- 7 weeks ago
When Gaily Morton (Clare Wren) presses rape charges against slimy Danny Emerson (Michael Cerveris), he gets off because his friends lie for him
Category
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Short filmTranscript
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00:02:10...swear the night of the crime.
00:02:11So, do you want to go out for a drink?
00:02:13Yeah, let's celebrate.
00:02:14Oh, and you guys know where it is, right?
00:02:15Uh-huh, yeah, I know where it is.
00:02:16See you there, see you there. Bye-bye.
00:02:17Listen, I'll take my car.
00:02:40Don't let it go. Don't let it go. Do it.
00:02:50Yeah, let's do it.
00:02:52Who are we?
00:02:52Who are we?
00:02:53Who are we?
00:02:54Who are we?
00:03:05No!
00:03:06No!
00:03:07Help!
00:03:08Help! Help!
00:03:10Help!
00:03:15Hey.
00:03:25Pretty.
00:03:29Very pretty.
00:03:31No!
00:03:38Shut up!
00:03:39Shut up!
00:03:40Shut up!
00:03:41Shut up!
00:03:42Jesus!
00:03:43Will the foreman please read the verdict?
00:03:45No!
00:03:46No!
00:03:47Shut up!
00:03:48Shut up!
00:03:49Shut up!
00:03:50Jesus!
00:03:51No!
00:03:52No!
00:03:53No!
00:03:54I don't think you did it!
00:03:55Hey, you liked it!
00:03:56Yeah, you liked it!
00:03:57Yeah, you liked it!
00:03:58Yeah, you liked it!
00:03:59Yeah!
00:04:00Yeah, you liked it, yeah, you liked it, yeah.
00:04:10Your Honor, due to insufficient evidence, you find the defendant, Daniel Armerson, not guilty.
00:04:16Yes!
00:04:22Order! Order!
00:04:24Your Honor?
00:04:26There will be order in this courtroom!
00:04:28This is irreprehensible!
00:04:30The people protest!
00:04:31How can you allow this?!
00:04:33All right.
00:04:35Oh, man, let's get out of here.
00:04:45Oh, God, I'll tell you, man.
00:04:47I'll go out to back.
00:04:57Go head to back.
00:05:27No more of this, sir.
00:05:30I don't know if this year ever gonna happen.
00:05:33No more.
00:05:37No more.
00:05:40Why do you feel the jury found Emerson not secure?
00:05:43I have no idea. We're all very disappointed.
00:05:46Excuse me. No more.
00:05:47Listen, some say that you didn't have enough evidence in the first place.
00:05:50Look, there she goes.
00:05:52There she goes. We need to speak to her.
00:05:54Dr. Morton, we need to speak to you, sister.
00:05:56That's gonna be all right.
00:05:58Stay here.
00:06:07Dr. Morton, we need to speak to you, sister.
00:06:09Is it possible? I can't permit that.
00:06:17Hey, hey.
00:06:18Okay, guys, line them up.
00:06:20Great.
00:06:22Something constructive is coming out of this particular poke.
00:06:25It's all over now, isn't it, Danny?
00:06:28No.
00:06:30It's just beginning.
00:06:32Huh?
00:06:33What do you mean?
00:06:34We're gonna turn ourselves around.
00:06:36Turn the business around.
00:06:38Expand some horizons.
00:06:40I owe it to you guys for backing me up when that bitch went to the cops.
00:06:46And now on.
00:06:47We are partners.
00:06:48Equal partners.
00:06:49And the sky's the limit.
00:06:50Yeah!
00:06:51Thanks.
00:06:52Kayleigh?
00:06:53Kayleigh?
00:07:00Kayleigh?
00:07:01Kayleigh?
00:07:02Kayleigh?
00:07:07Everything's gonna be all right, honey.
00:07:14Let's let me take you home.
00:07:15You said they'd put him away.
00:07:21I know I know I do, baby.
00:07:22But he's out there somewhere.
00:07:36You said they'd put him away.
00:07:42I know I did, baby.
00:07:45But he's out there somewhere.
00:07:50It's not fair, Albert.
00:07:53I'll keep him away, honey. I promise.
00:07:56I'll keep you safe.
00:08:11There's only one safe place now.
00:08:26It's THE END
00:08:41American Ocean
00:08:44I don't have a pen.
00:09:07Allow me.
00:09:14I am so glad we've been able to come to this agreement.
00:09:27$30,000.
00:09:31You offered $60,000.
00:09:34I have expenses, Mr. Spiegel.
00:09:37You should have taken the $60,000 when I offered it.
00:09:41I sent some flowers to the hospital when I heard about your wife's accident.
00:09:45It wasn't an accident, and you know it.
00:09:49Mr. S, I haven't a clue what you're talking about.
00:09:54Get out of here.
00:09:56You're not a particularly gracious host, but I'll chalk that up to your recent bad luck.
00:10:03My associates and I will leave you now.
00:10:05You have a lot of packing to do.
00:10:08Be out of the house in 12 hours, or we'll knock it down.
00:10:11With you in it.
00:10:16And my best to your wife.
00:10:22I want it leveled by five tomorrow.
00:10:25What about the permits?
00:10:27Level it.
00:10:28I'll worry about permits later.
00:10:31Toby.
00:10:32Yeah.
00:10:35What are you, a moron?
00:10:38What?
00:10:39Are you somehow retarded?
00:10:42You should never have taken this long.
00:10:44It's an old man in there.
00:10:45Is it too difficult for you to handle?
00:10:46No, of course not, but...
00:10:47Don't ever make me leave the office for something like this again.
00:10:51When I tell one of you to handle something, that's what I want you to do.
00:10:55Handle it.
00:11:02I thought we were all equal partners.
00:11:15Some partners are more equal than other partners.
00:11:18It's late.
00:11:19I'm gone.
00:11:32I'm gone.
00:11:33I'm gone.
00:11:34I'll have you.
00:11:35I'm gone.
00:11:36I'm gone.
00:11:37I'm gone.
00:11:38I don't know.
00:12:08Son of a goddamn bitch!
00:12:34Son of a goddamn bitch!
00:12:38Son of a goddamn bitch!
00:13:08Son of a goddamn bitch!
00:13:11Son of a bitch!
00:13:12Oh, boy.
00:13:13Trouble.
00:13:14Excuse me?
00:13:15Car trouble.
00:13:17Yeah.
00:13:18Yeah, a thing just up and died on you.
00:13:19Imagine that.
00:13:27that thing just up and died on imagine that you know about cars I know fucked
00:13:38one when I see one and I'm looking at one right now must have been a power
00:13:45surge that's what I figured did you clever you're not gonna get anyone to help
00:13:58you up here tonight well you think you could be a good Samaritan give a guy a
00:14:05lift I don't know let me check
00:14:15you broke your nose once does that disqualify me or something no makes your face more interesting
00:14:27climb in
00:14:31my car
00:14:36what do you do for a living I work for a friend some friend yeah yeah Danny's a prince
00:14:50of course sometimes he can be a real dick too
00:14:56where do you live Santa Monica I know someplace closer
00:15:02very classy
00:15:24how'd you find this place
00:15:26when Southern California adult motel mailing list not to keep informed
00:15:32so what exactly do you do for him who Danny your friend thanks I help him out
00:15:52sounds fascinating
00:15:54so how about you babe what's your life
00:16:03something of a bookkeeper a bookkeeper
00:16:08I keep things in balance
00:16:10make sure people pay their debts
00:16:14like a collection agency
00:16:18tell me more about your friend
00:16:21who'd you know
00:16:23a friend
00:16:24how long have you known him
00:16:26we go way back
00:16:28I like that
00:16:29I think loyalty is very attractive
00:16:32yeah well that's me
00:16:34I'm loyalty on the hoof
00:16:37I'm going to be willing to die for him
00:16:42I bet you'd do anything for him
00:16:58I'll do a friendship for him
00:17:01lie
00:17:01shit
00:17:03and steal for him
00:17:04I bet you I'd be willing to die for her.
00:17:07What?
00:17:08Would you be willing to die for your friend?
00:17:13For Danny?
00:17:14Yeah, sure.
00:17:16I'm very glad you said that.
00:17:19I have something to show you.
00:17:23Show me whatever you want.
00:17:34I have something to show you.
00:18:04What do you think?
00:18:25They're brilliant.
00:18:26Yes.
00:18:29You really like them?
00:18:30Of course I like them.
00:18:31This is some of your best work.
00:18:33I look at these and I'm proud to represent you.
00:18:38But...
00:18:39But I think you were rather liberal
00:18:40in your definition of the project
00:18:42that we pitched to the publisher.
00:18:43They said they wanted portraits of children.
00:18:46I gave them children.
00:18:49Gangs.
00:18:50With guns and knives.
00:18:51Smoking cigarettes and being sexually...
00:18:54precocious.
00:18:55These are real kids, Duncan.
00:19:00A lot more real than the kids you see on television.
00:19:03Well, granted, they're real, Allison.
00:19:04But they're not the kind of kids' faces people want on their coffee tables in Beverly Hills.
00:19:07Well, maybe it's about time people in Beverly Hills looked at these faces.
00:19:11Looked into their eyes.
00:19:14Allison...
00:19:14I won't castrate my art.
00:19:17Well, it's a brave statement.
00:19:20Understand I'm not talking about castration.
00:19:23I'm talking about...
00:19:25Selling out.
00:19:26A little selling out will pay for a great deal of integrity further down the road.
00:19:30I thought you liked them.
00:19:36I do like them.
00:19:37You know that.
00:19:39That's a good book.
00:19:41It's just not the right book for right now.
00:19:50So now what?
00:19:52Well, you know how I feel about tampering with success.
00:19:59No.
00:19:59No, no.
00:20:01No.
00:20:01I'm not compiling another book of courtroom sketches.
00:20:04No, not the same book.
00:20:06A new one.
00:20:08I haven't done a trial in five years.
00:20:10There's your hook.
00:20:11Now, you pick out some of the cases that you covered back then.
00:20:14Then locate some of the principles now, today.
00:20:18On the one page, your original sketches.
00:20:21And on the opposing page, how they look today.
00:20:24How they've changed.
00:20:26How they haven't changed.
00:20:27I could probably get Clippy to help.
00:20:33Oh, yeah.
00:20:36Your friend on the police force?
00:20:38Detective Dunn?
00:20:40Yeah, he could help me with something like this.
00:20:43Yeah, of course.
00:20:44Why didn't I think of that?
00:20:45Maybe he's changed in the past couple of years.
00:20:51How so?
00:20:52Maybe he grew a mustache and got really fat.
00:20:59Detective Dunn.
00:21:00Okay.
00:21:00Coming in.
00:21:01Uh, negative kick.
00:21:03You want to get on and step back here?
00:21:05Okay.
00:21:05Thank you, Steve.
00:21:06We need a tight end flight.
00:21:08I didn't still spend anything.
00:21:10Are these going to be, uh...
00:21:11So?
00:21:12What's all the squawk on the radio?
00:21:13It's just as stiff.
00:21:15Lift the blanket.
00:21:16Yeah.
00:21:18Okay.
00:21:19Keep lifting.
00:21:24Jesus Christ.
00:21:25Looks like somebody dropped a bowling ball right through him.
00:21:27Clerk says he checked in with a blonde.
00:21:28Took the room for an hour.
00:21:30Big spender.
00:21:31Time's up.
00:21:32Clerk comes in to hustle him out.
00:21:34No blonde.
00:21:34This guy ventilated on the floor.
00:21:36Hmm.
00:21:36Morning, Clifford.
00:21:38Doc.
00:21:39Well, what's on the menu?
00:21:40Take a look.
00:21:41This man has a hole in him.
00:21:49I knew that there was something.
00:21:51I just couldn't put my finger on it.
00:21:52Tell me when and tell me how.
00:21:54When and how?
00:21:57Okay.
00:21:58When and how?
00:22:01When and how?
00:22:02Hmm.
00:22:04$400 in cash and a fistful of credit cards.
00:22:06In case you're thinking robbery.
00:22:11Oh, shit.
00:22:18Morning, men.
00:22:21Got a lot to cover before lunch.
00:22:25Move.
00:22:35Daniel.
00:22:36All right.
00:22:37Reallocation of responsibilities is first up.
00:22:39Daniel.
00:22:41Craig is dead.
00:22:43Yeah, so is Elvis.
00:22:44What do you want me to do about it?
00:22:46He was murdered.
00:22:47Cut to pieces.
00:22:51Everybody knows he was playing hooker roulette on Hollywood Boulevard for too long.
00:22:56His luck ran out.
00:22:58That's all.
00:22:59Yeah.
00:23:00But we were just thinking...
00:23:01Well, stick to what you know.
00:23:03Where the hell did you guys get those faces?
00:23:12You can't be that busted up about Craig.
00:23:15He was a friend.
00:23:16He was a partner.
00:23:17He was a liability.
00:23:20He was a stupid man.
00:23:21He died a stupid death.
00:23:23Shouldn't we do something anyway?
00:23:25Like?
00:23:27Like?
00:23:28I don't know.
00:23:30How about a minute of silence?
00:23:32Do you have any idea how much business we have to get through this morning?
00:23:35Half a minute of silence?
00:23:38All right.
00:23:39I don't think that was 30 seconds.
00:24:08Well, it was.
00:24:10Sit down.
00:24:26Well, if he didn't die of shock, loss of blood, and having 80% of his internal organs
00:24:31imaginized, then I think the removal of 7 1⁄2 inches of spinal cord probably would
00:24:35have done the trick.
00:24:36You want me to fix it so it looks like he choked on a chicken bone?
00:24:40Hilarious herb.
00:24:44Dunn?
00:24:46Yes, sir.
00:24:47I'm away.
00:24:50Ooh, the jacket's a nice touch.
00:24:52Maybe he'll take you to lunch.
00:24:53Shouldn't you be experimenting on something defenseless?
00:24:55Dunn, this is Trips from the DA's office.
00:25:06There's a problem with your stiff at the motel.
00:25:09Craig Semple?
00:25:10Captain Grover.
00:25:11Well, look at him.
00:25:12He didn't tell me anything.
00:25:13I saw the dead man's wallet on his business card.
00:25:15You're so smart.
00:25:17Why am I here?
00:25:18You're trying to build a case against Emerson.
00:25:20There must be half a dozen federal, state, and local offices who'd like to bring him down.
00:25:26One of his vice presidents ends up dead.
00:25:29Executed, you might say.
00:25:31Must make you wonder if somebody's getting wise or somebody's getting ready to talk.
00:25:34Look, we've spent two years putting it together against Emerson.
00:25:38Racketeering, extortion, bribery, we're close.
00:25:42Too close to let it fall apart now.
00:25:44He'll be in front of a grand jury before the end of the month, if we can keep control.
00:25:49Who killed Craig Semple?
00:25:50Maybe Mob.
00:25:52Maybe Emerson.
00:25:53We're working on that inner circle of his.
00:25:55Looking for someone who wants to save his ass.
00:25:57You're doing such a fine job now, why are you finally telling us?
00:26:00Dunn.
00:26:00If it was Emerson who did it, fine.
00:26:03It's something else we could throw at him.
00:26:04But we don't want him or anyone else in his organization unnecessarily spooked until we move.
00:26:11Understand?
00:26:15So?
00:26:16So look like you're doing your job.
00:26:30Emerson.
00:26:36Emerson.
00:26:37Emerson.
00:26:40What the hell are you doing here?
00:26:42It's nice to see you too, Clippy.
00:26:44My name's Clifford.
00:26:48No peas.
00:26:50Don't call me Clippy.
00:26:51See, that wasn't so high, Moisey.
00:27:03Don't tell me our relationship is ended.
00:27:05Now that it's over, let's be pal stage.
00:27:07Now, is there something I can help you with?
00:27:09Something official?
00:27:13Yes.
00:27:14I need help with a project.
00:27:15What kind of project?
00:27:17I'm doing a new book.
00:27:19What do you want from me?
00:27:20I need your help in finding the people in the cases.
00:27:24This department doesn't have the time or the manpower to help you with personal projects.
00:27:30I thought you said you were interested in old cases.
00:27:32This thing happened last night.
00:27:33Last night is last night.
00:27:35But I know this guy.
00:27:38How?
00:27:39It's Craig Semple, one of the defense witnesses at the Danny Emerson trial.
00:27:45Why don't you try to get involved in something more wholesome?
00:27:48Maybe something untraveled.
00:27:50Distant foreign trap.
00:27:52No.
00:27:53I want to do this.
00:27:55I want to know the rest of the story.
00:27:58I'm sick of incomplete things.
00:28:01Unfinished episodes.
00:28:03I can't comment on current investigations.
00:28:06Why the secrecy?
00:28:09Standard operating procedure.
00:28:11Meaning?
00:28:12Meaning it's off limits to civilians.
00:28:14All right.
00:28:15All right.
00:28:20Allison.
00:28:23Why can't you leave things alone?
00:28:25It's not my nature.
00:28:26Damn.
00:28:38This is done.
00:28:40Get me Captain Grover.
00:28:41Hard to believe.
00:28:44Good old Craig is gone.
00:28:47I miss him already.
00:28:51The five musketeers.
00:28:53That's what everyone called us.
00:28:56You're the only one who ever called us that.
00:28:58I can't figure out why that never caught on.
00:29:02Come.
00:29:04Excuse me, Mr. Worth.
00:29:05I hope I'm not disturbing you.
00:29:07The girls and I are taking up a collection for flowers for Mr. Semple's funeral.
00:29:10And we were wondering where the services were going to be held.
00:29:14Uh, Buzz, Mr. Emerson's girl.
00:29:17She'll know.
00:29:18And thank everybody for being so thoughtful.
00:29:20It's the least we can do.
00:29:27Where have you been hiding that?
00:29:32She's new from the pool.
00:29:35Really?
00:29:36And have you taken a dip into the pool lately?
00:29:38Office affairs are more trouble than they're worth.
00:29:43Oh, it's the trouble that makes them so much fun.
00:29:48So who do you think did it?
00:29:50Hmm?
00:29:52Who do you think Stiff Craig?
00:29:56I think like everybody thinks rough trade from the boulevard.
00:30:02A hookah with a drill press?
00:30:03Come on.
00:30:03Ooh, you're yanking.
00:30:06Listen to me, Oscar.
00:30:07Old musketeer.
00:30:08You talk a lot more than it's healthy for a person in your position to talk.
00:30:12Meaning?
00:30:13Meaning I'd be careful what kind of questions I ask because somebody might take it into their head to answer it.
00:30:19If I were you, I would keep a bag packed, I would stay liquid, and I would only believe half of what I heard around this place.
00:30:28You want me to what?
00:30:29Stay with that girl.
00:30:31Allison Ruger?
00:30:32She represents exactly the kind of threat that Harpy from the DA's office was talking about.
00:30:37She blunders over there with some bogus story about writing a book on a case that nobody remembers or cares about.
00:30:44They'll go so deep we'll need a backhoe to comb their hair.
00:30:48But, Captain...
00:30:49Do it.
00:30:50Keep an eye on her.
00:30:52Tell her you've changed your mind.
00:30:54Tell her you want to help her.
00:30:55But help her by keeping her away from Emerson and his pals.
00:31:00There's a history here, Captain.
00:31:02Tell me later.
00:31:04Just do it, understand?
00:31:05Yes, sir.
00:31:07Yes, sir.
00:31:35Hello?
00:31:37Hello, yourself.
00:31:39I think you left something at my office.
00:31:41What?
00:31:42This.
00:31:44Does this belong to you?
00:31:46Mmm, no, no, I don't think so.
00:31:48You're kidding.
00:31:50Sorry.
00:31:51I could have sworn this was yours.
00:31:53I found it right after you left.
00:31:54Can't imagine who it belongs to.
00:31:56I can see the headlines.
00:31:57Police, baffled.
00:32:00It's a shame, really.
00:32:01It's all chilled and everything.
00:32:03How about that?
00:32:05Why don't you come in?
00:32:09Why don't you come in?
00:32:35I'm taking a big chance coming here talking to you.
00:32:42I figure in this world, first and foremost, you've got to look out for your own best interests
00:32:46because nobody else is going to.
00:32:48Am I right or am I right?
00:32:50Oh, you're right, Mr. Worth.
00:32:52No question of that.
00:32:53You've fallen in with the wrong people, and it behooves you to get out while you can.
00:32:57That's not exactly the wrong people.
00:32:59You see, it's not me.
00:32:59It's them.
00:33:01I'm pretty close to being an innocent victim here.
00:33:04You've participated in criminal activities under Daniel Emerson's direction and control.
00:33:08When you, um, say the word participate, is that in the same way that you would use the
00:33:15word accomplice?
00:33:16You can speak freely, Mr. Worth.
00:33:19Freely.
00:33:21And I use the word freely the same way you'd use the term with formal immunity from subsequent
00:33:27prosecution.
00:33:28In that case, yes.
00:33:29Extremely yes.
00:33:30Very interesting.
00:33:33So do we have a deal?
00:33:35I believe we have the makings of a deal.
00:33:39With a side order of that federal protection that you were talking about, because Danny...
00:33:44Danny's the kind of guy who...
00:33:49Who would do what?
00:33:53Agent Spoon.
00:33:55Do you have a first name?
00:33:58Yes, I do.
00:34:00Anyway, um, uh, the thing about Danny is, uh, he knows how to survive.
00:34:13And, uh, he's willing to do whatever it takes to whoever.
00:34:19If you cooperate, we will protect you.
00:34:21Good.
00:34:23I have something for you.
00:34:25Mm-hmm.
00:34:26It's a very discreet tape recorder and microphone.
00:34:31What are you saying?
00:34:33Don't open that thing in here.
00:34:34Jesus Christ, man.
00:34:36We need to move quickly, Mr. Worth.
00:34:37I'm sure you can appreciate that in light of your friend Mr. Semple's untimely demise.
00:34:41Yes.
00:34:41Yes, okay.
00:34:46Okay.
00:34:46Now, I'll go out the back.
00:34:51And give me five minutes, then you follow me, okay?
00:34:54That sounds like a good plan.
00:34:56Okay.
00:34:57Okay.
00:34:57Nice.
00:34:59That was a couple years old.
00:35:20My technique's a lot better now.
00:35:21Hmm.
00:35:23That's good to know.
00:35:25Hey, creepy.
00:35:27You and me.
00:35:30Yeah, you and me.
00:35:33I don't know.
00:35:35One of us likes to see how things end.
00:35:39The other one hates endings because he's seen too many of them.
00:35:43Why did you come here tonight?
00:35:44See?
00:35:45I was trying to get under the skin of the thing instead of just letting it happen.
00:35:49Because things are connected.
00:35:50They don't just happen to happen for reasons.
00:35:53And when they do happen, they make other things happen.
00:35:56And unless you're careful, unless you just stop and ask questions and analyze answers,
00:36:01it's just going to, like, just spin out of your control and...
00:36:05You know, Mr. Worth, I don't think I've acknowledged how difficult this must be for you.
00:36:19Converting loyalties like this.
00:36:22After all, you and Daniel Emerson have been close friends for more than a decade.
00:36:26That decision must have required a great deal of soul-searching.
00:36:29By the way, is there any cash money coming to me on this?
00:36:32Trust me, Mr. Worth, you will be taken care of.
00:36:34You must realize, Mr. Worth, Toby, if I may, that in my line of work, I come in daily contact with the scum of the earth.
00:36:45Lowlifes, reprobates, psychos.
00:36:49So, when I meet an honest, conscience-driven citizen like yourself, it moves me.
00:37:02It moves me deeply.
00:37:04Yeah, well, I think I'm...
00:37:06I want to get to know you more intimately.
00:37:09Find out what makes you tick.
00:37:11Learn how it is you can throw your so-called friend to the lions after all he's done for you.
00:37:15Let go of me.
00:37:16What will the others think when they hear you've cut a deal?
00:37:18Norman, Oscar, Danny.
00:37:21What about your friends?
00:37:22Now, look, I don't need any friends.
00:37:23Now, let go of me, because I'm not into this shit.
00:37:27Only the dead are beyond the need of friends, Toby.
00:37:30Go with me!
00:37:31Jesus.
00:37:46Help!
00:37:50So, you're not the is.
00:38:00You're not the is.
00:38:01Oh, ah, ah!
00:38:04Oh, no.
00:38:05Oh, no.
00:38:09Oh, no.
00:38:10Oh, no.
00:38:11you're dead
00:38:18did Danny tell you that?
00:38:29see how wrong he was?
00:38:30see how terribly wrong
00:38:33you all were
00:38:34ready
00:38:41very ready
00:39:04so are you gonna give me
00:39:09a list of the cases
00:39:10you want me to check
00:39:10for the book?
00:39:15so now you're interested?
00:39:16I've always been interested
00:39:17oh damn it
00:39:20phone's right there
00:39:33you're done here
00:39:33what is it?
00:39:34yeah
00:39:34yeah so?
00:39:37so why are you telling me this?
00:39:39it was who?
00:39:41oh shit
00:39:41give me the address
00:39:42yeah
00:39:43yeah
00:39:45okay
00:39:46I'm on my way
00:39:47Allison
00:39:56I gotta roll on this one
00:39:57what is it?
00:39:58it's no big deal
00:39:59somebody's out
00:39:59and I gotta cover for them
00:40:00I'm sorry
00:40:02yeah me too
00:40:04kind of feels familiar
00:40:06can I call you tomorrow?
00:40:08sure
00:40:09we'll talk about the book
00:40:10I'll set you up with some people
00:40:12Clippy?
00:40:13thanks for the wine
00:40:15don't call me Clippy
00:40:20I love you
00:40:33I love you
00:40:37I love you
00:40:40I love you
00:40:41I love you
00:40:41you're so nice
00:40:42or do you know what's your plan?
00:40:43okay
00:40:44yes
00:40:44Good evening, Don.
00:40:52You might want to see this.
00:40:57Son of a bitch.
00:40:59I don't know a thing about his lineage, but his name's Toby Worth.
00:41:02I know his name, dammit. I wish I didn't, but I do.
00:41:05Who saw what?
00:41:07Uniforms of questioning witnesses.
00:41:10What are you doing here?
00:41:12You've got your fortune cookie.
00:41:14What did you do? Follow me?
00:41:20That's Toby Worth, isn't it?
00:41:21Answer my question.
00:41:22Answer mine.
00:41:24You didn't see that back there.
00:41:25Oh, come on, Clippy.
00:41:28Officially, you didn't see a goddamn thing. Do you understand what I'm saying?
00:41:31That's two of Danny Emerson's pals dead in two days.
00:41:33Officer, this lady's going home. See that she gets there.
00:41:36Clippy.
00:41:37And stays there.
00:41:38You can't do this. I've got my rights.
00:41:40Tell the officer about your rights on the way home.
00:41:42Come on.
00:41:44Once you raise the bar and...
00:41:45If you raise the bar...
00:41:47You can't do this.
00:41:48Let's go.
00:42:18Let's go.
00:42:48Let's go.
00:43:18Let's go.
00:43:48Let's go.
00:44:18Let's go.
00:44:48Let's go.
00:44:49Let's go.
00:44:50Let's go.
00:44:54Let's go.
00:44:56Again, please.
00:44:58Again?
00:45:00Again.
00:45:02Let's go.
00:45:10Let's go.
00:45:18Let's go.
00:45:20Let's go.
00:45:28Let's go.
00:45:30Let's go.
00:45:32Let's go.
00:45:42Let's go.
00:45:44Let's go.
00:45:45Let's go.
00:45:54Let's go.
00:46:04Let's go.
00:46:06Let's go.
00:46:08Let's go.
00:46:09Let's go.
00:46:10Let's go.
00:46:18Let's go.
00:46:20Let's go.
00:46:21Let's go.
00:46:22Let's go.
00:46:24Let's go.
00:46:26Let's go.
00:46:28Let's go.
00:46:29Let's go.
00:46:30Let's go.
00:46:32Let's go.
00:46:34Let's go.
00:46:36Let's go.
00:46:37Let's go.
00:46:38Let's go.
00:46:39Let's go.
00:46:40Let's go.
00:46:41Let's go.
00:46:42I'll be out on a stretcher in his head in a bowling ball bag.
00:46:43Jerusalem?
00:46:44The other witnesses.
00:46:46Oscar Harbolt.
00:46:47Amy Austin.
00:46:48It was a conspiracy.
00:46:51The boys club lying to save one of their own.
00:46:53Five years down the road, everybody's forgotten all about it.
00:46:57Except the one person.
00:46:59Daniel Emerson.
00:47:00Now that it's all over, he's killing his own alibi.
00:47:03This poor girl, does she have any other family?
00:47:06Only the brother.
00:47:08I'm meeting with him today.
00:47:11I need his help if I want to access the case records.
00:47:14They haven't been made public.
00:47:16I thought you and your policeman were on friendly terms again.
00:47:20Oh, he's helpful with the book.
00:47:23Are you seeing the brother now?
00:47:26Yes.
00:47:27Well, I'll drive.
00:47:28No, you won't.
00:47:29I want to get there today.
00:47:31But you can buy me lunch.
00:47:33So, you can't think of anyone who'd have a motive for killing Mr. Worth or Mr. Semple?
00:47:41Like I said, no, living soul.
00:47:43You sure I can't fix you something to drink?
00:47:45No, thanks.
00:47:46Were there any business rivals?
00:47:48Someone in their personal lives?
00:47:51Well, they were great guys.
00:47:53The both of them.
00:47:53The bunch of us.
00:47:54We go back a long ways.
00:47:56They used to call us the five musketeers.
00:47:58Looks like you're the three musketeers now.
00:48:01Hey, that's pretty good.
00:48:03Hello, Miss, uh...
00:48:09Miss Fairweather from the pool.
00:48:11Mr. Harbaugh, we were wondering if they were going to take Mr. Worth to the same place as I took Mr. Semple.
00:48:17What, are you taking up another collection?
00:48:20Yes, but I'm afraid with the two of them coming so close, Mr. Worth may get shortchanged on the flowers.
00:48:25I'll tell you what, Miss Fairweather.
00:48:27After you've finished the collection, you stop back here before you're ready for the day.
00:48:32I'll make up the difference.
00:48:34We don't want to see any favoritism, do we?
00:48:36That's terribly thoughtful of you, Mr. Harbaugh.
00:48:40Don't mention it.
00:48:45Thanks for your time, Mr. Harbaugh.
00:48:47I'm finished?
00:48:48For the moment.
00:48:49In light of what's happened, I'd like to suggest that you take an extra measure of caution in your activities.
00:48:54You mean don't stand there or any open windows?
00:48:56If you do, make sure you know who's standing behind you.
00:48:58I understand, but I can't abandon my own project, not now.
00:49:10Listen, I can't talk about it now.
00:49:12Let me call you back.
00:49:18Sorry about the interruption.
00:49:19That's all right.
00:49:21I know you must be a busy man.
00:49:23Yes, I am.
00:49:23When I called, you said you remembered me from the trial?
00:49:28Yes, I remember you.
00:49:30I'm always drawing, studying her like a specimen.
00:49:37It was my job.
00:49:40We all have our jobs.
00:49:43Have you seen the news lately?
00:49:45Yes, I have.
00:49:45So you know that two of Emerson's witnesses have been murdered?
00:49:51I'm aware of that fact, yes.
00:49:53How do you feel about that?
00:49:57Oh, Mr. Ugar, I haven't felt anything in a very long time.
00:50:03I think I know who did it.
00:50:04I think I know why.
00:50:06And I'm certain that there's more to come.
00:50:08I think you've gotten more than enough mileage out of my sister.
00:50:11Now leave it alone.
00:50:12It was Emerson.
00:50:14Cleaning house by getting rid of his friends.
00:50:18What are you looking for, a Pulitzer?
00:50:21Something more lucrative, maybe.
00:50:23A movie deal, perhaps.
00:50:26I want to know what happened.
00:50:28Leave it alone, Miss Ruger.
00:50:32Leave my sister's memory alone.
00:50:33Where do you want to have lunch?
00:50:47How about someplace close to Emerson's office?
00:50:49Alison.
00:50:50I want to talk to the ones that are left.
00:50:52Especially us at Harbault.
00:50:55Why Harbault?
00:50:56He was the third to testify.
00:50:58He may be the third on the hit list.
00:50:59So, where is this place?
00:51:05It's in Hollywood, across from Capitol Records.
00:51:07Where there isn't a decent restaurant for two miles in any direction.
00:51:11Is there anything in here that's going to make my job any easier?
00:51:32Not a thing.
00:51:34You don't have to be so goddamn gleeful about it.
00:51:36Well, in a nutshell, Tobias Wirth was simultaneously strangled and decapitated.
00:51:40No, no.
00:51:41You can't be simultaneously decapitated and strangled.
00:51:44Oh, yes, you can.
00:51:44No, you can't be.
00:51:45Yes, you can.
00:51:46No, think about it.
00:51:47Simultaneously decapitated and strangled?
00:51:49Yes, you can.
00:51:50You can if what strangled you is hot enough to burn a hole through your skin, your muscle, and your cartilage.
00:51:58Great.
00:51:59I'm telling you, these homicides are downright baroque.
00:52:02I mean, I couldn't have pulled off a murder like this unless I had a crew of six, a generator
00:52:07truck, and 454 cable running up the side of the building.
00:52:11I'm telling you, they're classics.
00:52:13This completely redefines the time-honored art of murder.
00:52:16Have you found any connection between the victims?
00:52:32Well, of course I have.
00:52:35All right.
00:52:37Baroque?
00:52:37Mr. Harboll, that'll buy an awful lot of flowers.
00:52:48It all doesn't have to be spent on flowers.
00:52:50It doesn't?
00:52:52No.
00:52:53You've worked very hard on this collection.
00:52:56Thought you deserved a little something for yourself.
00:52:58I couldn't accept this.
00:53:00I do things because I like to help people.
00:53:02It makes me feel good.
00:53:03Speaking of feeling good, can I mix your drink?
00:53:09It's not even five o'clock yet.
00:53:11It's got to be somewhere.
00:53:13Well, maybe a little Dubonnet.
00:53:20Hello.
00:53:21Alison Ruger to see you.
00:53:22Who?
00:53:23She says she knows you.
00:53:24Never heard of her.
00:53:25Now, shall I have her wait?
00:53:27No.
00:53:27Hell no.
00:53:28Get rid of her.
00:53:29Well, I'm afraid Mr. Harboll is in conference.
00:53:32If you'd care to give me your name and address,
00:53:34I will send you a card when you can have an appointment.
00:53:43Excuse me.
00:53:44Where do you get your hair done?
00:53:48Just a minute.
00:53:49I told you he's in conference.
00:53:55What kind of perfume is that?
00:54:01Actually, I think it's toner from the Xerox machine.
00:54:06Very close.
00:54:08What does it taste like?
00:54:10Interesting.
00:54:12Mr. Harboll?
00:54:13Oscar.
00:54:15Oscar.
00:54:17Do you think we could go someplace else where we won't get interrupted?
00:54:22What do you have in mind?
00:54:23How about the Ivy for lunch?
00:54:25I'm not finished here yet.
00:54:28Alison, what are you talking about?
00:54:29I've got to get around that receptionist.
00:54:31There's got to be a freight elevator or something.
00:54:33I'm not about to ride in a freight elevator.
00:54:35Fine.
00:54:35Then you stay here.
00:54:36I'll be right back.
00:54:39No one ever comes in here after lunch.
00:54:41You're smart.
00:54:43Too smart to be just a girl from the pool.
00:54:49Funny.
00:54:51I was thinking along similar lines myself.
00:54:53Excuse me.
00:55:04May I help you?
00:55:05No.
00:55:08I'm sorry.
00:55:08Goodbye.
00:55:09Goodbye, bye.
00:55:11Goodbye.
00:55:12Goodbye.
00:55:13Goodbye.
00:55:13Bye.
00:55:15Goodbye.
00:55:17Goodbye.
00:55:17Goodbye.
00:55:18Goodbye.
00:55:19Goodbye.
00:55:20Bye.
00:55:20Goodbye.
00:55:21Goodbye.
00:55:21Bye.
00:55:22Excuse me.
00:55:45Yes?
00:55:48I'm not in the habit of accosting young women in garages,
00:55:51but...
00:55:52Is there something I can do for you?
00:55:56My mistake.
00:55:58I thought you were someone else.
00:56:00No harm.
00:56:04Kaylee!
00:56:21No harm.
00:56:23No harm.
00:56:24You don't have to worry about it.
00:56:26How do you think you're going to be a pain?
00:56:28No harm.
00:56:29I don't know.
00:56:30I don't know.
00:56:31I don't know.
00:56:32I don't know.
00:56:34I don't know.
00:56:35I don't know.
00:56:36Duncan?
00:57:06Don't let me go!
00:57:14Don't get me!
00:57:16Let me go!
00:57:19Let me go!
00:57:36Let me go!
00:57:40Let me go!
00:57:44Let me go!
00:58:06You gonna be all right? Alone?
00:58:17Sure.
00:58:32It was Emerson.
00:58:34You said you didn't see anyone.
00:58:36I didn't.
00:58:39Must have been him.
00:58:41Or somebody working for him.
00:58:45Killing off his lying friends.
00:58:48What about the secretary?
00:58:51And Duncan?
00:58:54Wrong place.
00:58:57Wrong time.
00:58:59You can't go on that.
00:59:01I came back here and looked at the drawings I made of Daniel.
00:59:08And I know. You've seen them.
00:59:12I've drawn them.
00:59:14Allison, leave it alone.
00:59:16Once in your life, walk away from something before you get hurt.
00:59:21Just walk away, stay away until it's over.
00:59:23I can't.
00:59:29You've got to.
00:59:30If it's Emerson, we'll get him.
00:59:32It is Emerson.
00:59:35He's responsible for killing Duncan.
00:59:38Duncan died because he was trying to help you.
00:59:40You're responsible for his getting in harm's way.
00:59:42Nobody else.
00:59:43If you'd left it alone, he'd be alive tonight.
00:59:45But you didn't, and he's dead.
00:59:47Now stop!
00:59:48Before it kills you.
00:59:49Before it kills you.
01:00:18A.
01:00:19If it killed him.
01:00:21From the dead.
01:00:22Fuß
01:00:23There is알 epidemic in pattern.
01:00:24100 cm would win you.
01:00:25I have his life.
01:00:26Mount Him alone.
01:00:27I am left!
01:00:28Let 11 to 10.
01:00:31To 12.
01:00:32There is going to do this.
01:00:33Hallelujah.
01:00:34Put it on your side.
01:00:36Nexus 2 to 10.
01:00:38To 12th.
01:00:39Jesus is upon hold.
01:00:41Hungry neck and 21.
01:00:46That was beautiful.
01:01:05It wasn't right.
01:01:09Nothing's missing.
01:01:10I'd know if it were.
01:01:14I don't know what it is.
01:01:16An absence.
01:01:21I can't define it, but I can feel it.
01:01:28Don't dedicate any more energy to your feeling.
01:01:33Now, I promise you, your performance is perfect.
01:01:42Perhaps that is what is wrong with it.
01:01:46Who was that woman that I saw?
01:02:00What woman?
01:02:02Today at the house.
01:02:04The woman you spoke to?
01:02:06The same woman I saw later in the office?
01:02:09Who was she?
01:02:10No one.
01:02:11Then why did she come here?
01:02:14And why did her coming here upset you?
01:02:17What makes you think I was upset?
01:02:20More feelings?
01:02:20I watched your face.
01:02:26She's not important.
01:02:31Is she a friend?
01:02:32You're asking a lot of questions.
01:02:33It's how I learned.
01:02:41She's from the past.
01:02:44She was at the trial.
01:02:46Did she know me?
01:02:49Was she my friend?
01:02:50No.
01:02:51Albert?
01:02:52Did I have any friends at all?
01:03:03Jesus.
01:03:17You scared me.
01:03:23Pick up the bottle.
01:03:25You and me.
01:03:32We're next.
01:03:36Just shut up.
01:03:38Let me think.
01:03:39Yeah.
01:03:40Yeah, you better think.
01:03:42You know, you were always the one with the bright ideas.
01:03:44Well, how about something brilliant now?
01:03:46I told you to shut up.
01:03:49That is great.
01:03:51You know, that's really constructive.
01:03:53Look, you can stay up here if you want thinking, but I made up my mind.
01:03:57I'm getting out.
01:03:59What do you mean, out?
01:04:03I mean, out of here, out of the country, town, and away from you.
01:04:10You think it's me, don't you?
01:04:12I don't know what I think.
01:04:13I just know that it's gotten really unhealthy to hang around with you.
01:04:19You're not leaving the country.
01:04:22You're not going anywhere.
01:04:24Who says?
01:04:25I do.
01:04:27All this stuff has upset you,
01:04:32and I can't have you going out there in this condition,
01:04:35talking to people.
01:04:38You find that a whole lot more unhealthy than hanging around me.
01:04:43I didn't have anything to do with Craig or Toby or Oscar.
01:04:52Maybe I don't believe you.
01:04:56Well, it doesn't make any difference if you believe it or not.
01:04:59What you better believe is that if you try to walk out on me,
01:05:02if you try to go to the feds or the DA or your grandmother,
01:05:04I will kill you.
01:05:08Now,
01:05:10go back to work.
01:05:12Son of a bitch.
01:05:41Get ready to go.
01:05:55I'll be right out.
01:05:56Okay.
01:05:56Okay.
01:05:56Okay.
01:05:56I'll be right back to work.
01:05:58I'll be right back to work.
01:05:59I'll be right back to work.
01:06:00I'll be right back to work.
01:06:01I'll be right back to work.
01:06:02I'll be right back to work.
01:06:03I'll be right back to work.
01:06:04I'll be right back to work.
01:06:05I'll be right back to work.
01:06:06I'll be right back to work.
01:06:07I'll be right back to work.
01:06:08I'll be right back to work.
01:06:09I'll be right back to work.
01:06:10I'll be right back to work.
01:06:11I'll be right back to work.
01:06:12I'll be right back to work.
01:06:13I'll be right back to work.
01:06:14I'll be right back to work.
01:06:15I'll be right back to work.
01:06:16I'll be right back to work.
01:06:17I'll be right back to work.
01:06:18I'll be right back to work.
01:06:19I'm glad I caught you.
01:06:37Who are you?
01:06:39My name's Alison Ruger.
01:06:40I've got a proposition for you.
01:06:44Something's got you worried?
01:06:46Look, I don't know how you got in here, but get out the same way.
01:06:49I've got work to do.
01:06:51Busy man.
01:06:52Like you said.
01:06:55Too busy to save his own life.
01:07:08You said you had a proposition?
01:07:11My car's outside.
01:07:13In 20 minutes, you're telling the police what you know about Danny Emerson.
01:07:19Isn't there something you should be doing outside?
01:07:26District Attorney.
01:07:40Department of Justice.
01:07:43FBI.
01:07:46SEC.
01:07:48League of Women Voters.
01:07:50Well, it doesn't matter.
01:07:54You can't touch me.
01:07:57No one can.
01:07:58No one can.
01:07:58Carry the Constitution.
01:08:00You can't touch me.
01:08:09I'm a liar.
01:08:19Please.
01:08:19We'll be vào the sun today.
01:08:21We'll be in here.
01:08:21We'll be in here.
01:08:23Where are you going?
01:08:23Mr. Austin, you don't want to go near that helicopter.
01:08:32Mr. Emerson's orders.
01:08:39Mr. Austin, Mr. Austin.
01:08:41Let's keep this friendly, okay?
01:08:47Who are you?
01:08:53It was Danny! I swear to God, it was all Danny's idea!
01:08:59You didn't even remember!
01:09:00Whoa!
01:09:09Pretty.
01:09:11Very pretty.
01:09:13What would happen?
01:09:15If somebody could have backed you over here.
01:09:18Back to the ground.
01:09:23Return.
01:09:45Return to the van.
01:09:47Come on!
01:09:48Come on!
01:09:49Come on!
01:09:49Come on!
01:09:50Come on!
01:09:51Come on!
01:09:51Come on!
01:09:53Let's go.
01:10:23Let's go.
01:10:53Let's go.
01:11:23Let her fall.
01:11:43Let's go.
01:11:45Let's go.
01:11:47Let's go.
01:11:48Let's go.
01:11:49Let's go.
01:11:50Let's go.
01:11:51Let's go.
01:11:52Let's go.
01:11:53Let's go.
01:11:54Let's go.
01:11:55Let's go.
01:11:56Let's go.
01:11:57Let's go.
01:11:58Let's go.
01:11:59Let's go.
01:12:00Let's go.
01:12:01Let's go.
01:12:02Let's go.
01:12:03Let's go.
01:12:04Let's go.
01:12:05Let's go.
01:12:06Let's go.
01:12:07Let's go.
01:12:08Let's go.
01:12:09Let's go.
01:12:10Let's go.
01:12:11Let's go.
01:12:12Let's go.
01:12:13Let's go.
01:12:14Let's go.
01:12:15Let's go.
01:12:16Let's go.
01:12:17Let's go.
01:12:18Let's go.
01:12:19Let's go.
01:12:20Let's go.
01:12:21Let's go.
01:12:22Let's go.
01:12:23Let's go.
01:12:28Let's go.
01:12:44you did know me didn't you during the trial
01:12:51what was i like was i happy i watched you and drew your picture for television
01:13:02but we never spoke
01:13:05i'm sorry
01:13:08we're there
01:13:11you
01:13:42Now, what possible interest could you have in the deaths of these men?
01:13:46Before this, I would have been as happy as you to see them dead.
01:13:50I watched them at the trial.
01:13:53I saw what their lies did to Gailey.
01:13:57Now they're paying, and she's getting her revenge?
01:14:00Don't blame this on a dead girl.
01:14:03Your sister couldn't kill anybody.
01:14:07She was dead. They were alive.
01:14:11It simply wasn't fair.
01:14:28To friendship.
01:14:31And the ties that bind.
01:14:42Last one.
01:14:44You'll go to him as you are.
01:14:47He'll know who you are and what's happening.
01:14:50And it will be all over.
01:14:53What will become of me?
01:14:56I'll write you a new program.
01:14:58More killing?
01:14:59No.
01:15:00No, after tonight, there will be no more killing.
01:15:06I'm glad.
01:15:06I'm glad.
01:15:25No!
01:15:25No!
01:15:26No!
01:15:28No!
01:15:30No!
01:15:31No!
01:15:32All right.
01:15:55We have a lot to accomplish today.
01:16:02So, I think we should just jump right in.
01:16:09Any new business?
01:16:14No?
01:16:16Okay.
01:16:18Any old business?
01:16:21Mr. Chairman, I have something I'd like to put on the table.
01:16:26Mr. Chairman, you're so much smaller than I thought you'd be.
01:16:39Mr. Chairman, I thought you'd be terrible, a monster, but you're so small, so weak.
01:16:48I'm going to have to take this shit from a ghost.
01:16:55Oh, my God.
01:17:25Oh, my God.
01:17:55He's going up to the roof.
01:18:02You'll find him on the roof.
01:18:25Fuck.
01:18:31You'll find him on the roof.
01:19:02Hey, you.
01:19:02Hey, you.
01:19:03Where is it going?
01:19:05Oh, hey.
01:19:06Oh, my God.
01:19:13Hey, you.
01:19:14Oh, my God.
01:19:19Let's try the backup systems.
01:19:29We'll leave some emergency.
01:19:31You're going to have to use the stairs.
01:19:49Are you in this with her?
01:19:57Is that the deal?
01:19:59Don't you know her?
01:20:01Don't you remember?
01:20:03I didn't have anything to do with that.
01:20:05I'm innocent.
01:20:07You just ask Ben.
01:20:09Ask who?
01:20:11There's nobody left.
01:20:19Stop!
01:20:27Get away from me.
01:20:30Let go of my friend.
01:20:36Not a chance.
01:20:39Albert!
01:20:42What do I do?
01:20:44Albert!
01:20:45Kill them both.
01:20:46I don't want to. It doesn't mean...
01:20:48Access override.
01:20:49Don't make me!
01:20:50Persona override 1492...
01:20:54Lazarus.
01:21:09Pretty.
01:21:11Very pretty.
01:21:18Serial.
01:21:19Opportunity.
01:21:21You put your material into it.
01:21:26So select?
01:21:28Serial!
01:21:29Ah!
01:21:30Ah!
01:21:31Ah!
01:21:32Oh!
01:21:35Ah!
01:21:36Ah!
01:21:37Ah!
01:21:43Where are you guys?
01:21:45It's all right.
01:21:53It's all over.
01:21:57Police!
01:22:06Whoopi, don't shoot. It's okay.
01:22:08Okay, hold your fire, man.
01:22:15We've got to go.
01:22:24Go?
01:22:26The safe place.
01:22:29There's only one safe place.
01:22:42No, no, don't.
01:22:45No, no, don't.
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