- 3 months ago
A womanizing private detective is assigned the task of investigating who is behind the hi-tech computer technology leaks to the Russians. A womanizing private detective is assigned the task of investigating who is behind the hi-tech computer technology leaks to the Russians.
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Short filmTranscript
00:02:00In here, Cody.
00:02:23Moving or stationary?
00:02:45Moving.
00:03:21Oh!
00:03:29God damn it, hippo, William.
00:03:34See you next week, John.
00:03:48I can hardly wait.
00:03:50I can hardly wait.
00:03:52I can hardly wait.
00:03:54I can hardly wait.
00:03:56I can hardly wait.
00:03:58I can hardly wait.
00:04:00I can hardly wait.
00:04:02I can hardly wait.
00:04:04I can hardly wait.
00:04:14Hi, man.
00:04:15He can hardly wait.
00:04:20Craig you got this car really running good what was the time we did a 107
00:04:29look at this car Bill this car's tense
00:04:50well what do you think Cody they're dynamite I meant the driving both of them the driving
00:05:04and the body they're dynamite you really are horseshit at showing emotion but I like that in a man
00:05:13yeah did you get some good pictures you bet I did Cody all right take it easy and you woman
00:05:28Rodney that cowboy sure can drive June I'll bet he can I'm just testing my new little tape recorder
00:05:49I got they say all private investigators need one so they can keep a record of their daily routines
00:05:55I hope my days are never routine like today I went out and watched my old friend June knockers
00:06:01spelled with an H test her race car that she's got some great moves started at the pistol range
00:06:08I went over and hit the target at least I hit the board that held the target
00:06:11just pulling up to the marina now where I reside well that's it 10-4 adios over and out good buddy
00:06:25Cody as you know we're on the yacht club committee and the fact that you have brought this most
00:06:44obtrusive thing here is beyond our comprehension you must get rid of it as soon as possible
00:06:48now Doug as you and the committee all know my daddy founded this yacht club more than 25 years ago
00:06:58my daddy and I also built this my mama could rest her soul
00:07:02can't be torn down not just yet anyway
00:07:07hey come on my daddy's representing the shot club in the trans pack
00:07:12well Cody he'd do a lot better if he didn't have an all-girl crew
00:07:17he's been lost four times in six days
00:07:20what's he doing out there
00:07:22all-girl crew
00:07:23I thought we just got blown off course
00:07:25he always was a rather eccentric young man
00:07:36mama was afraid of airplanes and boats but she loved trains
00:07:45she was killed last year when a private rail car jumped the track
00:07:49so in her memory daddy and I painted a picture of a caboose and put it up in front of our boat
00:07:54and he has to go to a bridge
00:08:04all right
00:08:07do
00:08:12do
00:08:15do
00:08:16do
00:08:18do
00:08:19do
00:08:19do
00:08:20Girl.
00:08:25God, I hope that's a cigarette lighter.
00:08:30Hi, I'm May, and this is my friend, Faye.
00:08:33We just arrived from Corpus Christi on my daddy's boat.
00:08:36We're in the slip next to you, and since we're going to be here for a while,
00:08:39we thought we might like to get to know you just a little bit better.
00:08:42We think it's a neighborly thing to do.
00:08:45We didn't think you were ever going to get out of the shower.
00:08:47Well, uh, how'd you girls get by my security, sir?
00:08:50We have our ways.
00:08:52Oui, I must be living right to have these lovelies pull into the slip right next door.
00:08:57You know, we haven't got our water hooked up yet,
00:08:59and we was wondering if maybe May and I could come over and take a shower here.
00:09:04Oh, you poor ladies. Let's see what I can do for you.
00:09:07Let's go down here.
00:09:17We've got a problem.
00:09:33The Russians are five years behind us in computer knowledge,
00:09:38yet they're stealing our stuff right out from under us.
00:09:41How?
00:09:42First, they tried to buy some banks in the San Francisco area to obtain the computers and chips.
00:09:48When that didn't work, they set up industrial fronts to buy all the best computers.
00:09:53They send them to friendly nations, and then...
00:09:55Then the Russians pay enormous amounts of money to obtain them from our, uh, so-called allies.
00:10:02There are entire companies here that do nothing but this.
00:10:05We're coming down on them just as fast as we can.
00:10:08So what does that have to do with me?
00:10:10I was having a wonderful vacation in the south of France.
00:10:13We've traced one of the major operations to the home of a dear old friend of yours.
00:10:19Lady Lillian Chamberlain.
00:10:22I don't believe...
00:10:23We want to get somebody in there and check out what's going on, but it can't be you.
00:10:27You're too close to Lady Chamberlain and the household.
00:10:30No one should suspect anything.
00:10:34Who else can do the job?
00:10:37Oh, I have someone in mind.
00:10:39In fact, I was with him earlier today at the Yacht Club.
00:10:43I think you'll be impressed.
00:10:48Name's Cody Abilene.
00:10:56Cody, Cody, Cody.
00:10:58I understand you're a private investigator.
00:11:01And we want to know if you'll investigate our privates.
00:11:03Mm-hmm.
00:11:04I had time in a little, ladies.
00:11:06I gotta go to work.
00:11:07Oh.
00:11:08Come on, scoot your butts outside.
00:11:10I'll catch you later.
00:11:11Oh, no.
00:11:12Oh, Cody, come on.
00:11:16When you read out, Pager says that Douglas F. Wilton wants me to call him urgent.
00:11:21He wants me to go see some European catessa named Luciana and get to know her.
00:11:26He says she's good looking.
00:11:31Yes.
00:11:32Good evening, Cody.
00:11:46Please come in.
00:11:47Contessa.
00:11:48I hope I'm not late.
00:11:50You could never be too late.
00:11:51You could never be too late.
00:11:52Call me Luciana.
00:11:53Douglas Wilton has told me all about you.
00:11:56Well, I hope I can come up with a few surprises, like this one.
00:11:59Oh, thank you.
00:12:00I'm going to take you someplace special tonight.
00:12:02And I do believe your body could put some life into this simple frock.
00:12:06Please come in and sit down.
00:12:07Please come in and sit down.
00:12:08Help yourself to some wine.
00:12:09Help yourself to some wine.
00:12:10I'm going to try this under size.
00:12:13Help me just a minute.
00:12:15Well.
00:12:18Wow.
00:12:18Wow.
00:12:19Wow.
00:12:26Wow.
00:12:29Wow.
00:12:31Wow.
00:12:32Wow.
00:13:14Ah, water.
00:13:19I'm sorry, babe, but I've got to have some water.
00:13:32Bless you.
00:13:35You're marvelous.
00:13:38But I didn't just bring you in for sex.
00:13:41I have a few things to fill you in on.
00:13:43Pleasure before business.
00:13:45I like that in a woman.
00:13:55Hey, Cody, where are you going, darling?
00:13:57Good morning, ladies.
00:13:59Come on over and go dance.
00:14:01I'd love to, but I've got to go to work.
00:14:03Billy's taking it easy now.
00:14:05Come on, Cody.
00:14:07What are we supposed to do without you?
00:14:10Cody, come on.
00:14:20Contessa Luciana somehow talked me into taking a Douglas F.
00:14:24Wilton job.
00:14:25I'm heading up to Bel Air now.
00:14:27Oh, no.
00:14:28Not the Buffington family.
00:14:30We've got you now, boy.
00:14:37We're going to tell you a new butt.
00:14:39Yeah.
00:14:40With what?
00:14:41With my son's little white Pontiac over there.
00:14:44Yeah.
00:14:44With that little thing?
00:14:45The sports car's going to eat you up.
00:14:47You think your car's fast.
00:14:49Wait till you see what this one is.
00:14:50Thirty years ago at Charlotte, my daddy beat old P.L. Buffington here in a stock car race.
00:14:55He's been mad at our whole family ever since.
00:14:58He's got Doreen, his fat wife, and his boy Bobo here in the feud now.
00:15:02Old P.L.'s just dying to have his boy beat me in a race every chance he gets.
00:15:06All over the road.
00:15:07All right, where do you want to go do this?
00:15:09Box Canyon.
00:15:10Just follow us down.
00:15:12Yeah.
00:15:12See you at Box Canyon.
00:15:14Come on, boy.
00:15:16You're going to lose it now.
00:15:17Hey, Cody, me and my car are going to get you, boy.
00:15:22Let's go.
00:15:23Come on.
00:15:23You don't have a chance, son of a little rat.
00:15:25Well, just remember the Alamo.
00:15:47I'll get you next time
00:16:17I'll take a look at this car and tell me how come a four banger just blew me off the road
00:16:32sure no problem
00:16:33hey Cody
00:16:35how's my daddy's oils going
00:16:37it's coming good
00:16:38it should be done in a day or two
00:16:40you're really going to like this sucker
00:16:41we'll deliver it over to your yacht
00:16:43got anything I can use in the meantime
00:16:46well I got this old black Ford over here
00:16:48keys are in it
00:16:50okay
00:16:51oh uh
00:16:53I got a couple bags in the DeLorean
00:16:54I'll get them for you
00:16:55well I'm still heading for Bel Air
00:17:03to the home of Lady Lillian Chamberlain
00:17:06Contessa Luciana's father and Lady Lillian were lovers in Europe several years back
00:17:10they're still friends
00:17:11Luciana moved to this country from Italy and has remained close to Lady Chamberlain
00:17:19Lady Chamberlain wants me to stay at the house for a few days just to check things out
00:17:24Bel Air has nothing but Rolls Royces, Mercedes, Cadillacs, Ferraris
00:17:32so I pull up in this borrowed Ford
00:17:34but hell
00:17:35with my sophisticated style
00:17:37good looks
00:17:38nobody's going to pay any attention to what I'm driving
00:17:40got it
00:17:48Cody Abilene, Lady Lillian's expecting me
00:17:51come on in, you're late
00:17:54nice car
00:17:58she's out by the pool
00:18:04follow me
00:18:05Luciana told me Lady Lillian had broke her leg in a skiing accident
00:18:14she'll be in this wheelchair for about three more months
00:18:16Mr. Abilene, how very nice to see you again
00:18:19Lady Lillian, you're looking wonderful
00:18:21thank you
00:18:21Shane, bring in Mr. Abilene's bags
00:18:24you got a real charmer there
00:18:30people say I'm crazy
00:18:32but I just know there's something going on in this house behind my back
00:18:37my nephew Stuart, his wife Anita
00:18:42and my niece Liza all live here with me
00:18:45since their parents were killed in an accident
00:18:47then of course there's Shane, you met him
00:18:50and my maid, Marion
00:18:52she's a friend of Shane's
00:18:54wait till you see her
00:18:55she is really off the wall
00:18:58oh jeez
00:19:00so much better in tennis
00:19:04Shane, Shane, where the hell are you?
00:19:11damn it, I'm late
00:19:12I gotta get back to the house
00:19:13Shane Reeves, god damn it
00:19:16somebody ought to take that bullhorn
00:19:19and ouch
00:19:20what if that leaves a mark
00:19:23don't worry Mrs. Chamberlain
00:19:25your husband will never see it
00:19:26Shane
00:19:29what did a guy like you do in jail?
00:19:35he ate a lot of furniture, baby
00:19:36Shane, meet us in the living room
00:19:44Cody, would you please take me to the living room?
00:19:46it's that way
00:19:47yes ma'am
00:19:48oh there you are, Anita
00:19:55Shane, where have you been?
00:19:58make sure the cook knows Mr. Abilene will be here for dinner
00:20:01yes, lady
00:20:02darling, Anita, come here
00:20:06this is Cody Abilene
00:20:08Cody, this is my nephew's wife
00:20:10my pleasure ma'am
00:20:12Cody will be staying with us for a few days
00:20:14how nice
00:20:16I'm finally getting a chance to meet the Chamberlain family
00:20:22don't know where that child is
00:20:26Liza's coming down in a minute
00:20:28I said hello earlier to Anita's husband, Stuart Chamberlain
00:20:31he's okay, I guess
00:20:33he seems a little light in his loafers though
00:20:35oh Liza, there you are
00:20:37you're late, dear
00:20:38we had to start without you
00:20:40Liza, this is Cody Abilene
00:20:46Cody is our house guest
00:20:47I noticed your car
00:20:49really nice
00:20:51well, I like to drive
00:20:52I just bet you do
00:20:56Cody, do you cook?
00:21:06hmm, not much
00:21:08well, what do you usually make for dinner?
00:21:12reservations
00:21:12very good
00:21:15the Chamberlain family is an odd mixture to say the least
00:21:19I had to leave right after dinner because twice a week
00:21:21I meet with my lady cop friend, Sergeant Beverly McAfee for a workout
00:21:25usually we go dancing and playing afterwards
00:21:28tonight she's got to go back to work though
00:21:30damn
00:21:31this place is filled with great looking bodies
00:21:37exercise is okay, but girl watching is what I do best
00:21:41I love looking at the gorgeous Diana
00:21:44whew
00:21:44the luscious Lorette
00:21:47oh my
00:21:48and the outrageously sexy Peggy
00:21:50Beverly's still one of my favorite ladies though
00:21:54they ever give you the night off Beverly?
00:21:58nine to five looks so good right now
00:22:01no one ever told you being a cop would be easy
00:22:04hey Luke
00:22:06take a look at that chump over there
00:22:08yeah, I know
00:22:10she's into the little boys
00:22:11I don't know if she's seeing them
00:22:12she needs to get herself a real man
00:22:14oh, I see we got a couple of new show-offs working out
00:22:19I wonder how things are working out back at the Chamberlain place
00:22:26Stuart? Stuart, what are you looking at?
00:22:32uh, nothing, I thought I heard something
00:22:36ah, Times crossword puzzle
00:22:58can I help you with a word?
00:23:00ah, you don't mind if I join you, do you?
00:23:07ah, it's a great day
00:23:08you know, you don't have to be nice to me
00:23:12oh, I insist on it
00:23:15us Texas boys are known for it
00:23:17that's really some bullshit
00:23:19thank you, Maid Marian
00:23:24how about some lunch?
00:23:34we have some escargot
00:23:35snails? no thanks
00:23:38I make it a point and never eat anything that leaves a trail
00:23:41I have all days to be stuck here
00:23:45my Mercedes is in the shop
00:23:47and I really need to get to Palm Springs
00:23:49what about chain the chauffeur?
00:23:52forget that son of a bitch
00:23:54well, can I drive you where you're going?
00:23:59sure, why not?
00:24:02chain's probably slipping it to Anita anyway
00:24:06I believe you Texans call it layin' pipe
00:24:09they get it on at the beach house
00:24:13you know about that, don't you?
00:24:15there's Jonathan Harper's building, Cody
00:24:27there's Jonathan Harper's building, Cody
00:24:39Jay, the new computers are coming in next week
00:24:45and I want you to have a look at those also
00:24:47yes sir, Mr. Harper
00:25:01hi
00:25:02Liza, darling, how are you?
00:25:05how are you?
00:25:06this is Cody Aveline
00:25:08he drove me here
00:25:09my Mercedes broke down
00:25:11your car is always breaking down
00:25:13well, that's the way it goes
00:25:14Cody, my name is Jonathan Harper
00:25:16howdy
00:25:17how do you do?
00:25:18Liza, have you got the financing we talked about?
00:25:21yes
00:25:23I do
00:25:25thank you
00:25:27hey, what about the other night?
00:25:29hey, look at those legs
00:25:31look at the face
00:25:33oh, look at his body
00:25:34yeah, great lookin' guy
00:25:35call it
00:25:42the lady's an investor
00:25:44investor
00:25:45hey, look, Liza
00:25:47I think we've seen enough of these gentlemen
00:25:49let's get out of here
00:25:51no, I'm staying
00:25:52I have business to discuss
00:25:54suit yourself
00:25:56Liza
00:26:05these are three of my friends
00:26:08Matthew, Mark and Luke
00:26:09they're here to help us
00:26:11do me a favor
00:26:13wait over there for a few minutes, darling
00:26:15I'll be right with you
00:26:16okay
00:26:16okay?
00:26:17see to it that his ass leaves these premises
00:26:21yeah, and the rest of his body, too
00:26:23okay
00:26:23hey, you, why don't you pull over a sec, I gotta talk to you
00:26:35that's okay, I can find my own way
00:26:37if you don't pull over, I'm gonna fuckin' put you over
00:26:42he's a pretty boy, isn't he?
00:26:44what, you lookin' to fuck him?
00:26:46yeah, maybe, yeah
00:26:53guys, guys
00:27:03look, you don't wanna mess with me
00:27:05see this body
00:27:07this body is a lethal weapon
00:27:10I could kill you guys in a second
00:27:12I'll show you lethal weapons
00:27:17I'll show you lethal weapons
00:27:28oh, shit
00:27:40lethal weapon, my ass
00:27:42you see this?
00:27:51huh?
00:27:52how about that?
00:27:53how do you like this longhorn?
00:27:56how do you feel without a dick?
00:27:57huh?
00:27:58get out
00:27:59you wouldn't happen to have a loner, would you?
00:28:26happy trail, happy trail
00:28:27okay, go for it
00:28:29you got it
00:28:33yoohoo
00:28:34we're only kidding
00:28:37no, seriously, come on back
00:28:46let's get out of here, come on
00:28:47let's go
00:28:57I need the fastest thing on this lot
00:29:09sugar, I'm the fastest thing on this lot
00:29:14oh, mercy
00:29:20come back real soon, you hear?
00:29:23yeah, right
00:29:24boy, that was really a horseshit trip to Palm Springs
00:29:45I got my ass whipped
00:29:47my borrowed car shot up
00:29:48and I was raped
00:29:49and I was raped
00:29:50you know
00:29:51time to see just what the hell's going on around here
00:29:55sure, Shane
00:29:56you can screw around with this thing as long as you want
00:29:59but I'm here to tell you asshole
00:30:01your health
00:30:03you dig your health
00:30:05it's gonna suffer
00:30:06you can bet the whole goddamn farm on that, pal
00:30:09I'll pay
00:30:11I'll pay
00:30:12when
00:30:13when
00:30:14when I got it
00:30:28hey, Shane
00:30:29you still messing around with that broad you work for?
00:30:32maybe you'll pay up pretty soon, huh?
00:30:36remember
00:30:37you owe us 30 grand
00:30:46well
00:30:47well
00:30:48I owe a guy some money
00:30:50he's being a nuisance
00:30:51that's all
00:30:52how stupid
00:30:53to let your scuzzy gambling friends call you here
00:30:56come here
00:30:59come here, baby
00:31:00what the hell with you?
00:31:02maybe it'd be alright to have something said about you
00:31:05what's said about me?
00:31:06handle
00:31:07I don't know
00:31:08like
00:31:09maybe something about this rich lady and ex-con
00:31:13who's been living in her house
00:31:14right
00:31:15the house man
00:31:16and what's been going on
00:31:18right under her queer hubby's
00:31:20little turned up faggot nose
00:31:22I got some state-of-the-art video on you, baby
00:31:36I also got some pictures you ought to see
00:31:44here's some with you on top
00:31:48you filthy no good son of a bitch
00:31:51you bastard
00:31:52I wasn't going to show them to anybody
00:31:54your husband doesn't know anything
00:31:56I'm not stupid, Shane
00:31:58I need a baby, come here
00:32:00I hope to hell the gamblers get you, Shane
00:32:02and I hope they tear you in little bits
00:32:07you little whore
00:32:21okay, Shane, let's go and take me to the club
00:32:26okay, Shane, let's go and take me to the club
00:32:28come here
00:32:35go and take me to the club
00:32:36okay, go and take me to the club
00:32:37you'll see you there
00:32:38came here
00:32:38okay, I'm going to talk to you
00:32:39I'm not going to talk to you
00:32:40I'm going to talk to you
00:32:54outside of Shane's room to make me wonder
00:32:57what the hell else he's up to.
00:33:08Well, they're making a U-turn
00:33:10and stopping across the street.
00:33:21I'm really surprised.
00:33:23An ex-con would assume my morals to be an issue.
00:33:26How very naive of you, Shane.
00:33:28You can only get away so long
00:33:30with performing here for kicks.
00:33:32I'll take my chances.
00:33:38You'll have a better chance to continue
00:33:40playing queen for a day if you help me out.
00:33:43I need 30 big ones right away.
00:33:46Why, that's blackmail.
00:33:47How would you like to go back to prison
00:33:49for another five years?
00:33:50I'll take my chance.
00:33:53Now, wouldn't this be cute of us in the Faggot Gazette?
00:33:57That you on the bottom, sweets.
00:34:02Suppose I were to take this threat seriously,
00:34:04which I don't for a minute,
00:34:06to whom would I entrust the money?
00:34:07Me, of course.
00:34:09Tomorrow night at Lady Lillian's charity party.
00:34:11It doesn't leave as much time, does it?
00:34:15But then why should I keep you in suspense?
00:34:19The answer is no.
00:34:22Now drive me to the entrance.
00:34:32Shane's pulling the limo
00:34:33in front of the screaming cockatoo.
00:34:35This should be good.
00:34:46Hi.
00:34:47Stuart, you look wonderful.
00:34:48Thank you, I feel good.
00:34:50I don't believe this one.
00:34:52Stuart has just turned into the most gorgeous woman.
00:34:55Love that dress.
00:34:57You like, huh?
00:34:58Yeah.
00:34:59You, great lady.
00:35:00Love it.
00:35:01What a day I had.
00:35:02Really?
00:35:02I'm going to tell you about it.
00:35:03Come on.
00:35:03Tell me.
00:35:03I knew he was different, but...
00:35:07Wow.
00:35:08Do me a favor, Frederick.
00:35:09Please don't forget to come to Lady Chamberlain's tomorrow.
00:35:11It's very important.
00:35:12Oh, I won't, Stuart.
00:35:14I'm going to have to work,
00:35:15but I'll definitely be there.
00:35:20Here's to it.
00:35:32Goodies on the tray.
00:35:33What an assortment under one roof.
00:35:39Lady Chamberlain thinks I'm here to check on her family.
00:35:42Luciana has me involved in espionage.
00:35:45God, I love intrigue.
00:35:47God, I love Luciana's white dress.
00:35:50Let's have some champagne and toast my art selling trip tomorrow.
00:35:53I'll toast, but I better stay alert tonight.
00:35:57Can I have some designer water?
00:35:59You are continental.
00:36:03Well, have a safe flight.
00:36:07Let's toast us being together tonight.
00:36:09You know, we have worldwide computer investments for those people who've trusted us with their finances.
00:36:17We've made enormous profits for them.
00:36:19Things look even better in the future.
00:36:20You know, Jonathan, I think your interest in our little Liza here is something just a bit more than financial.
00:36:32Luciana, I mean, Contessa, would you like some champagne?
00:36:36You know that snake?
00:36:42I spent a few days with Lady Lillian last month.
00:36:45He was around then.
00:36:48Hey, Tommy, look what we got here.
00:36:51It's Maid Marian.
00:36:52You look very foxy tonight, Maid Marian.
00:36:54Just because we all work with John and Bill doesn't mean you creeps can put your hands on it.
00:37:01Oh, ho, ho, ho.
00:37:10Hello, Shane.
00:37:12Hello, Dick.
00:37:15What are you doing here?
00:37:18We control the catering service here.
00:37:19You know that.
00:37:20I made a collective bread you owe us.
00:37:21Remember?
00:37:23Yeah.
00:37:24Well, time's running out, asshole.
00:37:28I'll see you later.
00:37:42Stuart Chamberlain, please.
00:37:44Yes, it's very important.
00:37:46Tell him it's Frederick calling.
00:37:50Yeah, the telephone?
00:37:51Hello.
00:37:57Hello.
00:37:58Hello, Stuart.
00:37:59Did you forget about our date tonight?
00:38:02Of course not, Frederick, darling.
00:38:03Where are you?
00:38:04This is Shane, Stuart, darling.
00:38:07Remember, tonight's the night.
00:38:10I need that money.
00:38:11I told you, you thieving bastard.
00:38:13I said no, and I meant it.
00:38:15Bagot.
00:38:18Bagot.
00:38:26Now, you've been avoidin' me all evening.
00:38:30Now, you come up with a bread, well, guess who's dead?
00:38:33now listen asshole i am not leaving here tonight without the money now you get it up
00:38:42or i'm gonna cut your fucking face don't cut me please please you understand yeah
00:38:51tonight
00:38:53tonight
00:38:55oh damn it
00:39:11that's
00:39:17hey marion she is so man did you hear that she got raped this afternoon by two homosexuals
00:39:37one held her down and the other one hit her hair
00:39:39hors d'oeuvre mr chamberlain
00:39:44slut good night thank you so much for coming
00:39:50how are you ready good night good night good night
00:39:55thank you thank you good night cody
00:40:05shane come here dead tired please take me to my room
00:40:12yes lady
00:40:21hi this is regis philbin along with my wife joy tonight's program is about love
00:40:26the whole world depends on on love exactly and i think people should respect each other's
00:40:33feelings oh if you have that respect i got some love for you regis and joy but it's really
00:40:39the love that that agendas that respect
00:40:45i had a way to go baby
00:40:47stuart better show up with that money dick's gonna be here soon he's not gonna wait much longer for that dough
00:40:59damn it what am i gonna do
00:41:01damn it what am i gonna do
00:41:08you know we were talking about love the other day and i uh i guess i can't forget some of the things that were expressed here about relationships and about how people really should feel about one another men and women and men and men and everybody and everybody should have that
00:41:24basic love for one another i think everybody should have that basic love for one another it's so important for one another it's so important to my ears
00:41:40i think there's no sincere feeling of love matter of fact you don't try to think it's the left of love that's killing us all today
00:41:54people relate to each other after all love is what makes the world go wrong
00:42:10i feel great today i feel hot drink to that
00:42:36what's that
00:42:40well shane you win some you lose some
00:42:53poor shane
00:42:55luciana
00:42:57the plane leaves in a couple hours
00:42:59why don't you get out of here i'll vouch for you we were together all night
00:43:03i'd rather stay here with you
00:43:05i'm married
00:43:06i can take care of this
00:43:08you really don't want to get involved you have to call the police
00:43:11take care of yourself
00:43:17looks like he was shot stabbed and still made it out here sure was tough some bitch
00:43:30hey what's going on in his room
00:43:34anita what the hell are you doing here i don't know i don't know i don't know i just came in through the uh service entrance i saw blood and it's a chain
00:43:47i think such a mess i just got here i just got here it's a shock i guess go in the house tell everybody meet me by the pool go do it
00:44:04go do it
00:44:11let's see i saw shane put those pictures of anita in one of these drawers
00:44:18well they ain't here now
00:44:22hmm there's blood on this camera
00:44:25looks like it's got some exposed film in it
00:44:29i better check this out
00:44:33the killer must have jimmied these drawers open
00:44:44hmm
00:44:46oh this is a terrible thing shane was such a good driver
00:45:07i know i'm sorry i feel it was my fault
00:45:10i wouldn't say that when the police get here but i was the one that hired him
00:45:14i don't know what you meant
00:45:16excuse
00:45:20uh-huh
00:45:22oh baby the sound of your voice is driving me crazy
00:45:25i'll tell you baby i'm only as big as a beer can but i'm real long you know
00:45:30i know what you mean
00:45:32oh myrna when you get hot and you let your husband watch it makes me very crazy
00:45:36hi sally it's cody abilene you got anything for me
00:45:39cody you sexy gorgeous cowboy
00:45:43cody tell me what you're wearing
00:45:46i bet you're wearing those sexy tight jeans
00:45:49i'd love to have you here
00:45:52too much
00:45:55cody i want you so bad
00:45:58i want to feel your manhood pressed against me
00:46:02i understand
00:46:05i know
00:46:06i want you so bad right now
00:46:08okay look i'll get back to you all right
00:46:09you sexy man
00:46:11your tongue would really enjoy being on me
00:46:14my nipples are even hard just talking to you
00:46:17get on the horn and get the police over here to the chamberlain house as soon as possible
00:46:22it's a homicide
00:46:23god
00:46:24i wish you could come through this phone right now
00:46:27yeah look just call the police all right
00:46:28i'll talk to you later
00:46:29did you learn anything cody
00:46:32yes ma'am i sure did
00:46:35i'm gonna go take a cold shower now the police will be here in about five minutes
00:46:39i'll wait right here
00:46:41the police could have me thrown in jail for withholding evidence but i want to be the first to see this film when it's developed
00:46:58well i better hide this goody before they get here
00:47:07some layoff
00:47:08yeah
00:47:09you
00:47:10you
00:47:11you
00:47:12you
00:47:13i should have known you'd be involved in this
00:47:16come on in i'll show you the way
00:47:24how well do you know this guy
00:47:25oh pretty well
00:47:26well i know him very well
00:47:28don't let that cowboy charm fool you
00:47:30he graduated summa cum laude from texas university
00:47:33chamberlain family
00:47:40chamberlain family
00:47:41this is lieutenant arlidge
00:47:42how do you do
00:47:43sergeant mcafee
00:47:44hello
00:47:45morning
00:47:46lady chamberlain
00:47:47this arrived in my office this morning
00:47:50it's for you
00:47:51oh thank you
00:47:55oh my
00:47:57ah
00:47:58there have you
00:47:59taken with shame
00:48:00how cozy
00:48:03take them lieutenant arlidge
00:48:05uh
00:48:06can i take a look at this
00:48:09nice composition
00:48:13a lot of focus
00:48:16it's what we call
00:48:17hard evidence
00:48:20they were taken at the beach house
00:48:22how could you anita
00:48:24how could you anita
00:48:44lady lillian gave him a key to the beach house
00:48:46when
00:48:49uh-huh
00:48:50mm-hmm
00:48:51he left with the lady car
00:48:52oh about
00:48:53twenty minutes ago
00:48:54okay
00:48:56well maybe we'll find something at the chamberlain beach house
00:48:59lieutenant arlidge thinks steward did it
00:49:01oh yeah
00:49:02how come
00:49:03those pictures of shane and anita we saw a while ago
00:49:06that's a pretty strong motive don't you think
00:49:08yeah i guess
00:49:09he had the opportunity but
00:49:11so did a lot of other people
00:49:13fun little playhouse
00:49:15interesting place
00:49:17what do you hope to find here anyway
00:49:20clues
00:49:22pictures
00:49:24electronics
00:49:26and
00:49:27and
00:49:28and
00:49:29and
00:49:30and
00:49:31and
00:49:32and
00:49:33and
00:49:34and
00:49:35and
00:49:36and
00:49:37and
00:49:38and
00:49:39and
00:49:40and
00:49:41and
00:49:42and
00:49:43and
00:49:44and
00:49:45and
00:49:46and
00:49:47and
00:49:48and
00:49:49you know me
00:49:50and just like to cover all the angles
00:49:51oh yes
00:49:52speaking of angles
00:49:53have i told you how good you've been looking since you've been going to the gym
00:49:56well no but i'm glad you noticed
00:49:59of course i haven't had a chance to take in the whole thing
00:50:06well
00:50:07are you in for a treat
00:50:09so are you
00:50:14and
00:50:15and
00:50:16so are you
00:50:17and
00:50:18and
00:50:21and
00:50:23and
00:50:24and
00:50:25and
00:50:26and
00:50:27and
00:50:28and
00:50:29and
00:50:30and
00:50:31and
00:50:32and
00:50:34and
00:50:52Hey, you want to see a home movie of us?
00:50:56Sure.
00:50:58I don't mean the kind you show your mom.
00:51:01You won't believe what I found.
00:51:04A remote control for a video camera.
00:51:08And when did you find that?
00:51:12I'd rather not say.
00:51:22Talk about a soap opera. We should have our own show.
00:51:32Looks like Shane the photographer set this up.
00:51:43Sure was a good old boy.
00:51:45I got all day for this.
00:51:47A shit-kicking private eye, a hag, and a roll of film.
00:51:52I'll take that.
00:51:54It's my case.
00:51:56When it's murder, the police take control.
00:51:59Besides, I paid for it with my very own body.
00:52:02And you were worth every frame of it.
00:52:05Well, thank you kindly, ma'am.
00:52:07Piece of cake. Let's go, Tommy.
00:52:10Did you just hear something outside?
00:52:22Shower, check it out.
00:52:27Shower, check it out.
00:52:34I'll cover us outside.
00:52:35Go ahead. Go for it. Make my day.
00:52:50Look out!
00:52:52Look out!
00:52:59Go for it. Make my day. Are you serious?
00:53:05Careful now, Beverly. There's still one out there.
00:53:09Oh, whoa, whoa, whoa!
00:53:15He's coming, it's the door.
00:53:18There he is. He's blind.
00:53:25Jesus.
00:53:26Stay, stay, I got him.
00:53:29Goddammit.
00:53:30Look out, Beverly!
00:53:49Hey, you know, I couldn't hit him.
00:53:51Oh, really?
00:53:52Uh-uh. All right, it's his hands. They're the lethal weapons.
00:53:56Yeah, just be careful when you play with yourself.
00:53:59So, uh, who knew we were coming out here?
00:54:04I almost hate to say.
00:54:07Lady Lillian?
00:54:14You got it.
00:54:16Damn it. Damn it.
00:54:20Okay, I'll call the lieutenant over at the Chamberlain house
00:54:24and tell him what happened here.
00:54:29Okay. Look, if you can handle the cavalry,
00:54:34I'll go to my boat and get a couple things done.
00:54:37Okay.
00:54:38Call my service if you need me.
00:54:40Cody, I need a kiss.
00:54:49You gonna be okay?
00:54:53I'll be fine.
00:54:54Beverly's right.
00:54:55Who else knew we were coming out here?
00:54:56Could Lady Lillian be a suspect?
00:54:58Nah.
00:54:59On my way back to the marina, I stopped by the grocery store to give me a peanut brittle candy bar.
00:55:03I just need to think things through.
00:55:13Hey!
00:55:14Hey!
00:55:15There you are, Cody!
00:55:16Oh, no.
00:55:17Not the Buffington family again.
00:55:18What's wrong?
00:55:19You yellow?
00:55:20I don't want to race you guys.
00:55:21Come on.
00:55:22All I have is this junked-out old Dotson Z.
00:55:24It wouldn't even be fair.
00:55:25Fair?
00:55:26You want fair?
00:55:27Go to church, boy!
00:55:28Come on, let's go!
00:55:29Come on, I'm ready!
00:55:30Let's go!
00:55:31Come on!
00:55:32I'm just going to race you!
00:55:33So are you ready?
00:55:34Watch in!
00:55:35Watch in, Cody!
00:55:36Hey!
00:55:37Hey!
00:55:38How's that get, huh?
00:55:39Oh, that's all right.
00:55:40Damn.
00:55:41Now they even got a low rider.
00:55:43Hey!
00:55:44Come on, boy!
00:55:46Come on, boy!
00:55:47Come on, boy!
00:55:49I'm going straight!
00:55:52Whoopie!
00:55:54Come on!
00:55:55Come on!
00:55:57Come on!
00:55:58Come on, boy!
00:55:59Come on!
00:56:00Once again, I've been disgraced by the Buffingtons.
00:56:21I'm rapidly losing face.
00:56:23If I don't whip their butts next time, my daddy's going to whip mine.
00:56:30Careful.
00:56:40This cowboy killed Peter and Tommy this afternoon.
00:56:43I'll watch him.
00:56:54You stay here and cover us.
00:56:55Okay, Matt.
00:57:00What are you doing here?
00:57:07Never mind.
00:57:09Move over.
00:57:10I was hoping you'd say that.
00:57:12Shouldn't we take your boots off?
00:57:15Okay, now listen.
00:57:16When I say so, I want you to dive on that floor and get down low.
00:57:20This is kingy.
00:57:21This is nice.
00:57:22This is nice.
00:57:23This is gonna be fun.
00:57:36Let's do it.
00:57:37Come on, girls.
00:57:38It's serious.
00:57:39Oh, my God.
00:57:40Wait a minute.
00:57:43What's going on?
00:57:44Come on, girls.
00:57:45Come on, girls.
00:57:46What a lovely party and a lovely party.
00:57:48You're not alone.
00:57:49Come on.
00:57:50Come on, girls.
00:57:51Come on.
00:57:52Come on.
00:57:53You're alone.
00:57:54I'm sorry.
00:57:55You're over here.
00:57:56How's your fault?
00:57:58It's all your fault.
00:57:59I'm sorry.
00:58:00No, my God.
00:58:01Oh, my God.
00:58:02Oh, my God.
00:58:03Oh, no, my son.
00:58:04You're over here.
00:58:05No, no, no.
00:58:06Oh, my God.
00:58:07Oh, no.
00:58:08Oh, no, no, no.
00:58:09No, no, no.
00:58:10Oh, no, no, no.
00:58:11Faye! Oh, God!
00:58:12Oh, no, no!
00:58:13Oh, no, no!
00:58:14No!
00:58:15What's going on, Gary?
00:58:16What the hell is that about?
00:58:17Oh, my...
00:58:18Oh, shit.
00:58:22What the hell, man? What the hell?
00:58:23Shut me your goddamn ear!
00:58:34Oh, my God, Faye.
00:58:35I can't believe what's happening.
00:58:36Oh, my God, look what's coming down the hall.
00:58:38Damn it, you two. Listen to me.
00:58:39I want that film.
00:58:40Where's that film at?
00:58:41I know it's in there somewhere.
00:58:42Damn it.
00:58:43That pisses me off.
00:58:45Where's the...
00:58:46Damn film.
00:58:47I know it's in there somewhere.
00:58:49We got to move, man.
00:58:51We got the cops on our ass right now.
00:58:53We got to move.
00:58:54Come on.
00:58:55We got to move.
00:58:56Come on.
00:58:57You sure you don't know where that film's at?
00:59:00No, I don't know what you're talking about.
00:59:02You better not be holding out on me.
00:59:03I'll tell you right now, because that pisses me off.
00:59:05Ow.
00:59:06Just a little kid.
00:59:07Oh, man, what the hell happened to your ears?
00:59:08Shut up my ears!
00:59:09Come on.
00:59:10Come on.
00:59:11Come on, Luke.
00:59:12Get in.
00:59:13Damn it.
00:59:14I let him get away in that caddy.
00:59:16I better get the girls off my boat so I can get a little sleep.
00:59:28Come on, Luke, get in.
00:59:31Damn it.
00:59:32I let him get away in that caddy.
00:59:35Well, I better get the girls off my boat so I can get a little sleep.
00:59:39little sleep. Hello. Jesus, Beverly's cracking on. Listen, Cody, the lieutenant just arrested
00:59:55Stuart Chamberlain for Shane's murder. He found some pictures of Stuart and Shane together.
01:00:00Listen, Beverly, I got something to tell you. Where is she going? Well, it's Springs, ma'am.
01:00:06The raceway. Yes, ma'am. Thank you, Maid Marian. You may have the rest of the day off. Thank you very much, ma'am.
01:00:17Hey, Beverly, how do you like this Oles? Belongs to my daddy. He loves cars and gadgets. They're on their way to Willow Springs.
01:00:25Don't count on me for your party. I'm going to Tijuana for the weekend.
01:00:31There's a brown Cadillac back there. I wonder if it could be the one from last night.
01:00:38You better stay on his ass and don't lose him. I'm on him. I got him.
01:00:44You out of your fucking mind? Stay on him. I'm with him. What do you want me to do? Make miracles here?
01:00:48I got him. Don't worry. You better stay on his ass and don't lose him.
01:00:53Next time you drive, okay? I don't know what. You drive next time.
01:00:56Get him right now. Get him on the van. Don't lose him. I see him.
01:01:01Son of a bitch.
01:01:09Son of a bitch. All right, relax.
01:01:11What the hell is wrong with you? You're a**hole.
01:01:14He's gone that way. You missing your son of a bitch.
01:01:17Matthew, next time you drive.
01:01:19Hey, June.
01:01:31Hi.
01:01:32What are you doing here?
01:01:33Thought you'd be on the track.
01:01:35Oh, I just have to make a few adjustments, then I'm going out to practice.
01:01:39Who's that, your older sister?
01:01:41She's a working acquaintance. Where's Rodney?
01:01:44Up in the press room. She's expecting you.
01:01:47Thanks.
01:02:06Hi, Rodney.
01:02:07Hi, how you doing?
01:02:08This is Beverly.
01:02:09Hi, Beverly. Nice to meet you.
01:02:10Thanks for doing this for me. We need this film developed.
01:02:12Sure, no problem.
01:02:14Well, by the way, it doesn't have to be good, just fast.
01:02:17Fast. Not good. Huh. Sounds like most men I know.
01:02:20But I bet you'd be different.
01:02:22No, just get in there and call us when you're ready.
01:02:24Okay, okay.
01:02:28Look, Beverly June's out there.
01:02:30Sure can't handle that car.
01:02:34Shane was very busy.
01:02:36Anita, Stuart, Liza.
01:02:38Oh, he made the maid.
01:02:40Hey, here's one that looks a little different.
01:02:43Looks like somebody's standing in a doorway.
01:02:45I'll bet that's a picture those goons were after last night.
01:02:49Listen, can you reprint that one and just blow up the face?
01:02:51Sure, it'll take a couple minutes.
01:02:53Okay, we'll come back.
01:02:55Come on, let's go look for that red car.
01:03:11All right, we'll find this. Go on.
01:03:22Here's that blow-up you wanted.
01:03:25Well, be damned.
01:03:26Can you believe this?
01:03:28Well, we better get on this one right away.
01:03:30Thanks.
01:03:35Shit! Get those guns! Let's go!
01:03:39Let's go!
01:03:40Come on, Matthew, do we need these?
01:03:42You need them!
01:03:42What the hell are you doing with you, man?
01:04:06Come on!
01:04:06Come on!
01:04:14No one.
01:04:15Shit.
01:04:16Stay low.
01:04:17Stay low.
01:04:18Back inside.
01:04:20What's going on?
01:04:21He wanted some of them.
01:04:22Look.
01:04:23Shit.
01:04:24Stay low.
01:04:25Stay low.
01:04:26Stay low.
01:04:27Back inside.
01:04:28He wants to move out.
01:04:29Oh, my God.
01:04:32Look at him.
01:04:34Shit.
01:04:35Stay low.
01:04:36Stay low.
01:04:37Back inside.
01:04:50He's right over there.
01:04:51Come on.
01:04:52Move it.
01:04:59Goddamn piece-of-shit gun.
01:05:11Where is he?
01:05:13Shat.
01:05:14Come on, Steve.
01:05:16Let's go.
01:05:18Let's go.
01:05:20Come on.
01:05:21Come on.
01:05:22Come on.
01:05:23Come on.
01:05:25Come on.
01:05:27Come on.
01:05:28Come on.
01:05:29I'm going to nail it with a grenade.
01:05:32No!
01:05:33No, not a grenade!
01:05:34Just think for once, Matthew.
01:05:36Would you think for once?
01:05:41I'll tell you, this car is tits.
01:05:44This car is tits.
01:05:45Oh, yeah?
01:05:46Well, if that car is tits, then what are these?
01:05:50There he is, behind the car.
01:05:56Damn it!
01:05:57You just don't believe me!
01:05:58I don't believe it!
01:05:59You just got a friggin' kid!
01:06:00This son of a bitch is a madman!
01:06:02Shit!
01:06:07Hey, Bill!
01:06:08Scotty, what the hell is going on?
01:06:10Beverly's been shot behind the car!
01:06:11Get some help!
01:06:12Go!
01:06:13I gotta take your car!
01:06:14You ain't leaving without me!
01:06:15Stay out of there!
01:06:17In reverse!
01:06:18Well, don't you think I know that?
01:06:28Why are you shooting?
01:06:29He's already gunned!
01:06:30Shut your fuckin' mouth!
01:06:43Over there!
01:06:44Go!
01:06:46What are you doing, man?
01:06:47You're sick, man!
01:06:48You're really sick!
01:06:49What's up?
01:06:50Get in here!
01:06:52Free that old bastard out!
01:06:54Come on!
01:06:55Move!
01:06:56Go!
01:06:57Move!
01:06:58Do you mind this thing?
01:06:59Yeah!
01:07:00Come on!
01:07:03Don't fool around!
01:07:04Oh, wow, Cody!
01:07:08Go for it!
01:07:10Okay, old man!
01:07:11Don't fool around!
01:07:12You do what I tell you, I'll blow your head off!
01:07:13Oh, okay!
01:07:14Okay!
01:07:15I'll do it!
01:07:16I'll do it!
01:07:17You're crazy, man!
01:07:18Who can fly this helicopter you blow his head off?
01:07:19I wanna go that way!
01:07:20Now!
01:07:21I wanna find that race car!
01:07:22Understand that?
01:07:23Who can fly this helicopter you blow his head off?
01:07:24I love me!
01:07:25What's the matter, Mom?
01:07:26You scared?
01:07:27Up yours!
01:07:28I don't wanna hear it!
01:07:29There it is, over there!
01:07:31Again, I gotta go!
01:07:32You're crazy, man!
01:07:33Who can fly this helicopter you blew his head off?
01:07:34How's it going to fly this helicopter you blow his head off?
01:07:35I wanna go that way!
01:07:36SLIDE!
01:07:37I wanna find that race car!
01:07:38Ooooooh!
01:07:39I understand that?!
01:07:40I love me!
01:07:43What's the matter, Mom?
01:07:44I'm scared?
01:07:45I'm yours!
01:07:46I don't wanna hear it!
01:07:47There it is over there!
01:07:48I'm scared!
01:07:49Yeah!
01:07:50He really turns me on.
01:07:56What?
01:08:07Come on, don't you want to play around a little?
01:08:10No, I want to be waiting for those guys.
01:08:12They've already shot Beverly.
01:08:13They're after us now.
01:08:14I don't care about Beverly.
01:08:15Don't you want to play with me?
01:08:17I care about us.
01:08:18Jesus, let me put those things away.
01:08:21Look what he's making it do.
01:08:22That's disgusting.
01:08:23Blow them away.
01:08:24I can't.
01:08:25All I see is kids.
01:08:26You don't understand it.
01:08:27Guys are playing for kids.
01:08:28Why, you're not going fast.
01:08:30I'm doing 180 miles an hour.
01:08:32That's nothing.
01:08:34Get your head down.
01:08:35I can't see the road.
01:08:36I'll get it down.
01:08:37You're not getting it down, all right?
01:08:39Now, come on, out of my way.
01:08:40I'll get down if you'd let me.
01:08:42What about these?
01:08:43Don't they look fun?
01:08:44Please, no, come on.
01:08:46Please, all I want later, okay?
01:08:48If we get out of this alive, please, I promise you the time of your life.
01:08:51I want it now.
01:08:53I can't believe this is happening to me.
01:08:56June, I've got to lose these guys.
01:08:57June, come on.
01:09:00I don't believe it.
01:09:01Total rejection.
01:09:02Listen, any other time, baby.
01:09:04Just put them on ice.
01:09:04What are these guys doing up there anyway?
01:09:06They're trying to shoot us.
01:09:08That's what they're doing.
01:09:10Matt, tell them to pull up a little closer.
01:09:12I'll get a shot off.
01:09:13Blow out his tires.
01:09:13Hey, you guys, you want to pull around?
01:09:20Say hello to these kids.
01:09:21Oh, my God, he's got a gun.
01:09:23I've been telling you that.
01:09:25Lord, Cody, step on it.
01:09:27Faster, faster.
01:09:29Pull away.
01:09:29We'll circle around him and we'll land on the highway.
01:09:32Then his ass will be out.
01:09:33Pull away.
01:10:01Take it over that mountain, you bastard!
01:10:13Holy shit!
01:10:17Alan, that must be one of those new turbos!
01:10:31All right, put this thing down, now!
01:10:39Okay, okay, I'll do it, don't you!
01:10:45Leave it in the middle of the road!
01:10:47I'll be here!
01:10:53Where the fuck are you going?
01:10:55Yo!
01:10:57We're going, what are you doing?
01:10:59Man, you're crazy, man, what are you doing?
01:11:01Come on down!
01:11:02What are you doing, man?
01:11:03What are you doing, man?
01:11:04I hope you ever make a heart attack!
01:11:07Look out, man!
01:11:08Shit!
01:11:09Put this fucking thing down, now!
01:11:11Look out!
01:11:12Oh, my God!
01:11:13Watch it!
01:11:19Oh, my God!
01:11:20Come or die!
01:11:27I told that meathead to cool it with those live grenades!
01:11:36Out of gas!
01:11:37Out of road!
01:11:38Shit out of luck!
01:11:39Damn it!
01:11:40Hey, Luke!
01:11:41Let's get that turkey with the broad!
01:11:42Come on!
01:11:43All right!
01:11:44Come on!
01:11:45Go!
01:11:46Go!
01:11:47Hundred thousand dollars!
01:11:48You think they could have doors?
01:11:49There come the other two!
01:11:50Come on!
01:11:51Let's go, come on!
01:11:52Get down!
01:11:53That cannon he's got?
01:11:54What is that?
01:11:55It's a 44!
01:11:56Move out!
01:11:57Come on!
01:11:58Wait a minute.
01:11:59Let's not kill him!
01:12:00Let's just wing him!
01:12:01Let's just wing him and break his ass in half!
01:12:02All right!
01:12:03Come on, Connie!
01:12:04Let's go!
01:12:05Let's go!
01:12:0644.
01:12:09Move out, come on.
01:12:11Wait a minute, let's not kill him.
01:12:12Let's not kill him, let's not kill him.
01:12:13Let's just wing him, let's just wing him
01:12:14and break his ass in half.
01:12:15All right.
01:12:16Come on, Connie, let's go!
01:12:27Come on!
01:12:32Stay there, over there.
01:12:33Where, where?
01:12:36Come on!
01:12:37Get down!
01:12:38Get down!
01:12:39Get down!
01:12:40Come on, Connie, I'm gonna kill you!
01:12:42Come on, come on!
01:12:43Go away, go away.
01:12:44Hey!
01:12:45Oh my God, we gotta make it!
01:12:46I'm getting down!
01:12:47Tony, get off of me!
01:12:49I'm getting hit!
01:12:50Oh!
01:12:51Oh!
01:12:52Oh!
01:12:53Oh my God!
01:12:54We gotta make it!
01:12:55I'm getting down!
01:12:56Tony, get off of me!
01:12:57I'm getting hit!
01:12:58Oh!
01:12:59Oh my God!
01:13:00I got it!
01:13:01I got it!
01:13:02Oh!
01:13:03Oh!
01:13:04Oh!
01:13:05We're in big trouble.
01:13:06No shit, Kimo Sabe!
01:13:07You don't understand?
01:13:08I only have one bullet left, and I've never hit a moving target in my life.
01:13:12Here he comes.
01:13:13Hey, look at these!
01:13:14Yeah.
01:13:15Yeah.
01:13:16There he is!
01:13:17There he is!
01:13:18There he is!
01:13:19There he is!
01:13:20There he is!
01:13:21Ah!
01:13:22Ah!
01:13:23Ah!
01:13:24Ah!
01:13:25Ah!
01:13:26Ah!
01:13:27Ah!
01:13:28Ah!
01:13:29Ah!
01:13:30Ah!
01:13:31Ah!
01:13:32Ah!
01:13:33Ah!
01:13:34Ah!
01:13:35Ah!
01:13:36Ah!
01:13:37Ah!
01:13:38Ah!
01:13:39Ah!
01:13:40Ah!
01:13:41Ah!
01:13:42Ah!
01:13:43Ah!
01:13:44Ah!
01:13:45Ah!
01:13:46Ah!
01:13:47Ah!
01:13:48Ah!
01:13:49Ah!
01:13:50Ah!
01:13:51Before I get his gun, I just winged him.
01:14:00I know what you're thinking.
01:14:01Did I shoot five or I shoot six, huh?
01:14:03Go for it, punk.
01:14:05Don't see me.
01:14:10Ha-ha.
01:14:11You know this one's loaded.
01:14:17They were beautiful.
01:14:19All right, look.
01:14:20Don't send somebody back for you and your buddy.
01:14:23You son of a bitch.
01:14:25Come on.
01:14:26Come on.
01:14:26Easy.
01:14:28All right, watch my side.
01:14:29Slow, man, slow.
01:14:31Damn it.
01:14:35Well, those guys won't need these guns anymore.
01:14:39I'll tell you one thing.
01:14:41June's gorgeous front porch really saved our ass.
01:14:48Here comes a mobile home.
01:14:50We've got to stop.
01:14:53How are we going to stop this thing?
01:14:54Oh, mercy.
01:14:55I'm going to stop for this, Ellen.
01:14:58I guess we must be near Hollywood.
01:15:03Can we get a ride in Palm Springs, please?
01:15:06What do you think, honey?
01:15:08You sure can.
01:15:10Bring the young lady with you, too, please.
01:15:11Please.
01:15:14Yeah.
01:15:14Y'all come right in.
01:15:24God bless you, sir.
01:15:26God certainly blessed you, ma'am.
01:15:31Well, buckle up.
01:15:32Here we go.
01:15:32Here we go.
01:15:32Thanks a lot.
01:15:50Okay, look.
01:15:52You're going back to Hollywood Springs, right?
01:15:54Give this to Beverly when you get there.
01:15:55Here.
01:15:56Go to that general store down there.
01:15:58See if you can't pick me up a box of these.
01:16:00Hollow tips.
01:16:01All right?
01:16:01A whole box.
01:16:03Can I go with you?
01:16:04You and those were marvelous today, but I've got to go in a room for her, okay?
01:16:09Go get me those shells now.
01:16:19Hello?
01:16:20Yeah, she's here.
01:16:22Beverly, it's for you.
01:16:23Is that you, Cody?
01:16:26Yeah.
01:16:26No, I'll be okay.
01:16:27Where are you?
01:16:30No, Cody.
01:16:31Cody, wait.
01:16:33What?
01:16:34Just wait for me to bring some backup, please.
01:16:36Just wait for me to bring some backup, please.
01:17:04A little gift from Shane before he got knocked off.
01:17:08What do you think, Liza?
01:17:09I don't like it.
01:17:10Or your despicable friends.
01:17:12How dare you get me involved in this?
01:17:14I invest in your company, and you show me films of the jerk chauffeur making out with
01:17:18Anita?
01:17:19What the hell is this all about, anyway?
01:17:21All right, everybody, this party's over.
01:17:33Now move out!
01:17:35Now!
01:17:38You and you stay.
01:17:39What the fuck do you think you're doing?
01:17:41This is my home, and these are my clients.
01:17:44How dare you break in here?
01:17:46Sit down!
01:17:50Why?
01:17:52Why what?
01:17:53Why'd you kill Shane?
01:17:54I didn't kill anybody.
01:17:56You killed Shane.
01:17:57You don't have to listen to any of this.
01:18:00You don't like you very much.
01:18:03So you'd be doing real good just to sit there and be a good old boy.
01:18:06Now shut up!
01:18:07The night of the party, you went into Shane's room.
01:18:13You not only stabbed him, but then you shot him.
01:18:16And then you made it look like your brother Stuart did it.
01:18:18You have no evidence.
01:18:24This photo says I do.
01:18:28What the hell is going on here?
01:18:30Lieutenant, just in turn.
01:18:32Beverly, sure is good to see you up and around.
01:18:34It's hard to keep a good calm down.
01:18:37Do you want to explain this to me, Cody?
01:18:39I think you'll find this quite interesting, Lieutenant.
01:18:42Our little lady here.
01:18:45How is he?
01:18:47Damn you, Cody!
01:18:48What are you doing?
01:18:49Would you get this off of me?
01:18:51I'll be down.
01:18:53Here.
01:18:54Take a look at this.
01:18:57Both Liza and Jonathan were arrested.
01:18:59Case closed, right?
01:19:01Not so.
01:19:02I'd made a mistake.
01:19:03The next morning, I invited everyone involved to meet me on my boat.
01:19:07Oh, damn.
01:19:08Not them again.
01:19:09We're going to get you your pink slip this time, boy.
01:19:12Okay, look.
01:19:13I feel it's only fair to warn you, though.
01:19:16This is my daddy's car.
01:19:17He's got it all gussied up with power.
01:19:18We got your gussied up.
01:19:20My son here is a mechanical genius.
01:19:22Listen, we got a car just waiting for you over at the racetrack.
01:19:26Racetrack?
01:19:27Are you guys serious?
01:19:28Well, hey, daddy, just a little old Camaro ain't nothing special.
01:19:31That's right.
01:19:32Once again, you're going to eat our dust.
01:19:34I try.
01:19:35By all means, then.
01:19:37Lead the way.
01:19:38Follow us.
01:19:38Follow us.
01:19:39Come on.
01:19:39Follow us.
01:20:09First thing we're going to do is go coat his doors off, then I'm going to buy you a big chili and tamale breakfast.
01:20:21I don't eat that stuff, man. I want some flea mignon, cheese, and some champagne.
01:20:25Whatever you say to me, man. What the hell did he say?
01:20:29Oh, no.
01:20:30Here, let's line this thing up.
01:20:32Line him up.
01:20:33Come on, come on.
01:20:33Come on, come on, come on.
01:20:35Come on, come on.
01:20:37Come on, come on.
01:20:39Wait a minute.
01:20:43Get in the car over here, boy.
01:20:45Get in the car.
01:20:46Be safe now. Put on your seatbelt.
01:20:48Come on, come on.
01:20:58Come on, boy.
01:21:09What does that mean right there?
01:21:24What does that mean right there?
01:21:28Come on, boy.
01:21:45Come on.
01:21:49Oh
01:22:19My daddy would want you to have this.
01:22:28What did you get me, daddy?
01:22:30It's a god's damn silver bullet.
01:22:33You son of a gun!
01:22:37Hey, wait, come back to God!
01:22:44Sally's phone and lip service may help you?
01:22:47Yeah, babe, it's Cody.
01:22:49I just won my rocket race.
01:22:51Oh, Cody, it's you.
01:22:53I love rockets.
01:22:56I've seen your rocket, it's big and beautiful.
01:23:00Sally, listen, what about those people I had you line up to meet me on the boat in a little while?
01:23:03I've called them.
01:23:05Cody, what's your ETA?
01:23:09I'm on my way there now.
01:23:10I would like to propose a toast to a young lady that we're all very happy to have with us here today.
01:23:21Liza, would you come out here?
01:23:22Do you believe this, Beverly?
01:23:24We just arrested her last night.
01:23:25Lieutenant, what's it?
01:23:25What the hell is she doing here?
01:23:27We all know Liza.
01:23:28Certainly, Lieutenant and Beverly know Douglas F. Wilton, former district attorney and now high-ranking government official.
01:23:35And chairman of my daddy's yacht club committee.
01:23:40All right, boys and girls, ladies and gentlemen, get comfortable and let me explain it to you.
01:23:44I'd been up all night long at the CIA building with Douglas Wilton.
01:23:49By nine this morning, we'd gotten Liza released from jail.
01:23:53But three hours earlier, around six this morning, I was coming back from Willow Springs where I'd gone to pick up my car.
01:23:59On the way back to my boat, I needed a cup of coffee.
01:24:02Damn, if I didn't run into Peggy, one of the pretty girls from the health club.
01:24:05Hi, Cody.
01:24:07Peggy.
01:24:08How are you?
01:24:09I can't complain.
01:24:11Coming to the gym today?
01:24:12No, not today, pretty lady.
01:24:14Been up all night working.
01:24:16Oh, I can get a big picture of that.
01:24:19Picture.
01:24:20Picture.
01:24:22That's it.
01:24:23That was the key.
01:24:25I had it all the time, right in front of me in black and white.
01:24:28I've been chased so hard by those three animals, I never really studied it.
01:24:31I thought it was Liza.
01:24:33This picture isn't Liza.
01:24:35How did you know it wasn't me?
01:24:37Well, it didn't hit me for a while.
01:24:39We all know that you're left-handed.
01:24:41Everything you do is with your left hand.
01:24:43Shane's drawer was pried open by a right-handed person.
01:24:47You could tell by the scratches.
01:24:48The killer in the picture Shane took was holding the gun in the right hand.
01:24:53Well, it couldn't have been you, Liza.
01:24:54You ain't right-handed.
01:24:55But if it wasn't me, and it wasn't Stuart, who did kill Shane?
01:25:00I knew it had to be a woman, because the height of the killer in the photo, and all the guys
01:25:05around here are over six feet tall.
01:25:08Couldn't have been the maid, because I don't think she's smart enough to disguise herself.
01:25:12Anita was too drunk.
01:25:15Lady Lillian had her leg in a cast.
01:25:17The only one left was Luciana.
01:25:20Luciana?
01:25:21But I thought she was with you.
01:25:23So did I.
01:25:26After I left Peggy at the coffee shop, I went straight to Contessa Luciana's house.
01:25:31I figured that since she'd left town, I'd have to break in.
01:25:34But I didn't know it would be this easy.
01:25:36She'd left me a key and a note telling me to go on in.
01:25:39I went on in.
01:25:40Found another note telling me to play a tape recorder.
01:25:42This lady was way ahead of me.
01:25:46Cody, by the time you hear this, I'll be in Hawaii.
01:25:49I knew you wouldn't let an innocent person go to jail.
01:25:52I did leave you some obvious clues, and I knew your analytical mind would eventually find them all.
01:25:58I remembered the first time we made love.
01:26:00You were thirsty afterward.
01:26:02So the next time we made love, at the Chamberlain house, after the party,
01:26:06it was easy for me to give you a sleeping powder.
01:26:08Then I went downstairs to Shane's room and killed him.
01:26:12I disguised myself as Liza in case I was spotted.
01:26:16Shane took a picture of me before he died.
01:26:18I purposely pried open his drawer from the right side.
01:26:21Then I intentionally took the wrong camera.
01:26:24I counted on you to figure out that the person in the picture was not Liza.
01:26:28Shane was about to ruin the lives of people I love.
01:26:31He was also a traitor and a threat to our national defense.
01:26:34He was Jonathan Harper's courier to the Russians.
01:26:38I'm not just another pretty face.
01:26:40Of course you will keep it confidential that I work for the government, specifically Douglas Wilton.
01:26:45Douglas and I planned Shane's elimination.
01:26:48Well, there are some things I can't tell you.
01:26:51But Luciano was investigating Jonathan Harper.
01:26:55Shane worked for Harper.
01:26:56They were selling computer secrets to the Russians.
01:26:59No one had been able to catch them.
01:27:01Shane's murder brought in the police.
01:27:03The federal agents needed to do this to conceal their involvement.
01:27:07The police, well, they promptly arrested Stuart by mistake.
01:27:11Did Luciano send me those awful pictures?
01:27:14And why?
01:27:15Well, to throw the blame on Stuart.
01:27:17I knew the pictures I sent of Shane with Anita,
01:27:20plus the pictures the police found of Shane with Stuart,
01:27:23would make Stuart the prime murder suspect
01:27:24and allow me time to get out of town.
01:27:27Lift the red cloth and you will see how I disguised myself as Liza.
01:27:32As you know, I'm an artist.
01:27:34I was able to make a mask similar to this one
01:27:36and wear it the night I killed Shane.
01:27:38It will melt in a matter of seconds.
01:27:41There will be no evidence,
01:27:42except for your eyes only.
01:27:44As I mentioned, I'm in Hawaii.
01:27:48Two things are clear to me.
01:27:50One, I had you figured correctly.
01:27:54You're not only a very attractive man,
01:27:56but an intelligent one also.
01:27:59And two, that you would help us get rid of Jonathan Harper.
01:28:04As soon as you can wrap up the situation,
01:28:07I want you and your body over here.
01:28:11I can't wait.
01:28:12I'm counting the days.
01:28:18Ciao, Cody.
01:28:20Mi amore.
01:28:28Oh, my.
01:28:32You see, Jonathan was convinced that Liza killed Shane
01:28:36because of the information he got from Maid Marian.
01:28:39He sent those two outlaws to the Chamberlain Beach House
01:28:41and then the three stooges to my boat in the racetrack
01:28:44to try to kill me and get back the film.
01:28:47He wanted to protect Liza and her money.
01:28:50The funny thing is,
01:28:51if he had gotten a hold of that film,
01:28:53he would have blackmailed her for the rest of her life.
01:28:56Greed is such an awful thing.
01:28:59Between murder, blackmail,
01:29:01and selling computer secrets to our enemies.
01:29:04I think Jonathan's going to be put away for a long, long time.
01:29:07I do wish Luciana hadn't killed Shane.
01:29:10It's such an inconvenience.
01:29:13Good help is so very hard to find, you know.
01:29:16Except where you're concerned, Cody.
01:29:18You're just a wonderful cowboy.
01:29:21Why, you'd help any woman in distress, wouldn't you?
01:29:24The bright lights of L.A.
01:29:29He made a lot of ladies cry
01:29:33When he told them goodbye
01:29:37And headed out across the Lone Star State
01:29:42Then he turned out to be a believer
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