- 2 hours ago
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Short filmTranscript
00:00:00Hey, I've got a certified parcel for Mrs. Johnny Farrow.
00:00:23No, it's from Mexico.
00:00:27Veracruz, can you sign for it?
00:00:32Si.
00:00:38Gracias. Gracias.
00:00:40Si.
00:00:57What do you say, Mrs. Farrow? Hi. How are you doing, Lily?
00:01:12Double coupon day.
00:01:15I've got ones for everything.
00:01:17Mommy, I want this.
00:01:20Honey, we can't get the bike.
00:01:22Please.
00:01:23Did I say no?
00:01:24I want it.
00:01:25Put it back.
00:01:26Mommy.
00:01:27Okay, that comes to $38.26.
00:01:30$38.26.
00:01:32Could I have 20 more?
00:01:37Yeah, sure.
00:01:47Thanks.
00:01:48Oh, I see Mr. Farrow's back, huh?
00:01:50.
00:01:51He walked around the darkness.
00:01:55He looked very high.
00:02:01.
00:02:03.
00:02:08I don't know.
00:02:38Percy, something's happened.
00:02:40We're ten minutes late.
00:02:42What are you doing here?
00:02:44Senor Aparo.
00:02:45Why aren't you at work?
00:02:47He's trying to tell you something, honey.
00:02:48I don't want to know.
00:02:49It's the Senor Johnny.
00:02:51The mail's certified from Veracruz.
00:02:53It's him.
00:02:54I said I don't want to know.
00:02:57Take it.
00:02:59You have to take it.
00:03:02Okay, I took it.
00:03:04We forgot the TV.
00:03:05Alexandria, don't get your brother.
00:03:13I'll tell you daddy when he gets home.
00:03:26Mommy, I want a cookie.
00:03:27Mommy, I want a cookie.
00:03:28You have her cookie, will you, Marge?
00:03:29Sure, honey.
00:03:37Get out!
00:03:39Get out!
00:03:39I remember the day he lost his teeth.
00:04:02Some big old tool.
00:04:04Pusher Blast just works at me in a joint in Louisiana.
00:04:08Johnny took a poke at him.
00:04:10It's a pretty brave thing to do, too.
00:04:13Guy was twice his size.
00:04:16Marge, Marge, where you at?
00:04:19Stanley, I don't know about any of this.
00:04:21I better stop him coming in here.
00:04:23You gonna be okay?
00:04:24I'll be right back.
00:04:39I gotta do something to help her.
00:04:54You gonna take that first.
00:04:56You gonna get one like in bed?
00:04:56I'll rub this off.
00:04:57Number two so long.
00:04:58And that's a great question.
00:05:00Go ahead.
00:05:00Go ahead.
00:05:01Go ahead, Nicole.
00:05:02Hunter.
00:05:03Go ahead.
00:05:04Nicole, whoa.
00:05:04He's got everybody.
00:05:13Go ahead.
00:05:13Go ahead.
00:05:14Quickly.
00:05:15Go.
00:05:16Go ahead.
00:05:17Go ahead.
00:05:17Go ahead.
00:05:19Go ahead.
00:05:20Go ahead.
00:05:21Go ahead.
00:05:22Go ahead.
00:05:22Go ahead.
00:06:23Oh, what am I supposed to do now, Johnny, drown the kids and shoot myself?
00:06:30Oh, what am I supposed to do now?
00:06:31Oh, what am I supposed to do now?
00:06:35Oh, what am I supposed to do now?
00:06:39Oh, what am I supposed to do now?
00:06:42Oh, I should have been waiting for you now.
00:06:47Pluto?
00:06:49Ay, carajo!
00:07:09Hermes?
00:07:11Ay! SeƱora Faro!
00:07:13What are you looking for?
00:07:15The band phone. Say they come
00:07:17maƱana para inventory.
00:07:27I'd like to see the books. Let me see the books.
00:07:39Where are his accounts due?
00:07:41SeƱora?
00:07:42Who owes him money?
00:07:44To me, somebody must owe him money.
00:07:49Bills!
00:07:50Oh, bills!
00:07:51She hasn't paid any of these?
00:07:53No, senora.
00:07:57None of them.
00:07:59None of them.
00:08:00None of them.
00:08:05Here you are, Niall. Thank you very much.
00:08:07Here you are, Niall. Thank you very much.
00:08:13I'm gonna take these, and I'll give you 65.
00:08:1585.
00:08:19They're not worth it, Mrs. Faro. No Roger Maris, no Mickey Mantle. All good ones are gone.
00:08:23Seventy-five.
00:08:25Seventy-five.
00:08:26Seventy-five.
00:08:27Seventy-five.
00:08:29Seventy-five.
00:08:30Seventy-five.
00:08:31They're not worth it, Mrs. Faro.
00:08:33I'll take it.
00:08:34I'll be back in a couple of days.
00:08:35There's food in the house, and here's $40 more.
00:08:36Just in case.
00:08:37If there's any problem, you go to Marge Swimmer's house, okay?
00:08:38Si, si, senora.
00:08:39I gotta go now.
00:08:40I gotta go see if her daddy gets buried, right?
00:08:41See if it's the same thing, eh?
00:08:42I'll be back in a couple of days.
00:08:43There's food in the house, and here's $40 more.
00:08:45Just in case.
00:08:46If there's any problem, you go to Marge Swimmer's house, okay?
00:08:47Si, si, senora.
00:08:48I gotta go now.
00:08:49I gotta go see if her daddy gets buried, right?
00:08:50See if it's the same thing, eh?
00:08:51I'll go her the money.
00:08:52Ruka care of you, okay?
00:08:53Oh, gosh.
00:08:54Mama loves you.
00:08:55I love you.
00:08:56Bye, Mommy.
00:08:57Bye.
00:09:08I never thought twice about going down to Mexico.
00:09:11My friends said, he's no good to you alive.
00:09:13He ain't gonna do you no good when he's dead.
00:09:15But they never did think a lot of Johnny.
00:09:18They said being married to Johnny Farrell was like a ride in a car with no brakes.
00:09:22I said, ladies, I like the ride.
00:09:25I was wild about Johnny.
00:09:40The day I met him, I stopped looking for anyone else.
00:09:43I'm sure he was a fool with his money.
00:09:46He was like a big kid.
00:09:48Couldn't go to sleep at night till he spent his last dime.
00:09:52But I married him anyway.
00:09:54Never thought twice about that.
00:10:24You have to look.
00:10:25Yes, ma'am.
00:10:26Yes, ma'am.
00:10:27It's necessary.
00:10:28Oh.
00:10:29Burned very, very bad.
00:10:30Hip to toe.
00:10:31The teeth, ma'am.
00:10:32You got the teeth.
00:10:33Yes, I got the teeth.
00:10:34For you, with my all sympathy.
00:10:41Lupe!
00:10:42SeƱora!
00:10:43Is everything all right?
00:10:44Yes, I got the teeth.
00:10:45Yes, I got the teeth.
00:10:46For you, with my all sympathy.
00:10:51Lupe!
00:10:52SeƱora!
00:10:53Is everything all right?
00:10:54Yes, I got the teeth.
00:10:55I got the teeth.
00:10:56I got the teeth.
00:10:57I got the teeth.
00:10:58I got the teeth.
00:10:59I got the teeth.
00:11:00I got the teeth.
00:11:01Oh, I got the teeth.
00:11:02I got the teeth.
00:11:03Lupe!
00:11:04How are my babies?
00:11:05They're good.
00:11:06You want to talk to them?
00:11:07What?
00:11:08What?
00:11:09SeƱora Bessie.
00:11:10Bueno!
00:11:15Oh, what?
00:11:24Oh, shit!
00:11:25Oh, shit!
00:11:26Don't matter.
00:11:27Pardon, seƱorita.
00:11:28Disculpe.
00:11:29I'm really sorry about that.
00:11:30You got me and my big feet.
00:11:32You speak English?
00:11:34Well, after a fashion, yeah.
00:11:37And it looks like I owe you a new pair of sandals.
00:11:42Oh, no.
00:11:43These could be repaired.
00:11:44They're brand new.
00:11:46Okay.
00:11:47Well, I know just the man who could fix it.
00:11:49And come on, we better pay for calls.
00:11:56Feed the World.
00:11:57Pardon?
00:11:58It's a relief organization called Feed the World.
00:12:02We send food, grain mostly, to Somalia, to Zidane.
00:12:06I arrange the shipments, help raise money, whatever I can.
00:12:10What about yourself?
00:12:11What are you doing down here?
00:12:13I need to find a place to stay.
00:12:15Well, I can help you do that.
00:12:16Nothing fancy.
00:12:18Sure.
00:12:19Ya esta.
00:12:20Finito, seƱor.
00:12:21Cinco mil pesos.
00:12:22Cinco.
00:12:23It's right here.
00:12:24This is the place.
00:12:26This place is old, but it's comfortable.
00:12:28You'll be okay here.
00:12:29I've stayed here a couple of times myself.
00:12:30It's so stinky.
00:12:31I just don't understand.
00:12:32I just don't understand.
00:12:33Una recamera chica, por favor.
00:12:34Una buena recamera con vista a la plaza, para seƱorita.
00:12:35Si, si.
00:12:36I don't need a few early days.
00:12:37Twenty dollars.
00:12:38Twenty dollars.
00:12:39So what's your name?
00:12:40For the register.
00:12:41Fessy.
00:12:42Faro.
00:12:43One hour or two?
00:12:44Uh, F.A.R.R.R.R.R.R.R.R.R.R.R.R.R.R.R.R.R.,
00:12:45Mrs. or Miss?
00:12:46Mrs.
00:12:47Sir.
00:12:48Oh, no.
00:12:49I don't need a few early days.
00:12:50I don't need a few early days.
00:12:51Twenty dollars.
00:12:52So what's your name?
00:12:53For the register.
00:12:54Fessy.
00:12:55Faro.
00:12:56One R or two?
00:12:57Uh, F.A.R.R.R.R.R.R.R.R.R.R.R.R.R.R.R.R.R.R.R.
00:13:10Mrs. Or Miss?
00:13:11Mrs.
00:13:15I think that's Dr. Ram over there.
00:13:18What do you think?
00:13:19Take a look.
00:13:20Do you?
00:13:22Yes, right.
00:13:28Thanks.
00:13:30Bergus.
00:13:31Bergus.
00:13:32It's Irish.
00:13:33Oh.
00:13:34Oh, my granddaddy was Irish on my mother's side.
00:13:37Yeah, he was a real big talker, too.
00:13:40Oh.
00:13:41It's okay.
00:13:42What?
00:13:43It's okay.
00:13:46Um, I'm sorry for your trouble.
00:13:49My husband.
00:13:57Dr. Lamb?
00:13:59Oh, no.
00:14:00Is that you?
00:14:02Oh, it is you, isn't it?
00:14:06How are you?
00:14:07I was just saying to Ms. Halverson, that's Dr. Lamb.
00:14:09Oh, they're all here.
00:14:10I'm sure of it.
00:14:13We were in the audience Saturday night.
00:14:15Oh, I know.
00:14:16We can be of any help in any way we can.
00:14:19Blessed by being there, you are.
00:14:20Oh!
00:14:21Oh!
00:14:22Oh!
00:14:27Oh!
00:14:28Oh!
00:14:29Oh!
00:14:30Oh!
00:14:31Oh!
00:14:32Oh!
00:14:33Oh!
00:14:34Oh!
00:14:35Oh!
00:14:36Oh!
00:14:37Oh!
00:14:38Oh!
00:14:39Oh!
00:14:40Oh!
00:14:41Oh!
00:14:42Oh!
00:14:43Oh!
00:14:44You know she was going to take off, senorita, but she got away from him!
00:14:48The gasolina, erm, she...
00:14:50I'm woof!
00:15:04What are you doing?
00:15:07Why are you taking my picture?
00:15:09For you, for me.
00:15:19For you, for me.
00:15:49For you, for me.
00:16:19For me.
00:16:20For me.
00:16:21For me.
00:16:22For me.
00:16:27Somebody break in.
00:16:29There must be something left somewhere.
00:16:44Feed the world.
00:16:51He always called me Hermes.
00:16:54Hermes.
00:16:55Hermes.
00:16:56That's a very nice name.
00:16:58Si.
00:16:59Hermes.
00:17:00Hermes!
00:17:01What are you doing?
00:17:02Ah, Senora Faro.
00:17:03What are you looking for?
00:17:04The band phone.
00:17:05They say they come maƱana par inventory.
00:17:06Hermes.
00:17:07Hermes.
00:17:08Hermes.
00:17:09Hermes.
00:17:10Hermes.
00:17:11Hermes.
00:17:12Hermes.
00:17:13Hermes.
00:17:14Hermes.
00:17:15Hermes.
00:17:16Hermes.
00:17:17Hermes.
00:17:18Hermes.
00:17:19Hermes.
00:17:20Hermes.
00:17:21Hermes.
00:17:22Hermes.
00:17:23Hermes.
00:17:24Hermes.
00:17:25Hermes.
00:17:26Hermes.
00:17:27Hermes.
00:17:28Hermes.
00:17:29Hermes.
00:17:30Hermes.
00:17:31Hermes.
00:17:32Homes.
00:17:33You found something, senorita?
00:17:34How?
00:17:35Maybe I helped you.
00:17:36Why?
00:17:43Carajo.
00:17:53EscĆŗļæ½rockless.
00:17:54Ā”ElēŖēŗ!
00:17:57Ā”Se la van a pagar! Ā”SĆ”guense!
00:18:27Ā”Se la van a pagar!
00:18:57Ā”Se la van a pagar!
00:19:27Ā”Se la van a pagar!
00:19:29Ā”Muyla Cepeda!
00:19:33Papas, Seguilen, Thompson, Haddox, Nelson.
00:19:37Must be a code.
00:19:55B.C. Cortez.
00:20:03Cortez.
00:20:16B.C. Cortez.
00:20:18B.C. Cortez.
00:20:22B.C. Cortez.
00:20:28B.C. Cortez.
00:20:32B.C. Cortez.
00:20:34I recognize Johnny's way of marking his horses at the racetrack.
00:20:55Circle the first, draw a box around the second, put an X beside the third, and a double X
00:21:02by the fourth, 48, 48, okay, 287, 726, um, I'd like to make a withdrawal,
00:21:32Firmelo.
00:21:34What?
00:21:35Mmm, the sign at the sign at the, sign at the.
00:21:43Oh.
00:22:02It's all right.
00:22:09Oh.
00:22:10No es correcta.
00:22:16No estĆ” correcta la firma.
00:22:22I'm sorry.
00:22:23Okay, okay.
00:22:24What did I do wrong?
00:22:2948, 48, that's the same, 287, 726, it's the same.
00:22:44Of course.
00:22:45Oh.
00:22:46Oh.
00:22:47Oh.
00:22:485.
00:22:495.
00:22:505.
00:22:5127, seven Tuesdays, it's the same.
00:23:02Of course.
00:23:2115, seven, six, 50 pesos.
00:23:45No, I had to go.
00:23:51MamĆ”, mamĆ”, me dio nada.
00:23:53MamĆ”, mamĆ”, ven, ven.
00:24:05Achoo.
00:24:06Claro que yo tambiƩn puedo.
00:24:07Ahora, ahora, ahora. FĆjate.
00:24:10Yuck.
00:24:12Alejandra.
00:24:13No.
00:24:16I'm home.
00:24:18Mom.
00:24:19No, no, no.
00:24:21MamĆ”.
00:24:23MamĆ”.
00:24:24No, mamĆ”.
00:24:26No me lo sƩ.
00:24:27El bebƩ.
00:24:28Okay, first a circle.
00:24:58Just 26, Panama, then the box, 1448, 1448, 1448, first National Bank Panama.
00:25:28X followed by double X.
00:25:46Oh, God.
00:25:48What you need is called a durable power of attorney.
00:25:52A durable power of attorney.
00:25:54I got the forms right here.
00:25:57Morning, March.
00:25:59Continental from Houston.
00:26:00Now, you tell me the names of all the baseball players.
00:26:08And once I put my notary seal on here, you shouldn't have any problem at all.
00:26:13Now, you give one of these forms here, plus your withdrawal notice to the bank, and they'll give you exactly what you want.
00:26:19I'm not going to be gone long, but I got to go, baby, on account of your daddy.
00:26:38I got to run around the bases.
00:26:40But I promise you this, when I get back, everything's going to be brand new.
00:26:49We'll get ourselves a big old house on the hill.
00:26:58Someplace where the sky doesn't range yet for y'all on the roses.
00:27:01I'm not going to sit down.
00:27:23I'd like to close this account.
00:27:28Here's my power of attorney.
00:27:51My dear.
00:27:58There it is.
00:28:07It's more up, it's further.
00:28:09And from here, from the Bojama.
00:28:28We must sign here to close the account formula.
00:28:58Seven hundred and fifteen marks.
00:29:04Vielen Dank, liebe Frau.
00:29:11That's it?
00:29:13Ja, bitte.
00:29:15Four hundred and eight dollars is no more?
00:29:23These checks were recently paid.
00:29:26These checks paid out to ETK Technique in East Berlin.
00:29:35Could I have copies, please?
00:29:39Yes.
00:30:19I know what I should have done.
00:30:25I should have been riding to the airport instead of into East Berlin.
00:30:29I mean, I'd already sent home more money than I knew how to spend.
00:30:32But I wanted to know what Johnny had bought for his money.
00:30:49Do you speak English?
00:30:56Of course.
00:30:57I'd like to speak with the manager, please.
00:31:07What is your name, please?
00:31:10Mrs. Daniel.
00:31:11Oh, my God.
00:31:41Fomuller.
00:31:45Sorry.
00:31:49I believe you've done business with my husband.
00:31:51Oh.
00:31:53You must forgive me, Fomuller.
00:31:55Fomuller never said that.
00:31:57Have you seen much of him either?
00:31:59Fomuller's a very good friend of EDK.
00:32:02Very, very good customer.
00:32:05And what kind of business would that be, Mr. Gartner?
00:32:10Why?
00:32:12Ink.
00:32:13Ink?
00:32:14Ink.
00:32:16We make ink for ballpoint pens.
00:32:19That's all, just ink?
00:32:2334,000 marks, 25,000 marks, and look.
00:32:27Look here, here's another one for 15.
00:32:29That's a lot of ink.
00:32:34Ink formula.
00:32:36Ink is the lifeblood of a civilization.
00:32:45Good point.
00:32:50Thanks.
00:33:06You'll see, for you.
00:33:07Thanks.
00:33:08You're welcome.
00:33:09You're welcome.
00:33:10This is one of the nicest things.
00:33:11It is ģļæ½bera, who's gone.
00:33:12I'm happy.
00:33:13You're welcome.
00:33:14You're welcome.
00:33:15You're welcome.
00:33:16You're welcome.
00:33:17You're welcome.
00:33:18You're welcome.
00:33:19You're welcome.
00:33:20I'll be with you.
00:33:21Yes.
00:33:22That's all.
00:33:23You're welcome.
00:33:24I'll be with you.
00:33:25Yes.
00:33:26You're welcome.
00:33:27Oh, Athens, our sacred city, built on a mighty rock.
00:33:44A column was slown above a barren plain.
00:33:48Alexandria, I gotta go to bed.
00:33:51I love you.
00:33:53Bye-bye.
00:33:57I love you.
00:34:27I love you.
00:34:57I love you.
00:35:27Mille Papas, pitcher, won his 20th game in 1972, and I'm about to close this bank account
00:35:34in Athens 20 years later.
00:35:37Madame Papas?
00:35:39Yes?
00:35:40I'm afraid to tell you this account is no longer.
00:35:43It has been closed.
00:35:44Closed?
00:35:45Yeah.
00:35:47Since when?
00:35:50The 14th.
00:35:51Last week?
00:35:53Last Friday.
00:35:55Friday?
00:35:56I'm afraid I can't help you.
00:35:58I'm afraid I can't help you.
00:35:58Who closed the account?
00:36:00Why?
00:36:00Mr. Papas.
00:36:02Cash checks, collateral shipping.
00:36:05The rest in cash.
00:36:08He was here?
00:36:09Yes.
00:36:12That's impossible.
00:36:13I saw him myself.
00:36:14Well, how do you know it was him?
00:36:17What did he look like?
00:36:19Like Mr. Papas.
00:36:21Like a movie star.
00:36:25I see.
00:36:26Mr. Papas has told to us he will come back.
00:36:36But it is against the regulation for the bank to hold the contents of the box when an account
00:36:41has been closed.
00:36:42Mr. Papas has told us he will come back.
00:37:12Mr. Papas has told me to be ready.
00:37:14Mr. Papas has told us he will come back.
00:37:28Mr. Papas have told us he will come back.
00:37:38I think he is not a doctor.
00:37:41I have to find my husband.
00:37:54He runs away.
00:37:56It looks that way.
00:37:59And when you find him, what will you do?
00:38:03You will fall in his arms and forgive him.
00:38:08No.
00:38:11So, forget me.
00:38:14I can't.
00:38:18I saw them put him in the ground, Melina.
00:38:21I saw his body.
00:38:23I saw his teeth.
00:38:24When was that?
00:38:25Three weeks ago.
00:38:32Dead men do not write sex.
00:38:35No, they don't.
00:38:41We wear the rest of his money to Cairo.
00:38:46The checks to Kolatos shipping were cast here.
00:38:55That's okay.
00:38:55So, there's still three more to come, yeah?
00:38:57No, no, no, no, no.
00:38:58This on top of this, and then that.
00:39:00Yeah, all right.
00:39:01But sign it anyway, will you, Kolatos?
00:39:02Okay.
00:39:03That's great.
00:39:03Okay.
00:39:03Thanks.
00:39:04Okay.
00:39:05Take care, Kolatos.
00:39:06Thanks.
00:39:07I will see you again.
00:39:08Bye-bye.
00:40:08Okay. I got a big heart. I got a heart like a big soggy pear. So I am lose money. It's Easter. I lease his friends a slow boat to Cairo.
00:40:21Cairo?
00:40:22You like Cairo? You want to go to Cairo? I got a nice little cabin. The Capitan's Tomatis, my best ship.
00:40:30Mr. Pappas is shipping ink to Cairo?
00:40:33Ink.
00:40:33Ink.
00:40:35Who said ink?
00:40:36Not ink.
00:40:37Who eats ink?
00:40:38I'd like to talk to Mr. Pappas. I want to see Mr. Pappas.
00:40:42Oh, everybody wants to see Mr. Pappas.
00:40:45Now, this is important.
00:40:45You're pregnant?
00:40:53I'm his wife.
00:40:55From the moment I opened that safe deposit box and saw that last card, I knew you were alive, and it went through me like a shot.
00:41:07And all along, me thinking I knew you like a book. Thinking you'd done all of this for me and the kids.
00:41:18Guess I was wrong, huh, Johnny? Or should I call you Mr. Mazeroski?
00:41:25But Colatus is right. Nobody eats ink. Especially with a shipload of grain coming their way.
00:41:32I'm sticking with the grain, Johnny. Because I want to find you. I want to look you in the eye.
00:41:39I want to see if I still believe you when you lie to me.
00:41:46I'm in Alexandria!
00:41:48Alexandria, Egypt!
00:41:53Hello? Hello?
00:41:54Hello?
00:42:18Oh, my God.
00:42:20Hey, my God.
00:42:21Oh, my God!
00:42:22My God!
00:42:23Oh, my God!
00:42:24Oh, my God!
00:42:25Oh, my God!
00:42:26Oh, my God!
00:42:31Oh, my God!
00:42:32Oh, my God, I still have to go.
00:42:34Let's go, let's go, let's go!
00:43:04Let's go!
00:43:34Thinochloride.
00:43:36EDK technique.
00:43:47I didn't know what thinochloride was,
00:43:49but I was sure it wouldn't feed the world.
00:43:53For most of the long ride to Cairo,
00:43:55the driver talked non-stop about how strange it was
00:43:58for a woman to be traveling alone.
00:44:00But he didn't know the half of it.
00:44:04Finally, we got to Almagama,
00:44:09the hall of records in Cairo,
00:44:10where all foreign residents have to register.
00:44:13I was more determined than ever to find Mr. Mazeroski,
00:44:16no matter what it took.
00:44:23I'm looking for a foreign resident.
00:44:26You have come to the wrong place.
00:44:28I'm looking for a foreign resident.
00:44:31You have come to the wrong place.
00:44:33Ms. Abusyev, you have to help me.
00:44:42I must find someone, a friend, an American.
00:44:45You need to find someone who has a reason to help you.
00:44:50Well, that's why I'm here. That's why I'm talking to you.
00:44:53In two days, it's starting Ramadan.
00:44:59You know what is Ramadan?
00:45:01Ramadan is the holy month.
00:45:04You must come back in 30 days.
00:45:07I don't have that long.
00:45:10You see the Skinny thing?
00:45:12This is Ms. Hakim.
00:45:14Ms. Hakim goes to the university.
00:45:16She's much cleverer than me.
00:45:18But she's a timid creature.
00:45:20Her mother was frightened by an ostrich.
00:45:26If you could help with Ms. Hakim's education,
00:45:29we could ask her to help us.
00:45:33Okay.
00:45:43For Ms. Hakim.
00:45:48Where are you staying?
00:45:52The Mina House Hotel.
00:45:54Please, write the name of your friend.
00:46:06Bill Mazeroski.
00:46:24And I'm also happy to say that thanks to the hard work
00:46:31and the generous support of the Teachers Against Famine,
00:46:34another 17 tons from the EEC that's been held up in Greece
00:46:37has finally arrived.
00:46:46Ed here has got his hands on 23 trucks.
00:46:4924.
00:46:50Now, I don't know how he does it.
00:46:52And he always tells me it's best not to ask.
00:46:54But he's done it again.
00:46:55Ed, come on.
00:46:56Take a break.
00:47:15So, things are on the move.
00:47:16And we're going to move heaven and earth to get this food
00:47:19to the people that need it.
00:47:21It's not going to be easy, but it never is.
00:47:34Bessie.
00:47:37Bessie, it's great to see you.
00:47:39Bessie, I prefer Elizabeth, don't you?
00:47:41Well, I don't know.
00:47:45I'll have to think about that.
00:47:46But tell me, what are you doing here in Egypt?
00:47:48Johnny Farrell.
00:47:49That name mean anything to you?
00:47:51He pays your bills, writes your checks.
00:47:54Oh, listen, Elizabeth.
00:47:55They just make the speeches.
00:47:56If you want to talk about bills, you have to speak to Ed.
00:47:59Ed.
00:48:00Ed, okay?
00:48:02Where's Ed?
00:48:03Look, what is all this?
00:48:04Why are you so angry?
00:48:05Excuse me.
00:48:06Angry?
00:48:07Angry?
00:48:08I'm not angry, Dr. Lamb.
00:48:10I'm desperate.
00:48:12I don't know who it was I buried in Mexico,
00:48:14but I know one thing.
00:48:15Dead men don't write checks.
00:48:16I'm here to find my husband, and I think you know where he is.
00:48:20I'm tired, and I want to go home.
00:48:23And if I don't find him soon, I'm going to start screaming.
00:48:25And you know what I'm going to be screaming, Dr. Lamb?
00:48:27What?
00:48:28Thianyl chloride.
00:48:29What?
00:48:30Thianyl chloride from EDK Technique in East Berlin.
00:48:33A man named Bruckner.
00:48:34Looks like Boris Karloff.
00:48:35Look, I don't understand this.
00:48:38That grain shipment my husband paid for from Greece.
00:48:41That ship was carrying thianyl chloride.
00:48:44You're a doctor.
00:48:45You know what thianyl chloride's for.
00:48:46How do you know?
00:48:47I looked it up.
00:48:48How do you know about the cargo?
00:48:49I was there.
00:48:50I was on this ship.
00:48:51One of your sacks sprung a leak in Alexandria.
00:48:54Number 2357.
00:48:55I saw it.
00:48:56I wrote it down on the back of my hand.
00:48:58Who is that woman?
00:49:00Woman.
00:49:01I got fired.
00:49:02I got fired.
00:49:05He got fired.
00:49:08Another night.
00:49:10One night, heaud fol weaveers.
00:49:15Come on.
00:49:25From the north!
00:49:28It's right here.
00:49:58Get them to stop, will you?
00:50:05Let's hear the manifest for this load, yeah?
00:50:11Jesus Christ.
00:50:14Ed!
00:50:19Would you wait over there?
00:50:26No.
00:50:27Bessie, Elizabeth, please.
00:50:29No.
00:50:30G'day.
00:50:31Roll them down.
00:50:32Seems there's a couple of sacks missing here, Ed.
00:50:34Is that right?
00:50:35Yeah, well, look.
00:50:362348, 2349, 2400.
00:50:39That's 50 sacks, Ed.
00:50:40Fifty?
00:50:41It's nothing.
00:50:42Boys on the docks.
00:50:43Drivers.
00:50:44At a town like this, there's people on every minute.
00:50:46Shit, 50 sacks, it's cheap.
00:50:48Do you know Johnny Farrow?
00:50:49Who's your friend?
00:50:50I'm his wife.
00:50:51John Farrow?
00:50:52Yes.
00:50:53Never heard of him.
00:50:54Of course.
00:50:55I'm hopeless with names.
00:50:56Dr. Lamb will tell you that.
00:50:59Any beer in, say, Dad?
00:51:00I'd love a beer.
00:51:01You get a beer.
00:51:03I'll wait over here.
00:51:04Hm.
00:51:07Go, go!
00:51:08Go!
00:51:09All right!
00:51:10Go!
00:51:11Go!
00:51:14Go!
00:51:15All right!
00:51:16All right!
00:51:17All right!
00:51:19Go!
00:51:20Go!
00:51:21It's here!
00:51:22Go!
00:51:23Go!
00:51:24Go!
00:51:25Go!
00:51:26Go!
00:51:27Go!
00:51:2850 sacks out.
00:51:33I'll feed the world, doctor.
00:51:36Want to get this dry desert red down south where it'll do some good?
00:51:39You need transport.
00:51:41You need trucks.
00:51:42You need boats.
00:51:44You need barges.
00:51:45Trucks cost money.
00:51:46Trucks need diesel.
00:51:47Diesel costs money.
00:51:49That's my job, to get the job done.
00:51:52If I have to improvise, if I have to twist somebody's arm,
00:51:55if I have to make a deal with trash, then that's...
00:51:58Trash like who?
00:51:59This guy, Farrell?
00:52:01Trash like you don't want to know about.
00:52:03That's my job, too, doctor.
00:52:06And I've been doing that job in some of the lousiest countries in the world
00:52:09since you dreamt about the Peace Corps.
00:52:13Thianyl chloride, Ed.
00:52:14Just do your job and I'll do mine.
00:52:16You get the food, I'll get the transport.
00:52:19Do you know what thianyl chloride's used for?
00:52:21Let me tell you what it's used for.
00:52:22Yes, I know what it's used for.
00:52:23It's a fair-traded substance.
00:52:25You use it for ballpoint pens.
00:52:27Ink for ballpoint pens.
00:52:28Ballets!
00:52:29It's used for making poison gas, Ed.
00:52:31Poison gas for chemical weapons.
00:52:33Is that a fact?
00:52:35God's sake, Ed.
00:52:36What do you think we're doing here?
00:52:38We're here to try and do some good.
00:52:40We're here to try and make a difference.
00:52:41We're not in the job of running poison gas up and down the Middle East.
00:52:48Now, this guy, Farrell, do you know where he is?
00:52:51No, I don't.
00:52:51I park the truck.
00:52:55I walk around the block.
00:52:56When I get back, the sacks are gone.
00:52:59Honest to God.
00:53:01There's a line, Ed.
00:53:03If you can't draw the line, if you don't know the difference, maybe you should go home.
00:53:08Are you going to fire me?
00:53:10I don't know why I don't.
00:53:13Up to you.
00:53:15No, Ed.
00:53:16It's up to you.
00:53:26I never had a chance.
00:53:29The way he looked at me.
00:53:30The things he said.
00:53:31The way he said them.
00:53:34Johnny Farrell was the most beautiful man I'd ever seen.
00:53:36And I've seen a few.
00:53:45I was waiting on tables at the Pyramid Cafe in Cairo, Kentucky.
00:53:49And Johnny came into town with his airplane.
00:53:51He landed it right in the middle of the football field.
00:53:56Took me for a walk down by the river.
00:53:59Told me a bunch of lies.
00:54:01I believed him, too.
00:54:04Every word.
00:54:06You look like a million, Ruby, he'd say.
00:54:09You belong to me.
00:54:12Ruby?
00:54:13Ruby Cairo, he called me.
00:54:17He liked to call me that.
00:54:21He gave me a ring.
00:54:24It turned my finger green.
00:54:25You're still in love with him?
00:54:35I am.
00:54:37I can't do anything about that.
00:54:42There's nothing anybody can do about it.
00:54:45It's worth a try.
00:54:46Okay.
00:54:46Okay.
00:54:55Hey.
00:55:06Hey.
00:55:09Hey.
00:55:13Hey.
00:55:16Hey.
00:55:17Hey.
00:55:18Hey.
00:55:18Well, look how much talent can do it?
00:55:20Hey.
00:55:23Hey.
00:55:24Hey.
00:55:24Hey.
00:55:25Hey.
00:55:25Hey.
00:55:25Hey.
00:55:25Hey.
00:55:25What do you know?
00:55:25Faro. F-A-R-O.
00:55:32Yes.
00:55:34Okay, I'll wear it. Sure.
00:55:40You ready to go?
00:55:42Ten minutes.
00:55:46Listen, uh...
00:55:49About that thing, the, uh...
00:55:53The ink.
00:55:55I'm sorry.
00:56:01Me too.
00:56:04I'll see you outside.
00:56:23What's your secret, Dr. Lamb?
00:56:25A secret?
00:56:29What are you talking about?
00:56:32Everybody's got a secret.
00:56:33Everybody but me.
00:56:37Do you say your prayers?
00:56:42Come with me.
00:56:43I'd like to show you something.
00:56:44Most of these people have been here all night.
00:57:07They pray until they drop.
00:57:10You wonder where they get the strength to carry on, but when you've been here long enough, you soon see where it comes from.
00:57:16They're all taking care of somebody poorer than themselves.
00:57:23There's real charity here.
00:57:27These people know about things the rest of the world has forgotten.
00:57:30They know how to pray, and they know how to look after each other.
00:57:34They know how to Š²ŃŠµ what they can.
00:57:37They tried, they know how to think harder than do that.
00:57:39They do not know.
00:57:39They're angry.
00:57:40They don't leave the Zen.
00:57:40They do not hear going to a change.
00:57:42They know how to protest them for their friends.
00:57:42They do not do nothing for us.
00:57:43They do not do anything for us.
00:57:43i didn't come to the middle east to feed the poor i was in the oil business in the gulf
00:57:55i had two thousand people working for me i had a million dollar house that i didn't live in
00:58:02i had cars that i didn't drive and i was drinking a bottle of brandy a day
00:58:07i woke up one morning dying of thirst and
00:58:14well these people saved my life
00:58:21i wish
00:58:28so do i
00:58:37oh
00:58:44oh
00:58:49oh
00:58:54oh
00:58:56oh
01:01:02I'll see you later.
01:01:14Wait for me!
01:01:35Can you try that?
01:01:37Oh, yeah.
01:02:47Please.
01:02:49May I?
01:02:51Help yourself.
01:02:53Please.
01:02:55May I?
01:02:57Help yourself.
01:03:03Ramadan has begun.
01:03:05I know.
01:03:07It is for me to eat after sunset.
01:03:17For Miss Hakim.
01:03:19Miss Hakim is very fond of Turkey's delights.
01:03:29And we must be very nice to Miss Hakim.
01:03:33Miss Hakim has found your Mr. Mazeroski.
01:03:39Where?
01:03:41Not far.
01:03:43I want to see him.
01:03:45We will go. Tomorrow.
01:03:47We will go to the place.
01:03:49There is a rent.
01:03:51No.
01:03:53We will go to the next day.
01:03:55No.
01:03:57It is a beautiful Nice is a wonderful wedding.
01:03:59It is a beautiful gift.
01:04:01It is a beautiful day.
01:04:03And it is very beautiful.
01:04:05We are beautiful.
01:04:07It is beautiful.
01:04:09You ŃŠ²ŠµŃ are beautiful.
01:04:11You have to get to the place.
01:04:13You have to do something.
01:04:15.
01:04:18.
01:04:20.
01:04:21.
01:04:25.
01:04:32.
01:04:34.
01:04:39.
01:04:41.
01:04:42.
01:04:43.
01:04:49.
01:04:50.
01:04:51.
01:04:52.
01:04:53.
01:04:54.
01:04:55.
01:04:56.
01:04:57.
01:04:58.
01:04:59.
01:05:00.
01:05:01.
01:05:02.
01:05:03.
01:05:04.
01:05:05.
01:05:06.
01:05:07.
01:05:08.
01:05:09.
01:05:10.
01:05:11.
01:05:12Do you have someone like this?
01:05:16My daughter is one of you.
01:05:19Go, go, go.
01:05:26Have you seen this?
01:05:28What's that?
01:05:30Yes.
01:05:42You must do as I say. Cover your head.
01:05:54Don't look at anyone.
01:06:12Oh, God!
01:06:14I'm telling you.
01:06:16Oh, God!
01:06:18Oh, God!
01:06:20Oh, God!
01:06:22Oh, God!
01:06:24How do you say that?
01:06:26Oh, God!
01:06:28Oh, God!
01:06:30Oh, God!
01:06:32Oh, God!
01:06:34Oh, God!
01:06:36God!
01:06:38God!
01:06:40Allah
01:07:10Ų³Ł
Ų¹ Ų§ŁŁŁ ŁŁ
Ł ŲŁ
ŲÆŁ
01:07:12Ų±ŲØŁŲ§ ŁŁŁ Ų§ŁŲŁ
01:07:18Ų§ŁŁŁ Ų£ŁŲØŲ±
01:07:20Ų§ŁŁŁ Ų£ŁŲØŲ±
01:07:40Ų§ŁŁŁ Ų£ŁŲØŲ±
01:08:10Ų§ŁŁŁ Ų£ŁŲØŲ±
01:08:16Ų§ŁŁŁ Ų£ŁŲØŲ±
01:08:40Ų§ŁŁŁ Ų£ŁŲØŲ±
01:08:46ŁŁŲØŲ±
01:08:48ŁŁŲØŲ±
01:08:56ŁŁŲØŲ±
01:08:58ŁŁŲØŲ±
01:09:00ŲØŲ®ŲØŲ·
01:09:02Ł
ŁŲ³ŁŁŁ
01:09:04Ų£ŁŁ
01:09:08ŁŁŲØŲ±
01:09:09You're the one who's been stealing from me?
01:09:19You're the one who's been stealing from me?
01:09:25The one who threw away good money to find me?
01:09:30You were pretty cheap.
01:09:40Bessie.
01:09:43Why'd you do it, Johnny?
01:09:53Come on.
01:10:09You're the one who's been stealing from me?
01:10:19Zayka, Gigi.
01:10:20Absolutely.
01:10:21You're the one who's been stealing from me?
01:10:30Grandma.
01:10:33Ali, come here.
01:10:34Can I talk to you?
01:10:35Can you buy me?
01:10:37We're gonna buy it, don't they?
01:10:39Are you going to buy it?
01:10:41I'm not going to buy it again.
01:10:44It's not that expensive, you can buy it.
01:10:45It's not that expensive.
01:10:58I didn't take the money...
01:11:00You can buy it again.
01:11:01It's Ramadan.
01:11:31I know.
01:11:38How'd you find the money?
01:11:40I had a little luck.
01:11:42What do you call that luck?
01:11:43What do you call it?
01:11:45I call it a home run.
01:11:47I found your baseball cards in Mexico.
01:11:50On its conception, Manny Sanglian.
01:11:54Sanglian.
01:11:56Sanglian.
01:11:59Did you tell anybody?
01:12:03Hermes.
01:12:06You didn't tell.
01:12:09You didn't.
01:12:11I didn't tell a soul.
01:12:16That's good.
01:12:19Smart.
01:12:21You think I'm stupid?
01:12:31How much you get?
01:12:34Eight hundred, forty thousand, six hundred and fifty dollars and fifty-three cents.
01:12:39No, I don't think you're stupid.
01:12:44You always did have a head for fingers, Pissy.
01:12:49I married a thief.
01:12:51I gotta have.
01:13:14Two Heather Cameron 600, and Mrs.
01:13:16Come in.
01:13:17Two.
01:13:18Two!
01:13:19Two.
01:13:21Two.
01:13:23Four.
01:13:24Three.
01:13:25Two.
01:13:27Three.
01:13:28Well done.
01:13:29Four.
01:13:30Three.
01:13:31Four.
01:13:32Four.
01:13:33Three.
01:13:34Seven.
01:13:35Three.
01:13:36Seven.
01:13:37Four.
01:13:39Four.
01:13:40Four.
01:13:41with my hawk's head i pecked at the eyes of jesus as he hanged upon the cross
01:13:52the book of the law what's this what law is this is the book
01:14:01what's your eyes keep them closed
01:14:07now this is something i was gonna give you something i've been keeping for a long time
01:14:17you like it
01:14:20it's kind of flashy johnny isn't it
01:14:27even for you
01:14:29you think i think i'm on vacation here it's my business it's a business
01:14:39shit
01:14:43okay you want to know the truth i'll tell you the truth i've been skimming a little from the guys i
01:14:53work for and it ain't business i figure i earned it if it weren't for hermes i would have got away
01:14:59with it too son of a bitch was on to me i know it's in the sacks johnny i know it ain't ink
01:15:06you gotta understand life is different here this ain't a city it's an ant heap
01:15:16ant's got it better than these people
01:15:17and there's millions of them
01:15:25they're all gonna die before they get old
01:15:27they're all gonna die before they get old
01:15:28most of them
01:15:29most of them
01:15:30and that's all we got to look forward to
01:15:35half the people on earth be better off dead
01:15:37nobody's better off dead
01:15:43except me right
01:15:45where you going
01:15:50i don't even know who you are anymore wait a minute we got things to talk about
01:16:03what are we gonna do bessie we're gonna do anything johnny we did it
01:16:08you can't do this oh yes i can you're a dead man remember you're the one came out his fucking way
01:16:15for what i wanted to give myself a good look at you i've done that i kind of like the beard
01:16:22i like the teeth i like the house but i believe i can do better i believe i deserve that
01:16:29you think you can just walk out i mean bessie what would you think i took the ride johnny now i'm getting off
01:16:37get out of my way
01:16:59get out of my way
01:17:22Oh, my God.
01:17:52Oh, my God.
01:18:22I can't let you go, Bessie.
01:18:31What are you going to do, Johnny?
01:18:33Shoot me?
01:18:35Not if you come home with me.
01:18:36Stop it!
01:18:38Stop it!
01:18:48Stop it!
01:18:50Stop it!
01:18:50Stop it!
01:18:52Oh
01:18:59The sien does and your Johnny
01:19:22Oh
01:19:37I'll never forget you Johnny
01:19:40I'll try to remember the man you used to be but I gotta let you go
01:19:44No
01:19:47Be with you and sustain you now and always
01:19:55These people saved my life
01:19:58I wish
01:20:00So do I
01:20:14I
01:20:44I
01:20:46I
01:20:48I
01:20:50I
01:20:52I
01:20:54I
01:20:56I
01:20:58I
01:21:00I
01:21:02I
01:21:04I
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