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02:10¿Por qué te pusiste a Stephanie en la caja?
02:12¿Qué?
02:19¡Quick, save Stephanie!
02:20¡She's carrying Nick's baby!
02:24¡Quick, get in there!
02:26¡Ah!
02:31¡Ah!
02:32¡Ah!
02:35¡Ah!
02:36¡Ah!
02:38¡Ah!
02:39¡He chose Stephanie over me!
02:44¡My baby! My baby is gone!
02:47¡Why would you do this to me?!
02:50¡How dare you!
02:52You pushed Stephanie into the pool to try and kill her and her unborn baby.
02:56Are you happy now that Stephanie's baby's gone?
02:58I didn't do it.
02:59I know you don't want me here.
03:01I told you whatever happened between me and Drake is in the past.
03:04You can hate me however you want to,
03:06but how could you be so cruel as to kill my unborn child?
03:09You didn't do it.
03:10You know me, I would never do that to Stephanie.
03:13Apologize to Stephanie.
03:15I'm not going to apologize for something I didn't do.
03:18Apologize to Stephanie right now or I will divorce you.
03:22If you apologize right now,
03:32then I'm willing to give you another chance.
03:38It's been three years, Drake.
03:40I gave up everything to be your wife.
03:43I've always kept to the shadows, Dorothy.
03:46I already have a life.
03:47And right now I just want to focus on being.
03:49Am I married to Drake?
03:54I thought you would always be by my side,
03:56but I was wrong.
03:58The only reason you're allowed to stay by Drake's side
04:01is because you're nothing more than a free maid.
04:03Since you got married, has he ever even touched you?
04:05He doesn't even want to look at you.
04:10Fine.
04:10Let's get a divorce.
04:20There's nothing less in my heart.
04:23Drake's nothing without me.
04:27My ring!
04:29My ring is gone!
04:31Well, you must have taken it.
04:32Why would I take her ring?
04:34Well, look how quickly you packed your suitcase.
04:36You're probably seeing someone else.
04:38Dorothy.
04:40Yes?
04:41We were married for three years.
04:43Were you seeing someone else?
04:44Of course she was.
04:46She'd probably been cheating on you for a really long time.
04:48Couldn't wait for the divorce.
04:50So what if I was, huh?
04:53And what about you?
04:54Still hung up on your so-called sister-in-law?
04:57What gives you the right to talk about me?
04:59I only look after Stephanie because she's my brother's widow.
05:03But you actually seeing someone else?
05:05Who is he?
05:06Big talk!
05:06Don't bring me down to your level.
05:10I'm not like you.
05:12Since your sister-in-law lost her ring.
05:17Why don't you take...
05:21This one.
05:27You've been waiting for this for a long time, haven't you?
05:33Bye.
05:34And so I left.
05:45This is ridiculous!
05:47We, the Bennett family, are one of the four major production companies in the world.
05:51I let him marry my daughter and even invest it in his business.
05:56How dare that Drake do this to my daughter?
05:58Look, it's actually good from dad.
06:03Now we know who he really is and he has no idea who I am.
06:07Still, you're my daughter.
06:09I can't let him do this to you.
06:11If it weren't for you, I would not have considered investing in his company.
06:15We're going to pull our investment immediately.
06:16Yes.
06:17It's time to cut him off.
06:19He doesn't deserve you.
06:21I'm over Drake.
06:23If we withdraw the plans now, it's going to hurt the family business.
06:27He's not worth it.
06:28Honey, why didn't you just take a vacation?
06:35Just put all this aside and take some time out for yourself.
06:39Yeah.
06:39I've wasted too much time with Drake over the three years.
06:50You know, now I want to focus on something that actually matters.
06:55You know, Christopher has been saying that many people want to buy the movie rights to Liars Game.
07:01Universal, Paramount, every major studio wants this.
07:08Liars Game.
07:08Your story on the big screen.
07:11If you're in, I'd be happy to be the one headlining it.
07:14Oh.
07:15So that's why they're making it.
07:16Because of you.
07:17I'm sorry, Christopher Santoro.
07:20See?
07:20They're not funding the film.
07:22They're funding you.
07:24Wrong.
07:25They're funding the story.
07:27It's more than good.
07:29It's phenomenal.
07:31Christopher is right.
07:33I'm taking my life back.
07:38I'm going to adapt to myself.
07:41You are?
07:43Yes.
07:44I will.
07:46Good for you.
07:48I won't tell anyone I'm asking.
07:49Congratulations to Aria Wong for winning the best director.
08:02This is my close friend from college.
08:10Aria, I need your help.
08:12I want to adapt the Liars Game myself.
08:14And I want you to direct it.
08:17Of course.
08:19All right.
08:19Okay.
08:21There's just one thing.
08:22I want to keep my identity as the writer a secret.
08:26I don't want anyone to know.
08:28Especially not the team.
08:30SQ.
08:31Are you sure?
08:32But why keep it a secret?
08:33I just want people to focus on the story itself.
08:37Got it.
08:38Your secret's safe with me.
08:39Hey.
08:40Oh my God.
08:45Dave.
08:46It's a bit weird.
08:49Ever since news got out about our movie, my phone has not stopped ringing.
08:53Really?
09:00It's Stephanie.
09:04Yeah, just take it.
09:06Hello?
09:10Hello, Miss Wong.
09:12I've heard Liars Game is being made into a movie.
09:14I'm interested in playing the lead.
09:16Can we arrange an audition?
09:20I'll speak to the writer and I'll let you know.
09:23Thank you, Miss Wong.
09:26What do you think?
09:29Anyone can audition, right?
09:30As long as they're right for the role.
09:32What happened between me and Stephanie is not important here, so...
09:37Okay.
09:40I'll call her back and let her know.
09:42Mm-hmm.
09:51What about me?
09:55Can I be your hero?
09:56Oh, you mean, uh, a film, right?
10:05I've never considered anyone else.
10:10I have to take this.
10:13Hi.
10:18You know, I'm not just talking about the film, Dorothy.
10:22It's okay.
10:23I can wait.
10:27I've waited this long.
10:32Well, well, well.
10:34Look who it is.
10:38Why are you here?
10:40Oh, I see.
10:41You're the production assistant.
10:44Well, do your job.
10:46Get me a water.
10:49Stephanie.
10:51Get your own water.
10:52I'm not your PA.
10:54Look.
10:55It's my first day on set,
10:57and I want to buy coffee for the crew.
10:59Why don't you be a doll
11:00and mark down everyone's order?
11:03Are you deaf?
11:04I'm not a PA.
11:07Here's your tip.
11:08Go on.
11:10Show some respect, Stephanie.
11:12Do you know who she is?
11:16What are you doing?
11:18Oh, no.
11:19She can't know I'm asking you.
11:20I want to keep my identity as the writer a secret.
11:27I don't want anyone to know,
11:28especially not the team.
11:33What do you mean?
11:35Who is she?
11:38No one but a lower PA, I'm sure.
11:40Isn't that right?
11:45Well, actually, she's...
11:47She's...
11:50Just a PA.
11:52You're right.
11:54So why don't you show me a lower PA,
11:57your acting skills?
11:59Maybe I'll be impressed even by who the coffee's myself.
12:02Watch this.
12:03I loved you once.
12:10Or so I thought.
12:13But now I see that it was all just a lie.
12:17A beautiful...
12:19painful lie.
12:22You took everything from me.
12:29My dreams.
12:31My future.
12:36See?
12:37There's no soul.
12:38That's not acting.
12:39It's just...
12:41reciting lines.
12:43Why don't you show her how it's done?
12:45What?
12:46Go on.
12:50Go on.
12:51I loved you once.
13:15So I thought.
13:18But now I can see.
13:20It was all a lie.
13:23A beautiful, painful lie.
13:27You took everything from me.
13:31My heart.
13:34My dreams.
13:36My future.
13:39And for what?
13:42For your own personal gains.
13:44How is that possible?
13:57Dorothy, that was perfect.
14:00The role is yours if you want it.
14:03No!
14:04This role is mine!
14:07I'm the one with the investment.
14:08Without me, there's no funding for this movie.
14:10Your investment?
14:12Do you even know who she is?
14:15Who is she?
14:20Who is she?
14:21As you know, no one but a PA.
14:25Dorothy, this movie is important to Stephanie.
14:29I mean, why are you here?
14:29You're not a real actress.
14:31What are you doing?
14:31You're trying to ruin her career.
14:32You're trying to get back at me by ruining her career.
14:34I'm not ruining anything.
14:36If she can't handle the role, that's on her, not me.
14:40You can't blame this on anyone else.
14:42You embarrassed her in front of everyone.
14:45I know what you're doing.
14:46You're the one pulling all the strings here.
14:48You're trying to make her fail so you can take her place.
14:51She's using this whole thing to get to you, Drake.
14:53She's been jealous from the start.
14:54Trying to ruin my chances to get back to you.
14:57Okay, no.
14:58I don't want to fight anymore.
14:59Well, I'll just take a look at the script
15:01and maybe we can work something out.
15:02And you were just so damn selfish.
15:07You only care about yourself.
15:09Just give Stephanie her role back.
15:11You know what?
15:13I didn't want to do this.
15:15But I will.
15:17I'll take the role.
15:19I'll play the lead.
15:23I'll play the lead.
15:24No way.
15:25You can't be serious.
15:26She's not even a real actress.
15:27Dorothy's performance was far stronger than yours.
15:33Everyone in the room can see it.
15:37I'm so glad you've agreed to do the role.
15:41Right.
15:42It's settled then.
15:43The lead roles go to Christopher and Dorothy.
15:45I will double my investment
15:49if you give Stephanie a role.
15:56I never thought I'd see the day my ex-husband
15:59would go this far
16:00for his sister-in-law.
16:02I can always count on you.
16:04Right?
16:04I will double my investment
16:10if you give a role to Stephanie.
16:12You two look as such.
16:17Okay, look.
16:19If the money's on the table,
16:20there's no reason to turn it down.
16:22Let's just leave her apart.
16:24We have nothing to lose.
16:25I guess that'll be fine.
16:28I'll talk to SQ.
16:30Your father's production company
16:36is already the biggest investor in your movie.
16:38So why take Drake's money?
16:40You don't...
16:41You don't still have feelings for Drake, dear.
16:44No!
16:45He's an asshole!
16:47Come on.
16:49I've got an idea.
16:52Why don't we just give her a character
16:54that'll make her miserable?
16:58Wow, Mrs. Santaro.
17:00I feel bad now.
17:06I only wish you didn't have feelings for Drake anymore.
17:11How did she land herself the role?
17:14She's practically a nobody.
17:15No fan base, no real experience.
17:18Just one good scene.
17:20Doesn't make sense.
17:23Find out everything you can about Dorothy.
17:26I want all the dirt.
17:30Director, there must be a mistake.
17:36I'm only a side character
17:37and not even in the main scene.
17:39You wanted a role.
17:41We gave you a role.
17:43I came in with an investment.
17:45Well, you're more than welcome
17:47to take it back and leave the set.
17:51Even a small role in Escu's film
17:53is going to do great things for your career.
17:54Now is not the time for you to be messing around.
17:59Fine.
17:59Two, take one.
18:07Action.
18:09Lily, you are my best friend.
18:10How could you do this to me?
18:11I'm sorry, but this is...
18:13What the hell are you doing?
18:17It's part of the scene!
18:18Okay, take it again from the slap.
18:25Action!
18:30Cut!
18:32Stephanie, why aren't you saying your lines?
18:34You have to keep going in the scene.
18:37I think you've had enough for today.
18:39We'll just try again tomorrow.
18:40Did you see her face?
18:51Absolute gold.
18:52I mean, she got what she wanted.
18:54She asks for a role
18:55and that's what we gave her, so...
18:57Seriously, her performance is all over the place.
19:00Maybe we should just
19:01cut down on her screen time.
19:04We all know the film's better
19:05without her slowing us down.
19:08You're right.
19:08I'm not going to let anyone
19:11ruin your story.
19:17So, if you can just give me
19:18something that's a bit more
19:20something about her job.
19:29What's going on with my scenes?
19:30Why have so many of them been cut?
19:32It's a collective decision.
19:36Fuck that!
19:37Let me talk to the writer.
19:38The writer is SQ
19:40and as you know,
19:41they never show their face
19:42so their decision is final.
19:46I'll see you on set in five.
19:47Now it all makes sense.
20:01Now it all makes sense.
20:09That's the head of the production company.
20:11No wonder she got the role.
20:14Let's see how John's wife feels about that.
20:26Everyone, I have an announcement to make.
20:29Today will be Stephanie's last day on set.
20:31You really think I don't see through your little gaze?
20:39Somebody will be walking out that door today.
20:41But it won't be me.
20:44You really think you can get away with this?
20:47Sleeping your way up?
20:51John's wife is on her way.
20:53Let's see how you talk your way out of this one.
20:54Slut.
21:01That's enough!
21:05So were you the one who was stalking and secretly taking photos?
21:09What?
21:09Scared the truth is going to come out?
21:12Someone had to expose her for who she really is.
21:14So you admit it.
21:16You did it.
21:17Damn right I did.
21:19And I'd do it again if I had to.
21:22You don't know who you just cross!
21:24Oh, I know.
21:26Just some rich old bastard throwing a tantrum.
21:29I sent those photos to your wife, too.
21:31And now your mistress is about to be exposed.
21:35Yeah.
21:36Security.
21:38Stephanie is banned from the studio.
21:40Make sure she never sets foot here again.
21:42You can't just do that.
21:43Oh, this is insane.
21:45What?
21:45I have rights.
21:46I was only telling you the truth.
21:48She is a mistress.
21:49A loose woman.
21:50A lady of the night.
21:59Is it true that Dorothy is John's sugar baby?
22:01Otherwise, why would he come onto the set and get me banned from the movie?
22:05That's unbelievable.
22:07And he humiliated me.
22:08He had me dragged off the set like a criminal.
22:10You should have seen it.
22:11I'm not going to let her just ruin her reputation like this.
22:16I mean, this whole mess is just making us look like fools.
22:21Dorothy's always been trouble.
22:23I mean, first she goes off with a married man and now this.
22:25I don't know how you put up with her for three years.
22:29You should have got a divorce earlier.
22:33Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:37It's the only explanation.
22:39She's clearly nothing but a slut.
22:42Oh!
22:43Drake, Stephanie is your sister-in-law.
22:47Now you need to take care of her and forget about Dorothy.
22:51Can't you see she's the one behind all of this?
22:54She was sleeping her way to the top.
22:57Killing Stephanie's unborn child.
23:00And John dragging her off the set.
23:02You should be sticking up for Stephanie.
23:04I'm not going to let her do this to you.
23:10Do you think you can just walk away from what you did like nothing happened?
23:27I didn't walk away from anything.
23:29You did.
23:30You chose Stephanie over me.
23:31Remember this one?
23:32Well, she's my sister-in-law.
23:33I'm so sick of hearing this.
23:36You have feelings for her and I'm just tired of it.
23:40You're out of your mind if you think I'm going to let you get away with this.
23:43You do what you want to do.
23:46For now, get out!
23:48Why?
23:54We were married for three years.
23:57We never...
23:57Oh, you damn fucking might let go of me!
24:06No wonder you want me to go!
24:12Just look at yourself.
24:14You're not half the man Christopher is.
24:18Get out.
24:19Or I will call the cops.
24:22Just go!
24:31Are you okay?
24:36Dorothy?
24:38Dorothy?
24:38Yeah.
24:39Remember, safety first.
24:41The lifeguard's right there if you need him.
24:44Okay.
24:47Anything you need, let the AD know.
24:49Okay.
24:49Got it.
24:50Got it.
24:51Yep.
24:59Here's a coffee for you.
25:00Thank you.
25:01It's still early before the shoot.
25:03Take your time.
25:06Oh, my God.
25:27Bye.
25:33Bye.
25:35Bye.
25:35Bye.
25:35Bye.
25:35Bye.
25:36Bye.
25:36Bye.
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29:26Breaking news, unknown actress seduces Hollywood heartthrob.
29:31Rising star or opportunist, actress Dorothy's shocking affair with Christopher.
29:36Christopher's new flame or a heartless gold digger.
29:38Dorothy! Liar!
29:41Hey, bitch!
29:44This is getting out of hand.
29:46Maybe we should just reveal her real identity.
29:49Let everyone know she's not just some random actress.
29:52Christopher, no.
29:57Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:01There's someone behind this.
30:03And whoever they are, I'll make them pay.
30:11Fuck off.
30:19This can't be right.
30:22I die in the second scene.
30:27This must be Dorothy and John forcing S.Q. to cut me out.
30:31They won't get away with this.
30:37Trank, can you believe this?
30:39They've completely written me out of the script.
30:42Do you remember when Nick was lying in that hospital bed?
30:45You promised him you'd look after me.
30:47I've already lost my husband and my baby.
30:50I can't lose my career, too.
30:51Don't worry.
30:53I'll get you your character back.
30:55There's a tape of a documentary that apparently S.Q. has always wanted.
31:15So, if we win this bid and we gift it to them, we should be able to get you your rollback.
31:20Up next, a rare gem.
31:26The original film documentary chronicling the creative journey of none other than herself, legendary screenwriter Margaret Lane.
31:34$50,000.
31:37What's she doing here?
31:40I don't know.
31:42I'm not going to let her win this.
31:44$60,000.
31:49$70,000.
31:52$100,000.
31:54I'm trying to get you your roll.
32:23Don't worry.
32:25I've got it covered.
32:26Ladies and gentlemen, we are down to the final bid.
32:30Standing at a whopping $500,000.
32:34$500,000 going once.
32:37$500,000 going twice.
32:40Sold.
32:41To the lady in the blue dress.
32:50I can't believe this.
32:52You have no right to take that film reel with you.
33:00You have no right to take that film reel with you.
33:05What's going on?
33:06Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.
33:19Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:25This is ridiculous.
33:26I was invited.
33:27Well, in that case, may I see your invitation?
33:37I did have it, I swear.
33:38I'm sorry, Miss Dorothy.
33:40If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
33:45This is the protocol.
33:46No, you don't understand.
33:47Do you?
33:47I'm sorry.
33:48I'm sorry.
34:07These are the rules.
34:09The documentary reel will go to the honourable couple.
34:11Thank you.
34:30Stephanie, wait.
34:33Just sell it to me.
34:35Name your price.
34:36I'll pay you anything you want.
34:37It's really important to me, please.
34:39Why are you doing this?
34:41Are you just trying to get my attention by going after something that Stephanie wants?
34:46No, you don't understand.
34:48Just let me buy this.
34:50Whatever it takes.
34:53Dorothy.
34:54You think this is about money?
34:56Please.
34:57This isn't something you can just buy.
35:00Dorothy, what the hell are you doing here?
35:02Why do you always have to go against her like that?
35:04This reel is important to Stephanie.
35:06She can use this to help her career.
35:09Is this about your role being cut from the dead?
35:14Is that why you're doing this?
35:18I'm the writer.
35:19I can fix this.
35:21Can you write the story and bring your character back?
35:24Just...
35:24Just let me have to read this.
35:27You're the writer.
35:29Are you telling me that you're SQ?
35:31You're the writer SQ.
35:37Can you give us a break?
35:38Look, this reel is important to Stephanie.
35:42End it.
35:43Don't make this harder than it has to be.
35:46You've been with Dorothy for so long, and you don't even know her.
35:49Oh, and you do.
35:51A hell of a lot more than you.
35:52What the fuck do you think you are?
35:53Both of you, calm down.
35:54Scratched all over.
36:09It's ruined.
36:10Not even fit to be a gift anymore.
36:13I can fix this.
36:14Stephanie, I know someone who can restore it.
36:16Just sell it to me.
36:17Please, just name your price.
36:18Even if I had no use for it, I'd never give it to you.
36:24I want to be a writer like you, Grandma.
36:54I want to make movies like you do.
36:57This reel has more than pictures and sound on it.
37:02Really?
37:03An entire world I've captured.
37:06But it's just one way of seeing things.
37:09The magic is creating it yourself.
37:12Someday you will.
37:13Dorothy, I need you to go apologize to Stephanie and give her her role back.
37:31Apologize?
37:32To her?
37:33She destroyed the reel.
37:34She wouldn't have done that if you hadn't pushed her.
37:36So go apologize or I'm pulling my funding.
37:44Look, Dorothy.
37:46Let's be real here.
37:48Without Stephanie, who's going to invest?
37:52Even the production company will call out if they hear that she's not involved anymore.
37:55Her name carries weight.
37:57Let's not pretend that your reputation is exactly stellar right now.
38:00Christopher's fans hate you.
38:03Stephanie's fans hate you.
38:04Even if you actually make this film, no one's going to support you.
38:08You will be buried.
38:12But if you apologize to Stephanie now, I can help you.
38:18I can control the press.
38:19I can control the narrative.
38:21I can actually give you a chance.
38:25What's so funny?
38:28What's so funny?
38:30Pull your funding?
38:32Do it.
38:34You'll see it does nothing for the movie.
38:36Okay.
38:37So what if I tell the production head to pull his funding too?
38:41Didn't I tell you that I know Mr. Bennett?
38:43No.
38:44Go ahead.
38:46Quiet.
38:47You want me to call?
38:48Mm-hmm.
38:49Fine.
38:54Hi, Mr. Bennett.
38:55It's Drake.
38:56Drake Mossbacher.
38:57Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing.
39:01I've seen it and it's a sinking ship.
39:05You're pulling out?
39:06Great.
39:07I'll take full control of the investment.
39:09Not a problem.
39:10I'll take full control of the investment.
39:16So you slept with him.
39:20That's why he's supporting you, isn't it?
39:25Is this how you see me?
39:26The type of woman who would use her body to get what she wants?
39:28¿Qué otra explicación tienes?
39:31No sé nada sobre Dorothy.
39:36Aparece a Stephanie, cut ties con Mr. Bennett y endo esto.
39:40Dorothy, come back to me.
39:41Whatever he's offering you, I'll match it, I'll double it.
39:44You must be out of your fucking mind.
39:47What makes you think I would ever go back to that living hell?
39:51Living hell?
39:51You heard me.
39:53Being married to you was a fucking nightmare.
39:56You made me believe you loved me.
40:00And then you had me waiting in vain for three years, Drake.
40:04You said you always protect me, but then when I need you the most,
40:08you just turned your back on me.
40:11You chose your sister-in-law over your wife.
40:16We've had enough, Drake.
40:18You were my prison.
40:19So just go back to your precious Stephanie.
40:26Let's just go.
40:36Why are you hurt?
40:38Are you okay?
40:45What are you doing?
40:46What are you doing?
40:47Well, you want me, don't you?
40:48Just kiss me, I'm all yours.
40:50Steph, you're Nick's wife.
40:52I've always thought of you like a sister.
40:55Sister?
40:57Funny.
40:58Don't you remember when you came to me the night Nick and I got married?
41:00Don't you remember what you said?
41:04Remember this?
41:05Yeah.
41:05Why not marry Stephanie?
41:08God.
41:09You were practically begging me not to marry Nick.
41:10No, I shouldn't have said that.
41:12I shouldn't have said that.
41:12I don't know.
41:13I don't see.
41:13What's that?
41:17Oh, it's nothing.
41:18Yeah, what is that?
41:19No, Drake, no.
41:20Please.
41:23You lied about this.
41:27You lied about this.
41:31You said that Dorothy pushed you into the water, but this shows you shoving her in.
41:36It's a glitch.
41:38A glitch.
41:39So, do you actually expect me to believe that?
41:41What's this?
41:45Buying pills off the black market?
41:48Terminate your pregnancy?
41:50It's you.
41:51It was time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
41:56Please, no, you have to believe me.
41:58I didn't...
41:59Do you know what?
41:59I've always thought of you like a sister.
42:01I've always taken care of you.
42:03I even thought that I loved you once, but that was before you were Nick's wife.
42:08You changed.
42:11You changed.
42:14You're not the person I thought you were.
42:16I only looked after you because I thought it was my duty, as Nick's brother, to look after his widow.
42:24I guess there's no need to look after you anymore, huh?
42:27But what does that mean?
42:29You're just going to throw me away?
42:31I'm not going to throw you away.
42:33But this is my house.
42:36I'm going to back.
42:37I hope you'll be gone.
42:37But you can't just walk away from me like that.
42:41I've said everything that I need to say.
42:43Now I'm going to go find the person that I actually care about.
42:49Oh, Dorothy.
42:51This is all your fault.
42:56Let's take this bitch down.
42:58Don't I say please?
43:15No.
43:16No.
43:16I was wrong.
43:20I misunderstood everything about you and about us.
43:27Can you please just hear me out?
43:29You think you can just come here and apologise?
43:33After everything?
43:34I didn't mean to hurt you.
43:37Look, I understand what I did, but it was just because it was Stephanie and anyone.
43:41Can you please just forgive me?
43:42I don't need your apology, Drake.
43:46You let me down.
43:47You abandoned me.
43:50When I needed you the most.
43:52You used me.
43:54Manipulated me.
43:55And now you beg for my forgiveness.
43:58Oh, God.
43:58Please, just don't show me out.
44:00I can fix this.
44:02I can fix it.
44:02I can do anything, Dorothy.
44:04Please, just...
44:05No.
44:07You were never the person who thought you were.
44:11And I'm not either.
44:13I've moved on.
44:16I don't need you.
44:20Not like I used to.
44:23Just stay back.
44:24After everything.
44:25Yeah, that's it.
44:38I deserve better than this.
44:40I deserve better than this.
44:40Before you all celebrate this movie, there's something you should know.
45:11Dorothy is nothing but a homewrecker.
45:13What's going on?
45:15A glorified mistress who's been playing the part of a wonderful actress when all she's really done is ruin lives.
45:22This is true, Dorothy.
45:25Are you involved with a married man?
45:27What's your response to Stephanie's claim?
45:28This is ridiculous.
45:33Let's talk about how she got here, shall we?
45:37She didn't get here off her talent.
45:39Oh, no.
45:40She got here by clinging to powerful men.
45:44No real experience.
45:45No real experience.
45:45No skill.
45:46Just a man's name and a man's money.
45:49Security!
45:50Get her out of here.
45:51Wait.
45:52If she has something to say, let's hear it.
45:55Dorothy, it's a trap.
45:57I'm not afraid of the truth.
46:00Let's see what she's got.
46:04What's going on?
46:06So tell us, Dorothy.
46:07How did you get here?
46:09Did you use your relationship with John Bennet to land the part?
46:29A homework, are you saying?
46:31Is there something wrong with me appearing with my own dad?
46:34You're the one who sent me this photo, right?
46:37How about you take another one?
46:38This time, of my lovely family of three.
46:41Dorothy, Dorothy, Dorothy.
46:43Are you really John Bennet's daughter?
46:45Yes.
46:46I bet you never ask my last name.
46:48It's Bennet, by the way.
46:51So, Dorothy is the producer's daughter?
46:55Dorothy, so did you use your father to get the part?
46:58So it's just nepotism, then.
47:05Even if she didn't fuck her way to the top,
47:07she still only got here through her connections.
47:09Whether you like it or not,
47:11my performance speaks for itself.
47:12And everyone here saw it.
47:14She was actually really good.
47:16Yeah, she handled the movies.
47:18Oh, are you saying that everyone here is wrong?
47:20You think you're so clever, don't you?
47:23Fine.
47:23You can act a little bit.
47:26But let's be real.
47:27You didn't land this role on your own.
47:29You just snapped your bony little fingers
47:31and let daddy give you a role.
47:33How else would a nobody like you
47:35have landed yourself the lead otherwise?
47:37Dorothy isn't just a nobody.
47:41She wrote Liar's Game.
47:44She is SQ.
47:45Dorothy is SQ.
47:51How can that be possible?
47:53Liar's Game is a masterpiece.
47:54There's no way you could have written it.
47:56You don't have to believe me.
47:58Just let the credit speak for itself.
48:03How can this be true?
48:06Oh, please come back.
48:09Come back.
48:09Come back.
48:10Dorothy Bennett, you're the daughter of the producer
48:12and the famous writer SQ.
48:14Why did you keep your identity a secret so long?
48:19Why did you keep your identity a secret so long?
48:22Stephanie Marsbecker, Linda Marsbecker
48:24and Ellie Marsbecker,
48:25I'm arresting you on suspicion of defamation.
48:27No, no, no, no.
48:28I didn't do anything wrong.
48:29This was all Stephanie's idea.
48:30I didn't do anything.
48:38This whole time,
48:39she was actually telling the truth.
48:41Dorothy's SQ.
48:44She's genius.
48:47That's why she always had a book in her hand.
48:51Always writing something on her laptop,
48:53always lost in her thoughts.
48:57Didn't even see her.
49:00Guess I was blind all along.
49:03I don't deserve that.
49:05I don't deserve that.
49:08I think...
49:09I've missed this place.
49:26Don't you remember?
49:27Of course I do.
49:29We saw so many films here.
49:32We would just stay in our seats and talk about life and everything.
49:37But you just made me feel like I could face more anything, really.
49:46God, I used to be so nervous back then.
49:49About everything.
49:51About the future.
49:54But you just made me feel like I could face more anything, really.
49:57Someone had to be there to make sure you didn't have to think everything.
50:04I remember you used to unpick every little detail like it was a life or death situation.
50:12You know, Dorothy.
50:16Life's not been the same without you.
50:17Even when we parted ways, I...
50:22I always knew that we would find each other again.
50:29I don't care what we've been through.
50:32I don't care what's happened.
50:33All I know...
50:36is that I need you now.
50:39More than ever.
50:40And the award for Best Adapted Screenplay goes to...
50:59Dorothy Bennett with Liar's Game!
51:04Wow.
51:05Best Screenplay.
51:08What, shall I start calling you Your Majesty?
51:10I think that's a great idea.
51:12Why don't I start now?
51:15You deserve this.
51:17Your Majesty.
51:19Every bit of it.
51:20Now.
51:23Since you've won,
51:24I think this calls for a reward.
51:27Oh yeah?
51:30And what would that be?
51:33Me.
51:40You.
51:41No.
51:46Yeah.
51:46You.
51:49Mm.
51:50Nah.
51:51No.
51:51No.
51:51I think...
51:52Yeah.
51:52No.
51:52No.
51:53No.
51:53No.
51:54No.
51:54No.
51:54No.
51:54No.
51:58No.
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