- 17 hours ago
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Short filmTranscript
00:00Good night, love. Hurry up now and keep walking.
00:10Good night, love. God bless.
00:30I'll show you my cock.
00:52Here. Where do you think you're going?
00:54Oh, you did give me a sword for a piece of a knife.
00:57going oh officer you did give me a start you know the rule about unaccompanied women being out in
01:03the streets after nine i was only going to be rooms yes where's that right down there all right
01:10hobbit is he about tonight is who about you know who or else what are you doing out in this damp
01:17im the murderer look hobbit the same as butchered all those girls either you buzz off or i'm going
01:24to walk you down to the police station all's will around here george
01:54so
02:10so
02:54What do I look like? Who can I be?
03:07All the blinking coppers is out after me.
03:09They think I'm here, they think I'm there.
03:12But when they come to collar me, I'll vanish in the air.
03:15Oh, what do I look like? Who can I be?
03:17Well, here's a bit of something you can say of me.
03:21I ain't a butcher, I ain't a kid, and I ain't a foreign skipper.
03:28I'm just your own dear loving friend.
03:36Yours truly, Jack the Ripper.
03:45A surgeon's scalpel.
03:48An instrument of mercy in the hands of a skilled physician.
03:53A lethal weapon in the hands of a madman.
03:56A murderer, such as the subject of our story for tonight.
04:00Now, no one knows who this man was.
04:02No one ever saw his face.
04:04His identity has always been one of the world's great mysteries.
04:07He killed only women, and only a certain kind of women.
04:13And his murders were often accompanied by a stranger, forbidding rights.
04:19For months on end, he terrorized London, defying whole divisions of police.
04:24And it was they who nicknamed him Jack the Ripper.
04:28Well, he disappeared from the scene as suddenly as he had come.
04:31But similar murders followed at intervals in other countries.
04:37There are many who believe that Jack the Ripper still walks the earth.
04:42Still continues his diabolical activities.
04:45That's a chilling thought.
04:50Especially when it's accompanied by highly convincing proof that it may be true.
04:55Let us discover the facts for ourselves in the company of such distinguished players as...
05:01Mr. John Williams, Mr. Donald Woods, Mr. Edmund Ryan, and Miss Nancy Valentine.
05:16I suggest that you viewers draw just a little closer together.
05:22The Ripper always struck down solitary victims, you know.
05:25It would be a pity if a member of our audience became dismembered.
05:30It would be a pity if a member of our audience became dismembered.
05:32If you remember, gentlemen, I sent you a telegram after the July killing.
06:01Watch for another murder in exactly 24 days.
06:07We've been getting all kinds of phony tips, crank letters, phone calls, all sorts of things.
06:13But that third murder did occur, didn't it?
06:16Exactly when I said...
06:20In the same district, in the same way.
06:24And I've flown in from Washington to tell you that there will be another murder three nights from now.
06:30What is he, a crystal gazer?
06:34I told you, Sir Guy's in the British Embassy.
06:37Medical liaison Captain Jago.
06:39M.D., fellow in the Royal College of Physicians, and ex-pathologist to Scotland Yard.
06:44Well, that's quite a record, but it doesn't mean you can see what's going to happen night after tomorrow.
06:47Sir Guy says there'll be six murders, all told, unless we stop them.
06:51What we have here is a psycho, a schizo.
06:59Isn't that right, Johnny?
07:00It's possible, Pete.
07:02Dr. Carmody is consulting psychiatrists with the police department.
07:05Now, why don't you talk this over with him?
07:07Captain Jago feels that the murderer is a psychopath whose aberrations are paranoid.
07:13That perhaps he's trying to imitate Jack the Ripper.
07:15I don't agree.
07:17It is Jack the Ripper.
07:18These murders have been repeated at certain intervals ever since they first began.
07:23Now, I have a chart here which shows...
07:24A chart. They always have a chart.
07:26All right, Pete. Let's see what it is, shall we?
07:29Now, these murders reoccur every three years and eight months, as rhythmic as the tides.
07:34For the past 70 years, they've left a trail of blood all around the world, and the record of it is here with places and dates.
07:42Now, they began in London in 1888, and the next group of six murders occurred in Jersey City, 1891-92, then Shanghai, then Vladivostok at the turn of the century, and so on and so on.
07:56Now, here are news reports, a police photograph.
08:01I worked on these cases for 30 years, been over the actual ground, talked with officials.
08:06Now, none of these Ripper murders received the notoriety of those in London.
08:10Many went almost unnoticed, but they did occur.
08:13The pattern is there, the trail of unsolved crimes.
08:17Now, here is the projection of the present series of murders.
08:21Look for yourself, sir. What does it show?
08:23Just what you said. Another killing coming up.
08:26But it can't be Jack the Ripper. If he's still alive, he'd be 90 or more.
08:30He is alive, and he's in the city.
08:33With Sir Guy, a man that age is a very frail creature.
08:37When a woman, anyone, is struggling for life, she becomes strong, desperately strong.
08:43A man the Ripper's age couldn't possibly handle him.
08:47Suppose he hasn't got any older.
08:50What was that?
08:51I said, suppose Jack the Ripper hasn't got any older.
08:55But everybody gets older.
08:58Police, doctors, maniacs, everybody.
09:01Not everybody, Captain Jacob.
09:03Well, with all respect, Sir Guy, you must admit that by the natural process of living...
09:08What about the unnatural processes of living and these most unnatural murders?
09:14Now, I've studied everything about them, especially their dates and the pattern made by those dates.
09:20I've studied their rhythm, the solar and lunar rhythm, the sidereal aspect, even the astrological significance.
09:26Now, suppose Jack the Ripper didn't murder for murder's sake alone.
09:33Suppose he wanted to make a sacrifice.
09:35What kind of sacrifice?
09:38Well, it is said that if the blood sacrifice is made at the proper time, with the proper ceremonies, when the moon and the stars are right,
09:47the gods grant a boon.
09:50A boon of eternal youth.
09:52You seriously suggest that Jack the Ripper is still young?
10:00You'll see for yourself if we catch him.
10:02I just don't believe it.
10:04No, we'll go into that another time.
10:07Now, I'll leave this material here with you, if you don't mind.
10:12You can find me at my hotel.
10:15But the important thing is,
10:18have I persuaded you to take special precautions three nights from now,
10:22and prevent another murder?
10:25I hope so, gentlemen.
10:29Lunar rhythms, blood sacrifices, boons of youth.
10:37This cookie is really crumbling.
10:39You know, if you really made an effort, I think you could get the other foot in your mouth.
10:43What do you mean by that?
10:44I think he means you might be more tactful, Pete.
10:48Tactful?
10:48I have got three unsolved killings on the blotter.
10:51I'm supposed to be charming to every flaco who comes in here with a cloudy crystal ball?
10:56That flaco, as you call him, happens to be one of the world's foremost doctors.
10:59And the mayor says we've got to humor him.
11:01Aha! Now it comes, the mayor.
11:04And all along, I thought that you were under Sir Starchi's spell.
11:08It is possible, Pete, that you've been talking when you should have been listening.
11:12All mouth and no ears at all.
11:14No, I mean it.
11:15We have three murders here, and not a single clue.
11:17And in comes a man, not just any crackpot, mind you, with a theory.
11:21Unnatural process is eternal.
11:23Are you kidding?
11:25Not at all.
11:26He predicted the latest killing, gave you the date and the district.
11:28He did that.
11:29And now he says he can tell you when the next murder will take place.
11:32Bourgeois.
11:34Have you got any better theories, Captain Jago?
11:37Well, since you don't, obviously, you will extend, Sir Guy, every courtesy and cooperation.
11:42You know, he may win you a promotion in spite of yourself.
11:45You know, I love you.
12:01shouldn't jago be back manor he's getting reports from his men he has quite a few of them staked
12:27I think this is him coming now
12:33give her the phone
12:48come in 14 this is 12
12:53anything over there
12:55yeah
12:59well keep your eyes open
13:02I think this is him
13:09I think this is him
13:11I think this is him
13:18I think this is him
13:25I think this is him
13:32give me the mic Joe
13:34yeah Charlie
13:40Jago
13:41back already
13:42yeah I'm back
13:43everything okay there
13:44yeah we got the whole area blanketed
13:46walkie-talkies at every stake on
13:48you've got an awful lot of ground to cover
13:50yeah
13:51we're checking every alley and dead end five times an hour
13:55can you close in fast enough
13:57hmm
13:58well if we get an alarm we can surround any spot within 30 seconds
14:02let's hope he shows
14:04well if he does we're ready
14:06I'll talk to you later
14:09do that
14:11I'll talk to you later
14:18so we are going by your chart sir guy waiting for the ripper but that doesn't mean I buy it
14:2390 years old and still looks like a young man
14:26evidently you've never heard of the comte de Saint-Germain
14:29the count who
14:30Saint-Germain
14:31it's a matter of record that for 150 years he remained unchained
14:34he was attached to the French court
14:36Voltaire called him the man who never dies and who knows everything
14:39he'd never tell how old he was or where he came from
14:41are you trying to tell me that this count and the ripper are the same
14:45no no no
14:46he was a fabulous character
14:48no one ever saw him eat
14:50are you kidding
14:51it's a mystery how he prolonged his life but he did
14:54your modern medical science are working toward the same end today
14:58but I believe Jack the Ripper has achieved his own dark and dreadful way of doing it
15:04what do you mean by that
15:06well I think somehow he thrives on the very lives he takes
15:11most of his murders are like satanic rites
15:15blood sacrifices you mean
15:17well it goes deeper than that
15:20well if he's in the city a cook like this wouldn't be hard to spot
15:24Sir Guy thinks he may be associating with the avant-garde
15:28of painters and musicians
15:30well John is he
15:32what do you mean
15:34well he means most of them end up in my studio
15:36your studio?
15:38a vestige of my misspent youth
15:40you may not believe this Sir Guy
15:42but before I went into medicine I studied sculpture
15:45and I still have some of my bohemian blood
15:49artsy crafty
15:51hocus pocus
15:52there's a lot of hogwash
15:53superstition
15:55like the way people used to believe that a murdered man's eyes would open
15:58if the person who killed him passed by
16:01his wounds start bleeding again
16:04believe me those things don't happen
16:06I know
16:07I've tried them
16:08I'll tell you something else
16:10I don't believe anybody's gonna get knocked off tonight
16:14the ripper will come
16:16he has to
16:18no we'll see
16:20I'm just gonna check around again
16:38you live around here?
16:58yeah just up the block
17:00we have orders to see all you girls safely off the streets
17:03why?
17:04we don't want you getting hurt that's all
17:06you really think this guy's around here?
17:09who knows
17:10come on let's go
17:29this your place?
17:31yeah down there
17:32you wait here while I check it out
17:36ok
17:37I'll be synced
17:39ok
17:46let me hear your boat
17:48ok
17:49come on
17:53let me hear your boat
18:34Hello?
18:56Yeah.
18:58Who's this?
19:04Oh, it's you.
19:06Yeah, sure I remember you.
19:08Yeah, I guess I could.
19:12Where's the party?
19:14Yeah, I know where it is.
19:16I guess 20 minutes, half an hour, I don't know.
19:20What's the number?
19:2257.
19:24Yeah, I got it.
19:2657 and just walk in.
19:28Okay.
19:29Okay, honey.
19:30See you in a little while.
19:32Okay.
19:34Okay.
19:36Okay.
19:38Okay.
19:40Okay.
19:42Well, anyway, I live in the next apartment, see?
19:44And I was gonna bring her a cup of coffee like I generally do.
19:48And I called to her through the window.
19:50And believe you me, I never saw anything like what I saw in that room in all my born days.
19:58You shouldn't get my name right.
20:00Maggie Radenick.
20:01I used to be a headliner in burlesque.
20:02Miss Bavoom of 1938.
20:04Miss Bavoom of 1938.
20:2440.
20:2540.
20:3040, 40, 41.
20:32Dr. Fisher, in the three previous cases here, did he follow a pattern? Were the mutilations the same?
20:46Not in the first killing.
20:47Well, the others were exactly like this.
20:49It's part of his ritual. He's always done it. Right back to 1888.
20:55All right, let the photographer have it a couple of minutes.
20:59We found the body an hour ago. Anything to work on?
21:02Not a clue. Nothing. He was here. He's gone.
21:06Nobody heard him. Nobody saw him.
21:08The guy was right again, wasn't he?
21:10And I'll give you another date, Captain Jago.
21:13The night of the 22nd.
21:15I can't worry about that. I've got enough here.
21:19When I think I had this whole section staked out, covered,
21:23and the papers, they'll go big for this one.
21:32As soon after Jack the Ripper disappeared from London,
21:52an artist said to be an American vanished from his lodgings
21:56and left some blood-stained clothing behind.
22:00Later on in Dusseldorf, after similar murders,
22:03the police learned of a man who spent all his time studying in art galleries.
22:08In Cleveland, a man who had vanished was said to be an art dealer.
22:11And in Bordeaux, France, they discovered an artist
22:15who always destroyed his pictures,
22:18which is what the man in London had done.
22:23Now, none of these men were traced.
22:26But I believe it was the same person each time.
22:29Sir Guy, tell them what makes you think the Ripper
22:32might be hiding among the artists here.
22:35Art is limitless.
22:37It would give him an interest in living.
22:41Also, he'd be less conspicuous among unconventional people.
22:45I still don't see how a man can be 90 years old and look young.
22:49Where is that chart you told us about?
22:52Well, the police have it at the moment.
22:53But you know, there's a strange rhythm to the Ripper's murders,
22:57just as there are cyclical rhythms which control other things.
23:00There are rhythms which control the sunspots.
23:04Every 17 years, a particular type of locusts, swarms and flies.
23:09Every 14th year, the price of nutmeg peaks, then drops again.
23:15But in the Ripper's murders,
23:18it's always 126 days between his first and second murder,
23:23but only half that, 63 days,
23:26between the second and the last, the sixth.
23:29Isn't it weird?
23:31I've heard of these rhythms.
23:33What causes them?
23:34Ah!
23:36That's one of the mysteries of the universe.
23:39Well, what do you want us to do?
23:41Sir Guy just wanted to tell us why he's here.
23:43Maybe we can help him.
23:44And when do you expect the Ripper to rip again?
23:46Sir Guy says Saturday night.
23:47Oh, but that's Les Beston's party night.
23:50That's right.
23:50You'll find almost all the local painters there.
23:53It's kind of a trade show, artists only.
23:54But we'll get you in.
23:56I'm just doing a picture for it now.
23:57That's right.
23:58And if anybody's interested,
23:59I'm ready for you to look at it right now.
24:04There you are.
24:06What do you think?
24:07I don't see why you had to paint me with all those dead flowers, Jaime.
24:19You just spoiled a good picture.
24:23If that's the way he sees you, Arlene, you can't argue with it.
24:26Oh, he's dropped little spats of oil on it.
24:36It's still wet.
24:37It looks like dew.
24:38But it's not.
24:39When I was painting it, I wanted to paint fresh, beautiful flowers, Arlene.
24:43But that's the way it came out.
24:45And that's not dew, Rowena.
24:47Those are teardrops.
24:48It's a guy who's been talking about cycles and rhythms and murder and things we can't account for.
24:55Well, like I said, I'm with him.
24:59All the time I was putting Arlene's face on that canvas, that song was going through my head.
25:06I'm your own dear loving friend.
25:08And I had a feeling with it.
25:12What feeling, Jaime?
25:14Come on, tell us.
25:17If you want to know,
25:19I'm feeling I'm standing looking down at wreaths and dead flowers.
25:25And my heart is weeping inside.
25:28And don't anybody ask who's below those flowers and wreaths.
25:36Jaime.
25:37You get the silliest, the most lunatic ideas.
25:42He's such a sensitive boy.
25:44Just look at his work.
25:46He's been reading about that girl.
25:48You know, they're burying her tomorrow.
25:50Isn't that right, Jaime?
25:52I don't know.
25:54But the feeling stays with me.
25:58You have a morbid imagination, Jaime, associating Arlene with that dead girl.
26:02Say, I have a wonderful idea.
26:04Why don't we all go down to the cemetery?
26:06I just love funerals.
26:08Look at the crumbs.
26:09Any one of them could be the ripper, or whatever he is.
26:20We may as well have a look around.
26:37You never know.
26:38When this is over, you watch this gate.
26:42I'll take the one down there.
26:43Amen.
26:44All right.
26:44Thank you, Phil.
26:44Amen.
26:45Amen.
26:47Amen.
26:56Amen.
26:56She's looking at us!
27:23She's looking straight at us!
27:51More gravy for the papers. Look at this from New York. Here she is right after the casket broke. The whole front page. And get this headline. Four murders and the last corpse opens its eyes. Here's another. Dead four days but who is she looking at? I've never known a four day old cadaver to open its eyes. Have you?
28:09Never. All nature's against it. Now I'd like to see what you think of this. You have four murder spots here. When there are six and you join them together in the right way, they'll form a sign.
28:23Now I have one here from the Black Mass. He formed it in Calcutta. And another he formed in Milan. The medieval sign for the Elzebub.
28:33But why does he do it? An invocation to the dark gods, perhaps. But if I could guess the sign he's making now, I could say approximately where the next murder will occur.
28:45Maybe you can figure it out. I intend to try. But it could be any one of a thousand.
28:51All this jazz about the Ripper living off the lives he takes. It doesn't make sense. If you told me it was his son or something, I might buy it. It might even be a psycho imitating the Ripper. But that is all it is.
29:06Leave it right there, Pete. And look at all the time we wasted on that crummy idea about the dead girl looking at them.
29:12Are you finished? No. And I don't think we should just stake out that arty party. I think we should do more than that.
29:19What gave you the idea we weren't? We're gonna move into that whole area with extra lighting. Flood lamps, field lights, keep the streets lit up.
29:27Do you think that'll stop them? No. It'll give us a better chance to see them. How about all those people you were discussing? Will they be at the party?
29:35Everybody will be there. Including Jack the Ripper? I believe he will.
29:49Ah, Sir Kai. Have some punch.
30:05Now, if only Lester would get here, we can get started. Lester! Lester!
30:27What color! What feeling! What a pity you'd have no talent.
30:36Oh, that's a nice hat, Chloe. I like it better every time I see it.
30:43It's positively egregious. It gives me a feeling, a certain something. Nausea.
30:54Ah, you do have taste, Rowena. Bad taste, but taste.
31:06Ah! Have you picked out the Ripper yet?
31:09No, not yet, Mr. Best.
31:11Let me tell you how to catch him. Everybody here knows Sir Guy. He's the man that's looking for Jack the Ripper.
31:17He thinks he's here among us. Tell you what we're going to do.
31:21We're going to put Sir Guy in the middle of a room and turn out all the lights.
31:24Then when you feel him at your throat, all you've got to do is grab him.
31:28Well, that's a very good idea, Mr. Beston. But there's just one little thing wrong with it.
31:33The Ripper is only interested in women. Excuse me. Ah.
31:39Well, now to the business at hand.
31:46I have to slip away soon on account of my little girl.
31:49It's her Jaime painted in the picture.
31:52You can see she has hair like mine, only...
31:55Well, only it's finer and it's much lighter.
31:58Yes, she looks charming. A natural platinum blonde.
32:02I'm proud of her.
32:05She stays with her grandmother most of the time.
32:08Well, she's been sick lately.
32:10Been in the children's hospital four days.
32:13You know, she won't even go to sleep at night until I go and say goodnight to her.
32:19I'm only waiting to see who gets the ribbons and then I'm going to leave.
32:23Oh, I... I wanted to see me looking, you know, pretty.
32:29You're more than pretty. You're beautiful.
32:33Well, I know I'm supposed to be, but...
32:37I've never been told that by anyone like you.
32:40That's something after all the English beauties you must know.
32:48After all, Mr. Carmody's counting the ballots now.
32:50And as soon as he gets it counted, he'll bring it over here.
32:52Last, here are the winners.
32:54Oh, thank you, Mr. Carmody.
32:59It's the gold ribbon.
33:03He's going to get that one first.
33:07The best picture in the room?
33:10Oh.
33:11Right here.
33:12Ah!
33:13Hi, Mr. Carmody! Hi, Mr. Carmody!
33:15Hi, Mr. Carmody!
33:16Hi, his picture!
33:17Hi, he won!
33:18I won!
33:19Yee-hoo!
33:20I won!
33:21Who cares about dead flowers now?
33:23I won!
33:24Oh!
33:25I'm going to slip away now, but I'm going to come back and congratulate him.
33:29Bye!
33:31Hi, Mr. Carmody!
33:33Hi, Mr. Carmody!
33:34Oh, thank you so much!
33:35Oh, wonderful!
33:36Where's Aline?
33:37Where's Aline?
33:38She's gone to the children's hospital.
33:40She said she'd be right back.
33:41We'll tell her later.
33:42I won!
33:43I won!
33:44What's up!
33:45Thank you!
33:46He's even moreride!
33:48He's from you.
33:49I won!
33:50It's here!
33:52We'll see you later.
33:54Thanks!
33:55Well, thank you so much!
33:56I can't wait for you.
33:58I can wait for you.
33:59Thank you very much.
34:00My brother's baby!
34:01And I'm ready for you.
34:02My brother's baby!
34:03I'm ready for you.
34:05You may be too late.
34:06I'm ready to ride.
34:07I can't wait for you.
34:08I can't wait until you see how fast.
34:09I'm ready.
34:12And I'm ready!
34:13...
34:16...
34:17...
34:20...
34:24...
34:26...
34:32...
34:35...
35:10All the while, all the while I had that feeling there'd be dead flowers, me looking down on them, and here I am, been coming here every day.
35:40What gets me, did I know something was gonna happen, like it was fated, or did I give somebody the idea?
36:21Well, I used to think about marrying Arlene.
36:26You know, we got along real fine, and...
36:29Let's go, huh?
36:41Hey, listen, wait a minute.
36:43You think I ought to talk to the police about it?
36:44I don't think it would help, Jaime.
36:47Everybody knew about the painting, and about the child being in the hospital.
36:52Yeah, I suppose so.
36:54It's just an idea.
36:55I get the shivers when I think about that Ripper being around all the time, and nobody knows him.
37:04He's five down and one to go now, isn't that right?
37:07Does your chart say when he'll do the next?
37:10Nine days after that happened.
37:13And a week has gone already.
37:15You all know what that is, of course.
37:33Crooks Capitata.
37:35Also called the Christian cross, the sign of signs.
37:38No single emblem is more exalted.
37:40Now, I said that the Ripper was making a sign on your map here.
37:45This is where Arlene was murdered.
37:48Now, I found a sign which fits these five spots,
37:52and I think it indicates where he will attempt his last killing.
37:56It's a sign used in the irreligious black mass.
37:59The broken cross.
38:03See where this falls?
38:05Ferry Street and Bow Lane.
38:07I worked out the exact spot.
38:08It's the north corner.
38:10The north corner.
38:11Well, you know the place.
38:12A lot of arty people used to go there.
38:14Yeah, it's changed hands.
38:16They've got strippers in there now.
38:17Now, I've seen that sign before.
38:19Our vice squad raid some very peculiar places.
38:23They don't just use the broken cross in the black mass.
38:26They break a crucifix.
38:27Yes, I know.
38:28Now, sir, Guy has been right about the date.
38:31I think he's hit the place this time, too.
38:33Yes, but that may be the wrong sign.
38:37Now, this one, this one fits all five places,
38:40but it sets the six over here.
38:45This is the devil's eye.
38:48Of course, these signs are a debased form of art.
38:51Here, try the others.
38:52I think you'll find they all turn out differently.
38:55Well, anyway, we're gonna have to cover the whole area again.
38:58Can't just concentrate on Ferry Street and Bow Lane.
39:00Well, I'll use men out of uniform around there.
39:03The trouble is, we still don't know what he looks like.
39:06We don't really know who we're looking for.
39:09He could even be a woman.
39:11Well, let's go.
39:16We'll see you next time.
39:51Tell me, what goes on in a place like this?
40:01It's not what goes on, it's what comes off.
40:04No, I mean, what does one do?
40:07First of all, you check that umbrella and that hat.
40:11Then you sit at a table and order a drink.
40:14Then you watch some attractive young ladies disrobe.
40:18What? You mean, in the altogether?
40:21Yes, in the altogether.
40:24Well, it's not to lay a moment, old man.
40:51Ladies and gentlemen, Miss Beverly Hill.
41:29no thank you but i believe we'll get it she's exactly the sort of woman who attracts the river
41:59so
44:05Yes, good idea.
44:06I'll do it, sir.
44:39well what do you want are you all right well of course i'm all right why shouldn't i be
44:58i just wanted to make sure that's all well now you've made sure yes thank you
45:09is she all right oh yes i saw one of captain jago's men back there
45:29so guy what will you do if the ripper does get away with it again
45:34no i shan't give up i still don't understand why he goes on what's his purpose he goes on because
45:41he can't stop if he stops then he dies he's a figure of evil a vampire who fatten was not on
45:50blood but on life itself ghoul nourished by death 30 years i've been after him and it may end tonight
45:58in this place if it doesn't i'll probably turn everything i have over to interpol and the
46:04authorities of whatever country he appears in perhaps i should have done that long ago
46:11they're a pretty practical bunch i'm afraid you'll have a hard time convincing
46:14if i convinced captain jago i can convince anybody you know it's very close in here oh it's awful
46:25i suppose it's what they call atmosphere yes now look why don't we go outside and get a breath of fresh
46:31that's better
46:56Ah, some of you.
47:18Oh.
47:20We've missed him, don't you think?
47:22Well, the night's still young.
47:24He can't be fooled enough to show himself the place is crawling with police.
47:27But does he know that?
47:29I'm sure he does.
47:32He'll get away all right.
47:34Tonight perhaps, but now we know how he operates.
47:38It's only a matter of time.
47:40Have you got a match? I left my light on the table there.
47:52That's a knife.
47:54I know.
47:57He knows you, John!
48:13Not John.
48:14Jack.
48:15Jack.
48:16Jack.
48:18Jack.
48:19Jack.
48:20Jack.
48:21Jack.
48:23Jack.
48:24Oh
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