- 4 months ago
Cast
Elizabeth Maxwell Elizabeth Maxwell ... Amber
Ariana Guerra Ariana Guerra ... Rosa
Kelsey Pribilski Kelsey Pribilski ... Chloe
Mona Lee Fultz Mona Lee Fultz ... Ms. Johnson
Elizabeth Maxwell Elizabeth Maxwell ... Amber
Ariana Guerra Ariana Guerra ... Rosa
Kelsey Pribilski Kelsey Pribilski ... Chloe
Mona Lee Fultz Mona Lee Fultz ... Ms. Johnson
Category
đ„
Short filmTranscript
00:00:00You
00:00:30what the fuck Billy my arms are tired mom can we please take a break your arms are tired
00:00:50fine five minutes okay look have you been smoking no mom it's in my clothes do you know the deal
00:00:56if you stay so long you can't stay on set whatever Akasha how do these cuts look Akasha where the hell's Akasha
00:01:02hey she's making blood right now for you Jesus okay you all right in just this one shot and we're done
00:01:09for the day I wish I still have a 12 to 2 shift at the club tonight I'll get you there worry not
00:01:13hey Shane do you want to go ahead and get another one yeah okay let's get you back in
00:01:18okay and action
00:01:48you're up early
00:01:58what are you doing revising some dialogue it's too on the nose who says someone in the writers group
00:02:18how many scripts has he sold she and maybe none but she talks like she knows a lot yeah talk doesn't
00:02:25always equal talent she says readers will shit can a script if it doesn't have enough white space
00:02:30not the stupidest thing you've ever heard I'm gonna make coffee do you work today yeah you yeah until
00:02:38five do you want to eat out can we eat in sure and when you're done venting keep revising you're not
00:02:49beautiful when you're rational that's good
00:02:55Chloe sweet sister what you doing knocking down me door at daybreak um can you give the rent to
00:03:17Nelson today yeah all right I'll hustle up I know
00:03:47and sit morning hey you want coffee thanks I gotta run economics is kicking my ass plus I gotta
00:04:01meet with my professor before the test good luck thanks oh we'll have the rent for you by tonight
00:04:06oh it's no problem my dad pay the owner I could pay him later okay
00:04:17oh wait no no that's it what do you want um let me see um I think I oh my gosh stop I want the
00:04:45black bean
00:04:46I hope not
00:04:47black bean
00:04:48Baja cheese
00:04:49uh
00:04:52uh
00:04:53uh
00:04:58uh
00:04:59uh
00:05:00uh
00:05:02uh
00:05:04uh
00:05:05uh
00:05:06uh
00:05:08uh
00:05:10uh
00:05:11uh
00:05:12uh
00:05:13uh
00:05:14uh
00:05:15Hello?
00:05:17Yeah.
00:05:18Take the order, please.
00:05:19Thanks.
00:05:20Right away.
00:05:26Shane!
00:05:27Oh, Shane!
00:05:28Oh, my gosh.
00:05:29Shane, my cat Bibi is up on the roof.
00:05:31Oh, my gosh.
00:05:32Oh, my gosh.
00:05:33Oh, my gosh.
00:05:34She's been up there for a day and a night with no water and no food.
00:05:37Would you please go up there and get her down?
00:05:40Sure, Miss J. I'll save your cat.
00:05:42Okay, put on these gloves.
00:05:43You're gonna need them.
00:05:44And these goggles.
00:05:47Oh, and here's some...
00:05:49Here's some oysters.
00:05:50She loves oysters.
00:05:51Yeah?
00:05:52Okay.
00:05:53Yeah.
00:05:54Okay.
00:05:55Bibi!
00:05:56You got this.
00:05:57Yeah.
00:05:58You totally got this.
00:05:59No problem, Miss J.
00:06:00Kitty, kitty, kitty.
00:06:01Bibi?
00:06:04Here, kitty, kitty, kitty, kitty.
00:06:06Do you see her?
00:06:08Here, kitty.
00:06:09Um, no.
00:06:10Not quite.
00:06:11She's a black cat with white bibs.
00:06:13Bibi!
00:06:14Yeah, I see her.
00:06:15What's the look on her face?
00:06:16Uh...
00:06:17Vengeance.
00:06:18Hello.
00:06:19Uh...
00:06:20Vengeance.
00:06:21Hello.
00:06:22Hello.
00:06:23Dear Sir, Big House Pictures LLC does not accept unsolicited blah blah blah.
00:06:24Hey.
00:06:25What happened?
00:06:26Hey.
00:06:27What happened?
00:06:28Hey.
00:06:29What happened?
00:06:30Hey.
00:06:31What happened?
00:06:33So?
00:06:34What happened?
00:06:36So?
00:06:37It's not your first.
00:06:38Thought we were going to start using...
00:06:39Okay.
00:06:40I thought you were going to start using it.
00:06:41I was not going to say, you were going to start using it.
00:06:42You were going to start using it.
00:06:43You were going to start using it.
00:06:44It was going to go into a bus.
00:06:45LLC does not accept unsolicited blah, blah, blah.
00:06:51Hey, what happened?
00:07:01So, it's not your first.
00:07:04Thought we were gonna start using these as wallpaper.
00:07:08Come on.
00:07:10You know what's good.
00:07:12You made the finals at the New Orleans Horror Film Festival.
00:07:14You just have to keep sending it in.
00:07:16Why? No one's gonna read it. I'm un-repped.
00:07:19What about more festivals?
00:07:21At 50 bucks a pop?
00:07:23Yeah.
00:07:25How's the new piece coming?
00:07:27Well...
00:07:29Enough with the self-pity.
00:07:31Start something new. Anything.
00:07:34I hate seeing you like this.
00:07:38Trust me on pizza?
00:07:40Yeah.
00:07:41Sure.
00:07:43Whatever.
00:07:57Figured what the hell.
00:07:58I couldn't sit around waiting for Hollywood to call.
00:08:00I knew I had a solid story.
00:08:02I just decided to do it myself.
00:08:04And that's how the main machete massacre came to be.
00:08:07The rest is they say.
00:08:09Leave.
00:08:10Chill, bro.
00:08:11What happened?
00:08:12Your imbecilber brother nearly got us arrested.
00:08:14It was nothing.
00:08:15He was on a fucking rail light.
00:08:16This motherfucker took a goddamn toll just when a cop car pulls up.
00:08:19He didn't even look at us.
00:08:21No harm, no foul.
00:08:22You know what?
00:08:23I don't understand.
00:08:24If there's nothing, I damn sure don't want something.
00:08:26I'm actually giving it smoke a pocket, you motherfucker.
00:08:29That man is wound way too tired.
00:08:32I can't open it.
00:08:46I can't open it.
00:09:00It's too tight.
00:09:02opicăă.
00:09:16I can't open it.
00:09:20war, you know...
00:09:26Oh, oh.
00:09:55What? What is it?
00:09:58A nightmare. Oh, man.
00:10:00It's just a dream, babe. It's just a dream.
00:10:04Yeah. A good one.
00:10:25So, we're going to take these cheerleaders to this really scary house, right? And these murderers are going to be there and they're just going to kill them off one by one.
00:10:51The original idea was to break as many rules as possible, but still make a movie that people wanted to watch.
00:10:57It was kind of anarchic from the get-go. We call our company Wing Films from Winging It.
00:11:01We wanted to completely throw away the three-act structure.
00:11:04The whole idea of turning points, barriers pushing us into acts.
00:11:07And because we were using our own money. Mostly our own money.
00:11:11And because we were shooting mostly with friends, we didn't have to worry about a bunch of suits dictating to us. It was very liberating.
00:11:21Oh, my God. Oh, my God. Oh, my God. What's that? We could call that virgin? Cheerleaders and James.
00:11:33Can someone get that?
00:11:35Who's coming? Are we expecting guests?
00:11:47Damn it. Excuse me.
00:11:50Whoa. Just watch the bong-bong.
00:11:54Hey, look who's here.
00:11:59Hey, Nelson.
00:12:00Akasha.
00:12:01Brian.
00:12:02How you going?
00:12:03Oh, got the right wine.
00:12:04Hey, Chloe.
00:12:05Nice. Hey, guys.
00:12:06Hey.
00:12:07I didn't know they were coming.
00:12:09I think you'd want them here.
00:12:15Brian.
00:12:16Akasha.
00:12:17Hey.
00:12:18Hey, man.
00:12:19Hey.
00:12:20It's great to see you guys.
00:12:21It's been a while.
00:12:22What's been happening?
00:12:23Ah.
00:12:24Ugh.
00:12:25Making ends meet.
00:12:26I don't know.
00:12:27I got a commercial next week.
00:12:28Doing FX for a student film.
00:12:30That's really cool.
00:12:31Yeah.
00:12:32I don't know, man.
00:12:33What about you, right?
00:12:34Like, you've got to be writing something right now.
00:12:36Gotta wait until after dinner for the big surprise.
00:12:40Really?
00:12:42Cool.
00:12:45Oh, no.
00:12:46Awesome.
00:12:47Hey.
00:12:48How you doing?
00:12:49You all right?
00:12:50Right on, man.
00:12:51Hey.
00:12:52Great meal, guys.
00:12:54So good.
00:12:55So yummy.
00:12:56Very delightful.
00:12:57Really nice.
00:12:58So...
00:12:59What's the big news?
00:13:00Hold on, man.
00:13:01Let me prepare meself for the revelation.
00:13:03You told Creature?
00:13:04No.
00:13:05What?
00:13:06What then?
00:13:07First, the bad news.
00:13:08Let me prepare meself for the revelation.
00:13:11You told Creature?
00:13:12No.
00:13:13What?
00:13:14What then?
00:13:15First, the bad news.
00:13:18I'm not gonna sell Creature.
00:13:20It's a 100 mil project.
00:13:22It's not a sequel, a remake, or an adaptation.
00:13:25Hollywood won't even read it.
00:13:26That's so good.
00:13:27Now, for the good news.
00:13:31Chloe and I are writing a new screenplay.
00:13:34Virgin Cheerleaders in Chains.
00:13:37What?
00:13:38The title alone will sell it.
00:13:40We're not gonna sell it.
00:13:41We're gonna make it.
00:13:42How?
00:13:43How?
00:13:44With all your help.
00:13:46Hell yes.
00:13:47Interesting.
00:13:48Alright, I'm in.
00:13:49So, ladies and gentlemen, please, raise your glasses.
00:13:53To Virgin Cheerleaders in Chains.
00:13:55To Virgin Cheerleaders in Chains.
00:13:57And to Hollywood?
00:13:59Ah, go fuck yourselves.
00:14:04First impressions?
00:14:05Well, I like it.
00:14:08Good pacing.
00:14:09And I really like that Chloe.
00:14:11I do too.
00:14:12Even more than I like Shane.
00:14:14But, who's the protagonist?
00:14:17You gotta have a clear protagonist in the first 15 minutes.
00:14:21I don't think the audience is asking that question.
00:14:24I don't.
00:14:25Hey, you get points for originality.
00:14:27You know, your weird structure.
00:14:29It is that.
00:14:30Shane, if you're gonna go all Charlie Kaufman on us, don't confuse us.
00:14:34Say, yeah, man.
00:14:35I am already lost.
00:14:38Mm-mm.
00:14:39Babe.
00:14:41This does not work for me.
00:14:43Why not?
00:14:44It adds an unnecessary level.
00:14:47The whole point was to go meta.
00:14:49Meta, yes.
00:14:50Meta, meta.
00:14:51No.
00:14:52Besides, it's too self-indulgent.
00:14:54That never stopped QT.
00:14:55We are not QT.
00:14:57Okay.
00:15:02Where are we going for dinner?
00:15:08What are we doing here?
00:15:10What do you think?
00:15:12We're casting.
00:15:16Hey, Morris.
00:15:17Hey, Cousin Chloe.
00:15:19Shane, how's it going?
00:15:20And it's Mo now.
00:15:22So I got Mo of everything.
00:15:23Um, how is Aunt Mildred?
00:15:26Oh, she's doing great.
00:15:27Still baking banana bread.
00:15:28I'll have to bring you some bread.
00:15:30How's the, uh, harem?
00:15:32You know, same old, same old.
00:15:34They come, they go.
00:15:35Jessica last week.
00:15:36Tiffany the week before.
00:15:37I mean, poof.
00:15:39No call, no nothing.
00:15:41By the way, I ran into Brian last week.
00:15:44Virgin cheerleaders.
00:15:45It's brilliant.
00:15:46Actually, that's why we're here.
00:15:51Do you have any strippers that have acting experience?
00:15:56Are you kidding me?
00:15:57Every pole dance is a one-woman show.
00:16:00Do you guys believe in serendipity?
00:16:02Well, guess why.
00:16:05Eyes on the stage.
00:16:06I've never been fighting job.
00:16:07I've never wanted to break the coup.
00:16:12You're all out.
00:16:13I'm going to take a deep team.
00:16:14I've never been fighting job.
00:16:15I've never wanted to break the coup.
00:16:18Yeah.
00:16:19I'm going to take a deep team.
00:16:20Reign your eyeballs in there, cowboy.
00:16:36So we go to a gentleman's club to find our lead actress, and she did not disappoint.
00:16:54No.
00:16:55So Amber is a theater major. I gotta go. We'll be back.
00:16:59So it's a horror film. Would you be interested?
00:17:05Yeah, for sure.
00:17:18You've seen my tits. You've heard me scream. Do I get the part?
00:17:24Do I get the part?
00:17:25Oh yeah.
00:17:26Yeah, she told us do I get the part. Just from one scream and yeah.
00:17:31What did your dad say?
00:17:32He say he'll match dollar for dollar for whatever money we raise.
00:17:35What? But that fucker's rich like the Donald man.
00:17:38Hey!
00:17:39I'm sorry man. I didn't mean fucker. I meant like he's got the money.
00:17:44Yeah, yeah, but he wants commitment and with commitment that equals money.
00:17:47Well, this is our guide. We need 8,000 to make something that'll get us into festivals.
00:17:51So how can we come up with the other 4,000?
00:17:54Ladies and gentlemen, watch this and be amazed.
00:17:58But in the end, they would need just one more thing to survive.
00:18:05We'll get it on YouTube and some crowdfunding sites.
00:18:28Don't you need a script to show investors though?
00:18:32You would think, but the money comes first and then we write to our resources.
00:18:36Investors don't read scripts anyways.
00:18:38We'll shoot some scenes as proof of concept, use that to raise the 4, and then it's festival time.
00:18:42Oh, you getting a little hit of yourself?
00:18:44Shane tends to do that.
00:18:46We were adamant that we were not making a slasher film, no torture porn.
00:18:51Even if we'd wanted to, which we didn't.
00:18:54We can never compete with the Saur hostile franchises.
00:18:57So we made the decision early on to limit blood loss.
00:19:00That was the original plan.
00:19:02As anyone who's seen the movie knows, it then sort of conspired to change that plan.
00:19:21oit!
00:19:28No!
00:19:29No!
00:19:30No!
00:19:31No!
00:19:32No!
00:19:33No!
00:19:34No!
00:19:35No!
00:19:36No!
00:19:38Great job, everybody!
00:19:39Damn, Akasha did an amazing job!
00:19:42This looks just like me.
00:19:44Yo, that could be you.
00:19:46Yeah, it could.
00:19:47Hey, do you think we could use this knife for the next shot?
00:19:50It's not a knife, it's a machete.
00:19:53Hey, guys, let's head out.
00:19:55Kosh is waiting for us at the pub.
00:19:57I'm rock steady ready, man.
00:19:58Okay, wait, but let's break this all down first.
00:20:00I'll swing by after I drop Amber off at work.
00:20:03Okay. We'll save a pint for you.
00:20:06Yeah.
00:20:07But hurry.
00:20:08Hey, that scream was really good.
00:20:11Okay, you guys, um, tomorrow?
00:20:13Yeah?
00:20:14Yeah, I got the cops call on me by my neighbor.
00:20:16Holy crap.
00:20:17You know, it's really that scary.
00:20:18I thought someone was dying earlier.
00:20:20I really did.
00:20:22And clearly someone died.
00:20:23Yeah.
00:20:48Where were you?
00:20:53Amber asked for a ride after her shift.
00:20:59Should I be worried?
00:21:01No.
00:21:06Don't, don't worry.
00:21:18Hey, Mike.
00:21:31How's it hanging?
00:21:33Hey, Mike.
00:21:44How's it hanging?
00:21:45Like a hammer, son.
00:21:47No, I do not have the obscure fucking Bulgarian horror classic that only you and a couple
00:21:51of your friends know about.
00:21:53I'm doing okay myself, but I'm not here to rent.
00:21:58Speaking of classics, Chloe and I watched M3 last week.
00:22:02Well, thank you.
00:22:04I'll get a few pennies for that.
00:22:07So, what brings you in?
00:22:09Chloe and I are writing a new script.
00:22:10That's cool.
00:22:12We're wondering if you might like to help.
00:22:13I kind of had you in mind for a part.
00:22:15What's the part?
00:22:16Well, you play yourself.
00:22:18Mike Bill.
00:22:19You'd even have a shop just like this.
00:22:20A horror movie?
00:22:22Is there another kind?
00:22:23What's your budget?
00:22:26$8,000.
00:22:27For a feature.
00:22:2885 pages, 90 minutes with the end credits.
00:22:31That ain't low.
00:22:33That's a no.
00:22:34Got to be deferred payments.
00:22:35Better percentage?
00:22:39So, you need me for distribution.
00:22:42Can't deny it.
00:22:43But look, the story needs you.
00:22:45In fact, it can't work without you.
00:22:47Don't bullshit me, Shane.
00:22:49I'm not.
00:22:51Serious as a corpse.
00:22:52All right.
00:22:58I'll look at it.
00:23:03This ain't 85 pages.
00:23:06It's a work in progress.
00:23:12Huh.
00:23:12Okay, Dad.
00:23:16I understand.
00:23:16I'll tell him.
00:23:18Bye.
00:23:20Okay.
00:23:21So, I've got this great idea.
00:23:23What happened?
00:23:24Who died?
00:23:26My dad is backing out.
00:23:27Why?
00:23:28He can't come in without a script.
00:23:29Then we'll give him one.
00:23:30Shane, do you know where this thing is going?
00:23:33Because I sure don't.
00:23:34I know we have a third act.
00:23:36Sort of.
00:23:38And I just found the person we need for it.
00:23:40Mike Bill.
00:23:42The man.
00:23:43The legend.
00:23:44Machete Mike.
00:23:45I believe you just busted our non-existent budget.
00:23:48He's in for a percentage.
00:23:49Plus, here's the kicker.
00:23:50He's got our third act location for us.
00:24:03Hey, are you sure you know where we're going?
00:24:05Just following Mike's directions.
00:24:07Yeah, well, we haven't seen a house in miles.
00:24:10I grew up in country like this.
00:24:12I love it.
00:24:14Shirley, you just...
00:24:15I'm not.
00:24:16It's beautiful.
00:24:18Fresh air.
00:24:19Quiet.
00:24:20And don't call me Shirley.
00:24:23What'd you do for fun?
00:24:24Took long walks.
00:24:25Played with my dogs.
00:24:27Swam in a pond.
00:24:29And read like crazy.
00:24:32Huh.
00:24:33Oh, really?
00:24:34What?
00:24:34You don't think strippers can read?
00:24:36That is so sexist, Nelson.
00:24:38Technically, it's only sexist and only thought male strippers could read.
00:24:43I used to read, bud.
00:24:46That's it.
00:24:46I think we're lost.
00:24:47I'm calling Mike.
00:24:50Shit.
00:24:51Still no self-exception.
00:24:52Mike said it might be spotty.
00:24:54Okay.
00:24:55I give up.
00:24:55Let's just go home.
00:24:57We definitely get a location manager.
00:25:04I love you, baby.
00:25:05We got something.
00:25:10We got something.
00:25:11How's it going?
00:25:15It's going.
00:25:16It's cool.
00:25:17It's cool, man.
00:25:19It's like arts and crafts class.
00:25:22Dun-dun-dun-dun.
00:25:23What do you think?
00:25:32What is it?
00:25:35Our poster.
00:25:38You're getting ahead of yourself again.
00:25:40My father will always say, you're putting the cart before the horse.
00:25:45Horses?
00:25:46Carts?
00:25:47Nelson, you need to drag your butt into the 21st century.
00:25:49It means...
00:25:49I know what it means.
00:25:50Wait.
00:25:52No, man.
00:25:53I think Nelson's right.
00:25:56You got to put the horse before the cart.
00:26:01How's our fun grazing coming along?
00:26:03We raised $1,700.
00:26:05Yes, $2,300 more and we're a go.
00:26:07$2,300 in the script.
00:26:10Remember what Nelson's dad said.
00:26:12I'm thinking.
00:26:14I'm thinking, what if we did a fundraiser?
00:26:16Chloe, you're boss Angela.
00:26:17She's in a band, right?
00:26:18Yeah.
00:26:19Think she'd do a benefit for us?
00:26:20I can ask.
00:26:22And Nelson, if we can set it up, get your dad to come.
00:26:26Yeah, I guess.
00:26:29Two, three, four.
00:26:35Hey, Mr. Businessman, how's it going?
00:26:41Damn good.
00:26:42Check this out.
00:26:42We sold 80 tickets online.
00:26:44Not too many people sold up, but we did get a lot of money.
00:26:47Thank you, sir.
00:26:47How much?
00:26:48$1,600.
00:26:49$1,200.
00:26:50Yes.
00:26:51All right.
00:26:52Yes.
00:26:52Minus the expenses for the clutch.
00:26:54Enough with the expenses, man.
00:26:55Let me enjoy $1,600.
00:26:57All right, all right.
00:26:58Hey, is your dad here?
00:26:59Yeah, he's in the restaurant.
00:27:01Okay.
00:27:03Oh, oh.
00:27:03Just so you know, Billy walked in there earlier, and I do not want him near my dad.
00:27:08He's pretty fucked up, so.
00:27:10Yeah, okay.
00:27:11Just be careful.
00:27:11We've got our actors, we've got a location set, so we pretty much have the movie.
00:27:35We can make it, and we can sell it, with your help, of course.
00:27:39Well, I like your plan, but you have to write it before you make it.
00:27:43And until I see a script, all I can give you is my best wishes.
00:27:47A what?
00:27:49A script.
00:27:50A vicious way.
00:27:51Okay.
00:27:51A vicious way.
00:27:52A vicious way.
00:27:54A vicious way.
00:27:55A vicious way.
00:27:59Thank you so much, guys.
00:28:09We are called Superette.
00:28:11This next song is called Karma, so you better watch it out there.
00:28:15We'll put her down, push her around.
00:28:23Oh, and all, I know that it's gonna be my love.
00:28:27Yes.
00:28:29Yes.
00:28:30Oh, my gosh.
00:28:33Fantastic set, Angela.
00:28:34Really.
00:28:35Thank you so much.
00:28:36You guys are awesome.
00:28:37I mean, play it loud, yeah.
00:28:39We like to do that, that's for sure.
00:28:41Hey, I'll see you guys on set, okay?
00:28:43Yeah.
00:28:43Okay.
00:28:44You guys were awesome.
00:28:46I don't know how we're ever gonna repay you.
00:28:48Did you not tell him?
00:28:50Angela wants to be on the crew.
00:28:52Oh, my gosh, thank you.
00:28:54Sweet, what do you want to do?
00:28:56Well, I've done location scouting before, so I thought maybe I could go to the property early
00:29:00and handle the catering or sleeping quarters.
00:29:03That would be totally awesome.
00:29:05There's one catch, though.
00:29:06What's that?
00:29:06I'd like my band to be in the movie.
00:29:08Of course.
00:29:09Totally.
00:29:10Yeah.
00:29:10Absolutely.
00:29:11Yeah.
00:29:12Yeah, I don't do that.
00:29:13She doesn't do that.
00:29:35God, Nelson, what are you doing with those people?
00:29:48Is Billy all there?
00:29:49Billy's not stupid.
00:29:50He's okay when he's...
00:29:52When he's not smoking.
00:29:53I mean, come on.
00:29:54The man reeked of pot.
00:29:56Yeah, but...
00:29:56And Shane and Chloe?
00:29:57What?
00:29:58A guy who works at a taco shack, and what does she do?
00:30:00Oh, yeah.
00:30:01Sells popcorn at the multiplex.
00:30:02Dad, cut them some slack.
00:30:04They were English majors.
00:30:05And you're a semester away from an MBA.
00:30:07And I'm going to finish it.
00:30:09I just...
00:30:10I just think they're on to something.
00:30:12And I won't be part of it.
00:30:13I'll get producer credit.
00:30:14Your name and lights.
00:30:15That's what it's all about, right?
00:30:18Don't let it blind you, son.
00:30:20Dad, I won't.
00:30:21I promise.
00:30:23Focus on the finish line.
00:30:25I will.
00:30:27But will you still help us?
00:30:28Not without a script.
00:30:31And a good one at that.
00:30:32Sugar?
00:30:36You know I don't take sugar.
00:30:41$4,200.
00:30:42Yes!
00:30:44Jeez.
00:30:45What did your dad say?
00:30:46He still wants to see a script.
00:30:48Come on, now.
00:30:49You say it yourself.
00:30:50Let's give him one.
00:30:54Yeah, well, we would if we could.
00:30:56I've never had writer's block this bad.
00:30:58Look, let's just throw some shit down.
00:30:59Maybe you won't even read it.
00:31:00Oh, no.
00:31:00He'll read it all right.
00:31:01He has a highly trained shit detector.
00:31:04Well, how far into the script are you?
00:31:06Well, we almost have a midpoint.
00:31:09We do.
00:31:10But you say we had a third act.
00:31:13Depends on how you define have.
00:31:16I'm afraid we're going to have to do something
00:31:17I never wanted to do.
00:31:19Hey, man.
00:31:40Somebody call about a refrigerator?
00:31:42Anyone call for maintenance?
00:31:43Yeah, I'm on.
00:31:45So glad you can make it.
00:31:47I'm Billy.
00:31:49Tom.
00:31:49Tom Kendall.
00:31:50This is my friend Nelson.
00:31:51Nice to meet you.
00:31:52You're doing?
00:31:53Whoa.
00:31:54Don't mind me.
00:31:55Not this way.
00:31:56Yeah, I don't know what the hell Billy was talking about.
00:31:58Something wrong with the icebox?
00:31:59Well, let's have a look here.
00:32:02See what we can find.
00:32:04Hmm.
00:32:05What I thought.
00:32:06Phone's ringing.
00:32:07Shane, can you handle that for me?
00:32:09Thanks.
00:32:10Hello?
00:32:11Hey.
00:32:11Yes, sir.
00:32:13This is a real common problem this time of year.
00:32:16Little old filter here.
00:32:17It'll stop up and shut the whole freezer down.
00:32:23Just about every six months or so, take it out of here, clean it up.
00:32:27Pop it back in place.
00:32:31Bob's your uncle.
00:32:33What do we owe you?
00:32:35Nada.
00:32:36Now, I'll send the bill to Westgate Bennett.
00:32:38Say, are you guys filmmakers or what?
00:32:42Yeah.
00:32:43No shit.
00:32:44Well, we will be.
00:32:44We're in pre-production right now.
00:32:46Hell, man.
00:32:47I'm an actor.
00:32:48Yeah.
00:32:49Hell, tell me about your film.
00:32:51Of course.
00:32:57Listen, man.
00:33:00I tell you.
00:33:01Man, I'd really, really like to be part of this now.
00:33:06Hell, I don't mind deferred pay.
00:33:08And I'm a hell of an actor.
00:33:10Give me that show reel.
00:33:11We don't have our bad guy yet.
00:33:13Well, I'll tell you what.
00:33:14You need somebody to chain up virgin cheerleaders.
00:33:20I'm your man, buddy.
00:33:24Oh, God.
00:33:25As time flies when I'm drinking beer.
00:33:28I got a book.
00:33:29Okay.
00:33:30I'll get you that reel, though.
00:33:31Is that Tom the refrigerator guy?
00:33:38Mm-hmm.
00:33:39He is good.
00:33:40And cheap, too.
00:33:42I'm going to meet with him tomorrow.
00:33:43I miss this.
00:34:00Me, too.
00:34:03I heard a cool line today.
00:34:04Yeah?
00:34:05Yeah, someone, some guy used it on Amber at the club.
00:34:09He said, how about some honey for some money?
00:34:14Wow.
00:34:16You really know how to kill a moment.
00:34:18What?
00:34:19God, if you don't know.
00:34:21I just thought it was a cool line.
00:34:22We could have a scene where she's leaving the club.
00:34:25What is it with you two?
00:34:27What do you mean?
00:34:28I mean that you're spending more time with her than with me.
00:34:30Her car's in the shop.
00:34:32Besides, she's got some good story ideas.
00:34:34Oh, yeah?
00:34:34Does she keep them right here?
00:34:35Because it's all I ever see you looking at.
00:34:37Come on.
00:34:37You know I like small boobs.
00:34:42Wow.
00:34:43You did not just say that.
00:34:44No, I didn't.
00:34:46I mean, I did.
00:34:47But I didn't mean...
00:34:49You know what I mean.
00:34:55I'm going to go downstairs.
00:34:57I'm meeting with Angela, giving her directions.
00:35:18She wants to go out to the house today.
00:35:19I left a list of things we need on the computer.
00:35:22Can we talk?
00:35:23I love you.
00:35:36Are you sure you don't want any?
00:35:45No.
00:35:45No, no, no, no.
00:35:46Don't let me have any, please.
00:35:47I hate that this is happening.
00:35:55You don't know that this is happening.
00:35:56I think I know that this is happening.
00:35:58Well, did you ask him?
00:35:59Yes.
00:36:00He said that I have nothing to worry about.
00:36:03You probably have nothing to worry about.
00:36:06Why do I have this bad feeling?
00:36:07I mean, look, even if he's attracted to her, it's not going to last.
00:36:15How do you know?
00:36:19My husband looks at women all the time.
00:36:22Most men look at women all the time.
00:36:24It's in their genes.
00:36:26They can't help it.
00:36:28It doesn't mean he's going to do anything about it.
00:36:30A lot of men do.
00:36:32Well, a lot of men are dirty, filthy pigs.
00:36:40Shane, Shane loves you.
00:36:44He really does.
00:36:46Thanks, Angela.
00:36:48For what?
00:36:50For listening.
00:36:52Eat your ice cream.
00:36:56Hey, how's the house?
00:36:57Yeah, so we tried to find the place.
00:37:00We even have directions, but we still couldn't find the house.
00:37:03You couldn't find the house?
00:37:04Well, that's why you need me.
00:37:06It's right out there by the 420 and 22.
00:37:09There's a Y.
00:37:11There's a huge cowed polka dots on it.
00:37:14No clue.
00:37:16Listen, this is why you hired me.
00:37:18I'm your location scout.
00:37:19I'll go up there right now,
00:37:21and I'll call you when I get there.
00:37:24Okay.
00:37:26Done.
00:37:27You were lucky.
00:37:29Not everyone was.
00:37:31No question, it was a...
00:37:34killer shoot.
00:37:50Shit.
00:37:50Yeah.
00:37:51Shit.
00:37:52Shit.
00:37:52Shit.
00:38:18Judah.
00:38:48Hello?
00:38:58Hello?
00:39:04Hello?
00:39:06Mr. Fish?
00:39:18Please!
00:39:20Please!
00:39:22Hey!
00:39:24Hey!
00:39:26Hey!
00:39:28Hey!
00:39:32Hey!
00:39:34Hey!
00:39:36Hey!
00:39:38Ah! Ah! Ah! Ah!
00:39:41Ah!
00:39:50Wicked Array, man!
00:39:52We're using all of this?
00:39:54Not sure. We're still writing.
00:39:56Oh, yeah. Hey.
00:39:58We can use mine.
00:40:00Pushaka!
00:40:02I think we have all that we need.
00:40:04Yeah, well, we're definitely gonna use this.
00:40:07Why?
00:40:11What the fuck, dude?
00:40:13What the hell? Stop!
00:40:15Jesus Christ!
00:40:17Jesus Christ!
00:40:19What the hell?
00:40:21What the hell?
00:40:23What the hell?
00:40:25Wow, that's childish.
00:40:27That is not funny.
00:40:29Cool. Excellent.
00:40:31Cool, man. You got me.
00:40:33That's childish. Let me see this thing.
00:40:35Grow up, guys.
00:40:37You!
00:40:38What do you want to say to your friends?
00:40:41Don't!
00:40:42Don't!
00:40:43Please don't!
00:40:48Fuck you!
00:40:49Fuck you!
00:40:50No!
00:40:51I still can't get a hold of Angela.
00:40:55We know the service is crappy there.
00:40:57Yeah, but she sent this weird text that just said, don't.
00:41:00That could mean almost anything.
00:41:02Stop it, Dylan.
00:41:04Are we still going up there?
00:41:05Yeah, we're meeting here at three.
00:41:07Then we're a go.
00:41:09My indie guidebook says if there's a problem with production, work around it.
00:41:15Make it the character's problem.
00:41:16Fuck you!
00:41:17Fuck you!
00:41:18Fuck you!
00:41:19Fuck you!
00:41:21Are we rolling?
00:41:42No!
00:41:43No!
00:41:44No!
00:41:45No!
00:41:46Is that okay to talk about that?
00:42:15Um, I'm not sure, uh...
00:42:19I think we're gonna have to stop here.
00:42:21Okay, thank you very much.
00:42:34Let's do this, guys.
00:42:36Come on, guys, we're losing light.
00:42:39We ain't got time.
00:42:45Alright, we're locked and loaded.
00:42:49Okay, everybody.
00:42:50Let's go wrap this movie.
00:42:52Oh, captain, my captain.
00:42:54Let's go.
00:42:55Let's go.
00:42:56Let's go.
00:42:57Let's go.
00:42:58Let's go.
00:42:59Let's go.
00:43:00Let's go.
00:43:01Let's go.
00:43:02Let's go.
00:43:03Let's go.
00:43:04Let's go.
00:43:05Let's go.
00:43:06Let's go.
00:43:07Let's go.
00:43:08Let's go.
00:43:09Let's go.
00:43:10Let's go.
00:43:11Let's go.
00:43:12Let's go.
00:43:13Let's go.
00:43:14Let's go.
00:43:15Let's go.
00:43:16Let's go.
00:43:17Let's go.
00:43:18Let's go.
00:43:19Let's go.
00:43:20Let's go.
00:43:21Let's go.
00:43:22Let's go.
00:43:23It's a really creepy place.
00:43:36Hi.
00:43:37I'm Ginger.
00:43:40I'm such a big fan.
00:43:44You know, I started in the dormant apartment you were in.
00:43:47Oh, I know.
00:43:48I follow your career.
00:43:50You know, it's funny.
00:43:51I always joke with my friend, Julie, who's here, that if I were in any kidnapping situation,
00:43:57I would get Stockholm Syndrome with you.
00:44:00Get it up, Billy.
00:44:09Hey, you dropped your knife.
00:44:12Let's go.
00:44:13It's not a knife.
00:44:14It's a machete.
00:44:16Okay, everybody, let's get inside.
00:44:17We need to organize.
00:44:18We're filming later.
00:44:20Let's go.
00:44:31Hey, is Angela here?
00:44:33I was going to ask you.
00:44:34She never showed.
00:44:35I'm sure she's alright.
00:44:37Probably got hung up somewhere.
00:44:39I'm sure she's not going to be ready in time.
00:44:40Those are the mega shiny wieners.
00:44:41If you're ready, we'll get them ready.
00:44:54Amber.
00:44:55I was rich.
00:44:56Exactly.
00:44:57I'm sorry.
00:44:58I'm sorry.
00:44:59I'm sorry.
00:45:00I'm sorry.
00:45:01I'm sorry.
00:45:02I'm sorry.
00:45:03But it'll be more money for these more money.
00:45:04No.
00:45:05I'm sorry.
00:45:06I'm sorry.
00:45:07Stay away.
00:45:08I'm sorry.
00:45:09I'm sorry.
00:45:10No.
00:45:11I'm sorry.
00:45:13I'm sorry.
00:45:14I'm sorry.
00:45:15I'm sorry.
00:45:16I'm sorry.
00:45:17I'm sorry.
00:45:18I'm sorry.
00:45:20You need to come over to your mind.
00:45:21I'm sorry, I just couldn't help myself.
00:45:47You all wouldn't even be here
00:45:50if it wasn't for this movie.
00:45:52It made Mike here famous.
00:45:58Mike, say grace.
00:46:06Our Father, bless this food which we accept
00:46:10from your bounty with humility and gratitude.
00:46:15And bless our guests from the big city.
00:46:19And help us to show them the time of their lives.
00:46:24Amen.
00:46:26And one more thing.
00:46:35No humans were harmed in the making of this sausage.
00:46:43Namaste, y'all.
00:46:52Namaste.
00:46:54Namaste.
00:47:02Namaste.
00:47:03There's room for dessert.
00:47:04We're having fresh rhubarb pie.
00:47:12No.
00:47:13Get away, Tom.
00:47:14What?
00:47:15Not you.
00:47:16The dogs.
00:47:17Oh, Mr. Fish, they're beautiful.
00:47:20Well, thank you dear, but I don't know how they got out.
00:47:25Let's go.
00:47:26Come get these dogs.
00:47:28I'm sorry, Mr. Fish.
00:47:30Come.
00:47:31Tom.
00:47:32Harry.
00:47:33Come.
00:47:34They seem well behaved.
00:47:35Do you train them?
00:47:36To do what?
00:47:38Oh.
00:47:39Oh.
00:47:40You know, like, do they mind you?
00:47:42Let me answer that.
00:47:45You just saw Tom and Harry?
00:47:48They had a brother, Dick, up until a couple of months ago.
00:47:53I was shaving with my old straight razor as usual, damned if I didn't go and cut myself.
00:48:02I looked at Dick.
00:48:05He snarled at me, preparing to leave, stay, Dick, stay.
00:48:12He jumped at me, and I had to gut him with my razor.
00:48:18Wow.
00:48:19So, to answer your question, yeah, they will mind me as long as they don't smell any blood.
00:48:32You a dog person?
00:48:33Yeah.
00:48:34I love Tonks.
00:48:35And they love me.
00:48:38Bitchin' heat.
00:48:40I'm sorry?
00:48:41I said I pinch my hip.
00:48:43You wouldn't pinch your hip if you got out of that chair more often.
00:48:46Wait, so you can walk?
00:48:48Hell yeah.
00:48:49He can walk.
00:48:50I can get around a little.
00:48:51Maybe to the door and back.
00:48:53The doctors say I have some kind of nerve condition.
00:48:56You got lazy at us, what you got?
00:48:59You're a harsh taskmaster, Mike.
00:49:02Speaking of tasks, who's on kitchen duty?
00:49:04Not me.
00:49:05Guess I am.
00:49:07Oh my god.
00:49:09I'm so dumb.
00:49:10Yeah, it was pretty good.
00:49:11It's Angela.
00:49:12Will you guys scrape everything onto one plate, and I'll tape the trash out at the end of the
00:49:24night, so we'll extend the plate.
00:49:25Go!
00:49:26Some of my pigs feet.
00:49:27Not ready to pickle yet.
00:49:28I thought that smelled familiar.
00:49:29My grandma used to make pigs feet.
00:49:30Take out the kitchen, ma'am.
00:49:33This old man is going to bed.
00:49:35Oh, thank you for dinner, Mr. Fish.
00:49:36Thank you so much.
00:49:37Thank Mike.
00:49:38Thank Mike.
00:49:39He did the cooking.
00:49:40Thank you, it was really good.
00:49:41Thank you, Mike.
00:49:43Thank you, Mike.
00:49:44Don't forget to turn on the fence.
00:49:46Don't know what good it does.
00:49:47The fence in the back's got a hole you could drive a tractor through.
00:49:51Turn on the fence?
00:49:52We had electrified us.
00:49:53I'm sorry, I'm sorry, I'm sorry.
00:49:54I'm sorry.
00:49:55My grandma used to make pigs feet.
00:49:56Take out the kitchen, ma'am.
00:49:57Oh.
00:49:58This old man is going to bed.
00:49:59Oh, thank you for dinner, Mr. Fish.
00:50:00Thank you so much.
00:50:01Thank Mike.
00:50:02Thank Mike.
00:50:03Thank Mike.
00:50:04He did the cooking.
00:50:05Thank you, Mike.
00:50:06Thank you, Mike.
00:50:07Thank you, Mike.
00:50:08He did the cooking.
00:50:09Thank you, Mike.
00:50:10We had to electrify it.
00:50:13Keeps drunken teens from town out.
00:50:16And other critters.
00:50:18Hey, what's that shed out there for?
00:50:22That's Uncle Al's inner sanctum.
00:50:25It's where he keeps his, uh, collections.
00:50:28Oh. What does he collect?
00:50:31Stuff. All safe now.
00:50:34Hey, so where is everybody, anyway?
00:50:36We're setting up for the scene.
00:50:38One more thing. After the shoot, don't go wandering around.
00:50:42Easy to get lost.
00:50:4578 alpha, take one.
00:50:48Damn it, Billy. Lift it up.
00:50:49All right, last look, last look.
00:50:51Okay. What scene is this?
00:50:52Everybody, this...
00:50:5378.
00:50:5478.
00:50:55This is our all is lost moment.
00:50:57Okay? Ginger, Julie, you're both dead.
00:51:01Oh, that's what you want to ask.
00:51:03Really great dead people in rehearsal, by the way.
00:51:05Fantastic.
00:51:07All right, I'm in the middle, obviously.
00:51:09And I still have some fight left in me.
00:51:11I know that Tom's gonna come through that door at any moment.
00:51:13Jeez, Mike, that's...
00:51:15Okay, all right.
00:51:16Mike, thank you.
00:51:18Julie, Julie, your right arm is tearing your life.
00:51:20Okay, so Tom's gonna come through that door at any moment.
00:51:22Okay, we ready to go?
00:51:24Yes, I will.
00:51:27All right.
00:51:28Be ready.
00:51:29Make sure you tell your lines, okay?
00:51:30All right, guys, we gotta get rolling.
00:51:31Okay.
00:51:32All right.
00:51:33You like it?
00:51:34That's good?
00:51:35Yeah.
00:51:36All right, guys, we're set.
00:51:37And...
00:51:39Action.
00:51:49Cut!
00:51:50It's a cut.
00:51:51There we go.
00:51:52Can you do it?
00:51:53Yeah, I like it.
00:51:54I think it looks...
00:51:55I think it looks awesome.
00:51:56The lighting is for mom a lot.
00:51:58Always a good idea.
00:51:59I love you.
00:52:00Yeah.
00:52:01Thanks.
00:52:02How was that?
00:52:03Um, okay.
00:52:04I wanna do another...
00:52:05Okay, it looked fantastic!
00:52:06Just to be safe, we're gonna do another one.
00:52:07We'll do a reverse, and then we're gonna break for the night, okay?
00:52:10Yeah, cool.
00:52:11We can...
00:52:12We can let them all rest, and then we'll tuck later in the library.
00:52:15Sure.
00:52:16Yeah.
00:52:17Can I see the playback?
00:52:18Yeah, sure.
00:52:19You guys wanna see the playback?
00:52:20Yeah!
00:52:21Jesus, Mike, how hard did you put this on?
00:52:23I put the boom-dam on.
00:52:32Oh!
00:52:33Hey!
00:52:34Hey!
00:52:35This is a nice place for a creepy house.
00:52:38Yeah, I like it.
00:52:39It's a nice bed, so.
00:52:40Really nice bed.
00:52:41Nice bed.
00:52:42Wanna try out the bed?
00:52:43I...
00:52:44I do wanna try out the bed.
00:52:45Mm-hmm.
00:52:46Unfortunately, I need to go downstairs.
00:52:48Shane needs me right now.
00:52:50Oh.
00:52:51Yes.
00:52:52Does Shane need me?
00:52:53Mmm.
00:52:54I need you.
00:52:55No, Shane...
00:52:56Shane doesn't need you now.
00:52:57Later.
00:52:58It's easy stuff, like cuts and bruises.
00:53:00Snap for you.
00:53:01Okay.
00:53:02So fool of yourself.
00:53:04Mm-hmm.
00:53:06Well, hey.
00:53:07So, I'll see you down a little bit though, right?
00:53:10Yeah.
00:53:11I'm just gonna like take a shower and maybe walk around a bit.
00:53:13Okay.
00:53:14Yeah.
00:53:15Watch out.
00:53:19Bye.
00:53:21You realize we have no backstory for this house.
00:53:24So?
00:53:25Yeah.
00:53:26How about this?
00:53:27This is a home for unwed mothers.
00:53:31Okay?
00:53:32Um, cause back then getting knocked up out of wedlock was like, you know, a badge of shame
00:53:37and shit.
00:53:38So, parents send their daughters here, um, to raise kids.
00:53:42And then like, you know, while they're away, they just tell the neighbors they're at Europe or something.
00:53:48What happened to the kids?
00:53:50I don't know.
00:53:51They grow up.
00:53:52Doesn't matter.
00:53:53It's a one line fix.
00:53:54I hate exposition.
00:53:56Do you think these dolls are haunted by the ghosts of the kids who died here?
00:54:00Absolutely.
00:54:01It's, this room is so freaking creepy.
00:54:03It was right here.
00:54:04Actually, I saw in one of those ghost shows that dolls are vessels for human spirits.
00:54:13You've been watching way too much TV.
00:54:15Really?
00:54:16Yeah.
00:54:17Seriously though, if I had known we were going to be sleeping in the children of the corn bedroom,
00:54:21I would have brought more Xanax.
00:54:23This is so cool.
00:54:24By cool, you mean creepy.
00:54:26Nope.
00:54:27An actual movie.
00:54:28The real thing.
00:54:29A feature.
00:54:31And with Mike Beale.
00:54:34Hey, why can't we see a script?
00:54:39What script?
00:54:41Look, just be glad you ladies took those improv classes.
00:54:45Okay?
00:54:47Yeah.
00:54:48You got it.
00:54:49Did you not take those improv classes?
00:54:51I took like three hours.
00:54:52It was amazing.
00:54:53It was amazing.
00:54:54Professor got me high up back.
00:54:56Was I going to say no?
00:54:57No.
00:54:58Okay.
00:54:59You know what?
00:55:00I'm going to go take care of something.
00:55:02You guys have fun.
00:55:04Be right back.
00:55:07Wait.
00:55:08What are you guys going to do while I'm gone?
00:55:12We'll think of something.
00:55:13Definitely.
00:55:14Sure you will.
00:55:15Be good.
00:55:16We will.
00:55:17I want that main machete mask or mask.
00:55:29You think Billy and Nelson will help us?
00:55:30Of course I will.
00:55:31Come in.
00:55:32Hey.
00:55:49Shane isn't here.
00:55:50He and Brian are going over scenes for tomorrow.
00:55:55I didn't come to see Shane.
00:56:02Can I come in?
00:56:05Sure.
00:56:18So what are you doing?
00:56:20Just reworking some dialogue.
00:56:22Yeah.
00:56:24Because I mean there are screams and then there are screams.
00:56:27What is it you wanted to talk about?
00:56:32I wanted to clear up any misunderstandings.
00:56:36Like what?
00:56:37Like that I'm interested in Shane.
00:56:40Yeah well maybe you should tell him that.
00:56:44I will.
00:56:45But I wanted to tell you.
00:56:48Okay.
00:56:50Hey.
00:56:51Hey.
00:57:14Remember I told you I was raised in country like this?
00:57:16Yeah.
00:57:18My grandparents raised me.
00:57:20I was homeschooled.
00:57:22And the only other kids my age were these two sisters that lived on a farm nearby.
00:57:28And at night we would sneak out and go skinny dipping.
00:57:34And um.
00:57:36We would have a lot of fun.
00:57:39If.
00:57:41You know what I mean.
00:57:43No.
00:57:47I'm making you uncomfortable.
00:57:49No.
00:57:50No you're.
00:57:52You're not making me uncomfortable.
00:58:01Chloe I never developed any interest in boys.
00:58:13So.
00:58:14So.
00:58:15So.
00:58:16So.
00:58:22Man.
00:58:24You could have fooled Shane.
00:58:26Holy cow.
00:58:27When he.
00:58:29When he first saw you at the strip club he was like.
00:58:32Bling.
00:58:33Oh my god.
00:58:35Oh my god.
00:58:36I know.
00:58:37Oh my god.
00:58:38I know.
00:58:41I mean I kind of get that a lot from men.
00:58:43Oh my god.
00:58:44Hazards of the job.
00:58:46Mm-hmm.
00:58:47Women too though.
00:58:52I am making you uncomfortable.
00:58:54No.
00:58:55No.
00:58:56No.
00:58:58Yeah you're.
00:59:00You are not making me uncomfortable.
00:59:01You've read Henry James, right?
00:59:05Yeah, sure. Turn it the screw.
00:59:09You know how he says,
00:59:13be one for whom nothing is lost?
00:59:17He loves you so much.
00:59:21Surely you know that.
00:59:25I know.
00:59:29And don't call me Shirley.
00:59:33She has my life.
00:59:41Guys, we shouldn't be in here.
00:59:45What are you afraid of, Nelson?
00:59:47I'm not afraid of anything. I'm just saying.
00:59:49No, Nelson's a good little boy scout.
00:59:51Always stay coming straight to now.
00:59:55You should open up a bit.
00:59:59You got any smoke?
01:00:01No, I swore off the herb till the end of the wrap party.
01:00:03Right, bro?
01:00:05Scoot?
01:00:07Hell no.
01:00:09It was worth a try.
01:00:11Come on, let's check out the area.
01:00:13Check out this oven.
01:00:17Oh man, you could bake so many goodies in here.
01:00:21Right?
01:00:23What was that noise?
01:00:25Is this still on?
01:00:27Why would Mr. Fish need something so big?
01:00:29I don't know. Let's find out.
01:00:31It's locked.
01:00:33Yeah, well, I learned a few things in prison.
01:00:35You were in prison?
01:00:37No, but I've seen the movies.
01:00:39Just open it.
01:00:43Why are you trying to find Mike Bills' mask?
01:00:45Can't we just go make out or something?
01:00:47Because it's Mike Bills' mask.
01:00:49For the main machete mascar films, it's an original prop.
01:00:53Yeah.
01:00:55We Scoobies here, ma'am.
01:00:57Scoobies.
01:00:59Okay, this is it. You ready?
01:01:03Oh my god.
01:01:05Stop.
01:01:07Stop.
01:01:09Stop.
01:01:14Stop.
01:01:15Found it.
01:01:29Yo, come on, come on, come on.
01:01:31Stop, stop, stop.
01:01:35Ugh! Ugh! Ugh!
01:01:52Ow! Ginger?
01:02:02Ginger! Holy... Oh, God!
01:02:05Hey, Otto has chased Nelson and Billy upstairs, he's got them cornered, he's got the bloody
01:02:16knife. How do we get these guys back downstairs? Doesn't matter. We'll fix it later.
01:02:23Shit, my glasses. I twisted my ankle. Let's go. You go, man. I'll hold him back. I thought
01:02:31you were a pastor. I am, but I don't think he is. Let's go. Jump. Come on. Jump. Come
01:02:39on. Come on. You got this. Come on, Billy.
01:02:57What the fuck is there a bear trap doing here?
01:03:01No pothead messes with my dog.
01:03:25And then he's like, it's not a big deal, babe. Do it again. Do it again. He was like, it's not a big deal, babe. Oh my God. Oh my God. He would kill me. He would kill me if he knew that I was telling you that story.
01:03:32Oh my God. Oh my God. Oh my God. Oh my God. He would kill me. He would kill me if he knew that I was telling you that story. Oh man. Oh my God. Oh my God. What?
01:03:39The mysterious shed is open. Ooh.
01:03:59Oh my gosh.
01:04:01What?
01:04:02The mysterious shed is open.
01:04:05Ooh.
01:04:07What the hell does that old fart keep in there anyways?
01:04:11Mike said that he collects stuff.
01:04:16You want to go find out what stuff?
01:04:21That sounds stupid enough.
01:04:25Let's do it.
01:04:29There's nothing that makes you feel fresh and new as a shave and a shower, I'm telling
01:04:36you that.
01:04:37You looking for the bathroom?
01:04:38Uh-huh.
01:04:39Well, you go to the top of the steps, then you go left and go right.
01:04:42Okay.
01:04:43Thanks.
01:04:44Got it?
01:04:45Yeah.
01:04:46All right.
01:04:47Ah!
01:04:48Ah!
01:04:49Ah!
01:04:50Ah!
01:04:51Ah!
01:04:52Ah!
01:04:53Ah!
01:04:54Ah!
01:04:55I do not like cutting that volleyball scene, right?
01:05:25it's time it's money and we're running low on both i know i know but what's a slasher movie
01:05:33without sexy girls playing volleyball and we're losing that great line get it up get it up yeah
01:05:41well you know what they say sometimes you have to kill your little darlings
01:05:55now quit flopping around like that you're gonna hurt yourself
01:06:05well look what i found look i found your little friend
01:06:13man i thought i'd lost that one yeah i thought i'd lost you little fella
01:06:23what the fuck was that
01:06:29you hush that screaming up now you save that for later you're gonna need a lot of screaming later
01:06:34damn it don't sneak up on me you scared the shit out of me
01:06:38i ain't even through playing with this one yet
01:06:42hold on let me get a damn souvenir
01:06:44i'm gonna do a check hold on work on that ending all right man
01:06:56akasha hey hey akasha are you
01:07:11hey
01:07:20what the
01:07:37fuck nosy little
01:07:50shit
01:07:51What's that?
01:08:18I don't know.
01:08:21Do you think these are his collections?
01:08:24I don't know.
01:08:31Tiffany, Blood Feast.
01:08:35Hannah, the Gore Gore Girls.
01:08:39Robin's Worst Daymare?
01:08:42This is so mundane.
01:08:44I think these are snuff ones.
01:08:54I know.
01:08:55That's an urban legend, Amber.
01:08:57This is from a Herschel Gordon Lewis movie.
01:08:59This is not real.
01:09:09That's real.
01:09:12It's real.
01:09:14I don't know.
01:09:15I don't know.
01:09:16I don't know.
01:09:17I don't know.
01:09:18I don't know.
01:09:19I don't know.
01:09:20I don't know.
01:09:21I don't know.
01:09:22I don't know.
01:09:23Hi, girls.
01:09:24You cost you a great idea for a scene.
01:09:25Wanna see it?
01:09:26I don't know.
01:09:28I'm gonna get to see my eye.
01:09:38I don't know if he's going to get to do my eye.
01:09:51Catch you later.
01:09:53Help!
01:09:55What's going on, ladies?
01:09:58Oh, my God. What blood is in it?
01:10:02Yes, it is.
01:10:06Help me!
01:10:08Oh!
01:10:20Hey, I know where the master fuse box is.
01:10:24If I cut the power, you can go out and go for help.
01:10:27I'm not leaving you here. Just go.
01:10:29Go.
01:10:30Now.
01:10:55Now.
01:11:00Well, looks like we've got a blown fuse.
01:11:29I can give you a lot more pleasure alive than dead.
01:11:36Oh, I bet you can.
01:11:40Open that top and let's see what we've got to play with.
01:11:47Oh, darling.
01:11:50You've got the three things I look for most in a woman.
01:11:54Yeah?
01:11:55What's that?
01:11:57Obedience and perky tits.
01:12:01Why don't you relax?
01:12:05Let me have a look at that zipper.
01:12:08I don't think that that would be a good idea after your last little stunt.
01:12:15Oh, you know I didn't mean anything by it.
01:12:20Let me make it up to you.
01:12:22Huh?
01:12:24How's that zipper coming, baby?
01:12:37Real good.
01:12:39All good.
01:12:40No.
01:12:41Now!
01:12:42Now!
01:12:43Now!
01:12:44Now!
01:12:49Now!
01:12:50Now!
01:12:51Now!
01:12:52Now!
01:12:53Now!
01:12:54Now!
01:12:55Now!
01:12:56Now!
01:12:57Now!
01:12:58Now!
01:12:59Now!
01:13:00Now!
01:13:01Now!
01:13:02Now!
01:13:03Now!
01:13:04Now!
01:13:05Now!
01:13:06Now!
01:13:07Now!
01:13:08Now!
01:13:09Now!
01:13:10Where the hell is everybody?
01:13:27What do you want to do?
01:13:29I want to get the fuck out of here.
01:13:32I guess we have to get Shane first.
01:13:40Ssshh!
01:13:56Brian?
01:13:59Brian!
01:14:05Brian, did you spill your moving blood all over the place?
01:14:07You know, Mr. Fish is going to kill us if we ruin his floor.
01:14:13Brian?
01:14:14Geez.
01:14:18Oh, Brian.
01:14:37Shane, Shane.
01:14:43You getting close to that all is lost feeling?
01:14:47That's where your movie has to go, right?
01:14:50It sucks, by the way.
01:14:54That looks painful.
01:14:56Shit!
01:14:58Oh, God, stop!
01:15:02Where are the others?
01:15:04Where are the others?
01:15:07Some of them are right here.
01:15:13I have to leave you for a minute, Shane.
01:15:17But you can watch one of my home movies while you wait.
01:15:22See if you recognize them, they'll leave.
01:15:33Hello, ladies!
01:15:35Help!
01:15:36Help!
01:15:37Help!
01:15:38Help!
01:15:39Help!
01:15:40Help!
01:15:41Help!
01:15:42Help!
01:15:44Help!
01:15:46Help!
01:15:48It's okay.
01:15:50It's okay.
01:15:52No!
01:15:53No!
01:15:54No!
01:15:56Please help me!
01:15:57Stop me!
01:15:59Stop chatting!
01:16:01Stop chatting!
01:16:03No, no, no!
01:16:09What's her fucking face?
01:16:11Give her!
01:16:13No, no, no!
01:16:15No, no, no!
01:16:17No, no, no!
01:16:19Stop!
01:16:21No, no, no!
01:16:23No, no!
01:16:25Screams
01:16:55Help! Help! Help!
01:17:05Help! Help!
01:17:07Help!
01:17:09You some cold bitches.
01:17:15Drop it.
01:17:19You too.
01:17:23Put these on.
01:17:35The fuck is this?
01:17:41Virgin Cheerleaders in Chains? The movie?
01:17:44We're not virgins.
01:17:45You ain't cheerleaders either.
01:17:47But you will be in chains.
01:17:53Help! Help!
01:18:03Help! You guys gotta help. You guys gotta help.
01:18:05They're killing everybody. Please.
01:18:07Whoa there, young fella. Who's killing who?
01:18:09Back at the house. They're killing everybody. You guys gotta help.
01:18:11Is that your blood? Some of it.
01:18:13Have you been smoking?
01:18:19No, man. It's in my clothes.
01:18:23No, you guys. I had to kill a dog.
01:18:25Nelson got caught in a bear trap.
01:18:27Oh, God. Nelson.
01:18:28Explain this.
01:18:31I was saving that for the wrap party.
01:18:33Whoa, rapper boy.
01:18:35Explain it to the judge on Monday.
01:18:37Monday, no. Monday will be too late.
01:18:39They'll all be dead by then. You guys gotta help them out. No.
01:18:43You girls are ready for prime time.
01:18:53Mike? Are you there?
01:18:58Yes, I'm here. What do you want?
01:19:00You wanna know what the fuck is happening?
01:19:02When I find out, I'll let you know.
01:19:05What?
01:19:06I said I'll let you know when it's time.
01:19:08Then get a move on. God damn it.
01:19:10I will. God damn you.
01:19:14You girls will be good now.
01:19:20Hurry. Hurry.
01:19:24Hurry.
01:19:28No, no, no, no, no, no, no, no, no, no.
01:19:32Go. I'll be okay. Go.
01:19:36Go.
01:19:54Woo!
01:19:55Busy night.
01:19:59Now it's still her.
01:20:02Where's Chloe?
01:20:04There's Amber.
01:20:06tied up at the moment did you like my movie I know crappy production values
01:20:13surprised you didn't figure it out a repairman who just happens to be an
01:20:18actor coincidence I think not I sent Tom D. U. Shane I manage Faro's properties
01:20:29now I'm gonna take your mind off of that pain but like any good doctor I want to
01:20:38explain what I'll be doing I'll make an incision right stop it Mike
01:20:45what movies never show is how the intestines explode out of any opening down
01:20:52there oh there's so much pressure let me see how about this I'm a psychopathic
01:21:02sadist it's time to get to work I'll start without Tom hey
01:21:22oh just like in your movie which I don't see getting into any film festivals a
01:21:32small difference I'm here
01:21:37real hello little girl
01:21:51where's Shane he's back in the shed with Mike making a new movie for my collection
01:22:04it's a closed set why are you doing this killing is a lot more fun when you
01:22:12make a game out of it it's not a game don't you know better than to bring a knife to a gunfight
01:22:20it's not a knife it's a machete
01:22:34stay Harry stay
01:22:40Jesus I have way too many machetes
01:22:45don't be such a pussy Shane I made that cut on dozens of women haven't lost but two
01:22:54which they all scream just like you by the way you ready
01:22:59let's go sting a little bit
01:23:01no no no no no no get away from him you twisted fuck
01:23:06wow Chloe to the rescue man you can make a young Ripley
01:23:15I'll be fair
01:23:19much better you bastard oh please i just choked her out this is gonna be fun
01:23:49i'm gonna cut you out
01:23:56beginning right here
01:23:58i don't think so
01:24:02wrong blade bitch
01:24:19hey mike
01:24:26see shane
01:24:33just like i said
01:24:36oh
01:24:38oh
01:24:50oh
01:24:52oh
01:24:54oh
01:24:56oh
01:25:08wait
01:25:11leave the gun
01:25:15get the camera
01:25:19and cut
01:25:29it's a wrap
01:25:31i want one more
01:25:33and cheerleaders in chains
01:25:35v-i-r-g-i-n cheerleaders in chains
01:25:40virgin cheerleaders in chains
01:25:43virgin cheerleaders in chains
01:25:47once they're bound they will feel the pain
01:25:53you'll hear them scream as they're beating brain
01:26:03the virgin cheerleaders in chains
01:26:07once they're bound they will feel the pain
01:26:09you'll hear them scream as they're beating brain
01:26:11the virgin cheerleaders in chains
01:26:13once they're bound they will feel the pain
01:26:15you'll hear them scream as they're beating brain
01:26:17the virgin cheerleaders in chains
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