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Mumbai: In an exclusive interview, actress Shweta Tripathi spoke about how the film celebrates the collaborative spirit of filmmaking, where directors, producers, festival teams, and storytellers come together to create meaningful cinema. Reflecting on both acting and producing, she said the project embraced challenges and creativity, showcasing the dedication of artists who constantly push boundaries. She added that OTT platforms have expanded opportunities for actors, writers, and technicians, offering greater creative freedom. Shweta also revealed her upcoming projects, including a horror film and a play.


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00:00Thank you. Thank you so much.
00:04What is the first time I've come here and I'm so happy because here's the energy, the people, the creativity is infectious.
00:19When you're with good people, you also have to realize something to show.
00:23So it's very good to see people's work, stories and the quality of everything.
00:30Goa means to take over in a place, it feels good.
00:35How do you feel about how do you feel about independent cinema?
00:40How do you feel about it?
00:44It's a soft corner for independent cinema.
00:48As people like commercial cinema, I also like more independent cinema.
00:55It's a very collaborative business.
00:58And you can't eat anything alone.
01:01So when you come here, you have so many directors, producers, festival people, different people from different departments
01:10who can help you, who can support you.
01:13So that's very important.
01:15The festival, we have to celebrate our culture, our film, our storytellers.
01:20Even conversations.
01:22Like I was talking earlier about this interview.
01:24A.I.
01:25This and not.
01:26All the things that you have to do from morning to morning to morning, you're talking films.
01:29And I love that.
01:31How do you feel about the success of your emotional and professional level?
01:35How do you feel about your expectations?
01:37How do you feel about your expectations?
01:39I think the most expectations to manage that you have to be yourself.
01:42This is my own project.
01:44Every project is different.
01:45It's different.
01:46It's different.
01:47It's different.
01:48It's different.
01:49It's different.
01:50It's different.
01:51That's different.
01:52Your character is always grounded and weird, what do you want to do with everyday heroes?
02:04I think that they have dreams, they are used.
02:09They are used to talk to them, they are used to think, what they do.
02:15I have a lot of interest in them.
02:17What do you want to do with them?
02:24What do you want to do with them?
02:26First of all, thank you so much.
02:27Because your question is very big and better.
02:30I always think that my character is what is going through.
02:35What is going through in his heart and heart.
02:37And other things that you help externally.
02:40For example, music helps me a lot.
02:43So, I have a playlist of different artists in their emotional state.
02:47So, I help my songs.
02:49The smell, which is fragrance.
02:51So, my character has a different perfume.
02:54So, these are all things.
02:56And if you read so many books.
02:58So, the imagination gets stronger.
03:00That helps a lot.
03:02So, I would say that just explore, learn and enjoy.
03:06What do you want to do with your character?
03:08How do you want to explore the internal world?
03:10How do you want to explore any specific routine or method?
03:12What do you want to do with each character?
03:14So, there is a different way to approach each character.
03:18One thing which is constant is the music, the playlist.
03:21And the perfume.
03:23I do both things in each character.
03:25Another thing is also that the makeup.
03:28It doesn't happen to me that my character looks good.
03:31It doesn't happen to me that my character looks good.
03:32My character looks like a character.
03:33That's what I want to do.
03:34That's what I want to do.
03:35So, there are a lot of external tools that you can use internally.
03:40What do you say?
03:42To regulate it.
03:43Yes.
03:44To regulate it.
03:45And there are a lot of things that you come from inside and that you can see outside.
03:49What do you want to do with your character?
03:50How do you want to balance your character?
03:55I do it where I will be.
03:56I think even if I become a producer.
04:02I want to tell stories that are challenging.
04:07That will surprise you.
04:10That you can feel something that you want to see.
04:13So, even as an actor and producer,
04:14I really appreciate all these things.
04:18I think a human responsibility is that you are telling the stories that we live in a bubble.
04:34So it's very important that you get out of the bubble and see what's happening in the city, in the country, in the world.
04:40Because if you don't know what's happening, then how do you do that solution, any change that you want to bring.
04:46And that's what I love about art and cinema.
04:49You have to open the eyes, open the eyes and eyes.
04:54OTT has restored stories and characters.
04:57Do you think that OTT platform has expanded space for actors?
05:01Not just for actors, I think for writers, technicians, cast crew, all of them.
05:07OTT, I would say that it's a shrine.
05:10Because it's not just employment, it's a good job.
05:15You know, because as creators, we are hungry.
05:19We are hungry, we are hungry, we are hungry, we are hungry.
05:21So OTT has given me that.
05:22I have given Gajgamani Gupta.
05:23So I like OTT.
05:25Yes, if a government gets successful,
05:27there are muitos of those who talk about this.
05:28We don't have to ask for profit,
05:29in fact, it's negative negative and negative.
05:30Prophet, if you tell me,
05:32how do you find the industry do change ?
05:35The industry changes are going before the country change?
05:37The country will change specifically for the country as well.
05:39It will be changed in fact.
05:40If you say the country will change from the country,
05:42and the country will change from the country as well.
05:43The industry will change when the country will change.
05:46The country will change and the industry will also change.
05:50What do you think of creative freedom?
05:55Luckily, I have worked on the main stream.
05:59There is also a creative freedom.
06:01Because it is a collaboration.
06:03So, the conversation is very important.
06:05To talk to your director, to talk to your producer, to talk to your writer.
06:08To understand that if there is something, then why?
06:11So, I think that conversation, no matter whether it is independent or commercial,
06:14it is very important.
06:16In the long term storytelling, I know very much about that.
06:20The character has a lot of dynamics.
06:22So, how do you think of your performances in format?
06:26I do think of the script.
06:28Because in the script, we take those things,
06:31as you know, as you know, you have to mold it.
06:35So, the requirement is that we are servicing that project, that story.
06:40So, we have to justice that.
06:42So, I think that what the writer and director have written,
06:45what they have imagined,
06:49I will either match it or make it better.
06:52So, what are the characters in the script?
06:53How do you think of your production?
06:54What do you think of your production?
06:55How do you think of your production?
06:56How do you think of your production?
06:57How do you think of your production?
06:59Yes, 100%!
07:00I don't know that I will act all of them,
07:02or I will act all of them,
07:03because it is wonderful.
07:05But I will be acting in,
07:07where I think I should be cast.
07:09Because I was casting with Shabda.
07:13So, I have learned a lot from them.
07:15So, casting is almost like matchmaking.
07:18So, I want to try different things,
07:20because I want to try different things,
07:22because I want to try different things,
07:24and I want to try different things,
07:25and I want to do different things.
07:28So, casting is very important.
07:30So, the following match will be important.
07:32So, the following match will be important.
07:34What do you think of your production vision?
07:36What do you think of your production vision?
07:38What do you think of your production vision?
07:40What do you think of your production vision?
07:42All of that.
07:44Because I want to try different things.
07:47Because when you try it,
07:48you get to understand that the most fun is coming to you.
07:52And what is it fun of eating yourself,
07:54and what is it fun of eating others?
07:56So, there are two things that are very important for me,
07:58which is relevant stories and engaging stories.
08:01In the industry,
08:03how do you maintain your motivation?
08:07It's difficult.
08:08But, if you get the right people,
08:10just like I have come here with my writer and director,
08:12they are also passionately driven.
08:15So, when you get the right people,
08:17you get the right people,
08:18then sometimes,
08:19if you feel like this,
08:21you will get the right people.
08:23How do you get the right people?
08:25How do you shape the production vision?
08:27Are you even more likely to the production vision?
08:29This is a month from me and I also love the stage and I also love the stage and I also love the place to produce for 15 years.
08:41So this was the case that I didn't tell and why don't wait for someone else to do something good.
08:47Let's take matters in our own hands and come on.
08:51We have talked about casting directors, so we have done a good job in this industry.
08:56You can see the panel. You can see it.
08:59We also need to work with the casting directors.
09:01But I am so grateful for casting directors.
09:04Because we have done so much acting, that we do so much.
09:09Your questions are very important.
09:11And what you say is correct.
09:13I am doing casting, I am learning the casting.
09:17Because I am doing different directors.
09:19I was at Rockstar, Ferrari, Monsoon Shootout.
09:24different different directors, when you learn different things,
09:27everyone has different approach.
09:29So definitely my acting, and especially thanks to Amit Kumarik,
09:33who is the director of Monsoon Shootout.
09:35I give a lot of credit,
09:38that whatever you know,
09:40because of these people.
09:42So that's definitely an advantage.
09:44Which was unknowingly, this wasn't my plan.
09:46Which is why I feel like you are doing a good job.
09:48When you are doing a good job,
09:50you will get good with yourself.
09:52And casting was that.
09:53I was more into casting, because I was doing theatre.
09:55And I thought that there are so many theatre actors,
09:58who need to be seen.
09:59And maybe people don't know them.
10:01So I wanted to be that bridge.
10:03So that's what I wanted to do.
10:05Shweta, if you want to see the future,
10:08you will see the future.
10:10And what will you see in the future?
10:12It's a lot of exciting work.
10:15Is it a horror film?
10:17Yes, yes.
10:19The film is complete,
10:20and the film is complete.
10:22Mirzapur,
10:23I would say,
10:24it's been 50% shoot.
10:26It's been happening until the next year.
10:28I will wait to announce Excel.
10:32But my next paycheck will probably not come.
10:36I'm joking of course.
10:37But no,
10:38they will be announcing soon.
10:39And I think,
10:40in one year,
10:41it will be coming.
10:42I will tell you,
10:43I will tell you,
10:44when it's released.
10:45I will tell you,
10:46I will tell you,
10:47some changes.
10:48What are some changes?
10:49Some changes,
10:50because you will see the big lights.
10:51So many other changes will be fun.
10:53There will be a lot of changes.
10:54There will be a lot of changes,
10:55and CTV.
10:56That's my guarantee.
10:57What are some changes?
10:58What are some changes?
10:59What are some changes?
11:00It's a horror film.
11:01We are producing features now.
11:03We are producing the stage.
11:05We are producing the show.
11:06There are also shows Tuesday and Wednesday.
11:08There is a song called Cock.
11:11That's happening.
11:12And then,
11:13our horror film is called Nava.
11:15And another film is called Nava.
11:17It's another film,
11:18which is a love story.
11:20Two girls.
11:22So they are Tilotma and myself.
11:24Its director is Sonjoy Nag,
11:26who has been a national award winning director and writer.
11:29They are directing it.
11:31And the other film is the horror film.
11:33Its director is Anshul Chauhan.
11:35And written by Akash Mohimun.
11:37Which I met in the theatre,
11:38which are my very special friends.
11:39So in the life,
11:41you get to meet people with good people,
11:42and then you do a good job.
11:44Just like you.
11:48I would like to say,
11:49please,
11:50watch good content.
11:51Because when you watch it,
11:52it's almost voting.
11:53So if you watch good content,
11:55we will make good content.
11:57So please,
11:58support Good Cinema.
12:00So please support Good Cinema.
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