't taken your vitamin C.
00:11:35You're a love.
00:11:36But this kind of conversation is offensive, mere sentimental muck.
00:11:40Forced to hear it from my husband, and that's certainly ample.
00:11:43And you must admit that you've got no right to assume that I'd choose to sacrifice his trust in me.
00:11:48I know that, but I'm...
00:11:49It makes me unhappy you're so cold and cruel to me, yet I still adore you.
00:11:53And you flouted as if it were nothing.
00:11:55Many times I thought of you being all alone, and...
00:11:59If I could come and talk.
00:12:00I like to talk, you know.
00:12:01Nothing ever important, but...
00:12:03Not a chance.
00:12:05I know your reputation.
00:12:07And when actually measured, who cares?
00:12:11Only this is there to say to you.
00:12:13So long it's been nice, and in case I see you at the bar.
00:12:17And let's just say...
00:12:18Louisa, meet me tomorrow at 6.45.
00:12:25Alfredo, you break a blood vessel or something.
00:12:38Well, I had the impression you were rather a timid soul.
00:12:42You seem so years ago.
00:12:44Soon as you walked in the room.
00:12:46I don't know, it seems like...
00:12:47It wasn't by accident.
00:12:49I was looking for you.
00:12:55How good is your memory?
00:12:57Don't worry, I don't forget a thing.
00:13:002-1-6-8-9-0-7.
00:13:04Here I am again.
00:13:06Sorry about that.
00:13:08Am I too soon?
00:13:09Oh, I think we've said it all.
00:13:11You can stay.
00:13:12I'll bet.
00:13:13Giuseppe, you're quite a character.
00:13:15They said so at the bar.
00:13:16It seems you have the status of a celebrity here at Catania.
00:13:20That you live in Paris.
00:13:21Only this I already knew.
00:13:23That you were the first to more platonic, that is, Catarina.
00:13:26But no one ever told me that.
00:13:28Louisa.
00:13:29I said platonic.
00:13:30I have a good arm.
00:13:32I'll call you.
00:13:32I hope so.
00:13:34Well, Louisa.
00:13:35It was very pleasant.
00:13:36I hope.
00:13:37I'll see you again.
00:13:37You will, darling.
00:13:38Whenever you decide.
00:13:40Au revoir.
00:13:40He's death for a woman.
00:13:46Affectionate, intelligent, handsome.
00:13:48What more is there?
00:13:49And a bachelor?
00:13:51I don't know.
00:13:52Oh, you're being sly.
00:13:54But that's not important, is it?
00:14:01You forgot it.
00:14:02I know.
00:14:032-1-6-8-0-9-7.
00:14:08Merci.
00:14:10Well, hello.
00:14:18Didn't you think I'd call?
00:14:21Why not?
00:14:22You said you would.
00:14:23How are you?
00:14:25Well, thank you.
00:14:27A little tired.
00:14:29You know, since I saw you last night, I haven't been able to think about anything else.
00:14:35I...
00:14:36I know.
00:14:38That's how I feel.
00:14:39Are you alone now?
00:14:44Yes.
00:14:44Can I come over?
00:14:46No, not here.
00:14:47No.
00:14:48Where then?
00:14:49Well, I don't know.
00:14:54Can you come tomorrow?
00:14:55How's your coffee?
00:14:56Not bad.
00:14:57I have lunch appointment.
00:14:59Can I come in, too?
00:15:00I do.
00:15:01You've got an admirer.
00:15:28You've been hiding things.
00:15:28I pray.
00:15:31It's okay.
00:15:39It's a very special friend your mama grew up with.
00:15:43Giuseppe and I went to school together.
00:15:45He was very important to me, almost like a beau.
00:15:47Does that mean something special to receive roses from someone, mama?
00:15:53Well, yes and no.
00:15:55Depends on the roses.
00:15:57Depends on the woman.
00:15:58Depends on the person who sends them.
00:16:00And your aunt doesn't appreciate dirty nails.
00:16:02I don't feel like going there.
00:16:03I'll end up hating some of the vacations if I'm forced to spend them there all the time.
00:16:07Oh, come on.
00:16:17She's very anxious to see you.
00:16:19It's not the whole summer.
00:16:20It's only a few days.
00:16:22Trade your big red rose for a smile.
00:16:24Is the man saying to a woman that he loves her when he sends her some flowers?
00:16:34Well, I know it says something.
00:16:36I suppose he's just saying...
00:16:38There's a car.
00:16:39Go ahead.
00:16:39Now, don't keep them waiting.
00:16:40Hurry up.
00:16:43Hey.
00:16:44And I've got to stay there all next week or what?
00:16:49Listen, you stay out of trouble.
00:16:51Then Sunday I'll phone, I'll talk to your aunt, and tell her to come back early Tuesday morning.
00:16:57Ciao, Bella.
00:17:14You just about ran into my daughter.
00:17:28Well, they've got to meet her later.
00:17:34I didn't thank you for the roses.
00:17:36They were lovely.
00:17:44Well, you have something to drink?
00:17:50All right.
00:17:55We are doing nothing wrong.
00:17:58You haven't any reason to worry.
00:18:14We are doing nothing wrong.
00:18:36Here's the cigarette.
00:18:39.
00:18:49With women, only at home,
00:18:52after they will restate the rest of the room,
00:18:55one from here and the other from here.
00:18:57It's the kind of respect, the courtesy.
00:19:00Hello, gentlemen!
00:19:01Oh, hello to your husband.
00:19:03What love, love!
00:19:05Thanks to the bed, but when I feel a mess of love, I ask for an example.
00:19:09K!
00:19:36An old tree in a park, a book I read, a sudden memory.
00:19:42For a minute I'm there before I know it does.
00:19:46Mysticism.
00:19:47Go away.
00:19:48You're in love. You're trapped. I knew it would happen.
00:19:50The object is to stop on this danger.
00:19:52Yes?
00:19:53The sound of pride. Did you hear that?
00:19:56His sense of pride is abused. Even pools have pride.
00:19:59I've got a little hair right up inside this nostril. It bothers me.
00:20:03You can't find it, can you?
00:20:05No, no, no. Not that one. This one has been itching for a whole hour.
00:20:11Ah, that's better. Thank you.
00:20:14Ah, to get up in a fine morning. To begin to prepare.
00:20:17For the intoxicating task of choosing between all the flowers in my meadow.
00:20:21And I'm happy because I have the freedom of choice.
00:20:24You, you plan to trade it for one old-fashioned perennial.
00:20:27That's a bad step.
00:20:28I know.
00:20:29It's not funny to you because you know I'm right.
00:20:31Although you won't admit it.
00:20:33But to break a date like that.
00:20:34I came up with those two for tonight and you're spoiling it.
00:20:36Now, where is there any harm in spending a few innocent hours
00:20:39with a pair of strippers from Hamburg?
00:20:41No complications, no responsibilities.
00:20:46Very relaxing time.
00:20:48But it's not for me.
00:20:49You can come or not, I don't care.
00:20:51I'll just have to squire both of them around by myself.
00:20:53But don't let that influence your decision.
00:20:55All right, I'll come then.
00:20:57Since I'm obviously needed.
00:20:59You must be joking.
00:21:00I could easily handle both and you know it.
00:21:02Nobody has equaled my past record for epic womanizing that I know of.
00:21:05I'm far out front.
00:21:07No, I mean, that's enough.
00:21:09That's fine.
00:21:10Come tonight if you can.
00:21:11You'll be doing me a favor, all right?
00:21:13Don't worry, I'll meet you about 11.
00:21:14I have a sneaky suspicion that you're going to forget.
00:21:17I won't forget.
00:21:18No, no, no.
00:21:19I was referring to women.
00:21:21You should look at things the way I do.
00:21:23A man's freedom is a gift not to be taken lightly,
00:21:26and that's something the youth of today understands.
00:21:28You got a lot of girls?
00:21:29I got four kids.
00:21:31What's so funny?
00:21:33He doesn't change anything.
00:21:35He's an exception, that's all.
00:21:36He's a little rabbit, this one.
00:21:42You're not a fool.
00:21:43The point is, you should try a new tactic, darling.
00:21:47Why bother?
00:21:52I'm not important to him.
00:21:54It's stupid to expect anything more.
00:21:59What's the point in tactics?
00:22:06We grew up together.
00:22:07After all, I went to school with Giuseppe.
00:22:09I knew his best friend.
00:22:13It seems so pointless to play games.
00:22:14I'm sure that's what he's doing, love.
00:22:16If you forget your pride.
00:22:18It's not pride at all, Louisa.
00:22:22We always have to start right back at zero.
00:22:27Mind as a child.
00:22:30Love.
00:22:31We start all over again each time.
00:22:33You're not making sense, darling.
00:22:35To jump to conclusions is silly.
00:22:37I know it's true.
00:22:38He could tell a thought.
00:22:39But it's hardly a tragedy.
00:22:40Who's making it a tragedy?
00:22:43Uh...
00:22:48Except I'm so mad at myself.
00:22:50I know you feel dreadful.
00:22:52You only.
00:22:54Come on, the truth now.
00:22:56Listen.
00:22:57I know I'm a bit of a tad.
00:22:59To put it nicely.
00:23:00Or you could save a penchant for wickedness.
00:23:03But fun is fun, I say.
00:23:05When you're going to fall, then you're going to fall, darling.
00:23:08Of course, it may be injurious to your pride.
00:23:11If you get used to it.
00:23:12And you'll forget it.
00:23:13Well, you're lucky.
00:23:20There's a spider in my room!
00:23:24I really mean it.
00:23:25It's a spider.
00:23:26A what?
00:23:27I thought it went out of the closet.
00:23:28Ooh.
00:23:29I wonder if he gets...
00:23:30Yes, all right.
00:23:31I'll be right there.
00:23:32Don't.
00:23:33I'm not going to stay.
00:23:34Ciao, Louisa.
00:23:35And don't worry, love.
00:23:36Auntie Cassandra says tomorrow we'll telephone.
00:23:39Ciao.
00:23:40That's your mind, do you?
00:23:41Ciao.
00:23:42All right, where'd our spider go?
00:23:44It's a big lie!
00:23:45It's a big lie!
00:23:46It's a big lie!
00:23:47What happened to you?
00:23:48What did you say that for?
00:23:49I wanted her to leave and I thought that would happen.
00:23:54I know she bores you, but then you don't understand her.
00:23:59Mama, tell me, do you still get flowers from that man?
00:24:03Get into your bed.
00:24:04Go ahead.
00:24:05Do you hear me?
00:24:06Uh-huh.
00:24:08No, he hasn't sent me anymore.
00:24:11All right.
00:24:13Down with it.
00:24:14Ciao.
00:24:17It doesn't matter, I'll come over there.
00:24:19Yeah?
00:24:20No, don't worry.
00:24:21No one will see me, I'll be careful.
00:24:24You've got to trust me.
00:24:27Because I want to show you something.
00:24:31Why not?
00:24:33I know, but don't worry.
00:24:34Don't worry.
00:24:37I want you to see it.
00:24:39Fine.
00:24:43Exquisite.
00:24:46But this is priceless, I can't.
00:24:56It belonged to my mother.
00:24:57I want you to wear it, please.
00:24:58I want you to wear it, please.
00:25:07It's great.
00:25:30Were you with a girl all this time?
00:25:32I was with Alfredo.
00:25:35Alfredo, Gijot.
00:25:37Ah.
00:25:39With two girls, then.
00:25:44I...
00:25:45I realized...
00:25:46you're what I was looking for, Catalina.
00:25:47And I think about those years without you.
00:25:57All empty, useless, meaningless.
00:26:02I go to others and try to find you.
00:26:10I remember a girl.
00:26:12She used to pray for this, you know.
00:26:15For God to make Giuseppe hers.
00:26:16Did she?
00:26:18And now you're mine.
00:26:20Mine.
00:26:22Mine.
00:26:24And you're mine.
00:26:30I love you.
00:26:32I love you.
00:26:34I love you.
00:26:39Goody, goody. No school today, Mama.
00:26:42Why not?
00:26:43Because you forgot to set your alarm and it's after nine.
00:26:46Oh, God. What have I done?
00:26:51Mama Mia.
00:26:52I overslept.
00:26:55Did he give that to you?
00:26:57Oh, darling.
00:26:58That man.
00:26:59I mean, the one that likes you, did he?
00:27:01Did you see him again?
00:27:04And in Paris, people think most of it is money.
00:27:15A desperate pace.
00:27:17A peculiar way of living.
00:27:18One learns to adjust to it.
00:27:20One learns to adjust to it.
00:27:23Yet the tourist, after seeing the tour Eiffel in the Arc de Triomphe, is sure he knows all Paris.
00:27:30Yes, but I heard the girls are a lot prettier.
00:27:33Where do you hear that?
00:27:34Yes, I know.
00:27:37They're often plain there.
00:27:39Here, they're all pretty.
00:27:40Ah, and the French can be so gallant.
00:27:43You've managed to emulate that, I noticed.
00:27:45How come you took down a picture of your father?
00:27:48Ah, we've got it in the other room.
00:27:50It's a lot better suited for a desk than hanging against a wall.
00:27:53And, Mom, we're going in my room.
00:27:54Ciao.
00:28:00Mama Mia.
00:28:03There's a man that's fast.
00:28:06I think she's no dope.
00:28:08I like her.
00:28:09Very important, you like her.
00:28:11That and more.
00:28:12I better have adored her anyway.
00:28:14I thought it was my idea.
00:28:15And she was the one to run to the rescue.
00:28:20It was a silly idea.
00:28:22She really adored Antonio.
00:28:25Maybe I had no right to take it down.
00:28:28I think she probably understands what you wanted.
00:28:30And she loved him.
00:28:34And then to the last time.
00:28:37Ah.
00:28:38Buongiorno, senor.
00:28:39Yeah.
00:28:40The power of love can change the weather, I see.
00:28:42It's too early to tell.
00:28:43Well, let's hope to progress.
00:28:44Why not see me like that?
00:28:50I suddenly realized something.
00:28:53It's not so terribly important what others think.
00:28:56You have a daughter and what concern for her?
00:29:00She could have misunderstood.
00:29:01That's what I was afraid of.
00:29:03The others aren't important.
00:29:04They mean nothing.
00:29:05Nothing.
00:29:05It was in there.
00:29:27It was in there.
00:29:29It was in there.
00:29:31Yes.
00:29:32And your father and my father went into the study as soon as it was gone.
00:29:39No one realized that we've been left alone.
00:29:42I was here in the dark looking out the window.
00:29:44And then I saw you come in.
00:29:47And then I saw you come in.
00:29:48Yes.
00:30:08Well.
00:30:10Mom, is it okay if I go for a swim?
00:30:28Go ahead, as long as you're not late.
00:30:31Do you mind?
00:30:32Of course not.
00:30:33Ciao.
00:30:34Buongiorno.
00:30:34You know, I think she likes treating you as a father.
00:30:40I hope that doesn't terrify you.
00:30:44No.
00:30:47You going to sleep here?
00:30:51You really want me to stay?
00:30:53Yes, I want you to.
00:30:56Good night, Gracie.
00:31:04Good night.
00:31:34Arriba! Arriba!
00:31:36Girl, it's the volume.
00:31:39I'll go make some coffee.
00:31:41Hey!
00:31:42No, say yeah, go for dinner.
00:31:45If they get on your nerves,
00:31:46you can't get them off.
00:31:48Ow!
00:31:50That's so loud, I thought.
00:32:04I can't see now for something
00:32:15you sing with love I do.
00:32:17I'm setting it up.
00:32:19Listen, Mr. Wicks.
00:32:21Oh, wait, I feel sorry to be back.
00:32:27It is.
00:32:28May I have a time, Lord?
00:32:30Oh.
00:32:34Do you want the banana?
00:32:55Oh, you're dancing to the floor.
00:33:06Oh.
00:33:17Oh.
00:33:18Oh.
00:33:19Oh.
00:33:20Oh.
00:33:21Oh.
00:33:22Oh.
00:33:23Oh.
00:33:24Oh.
00:33:25Oh.
00:33:27Oh.
00:33:28Oh.
00:33:29Oh.
00:33:30Oh.
00:33:31Oh.
00:33:32Oh.
00:33:33Oh.
00:33:34Oh.
00:33:35Oh.
00:33:36Oh.
00:33:37Oh.
00:33:38Oh.
00:33:39Oh.
00:33:40Oh.
00:33:41Oh.
00:33:42Oh.
00:33:43Oh.
00:33:44Oh.
00:33:45Oh.
00:33:46Oh.
00:33:47Oh.
00:33:48Oh.
00:33:49Oh.
00:33:50Oh.
00:33:51Oh.
00:33:52Oh.
00:33:53Why are you carrying that basil around?
00:34:02Aprodisiac.
00:34:04My condolences.
00:34:05No, it's not for me.
00:34:07It's for the others, the dear souls.
00:34:09What souls, male or female?
00:34:11My boy, aside from you and me, there isn't a worthy cock on the walk.
00:34:14They pass from adolescence directly into senility.
00:34:17They're all hopelessly entounted.
00:34:19Female, the female.
00:34:20Now I feel it's our duty to help them.
00:34:23And what about you?
00:34:26Are you fighting the boredom?
00:34:28Deeply in love.
00:34:30Deeply.
00:34:31Naturally.
00:34:32Of course, for a cynic, it must be a bore.
00:34:35Yeah, you seem down, though.
00:34:37You're way off the mark.
00:34:38I'm in an excellent mood.
00:34:40It's not exactly euphoric, I would say.
00:34:43I wonder why.
00:34:44Your lover's a widow, therefore no infidelity, no crime of passion.
00:34:47A perfect setup, you know, I mean that.
00:34:49And to think that you live there,
00:34:51and with the blessing of a rather hot-blooded daughter.
00:34:54Graziella.
00:34:55Yes, but, uh...
00:34:57I only suggested that her interests were unusually mature.
00:35:00I didn't call her a putain.
00:35:02I think it's better if we just change the subject, Alfredo.
00:35:05She's a charming girl.
00:35:09Who says she's not?
00:35:11No, you've got to get yourself out of that situation.
00:35:14Please, I'm worried about you.
00:35:15No, let me explain.
00:35:16You're living dangerously.
00:35:17You don't consider the possibilities.
00:35:20How do you mean?
00:35:20I'll make it plainer.
00:35:24No man is a cuckold as long as he's not married, true?
00:35:27But a lover leaves an opening for a husband,
00:35:29so your status is fragile unless you marry Catalina.
00:35:32Let's say you do,
00:35:33but then she could choose to be untrue when they're inclined to,
00:35:36so it doesn't make sense to entertain the thought.
00:35:38Therefore, while you remain as her lover,
00:35:40cuckold,
00:35:40yet when she sleeps with him,
00:35:42she's being true to you.
00:35:43And even though you're single,
00:35:44you suffer as a true cuckold.
00:35:45You see, it's all hopeless
00:35:47because two cuckolds coexisting
00:35:49in the same household you can't have.
00:35:51So all this leads to a fight,
00:35:52each for the other under arrest.
00:35:53Either way, you lose.
00:35:57That has to be Piridello.
00:36:05Catalina.
00:36:15Why are you being rude?
00:36:18Didn't you hear me call?
00:36:19It did not apply to me.
00:36:22And when I read,
00:36:23I'm usually concentrating.
00:36:35What is that?
00:36:36Nothing.
00:36:42What are you reading?
00:36:43Nothing.
00:36:53How long has your mother been gone?
00:36:55Long time.
00:37:13How long has your mother been gone?
00:37:17Nothing.
00:37:19Really?
00:37:20Not long?
00:37:21Not long.
00:37:31What do you have been released?
00:37:32I'm constantly learning how many thousands of people'm out.
00:37:37I do not mind how many thousands of people are out there.
00:37:39What do you think I have ever been in your life?
00:37:43Let's go.
00:38:13I don't mean by that that I intend to give up my seat on a crowded bus.
00:38:26They're no more entitled to sit than we are.
00:38:27Let's say she's a nun.
00:38:29Ah.
00:38:31She's a fat nun.
00:38:33Then I don't mind.
00:38:34If you can't stand, then you shouldn't take a bus.
00:38:36And I'm including the old and the pregnant,
00:38:38for they should have bothered to plan things a little bit better.
00:38:40What about the routine we go through?
00:38:41Please, signora, sit down and so forth.
00:38:44It's idiotic and stupid, right?
00:38:45A woman makes love.
00:38:47And it's a known fact that most fine pleasure as we do, no?
00:38:49Fine, but what's the point of this farce?
00:38:51You call a woman up, candy, flowers.
00:38:53She meets you at two o'clock in the morning,
00:38:54and then you get less than a half hour together.
00:38:56It's a waste of time, no?
00:38:58If they want to call, let them call.
00:39:00I'm here and they know it.
00:39:01Oh, of course they call me every day,
00:39:03because I got them spoiled.
00:39:05Pronto, joyeux de la femme.
00:39:06Pronto, Alfredo, it's Louisa.
00:39:08Oh, child, darling, are you all right?
00:39:12What do you mean?
00:39:12I'm fine.
00:39:13I couldn't.
00:39:14Besides, you told me you were willing to wait until Thursday or Friday.
00:39:17What's the matter with you, man?
00:39:18What's happening to you?
00:39:19Listen, have you...
00:39:20It's impossible.
00:39:21No, I told you yesterday when you called,
00:39:23I thought we had a little understanding, my pet,
00:39:25that you tried to be just a teeny-weeny bit more patient.
00:39:28Please listen, I never called you, Alfredo.
00:39:30And if we have an understanding,
00:39:32it's that you were going to repair my pewter palm for me.
00:39:35Do you remember?
00:39:36Yes, I know.
00:39:38Only I can't tonight.
00:39:39But, no, tomorrow I'm going home.
00:39:41You want to play the proper jackass, huh?
00:39:43Well, there are those who appreciate it, but I'm immune.
00:39:46I can make it.
00:39:48I'll come over later.
00:39:49I just got through saying I'm immune.
00:39:53Don't be a fool.
00:39:55Your heart can take it.
00:39:56I'm sure it's not broken.
00:39:58Now, don't cry.
00:39:59Please, my pet, don't cry.
00:40:00You know what that does to me.
00:40:02I'm going to get very angry in a moment.
00:40:04Calm yourself.
00:40:05All X level is to bamboo.
00:40:07Vanessa is catch, so big sop sop.
00:40:11I know you do.
00:40:13All right, I'll be there after midnight, though.
00:40:16She's going insane, I tell you.
00:40:18She's going mad.
00:40:19She's going insane.
00:40:21Giuseppe.
00:40:24Wake up.
00:40:25Here's your coffee.
00:40:27Hey, wake up, you.
00:40:41Hey, I said to wake you before I left.
00:40:45See you after that.
00:40:47Ciao.
00:40:49Bye.
00:41:01Bye.
00:41:01Bye.
00:41:01Good, bye.
00:41:36You look so comfortable there.
00:42:06I bet I could sleep a whole week.
00:42:29I bet I could sleep a whole week.
00:42:59I bet I could sleep a whole week.
00:43:29I bet I could sleep a whole week.
00:43:59I bet I could sleep a whole week.
00:44:29I bet I could sleep a whole week.
00:44:31I bet I could sleep a whole week.
00:44:33I bet I could sleep a whole week.
00:44:35I bet I could sleep a whole week.
00:44:37I bet I could sleep a whole week.
00:44:39I bet I could sleep a whole week.
00:44:41I bet I could sleep a whole week.
00:44:43I bet I could sleep a whole week.
00:44:45I bet I could sleep a whole week.
00:44:47I bet I could sleep a whole week.
00:44:49I bet I could sleep a whole week.
00:44:51I bet I could sleep a whole week.
00:44:53I bet I could sleep a whole week.
00:44:55I bet I could sleep a whole week.
00:44:57I bet I could sleep a whole week.
00:44:59I bet I could sleep a whole week.
00:45:01I bet I could sleep a whole week.
00:45:03I bet I could sleep a whole week.
00:45:05I bet I could sleep a whole week.
00:45:07I bet I could sleep a whole week.
00:45:09I bet I could sleep a whole week.
00:45:11I bet I could sleep a whole week.
00:45:13Happiness?
00:45:14Certainly.
00:45:15You're the perfect example of Lady Bountiful.
00:45:17Look at Giuseppe, though.
00:45:19He looks like King John after he signed the Magna Carra.
00:45:24Darling, there is no question that you are blossoming, physically.
00:45:27You look like a flower.
00:45:30I feel sorry for your sway.
00:45:32He seems crestfallen.
00:45:34He's too beautiful.
00:45:35A little tired, though.
00:45:37Katarina, I'm going to keep a walk, do you mind?
00:45:39But we told the others we're going to play canasta. Well, it doesn't matter. No, you stay here. I'll come back to get you in a couple of hours
00:45:47Don't have to stay
00:45:49Don't eat your plan. All right. I was just telling Katarina that you look somewhat pale
00:45:55It's only an affectation an air of debauchery that irresistibly fascinates the meaning
00:45:59Mmm
00:46:05He could get me into trouble
00:46:08I'll take him when you're finished with him. If there's anything left
00:46:13I mean it, darling
00:46:23Tommy
00:46:25I
00:46:30Forgot my lighter. Mama's not here. She's playing canasta. I see
00:46:35Why did she leave here? I don't know about three ice bones
00:46:55I
00:47:01You tired? No
00:47:25I
00:47:27I
00:47:29I
00:47:31I
00:47:33I
00:47:35I
00:47:37I
00:47:39I
00:47:41I
00:47:43I
00:47:45I
00:47:47I
00:47:49I
00:47:51I
00:47:53I
00:47:55I
00:47:57I
00:47:59I
00:48:13I
00:48:15I
00:48:17I
00:48:19I
00:48:21I
00:48:23I
00:48:25I
00:48:27I
00:48:29I
00:48:31I
00:48:33I
00:48:35I
00:48:47I
00:48:49I
00:48:51I
00:48:53I
00:48:55I
00:48:57I
00:48:59I
00:49:01I
00:49:03I
00:49:15I
00:49:17I
00:49:19I
00:49:21I
00:49:23I
00:49:25I
00:49:27I
00:49:29I
00:49:31I
00:49:33I
00:49:35I
00:49:37I
00:49:39I
00:49:41I
00:49:43I
00:49:45I
00:49:47I
00:49:49I
00:49:51I
00:49:53I
00:49:55I
00:49:57I
00:49:59I
00:50:01I
00:50:03I
00:50:05I
00:50:07I
00:50:09I
00:50:11I
00:50:13I
00:50:15I
00:50:17I
00:50:19I
00:50:21I
00:50:23I
00:50:25I
00:50:27I
00:50:29I
00:50:31I
00:50:33I
00:50:35I
00:50:37I
00:50:39I
00:50:41I
00:50:43I
00:50:45I
00:50:47I
00:50:49I
00:50:51I
00:50:53I
00:50:55I
00:50:57I
00:50:59I
00:51:01I
00:51:03I
00:51:05I
00:51:07I
00:51:09I
00:51:11I
00:51:13I
00:51:15I
00:51:17I
00:51:19I
00:51:21I
00:51:23I
00:51:25I
00:51:27I
00:51:29I
00:51:31I
00:51:33I
00:51:35I
00:51:37I
00:51:39I
00:51:41I
00:51:43I
00:51:45I
00:51:47I
00:51:49I
00:51:51I
00:51:53I
00:51:55It may be offensive, but she's married to a very small man.
00:51:59No, you see risks are no problem for suave seducer.
00:52:03A man gets old when he doesn't want to take them.
00:52:07He laughs instead whose loins are dead.
00:52:11Never is he.
00:52:13Giuseppe, you are being followed.
00:52:15No, no, don't turn around. It's Graciela.
00:52:19A cornucopia of child.
00:52:21Mediocrity is going to spoil that.
00:52:23Why
00:52:25Because my friend she'll end up married to a waiter.
00:52:29And listen, what is going on?
00:52:31Is she spying on you?
00:52:33Or is it the other way around?
00:52:37Excuse me.
00:52:39What did I say? Did I say anything?
00:52:41I didn't say anything at all.
00:52:51Giuseppe!
00:52:52Oh
00:52:58Ciao, this is Bibi.
00:53:00Hello.
00:53:01I thought you decided to go to the concert.
00:53:03I never said I was.
00:53:04I was sure you would.
00:53:06I'm not going to stay out because I got a lot to study.
00:53:08You want me to take you home, don't you?
00:53:10Yes, but only as far as the door.
00:53:12See you later. Bye.
00:53:14Bye.
00:53:15Bye.
00:53:17Bye.
00:53:23What do we do?
00:53:25Good for you?
00:53:27Good for you.
00:53:33Good for you.
00:53:36Is that your boyfriend?
00:53:37Oh, nobody's so bad at him.
00:53:39How would you say it?
00:53:40I see him sometimes, that's all.
00:53:43Is it just a friend or the one that...
00:53:44Yeah, that's the one.
00:53:45But I haven't known him for very long.
00:53:48Were you planning to come here together?
00:53:51He did ask, that's true, but I said no.
00:53:54I told him things weren't like they were before.
00:53:57Before what?
00:54:03Let's go up, do you want to?
00:54:06Hey, wait.
00:54:08Ciao, Mama.
00:54:10I was having ice cream with Bibi and we bumped into Giuseppe.
00:54:13Really?
00:54:14That was the problem.
00:54:15Beethoven.
00:54:26It's sad, how we get so lost.
00:54:31Go on.
00:54:35Because it's only by luck that you learned to love.
00:54:39You understand that now?
00:54:43I'm lucky.
00:54:44All the same.
00:54:46Knowing I could have missed that is frightening.
00:54:49Our meeting.
00:54:50You looked and you said, poor little ragdoll, and that was the first thing you said.
00:54:56And you might never have said it.
00:55:00I've forgotten.
00:55:03You have a good memory.
00:55:09Touch me, please.
00:55:20You know now, everyone, and you'll see what makes it?
00:55:21You've lost my memory this morning.
00:55:30Not at all.
00:55:35You could do this.
00:55:37No.
00:55:39Come on.
00:55:41The next thing?
00:55:43Not at all.
00:55:45The next thing is working on the floor.
00:56:46It's nothing.
00:56:51It was only a window, that's all.
00:56:55Your mother.
00:56:56Get out of this house.
00:57:12Catalina, let me explain.
00:57:15Nothing to blame.
00:57:16Get out of this house, I said.
00:57:18But nothing's happened.
00:57:20We haven't done what you think.
00:57:22Fine.
00:57:23Fine.
00:57:24Of course it was all a game, just kid stuff.
00:57:27I mean hell, if you did nothing, if you never took your pants down.
00:57:30Listen to me.
00:57:31I'm not trying to excuse myself.
00:57:35I only know I love you.
00:57:37And you and I have got to remain the same.
00:57:39But this is evil.
00:57:40What you've done is evil.
00:57:42But why?
00:57:43Why Graciela?
00:57:44My God, what's happening to me?
00:57:46What's happening?
00:57:47You've done this to a child, my own blood.
00:57:48Yet that meant very little, I imagine.
00:57:49Oh God, how can I?
00:57:50I trusted you.
00:57:51All right, calm down.
00:57:52At least try.
00:57:53We'll get nowhere if you go on like this.
00:57:54I offered to love you and it seemed right.
00:57:59All I, all I had.
00:58:00I didn't hold back.
00:58:01I didn't hold back.
00:58:03Oh, God, how can I?
00:58:05I trusted you.
00:58:06All right, calm down.
00:58:08At least try.
00:58:10We'll get nowhere if you go on like this.
00:58:13I offered to love you and it seemed right.
00:58:16All I, all I had.
00:58:19I didn't hold back.
00:58:22It was too much to keep inside.
00:58:24So much love for you.
00:58:28And yet I know it hasn't gone.
00:58:30Only it's confused so with loathe in you and the sick feel of nausea.
00:58:35But I know it's here inside me.
00:58:39Because you can't expect love to go away in a second.
00:58:42It dies slowly.
00:58:48It takes a while.
00:58:50And when it dies, whatever happens, I know.
00:58:54I'll feel only empty inside.
00:58:57Just empty dead.
00:58:59All right, I promise to go away from here.
00:59:01Just empty.
00:59:02But...
00:59:03Please, I beg you.
00:59:05Forgive me, Gazelle.
00:59:08You've got to forgive me.
00:59:09No, it's not that easy.
00:59:12No, that doesn't solve a thing.
00:59:13You can't get off that easy.
00:59:15My God, can't you keep it under control any longer?
00:59:17You bang it up there and you imagine everything's all right again?
00:59:20I love you just the same.
00:59:22You love an object, God damn it.
00:59:23You had the love of a woman, only it seems to have meant nothing.
00:59:26It's all the same to you, isn't it?
00:59:30I'm only where you put it, whenever it gets cold, huh?
00:59:35Love.
00:59:37Being in love for you is using that.
00:59:40Only you don't understand.
00:59:41Whatever the hell it's for, love doesn't mean that.
00:59:43No, my dear sir, get that into your head.
00:59:45No, that's not all there is.
00:59:48No.
00:59:49No, it's more.
00:59:51I thought you realized that you knew what it means.
00:59:54But...
00:59:56I couldn't have invented it all.
00:59:59You made a choice, so did I, because I needed you.
01:00:02I needed you.
01:00:04Oh, I...
01:00:06I know, of course.
01:00:08For the modern man, the word fidelity is out of use.
01:00:12But I trusted you entirely.
01:00:14And that's the one thing you ignored.
01:00:16You canceled everything.
01:00:18Just like that.
01:00:19But what's the use?
01:00:21What does it matter anymore?
01:00:23I'll get over this somehow.
01:00:25I'm old enough to take care of myself.
01:00:27But Gratella, no.
01:00:29Gratella, no.
01:00:31You see, I don't worry about me.
01:00:34But she...
01:00:35She's only a baby.
01:00:37She's got the right to be young a little while longer.
01:00:40Do you have to spoil that too?
01:00:42Another woman, that's easy.
01:00:44All right, I know, I understand.
01:00:46You took my daughter though.
01:00:47How am I to forget that?
01:00:49A mere child, can't you see that?
01:00:51Only a small child.
01:00:52I mean, is there a reason
01:00:54that your body demands the body of a baby?
01:00:56Because it doesn't mean the same thing.
01:00:58They suffer inside.
01:01:00Their minds, their hearts are open.
01:01:02Do you know what that means?
01:01:04She doesn't know what these things are.
01:01:06She's incapable of that.
01:01:07She's incapable.
01:01:08That's enough.
01:01:09She's only a baby, can't you understand?
01:01:11There's time for her to learn.
01:01:12There's time for her to understand.
01:01:14There's time.
01:01:15There's time.
01:01:16There's time.
01:01:26There's time for her to who you are.
01:01:53Get dressed. You're going away.
01:01:56You don't want me to go to school?
01:01:58That's right. Not today.
01:02:00Where am I going?
01:02:01I'll stay with your aunt.
01:02:04At least until I find you a decent boarding school.
01:02:07I'm gonna pee my pants.
01:02:12I'm not going away to any school.
01:02:16You're being nasty, that's all.
01:02:17I promise that I'll be good, Mama, but if I have to go away...
01:02:24But Layla.
01:02:26I don't think you realize.
01:02:31I don't think you know what you've done, do you?
01:02:33I do, and I'm very sorry about it.
01:02:42I no longer feel I can count on this.
01:02:44Then you'll have to count on Giuseppe.
01:02:48Giuseppe has nothing to do with it.
01:02:50We're not speaking of Giuseppe.
01:02:51Giuseppe won't be coming back.
01:02:52You won't be seeing Giuseppe at all.
01:02:53Understand?
01:02:54You and I were talking about what happened last night.
01:02:56What you've done, and what you've done to me.
01:02:58Do you have any idea?
01:03:00You're hurting me.
01:03:02Mama.
01:03:17But you...
01:03:20Let's go.
01:03:24Let's go.
01:03:26Let's go.
01:03:27Gazzella, io non voglio punirti.
01:03:36Non è questo che voglio.
01:03:39Ma quello che è successo è molto grave, sai.
01:03:44Molto grave.
01:03:45Se ci fosse tuo padre...
01:03:50Se ci fosse mio padre, non ci sarebbe Giuseppe.
01:03:55Giuseppe.
01:04:03È vero, è giusto, hai ragione.
01:04:06Ho sbagliato tutto.
01:04:07Tutto.
01:04:08Ma adesso riparerò.
01:04:13Adesso mi difenderò e difenderò anche te.
01:04:19A costo di soffrire.
01:04:20A costo di rimanere sola come un cane.
01:04:23A costo di mandarti via.
01:04:26Giuseppe non permetterà che tu mi mandi via.
01:04:29Giuseppe non permetterà che tu mi mandi via.
01:04:31Giuseppe farà tutto quello che dico io.
01:04:44Non è vero.
01:04:45Se tu mi farai delle cattiverie, lui mi difenderà.
01:04:49Graziella.
01:04:51Ho fame.
01:04:52Posso farmi un caffè latte o no?
01:04:57Graziella.
01:04:58Lui non ti deve difendere da me.
01:05:02Sarò io che ti difenderò da lui.
01:05:05Mamma, perché non mi dici la verità?
01:05:09Ma cosa intendi per la verità?
01:05:14A me sembra che hai ragione essere arrabbiata con me e con Giuseppe
01:05:18per quello che abbiamo fatto.
01:05:20Ma se adesso ti promettiamo di non farlo più...
01:05:28Graziella, ascolta.
01:05:34Ascolta, amore.
01:05:36Io non sono arrabbiata.
01:05:38Sono addolorata.
01:05:40E non solo per quello che pensi tu.
01:05:43Io...
01:05:45Vedi, io devo ragionare per te.
01:05:47Anche a costa di sembrarti cattiva.
01:05:50Mamma, senti, io...
01:05:54Ti giuro che sono pentita.
01:05:56Che non ti voglio più far soffrire.
01:05:58Che...
01:05:59Tutto può tornare come prima, mamma.
01:06:07Cosa intendi dire come prima?
01:06:09Cioè...
01:06:11No...
01:06:12Come prima...
01:06:14Quando...
01:06:15Quando...
01:06:16Non era successo niente.
01:06:18Ma...
01:06:27Ma...
01:06:28Ma...
01:06:29Ma...
01:06:30Ma...
01:06:31Ma...
01:06:32Ma...
01:06:33Questa è una cosa più facile.
01:06:37Ma è una cosa più facile.
01:06:38È una cosa più facile.
01:06:39È una cosa più facile?
01:06:40Ma...
01:06:41Ma...
01:06:42Non quando c'è proprio il risultato e il risultato.
01:06:44I think he should come back here right away.
01:06:49Come back here?
01:06:51What do you mean by that?
01:06:52You mean that he should stay here?
01:06:54I promise you nothing will happen.
01:06:56Please don't make me leave here or you wish you hadn't.
01:07:00Touch with each other.
01:07:02It's very easy to get letters to a friend.
01:07:05We'll see each other.
01:07:07You won't force me into anything.
01:07:10Sending me away isn't going to help, Marla.
01:07:12I thought you could be trusted alone again.
01:07:21You can trust us.
01:07:24I mean it.
01:07:26I do. I swear I do.
01:07:32If you mean it.
01:07:35If you mean it, darling.
01:07:39Don't ever let me down.
01:07:42E lui?
01:07:52E lui?
01:07:56Lui deciderà come vuole.
01:08:02Vuoi un caffè?
01:08:02No.
01:08:10No, Grazie.
01:08:12Graziella non è innamorata di me.
01:08:14Era un gioco per lei.
01:08:15E sono caduto in basso.
01:08:17Ma sapendo quello che c'è stato fra di noi,
01:08:19credi veramente che questo abbia l'importanza che gli dai tu?
01:08:21Un gioco.
01:08:22Un gioco.
01:08:23Non per me.
01:08:24No, un gioco.
01:08:25I only know that I'm in love with you.
01:08:28You're everything to me.
01:08:29But you're now suggesting something that is utterly stupid, stupid, stupid.
01:08:32If we have to go on this way, on Graziella's terms, then let's forget everything.
01:08:36It's pointless.
01:08:37It can only destroy you and destroy her and destroy me.
01:08:40You're shouting, Giuseppe.
01:08:42You ought to have seen your face just now.
01:08:44But this is no solution.
01:08:45To me it makes no sense, Caterina.
01:08:47Fine, go ahead.
01:08:48Let's talk of sense.
01:08:49You've no more brains than a peacock.
01:08:51Do you think I wanted this?
01:08:53Not at all.
01:08:54I don't believe it at all.
01:08:56But it'll be worse without you.
01:08:58She'll suffer even more.
01:08:59This I know.
01:09:00This I know.
01:09:02And so we just forget about us.
01:09:05Is that it?
01:09:06Sure.
01:09:07Each go his own way.
01:09:09You can write the book.
01:09:10We have nothing left anymore.
01:09:14Don't be silly.
01:09:15I know that Mama knows that I see you here.
01:09:17I don't believe.
01:09:18It's very true.
01:09:19It's just that she realized what she'd rather not say.
01:09:22I tell you, she does know.
01:09:23And I don't care.
01:09:28Why don't you care?
01:09:30Because I feel my mother's a perfect knucklehead.
01:09:32You shouldn't talk like that.
01:09:33Then you still love my mother?
01:09:35Yes.
01:09:37Even more.
01:09:39And me.
01:09:39Do you love me more than her?
01:09:41It's not the same thing.
01:09:43I decided I don't want you to love anyone else.
01:09:46You gotta love only me.
01:09:48Better wait till you know what it means.
01:10:00I feel like I'm gonna love you all.
01:10:06I don't care.
01:10:12I feel like.
01:10:18I don't care.
01:10:18It was the time when the newspaper had sent me to Korea.
01:10:45It was remained a year.
01:10:47But what I made of the most interesting is a report in Africa.
01:11:00Sulla Guinea.
01:11:03You can also talk, no?
01:11:04Come no?
01:11:06Why don't you tell me what you've done yesterday?
01:11:08It'll be fun.
01:11:10Unfortunately, everything has become more fun than being here.
01:11:13And even if you enjoy it, you don't say anything.
01:11:16I don't focus on what she says.
01:11:23Excuse me, Giuseppe.
01:11:25I was serious.
01:11:26I was joking.
01:11:31We're going to the cinema, you want?
01:11:34No.
01:11:35I'm going to do it.
01:11:36And you would be bad if you study it a little bit.
01:11:39Oh, non è il caso che per ruolo del buon papà sai?
01:11:41Perché non dice tranquillamente anche lei che vai fuori a divertirti?
01:11:45Quando torni?
01:11:46Ci telefoniamo.
01:11:51Stupida!
01:11:51No, cioè sì, voglio dire, ho capito che c'è dell'attenzione
01:11:58Ma sa com'è Caterina
01:12:00E poi, magari con ragione
01:12:04Ma non è che Caterina si fidi molto di me per delle confessioni serie
01:12:09E io invece mi fido di lei, Luisa
01:12:11Ho bisogno di una cortesia
01:12:17Occorre che qualcuno che non sia io le parli
01:12:24Stia tranquillo, caro, che ci darò una mano
01:12:26Ecco, tra me e Caterina non può più andare avanti così
01:12:34Ah
01:12:35La situazione per me è diventata insostenibile, ma ormai non mi interessa più
01:12:40Bravo, così bisogna fare
01:12:42Fregarsene
01:12:43È che le cose si sono complicate
01:12:49Troppo
01:12:51E per quanto ci abbia pensato su, mi creda, non mi resta che chiudere
01:12:58Ma vede, Luisa, vede, è proprio questo che Caterina si...
01:13:07Si rifiuta di capire, lei pensa che non la ami più
01:13:10Ma benedetto Giuseppe, ma perché non se ne è rimasto a Parigi
01:13:16In ogni modo io sono dalla sua parte
01:13:19A Caterina posso cercare di parlare io, ma...
01:13:23A chi sa lei, chi è che lo fa
01:13:26Senti Giuseppe, io non so niente, non ci capisco niente, non ci voglio capire niente
01:13:30E alla fine non me ne frega niente
01:13:32E non te ne deve fregare niente
01:13:33E poi scusa, non è bello che devo sapere le cose dagli altri
01:13:36Non mi risposta, sono un progetto io
01:13:37Sono no prude, io sono
01:13:37Ha una prima parte
01:13:39Non mi roma, di quadrangos e orgi
01:13:40Io non ho fatto tutto
01:13:41Ma...
01:13:42Ma tu sei giustare con una bambina, con una bambina
01:13:44Ma fo' città, non è libero
01:13:45Lolamo, immorale
01:13:47Lolamo, senti e depredito
01:13:49Ora, na te la scende
01:13:49Ma io ci senti, non io
01:13:49Lo scende, io
01:13:51Lo scende, potremmo
01:14:01That playboy provincial morality.
01:14:02You, you're joking.
01:14:05What?
01:14:07Okay.
01:14:15Yes, I know.
01:14:17I'm going out of my mind, I tell you.
01:14:18I can't take it.
01:14:21I know, of course, the simplest thing to do is to go away.
01:14:24I haven't got that kind of courage.
01:14:26But what I worry frankly hasn't gotten into my head yet.
01:14:28I, no matter how hard I try,
01:14:30I can't understand how you,
01:14:34for someone as innately intelligent as you,
01:14:37how could you ever get entangled in a situation of this kind?
01:14:39I don't understand it either.
01:14:41That's the whole point.
01:14:43I find that after living as I've lived all these years,
01:14:45I've probably lost all the good sense I had.
01:14:48So by the time I realize that I'd let myself become a Charles Toy,
01:14:51it was too late.
01:14:53Graziella isn't going to suffer.
01:14:54She was only play-acting anyway.
01:14:56But I told you the truth.
01:14:58I love Katarina.
01:14:59I want her to believe me.
01:15:03God.
01:15:06I don't know what I'm doing.
01:15:08Do you understand?
01:15:09I don't know what to do.
01:15:09I don't know what to do.
01:16:40I don't care what you do, but I will not see her in agony.
01:16:45Graciela, no, not her.
01:16:47I don't believe she is. She's a young girl after all.
01:16:50They suffer no more. Forget about this bit of dramatics.
01:16:54How do you know?
01:16:55They're not tough inside. They suffer and horribly.
01:16:58As a matter of fact, she's hardly a child anymore. Thanks. Thanks again.
01:17:01What do you want from me? Just to go on fighting?
01:17:03I want you to continue to see her. Call her and ask her if she's all right.
01:17:07Don't let her think you don't want to see her. Don't always neglect her.
01:17:10You're the one I miss.
01:17:11I don't want to talk about her.
01:17:16There's nothing more.
01:17:21What would you do with the pieces?
01:17:22A woman demoralized without the respect of her own child.
01:17:26I deserve it. I deserve it. I admit that.
01:17:32It's all your imagination. I'm certain of that. Why worry?
01:17:34I've lost her.
01:17:35But you're wrong to feel that.
01:17:36No, Giuseppe. Don't you think I know?
01:17:39I don't know. I don't know how I'm going to regain it.
01:17:42But yet all this is proof to mean much more than that.
01:17:45I know no one's as guilty as I because I deluded myself.
01:17:48But you're wrong, wrong, wrong. You're not responsible. Not in any way.
01:17:52You're saying that isn't going to help me.
01:17:55Spare me your charitable manner.
01:17:57Why should you make my excuses?
01:18:01Listen, Giuseppe. I only ask you to do this.
01:18:04Be nice to Graziella. That's all. Be nice to her.
01:18:08You don't sacrifice anything. You owe her that much.
01:18:11Even if it's a lie. Don't let her feel you want to avoid her.
01:18:13You've got to make her feel that she matters to you, that she means something to you.
01:18:17Please.
01:18:18To me, that's useless, hopeless.
01:18:20To put an end to her, to be sure of the simplest way.
01:18:23Can't we be honest?
01:18:25God, how you talk.
01:18:27Could you explain yourself better?
01:18:29Oh, I see you're being honest because it suits you.
01:18:32It's got there in some time.
01:18:33You ended it. I got my notice by messenger.
01:18:36You imagine by sending Louisa, you can ease and soften my pain.
01:18:39That's amusing.
01:18:41And happily, we end the story.
01:18:43Well, it was nice.
01:18:44Pity it's ended.
01:18:45Bravo.
01:18:46Molto bravo.
01:18:47The man offers condolences a dozen roses.
01:18:49And on he goes.
01:18:51So that's why we're here.
01:18:53You told me to meet you.
01:18:55But you didn't make that clear.
01:18:58I thought you came to talk about Graziella.
01:19:00Forgive me.
01:19:01I thought you came to talk about Graziella.
01:19:06Yeah!
01:19:36Can't you swim?
01:19:56Or are you waiting for Graciela?
01:20:01I feel more like reading.
01:20:04You're not afraid of me, are you?
01:20:06You're being funny.
01:20:08I wouldn't like to feel I'm boring.
01:20:13Where's Graciela?
01:20:15It's too early.
01:20:17And if she sees the two of us alone?
01:20:19Why should it matter to Graciela if we're alone here?
01:20:22You and I know that.
01:20:24Yes, I know the whole thing.
01:20:26Why are you saying this?
01:20:27What are you hinting at?
01:20:28Watch now what you say, because I'm on to your game.
01:20:33Graciela tells me all.
01:20:35It's juicy, lurid fact.
01:20:38If you let me use your cabin, I might let you buy me ice cream and candy.
01:20:43I don't know who you are.
01:20:54să vă-a-a-a-a-a-a-a-a.
01:20:57Não vă-a-a-a-a-a-a…
01:21:01You've gone back, huh?
01:21:14Why didn't you tell me you were my friend?
01:21:15Giuseppe doesn't care about you.
01:21:16He can't.
01:21:17He doesn't mean anything to you.
01:21:19What did you do it for?
01:21:21I've been hoping to test this guy, but that can't affect you.
01:21:25He was fun, but thank you.
01:21:26He'd be old-fashioned.
01:21:26Anyway, he was your mother's lover before,
01:21:28and you didn't seem to care about that.
01:21:30You didn't know anything about it.
01:21:32Giuseppe loves me alone.
01:21:33Giuseppe loves me.
01:21:36He's mine.
01:21:39She really made a scene.
01:21:42Really belted it to Hong Kong.
01:21:44Giuseppe's mine.
01:21:45I don't want to hurt her anymore.
01:21:47Don't worry.
01:21:49She'll get over it.
01:21:51What do you care anyway?
01:21:52It's about time she grew up.
01:22:01And you also make a scene.
01:22:07Tell me about her.
01:22:11What do you care?
01:22:14She's in her shoes.
01:22:17She's in her shoes.
01:22:18She's in her shoes.
01:22:19Let me at the door.
01:22:19Let me at the door.
01:22:20Let me go.
01:22:21Let me at the door.
01:22:22She said, I'm...
01:22:23Let me at the door.
01:22:23Let me go.
01:22:24I'm a daddy.
01:22:25Let me at the door.
01:22:26I can't say anything, Mama.
01:22:55What do you mean? Try.
01:23:02Come on. Don't be afraid to tell me. I don't want to see you like this. Please don't. Don't cry, Gracie.
01:23:10She was there. I stood from his house.
01:23:17Who?
01:23:20Rosita.
01:23:23Rosita.
01:23:30I want him to love me and he hurt me.
01:23:35And he doesn't want me.
01:23:38He wants me.
01:23:39He said he wants me.
01:23:40You don't have to think anymore.
01:23:42We have to forget it.
01:23:43You're great.
01:23:44You're great.
01:23:46You're great.
01:23:48You're not going to treat me like that.
01:23:50You're great.
01:23:52You're great.
01:23:53You're great.
01:23:54You're great.
01:23:55You're great.
01:23:59No, don't cry.
01:24:08Cosas debofad.
01:24:29Passo le notti interi senza sonno, è difficile io contemplarlo, li passo di la notte sino a giorno.
01:24:59Li voto e mi riboto, suspirando, passo un culino interi senza sonno, è difficile io contemplarlo,
01:25:22li passo di la notte sino a giorno.
01:25:31Ben dia non posso ora più dormire, baci non devi più saprì tu cori.
01:25:47Cosas debofad.
01:26:17Finisce a morire.
01:26:23Li voto e mi riboto, suspirando, passo le notti interi senza sonno.
01:26:39Cosas debofad.
01:26:43Cosas debofad.
01:26:45Cosas debofad.
01:26:49Cosas debofad.
Be the first to comment