- 2 hours ago
The plot is about a trio of medical residents in their late 20's/early 30's who nevertheless like to play all kinds of juvenile pranks on each other and ...
Category
🎥
Short filmTranscript
00:00:00Wow
00:00:28Good morning, sir.
00:00:32Good morning.
00:00:42Here comes the drinker. Come and see.
00:00:46That pussy gives me the bottle of beer.
00:00:50Why don't you take it?
00:00:52Such an exhibition does not interest me, sir.
00:00:55What's the matter, little man?
00:00:56Flat their glasses and get fogged up.
00:01:01You see her, Luigi?
00:01:02God, I'm beginning to fear Roger.
00:01:04The fool is gonna go for the cape any second.
00:01:06I love my wife, but oh, you got a great ass.
00:01:08Not for loud!
00:01:09I see the roller skating last week.
00:01:10She was wearing this pair of pink tights.
00:01:12Oh, boy, I tell you, I could eat it all.
00:01:14Care to join me in tandem?
00:01:17Love to.
00:01:18And maybe later we can try some other positions I know.
00:01:20Hmm?
00:01:24Roland, Marelli!
00:01:26You're a real enlightened champion!
00:01:28Hey!
00:01:29Come on, squeeze.
00:01:31Push now.
00:01:32One, two, that's it.
00:01:35Squeeze, squeeze.
00:01:36If I squeeze any more, I'll direct through.
00:01:38Do your uncles get swollen too?
00:01:44Hmm?
00:01:45Two in figure eight!
00:01:46Hey!
00:01:47Action, action.
00:01:48Two in figure eight!
00:01:49Two in figure eight!
00:01:50Two a sixty-nine!
00:01:52Five, five, six, five, six, ten.
00:01:57You've got my relief the best!
00:02:01If you have to pay here, what do you do?
00:02:03Run like hell for the nearest restaurant.
00:02:08Listen, I would be honored to have you up for a drink, say,
00:02:11a little chocolate with marseous cream.
00:02:12Oh, master.
00:02:13Bob says this is so slippery, grab on!
00:02:16I'm grabbing, I'm grabbing.
00:02:17I'm not the railing.
00:02:18I don't need the railing.
00:02:19Come down, you're going too fast.
00:02:21No, just the opposite.
00:02:23Really, I'm showing the most beautiful self-control.
00:02:26But with my auntie away, I'm afraid it breaks one hole, and the risk is enormous.
00:02:30Are you scared?
00:02:32I can't hold. I almost feel it.
00:02:34You come on.
00:02:35You can't.
00:02:36What are you doing?
00:02:38That's enough.
00:02:39Don't talk to me like that, or I'll hang up on you.
00:02:42Wait a second.
00:02:43When I asked you could I tell you the dream, I remembered you said yes.
00:02:46You remember that?
00:02:47So why you say now you don't want to hear that?
00:02:49When I said yes, I thought the rating was going to be G.
00:02:53If I could censor my dreams, I'd be only too happy to do it for you.
00:02:57Oh, you can dream as dirty as you like, but I forbid you to use me as the star.
00:03:01But it's not my choice.
00:03:03Sure, I much prefer Sophia Lorraine, but you're up here and she just never gets a chance.
00:03:10Sophia?
00:03:10I beg your pardon?
00:03:11I mean, come on, let's be serious.
00:03:13There's just no comparison.
00:03:14I'm sorry I mentioned her.
00:03:15Sophia.
00:03:16But forget Sophia, then.
00:03:17You better forget.
00:03:18Stop trying to be the victim.
00:03:20I am the victim here.
00:03:21I used to dream about Sunday school pigments.
00:03:23Then one night there you were on the other side of my hot dog dressing an apricot tutu.
00:03:27And ever since then it has been one long provocative nightmare.
00:03:30Do you understand that?
00:03:31Believe me, since you moved to this city, may the Lord forgive my sins.
00:03:34Signora, if I can remember correctly, I have already assaulted your body 264 times.
00:03:41That's quite enough.
00:03:43If you call again, I'll tell my husband and I'll report you to the police, understand?
00:03:47No, no, no.
00:03:47Please, signora.
00:03:48I am not a dirty young man, honest.
00:03:50The only reason I ask you to listen is to help me get my innocence back.
00:03:54I mean, I've got to free myself from these dreams.
00:03:58The torment is murder and it helps to verbalize it, especially to you.
00:04:02What you need is a shrink.
00:04:03Oh, I'll feel a lot better already.
00:04:06Thanks to you, signora.
00:04:07Well, I'm happy to be of service.
00:04:09Where do I send the bill?
00:04:10Can you continue the treatment?
00:04:11Say you will.
00:04:12Say you mean continue.
00:04:12Oh, shit.
00:04:14Hello.
00:04:14Yes.
00:04:15Hello.
00:04:15Yes, I can't tell you how happy I am that you understand my problem.
00:04:19Here they are the glasses.
00:04:20I knew you, you understand.
00:04:22I knew you.
00:04:23Hello there.
00:04:28Signora.
00:04:32Great feet.
00:04:49Hey, it's the green girl.
00:04:51Just say the word that I would rob out your husband and then with great happiness, I would
00:04:55take you up to father.
00:04:57Opina, I'll give you a ride.
00:04:59Or you let me hop on and you give me a ride.
00:05:02Go on, go on.
00:05:11I'll wait.
00:05:16It's going to split.
00:05:18It's going to split.
00:05:19It's going to split.
00:05:26Lower, lower, that's it.
00:05:27Pick it up.
00:05:28At Pino, where are you?
00:05:32I have things to do.
00:05:34Hey, man, it's an event when dream girl walks down the street.
00:05:37Such displays are mere indications of social decadence.
00:05:40Oh, dear St. Birelli, give me your head.
00:05:46Here's your glass of sherry, Dario.
00:05:49Thank you, auntie.
00:05:50We shall over.
00:05:52Hello.
00:06:20Hello.
00:06:20You were waiting.
00:06:22huh? You were waiting for my call.
00:06:24Yes, like waiting to get the measles.
00:06:26The sooner you begin to see the spots,
00:06:28the sooner you know they'll disappear.
00:06:30I'm not upset. I'm happy
00:06:32to play the game. I know that
00:06:33at five, I pick up the phone
00:06:35and there you'll be. And an hour
00:06:37later, I'm free.
00:06:39Of course, when you're obscene phone calls get tiring,
00:06:42I just get my spouse to intervene.
00:06:45And into jail you go.
00:06:46It is you should be locked up.
00:06:48For example, what you did.
00:06:50Today you walked down the street in a dress
00:06:52so tight it needed to be oiled.
00:06:54And all the men were waiting to see it split.
00:06:56Except me. I turned in the opposite
00:06:58direction. Come again?
00:07:00I didn't. I turned the other way.
00:07:02I refused to look at your juicy body.
00:07:04And why was I so hard on myself?
00:07:06Because you continued to story my dreams with such
00:07:08intensity that I'm
00:07:09afraid I might
00:07:11get tired
00:07:14of fantasy and get to do something to you.
00:07:16Sir, sir? I'm saying
00:07:18I'm seriously afraid I'll go berserk.
00:07:20And I rape your real naked body.
00:07:22You what? Are you trying to scare me?
00:07:24On the contrary.
00:07:26The contrary.
00:07:27I got to great lengths simply to avoid this risk, you know.
00:07:30And it's getting harder all the time.
00:07:32It's gotten so bad, for instance, that now
00:07:34when you go for your walk at night,
00:07:35I have to make sure I stay safely locked in my house.
00:07:38Could I ask how old you are?
00:07:40Thirty-nine, and I'm a Scorpio with Leo Rice.
00:07:42You married?
00:07:43Who? Me?
00:07:43By any chance,
00:07:46are you afraid of girls?
00:07:48I am afraid of the depravity of this materialistic world.
00:07:50There is no justice anymore.
00:07:52Oh, by the way, talking about justice,
00:07:53you know that in my last dream you were on trial?
00:07:56May I tell you about it?
00:07:57You may arrive, but do keep it brief.
00:07:59Well, we were in a courtroom.
00:08:02You had a polka-dott dressing, skin tight.
00:08:05You were the prisoner,
00:08:06and I was one of the two officers guarding you.
00:08:09Silence in the court!
00:08:12On your feet! On your feet!
00:08:16Shrimp cocktail, cannelloni, meatball.
00:08:26Oh, what the hell?
00:08:27Take this back to the judge's dining room.
00:08:29Where is that goddamn thing?
00:08:31Ah.
00:08:32Ahem.
00:08:33The Republic of Italy,
00:08:34in the name of the Italian people,
00:08:36and in compliance with the laws in force,
00:08:38in particular with articles 519 and 520
00:08:41of said penal code, paragraph 3 specifically,
00:08:44referring to article 107 and 120
00:08:47concerning the crimes of obscenity, perversion,
00:08:51the bearing of the female anatomy in public
00:08:52to incite men to lust and thus outrage the state.
00:08:55Further, in article 46, paragraph 2, 5, and 38,
00:08:59the crimes of willfully causing decent men
00:09:01to have lewd, lascivious, and violent dreams,
00:09:04and with special reference to article 47, paragraph 91,
00:09:07concerning unnatural sexual behavior,
00:09:09as well as disturbing the peace
00:09:11with screams of ecstasy upon achieving
00:09:13multiple orgasm, climax after climax after climax,
00:09:16subjecting sleepless neighbors to vicarious acts.
00:09:19Further, in articles 821 and 1434,
00:09:22the crime of dressing in a manner
00:09:23designed to inflame the minds of honest men
00:09:25to the point of making them indulge
00:09:27impure fantasies of carnal activity
00:09:29with the dressee.
00:09:30Ah, that's it.
00:09:31Give me a close-up once in a while.
00:09:33Corruption of minors,
00:09:34an aggravated sexual assault
00:09:35on strange men in elevators.
00:09:37And finally, under articles 514, 620, 711, and 999
00:09:42of the penal code,
00:09:43and in the special section governing permissible positions
00:09:46in the Act of Love,
00:09:47articles 150, 342, 655,
00:09:50and 2275,
00:09:52plus paragraph 56
00:09:53in the Lubricious Acts codicil,
00:09:55the defender stands condemned.
00:09:56Now, here's your sentence.
00:09:58On your feet!
00:09:59Yes, on your feet!
00:10:02You're being sentenced!
00:10:03On your feet!
00:10:04She's coming.
00:10:07Uh, she's on her way up, Your Honor.
00:10:09Yes, she comes.
00:10:11Yes.
00:10:13Oops.
00:10:14You are guilty.
00:10:16I hereby condemn you
00:10:17to be sent to prison for women,
00:10:20and women only, eh,
00:10:21for a period of not less than 202 years.
00:10:23And you can consider yourself lucky, darling,
00:10:26that this country no longer has the death sentence.
00:10:30And as they took you away,
00:10:32my plume was still quivering with passion.
00:10:35Your what was quivering?
00:10:36My plume was quivering, yes.
00:10:38A new word for it.
00:10:40Listen, you better see a psychiatrist, really.
00:10:42Yes, my plume.
00:10:42Well, I have to go now.
00:10:44Yes.
00:10:44Till tomorrow.
00:10:45Till tomorrow at five.
00:10:53Till tomorrow at five.
00:11:23Till tomorrow at five.
00:11:34Amen.
00:11:36Oh, my God.
00:12:06Oh, my God.
00:12:36But when your dreams make me ill, that's going a bit too far.
00:12:39But I call you to give you good news, Signora.
00:12:42I didn't dream last night.
00:12:44That's great.
00:12:44Well, I did.
00:12:45That is, I didn't.
00:12:47Something strange is going on in my head.
00:12:51The movies last night, I imagine we met.
00:12:53And you were Count Dracula.
00:12:55And I was a vampire.
00:12:56That is, I mean, I had this great desire to...
00:12:58I mean, it was absurd.
00:13:00Welcome to the land of nightmares.
00:13:02To that insurmountable pain and torment penetrating into the bottomless pit of the soul.
00:13:06The best thing, I think, is for us to get together.
00:13:09I'm sure if we exchange a few words in person, this whole thing would assume a dimension that's more, sort of, much more, much more natural, more simple.
00:13:21Like, I mean, well, you know what I mean.
00:13:25Shock therapy.
00:13:26It might work, but I am afraid I couldn't stand the shock.
00:13:29Purely anything is preferable to the tumor.
00:13:31Oh, it's coming back.
00:13:33The demon is starting to repossess my soul.
00:13:35The sooner we do it, the better.
00:13:37Meet me this evening at 9 o'clock.
00:13:39I'll be under the bridge near the station.
00:13:40What?
00:13:41No.
00:13:42What do you mean, no?
00:13:44It's very dark under the bridge.
00:13:46Good, out of the way place.
00:13:47No, no, I am not normal.
00:13:48You'll be opening a kind of worms.
00:13:49Well, that's a general idea.
00:13:51You have more than one.
00:13:51I can't.
00:13:53Please, please, don't tell me.
00:13:54I tell you, I am a monster at heart.
00:13:57The safest thing I can do is stay home.
00:13:58We've got to free ourselves from the chains that bite us.
00:14:00No.
00:14:01Unchained malady.
00:14:02You better keep the chains.
00:14:03I promise you'll come.
00:14:04Please, please, please, don't push it.
00:14:05I am a madman, a real screwball.
00:14:07You're so graphic.
00:14:08I might touch you, and then I'll, maybe I'll bite you.
00:14:12No, I, my...
00:14:13We'll have to take that chance.
00:14:15No, you're asking me to meander down the street at least to sin.
00:14:18I warned you.
00:14:18That way lies that.
00:14:199 o'clock anonymous.
00:14:21No, I can't, I can't.
00:14:22Did you say by the bridge?
00:14:24Bridge?
00:14:24Bridge?
00:14:25Bridge?
00:14:25Bridge?
00:14:26Bridge?
00:14:38Bridge?
00:14:39I knew that you would be here.
00:15:03Come on out, let's have a look at you.
00:15:07All right.
00:15:09If you want me to come to you, here I am, your dream girl in the flesh.
00:15:18Now, my secret stud, show me where it's at.
00:15:22Where is it at?
00:15:33That's where it's at!
00:15:35Oh, yeah!
00:15:48Oh, bitch.
00:15:50Hey, Marello, your expertise is getting gold.
00:15:52I don't want it.
00:15:53Hey, it's a celebration.
00:15:55He named a baby fantastic.
00:15:56I still can't believe it.
00:15:58Come on, it was a beautiful drink.
00:16:00Anything you want to drink.
00:16:01Break out champagne.
00:16:02Wait, did you hear how it happened?
00:16:03You win what?
00:16:04At the station.
00:16:06Man, I'm just about to relieve myself when all of a sudden she comes along.
00:16:10More room.
00:16:11Yeah, I had in the shadows.
00:16:12I mean, I'm happy just to see her walking by.
00:16:15And man, she's fantastic.
00:16:17Anyway, she spots me and starts talking to me and says she'd not be there.
00:16:20Next thing I know, she's ripping my clothes open and out comes the canoe and I'll give her a 60-leaf salute.
00:16:26Lucky guy.
00:16:28Hey, where are you going, Marello?
00:16:29Aren't you going to celebrate with us?
00:16:30You should all be ashamed.
00:16:32The Lord shall punish you.
00:16:33Yeah, sure.
00:16:33He's full of baloney.
00:16:34Well, he don't understand.
00:16:35Here's to you, Salvatore.
00:16:36Oh, oh, oh.
00:16:40A 60-leaf.
00:16:41Yes, sir.
00:16:42A 60-leaf.
00:16:43Yes, sir.
00:16:43A 60-leaf.
00:17:13Fire.
00:17:35Is it fun to waste gas?
00:17:37Yeah, not at all.
00:17:43God, I'm hot.
00:17:52Yes.
00:17:54Oh, my God.
00:18:24You ought to be arrested.
00:18:35I want to look. I've got to look. Just a little peek, please.
00:18:38I'd rather you pick that the road.
00:18:39Senora Grandessa, please, just a teeny-weeny peek.
00:18:42I won't answer that. Now watch where you're going, or we'll end up in the hospital.
00:18:45In the who?
00:18:47You come!
00:18:48Hey!
00:18:54Look out!
00:18:58Filippo, are you crazy? You nearly killed those men with your foolish hand tips.
00:19:01No, I'm sorry, Contessa. It'll pass. It'll pass. I'm all right now. It's this hot weather. You know, it made me dizzy. I'm a cold little person.
00:19:06Filippo, if you can't bear the heat, I'll find a chauffeur that can.
00:19:08No, don't do that. I'm so sorry. Please don't. I beg you, Senora Contessa.
00:19:11The fact is that this morning I'm particularly...
00:19:13No, because, my good man, this is your usual state. There is nothing particular about it. Don't lie to me.
00:19:16Not this morning more. It's worse this morning. It must have been that look I got. I'm a cold little person.
00:19:20You're hysterical, Filippo. You saw nothing.
00:19:22Oh, yes. You gave me a look in the rearview mirror. I saw that.
00:19:24Well, that's natural. We look at one another almost every single day.
00:19:28Not like that. Look, I'm no virgin, and you're no red riding hood, and I love pussy.
00:19:31Please, no slang. I told you that. I hired you for the driver's seat, not for stud service.
00:19:35How can you be so cruel, Contessa? I haven't had a woman for two months, and you...
00:19:39Oh, Filippo, really? Please keep your libido to yourself.
00:19:41That's what I'm doing, I tell you. Keeping it all in. Forcing it down. Only my libido is pushing so hard, my whole lid hurts.
00:19:47I'm terrible. I mean...
00:19:48The reason you are without female favors is because you behave like such a fool, a provincial.
00:19:53And besides, your availability is too obvious.
00:19:56Well?
00:20:04No, no, don't let it go. Don't play. Don't let it go.
00:20:07Open the window.
00:20:09Say, what's going on?
00:20:10What? You almost run four men down, and you dare ask such a question.
00:20:13It was a mechanical problem.
00:20:14Now the car won't move.
00:20:17Sorry to have created such trouble for you, officer.
00:20:21I'm sure that you understand.
00:20:23I'm trying to. I'm trying.
00:20:25Thank you, officer.
00:20:27It's a pleasure. Our motto is a service with a smile.
00:20:30If you'll put the boat in a gear, a little push might help to get her started.
00:20:33Yes, sir. Ready, sir.
00:20:34And you can be sure we really appreciate it.
00:20:36Hop to it, all of you. Go on.
00:20:38Filippo, father in. Little father.
00:20:51As you wish, contest, sir.
00:20:55Ready?
00:20:56Bend a bit.
00:20:57Huh?
00:20:57I said to bend. You'll get a much nicer angle.
00:21:00Like this?
00:21:01Lower.
00:21:03Bend your knees.
00:21:04Lower.
00:21:05Lower.
00:21:06Lower.
00:21:07Filippo, you better get on your knees.
00:21:09Anytime.
00:21:10Now, I want you to take a pretty photograph of me with a fountain as the background.
00:21:13What fountain?
00:21:16Is the fountain in focus?
00:21:17The fountain?
00:21:18The fountain.
00:21:20All I can see is...
00:21:23I'm a cold weather person.
00:21:26What?
00:21:31Filippo!
00:21:32It's a beautiful day for soccer here at the Roma Stadium.
00:21:34And now the teams are coming onto the field.
00:21:35Filippo, what's wrong with you?
00:21:36Honest, I don't understand you.
00:21:38You are in coffee.
00:21:39You are in coffee.
00:21:41Oh, ah, eh.
00:21:46What in the...
00:21:47Filippo?
00:21:49Where?
00:21:50On your feet.
00:21:51Oh, no.
00:21:52Come here.
00:21:54Come there.
00:21:55Oh, oh.
00:21:57Could you tell us what it was you saw?
00:22:00I didn't ask you to make me get on my knees.
00:22:01You told me I had to.
00:22:02Filippo, I asked you what you saw.
00:22:04Can't we forget all that?
00:22:05I'm a cold.
00:22:06My panties.
00:22:06You photographed them.
00:22:07Don't say panties.
00:22:08That word, it makes me nervous.
00:22:10Can't you say, am I undergarments or friendly lace?
00:22:13Women's lingerie.
00:22:14So you are a pangy freak.
00:22:15Is that it?
00:22:16Undergarments.
00:22:17Only undergarments.
00:22:18Shh.
00:22:18Goal!
00:22:19F analyze your ears
00:22:27Through the night.
00:22:32Goal!
00:22:33Oh, no.
00:22:33Oh, my God.
00:23:03Listen, Filippo, when Signor Luciano gets here, you can leave us and go get a bite in some restaurant in the area.
00:23:10As you come in, Signora Contessa.
00:23:15Filippo!
00:23:17Yes, Signora Contessa?
00:23:19Have I offended you again?
00:23:21I'm sure I don't know what you mean, Signora Contessa.
00:23:23Don't be such a hypocrite, idiot. You think I don't know you yet?
00:23:26I swear I...
00:23:27And don't swear a falsehood!
00:23:30Oh, Filippo, look, I don't know what to do with you.
00:23:32I... Often I know you can say that...
00:23:34That I pick on you, but then I'm the first one to regret it.
00:23:38You are so efficient, so impeccable.
00:23:41When I took you on, I was very happy.
00:23:45I, too, Signora.
00:23:46As to my slapping you before, that was a hasty act, though it was merely intended to prevent you overstepping your post.
00:23:53To be frank, Filippo, your behavior frequently presents grounds for this charge.
00:23:59No, not that. Don't fire me. Don't fire me.
00:24:01Then you better learn to curb your excesses, understand?
00:24:04The whole problem is my southern blood. You know how we Sicilians are.
00:24:08Your southern blood?
00:24:09Exactly. Listen, in my home town, they'd screw a horse, couldn't they?
00:24:12I've forgotten you, I was to say, and you're so savage.
00:24:16You're a seething cauldron, and so naive.
00:24:20I realize how hard it must be for you to be in such close daily contact with the lady's refined desire.
00:24:25Refined is the word.
00:24:26With such a beautiful body.
00:24:27Beautiful body is the word.
00:24:29Ah, youthful.
00:24:30Youthful is the word.
00:24:31We might even say provocative.
00:24:34Yeah, say provocative.
00:24:36Ah.
00:24:37You mustn't stare fixedly into my eyes. It makes me feel nude.
00:24:43No, don't say nude. It drives me crazy. That word is...
00:24:46Get your mess off me. You're overstepping your post again.
00:24:49What is my post?
00:24:50How often do I have to tell you?
00:24:50I don't know. Go sit in the car. Look at the engine.
00:24:53What do other chauffeurs do?
00:24:54I don't know.
00:24:55I know. Prepare the mattress.
00:24:56What?
00:24:57The air mattress. I'm going to have a sunbar.
00:24:59The air mattress, yes.
00:25:00Go on. Go on.
00:25:01I'm going to have a compressor, yes.
00:25:04Come on.
00:25:09Mmm.
00:25:10Mmm.
00:25:40Oh, my God.
00:26:10What are you doing?
00:26:18I'm pumping.
00:26:19Pumping?
00:26:20Pumping.
00:26:21It was going fast.
00:26:23I'll save you, signor.
00:26:24I'll save you.
00:26:25You're putting your hands on me again.
00:26:26You're really done this time.
00:26:27No, no.
00:26:27I was only trying to feel...
00:26:28No, no.
00:26:29To rescue you.
00:26:29You touched me with your hand.
00:26:30You fired...
00:26:31Which hand?
00:26:31Which one?
00:26:32No, no.
00:26:32No, don't fire.
00:26:33You have some nerve.
00:26:34Don't fire me.
00:26:35You did it again.
00:26:36I wasn't touching you.
00:26:37This time you'll wind up in jail.
00:26:38No, no.
00:26:39You're going to pay for this, you are.
00:26:40It'll be worse in jail, in jail.
00:26:42There are no women at all.
00:26:43Please, please.
00:26:44Pardon me, signora.
00:26:45I'm going to test on my knees.
00:26:48All right.
00:26:49All right.
00:26:49I'll be generous.
00:26:50But, Filippo, you'd better not sleep again.
00:26:52This is your last chance.
00:26:53Your last chance.
00:26:53You must remember that between your social station and mine, there is a chasm.
00:26:57A chasm.
00:26:58I'm bridgeable.
00:26:59I'm bridgeable.
00:27:00Now you put all the things into the car again and take me home, Filippo, because you ruined
00:27:04the day.
00:27:04Not to mention signor Luciano, who never showed up.
00:27:06Luciano, did I have the day?
00:27:08That's between him and you, okay?
00:27:10I'm not taking the rap because signor Luciano stood you up.
00:27:13If I were only able to say just what I think, if I could tell you, I mean, you're a contestant,
00:27:18well, I'm just a piece of dirt.
00:27:20However, I'll say it anyhow.
00:27:21I think your signor Luciano is an asshole, and with all due respect, also a prick.
00:27:25Listen, listen here.
00:27:26You're not allowed to talk about signor Luciano that way.
00:27:29No, eh?
00:27:29No.
00:27:30Luciano, you're an asshole, and also a PR-I-C-K.
00:27:33An asshole in a pot.
00:27:34Not another word, you parents.
00:27:34Standing up like a contestant like that, I'll ram this up his bazoo and kick his pots off.
00:27:38No, no, Filippo, no.
00:27:39No.
00:27:39You leave signor Luciano alone.
00:27:41Come on, let me have it.
00:27:42This hot-blooded Sicilian has had enough.
00:27:44Get control of yourself.
00:27:45Put down the pump, will you?
00:27:46No, I want the pump up.
00:27:47Put down with the pump.
00:27:47What are you trying to do?
00:27:52I tell you now.
00:27:53It's too late, Cotessa.
00:27:54Shout.
00:27:54Shout all you like.
00:27:55No one can hear you.
00:27:56There's something down there.
00:27:57I'm sure it is.
00:27:58Lipo.
00:27:59The pump.
00:28:00We are popping.
00:28:01The pump, eh?
00:28:02The pump.
00:28:02Oh, that pump.
00:28:04Pig, you're a brute.
00:28:06I admit that.
00:28:07I'd like to know just how far you intend to carry this.
00:28:09I'm a hot-blooded Sicilian.
00:28:10That's your answer.
00:28:11You intend to break me?
00:28:12I do.
00:28:13You pinched my leg.
00:28:14Well, at least turn me around.
00:28:16Oh, my God.
00:28:17That face looks like a savage.
00:28:18I see the incongruent of lust.
00:28:21What if signor Luciano are I?
00:28:22I'll ball him, too.
00:28:23You're a sander.
00:28:24He's a sadist.
00:28:25A monster.
00:28:25A monster.
00:28:26A vulgar clark.
00:28:26A vulgar clark.
00:28:27Now, move over.
00:28:28You're such a nightmare.
00:28:29I'm an animal.
00:28:30Couldn't you whisper something sweet in French, like, you know, after all, you are raping
00:28:34a lady, huh?
00:28:35Yeah, I'll say.
00:28:36Oui, oui.
00:28:36Mon amour.
00:28:36Let's fuck you.
00:28:37My next chauffeur will speak proper French.
00:28:39You don't live up to your references.
00:28:40Yeah, you're something other than you seem to be, too.
00:28:43What?
00:28:43What?
00:28:43You're an old lady.
00:28:44You're a whore.
00:28:45All right, yes, I'm a whore.
00:28:47Rich, bitch.
00:28:48Rolls-Royce, no, a whore is still a whore.
00:28:50You're, uh...
00:28:51Why have you made love in other Rolls-Royce?
00:28:52Not only Rolls, Jaguar, Bentley.
00:28:55Lamborghini.
00:28:56Lamborghini, sure, sure.
00:28:57Citroën.
00:28:57Maserati.
00:28:59Coupé.
00:28:59Coupé is much too tiny, aren't you?
00:29:00Yeah, that's right.
00:29:01Chevrolet.
00:29:02Chevrolet, the thing you need is traction.
00:29:04Oh, yes, posterior.
00:29:06You need a lot of traction for the posterior injection.
00:29:09Bentley.
00:29:09Bentley's a nice car.
00:29:10Citroën.
00:29:11Citroën, I think you said that one.
00:29:12Lamborghini.
00:29:13Lamborghini, yeah.
00:29:14Land Rover.
00:29:16There's a whole Fiat line.
00:29:17Phil.
00:29:18Yeah, Maria.
00:29:19Didn't work, huh?
00:29:20Didn't do any good, did it?
00:29:21You, uh...
00:29:23No, uh...
00:29:25It's okay, Phil.
00:29:33Um, let's see now.
00:29:36That's, um, 200, 210, 220, 21, 22, 23, 24.
00:29:4424, that's the change.
00:29:46What you've got?
00:29:47They're new minted coins.
00:29:48They're really nice and shiny.
00:29:49Sure, to a total of 325.
00:29:50You owe 227,000 and 200 lira.
00:29:54You couldn't make a little discount, huh?
00:29:56No, I couldn't.
00:29:57No.
00:29:57If you went over the mileage, it's not my fault.
00:29:59It's not his fault.
00:30:00You mean you're gonna argue about 2,800 lirica?
00:30:01I warned your wife about the mileage.
00:30:03Besides, I lost money.
00:30:05Because you got back late, I lost out on a wedding.
00:30:07I could have made a half a million in three hours.
00:30:09Poor guy, we made a move out on a wedding.
00:30:11Here you are.
00:30:113,000 lira and you can treat yourself to the cost of the change.
00:30:14Listen, I don't need your insults.
00:30:15Listen, we paid you your money.
00:30:17You got your door in full.
00:30:18I mean, no need of your shit either.
00:30:19I'm the one that lost all the money thanks to you two.
00:30:21What do you want?
00:30:22Listen, get me out of here, please.
00:30:23Oh, this guy's gonna get this bag in his face.
00:30:24Take your old drawers and shove it up your ass.
00:30:26Go on, get out of here, you two-bit countess,
00:30:28and take that chicken shit husband of yours with you.
00:30:33Take it easy, Theo.
00:30:34I'd like to know just who you're calling chicken shit.
00:30:44He said it to you.
00:30:46That's right.
00:30:47Why?
00:30:48To me.
00:30:48He said it to me.
00:30:49No, I just wanted to be clear on who you meant, that's all.
00:30:53Never mind, sweetie.
00:30:54Come on.
00:30:54I wouldn't want you to dirty your hands on the big lug.
00:31:01I don't need a chicken shit.
00:31:03Who'd think we'd better walk in the first time?
00:31:07You're a lucky guy.
00:31:08My wife was here to stop me.
00:31:09Otherwise, I'd climb all over you,
00:31:11and you'd end up in the hospital.
00:31:12As a matter of fact,
00:31:13go, chicken shit.
00:31:15I have a mind to...
00:31:15Come on, Phil, get in the car.
00:31:17Let's go.
00:31:17I have a mind.
00:31:23He's wrong if he thinks finished.
00:31:24No, Phil, no.
00:31:25You're not nearly finished is right.
00:31:27We'd better find a solution to the shame.
00:31:28Look, Maria, don't start nagging.
00:31:29It's not as if I didn't try.
00:31:30Nag, nag, nag, nag.
00:31:31Okay, I know, I nag you.
00:31:33Only we've done all the scenes,
00:31:35the Arab slave girl.
00:31:36You were supposed to play the sultan.
00:31:37Instead, you didn't do it.
00:31:38It's just how it turned out.
00:31:38Why must you always play the unit?
00:31:40I don't like it either.
00:31:40The professor with the college girl
00:31:42in the miniskirt.
00:31:42That didn't work either, huh?
00:31:43I've done the Contessa
00:31:45with the Rolls Royce.
00:31:46Nothing.
00:31:47Nothing.
00:31:48Maybe if I was a hooker,
00:31:49that would solve your problem.
00:31:50Come on, you know what it is.
00:31:51The attachment I felt for Luigi,
00:31:52you know, that was the real cause
00:31:53of the trauma.
00:31:54I know what the doctor said.
00:31:55Only you realize it's eight months
00:31:56since that fish died.
00:31:57Yeah, but he was no ordinary fish.
00:31:58He had a personality of his own.
00:32:00Smartest fish in the whole country, yeah.
00:32:02I'm tired of hearing of goldfishers.
00:32:03I want a piece of cart.
00:32:05How many more scenes
00:32:06we've got to play like today.
00:32:07It is not all my fault.
00:32:09You know, I hate to tell you,
00:32:10but your performance today
00:32:11was not in the least convincing.
00:32:13Indeed, you might say it was bad,
00:32:14not sharp at all.
00:32:15You might take a little refresher course, huh?
00:32:17A little refresher course in acting?
00:32:19Face it, Maria,
00:32:20it was a lousy performance.
00:32:21What do you mean,
00:32:22a lousy performance?
00:32:23Me, Frank.
00:32:23Me, who always did the least
00:32:24at my school, at my school.
00:32:25Those boring shows.
00:32:26I even won a prize for Greek pleasure.
00:32:27Those boring shows.
00:32:28The real truth is the handball is you.
00:32:30It's you that's boring.
00:32:31Diana, I'll tell you.
00:32:33In my opinion, you're a faggot.
00:32:34Because you're not slutty enough
00:32:35when you play the slut dude.
00:32:36You understand you're not slutty enough.
00:32:38The doctor said that sluttiness
00:32:39may be the thing I need,
00:32:40but I can't get you to be dirty.
00:32:41Stop crying any second.
00:32:42What was that word you just used?
00:32:45You call me a faggot?
00:32:47Yeah, why don't you just admit what you are, eh?
00:32:49Why don't you admit that you are
00:32:50you're a closet queen?
00:32:52That's you.
00:32:53A closet queen? Me?
00:32:54Yeah, a queen in a closet.
00:33:03Maria.
00:33:04Yes, dear?
00:33:05That's it.
00:33:07What, that's it?
00:33:08That's it.
00:33:11Filippo, that's it.
00:33:12You thought I was a eunuch.
00:33:13I knew you'd come through.
00:33:15Maria.
00:33:16Yes?
00:33:17Oh, Maria.
00:33:18We are in front of everyone
00:33:19in the middle of traffic.
00:33:20The doctor said to do it
00:33:21the minute our friend is up.
00:33:23Phil, you better get,
00:33:24better get started then.
00:33:25Are you ready, Maria?
00:33:26I'm more than ready.
00:33:27They are refuting to stop themselves.
00:33:43Shall I bring the car in
00:33:43or leave it at the motel?
00:33:44Over and all that jazz.
00:33:45Oh, God.
00:33:48Yeah.
00:33:48Oh, God.
00:33:49Yeah.
00:33:49Yeah.
00:33:50Yeah.
00:33:50Yeah.
00:33:51Yeah.
00:33:52Yeah.
00:33:52Yeah.
00:34:23I miss your snow white bosom, my darling.
00:34:32They're the best pair of sucky wuggies in the world.
00:34:39Dammit!
00:34:41My life is becoming a nightmare.
00:34:43I don't believe it.
00:34:44I mean, it's ridiculous.
00:34:45At first, but then you get used to it.
00:34:47Never!
00:34:49I can't even take a walk by myself.
00:34:51Every time I turn around, there's you hiding behind my back like a midnight skulker.
00:34:56That's why I'm here.
00:34:57So you don't have to turn around.
00:34:58So nothing can come skulking up behind you and...
00:35:01Why don't you look where you're going?
00:35:05No, miss.
00:35:05You gotta warn me when you're gonna stop.
00:35:07Otherwise, we're gonna have a collision every time.
00:35:10I've got to be the bodyguard.
00:35:11I thought that was your job.
00:35:13Look, miss.
00:35:13I'm the best bodyguard in the whole of Chicago.
00:35:16Hey, gumshoeing is my line.
00:35:17I'm a regular Sam Spade, right?
00:35:19Well...
00:35:21Now, if you was nearly kidnapped last month, it was because you hired a card player.
00:35:25Everybody knows card players don't make good bodyguards.
00:35:27Look at me.
00:35:28When I sleep, I don't sleep.
00:35:29When I eat, I don't eat.
00:35:30When I'm laughing, I'm not laughing.
00:35:32When you think I'm looking ahead, I'm looking behind me.
00:35:36Hi.
00:35:36You want a cigarette?
00:35:38No.
00:35:38You ain't training, huh?
00:35:40So anyway.
00:35:41Damn it.
00:35:43I'm a 360-degree bodyguard.
00:35:45Damn it.
00:35:47Damn it.
00:36:02Alex.
00:36:16Hmm?
00:36:19Must you eat nothing else but carrots?
00:36:22Vitamin 8.
00:36:24Reinforces the optic nerve.
00:36:25It's good for the eyes.
00:37:02What are you doing?
00:37:30Are you crazy? Guarding bodies is one thing, but...
00:37:33I'm sorry, I have to do it.
00:37:34Get out of here and don't let this happen again.
00:37:36I've got to make my bedtime checklist.
00:37:38Jewish style.
00:37:39Jewish style?
00:37:40What, what?
00:37:42What do you mean?
00:37:44Can't you wait until...
00:37:45What?
00:37:46What is it?
00:37:49What's the matter?
00:37:50What are you going to do with the picture?
00:37:51My, my, my, my, my, my picture!
00:37:53There, too?
00:37:54Could be sharks.
00:37:55Could be a midget and an aqualung.
00:37:57You can't be too careful.
00:37:58In the toilet?
00:37:59In my toilet?
00:38:00A shark?
00:38:01I don't believe it.
00:38:02Hey, hey!
00:38:03Look who's in my clothes!
00:38:04Oh, my God!
00:38:05I don't believe it!
00:38:06Now, come on!
00:38:07Would you mind going...
00:38:08What are you doing now?
00:38:09I saw that!
00:38:10My perfume!
00:38:11Oh, no, don't say it, Marina.
00:38:12Don't say it.
00:38:13Just cool it.
00:38:14Listen, could you just...
00:38:15Now what are you doing?
00:38:16Ah!
00:38:17Oh, my God!
00:38:18I don't believe this guy!
00:38:19He's crazy!
00:38:20Hey!
00:38:21What?
00:38:22What?
00:38:23Now wait a second!
00:38:24No, no, no, no, no, no, no, no, no, no, no, no, no, no!
00:38:28What about you, Joe's checklist?
00:38:29No!
00:38:30No!
00:38:31Come back to Chicago!
00:38:32Hey!
00:38:33What are you doing now?
00:38:34Hey, what?!
00:38:37What?!
00:38:38Now wait a second!
00:38:40No, no, no, no, no, no, no, no, no, no, no!
00:38:43What about you, Joe's checklist?
00:38:46No!
00:38:47No, no, no, no!
00:38:48Ah!
00:38:49Ah!
00:38:50Come back to Chicago!
00:38:51Hey, what an eye?
00:38:56Hey, Miss Marina, look.
00:38:58Don't give me a hard time.
00:38:59I got a hard enough job as it is.
00:39:00Well, don't abuse your job.
00:39:02Abuse it?
00:39:03But this song could have been poison.
00:39:05Poison?
00:39:06No, that's pretty good.
00:39:07And how dare you come in here and look at me?
00:39:09I don't want to look.
00:39:10When I look, I don't see.
00:39:11In my job, it makes no difference.
00:39:13If Roy's dressed, she's undressed.
00:39:14I don't care.
00:39:15Now, look, to me, you are just an object.
00:39:18And that's a lamp to you, an object, yeah?
00:39:20Sure.
00:39:20But not even an object, an animal, a dog, a guard dog.
00:39:27A guard?
00:39:27Yeah, if your dog was to come in here and see you in the bath now, would that worry you?
00:39:32Well, that's a different thing.
00:39:33It's a dog.
00:39:33It's another thing.
00:39:34She'll call me Fido.
00:39:36Oh, okay, Fido.
00:39:39Going.
00:39:39Out.
00:39:40You're welcome.
00:39:41Good dog.
00:39:42Good boy.
00:39:43Out.
00:39:43I'm going.
00:39:44Fido.
00:39:45Just don't get any crazy ideas, that's all.
00:39:47Out!
00:39:48Yeah, I'm going.
00:39:49I'm going.
00:39:50It's for your own good, baby.
00:40:00All these kidnaps.
00:40:00I know, but this is impossible.
00:40:03Daddy, my life is becoming a nightmare.
00:40:05Honest.
00:40:05It just takes a bit of getting used to.
00:40:08I can't get used to it, I tell you.
00:40:10It's...
00:40:10He...
00:40:10Everywhere I turn, he's there.
00:40:12I swear...
00:40:12I...
00:40:13He could be here.
00:40:14He could be here anywhere spying on me right now.
00:40:18Daddy, please, get somebody else.
00:40:20I can't do that.
00:40:21He'd be offended.
00:40:22Besides, he was recommended by an important American friend of mine.
00:40:25What has that got to do with it?
00:40:26We're not in America now.
00:40:28Come on, Daddy.
00:40:29If you love me.
00:40:30Of course Daddy loves you, baby.
00:40:32How can you say that Daddy loves you to bitch your daddy's little girl?
00:40:35Also, if they snatched you, it would cost Daddy lots of money, honey.
00:40:38I know.
00:40:38Daddy works hard for his money when he...
00:40:40Daddy breaks his ass for it.
00:40:41Daddy breaks a lot of asses for it.
00:40:43And he doesn't intend to show a little rancid just because I'm stupid.
00:40:45What?
00:40:45Don't play for us.
00:40:46Okay.
00:40:46Okay.
00:40:48I can't guarantee anything.
00:40:49I can't promise you.
00:40:50I'll try.
00:40:51Okay?
00:40:52That's my good little girl.
00:40:54Bye-bye.
00:40:55Bye-bye.
00:40:56Turn me around.
00:40:58Feel the sun in your hand.
00:41:03Feel the buzz.
00:41:04Ain't a square.
00:41:07See the girls.
00:41:09Walking by.
00:41:10Walking by.
00:41:11Ah, pardon me.
00:41:13Did you lose something?
00:41:21Go right in.
00:41:22This way, please.
00:41:33Double check.
00:41:34Hmm.
00:41:36La Femme Souleur.
00:41:38Ah, La Femme Souleur.
00:41:40You have such a talent for the titular.
00:41:42As long as you don't write it, I'm a fool.
00:41:45What's this one called?
00:41:46Coitus.
00:41:47But it's still not finished.
00:41:49I had to suspend the work on it temporarily.
00:41:51Coitus interruptus.
00:41:53Fantastic, huh?
00:41:54You mean him or his statues?
00:41:55You mean him or his statues?
00:41:55Hence, Dilly.
00:41:56What do I care about this joke?
00:41:59Even though I'm finished, it shows a definite creative force.
00:42:02I find it has a delicate sense.
00:42:04I think that he's a very pure artist.
00:42:07Really pure.
00:42:08Untouched by the consumer.
00:42:09Sure.
00:42:10Is it true, Maestro, that you use very ancient technique to get your results?
00:42:16Chalk, plastic, and a special cement that dries quickly.
00:42:20When that shell is filled, we'll have coitus completus.
00:42:23Ciao, Marina.
00:42:26Ciao.
00:42:28I can understand you probably here's kidnapping.
00:42:31Okay, but really it's like a border.
00:42:33It's that in search of your bodyguards.
00:42:34You ought to talk to him, you know?
00:42:36Honestly, at the airport in Tel Aviv, you don't get such a good feel.
00:42:38Yeah, he's awfully thorough, isn't he?
00:42:49Young lady.
00:42:50What's the matter?
00:42:54You look surprised.
00:42:55What did you find?
00:42:56It's all mine.
00:43:01It's funny, it don't look Jewish.
00:43:09Alex!
00:43:10Alex, what on earth are you doing?
00:43:12Move back.
00:43:13Hello, lady.
00:43:14I'm going to tell Alice's friend.
00:43:16Party, sir.
00:43:17Alex, these are my friends.
00:43:18That's neither here nor there.
00:43:19Yeah, Marina.
00:43:20There's no everybody's equal under the law.
00:43:22Alex, you're insane.
00:43:23I'm sorry.
00:43:23I'm doing my job.
00:43:24No exceptions.
00:43:25I'm sorry, Miss Marina.
00:43:26I'm sorry.
00:43:26It isn't me.
00:43:27It's my father's idea.
00:43:28The only thing that counts is I'm doing my job.
00:43:30I'm only doing my job.
00:43:31I'm doing my job.
00:43:35I'm sorry.
00:44:38We're all good.
00:44:40I just want all that.
00:44:42Oh.
00:44:43Oh.
00:44:44Oh.
00:44:45Alex.
00:44:46Damn it.
00:44:48Alex, damn it!
00:44:53Excuse me a second.
00:44:55Alex, you've got to help me, okay?
00:44:58I really, really want to be by myself.
00:45:00I really dig this guy.
00:45:02Alex, please.
00:45:03Please, Alex, I beg you.
00:45:05Please.
00:45:11Please, for me.
00:45:12Okay.
00:45:14I respect your privacy under the circumstances.
00:45:17I'll use the Indian method.
00:45:18I'll stay out of sight, but that's all I can guarantee.
00:45:22Okay.
00:45:23Okay?
00:45:23Okay.
00:45:23Okay.
00:45:23Okay.
00:45:53your pal seems to have disappeared i know but i don't know i keep feeling him somewhere out of
00:46:02sight out of mind yeah i know but he might show up any second
00:46:23so
00:46:28so
00:46:34so
00:46:44Let's go.
00:47:14Let's go.
00:47:44Let's go.
00:48:14Let's go.
00:48:16Let's go.
00:48:18Let's go.
00:48:20Let's go.
00:48:22Let's go.
00:48:24Let's go.
00:48:26Let's go.
00:48:28Let's go.
00:48:30Let's go.
00:48:32Let's go.
00:48:34Let's go.
00:48:36Let's go.
00:48:38Let's go.
00:48:40Let's go.
00:48:42Let's go.
00:48:44Let's go.
00:48:46Let's go.
00:48:48Let's go.
00:48:50Let's go.
00:48:52Let's go.
00:48:54Let's go.
00:48:56Let's go.
00:48:58Let's go.
00:49:04Let's go.
00:49:06Let's go.
00:49:08Let's go.
00:49:14Let's go.
00:49:16Let's go.
00:49:18Let's go.
00:49:20Let's go.
00:49:22Let's go.
00:49:24Let's go.
00:49:26Let's go.
00:49:28Let's go.
00:49:30Let's go.
00:49:32Let's go.
00:49:34Let's go.
00:49:36Let's go.
00:49:38Let's go.
00:49:40Let's go.
00:49:42Let's go.
00:50:02Hey.
00:50:04Our sculptures ready for sending.
00:50:06It's all taken care of.
00:50:10It's all taken care of.
00:50:12Poor Alex.
00:50:13He has such beautiful eyes.
00:50:14Let's say that he contributed his body to art.
00:50:16What am I going to tell my father?
00:50:18Don't worry about it, Marina.
00:50:20Stay calm.
00:50:21Everything will turn out all right.
00:50:22Understand?
00:50:23Yeah.
00:50:24Good.
00:50:25Yes.
00:50:26Poor Alex.
00:50:27Stuck in the statue.
00:50:28The statue?
00:50:29What are you going to do with the statue?
00:50:30I'll send it to America.
00:50:31To the museum of modern art.
00:50:32A gift from the artist.
00:50:34Look at it this way.
00:50:35We have immortalized him.
00:50:36Okay?
00:50:37Yeah.
00:50:38Immortalized.
00:50:39усп dano.
00:50:40Look at his lama kamo.
00:50:41I'm sorry.
00:50:42I'll send it to him.
00:50:43Okay?
00:50:44You can do this, him but it's not.
00:50:45Never take the temple.
00:50:46I'll send it back to his entrareers now.
00:50:47I'll then.
00:50:48It'll make well- pom limo菌.
00:50:49Let's go.
00:50:50I won't wait.
00:50:51Let's go.
00:50:52I'm sorry.
00:50:53We call my home.
00:50:54I'll go slow down the sand pit ponsel.
00:50:55I don't know.
00:51:25I don't know.
00:51:55I don't know.
00:52:25I don't know.
00:52:55I don't know.
00:53:25Oh, poor Alex.
00:53:27It's terrible.
00:53:29The hell with Alex.
00:53:30Think positive.
00:53:32We're alone.
00:53:34Here, drink this.
00:53:36You'll feel much better.
00:53:37What is it?
00:53:38A nerve relaxer.
00:53:40You're too tight, my love.
00:53:50Are you your ghost?
00:53:51Come to hunt me?
00:53:52Ghost my ass.
00:53:54Here, I'm out of here.
00:54:08Oh, my God.
00:54:09Jelly.
00:54:10Here.
00:54:11Here.
00:54:11Here.
00:54:12Here.
00:54:13Here.
00:54:13Here.
00:54:13Here.
00:54:14Here.
00:54:15Here.
00:54:15Here.
00:54:16Here.
00:54:17Here.
00:54:17Here.
00:54:17Here.
00:54:18Something's funny here.
00:54:30Come on, you hoons.
00:54:32Follow me.
00:54:35It's Francois.
00:54:36What the hell happened to him?
00:54:45Stop!
00:54:47Stop!
00:54:48Stop!
00:54:50Stop!
00:54:52Stop!
00:55:18Oh, my God.
00:55:48Oh, my God.
00:56:18Oh, my God.
00:56:48Oh, my God.
00:57:18Oh, my God.
00:57:48Oh, my God.
00:58:18Oh, my God.
00:58:20Oh, my God.
00:58:22Oh, my God.
00:58:24Oh, my God.
00:58:26Oh, my God.
00:58:28Oh, my God.
00:58:30Oh, my God.
00:58:32Oh, my God.
00:58:34Oh, my God.
00:58:40Oh, my God.
00:58:42Oh, my God.
00:58:44Oh, my God.
00:58:45Oh, my God.
00:58:46Oh, my God.
00:58:48Oh, my God.
00:58:50you know what's inside I've no idea go on make a wild guess mmm well I guess
00:58:57it's a free sample toothpaste the cosmetic detergent oh come on you
00:59:02believe that you mean you think if I was giving away detergents I would disturb
00:59:06a lady like you come on then will you kindly explain just what you do want oh
00:59:12please pick any one you like any pick any one you like any one and open it
00:59:26what did I do win a lottery pick another go on so mysterious oh I must say you're a
00:59:47fortunate lady all right I give up what is this how much do you think is there you
00:59:52know inside each one would you say I couldn't begin to one million to each
00:59:57envelope 20 envelopes that's 20 million Italian lier better than nothing 20
01:00:03million and it's all yours if you want it this is ridiculous I mean now really you
01:00:10walk right into a stranger's house and just hand up 20 million lira please I'm
01:00:14tired of this joke just a second who mentioned handing something to you I may
01:00:18be stupid but I'm not crazy on you racket uh-huh oh dear lady what do you get
01:00:23for free anymore good point now what's the situation a total stranger an Italian
01:00:29the same as you in a foreign country rings your doorbell like that and he's a
01:00:33man well you could describe as distinguished elegant pleasing to the eye may I
01:00:38say attractive huh and this stranger is not some kind of a nut he only has 20
01:00:45million lira and a super deal to offer now this deal honesty is the best attack
01:00:51I'll give you the 20 million lira and and you grant me your favors for an hour an
01:00:58honest proposal I think you'll agree how dare you what do you take me for for a
01:01:03goddess I'd say considering the value of the offer nine take your evaluated money
01:01:07and go gee can't you consider it I mean after all it's 20 million devaluated yeah but
01:01:14still it's almost $20,000 and getting money out of Italy these days is very
01:01:17difficult get out of here with your briefcase immediately or I'll have you
01:01:21thrown out all right all right you refuse all that tax-free untraceable money
01:01:26there's no denying though that it never occurred to me not even in the back of
01:01:29my mind to ask a lady to do something that she didn't want to but perhaps
01:01:33you'd like to think it over a bit you know there's nothing to think over thanks
01:01:37oh but how can anyone refuse 20 million it doesn't make any sense you
01:01:42shouldn't look at it personally but there's a business might even make a fun
01:01:45transaction a business and pleasure you know mixed together why don't you think
01:01:51about it you should thank your lucky star my husband isn't here because then you
01:01:54really pay but but I want to pay 20 million plus tomorrow I'm off to
01:01:59Australia and you got all that beautiful get out of here how many times do I have
01:02:04to tell you I am NOT for sale not for sale understand hey hey I just want to rent it
01:02:11come on 20 million for an hour's rental may I three o'clock at four we'll be all
01:02:15finished right out of here
01:02:22yeah
01:02:27the penzmantel mister healthy fatig said my man come out of New York and it
01:02:31not in a new garage in a few 99 x allah yeah I will in the garden that's it
01:02:38I'm back and we're going to do it again.
01:02:53Yes, we're going to do it again.
01:02:54What are you talking about?
01:02:55We're going to do it.
01:02:56I couldn't sleep a wink all night.
01:02:57We've got to do it.
01:02:58We've got to.
01:02:59Oh, we've got to.
01:03:00You made the earth shake.
01:03:01Oh, you promised I'd never see you again.
01:03:02You were leaving for Australia.
01:03:03I postponed my trip to Australia.
01:03:05Yes, I have another 20 million.
01:03:07I just left the bank just now.
01:03:09I went there first thing this morning and drew it out.
01:03:1120 million.
01:03:12I must have a repeat performance, instant replay, and another memory for Australia.
01:03:17I just bet you'd like to.
01:03:19Now, listen, you get out of here.
01:03:21Yesterday was one thing.
01:03:22How it happened?
01:03:23I don't know, only it's not going to happen again.
01:03:24It was a business deal, just like we agreed.
01:03:25Don't you remember?
01:03:26Now, look what we have in here.
01:03:28You see another 20 million.
01:03:30Here we are.
01:03:31I fooled you that time.
01:03:32Oh, here you are.
01:03:33Millions and millions.
01:03:34Millions of lira.
01:03:35All for you.
01:03:36All for you.
01:03:37Like a fox, I give you the lira.
01:03:38But then, what do I get?
01:03:40I'm not a prostitute.
01:03:41Can't you understand?
01:03:42One good term deserves another, right?
01:03:43Well, what's the difference?
01:03:44One time more, one time less.
01:03:45It doesn't matter.
01:03:46Tomorrow I'm off to Australia.
01:03:47You know the old saying.
01:03:48Coitus ergo sum.
01:03:49And besides, tomorrow morning I'm gone.
01:03:51You'll never see me again.
01:03:52You wouldn't deny one last goodbye to an emigrant, especially since we're both Italian.
01:03:55And just what kind of goodbye did you have in mind?
01:03:58A great one.
01:03:59A goodbye worth 20 million.
01:04:01Get out.
01:04:02Get out of this house and take your money with you.
01:04:04Well, look.
01:04:05I can't redeposit it.
01:04:06The banks are all closed.
01:04:07And I don't want to walk around with millions and millions of lira on me.
01:04:10I tell you, you're mad.
01:04:12Mad.
01:04:13Bats.
01:04:14Where are you?
01:04:15Where'd you go?
01:04:17I'll bet I...
01:04:20Ah!
01:04:21And with a pillowcase on your head?
01:04:24So I'm a little kinky.
01:04:26I want you to put your clothes back on immediately.
01:04:29The maid will be here any minute.
01:04:30Do you understand?
01:04:31That's no problem.
01:04:32We'll put on a disguise.
01:04:33There you go.
01:04:34You're not going to touch me.
01:04:35Where'd you go?
01:04:36Ah.
01:04:37There you are, dear.
01:04:38And you're certainly dear.
01:04:39My hands are steaming.
01:04:40Stop calling me dear.
01:04:41They're so high.
01:04:42What do you mean?
01:04:43Forty million more dear than that?
01:04:44I can't see.
01:04:45We'll play a little game.
01:04:46You can't see me and I can't see you.
01:04:47That way we'll use the braille method.
01:04:49The braille method?
01:04:50Yeah.
01:04:51You do it by feel.
01:04:52This is ridiculous.
01:04:54Absolutely ridiculous.
01:04:55Yeah.
01:04:56But it's fun.
01:05:08You came way out here to the airport to say goodbye?
01:05:11I'm very flattered.
01:05:12The truth is I had to come out to meet someone.
01:05:15Well, I thought I'd say so long to an emigrating Italian.
01:05:19That's airports.
01:05:20People going.
01:05:21Others coming.
01:05:22This one arrives in one hour.
01:05:25Oh, and my flight leaves in 90 minutes.
01:05:27What coincidences take place in our lives?
01:05:30You might say it's very much, very much like the end of a romantic movie.
01:05:35Hmm.
01:05:35Would you believe Casablanca?
01:05:37Ingrid Bergman and Humphrey Bogart?
01:05:39Humphrey Bogart?
01:05:40You seen the picture?
01:05:41No.
01:05:42An epic story.
01:05:43Two destinies.
01:05:44The airport scene.
01:05:45He's about to leave for Kangaroo Land, never to be seen again.
01:05:48Um, don't you think you'd better go to the bathroom?
01:05:52No, why should I?
01:05:53If I were you, I'd take a leak.
01:05:55That's ridiculous.
01:05:56I don't need to go.
01:05:57The ladies' bathroom.
01:05:58Second on the right.
01:05:59Second on the right.
01:06:00In the water tank, you will find a little package.
01:06:02You mean right in the water?
01:06:03Shh.
01:06:04The last 20.
01:06:05What?
01:06:0620 kangaroos?
01:06:07A million lira.
01:06:09I'm on my way to Australia.
01:06:12You think those people are so foolish they'd give me Australian dollars for Italian lira?
01:06:16I'd rather make a present of it to you.
01:06:18And so you left it in a public toilet?
01:06:19You're mad.
01:06:20You're really, really mad.
01:06:21Well, I've always found bathrooms a good place to hide dough.
01:06:24And besides, no one in Switzerland would swipe anything.
01:06:27They don't swipe things, no.
01:06:29But if they find it, they'll bring it to the police.
01:06:31Mm-hmm.
01:06:32The whole thing is too undignified.
01:06:34I'll leave it there.
01:06:35So we'll let it rot.
01:06:36It's only money.
01:06:38I'll leave it there.
01:06:40Thank you very much.
01:06:41Bye.
01:06:42Bye.
01:06:43Bye.
01:07:08I figured you'd want to say thanks.
01:07:20But...
01:07:20Quiet.
01:07:22There's activity out there.
01:07:24Morgen.
01:07:24Morgen.
01:07:26Achtung, bitte.
01:07:27Es wird der Abflug der Maschine Nummer 202 der Air France nach Paris begann gegeben.
01:07:33Ausgang Nummer 7.
01:07:34Ignacio!
01:07:35Oh, there we are.
01:07:37Everything okay?
01:07:39You look wonderful.
01:07:41Yes, fine, fine.
01:07:43They didn't give me enough to eat, so I asked for seconds.
01:07:46And the hostess was delicious.
01:07:48You were flirted, eh?
01:07:50Oh, look who it is.
01:07:52Salvatore, how are you?
01:07:54Signor Mandatore, what a nice surprise.
01:07:56You're here sooner than I expected.
01:07:58I had some personal business to take care of.
01:08:00I see, personal business.
01:08:02That little package, didn't it get here all right?
01:08:05Without a hitch, Signor Mandatore.
01:08:07Ha, bravo.
01:08:08I may say so.
01:08:09I'm an expert at frontier crossings with all currencies.
01:08:12Huh?
01:08:13The 60 million lira I consign to the Signora, special delivery.
01:08:17Bravo, Salvatore.
01:08:19On Monday, go to my office down in Milano.
01:08:21They'll have your check ready.
01:08:22Oh, there's no rush about it, sir.
01:08:24I go on Friday.
01:08:25I'm not in any great hurry to go home.
01:08:27Having yourself a ball here, huh?
01:08:29Oh, no, sir.
01:08:29I don't believe in mixing business with, um...
01:08:32Listen, I'll have another package for you to deliver next month, huh?
01:08:37It's always a pleasure, sir.
01:08:39See you around, then.
01:08:40Sir?
01:08:41Signora.
01:08:42Signora.
01:08:42Nice to have made your acquaintance, ma'am.
01:08:46Ciao.
01:08:48Marvelous guy.
01:08:49There's no one better than Salvatore at bringing home the salami.
01:08:51There you are, sir.
01:09:12What I really want is quiet.
01:09:14Oh, it's the quietest building in Napoli, sir.
01:09:17They must be humid, I see.
01:09:18Humid?
01:09:19No, that's just a spot of humidity.
01:09:20Besides, I'm on the fifth floor with no elevator.
01:09:23As I mentioned, I suffer.
01:09:24There we go.
01:09:26Well, I'll have to have your decision very quick, sir.
01:09:28There are a lot of people interested.
01:09:30My problem is simple.
01:09:31It depends on whether I can fit into my collection of apacuses.
01:09:33I'm a precise person, you see?
01:09:35Yes, I can say that, sir.
01:09:36I expect the place to be repainted, too.
01:09:38The painters are already in waiting.
01:09:40You just have to choose the colors and it'll be done.
01:09:42Hmm.
01:09:43You needn't stay.
01:09:45I'll wait downstairs.
01:09:47I'll just measure for the apacuses.
01:09:49Take as much time as you need.
01:09:51There's too much rushing in this world.
01:09:53Apacuses.
01:09:53You must have been out of your mind.
01:10:17That's none of your business.
01:10:19You ready?
01:10:19Here I go.
01:10:24Call the police.
01:10:25That's it.
01:10:26Call the police.
01:10:28Hello?
01:10:29Disconnected.
01:10:30What happened to me?
01:10:31Mustn't frighten that.
01:10:39Got to keep a call.
01:10:44Aren't you gonna?
01:10:47What do you care?
01:10:47Well, if you do it, you know you're gonna hit that car.
01:10:52Do a lot of damage for Mr. Hyde.
01:10:54That's no factor.
01:10:55Insurance will pay.
01:10:56Yeah, but, miss, it's my car.
01:10:57Three more years to pay.
01:10:59And my insurance policy doesn't cover jumpers.
01:11:02Look, it's my apartment, Ledge.
01:11:03Yeah, but what's that got to do with it?
01:11:05Huh?
01:11:06All right.
01:11:07You've got a minute.
01:11:08That's it.
01:11:09Park somewhere else.
01:11:09Since you're in such a hurry, I have a better idea.
01:11:12Why don't you move it this way?
01:11:13That way you won't ruin a car.
01:11:15Yeah, if you tend to go splish the goose, that's the way I do it.
01:11:18Much more, sure.
01:11:19You hit my roof, you might survive.
01:11:21You don't want that.
01:11:22Huh?
01:11:25Thanks.
01:11:25That's very nice of you.
01:11:42Yes!
01:11:43Let me go!
01:11:45Oh, my gosh!
01:11:46You're a snake!
01:11:46You're a louse!
01:11:48You rat male!
01:11:49Show me this!
01:11:49Come on, you're on your own.
01:11:50Why should you want to die?
01:11:51Stop it all over the side.
01:11:52It's me, you rat!
01:11:53Try to...
01:11:54To relax, try to...
01:11:55Hey, look at your life behind.
01:11:57Oh, still a second.
01:11:58Look at that.
01:12:00See, you're gonna live a long time.
01:12:02Is this no suicide in your destiny?
01:12:04There's not?
01:12:05That's what your hand says, miss.
01:12:08I'm Andreana Serbeto.
01:12:10Marcello Fosler.
01:12:11I play the harp.
01:12:12Ah, and harpist.
01:12:13Tell me, with all that musical talent, why should you want to die?
01:12:18So pretty, so young, and in harpist?
01:12:21Well, I suffer a lot from depression.
01:12:24Could be existential.
01:12:25French account, huh?
01:12:26Don't you ever feel that way?
01:12:27How can I feel existential, sitting next to you?
01:12:35No.
01:12:36No, huh?
01:12:37This situation lacks logic.
01:12:39But I understood right away.
01:12:40The moment I saw you teetering...
01:12:42Understood what?
01:12:43The paradise was hardest for the asking, Marcello.
01:12:45Am I here for suicide?
01:12:49Yes.
01:12:51You're my very first suicide.
01:12:53No.
01:12:54No?
01:12:54No.
01:12:55Not here on the floor.
01:12:56Not on the floor.
01:12:57It's really not logical.
01:12:58Where do you suggest we go, huh?
01:12:59It's more comfortable at my house.
01:13:01Yeah, that's logical.
01:13:02The key.
01:13:09I just think...
01:13:10There's someone home?
01:13:11Maybe we should...
01:13:13He opened the door.
01:13:17Yes.
01:13:18He's marvelous.
01:13:19My best friend.
01:13:24Be careful, because he's very jealous of me.
01:13:26Just act casually.
01:13:27I'm going to the bedroom.
01:13:30When he's not looking, you follow me in, okay?
01:13:33Just don't let him know our secret.
01:13:58Must be the cockatoo.
01:14:00Good boy.
01:14:14Good afternoon, boys and girls.
01:14:16Our program starts today with the telefilm
01:14:19Bernardo the Wonder Dog
01:14:21from the series
01:14:22The Man Ferry's Friend.
01:14:23The duo's Alyssa
01:14:43and the other
01:14:45Man Ferry's Friend.
01:14:46Oh, where's Othello?
01:15:13Hotel who a dog the dog. Ah, he's watching TV
01:15:43You sure don't make it easy. What is he? Yeah, pal. Would you believe a shark with a German accent?
01:16:01Think of me instead.
01:16:06Has he had his rabies vaccination? Oh, yes. And his temper and smallpox, too.
01:16:11Well, maybe he got his collar, huh?
01:16:13No, no.
01:16:17Please, I want to see your naked body. Hurry up, please. Hurry up.
01:16:25He's not a lover, Othello. He's a marvelous doctor. Now get out of here. Scoop! Scoop!
01:16:30How can the doctor examine you?
01:16:32He's just checking our lungs. Get off!
01:16:35He's just checking our lungs. You can't hurry, Mr. Charles.
01:16:38Don't get off! You suspicious thing.
01:16:41You don't want to believe he's a doctor?
01:16:43Well, he is a doctor. He specializes in ladies' knees.
01:16:47Don't you trust, Mommy?
01:16:49Now, you stay outside and be the good one where Mommy has her lungs checked.
01:16:53What does the doctor see to you? Bargain in my debt in a million in a million...
01:16:57would you believe i didn't know no
01:17:07it's okay now my love he's not going to bother us please stay right there i don't want you to come
01:17:16any closer don't get under the covers please don't what is it darling don't ask me just don't
01:17:24ask me i refuse to say just leave me alone go now go you have a bathroom
01:17:33see you a bit later
01:17:54prince charming why are you running out on me
01:18:02because i'm a disgrace and i'll have them washed and sent back to you
01:18:08uh where's artello he's out doing pee pee we're alone happy to be back any minute goodbye marcella
01:18:15please forget everything huh is this the way you want to end our love it's a shitty way to do it i
01:18:19know but no baby should have to wear tight it's a 38. come on don't be foolish you stay right here
01:18:24and later i'll present you to papa is there a need to what do you mean a need to we're engaged aren't we
01:18:29no oh then it wasn't true what you told me earlier about being forever united it doesn't work everybody
01:18:37uses in certain moments you know you should thank your stars i saved your life if i marry you i'd be
01:18:42committing a bigamy i have a wife and two kids hey kids why didn't you tell me that well you lied
01:18:48foreflesher foreflesher get out of my life forever you're a male chauvinist pig male chauvinist fuck you
01:18:58huh
01:19:07uh
01:19:10uh
01:19:15uh
01:19:18uh
01:19:21uh
01:19:24uh
01:19:26uh
01:19:27I'm also a nurse, and I'm also a hospital.
01:19:41Help me, Mama.
01:19:57Jesus, God, the man's gonna jump.
01:20:04Look, look, look up there.
01:20:07Look.
01:20:08The suicide.
01:20:09Is he gonna jump?
01:20:10Hey, look at that guy.
01:20:11Someone get a blotter.
01:20:12What is it?
01:20:13Hey, what's all the shouting about?
01:20:15Pray to God, my little flock, before he jumps.
01:20:18If only the bishop could see how I planned to vanquish the demon.
01:20:21Let us pray.
01:20:27A soul to save.
01:20:32What fun!
01:20:47Look at the dog, poor little thing, trying to save his owner from suicide.
01:20:50You magical.
01:20:51You drive me crazy with all your silly barking.
01:20:53Look, I'll leap off the building, and then you'll be left all alone.
01:20:56No, Othello!
01:20:57No!
01:20:58Leave it open!
01:20:59Othello, you'd better be a good boy.
01:21:01Your foolish jealousy cost me the man of my life.
01:21:03He was splendid.
01:21:04Tall.
01:21:05Faddish.
01:21:06Distinguished.
01:21:07Bet life with him would have been great.
01:21:09Or would it have?
01:21:10Oh, no.
01:21:11Oh, no.
01:21:12Oh, no.
01:21:13Oh, no.
01:21:14Oh, no.
01:21:15Oh, no.
01:21:16Oh, no.
01:21:17Oh, no.
01:21:18Oh, no.
01:21:19Oh, no.
01:21:20Oh, no.
01:21:21Oh, no.
01:21:22Oh, no.
01:21:23Oh, no.
01:21:24Oh, no.
01:21:25Oh, no.
01:21:26Oh, no.
01:21:27Oh, no.
01:21:28Oh, no.
01:21:29Oh, no.
01:21:30Oh, no.
01:21:31Oh, no.
01:21:32And you won't be allowed back.
01:21:34You get the picture?
01:21:35Quit it now or I swear...
01:21:39Okay.
01:21:41I'll show you.
01:21:42I'll telephone the kennel.
01:21:45And they'll come and get you.
01:21:47And don't expect any visitors.
01:21:49You have only yourself to thank.
01:21:52Hey, give me that telephone.
01:21:55Othello, let me have it.
01:21:58Give me the phone.
01:22:00That does it.
01:22:01Now, I'll tell you.
01:22:03Othello, I hate you.
01:22:05I hate you.
01:22:06Your little mom's business finished with man, man, and bees.
01:22:10Hey, here's the wagon.
01:22:25The glasses.
01:22:27Now I can't see.
01:22:29What am I going to do?
01:22:30Tell me.
01:22:31Hear that?
01:22:32It's the truck from the kennel.
01:22:33Come to get you.
01:22:34You're going to be sorry.
01:22:36Your attention, please.
01:22:37Hear that?
01:22:38In a second, they'll be up here.
01:22:39I'm sure you're sorry, but it's much too late.
01:22:41You're going to the kennel.
01:22:42And when the nasties get you there, you're going to be so sorry that you ever disobeyed.
01:22:45They'll teach you to bark.
01:22:46The owner of a red Fiat model 126 with the license plate number 00124, please come and move your car.
01:22:57I wish I could.
01:22:59Get it out of there.
01:22:59Captain.
01:23:01Captain, do you realize if he jumps, he loses a mortal soul?
01:23:04But only I can.
01:23:05With the holy powers invested in me, I shall save his soul.
01:23:11Father, what the hell are you doing?
01:23:15Come back.
01:23:16Oh, wow.
01:23:18Here comes the dog catcher at the ladder.
01:23:21The ugly one in black.
01:23:23Go ahead, bark.
01:23:24My son, what terrible despair drove you to this?
01:23:27You mustn't commit this terrible act, lest your soul be condemned to eternal flames.
01:23:31It is only our Savior in heaven who may call us from this veil of tears beside you.
01:23:36Young, you have all of your life ahead of you.
01:23:38Trust in the words of the gospel.
01:23:41Corinthian, accept the helping hernd.
01:23:43Gotcha.
01:23:44No, no, no, let go.
01:23:46Don't lower yourself under my hands.
01:23:47Come down over there, you idiot.
01:23:49Next, he has a whole trip over his casaub.
01:23:51Father, get down from there.
01:23:53That's it.
01:23:53Nice, Father.
01:23:55Nice, too.
01:23:56Nice, too.
01:23:57Father, will you shake it, please?
01:23:59The man's gone.
01:24:01Let no one go near a relief.
01:24:02He's totally insane.
01:24:03Nuts.
01:24:04He's mad.
01:24:04Get him out of here.
01:24:05He's mad.
01:24:06The son of Satan.
01:24:07The son of Satan.
01:24:08He'll burn in hell forever.
01:24:09Stand back, everyone.
01:24:09I tried to save him.
01:24:11I tried.
01:24:11Stand back.
01:24:12He's not in the brook.
01:24:13I have a few things to say to you, Othello, and please try not to interrupt me.
01:24:16You can tell me later if I'm wrong.
01:24:18Now, you know I'm not a child anymore.
01:24:20I'm a woman.
01:24:21And at a certain age, things should start happening to a woman.
01:24:24I don't mean to offend you, Othello, but it's an impossible situation for me.
01:24:28You scare away every man I bring to the house.
01:24:32And don't tell me I don't bring in plenty.
01:24:34The only one you like is the butcher.
01:24:37You see how egoistic you are?
01:24:38Men, oh, life could be bliss if you weren't such a Bolshevik.
01:24:45You can hardly say that men want to treat me badly.
01:24:48You've seen enough to know.
01:24:51Men caress you.
01:24:53They embrace you.
01:24:56They say things that make you all woozy.
01:24:59Othello, try to imagine the three of us as a family.
01:25:03Adriano, you, and I.
01:25:09Don't you see?
01:25:10You'd have your menagerie at trois.
01:25:11Now, does that sound all so bad, Othello?
01:25:14What did you say?
01:25:17Where are you off to now, Othello?
01:25:19Othello!
01:25:20You make me so mad you're stupid and you're asinine.
01:25:23You're a male chauvinist mutt.
01:25:25Come on, La Palla.
01:25:26We ain't got all day.
01:25:28Are you gonna jump or not?
01:25:29We want to hear you go splat.
01:25:32I've given you the best years of my life.
01:25:34If you go out that door, don't ever come back.
01:25:36And if we meet up on the street, you just run on by.
01:25:42Oh, no.
01:25:46That's it.
01:25:47There it is.
01:25:47Look at it.
01:25:48Look at it.
01:25:50You'll never find anybody as sweet as me.
01:26:01What's going on?
01:26:07Amorimio!
01:26:08You're back!
01:26:10Or is it that you never did go?
01:26:12Does it mean you love me madly?
01:26:13You want to die because of me?
01:26:15What a piece of ass.
01:26:17I command you by all that is holy,
01:26:19be gone, Satan!
01:26:21Oh, my prince, it was the truth, wasn't it?
01:26:23It was the truth.
01:26:25What are you doing, crazy?
01:26:27Stay where you are.
01:26:28You make it two of us fall.
01:26:29Oh, no, no.
01:26:30Don't worry, my darling.
01:26:31I've got lots of experience balancing on ledges.
01:26:34It's so excitingly absurd.
01:26:36So existential.
01:26:37I think you're a cuckoo.
01:26:39Save him!
01:26:40Let's make love right here on the ledge.
01:26:42I want to be taken.
01:26:50You want to be taken?
01:26:51With everyone watching.
01:26:52You're the loony beanie.
01:26:53Take me.
01:26:56She wants an embrace.
01:26:59It's so exciting.
01:27:00It's a bunny.
01:27:01For all eternity.
01:27:02It's a marvelous.
01:27:03Kiss me, my hero.
01:27:04Kiss me, my darling.
01:27:06Let us through, please.
01:27:15Quick, get him out.
01:27:16Let the doctors take him over.
01:27:18I am ready to hear your confession.
01:27:20You are still in a state of nervousness.
01:27:22Confess.
01:27:22Repent.
01:27:23I mean, is it mad?
01:27:24Don't forget.
01:27:25That's it.
01:27:26Give the glass of water.
01:27:27Water?
01:27:27No, I saw that water.
01:27:28Oh, I know.
01:27:30Well, do you want the apartment?
01:27:34Yes.
01:27:34Don't you like it?
01:27:36I saw that water.
01:27:41I'll go away!
01:27:44Get him!
Be the first to comment