- 2 days ago
Category
🎥
Short filmTranscript
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00:03:30for fiber hair skin anything and everything what are you doing here nadino sent me it's my case now
00:03:35called the hell it is i got this under control she's number four four women thrown out of their
00:03:42high-rise windows doesn't sound like much is under control colton yeah
00:03:51a 14 carat white gold charm bracelet sells at 120 at tiffany's popular item can't trace the buyer
00:03:59just like the rose it's a signature keep it from the press this isn't gonna work it doesn't have to
00:04:07i always like working alone
00:04:19i just think it's important to be prepared i mean there are creeps everywhere meg and it's just a
00:04:29matter of time before you know
00:04:35i can't even say it all this policing is still too late
00:04:41it'd be a joke if more so sad that's why i enrolled in the self-defense class
00:04:46so we'll have a feeling we're on our own in this one nine stories i i just can't imagine what that'd be like
00:04:55i wonder if she screamed what
00:05:04good evening mrs stringer off to your portrait class yes my dear food for the soul good night
00:05:25good night
00:05:38it's me it's me it's me it's greg greg what are you doing here i let myself in
00:05:56i fell asleep waiting for you are you okay i could have killed you look you're not supposed
00:06:00to be here i should have called i'm sorry greg we are not together anymore you can't just come
00:06:07over here whenever you feel like you shouldn't even have that key anymore you're right i'm sorry
00:06:10it was the wrong thing to do look i want us to be friends but we've been through this i miss you
00:06:18don't make this harder than it has to be i don't want to have to ask you to leave
00:06:25here it is henry sadowski lives over in west 70th i guess he went out with her for a while until she
00:06:30dumped him for some other guy friends say he's pretty weird a real piece of work what's his old
00:06:35boyfriend got to do with this are we to believe that he was involved with the other three as well
00:06:38it's a lead yeah well i suppose you got something better right is that what you're trying to say to
00:06:43me yeah excuse me for interrupting the city would appreciate if the two of you would temporarily
00:06:48shelve your personalities and prioritize this case i talked to the chief let me straighten this out for
00:06:54you you're both on the case listen sir i really don't think colton your star shines bright since the
00:07:02bontillera raid but you're new to homicide this case is ugly hey if i'm the designated fall guy
00:07:07why don't i go this alone sir lazaro what happened with the sunrise strangler is not that far behind
00:07:13you i know that no matter what happens colton won't fold but he lacks an experience he makes it for
00:07:18instability between the two of you you make a hell of a cop that'll be all you're dismissed
00:07:27the city sleeps with an open eye perhaps more vigilant than ever for on this evening we must report
00:07:33yet another in a seemingly endless string of serial murders another young woman the fourth has been
00:07:39hurled out of her high-rise apartment plummeting into the night to a horrible death the police have
00:07:44little to say except that the suspect picks only blonde women and throws them out of windows of high
00:07:50high-rises no one in nine stories other than these few facts the police are keeping a tight lid on
00:07:57information available to us police have secured the area
00:08:01so
00:08:11so
00:08:13so
00:08:15so
00:08:21so
00:08:59Can you get a picture over here?
00:09:19Hello?
00:09:21You look unhappy.
00:09:24I don't know if you're always unhappy, but you look unhappy tonight.
00:09:30Hey, guys.
00:09:31You came here to cheer up, but you never come to these kinds of places.
00:09:39I can tell by the way you are gripping the wine glass.
00:09:42You look like you're riding on a subway.
00:09:45Well, there you are, all glum, and it just seems so pointless.
00:09:49All these happy people to the left of you, to the right of you.
00:09:52Happy, happy, happy people everywhere.
00:09:54But nobody knows you're there.
00:09:57But you did.
00:09:58Uh, yes.
00:10:00That's because I'm unhappy, too, just like you.
00:10:03Sad but true.
00:10:04We're meant for each other.
00:10:06Who are you?
00:10:07I am Paul.
00:10:13What are you?
00:10:15A miserable person.
00:10:20I'm Nick.
00:10:22Another miserable person.
00:10:24And you're restless, aren't you?
00:10:30Aren't you?
00:10:32Well, I have the perfect antidote.
00:10:36Adventure.
00:10:38Hello, room service.
00:10:39I'd like to have dessert sent up to room 785, please.
00:10:43I will have one creme brulee, a piece of chocolate cake.
00:10:48With vanilla ice cream.
00:10:50With vanilla ice cream.
00:10:51And two cappuccinos.
00:10:54Oh, and do me a favor.
00:10:55Could you just leave it outside the door, please?
00:10:57We don't wish to be disturbed.
00:11:13You're not going to stick to this guy, are you?
00:11:25Well, it's not an adventure if we pay.
00:11:31Excuse me.
00:11:33You dropped 20 bucks.
00:11:35It's yours.
00:11:43This is beautiful.
00:11:47Yeah.
00:11:51Do you think anyone's watching us?
00:11:56I never knew my father.
00:11:59My mother died when I was young.
00:12:01I'm sorry.
00:12:02It must have been very hard.
00:12:05Well, who can say they had a perfect childhood?
00:12:10I can say that again.
00:12:10The truth is, I kind of miss being a kid.
00:12:15Come with me.
00:12:18Where are you?
00:12:19Come with me.
00:12:22Watch your stuff.
00:12:37Meg, what are you doing?
00:12:39Meg, don't worry.
00:12:42I've lived on the edge so long, I've just about made friends with it.
00:12:45Come down.
00:12:48When you were kids, you just dreamed you could fly.
00:12:51I did.
00:12:53I still do.
00:12:55Come on, take my hand.
00:12:56Come on.
00:12:56Don't lie, Henry.
00:13:07Your name is on our speed dial.
00:13:12Sure, I dated Rebecca.
00:13:14A couple months ago.
00:13:15Why did it end?
00:13:17I don't know.
00:13:18Well, she's seen some jerk inside.
00:13:25Turned out she liked him better, I guess.
00:13:31Henry.
00:13:33Henry.
00:13:41Are you violent with her, Henry?
00:13:42Hey, I didn't hurt her.
00:13:46I loved her.
00:13:48We'll call you if we have any further questions.
00:13:52You can go now.
00:13:53When I give my heart
00:14:01It will be completely
00:14:06Or I'll never give my heart
00:14:18Oh, let me give my heart
00:14:21And the moment
00:14:24I can feel that
00:14:29You feel that way too
00:14:34You feel that way too
00:14:38When I'll fall in love
00:14:42I'll fall in love
00:14:43With you
00:14:47When I fall in love
00:14:56And I would ask you up, but
00:14:57It's okay
00:14:58I'm in no hurry
00:15:00It's good
00:15:02I'm not going anywhere
00:15:04Good night, Meg
00:15:07Good night
00:15:28I'm not going anywhere
00:15:29I'm not going anywhere
00:15:30I'm not going anywhere
00:15:30I'm not going anywhere
00:15:30I'm not going anywhere
00:15:31I'm not going anywhere
00:15:32I'm not going anywhere
00:15:32I'm not going anywhere
00:15:33I'm not going anywhere
00:15:33I'm not going anywhere
00:15:34I'm not going anywhere
00:15:34I'm not going anywhere
00:15:35I'm not going anywhere
00:15:35I'm not going anywhere
00:15:36I'm not going anywhere
00:15:36I'm not going anywhere
00:15:37I'm not going anywhere
00:15:37I'm not going anywhere
00:15:38I'm not going anywhere
00:15:38I'm not going anywhere
00:15:39I'm not going anywhere
00:15:39I'm not going anywhere
00:15:40I'm not going anywhere
00:15:41I'm not going anywhere
00:15:42I'm not going anywhere
00:15:43I'm not going anywhere
00:15:44I'm not going anywhere
00:15:45I'm not going anywhere
00:15:46I'm not going anywhere
00:15:47I'm not going anywhere
00:15:48ORCHESTRA PLAYS
00:16:18ORCHESTRA PLAYS
00:16:48ORCHESTRA PLAYS
00:17:18ORCHESTRA PLAYS
00:17:24ORCHESTRA PLAYS
00:17:26ORCHESTRA PLAYS
00:17:32Meg, what's with the huge grin?
00:17:43No, nothing.
00:17:44You fox, tell me everything.
00:17:46I want details.
00:18:02I want details.
00:18:32I want details.
00:19:03Good.
00:19:04Good.
00:19:05You see how she kept her head?
00:19:07She tucked, she dropped, and she ran.
00:19:10That's what you want to do.
00:19:11Run and survive.
00:19:13Anybody else want to try?
00:19:15Hey, Meg, why don't you try?
00:19:16You could save your life.
00:19:18I'm just here to watch, remember?
00:19:21She's right.
00:19:22Give it a try.
00:19:24I really don't think it's a good idea.
00:19:26Meg, he's not really going to hurt you.
00:19:27It's just practice.
00:19:28Just try it.
00:19:29Come on.
00:19:30It'll be fun.
00:19:31Come on.
00:19:31Come on.
00:19:31It'll be fun.
00:19:31I don't care.
00:19:34I don't care.
00:19:40I don't care.
00:19:42I don't care.
00:19:42It's okay.
00:19:43Oh
00:20:13Oh, relax.
00:20:15I'm sorry.
00:20:16I'm sorry.
00:20:18Mag, he said he was all right.
00:20:19He just didn't expect it.
00:20:21Neither did I.
00:20:22I don't even know why I let you drag me to that class
00:20:24in the first place.
00:20:25I can take care of myself.
00:20:26Well, I'm sorry.
00:20:27I just thought a self-defense class would have been a good idea,
00:20:29especially with everything that's going on.
00:20:31I scared myself.
00:20:32I could have killed him.
00:20:33Well, you didn't, OK.
00:20:34So?
00:20:35So?
00:20:37Again, it appears that another young woman
00:20:40has been pushed to her death from her apartment window.
00:20:42A tragic event that will only escalate
00:20:44our city's growing sense of outrage and panic.
00:20:48We're looking at a ritual killer, obsessive,
00:20:50doing what he needs to do, reenacting something,
00:20:53some kind of past trauma.
00:20:54You look worried.
00:20:58I thought that you need to learn to trust someone.
00:21:04Come on.
00:21:05Meg!
00:21:06I thought it was you.
00:21:07Greg, what are you doing here?
00:21:08Oh, I'm just going in for a drink.
00:21:09Listen, I'm glad I ran into you.
00:21:10I feel really badly about the other day.
00:21:11You know, the last thing I meant to do was hurt you.
00:21:14Paul, this is my friend Greg.
00:21:15Please do me.
00:21:16Say, did you get that gift I sent you?
00:21:17Look, Meg and I were just going to go.
00:21:18Oh, don't rush off.
00:21:19Now, join me for a drink.
00:21:20Look, it's clear that you two have some things to straighten out.
00:21:22Good night, Meg.
00:21:23Did I say something wrong?
00:21:24Oh, I'm just going in for a drink.
00:21:25Oh, I'm just going in for a drink.
00:21:26Listen, I'm glad I ran into you.
00:21:27I feel really badly about the other day.
00:21:28You know, the last thing I meant to do was hurt you.
00:21:29Paul, this is my friend Greg.
00:21:30Please do me.
00:21:31Say, did you get that gift I sent you?
00:21:33Look, Meg and I were just going to go.
00:21:34Oh, don't rush off.
00:21:35Now, join me for a drink.
00:21:36Look, it's clear that you two have some things to straighten out.
00:21:39Good night, Meg.
00:21:40Did I say something wrong?
00:21:49He's really a nice guy.
00:21:54He's just having trouble accepting the fact that we're over.
00:21:57I'm sorry.
00:21:58Don't be sorry.
00:21:59He seems like he really cares for you.
00:22:01There's nothing going on between us anymore.
00:22:04I promise.
00:22:07So where do you want to go?
00:22:09Let's go downtown.
00:22:10See what happens.
00:22:12I'm sure there's a place with people more miserable than us.
00:22:19Oh, my pain.
00:22:28My pain, my pain.
00:22:35Could we have tried any harder?
00:22:37What more could we have gained?
00:22:40I may never reproach you again.
00:22:49Ever.
00:23:01She's my neighbor.
00:23:02There was a young man from Nantucket.
00:23:05I mean, I could be pretty sure they were in the way, I don't care about it.
00:23:15I don't care about it.
00:23:17I can't.
00:23:18I can't.
00:23:19I can't.
00:23:20I can't.
00:23:21I can't.
00:23:22I can't.
00:23:23I can't.
00:23:24It's going too long.
00:23:26I can't.
00:23:29I can't.
00:23:31You don't have to talk, Colton.
00:23:51He'll come. He will. I saw the matchbook.
00:23:54For the record, I think what happened on the Sunrise Strangler case could have happened to anybody.
00:24:03Okay? Truce?
00:24:06Sure.
00:24:07I just think it was luck of the draw.
00:24:10A witness died because I missed the beat.
00:24:13It was my case. I missed the beat.
00:24:16From where I sit, I don't think luck has much to do with it.
00:24:20For the record, I don't believe what they said.
00:24:23Believe what you want.
00:24:24Hey, just let my feeble little mind try to put some words together, all right?
00:24:29I don't think you set the witness up as bait.
00:24:32I just don't believe you did.
00:24:40Why?
00:24:42Because.
00:24:45If you'd planned it, you would have done something other than fall apart.
00:24:50You would have gotten meaner, not weaker.
00:24:51I don't think it was bad luck.
00:24:54It's all wrong.
00:25:06The whole place is wrong.
00:25:08Bingo.
00:25:18This is all wrong.
00:25:20The whole place is wrong.
00:25:23There's not one blonde in this place.
00:25:25Besides, this is punk.
00:25:28All of our women have been professionals.
00:25:30Offscale.
00:25:38I'm sorry.
00:25:39I'm sorry.
00:25:40I'm sorry.
00:25:41I'm sure you're going to make a light.
00:25:43I'm sure she's going to make a light.
00:25:45I'm sorry.
00:25:46I'm sorry.
00:25:47I'm sorry.
00:25:48I'm sorry.
00:25:49I'm sorry.
00:26:00Light, please.
00:26:01Sure.
00:26:09Yeah, can I have something to drink, please?
00:26:12Min or water?
00:26:13Okay.
00:26:14Thanks.
00:26:24Sure's messy.
00:26:25Excuse me?
00:26:26Your divorce.
00:26:30I guess they always are.
00:26:33Otherwise, why get a divorce?
00:26:38That's true.
00:26:39Here's to you, kid.
00:27:08Here's to you.
00:27:34Go away.
00:27:38Tom.
00:27:42My life is but a speck of dust wavering in the wind.
00:27:47You cradle me with your love and keep me safe.
00:27:51Who can say we've sinned?
00:27:53Well, I, uh...
00:27:55Are you always this nervous?
00:27:58Actually, I'm just, uh, distracted.
00:28:02Well, maybe I can help.
00:28:09Let's cut to the chase.
00:28:12When we're seasoned veterans, aren't we?
00:28:15That's the new recruits waste their lives tentative and afraid.
00:28:20You're responsible.
00:28:25The guy with the blonde.
00:28:26What's he drinking?
00:28:27Why?
00:28:28Because I wanna know.
00:28:30Look, it's obvious he's over 21, okay?
00:28:33Why is nothing easy?
00:28:35Just tell me what he's drinking.
00:28:38Same thing as always.
00:28:40Mineral water and a martini glass for himself, a tequila shooter for the lady.
00:28:43I have seen him do it a lot.
00:28:46He loses up the ladies.
00:28:52You seem like the kind of man who...
00:28:55...seeks balance, a sense of equanimity.
00:28:59I lighted up a good front.
00:29:03Why are you smiling?
00:29:07I find myself aroused by good vocabulary.
00:29:16I looked out through my veil and I...
00:29:20I thought I could see my whole life ahead of me.
00:29:22For that moment, just that moment, I was part of a perfect myth.
00:29:29Why me?
00:29:30I was exquisite to believe like that.
00:29:32However...
00:29:34Anyway, sorry.
00:29:36I, uh...
00:29:38God, I rattle on sometimes, don't I?
00:29:40No, no, no, no, no, no. I heard every word, huh?
00:29:46I have to go now.
00:29:52Oh?
00:30:06Oh, data zg!
00:30:16I hear dos!
00:30:20I know.
00:30:21Huh?
00:30:26I'll bet you it goes tonight.
00:30:30Damn.
00:30:31No!
00:30:35It can't be!
00:30:37It can't be!
00:30:50Henry!
00:30:59Henry!
00:31:01Henry!
00:31:06Freeze!
00:31:17Petty theft. Good work, Colt.
00:31:22This is my attempt at poetry.
00:31:26Oh, this is amazing.
00:31:27I had no idea.
00:31:30I had no idea.
00:31:31Hey, this thing's been acting up lately. I'll have to call the super.
00:31:36Hey, this thing's been acting up lately. I'll have to call the super.
00:31:37Hey, this thing's been acting up lately. I'll have to call the super.
00:31:41Hey, this thing's been acting up lately. I'll have to call the super.
00:31:42Hey, this thing's been acting up lately. I'll have to call the super.
00:31:46Hey, this thing's been acting up lately. I'll have to call the super.
00:31:47Hey, this thing's been acting up lately. I'll have to call the super.
00:31:51Hey, this thing's been acting up lately. I'll have to call the super.
00:31:52Hey, this thing's been acting up lately. I'll have to call the super.
00:31:58Hey, this thing's been acting up lately. I'll have to call the super.
00:32:05Oh, my God.
00:32:35Oh, my God.
00:33:05Oh, my God.
00:33:35Oh, my God.
00:33:37Oh, my God.
00:33:39Oh, my God.
00:33:41Oh, my God.
00:33:43Oh, my God.
00:33:45Oh, my God.
00:33:47Oh, my God.
00:33:49Oh, my God.
00:33:51Oh, my God.
00:33:53Oh, my God.
00:33:55Oh, my God.
00:34:03Oh, my God.
00:34:05Oh, my God.
00:34:13Oh, my God.
00:34:15Oh, my God.
00:34:17Oh, my God.
00:34:19Oh, my God.
00:34:21Oh, my God.
00:34:23Oh, my God.
00:34:25Oh, my God.
00:34:27Oh, my God.
00:34:29Oh, my God.
00:34:31Oh, my God.
00:34:33Oh, my God.
00:34:35Oh, my God.
00:34:37Oh, my God.
00:34:39Oh, my God.
00:34:41Oh, my God.
00:34:42My, for your wife
00:34:43to tell her there was a big drip on one of the legs.
00:34:44I got the commendation.
00:34:45You know, it must be quite a weight on your shoulder
00:34:47to the smartest guy in every room.
00:34:49Right now, Colton,
00:34:51I'm afraid it is.
00:34:53Oh, go ahead and hit it.
00:34:59Go on, hit it.
00:35:23Go on, hit it.
00:35:53Go on, hit it.
00:36:11Go on, hit it.
00:36:15Hmm...
00:36:45Pah?
00:37:15Come on.
00:37:45I'm sorry about it earlier.
00:37:55I didn't mean to.
00:37:56Well, you know, um, if you feel like talking or something,
00:37:58come up, OK?
00:37:59Yeah.
00:38:00I'm sorry about it earlier.
00:38:01I didn't mean to.
00:38:02Well, you know, um, if you feel like talking or something,
00:38:05come up, OK?
00:38:0610, 13 p.m.
00:38:19Meg, it's me again.
00:38:20Look, I really want to talk to you.
00:38:22I don't care what time it is when you get home.
00:38:24Just give me a call.
00:38:2611 p.m.
00:38:29Meg, I'm sick of playing games.
00:38:31You're probably sitting there listening to me.
00:38:33I'm so sorry.
00:38:53About what?
00:38:56I thought you could be different this time.
00:38:59I thought that you'd be different.
00:39:02I wanted this to work.
00:39:04What are you talking about?
00:39:06I don't understand.
00:39:10I mean, whatever it is, you can tell me, right?
00:39:15Where's the bracelet?
00:39:17Bracelet?
00:39:18The bracelet I gave you.
00:39:20She was right about all of you, wasn't she?
00:39:24All of you.
00:39:26Paul, what are you doing?
00:39:29You're scaring me.
00:39:30You're scaring me.
00:39:32I don't see you.
00:39:41Oh, my God.
00:39:43No!
00:39:44Oh, my God!
00:39:46Oh, my God!
00:39:48Oh, my God!
00:39:50Oh, my God!
00:39:51Oh, my God!
00:39:53Oh, my God!
00:39:55Oh, my God.
00:40:25Oh, my God.
00:40:55Oh, my God.
00:41:25Oh, my God.
00:41:55Oh, my God.
00:42:25Oh, my God.
00:42:55My name's Dr. Murphy.
00:42:56I'm a neurologist.
00:42:57I know I look after you.
00:42:58I don't know anything about him.
00:43:02I just know that she was happy.
00:43:04Or she seemed happy.
00:43:05Dr. Chan and Dr. Allen.
00:43:07Dr. Murphy?
00:43:08Yes?
00:43:08Yes, Lieutenant.
00:43:10Yes, Lieutenant.
00:43:10Dr. Murphy, you've got to talk to me.
00:43:11Uh-huh.
00:43:12I have to interview her as soon as possible.
00:43:14She's the only witness I've got.
00:43:16Lieutenant, right now, she wouldn't be able to tell you her own name.
00:43:19I mean, she hasn't had an actual skull fracture, but she's got one heck of a concussion.
00:43:24So, frankly, it's out of my hands.
00:43:26Yes, you're just going to have to wait.
00:43:27Yes, Dr. Gelfand.
00:43:30Dr. Gelfand to attorney.
00:43:33Dr. Gelfand.
00:43:34She'd been seeing him for about two weeks, I think.
00:43:41What was his name?
00:43:44Paul or something.
00:43:47What did he look like?
00:43:49I don't know.
00:43:50He was, uh, he was a handsome guy, I guess.
00:43:54You think you could describe him to a police artist?
00:43:56Maybe.
00:43:56Look, I didn't really get a good look at him.
00:43:58What about you and Meg?
00:44:00We were friends.
00:44:02Sounded like you were pretty upset on her answering machine.
00:44:05Sounded like you wanted more.
00:44:07I was worried about her.
00:44:08Yeah.
00:44:09People do the damnedest things when they're jealous, don't they?
00:44:11Hey, I didn't do anything.
00:44:13Who said you did?
00:44:15Where were you last night, Greg?
00:44:17Here.
00:44:18In bed.
00:44:20Alone.
00:44:22Can you tell me your name?
00:44:25Meg.
00:44:27Great.
00:44:28Good.
00:44:28Can't you remember what happened?
00:44:31Meg, can you remember what happened just before you fell?
00:44:34I was at a Halloween party with my friend, Betsy.
00:44:45Okay.
00:44:46That's all for now.
00:44:47You get some rest.
00:44:49Halloween was over three weeks ago.
00:44:51Well, she has memory loss, okay?
00:44:53I mean, it's pretty common in cases like this.
00:44:56You get a severe trauma to the head, things get scrambled.
00:44:59And it's stuff from your recent past that doesn't get retrieved.
00:45:02The attack, her ability as a witness?
00:45:04Those events are buried deep inside her mind someplace, but we can't access it.
00:45:10Prognosis?
00:45:10I can't tell you that.
00:45:12I don't know.
00:45:13We don't know that much about memory.
00:45:14We don't know how it's stored, how it's retrieved.
00:45:17Symptoms like this could linger for quite some time.
00:45:20And she may never remember.
00:45:21Those are beautiful.
00:45:40I grew them myself.
00:45:41Not easy when the weather is this cold.
00:45:44Lieutenant Frank Lozaro, can I take you for a walk?
00:45:48Look for another view?
00:45:51If you're up to it, I'd like for us to talk.
00:45:54If it's just the same to you, I think I'd rather be alone.
00:46:03We've got a lot to discuss.
00:46:07First, you being a witness.
00:46:09I don't remember anything.
00:46:11Okay.
00:46:12I still need your help.
00:46:14The press is clamoring to talk to you, and we'd rather that you don't let that happen.
00:46:19The day I take orders from you, Lieutenant, is the day I join the force.
00:46:23Listen, I'm just looking for a little cooperation.
00:46:26What does it matter what I think?
00:46:27You're going to do what you want anyway.
00:46:29Maybe you need to rest.
00:46:30I'll come back another time.
00:46:32I wish you wouldn't.
00:46:33Did anybody ever teach you that cops are the good guys?
00:46:38Guys, what is the matter with you?
00:46:43I'd just like to get things clear.
00:46:46Are you behaving this way because you can't remember, because your head hurts, or because
00:46:52you don't like me?
00:46:56Meg, there's a very, very dangerous man out there, and you can help.
00:47:06Dr. Rosenberg, please proceed to cardiology.
00:47:14Okay.
00:47:18If you change your mind, or your mind changes, or however it goes,
00:47:24call me.
00:47:31Paging Dr. Smith, Dr. Smith to maternity, Dr. James to maternity, Dr. James to maternity.
00:47:38They're called sterling silver roses.
00:47:42They're following a class of hybrid tea.
00:47:43They were hybridized by Gladys Fisher in 1957, distributed by Jackson and Perkins.
00:47:47The bud is long and tapered.
00:47:49To be sure, flower is a medium size of about three and a half inches in diameter.
00:47:54They're laminar by day.
00:47:56None of them are moonlight.
00:47:57They look silver.
00:47:58You ever play team sports in your kid?
00:48:01Never.
00:48:01It shows.
00:48:03Meg Crane isn't leveling with us.
00:48:06Patronize me, oh great one.
00:48:07Please, tell me why.
00:48:09Well, she was nasty, put off, caustic, noxious, all because I told her I was a cop.
00:48:14Oh, you think she reacted that way because of your profession?
00:48:17I'm gonna find out about that little girl.
00:48:19Oh.
00:48:23Homicide, Colton.
00:48:25Yeah?
00:48:28Yeah?
00:48:31Uh-huh, okay.
00:48:38I know something you don't.
00:48:41Hmm.
00:48:44Meg Crane is talking to a reporter at the hospital right now.
00:48:52What the hell have you done?
00:48:54You just may have cost us this case.
00:48:57I don't think it's any of your business.
00:48:59Is this your chance for a little fame?
00:49:02Get out.
00:49:03Excuse me.
00:49:04I'm Tim Colton.
00:49:05We're partners.
00:49:06I'm civilized.
00:49:06He's not.
00:49:07Can we talk?
00:49:08No.
00:49:11Listen, I think it was very brave of you to try and warn other women.
00:49:15This is a very big case.
00:49:17The police like to believe they control what's fed to the media.
00:49:20Well, I don't think that's my problem.
00:49:21Who sent you these?
00:49:24I don't know.
00:49:25They came without a card.
00:49:27Now, if you will both please leave.
00:49:29I'm tired.
00:49:35I'll go all the way to Nardino on this.
00:49:37I want this girl under 24-hour surveillance.
00:49:39Fine.
00:49:39Undercover steakhouse.
00:49:40Forget it.
00:49:41I want a uniformed cop with a big gun.
00:49:43Plain as day.
00:49:44I'm not taking any chances on this.
00:49:46What are you talking about?
00:49:46What chances?
00:49:47I don't like this.
00:49:49If anybody should know better, it should be you.
00:49:51What do you say?
00:49:52She's bait.
00:49:54I want to set her up.
00:49:56Yeah.
00:49:56That's exactly what I'm saying.
00:49:58I want her under 24-hour surveillance.
00:50:00Plain as day.
00:50:02We're fooling around on this.
00:50:03Are you okay?
00:50:32Yeah.
00:50:33I'm fine.
00:50:35And that's just what she's done.
00:50:37We're going to have our interview with this very special and lucky young woman who in
00:50:41every sense of the phrase has been plucked from the jaws of death.
00:50:46I'm doing all right.
00:50:47I still have a headache.
00:50:49We'll just say that we'll go away in a few days.
00:50:52You're a very lucky girl.
00:50:53Isn't this the nightmare everyone worries about?
00:50:56Yes, I'd have to say it is.
00:50:58But I'm lucky.
00:50:59A terrible thing has happened to me, and I'm very lucky to be here.
00:51:02I'm very lucky to be alive.
00:51:04But I'm talking now because I want women to know how I feel.
00:51:08What do you remember?
00:51:11I don't remember anything.
00:51:13I couldn't even tell you what he looked like.
00:51:15I just know that I loved him.
00:51:18And I'm still here.
00:51:20I'm alive.
00:51:21Are you afraid he'll come back?
00:51:23I doubt he will.
00:51:25It's like lightning.
00:51:26Would it strike twice?
00:51:28I doubt it.
00:51:30But if he does, well, I'll just take it one step at a time.
00:51:33What is your next step?
00:51:35I'm going home.
00:51:37That apartment is my home, and he's not going to take it away from me.
00:51:39You're crazy for coming back here.
00:51:53I'm crazy for a lot of things.
00:51:57So good to have you back.
00:52:00It's good to be back.
00:52:01It's good to be back.
00:52:30It's good to be back.
00:53:00Why don't you come and stay with me?
00:53:11Let's see.
00:53:11Go.
00:53:12I'll be fine.
00:53:13Are you sure?
00:53:14Yes.
00:53:15Okay, tomorrow.
00:53:16Promise?
00:53:17Yes, I promise.
00:53:18Now go.
00:53:19Okay, call me.
00:53:20Okay.
00:53:30I'll be fine.
00:53:31I'll be fine.
00:53:32I'll be fine.
00:53:32I'll be fine.
00:53:33I'll be fine.
00:53:33I'll be fine.
00:53:34I'll be fine.
00:53:35I'll be fine.
00:53:35I'll be fine.
00:53:36I'll be fine.
00:53:37I'll be fine.
00:53:37I'll be fine.
00:53:38I'll be fine.
00:53:39I'll be fine.
00:53:39I'll be fine.
00:53:39I'll be fine.
00:53:40I'll be fine.
00:53:41I'll be fine.
00:53:41I'll be fine.
00:53:42I'll be fine.
00:53:43I'll be fine.
00:53:44I'll be fine.
00:53:45I'll be fine.
00:53:46I'll be fine.
00:53:46I'll be fine.
00:53:47I'll be fine.
00:53:48I'll be fine.
00:53:49I'll be fine.
00:53:50Oh, my God.
00:54:20If she's hiding something, she's doing a hell of a job.
00:54:25There's nothing on this woman.
00:54:28Tax returns, school, work history.
00:54:32She's as run-of-the-mill as it comes.
00:54:34Nothing stands out.
00:54:37Clean and boring.
00:54:38She's being guarded.
00:54:41Not well enough.
00:54:43We should pack her up and take her out of state.
00:54:46Nope.
00:54:47There's more to her than we know.
00:54:49But if she wants this, she's ready for it.
00:54:54Clean and boring Meg Crane.
00:54:59Who are you?
00:55:01Please pick yourself.
00:55:06Amen.
00:55:16God.
00:55:19Can I help you?
00:55:42Sometimes it gets stuck a little.
00:55:45Works every time.
00:55:50Bless you.
00:56:05You just keep checking out it for me, okay?
00:56:07What do you got? I'll talk to you later.
00:56:09Well, her real name isn't Meg Crane.
00:56:13It's Norma Markham.
00:56:14Uh-huh, yeah. What else?
00:56:16Is her father died when she was two?
00:56:18Mm-hmm.
00:56:19Mother died when she was nine.
00:56:20Doesn't say anything about foster care.
00:56:22Look at that.
00:56:24She's got life insurance.
00:56:27And one beneficiary, uh, the Children's Defense League.
00:56:30That's weird, isn't it?
00:56:32Mm.
00:56:32A 23-year-old with life insurance?
00:56:35Hmm.
00:56:36Well, the more we know about her, the closer we get to him.
00:56:39Yes?
00:56:40Did I tell you about the most gorgeous guy that's up in men's room right now?
00:56:44No.
00:56:45His name is Nick.
00:56:48I don't know.
00:56:49I just, I can't control myself.
00:56:50It's like clockwork.
00:56:51Every time I see him stacking those jockey shorts, I just go out of my mind.
00:56:56I don't know.
00:56:57Do you think I should reprioritize my social life?
00:57:00I...
00:57:00Betsy, do I know that guy back there?
00:57:03One in the blue?
00:57:05Well, if you do, why haven't you introduced me?
00:57:09He's cute.
00:57:10And I'm fickle.
00:57:12He lives below me.
00:57:14Yeah, I saw him the other day.
00:57:17Looks like I know him.
00:57:18Tell everyone I said hi.
00:57:31All right.
00:57:31And be careful.
00:57:33Watch her.
00:57:35Bet you can't keep up with me.
00:57:36Let's go.
00:58:06Let's go.
00:58:36this thing's been acting up lately we'll have to call the super eric eric overton i just moved
00:59:04into 8c 8c isn't that where mrs stringer lives yes that's right i'm her nephew she actually just
00:59:11moved to san francisco really yeah ferling eddie ginsburg these voices beckon i suspect she's
00:59:16browsing through city lights as we speak i didn't get a chance to say goodbye i can send her your
00:59:23regards okay thanks it's funny how it worked out she was in such a hurry to leave i was looking
00:59:29for a place it worked out perfectly i had no idea take this i'm sure she would have wanted you to have
00:59:39it robert frost you like poetry i bet you do yes i do how did you know
00:59:47not the most relaxing run i get the strangest feeling like we've met someplace before
00:59:59i was thinking the same thing maybe it was another life take care
01:00:06one
01:00:20two
01:00:25two
01:00:27two
01:00:31one
01:00:35Well, you look good.
01:00:42I'm feeling good.
01:00:43I said I could take another week, but it's already been three, and I'm starting to go
01:00:46stir-crazy.
01:00:47Well, we've all missed you.
01:00:50I hope I remember how to do my job.
01:00:52That's assuming there was something to remember in the first place.
01:00:56That's not very nice.
01:00:57That was a joke.
01:01:00I'm lucky.
01:01:00A terrible thing has happened to me.
01:01:02I'm very lucky to be alive.
01:01:04I'm going home.
01:01:06That apartment is my home, and he's not going to take it away from me.
01:01:08I doubt he will.
01:01:10It's like lightning.
01:01:11Would it strike twice?
01:01:12I'm determined to live my life.
01:01:14I refuse to live in fear, you know?
01:01:16So I guess I'm just mad.
01:01:18I'm going home.
01:01:19I'm alive.
01:01:20I'm going home.
01:01:21That apartment is my home, and he's not going to take it away from me.
01:01:24He would have won if the answer were anything else.
01:01:26I am still here.
01:01:27I doubt he will.
01:01:29Kill him again.
01:01:29I'm alive.
01:01:30I'm alive.
01:01:31I'm alive.
01:01:32I'm alive.
01:01:32It's the strangest feeling.
01:01:35I mean, there are times when I feel like I've been there before, but I don't know why or
01:01:39when.
01:01:40With that guy in the corner of the room at the end of the day, I swear I know him.
01:01:44Well, maybe you just want to know him.
01:01:46Maybe.
01:01:47Ah-ha!
01:01:48See?
01:01:48That putty brain is not dented.
01:01:49Like this.
01:01:56I feel like I've seen this before, this painting.
01:02:01Maybe you have.
01:02:08I've seen this.
01:02:10You poor person.
01:02:12You're haunted by an ugly painting.
01:02:13Come on.
01:02:14I've seen this.
01:02:38I've seen this.
01:02:39Oh, my God.
01:03:09Oh, the road not taken by Robert Frost.
01:03:18Do you mind if I sit down?
01:03:22I'm worried about the road you've chosen.
01:03:25It's going to cost somebody that life, maybe your own.
01:03:30Norma Markham.
01:03:32You were a little girl, all of nine years old.
01:03:35You lived alone with your mother, and your father died when you were only two.
01:03:38I know the story, Lieutenant.
01:03:40Yeah, but you left me to run around and figure it out, so bear with me.
01:03:44Your mother was followed, harassed by some guy.
01:03:47An ex-lover, maybe. I don't know.
01:03:49Things were different then.
01:03:51Nobody paid much attention to a woman's cries for help.
01:03:55The police couldn't be bothered.
01:03:57Couldn't be bothered?
01:03:59He was one of them. He was a cop.
01:04:01They knew he was bad.
01:04:04They were probably taking bets on what he'd do.
01:04:06It was wrong, and there's no excuse for it.
01:04:11Saying that doesn't make any difference.
01:04:13It's a different world now, and I know I've been a nuisance to you.
01:04:18But we need your help.
01:04:20She was on the other foot.
01:04:22Yes, it is.
01:04:22And I know you want revenge for what happened to your mother, but it's too late.
01:04:27He broke down our door.
01:04:29He raped her, and then he killed her.
01:04:32And I saw it all.
01:04:34Meg, I know what it is to hang on to something so ugly that it rots you from inside out.
01:04:42Nothing good comes from it.
01:04:51He'll try to kill me again, won't he?
01:04:56Yes, I think he will.
01:04:59I hope he tries.
01:05:05I've gone this way before.
01:05:07The price is too much for everybody.
01:05:15But I'm telling you, this is different.
01:05:19You've been warned.
01:05:24Even if I wanted to help you, I can't.
01:05:35Yeah.
01:05:37Yeah.
01:05:39Yeah.
01:05:39Yeah.
01:06:07Who is it?
01:06:27Meg, it's me, Greg.
01:06:28Could you open the door?
01:06:30Look, I've been worried about you.
01:06:31You haven't returned my phone calls.
01:06:34Look, Greg, I just feel like being alone.
01:06:38Come on, Meg.
01:06:39Open up.
01:06:41Meg, don't lock me out like this.
01:06:43You shouldn't be alone after what's happened.
01:06:46Meg.
01:06:49Okay, I'll try to understand.
01:06:51I'll go, Meg, if that's what you want.
01:06:53But if you change your mind, if you want to talk, I'm here for you.
01:07:07Greg?
01:07:20Yeah?
01:07:21I'm Eric Overton.
01:07:22I live in Mike's building.
01:07:23That's a lot closer than I'll ever get.
01:07:25Yeah.
01:07:26I happen to see you standing outside her door.
01:07:28Oh, yeah.
01:07:29Mm-hmm.
01:07:30You know, I think I know how you feel.
01:07:32She's making you crazy, right?
01:07:34Something like that.
01:07:36I'm sorry.
01:07:37You look really familiar.
01:07:38Have we met?
01:07:38No, I can safely say we've never met.
01:07:41Oh, it must be one of those deja vu things.
01:07:44They say it's a chemical in your brain.
01:07:46Well, I know you.
01:07:53I remember.
01:07:55You used to have glasses, right?
01:07:57Yeah, I saw you and Meg the other night.
01:07:59You and Meg were outside.
01:08:00It wasn't me.
01:08:00Believe me, I wish it was.
01:08:03Oh, yeah, but, no, it wasn't me.
01:08:05You want a drink?
01:08:08You're buying.
01:08:09I'm drinking.
01:08:10Good.
01:08:11Bartender.
01:08:16Out for your morning jog, I see.
01:08:29I guess the clothes keep it away.
01:08:32You let clockwork every morning, 8.30 on the dot.
01:08:36A lot of discipline.
01:08:38So, how's the recovery going?
01:08:40Good.
01:08:41My advantage is to having a thick skull.
01:08:43I guess you're right.
01:08:50I work at home, so if you don't feel like company...
01:08:53Yeah?
01:08:54Look, don't be shy, okay?
01:08:56Okay.
01:08:57What?
01:08:58Hi.
01:09:00Nice shoes.
01:09:02I'm ready for you, Miss Crane.
01:09:05Yeah, okay.
01:09:07Here you go.
01:09:07Can we relax now?
01:09:23I found some newspaper clippings about the killings, some victims' photos, a couple of matchbooks and the bars he picked them up in.
01:09:30Looks like it's all here.
01:09:31Good.
01:09:33This is good.
01:09:34Because you guys were having a hard time making a stick with him.
01:09:41At least he ended it before anybody else got hurt.
01:09:47Sir.
01:09:47You don't, uh, look so happy.
01:10:07My mental illness prevents me from crying out in ecstasy.
01:10:12You know what I mean.
01:10:14He left no note.
01:10:15I don't buy it.
01:10:18I don't think this guy killed anybody, including himself.
01:10:23What can I do for you, Lieutenant?
01:10:41There's been a new development in the case.
01:10:52I'm sorry to have to tell you this.
01:10:56But Greg March committed suicide this morning.
01:11:01What?
01:11:01It appears from the evidence we found in his apartment that he was the killer.
01:11:16No, that doesn't make any sense.
01:11:18I'm curious.
01:11:24Why doesn't it?
01:11:29Because he...
01:11:31He was just a sweet, mixed-up guy.
01:11:38Is that just a feeling you have?
01:11:40Nothing you might want to talk about?
01:11:42No.
01:11:43Nothing else to say.
01:11:47It would be a pity if, uh, Greg March went to his grave, a serial killer.
01:11:54Especially if you knew different.
01:11:57If something comes to me, I'll let you know.
01:12:07Oh, uh, I've been ordered to pull your 24-hour protection.
01:12:14Um, is there any reason why I shouldn't?
01:12:19No.
01:12:21I'm sorry about your friend.
01:12:34Meg.
01:12:37Be careful.
01:12:39Be careful.
01:12:49Be careful.
01:13:19Let's go.
01:13:49Hello.
01:13:59Hi. I hope I'm not bothering you.
01:14:03No, no, not at all. I'd invite you in, but I'm ashamed of my housekeeping.
01:14:07Well, that's okay. I'm unannounced.
01:14:11Pretty cliché, isn't it? The slob bachelor thing.
01:14:14Well, actually, I went out with a guy once who let the globs of toothpaste build up so much on his bathroom sink, it sort of looked like a mound.
01:14:23You're a very forgiving person.
01:14:26Actually, I left him.
01:14:28See, I'm right not to let you in.
01:14:30Look, I'm going a little stir-crazy today, and I was wondering if you'd want to go out tonight.
01:14:40Out? Like a date, out?
01:14:45Yeah, like a date.
01:14:46You seem sad.
01:15:08I'm sorry.
01:15:11No, I just got some bad news today, but I'm fine.
01:15:15Do you read restaurant reviews?
01:15:17Nope.
01:15:18Well, picky people write them, but there's a place on East 8th.
01:15:21We've got an 8th place.
01:15:22Oh, I ate too much.
01:15:52I think I injured something.
01:15:54Me too.
01:15:55I think I gave that place an A because it stands for ambulance.
01:15:59I found this the other day.
01:16:01What do you think?
01:16:06Doesn't do much for me.
01:16:08Why, you like it?
01:16:10I don't know.
01:16:10Well, I get this strange feeling that I've seen it before, that you mean something to me.
01:16:17Well, it's probably famous.
01:16:20Am I sitting in a photo?
01:16:23I don't think so.
01:16:24It's freezing.
01:16:28Let's go.
01:16:29I had a wonderful time tonight.
01:16:49Me too.
01:16:50I don't want it to end.
01:16:55It doesn't have to.
01:16:57Come here.
01:17:04I have a surprise for you.
01:17:18Come here.
01:17:19I want you.
01:17:25Why me?
01:17:32Because...
01:17:32I think you might be different.
01:17:33I can't believe you're just going to pack up like this is over.
01:17:43This case is officially closed, okay?
01:17:45No, you know, it's not okay.
01:17:47I mean, it's obvious we're missing something.
01:17:50Maybe it's just wrong.
01:17:52Maybe old Greg, the serial killer, just have strung himself up because he couldn't live with himself anymore.
01:17:57I don't know.
01:17:59No.
01:18:01When it comes to your brain, you're the most arrogant son of a bitch I've ever met.
01:18:05You know you're right.
01:18:06And you know this case isn't over.
01:18:08And you're just giving up because you're scared.
01:18:28I can't think of a more perfect way to celebrate.
01:18:35Celebrate what?
01:18:36They found him.
01:18:37The killer.
01:18:39I'm free.
01:18:40Really?
01:18:43Come with me.
01:18:45Come with me.
01:18:46Come with me.
01:18:48Come with me.
01:18:49Come with me.
01:18:50Come with me.
01:18:53Come with me.
01:18:54Come with me.
01:18:55Come with me.
01:18:56Come with me.
01:18:57Come with me.
01:18:58Come with me.
01:19:00Let's go.
01:19:30Let's go.
01:20:00This isn't the way it was supposed to be.
01:20:08How was it supposed to be, Eric?
01:20:09I have called this station three times and there doesn't seem to be a way to get anybody's
01:20:36attention.
01:20:37I'd like to report a missing person.
01:20:40Fill that out.
01:20:41Hasn't we got at least 72 hours?
01:20:43You act like this is of no consequence.
01:20:45Where is the humanity?
01:20:47All right.
01:20:48All right.
01:20:49What's her name?
01:20:50Mrs. Eugene Stringer.
01:20:53She attends a poetry recital every week.
01:20:55Last week she missed a retrospective of Robert Frost.
01:20:58So what?
01:21:00Robert Frost was her favorite poet.
01:21:03She was passionate about his work.
01:21:04It wasn't something she would miss.
01:21:06Robert Frost.
01:21:08What was her name again?
01:21:10Mrs. Stringer.
01:21:12Mrs. Eugene Stringer.
01:21:13What was her address?
01:21:17Oh, I'm not sure.
01:21:20I believe she lived on the east side.
01:21:22Bring her first to you.
01:21:24Gold!
01:21:44Oh!
01:21:48Oh!
01:21:53Oh!
01:21:53Oh!
01:21:53Oh!
01:21:54Oh!
01:21:54I don't know.
01:22:24I don't know.
01:22:54Hello, Paul.
01:23:02Welcome back.
01:23:03You're probably feeling a little anxious by now.
01:23:06Relax.
01:23:07It'll all be over soon.
01:23:08Now it's your turn.
01:23:09You knew all along I was wrong about one thing.
01:23:21You are different than the others.
01:23:22Please, help it out!
01:23:41I want you to know how it feels, Paul.
01:23:46Falling through space.
01:23:49The whole world spinning while you count the seconds.
01:23:51You can't shoot me.
01:23:57It's not that easy to kill someone.
01:24:01Especially someone you love.
01:24:03I know you love me.
01:24:05I see it in your eyes.
01:24:08I felt it when we kissed.
01:24:09A part of me still knows how to love.
01:24:14I felt that for you.
01:24:15Don't move.
01:24:18You want to heal, don't you, Meg?
01:24:21You want to be whole.
01:24:22Isn't that what drives us both?
01:24:24If you pull that trigger, there's no turning it back.
01:24:34You're making this very difficult.
01:24:37Hold it right there!
01:24:39Put it down.
01:24:42Put it down.
01:24:42Put it down.
01:24:42All right, turn around.
01:24:51Turn around.
01:25:00Hands in the air.
01:25:03Now!
01:25:06Now.
01:25:12Oh, no.
01:25:34Now!
01:25:42No!
01:26:04No!
01:26:05No!
01:26:10No!
01:26:11No!
01:26:11No! No!
01:26:41Meg, are you all right?
01:26:54I just gotta hand it to you.
01:27:09If it were for you, Meg would be...
01:27:15I think you're a really good cop.
01:27:19I'm interested in the feelings.
01:27:23Meg Gray isn't alive because my IQ's off the charts.
01:27:27She's alive because my partner wouldn't settle for anything less.
01:27:30Not to mention a little luck.
01:27:39Well, it's over.
01:27:48I'm beginning to believe in second chances.
01:27:51What do you say, kid?
01:27:53It's not that easy.
01:27:57I fell in love with a man and he turned on me.
01:28:01Sometimes it's hard to see the danger in things until it's too late.
01:28:06I speak from experience.
01:28:16I just want to leave it behind me.
01:28:20Move forward.
01:28:22Good idea.
01:28:24Good idea.
01:28:26I don't know.
01:28:28I don't know.
01:28:30I don't know.
01:28:32I don't know.
01:28:34I don't know.
01:28:36I'm sorry.
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