- 1 day ago
Wednesday 26th November 2025
Category
📺
TVTranscript
00:00Music
00:04Music
00:06Music
00:10Music
00:26Music
00:28hey sorry good morning yeah good morning
00:42are you around this afternoon we could do with a chat okay what about
00:53you know for somebody who spends all day detective-ing you know that's not even a
01:00word right you can't half be stupid sometimes thank you all right go on then
01:07what do you want to chat about what now well i'm already really late for work oh kirk well
01:18has he lost the biscuits again no if he had he'd be banging on that door let's meet at
01:26chariot square say half twelve have a bit of lunch try and take stock of things and you
01:32know come here if you're very good i might get us a room sounds good to me we really need
01:45this don't we yeah i love you i love you too very much
01:52mm-hmm later yeah so what's on the agenda today well i'm just gonna knock my cv into shape and give it to a few of the local
02:10funeral directors you do know that you're sitting with 2023's young funeral director of the year don't you
02:26young yes young i mean undertaker though is that really what you want to do for the rest of your life i mean it's a bit
02:32what oh you know it's a bit morbid innit i mean when anyone asks me what you do i tell them you work in sales i don't mean to be horrible but
02:48you know maybe it's um maybe it's an opportunity to get one of those uh what are they called hybrid jobs you know where you work from home i mean imagine it me popping home on my lunch could get up to all sorts
03:01get up to all sorts yeah suppose you could look into it yeah be deaf not to right i'll see you in a bit
03:11uh no despite all your flirting all right i'll see you later
03:22why sparky's di costello graced us with his presence yet not that i've seen well can you just
03:29never mind uh let us know if you hear anything yeah
03:38you sure you don't mind me popping over
03:40course not
03:41cuppa
03:42oh yeah come on please i'm lovely
03:46oh what's that
03:48leftovers
03:49leftover what
03:50sewage
03:51ah thank you this is actually my
03:54homemade
03:55cauliflower
03:56provincial
03:57oof
03:58no idea you didn't want to eat it at work
04:00hmm
04:01well it's the only way i can get harry to eat cauliflower so
04:03you're not just making fish fingers and beans like a normal parent
04:06anyway what are you doing hiding here
04:09well i just
04:11felt like i'm not seeing you for a bit so i thought i'd come and say hi
04:14hi
04:15hello hello how's your love nest going
04:18well you know from the wild abandon
04:19i did it on this table last night
04:22oh for goodness sake i've just put my fork down
04:24i'm messing
04:25i'm actually on the job hunt
04:29oh remote working can you bury people remotely
04:32well i'm thinking of a career change
04:34i thought you liked being an undertaker
04:36i do
04:37i did
04:38it is long hours though
04:39you know how it is
04:40yeah i can't really imagine you working from home though
04:42wouldn't you wither up and die if you had no one to wind up
04:45i'm just
04:46seeing what's out there
04:48need to find something soon anyway
04:50theo not found anything then
04:52he's tried to rescue things with this peat but
04:55it's not looking good
04:57it's probably for the best though
04:58i'd have only been paranoid that
05:00he was going to try it on with theo again
05:01you see i don't have this problem because
05:03kit's boss is a lesbian so
05:05don't get cocky there's other police women in weatherfield
05:08you see this is what i am talking about though
05:10you are a wind up merchant
05:12seriously though i wouldn't fret
05:14i'm sure you'll both find something
05:17hardly touch the provencal
05:20ugh
05:21what are you doing
05:28why are you yelling at me for a drunk and disorderly
05:30is that when i call those good bottles
05:32oh it's not that good i was not the first
05:33do you know when
05:34when you left i thought you were doing something constructive
05:35not drawing attention to yourself on the street and drinking like some teenager
05:39i mean like you care
05:40well if there was ever a doubt where betsy gets it from
05:41get up
05:42what get moving
05:46you know this hard-done by routine
05:47and do you blame me
05:48nope
05:49becky i am not doing this now
05:50and you stand against there
05:52i'm late
05:53to meet carla
05:54now you get yourself in there
05:55you sober up
06:07I've done my routine.
06:09Do you blame me?
06:10Nope.
06:11Becky, I'm not doing this now.
06:13When you stand against there,
06:17I'm late to meet Carla.
06:21Now, you get yourself in there,
06:23you sober up, and I'll talk to you later.
06:35Get up.
06:37Get up.
06:38Becky, get up.
06:39I'm OK.
06:41I'm up.
06:41Get in there.
06:42I'm up.
06:47And then your dad, he comes flying out of the bathroom,
06:50stark naked.
06:50Oh, you're trying to give me a relapse.
06:52Oh, screaming he was.
06:53Turns out he thought that my natural sea sponge
06:56was a mess.
06:58I had shampoo in my eyes.
07:00Oh, yeah.
07:01What?
07:08Well, when you said you wanted to talk,
07:12he was convinced it was going to be somewhat bad.
07:14Honey, I've been so worried about you.
07:17Yeah, and I get it.
07:19And I do need to talk to you both.
07:22How about?
07:26Well, um...
07:27They think I'm ready to come home.
07:34That's amazing news.
07:37Isn't that amazing news, honey?
07:38Yeah, but what do you want to talk about, darling?
07:40She just said, honey.
07:41She's coming home.
07:42Well, if I do, I'll leave for you.
07:46Then they said that I'll need a good support network.
07:48Hello.
07:49Best support network ever.
07:50Yeah, just give the girl a minute, eh?
07:52You know, and...
07:54You know, I've got my family.
07:55I know that.
07:56And I love you.
07:57And you're amazing.
07:59You know, I just don't know if I'm ready.
08:01You know, I've not seen any of my mates.
08:03Honey, you told Steer Clear.
08:05When I was admitted, yeah.
08:06I didn't tell them to forget I existed.
08:11What, so they haven't messaged you?
08:13What, not once?
08:20Hi, through to Lisa.
08:21Leave a message after the turn.
08:28Debbie, can I have the bill, please?
08:29Do I look like I'm working?
08:31Well, you swung around a hotel that you own, so yeah, you do.
08:34I'm here for the choir.
08:35Yeah.
08:35Okay, well, just to find out what I owe you, then sing it to me, hmm?
08:38Yeah, well, as long as it's not I owe you nothing.
08:42That's gross.
08:44Okay, well, I'll tell you what.
08:46I'll see if our Ryan's about and he can sort it.
08:49Actually, you know what, I'll just smack that down,
08:51because that should cover it.
08:52I'm not messing around.
08:53All right.
08:54Important meeting, was it?
08:56Important enough, apparently.
08:57Are you going to tell me what's going on, then?
09:19Weigh three sheets to the wind at this time.
09:23Interrogate Bellatrix Lestrange like this, do you?
09:25Who?
09:27I always said you should have read motor bits.
09:30If you mean Carla, then she's...
09:32Yeah, she hates me.
09:34No, she doesn't.
09:37You're a terrible liar, Lise.
09:39Always were.
09:41Look, Becky, nobody hates you.
09:45All right?
09:46We're all trying to support you, Carla included.
09:49So go on, then.
09:50Why are you glugging bottles of wine at lunchtime?
09:53To forget.
09:56At once upon a time, I had a wife.
09:59And a kid.
10:01A life.
10:02That's just a drink talking.
10:05Right, I'm going to make you coffee,
10:06see if we can sober you up a bit.
10:08Maybe have a shower.
10:09Well, you'll be joining me.
10:14Seriously?
10:16One minute you're in tears,
10:18and then the next minute this.
10:20Drunk.
10:21Remember?
10:24Hmm.
10:27Sorry.
10:31I'll take the liberty of selecting your cake.
10:45Complimentary, of course.
10:47Oh, cheers, right.
10:48Tell me, how is Evelyn?
10:51Last night's call was regrettably cancelled.
10:55A member of the Bat Society heard a rumour
10:57of a Nathusius pipistrel roost in Wordsley Wood.
11:01Wow, right.
11:03Unfortunately, rumour is all it was.
11:07Still spent four hours looking, though, didn't you?
11:09In the cold, at night, alone.
11:13All right.
11:14Well, Nan's doing fine, by the way.
11:16Apparently, her tutors are dead pleased with her.
11:18Yeah, terrified of her more like.
11:22Coffee, please, Nina.
11:23Strong as you like.
11:25Barely slept.
11:27Dare I ask?
11:28Get ready for this one.
11:29I was late with an essay and I had to work this morning, so...
11:33So, might I suggest a nap rather than coffee?
11:37I wish.
11:38I've got another deadline tomorrow.
11:40You can't talk.
11:41How many hours sleep did you get last night, eh?
11:44He was up all night.
11:45He was.
11:45I was worried sick.
11:46Well, then, all night is how we, Roy.
11:47So, are we having a good time?
11:55You all right, Dev?
11:57Not really, no.
11:58See, I've just come from seeing my daughter, and funny enough, she doesn't have much to laugh
12:01about right now.
12:02No, because she doesn't have anyone to laugh with.
12:05See, Asha wanted you to give her some space.
12:07What she didn't want was forgetting about.
12:13Okay, and she has stood by every single one of you, by your side, whenever you needed
12:17her, no matter what, but you couldn't call.
12:21You didn't text.
12:23Oh, we didn't know what to do, you know, for the best.
12:26Yeah.
12:26So, thanks to her so-called friends, my little girl, she doesn't want to come home.
12:33Come on, Dev.
12:34Come on, Dev, what?
12:48Call off the search party.
12:49I've decided to forgive you.
12:51Look, I'm late to meet Carla, like, really late.
12:54I'm just going over there now, but I need you to keep an eye on your mum, all right?
12:57She's not in a good place.
12:59She's down one of Carla's bottles.
13:00Oh, I'm not a good male, though.
13:03Hey, what on earth are you doing, founcing her out in that thing?
13:06It's not a bathhouse.
13:08What's a bathhouse?
13:09You want to ask your Uncle Nigel.
13:14Do you know what?
13:15I've not seen Nigel in years.
13:17Girls, guess who I bumped into in the tubs today.
13:20Who are you two on about?
13:22Oh, he's an old mate of ours from the Force.
13:26What happened to Nigel?
13:28You'll be tired.
13:30I mean, you know what it's like when you leave.
13:31Yeah, outside and all that.
13:33Yep, I know all about that.
13:36Right, if you two have finished reminiscing about ancient times,
13:40how about a cheeky lunchtime delivery?
13:44I am starving.
13:45If anyone's choosing a delivery, it's me.
13:49No, no, it's no, because you're going to pick something healthy.
13:52I don't want something healthy.
13:53No, you're going to pick something healthy.
13:54Give it here.
13:56Give it here.
13:57It's my choice.
14:00Carla, I was just coming to see you, but Becky, she...
14:04She what?
14:05Decided it was a no-close day?
14:08It's my fault.
14:09Yeah, I don't doubt that for a second, but you?
14:13You stood me up for her.
14:17Well, it's weird.
14:20You know, I'm beside myself with excitement.
14:22I've been alive.
14:22Oh, and you did rehearse those songs I suggested,
14:27yet only I found another one.
14:29I'm not going to lie, I've got a little off-paste.
14:31Oh, yeah?
14:32I mean, I don't often blow my hand trumpet, Debalina.
14:34Debbie, but...
14:35Debbie.
14:36But I am a professional,
14:38and I've done more shows than you've had short back and sides.
14:40And when I say this choir are ready to perform,
14:44I mean they are ready to perform.
14:48Right, well, let's go in and have a listen.
14:51Oh, in a moment.
14:52Chesney will be here soon.
14:54Eve promised to drop off some pizzas.
14:56Pizzas?
14:57You can't have a lunchtime rehearsal without a bit of grow-up.
14:59And who's paying for these pizzas?
15:11Oi, oi!
15:12Right.
15:13There you go, Cocker.
15:14Thank you, mate.
15:15Champion.
15:15It was a bit of a bit there, didn't it?
15:16Oh, it was a bit of a cue, to be honest with you.
15:18How's things?
15:19Yeah, not bad.
15:19Yeah?
15:20How's it getting?
15:21Yes, it's getting brilliant.
15:21Thanks.
15:37Sorry.
15:38Excuse me.
15:39Ches.
15:40Please.
15:41I thought you were always man.
15:45Come on.
15:46There's no way he's 55.
15:47Yes, mate.
15:48And still hard carrying.
15:49He's fit as a butcher's dog, honestly.
15:51Oh, all right, sir.
15:53Is everything OK?
15:54Yeah, great.
15:55Just wondering what you're doing, hiding in a van with him.
15:59Me?
16:00Well, unless there's somebody else in here with you.
16:02You know, just...
16:03Todd tells me you two aren't actually working together, but here you are, having a posy little
16:06chat.
16:07Oh, no, no, no, no.
16:09It's not what it seems.
16:10We've just signed a new contract.
16:11I was going to surprise Todd when I got home.
16:13Yeah, you never said you felt I had an attack, dog.
16:15Excuse me?
16:17Listen, you call me a dog one more time and you see what happens.
16:20Shall I?
16:22Someone needs to put you on a leash, love.
16:23Are you joking me?
16:25Do you think he's...
16:25No, what the hell are you doing?
16:27Listen, Todd, I know it's not my place to say...
16:28Yeah, it's not your place, all right?
16:30Come on, let's go.
16:33What's that?
16:36I swear I was on my way to meet you.
16:39I'm going to go.
16:41Don't leave on my account, Betsy.
16:42I mean, I'm pretty much bottom of the pecking order as it is.
16:44Can I...
16:47No, you can't.
16:49Today was meant to be about me and you.
16:51We were meant to be sorting things out.
16:53Yeah, she was in no fit state to be left.
16:55Why?
16:56Why not?
16:57What disaster have you done this time?
16:59I was drunk.
17:01Oh.
17:02Oh, well done.
17:03What does that mean exactly?
17:05Hang on, you were more than drunk.
17:07She was a right mess, so I brought her back here and then...
17:09Well, then I saw you missed call, but, Carla, I tried to call you back.
17:12Well, it looks like she's made a remarkable recovery.
17:15Always did, didn't I, Liz?
17:16No, don't do that.
17:18What?
17:18Don't do it.
17:20You know what?
17:21Bang on about your shared past.
17:23We all know that you go way back, all right?
17:25Right before I was even on the scene, but I'm sick of hearing about it.
17:29No, I don't think she...
17:30No, she always does it, Lisa.
17:34I want you to leave now.
17:36What?
17:36Don't look at her.
17:43Thanks for clarifying.
17:49Clarifying what?
17:50That it's me that's in the way.
17:52I'm going to make it dead easy for you.
17:54Don't.
18:03Don't.
18:03She'll come back.
18:28You don't know Carla.
18:29Well, I know she was out of order, walking out on you.
18:36You can talk.
18:40Come on, Lise.
18:47Are you doing me a favour?
18:50You can put some clothes on and make yourself scarce.
18:52Yes.
18:59I'm sorry.
19:09Oh, well, that's all right, then.
19:10I just don't understand why you're so bothered anyway, Todd.
19:13Come on.
19:14Theo said that they've done the contract.
19:15I mean, he should be buzzing.
19:17Look, Theo, he...
19:18What?
19:23Forget it.
19:25Look, come on.
19:26I was just sticking up for you.
19:27You do the same for me.
19:28Did you have to do it quite so publicly there?
19:35Theo, I'm really sorry.
19:37It was a stupid mistake and...
19:39Oh, it's all right, Todd.
19:40Calm down.
19:41Hey, look, there's no harm done.
19:43Pete thought it was funny.
19:45Look, he's not been worrying you, has he?
19:47What is that smell?
19:48It's rank.
19:49Oh, that's my fault, too.
19:51Cauliflower Provencal.
19:52What's that when it's at home?
19:53Oh, it's just cauliflower tomatoes.
19:55It doesn't matter.
19:56It's fine.
19:56Sarah's told me about the contract with Pete.
20:00Yeah, I know, right?
20:01At least one of us is earning.
20:03Do you know what I was thinking?
20:05I was thinking that maybe I might have a pint to celebrate.
20:08I mean, I don't know if you fancy it.
20:09It sort of feels weird that, you know, we don't really know each other,
20:12and yet you and Todd, you know, you're so close.
20:14Yeah, I'd love to.
20:16I mean, Carla's gone AWOL, so I can treat myself to an early dart,
20:19but I'll tell you what, let me just ring Adam
20:21and just make sure he can pick Harry up from school.
20:23Great.
20:24Alan, go get in the shower, then.
20:26Well, shouldn't you be applying for jobs?
20:28Hey, just a quick one.
20:29Can you, um, get Harry from school for me?
20:31Oh, thank you.
20:32All right, cool.
20:33I'll see you in a bit.
20:34OK, bye, bye.
20:35Yeah, that's fine, so I'm good to go.
20:37Oh, great!
20:39Todd?
20:40Well, those jobs aren't going to apply for themselves, are they?
20:43It's all right, you two go there.
20:45Sure.
20:46OK.
20:46All right, I'll see you later.
20:51You know, I don't know what possessed you.
20:54Female relationships at that age are tricky at the best of times
20:57without you sticking your R in.
21:02I'd love it.
21:04Yeah, of course, Roy.
21:10Having helped Carla during her mental health crisis,
21:14I'm well aware of how difficult things can be.
21:17But that doesn't excuse the way you spoke to Nina, Amy, and some of them.
21:22I just want Asha back, Roy.
21:24Totally understandable.
21:26But her fear of leaving that facility
21:30is not just about friends not visiting.
21:34She'll be overwhelmed.
21:35The thought of coming home
21:38just as Carla was.
21:40Well, if it isn't the ambitious,
22:09DC Green.
22:11Keeping a low profile's going down, well.
22:14What do you want?
22:15A word.
22:16About Costello.
22:17Why?
22:18What's he done?
22:20Disappearing act.
22:21And that's my problem, because...
22:24I just wondered if you had any ideas.
22:28Why would I?
22:29Hello, DC Green.
22:37Ghost been mocked?
22:39When?
22:45What do you think?
22:47I think I shouldn't have gone away and left you in charge.
22:50Shh!
22:50That's harsh.
22:52They're amateurs, remember?
22:54It's not the amateurs I've got a problem with.
22:57It's the so-called professional.
22:59What?
23:00Me!
23:03There's not a song written I can't bolt out.
23:08It wasn't the singing.
23:10It was the choice of song.
23:11But that's a stone-court classic, is that?
23:14Yes, it might be.
23:15On one of your naffy cruise ships.
23:17But saviour love, my darling, saviour love by Rennie and Renato
23:20does not cut the mustard on dry land.
23:23The maffy cruise ships.
23:24I was on the megaship, thank you.
23:27They used to call me Bel Canto.
23:29Bel Canto?
23:31Are you sure you've heard that correct?
23:33Do you know what?
23:34I don't need to listen to this.
23:36I quit.
23:37Glenda has left the building.
23:41Oh, oh, oh!
23:42Oh, now the subject is singing.
23:44You might model yourself in an early-90s Annie Lennox,
23:47but you certainly don't sound like her.
23:50Good luck, Debalina.
23:53Yeah!
23:54Hey-ya!
24:02Right, come on, then.
24:03Let's have it.
24:05Why did you say that you were taking down to an hospital appointment?
24:10Cos...
24:10Cos I was struggling.
24:15And the girls are at each other's throats,
24:17and Dorian, bless him, he's like, he never stops.
24:21I'm tired of action.
24:24Chez, I'm putting a shift in at work,
24:25and then I'm coming home,
24:26and I'm cooking,
24:28I'm flipping cleaning,
24:29and I just...
24:31I was drowning.
24:35Then I remembered I had this spa voucher thingy.
24:38I won't hit at work.
24:42Oh, please.
24:44I get it, but I'm...
24:46You're not going to sort it until you go home and talk to your family.
24:50Get them pulling together,
24:52and, you know, if you need some extra help,
24:55there's always me and Gemma.
24:57I love him,
25:02and I sacrifice my family for him.
25:05So, you know,
25:06I am fully committed.
25:09Do you know, I wasn't...
25:10sure about you,
25:12to begin with,
25:13just, you know,
25:14the pair of you
25:15running around behind Danielle's back,
25:17but I see you two,
25:19and you're so happy,
25:20and it's...
25:21I don't know, it's lovely.
25:22So, cheers.
25:23Oh, cheers.
25:26I don't know,
25:27but it's great.
25:29I'll bring you your hot pot over in a minute.
25:33Hey, hey, hey.
25:35Uh-uh.
25:36Talk to her.
25:39I've got nothing to say.
25:40How about...
25:40I'm sorry, Glenda.
25:41I shouldn't have insulted you,
25:43especially after all the hard work you put into the choir.
25:47Okay.
25:51Glenda.
25:51Debbie.
25:55Right.
25:57I'm sorry, Glenda,
25:59I shouldn't have insulted you,
26:01especially after all the hard work you've put into the choir.
26:06Oh, it's much appreciated, Debbie.
26:09Thank you very much.
26:13Drink?
26:14Oh, yeah, go on, then.
26:15Yeah.
26:16I'll have a sparkle of mineral water
26:18and a pint for me Ronnie.
26:19Hey, do you know what I'm thinking?
26:23Maybe my song choice wasn't the best.
26:26Well, I wanted to choose the music
26:29because me and Ronnie want the choir for our wedding.
26:35What?
26:36What then?
26:38Well, why didn't you say?
26:40Oh, I'll have them singing like angels
26:43by the time I'm finished with them.
26:46Oh, hon.
26:47I can't find my purse.
26:49It's okay, you'll have left it at home.
26:51No, it's not okay.
26:52I can't find it.
26:54I can't pay if I've not got my purse.
26:57It's okay.
26:59Er, didn't I say?
27:02It's on me house.
27:08Here you go, love.
27:09Oh, thank you very much.
27:15Hello.
27:19Oh, Cathy.
27:20I was just looking after him
27:22but now you're here, I'll get off.
27:24No, it's fine.
27:25Stay.
27:26I've been thinking
27:27and maybe with things as they are,
27:30if you want to,
27:32it'd be best if you move back in.
27:34Seriously?
27:35And you'd be okay with that?
27:38Well, we need all the help we can get, don't we?
27:40And if you can't rely on family.
27:44Yeah, great.
27:46And I can look after you, kid.
27:48I do need to tell you something, though.
27:54Mam's fine.
27:55Isn't that right, Fizz?
27:57Yeah, she's...
27:58Yeah.
27:59Oh, well, good news all round, then.
28:00Yeah, great.
28:01I'll get us some bickies.
28:05Right, I'll catch you later.
28:06Cheers, cheers.
28:09Fizz, what did you do that for?
28:13There's no need to tell him about the hotel.
28:16Might you say he just needed one day?
28:18Well, good.
28:20I'm sorry for the lock it is.
28:23Oh, great.
28:25The lock it?
28:25Yeah.
28:33Good time?
28:34Yeah.
28:35You know.
28:36It's all right.
28:36Mwah!
28:41Oh, that's nice.
28:44How long have you two known each other?
28:5320-odd years, right?
28:56Hmm.
28:59So what happened?
29:02Oh, it doesn't matter.
29:03It's fine.
29:04Well, clearly not.
29:05Well, no, it's...
29:08It's silly.
29:10It's just...
29:12Does she stir the pot with everyone, or is it just you?
29:17Well, what does she say?
29:19Well, that she was disapproving of us when we first got together.
29:23Yeah, but not now, though.
29:25Sarah knows how happy you make me.
29:27That's not the impression I got.
29:30You know, I've met people like her before.
29:33Toxic.
29:34Although you probably couldn't see it, because you were two peas in a pod.
29:37Me?
29:38Well, apparently, you were a right little conniving so-and-so, and she's the same.
29:43No, if you ask me, you, uh, you want to get rid, really.
29:47Because I'll tell you what, now good comes up having people like that in your life, I'll tell you.
29:50But obviously, it's up to you.
29:52You know.
29:57Right.
29:58I'm going to go and have a bath.
30:01Oh!
30:02Oh, dear.
30:04Oh, and I'll tell you what, were you up in a window?
30:06It stinks, innit?
30:07Oof.
30:12Carla, I don't know if you're picking up my messages, but if...
30:15If you are, please come home.
30:19We need to talk.
30:31If you're looking for Becky, she isn't here.
30:33I was just worried she might jump out on the bus to you or something.
30:45I need a drink.
30:47There's no good myelon.
30:56Becky?
30:58That's why I took this morning.
31:02It's just a gift that keeps on giving, isn't she?
31:04Do you want one?
31:08No, I'm okay, it's all.
31:12So you said, Mom.
31:13You said you wanted to talk.
31:37Let's talk.
31:39Let's talk.
31:45Have you eaten?
32:02Seriously?
32:05Seriously?
32:07Well, I mean, I was meant to be having lunch with my fiancée, but, you know.
32:11I'll hand it your sandwich.
32:20This is what I've come back for.
32:23A butty?
32:25Really?
32:25Lisa?
32:31No.
32:33You're here because I want to tell you how sorry I am.
32:40Alright?
32:41For what, exactly?
32:51Not turning up at the hotel?
32:52I mean, okay, yeah, that was humiliating, sitting there with my little messy platter for two.
33:01But, uh, you know, you only had to look at me to see I've been stood up.
33:05Oh, and Debbie Webster got across it, by the way.
33:08You know, so it'll be all around the weatherfield by now.
33:10Thanks for that.
33:12Right, I know, I messed up and I'm sorry, but I did try to call you and explain.
33:15Well, you ghosted me.
33:17I just didn't want to know what pathetic little excuse you'd got for not turning up.
33:26Because it meant that it wasn't important enough, which means I'm not important enough, which is all I need to know, Lisa.
33:36There's nothing more important to me than us.
33:40Really?
33:41But it didn't feel like that.
33:42Not when I was trying to get Becky out of our house and you just stood there like a rabbit in the headlights.
33:48Why couldn't you have just prioritised me just once?
33:51You are my priority.
33:53No.
33:54God, you are.
33:55Look, before we got together, I was dead inside.
34:02You know, I was functioning, but I wasn't living, I was just existing.
34:07It was head down, just get through the day.
34:13Just keep it all together and then...
34:17Meeting you, it...
34:20changed everything.
34:24Changed me.
34:25And Betsy.
34:28And we're a family now.
34:30Which is funny because I actually feel like a...
34:33a spectator just standing in the sidelines watching you trying to rekindle your relationship with Becky.
34:42That's not what's happening here.
34:43Well, that's easy to say, Lisa, but there's a connection.
34:48Oh, come on.
34:51Do you honestly think I'd be making this much effort with Becky if we didn't share a daughter?
34:56Do you?
34:58That's just it.
35:02I actually don't know anymore.
35:07I'm engaged to you.
35:09You're still married to her.
35:13You remember?
35:16Long before we got together.
35:20And you were in the car crying.
35:22And you came and sat with me?
35:24Mm-hmm.
35:28It was Betsy.
35:29She didn't want to leave the house you shared with Becky.
35:34But Carla, she was still grieving.
35:36Yeah.
35:36We both were.
35:37And I'm...
35:37But if I'd have told you that you could have Becky back alive and well, what would you have said?
35:50I'd have said you're off your head.
35:51And seriously, sir, what would you have given to have all that back?
36:00Anything.
36:01For years, that's all I ever wanted.
36:04She's back.
36:04Here she is.
36:09You've got everything you've ever dreamed of.
36:12A lot's changed since then, hasn't it?
36:16I took off her ring and I let her go.
36:25I fell in love with you.
36:28Carla.
36:30Honestly, you're not some...
36:32Some consolation prize or a runner-up.
36:37Well, that's funny you should say that, because that's exactly how I feel.
36:41Right, and I'm sorry for that.
36:42I really am.
36:43Look, just give it a couple of weeks and then Becky will be gone.
36:48Oh, my God.
36:51Please.
36:53What? What's the funny?
36:55That you are still believing everything that comes out of her mouth.
37:03She's hardly going to stay here, is she?
37:05Because there are people out to kill her.
37:07So she says.
37:08Yes.
37:09You know, that's why I said it was OK for her to stay here
37:13until she goes to Spain.
37:15But we don't have actually a date for that, do we?
37:17And you're not asking why, because...
37:21Well, I don't need to ask why, do I?
37:24She's here because she has nowhere else...
37:25Because she wants to get the band back together, Lisa!
37:28It's obvious.
37:32She's already got Betsy ready to up sticks and go back to Spain with her.
37:37All she needs now is you.
37:38Even if that were true, which it isn't, by the way,
37:44Becky knows that we are committed to each other.
37:48Well, it didn't stop her kissing you, did it?
37:53Or hanging around like a bad smell.
37:55So what do you want me to do, eh?
37:57Better take her chances with Curtis's gang.
37:59Oh, don't tempt me.
38:00That's not funny.
38:01Why today?
38:03Why what today?
38:05Why today did she choose to come and nick one of my bottles
38:07and get leathered so leathered
38:09that you couldn't possibly leave her?
38:11Because she's struggling.
38:13And it was just a coincidence, was it,
38:15that we were meant to be spending the whole day together
38:17talking about our future?
38:18Oh, and you think that she did it deliberately, do you?
38:20Of course she did it deliberately!
38:22A blind man on a galloping horse can see that, Lisa!
38:25She didn't even know we were meeting up!
38:27Oh, you don't think that she could have just maybe not overheard us arranging it?
38:32I mean, she is here every minute of the day, isn't she?
38:36What is wrong with you?
38:40Is there not enough evidence to charge her? Is that it?
38:43How much proof do you need?
38:45I mean, God, I knew Betsy bun rings round you,
38:49but Becky, this is a different story, isn't it?
38:52How can you not see what she's like?
38:54How can you not see what she's doing?
38:57What really gets me now
39:03is all that time I spent
39:06patiently, silently
39:09listening while you worked through your grief,
39:12saying
39:13how much you missed her,
39:15how much she was the love of your life,
39:17and then
39:17just when we
39:19finally
39:20had to move forward
39:22and buried the past
39:24up she pops, don't she?
39:26Like a blooming spiky-haired spectra at the feast!
39:29Sorry,
39:29I didn't realise my grief was so hard on you.
39:33God,
39:33it was hard on everybody, Lisa.
39:38Talk about
39:39loof.
39:41It took for me
39:41almost dying for you to admit
39:43you had feelings for us.
39:44Cos I didn't want to get hurt.
39:47I didn't want you to get hurt.
39:48Oh, well, neither did I,
39:49but here we are,
39:50it's fun, innit?
39:52And you know what?
39:54You weren't the only one
39:55taking a leap of faith,
39:56I mean, me loving you,
39:57I didn't expect that.
39:58I know.
39:59Look, we will get past this.
40:12You think?
40:14Yeah, of course we will.
40:16We have to.
40:18You know, when Peter left,
40:20like, that hurt.
40:23Like, it physically hurt,
40:25you know.
40:27And the worst thing about it was
40:29it was my idea.
40:32I even paid for his ticket out of here.
40:36Why are you telling me this?
40:38I paid for Peter to leave
40:40because it was a right thing to do.
40:44Because him staying here with me
40:46wasn't making him happy.
40:49I didn't want him to resent me for it.
40:52It's just I don't know what to do
40:54for the best, girl.
40:59If we lose Becky for real,
41:02then I'm going to have to watch
41:03Betsy grieve all over again
41:04and I just can't.
41:05Oh, my God.
41:11Please.
41:12Please don't ask me to choose
41:18between my relationship with you
41:19and Betsy's relationship with the mum.
41:21Please.
41:26You already have.
41:27What, are you leaving me?
41:34Excuse me.
41:37No, don't, don't, don't leave.
41:39Please, stay.
41:40It's OK.
41:41I've got to.
41:43I just need some time to think, OK?
41:44I'm just going to go and stay at the hotel.
41:47I've already booked it as a surprise anyway, so...
41:49Don't go.
41:51Don't go.
41:51Stay here with me in our home together.
41:54This isn't working, Lisa.
41:56Well, tell me what I need to do
41:57because whatever it is, I'll do it, all right?
41:59I need you.
42:01I love you.
42:04I love you too.
42:06But you love the life that you had before more.
42:11No, I don't.
42:11It's OK.
42:12I don't.
42:13Lisa.
42:15Look at me, OK?
42:17It's OK.
42:18The reason you're finding this so hard,
42:24so impossible,
42:26it's because you want Peggy to stay
42:32just as much as Betsy.
42:33Now, hear me out, listen.
42:34Listen, I said it before.
42:36Listen, I said it before, didn't I?
42:40For a detective, you can't laugh as stupid sometimes.
42:44You believe everything she says,
42:46just like you do, Betsy.
42:47And you want to know why?
42:51Because that's what you do when you love someone.
42:53No.
42:57OK.
42:58No.
42:59No.
43:00Lisa.
43:00No.
43:01I'm going to talk to Becky, OK?
43:02And I'm going to tell her what's what.
43:04Right?
43:05OK?
43:05Just stay.
43:07Just stay.
43:09Or I'll come with you.
43:10Yeah, that's what I'll do.
43:13I'll come with you.
43:14And then we can go together and then we can talk
43:18just like we said we would.
43:21Are you talking to me?
43:23I don't know what I'm doing.
43:23I don't know what I'm doing.
43:24I don't know what I'm doing.
43:24I don't know what I'm doing.
43:25I don't know what you're saying.
43:33Are you talking to me?
43:34We're out of here.
43:37No.
43:38Yeah.
43:39No.
43:40OK.
43:41No, don't go.
43:42It's OK.
43:44Let's don't do this.
43:46Carla, please.
43:47Please, what happened?
43:56Hey, what's up?
44:06Come in.
44:17Come in.
44:24Come in.
44:29Come in.
44:34Come in.
44:40Come in.
Be the first to comment