Digging Up the Marrow (2014)

BazZoOKa López

Ver Digging Up the Marrow (2014) - BazZoOKa López en Dailymotion

Transcript

00:00:00Gracias por ver el video.

00:00:30Gracias por ver el video.

00:01:00Gracias por ver el video.

00:03:30Can we just do this with graphics?

00:03:32No, just keep going.

00:04:03Este es un botón de cálculo que alguien le sentó.

00:04:07Lo que es muy bueno, como artefacto, que la gente hace para nosotros.

00:04:10Que es increíble.

00:04:12Hay un hombre, William Decker.

00:04:15Quiero que me hubiera pensado a estar grabando este momento que esto se llega.

00:04:22¡Sí!

00:04:24William Decker dice, en todo serio,

00:04:28que él ha encontrado...

00:04:31...monsters.

00:04:32Y me quiere contar su historia a todo el mundo.

00:04:36¿Está bien?

00:04:38Creo que deberíamos contratar un actor para playa tú.

00:05:01...

00:05:06...

00:05:11...

00:05:15...

00:05:16I love Paulistin.

00:05:18I have a tattoo of Paulistin.

00:05:19Tell me what's on your arm.

00:05:21I think it's scary.

00:05:22Diary of the Pan Frankenstein.

00:05:23Spiral.

00:05:24Frozen.

00:05:26Yeah, I consider myself to be an Adam Green fan.

00:05:29I have a really cool relationship with my fans.

00:05:34And I think that that's because, like, when I was first starting out,

00:05:39you know, when you're making an independent movie,

00:05:41you don't have marketing or advertisements, you know,

00:05:45so you really got to do it yourself and put yourself out there

00:05:48so people know about you and know about your movie.

00:05:50And after a while, though, like, the more movies you make

00:05:53and the more people there are that want a piece of you,

00:05:56it just kind of starts to, I don't know, I guess take its toll.

00:06:00Now, the ones who do get through are the ones who actually take the time

00:06:04to write, like, a physical letter to my fan mail address.

00:06:08And that's huge, you know, when someone's going to take the time

00:06:10and write you a long letter or send you, I don't know,

00:06:14like drawings, art, fan fiction, sometimes really personal stuff.

00:06:18I mean, it's awesome.

00:06:20So I...oh, sorry. Hold on. It's the wife.

00:06:24Hello.

00:06:25Hey, Mom.

00:06:26Hey, how are you?

00:06:28Good. Where are you at?

00:06:30I'm with Will.

00:06:32Hi, Will.

00:06:33Hi, Riley.

00:06:34Do you know when you're going to be home?

00:06:36Um, uh, I don't know, five or six, I think.

00:06:41Um, we're going to go sit down with the guy now.

00:06:44The secret to sleep?

00:06:46Oh, you guys are idiots.

00:06:48You guys are idiots.

00:06:49Here we are at the residence of Mr. William Decker.

00:06:53I'm sorry, Detective William Decker,

00:06:56the monster hunter guy.

00:06:58I've already come here twice before to sit down with him,

00:07:01and the last time I asked him if he would be cool with us putting him on camera.

00:07:06He didn't say no.

00:07:09Now, you people know they're not to talk about this to anyone.

00:07:12Oh, no, that's, like, standard on everything that we do.

00:07:15I didn't realize there were going to be so many here.

00:07:17Well, you want it to look good, right?

00:07:19I mean, it's got to be professional, which actually does.

00:07:22Guys, can you just hear my, hear my eyes good?

00:07:29And is this eye good, or is this, no, this?

00:07:31No, you're fine.

00:07:32You sure?

00:07:33Because I...

00:07:34It's fine.

00:07:35Leave it on.

00:07:36I'd love to roll.

00:07:38Are you ready?

00:07:39Take one.

00:07:40My name is William Decker.

00:07:44I'm a retired police detective.

00:07:46I'm 61 years old, and I live in Southern California.

00:07:50I'm Chatsworth.

00:07:51I have lived here for the last four years.

00:07:55Now, I know you've already told me this, but just for the sake of the cameras,

00:07:59basically, what you're saying is that you've discovered a world

00:08:04underneath our own world where monsters live.

00:08:10Every generation, there are born children who are different.

00:08:17And these different children are given cruel labels like monsters, freaks, rejects, and these

00:08:30children reach a certain age, and they disappear.

00:08:33Nobody knows where they go.

00:08:35And what's worse, they don't even care that they vanished.

00:08:38But I do.

00:08:42I do.

00:08:44See, these children, they don't die.

00:08:47They're not even far away from us.

00:08:50They're right next to us.

00:08:53But they exist in their own world.

00:08:57I call it the marrow.

00:09:00Some 100 yards beneath the surface of the earth exists a metropolis that mirrors ours in very

00:09:12many respects.

00:09:13Life goes on down there.

00:09:16There are marriages and births and divorces and deaths and friendships and creativity.

00:09:23They can be free.

00:09:28Okay, so why don't we kind of start at the beginning.

00:09:31Let's talk about your childhood and tell me a little bit about growing up.

00:09:35Well, I was born into a, I guess you could say, a lower middle class family in Nashua, New Hampshire.

00:09:45I was a latchkey kid.

00:09:46I didn't have any brothers and sisters, and I didn't have any real friends to speak of.

00:09:51So I had to occupy myself.

00:09:55There was a special spot that I always went to.

00:09:59And it was an old lumber company, you know, that sold board feet, you know, lumber.

00:10:05And it was all closed down and locked up, and the buildings there would be my fortress, be my castle, you know.

00:10:12And I used to, uh, I used to defend my fortress against the invading barbarian hordes.

00:10:20I had a hell of an imagination.

00:10:22I bet.

00:10:25You bet.

00:10:26Yeah.

00:10:27Um...

00:10:28It was rather late in the evening, as I remember.

00:10:31And I was late for supper, and I knew my mom was, she was going to kill me, so I came running out of the main building where I played primarily.

00:10:37And, and as I came out into the yard, I, I saw a man standing by an old woodpile.

00:10:47As I drew closer to him.

00:10:57Where am I?

00:10:57I'm looking at his face.

00:11:05And it doesn't look human.

00:11:07No.

00:11:08He had a, he had a mouth.

00:11:10Like a serpent's mouth.

00:11:12It was sort of pointed and, and he had real thin lips.

00:11:17And, uh, splayed over the bottom lip was, uh, I swear to God, a forked tongue.

00:11:24And then, when he blinked, his eyelids closed from the sides, not horizontally up and down.

00:11:32I was like, I'd never seen anything like that before in my life.

00:11:38It terrified me.

00:11:39Did he say anything to you?

00:11:41No, he didn't say a word.

00:11:43He just looked at me hard.

00:11:46And then he jumped behind the woodpile.

00:11:49And I, and I ran around the corner of the woodpile.

00:11:52He was gone.

00:11:54Just gone?

00:11:56He just vanished?

00:11:57He's disappeared?

00:11:58Here one second, gone the next.

00:12:00Gone, vanished.

00:12:01So, did you ever tell anybody about it?

00:12:04Like your mom or your dad?

00:12:05No.

00:12:06And they wouldn't have believed me anyway.

00:12:07They would have thought I was some kind of a nut, you know?

00:12:10The overactive imagination on, on their boy, you know?

00:12:14I felt he would have thought I was schizophrenic or something.

00:12:19You know?

00:12:21Yeah.

00:12:22And I felt that way sometimes, too.

00:12:25Talking to my imaginary friends in the woods.

00:12:30And I never saw him again.

00:12:32I did see others, though.

00:12:34Other serpent monster men?

00:12:38Not serpent men.

00:12:39I just saw other different ones, okay?

00:12:42So, like a variety?

00:12:43I, I, I never got as close to any of them as I did that first one.

00:12:47But if I hid in one of the buildings till it got dark and I looked into the woods,

00:12:54I'd see their shapes moving through the woods.

00:12:59And there were big ones lumbering.

00:13:02And there were little ones that were darting in and out.

00:13:04And, uh, I saw their shapes.

00:13:07I saw them.

00:13:09Well, anyway, after about three months, uh, I shot some footage there.

00:13:14Oh, you got, you got footage of the, the monsters?

00:13:16No, it was daytime.

00:13:18I couldn't get any footage of them.

00:13:20So what did you get?

00:13:22Well, I found what I believe to be the entrance to their hiding place.

00:13:32The marrow.

00:13:37The marrow.

00:13:40So what do you think?

00:13:41It's not a bad first day, right?

00:13:43No, it was good.

00:13:44Make it some more comfortable.

00:13:45Hey, tell him not to touch that.

00:13:47He's not, those are our cords.

00:13:48It's, those are our cords.

00:13:50It's fine.

00:13:50What do you guys think?

00:13:51Ten minutes to get out of here?

00:13:52Took me 30 years to get all this stuff together.

00:13:54I don't want to mess with you.

00:13:54Two in ten?

00:13:55Yeah, it's a lot of stuff.

00:13:57A lot of stuff.

00:13:58What I really wanted to ask, though, is, um.

00:14:00Wait, wait, wait.

00:14:00What's, what's that behind you?

00:14:02Oh, yeah, what do you got in there?

00:14:03Oh, it's a storage room.

00:14:05It's a storage room.

00:14:05Can we see what's inside?

00:14:07I'd rather you didn't.

00:14:08It's a big, it's a big mess.

00:14:11Okay, all right.

00:14:13Hey.

00:14:17Adam.

00:14:18Yes.

00:14:18Come here.

00:14:19Coming.

00:14:25All right, looking good.

00:14:29Thank you.

00:14:31That corn's a little burnt, though.

00:14:33That's not, the corn's fine.

00:14:38Hey, Will.

00:14:38Hey, Riley.

00:14:40Why are you filming?

00:14:41It's a documentary.

00:14:42Adam told me I had to film dinner.

00:14:44Why?

00:14:46So out of everybody in the world, he picked me.

00:14:49And you're not afraid that this guy's some kind of psycho?

00:14:52No.

00:14:52I mean, no, not really.

00:14:56I want to go on record as saying that this might be the worst idea you guys have ever come up with.

00:14:59Uh, I think both of us would agree with that.

00:15:02What if it was real?

00:15:03I mean, haven't you always wished that something like this was real?

00:15:07No, no.

00:15:08Uh, unicorns, angels, I don't know, hipster ghosts like Beetlejuice.

00:15:14Beetlejuice.

00:15:15Yes.

00:15:15Really?

00:15:16Yeah.

00:15:16Beetlejuice.

00:15:17You want Beetlejuice to be real?

00:15:18Why would I want scary monsters to be real?

00:15:21Because this guy doesn't think monsters are scary.

00:15:25He thinks monsters are misunderstood.

00:15:27Yes.

00:15:28Yes.

00:15:28And that's what this guy, Decker, is all about.

00:15:32Right.

00:15:33Seriously, this guy is such a character.

00:15:36When you see the stuff we've already shot with him, you're going to love him.

00:15:39He's going to be your new best friend in the world.

00:15:42Like, you're going to be friends with him on Facebook, and you're going to follow him

00:15:46on Twitter.

00:15:47No.

00:15:47He's going to be in your favorites.

00:15:49No, definitely not.

00:15:50You're going to play Xbox with him.

00:15:52What?

00:15:54I mean, basically.

00:15:55I mean, this corn is awful.

00:15:58You burnt it.

00:16:00It's fine.

00:16:01It's fine.

00:16:02Just eat it.

00:16:03The whole thing could be awesome, or it could all be bullshit.

00:16:06But either way, we're not going to know unless we do it.

00:16:09You know, even if the whole story is total bullshit, it's going to be really funny.

00:16:13How are you even going to finish the next season of your TV show?

00:16:18I'll figure it out.

00:16:20This is just a side project.

00:16:23And how does Krishna feel about this?

00:16:26She's okay with it.

00:16:29She's better than okay with it because she's a supportive wife.

00:16:32Just please don't get hurt.

00:16:34I'm going to have to call your mom and have to tell her that Adam got stabbed by some crazy

00:16:41fan because he decided he was going to go off into the woods, hang out with him all night

00:16:45long.

00:16:48My mom would understand.

00:16:51Okay.

00:16:51You rolling?

00:16:52Yep.

00:16:53Okay.

00:16:53I'm rolling.

00:16:54So.

00:16:55You know what I'd really like to do, though?

00:16:57I mean, I'm ready to go, so I think it'd be nice if I got a shot of the car pulling up

00:17:01and you guys getting out and making it look like a movie.

00:17:04The car pulling?

00:17:05Why do we need the car?

00:17:06Because it's cinematic.

00:17:07It's going to look nice.

00:17:08You know, you get the car pulling in.

00:17:09It's cinematic.

00:17:10Come on.

00:17:11Come on.

00:17:12Just get in the car and just go one more time.

00:17:13Just one more time, please.

00:17:24Christ.

00:17:24All right.

00:17:28So, how far in are we actually going here?

00:17:33There's a cemetery right up ahead.

00:17:35Uh-huh.

00:17:36We go about 100 yards past that.

00:17:39That's the entrance to the Merrill.

00:17:41So nobody minds that you've come out here?

00:17:45It's a public place.

00:17:47Right, but the sign at the entrance says that the park closes at dusk, so it's a public place.

00:17:58It doesn't matter, because anything off that main road is closed after sundown.

00:18:02No, I understand that, but we're literally just going to go take some pictures at magic

00:18:06hour, you know, like dusk, and then we're going to leave right away, so.

00:18:09Okay, as long as you're out of here before it gets dark.

00:18:12Can I ask why it's such a problem if we're here once it's dark?

00:18:17Because the park closes at dusk.

00:18:20Okay, but, like, specifically, is anything, like, have you, like, personally ever seen

00:18:25anything?

00:18:26The park closes at dusk.

00:18:29Ah, okay.

00:18:30I get it now.

00:18:31Thank you very much.

00:18:32Has that guy given you trouble before?

00:18:33Yeah.

00:18:34On several occasions, he's given me trouble.

00:18:37Watch out.

00:18:38Watch your step.

00:18:39Okay.

00:18:42It's right up there.

00:18:48What is the...

00:18:49The address to the marrow.

00:18:51While we're here, you have to do as I say.

00:18:54All right?

00:18:55You listen to me and you do as I say.

00:18:57I've never brought anyone else up here before.

00:18:59And it's crucial that we just observe and not try to interact.

00:19:05Come on.

00:19:05I just...

00:19:06I can't...

00:19:08Do you understand what I'm trying to say to you?

00:19:10I do understand, but I can't...

00:19:11You understand, Will?

00:19:12Understood.

00:19:13All right, come on.

00:19:17You know, the times that I've been this close, they've discovered that I found out about

00:19:25them and they moved on.

00:19:26I don't want that to happen here.

00:19:27So you stay with me and you stay quiet when I tell you to be quiet.

00:19:32You got it, Will?

00:19:33Got it.

00:19:34Yes, sir.

00:19:34All right.

00:19:36Come on.

00:19:43So now what?

00:19:44Now we wait.

00:19:58So how many nights a week do you come out here and, like, hang out in creepy cemeteries by yourself?

00:20:07I try to come out every night.

00:20:09Every night?

00:20:10That's a lot of nights.

00:20:12Yeah.

00:20:13Well, I don't sleep all that much, so why not?

00:20:17I hear you.

00:20:18I'm actually not much of a sleeper myself.

00:20:22But we're in production on the TV show.

00:20:24I'll go...

00:20:25I'll do 20-hour days, 22-hour days.

00:20:28Yeah.

00:20:29My wife can't stand it.

00:20:30It's just...

00:20:31I'm like a zombie.

00:20:32Hmm.

00:20:33You know, why is it like that?

00:20:36What's your love life?

00:20:39Like, you've never mentioned, uh...

00:20:41Is there a Mrs. Decker out there?

00:20:43Was there?

00:20:45I don't...

00:20:46I know Mrs. Decker.

00:20:49I mean, there used to be a long time ago.

00:20:54So what happened?

00:20:57Did it just not work out?

00:20:59There were considerable differences.

00:21:01How about you, Will?

00:21:02So what's your story, huh?

00:21:03Territory's story.

00:21:05I'm married.

00:21:05I've been married...

00:21:06I've been married 16 years.

00:21:08Yeah?

00:21:09Yeah.

00:21:10And I have two kids at home.

00:21:13You've got kids?

00:21:14I have two boys.

00:21:14Yeah, they're...

00:21:15They're a lot of fun.

00:21:17How old's Cole now?

00:21:18Cole's 12.

00:21:1912?

00:21:20Yeah.

00:21:21Sammy's gonna be 10.

00:21:23Wow.

00:21:2312 and 10.

00:21:24Yeah, they tear my house up.

00:21:28I envy you.

00:21:30They are a lot of fun.

00:21:31I love them.

00:21:32Yeah.

00:21:39Some nights, I'll see several of them coming to and from that area right there.

00:21:48Going back and forth in the woods.

00:21:50And other nights, I'll see just maybe one.

00:21:56And a whole bunch of nights where there's no activity at all.

00:21:59You just never know.

00:22:01You never know what you're gonna get.

00:22:05Listen, I mean, if I don't get any lights out here, I'm not gonna be able to see anything.

00:22:12You can't see anything?

00:22:14Not really.

00:22:15I mean, I can see, like, three feet in front of me, but that's it.

00:22:18What about if you use night vision?

00:22:21Well, I mean, we could use night vision.

00:22:23But, I mean, I hate it.

00:22:25I think it makes everything just kind of look like green crap.

00:22:28Okay, well, I'd rather it look like...

00:22:31What?

00:22:31Quiet.

00:22:32Turn off that light.

00:22:34Silence.

00:22:35What?

00:22:36All right.

00:22:38Right straight ahead.

00:22:39Look.

00:22:41Where?

00:22:43You say, Will.

00:22:45No, I can't see shit.

00:22:47Well, let your eyes adjust for a second.

00:22:49And you'll see it.

00:22:49It's right there.

00:22:51Right in front of us.

00:22:53What?

00:22:53There's nothing.

00:22:54Look, look, look, look, look.

00:22:55Look, look.

00:22:57One of them is just moving very slowly over to the right.

00:23:00See?

00:23:01Will, turn on the camera light.

00:23:02No, don't, don't.

00:23:03Don't you turn on that light.

00:23:05Listen, I don't turn the camera light.

00:23:06I don't have a shot.

00:23:11Okay, he's gone.

00:23:15Went back down.

00:23:16He went back down, Will.

00:23:25Look, look.

00:23:28One of them is just moving very slowly over to the right.

00:23:31See?

00:23:31Will, turn on the camera light.

00:23:33Oh, don't, don't you turn on that light.

00:23:36I'm turning the camera light.

00:23:37I don't have a shot.

00:23:41Okay, he's gone.

00:23:42Make a great radio show.

00:23:47Did you raise the brightness?

00:23:49Oh, yeah, I raised it.

00:23:49All the way.

00:23:50All the way.

00:23:51It's as bright as it goes?

00:23:52As bright as it goes, there's nothing.

00:23:53Do it again, do it again, do it again.

00:23:54All right.

00:23:56Look.

00:23:57One of them is just moving very slowly over to the right.

00:24:00See?

00:24:01Will, turn on the camera light.

00:24:02Oh, don't, don't, don't you turn on that light.

00:24:05Awesome.

00:24:07Good work.

00:24:08Good work.

00:24:08Ah.

00:24:09Anyhow, tell me about it.

00:24:17Now, this one here, I call Vance.

00:24:20Vance.

00:24:21Vance, yes.

00:24:22You see, with a sack over his head, his face painted on it.

00:24:26Why Vance?

00:24:28Because that's what I wanted to call him.

00:24:31Now, Vance here, he never ventured more than a few feet outside the cemetery.

00:24:36But, uh, the several occasions that I observed him, I saw him lead, uh, some other rejects down into the marrow.

00:24:47So my guess is old Vance is a, well, he's a kind of a gatekeeper or guardian, you know?

00:24:55And he guides the new citizens down into their new world, and, and then he guards against any interlopers, you know?

00:25:03Now, did you, did you paint that?

00:25:06No.

00:25:06Because that's really good.

00:25:08I, I had a, I had another artist do it for me.

00:25:11I commissioned it.

00:25:12How close is that, then, to what you saw, would you say?

00:25:16It's pretty close, you know?

00:25:17It's a, it's a pretty good representation.

00:25:18I'd, um, I would say probably on a scale from one to ten, about eight and a half, nine.

00:25:25Yeah.

00:25:26That's, that, this is Vance.

00:25:28And what, why the bag?

00:25:30Or, they, do they all do that?

00:25:31Do they wear costumes?

00:25:32No, no.

00:25:32Well, some, well, some of them wear masks, uh, others, like Vance, wear a bag, um.

00:25:39Why is that?

00:25:39I suppose, uh, Vance wears it because what's underneath that bag would be a little too much to take, probably, you know?

00:25:48I, I, I, I, I've never seen it, uh, under the bag, but, uh, I'm sure it's a trip, you know?

00:25:54And then others wear masks, uh, to disguise, perhaps, certain deformities, and.

00:26:01And so they could just be all, all around us at any time, then, is what you're saying?

00:26:05Well, not any time, no.

00:26:06Uh, uh, there are certain times of the year that it's more conducive for them to be around.

00:26:11For instance, Halloween, one of the few times they do fit in.

00:26:16Well, I'm, I'm a, I'm hugely into Halloween myself.

00:26:21Uh, spiritually, that's the time of year when the spiritual world is closest to our world and they're, you know, around us.

00:26:27And I don't know, I, I don't know anything about the spiritual world.

00:26:31But it's, it's kind of like.

00:26:32It's, no, it's not at all like it.

00:26:33This is not a spiritual world.

00:26:35These people are real.

00:26:37They just happen to be different.

00:26:38Okay?

00:26:39Yep.

00:26:39Sorry.

00:26:40Now, this one.

00:26:43This creature here is a conjoined creature.

00:26:48They're like Siamese twins.

00:26:49They're joined right up in here.

00:26:51The upper spine and the torso.

00:26:53And does this one have a name?

00:26:55This one is called, I call it, Frog and Huck.

00:27:00Frog and Huck?

00:27:01Frog and Huck, yes.

00:27:02And you, you painted the, the same guy painted this one?

00:27:05No, no, my son.

00:27:07I'm sorry.

00:27:08Do you, wait, wait, you never mentioned a family before?

00:27:09Uh, you notice along their bodies.

00:27:11Wait, no, no, no, no, this is really important though.

00:27:13I'm curious.

00:27:13You can't see any eyes anywhere on their bodies.

00:27:15You've never mentioned a family.

00:27:16You see?

00:27:17I, I totally see it, but I would love to know.

00:27:19So my, my, my guess is that they see by a kind of audio sensory sight, um, rather like

00:27:26bats, you know, like bat sonar, that kind of thing.

00:27:30Wait, wait, wait, wait, I'm sorry.

00:27:32What did, did you hear that?

00:27:33Are you picking that up?

00:27:35Stay concentrated and focused, will you please?

00:27:37I'm totally focused.

00:27:38In fact, uh, I really would love to talk to you a little bit more about the whole use

00:27:44of lights, non-use of lights.

00:27:46That's not up for discussion, all right?

00:27:47The, the, no lights ever.

00:27:50Lights scare them away.

00:27:52Do you understand?

00:27:53I explained that to you before.

00:27:55Lights scare them away.

00:27:56No lights.

00:27:56No, I, I totally, I totally get it.

00:27:59However though, I, I mean, all of this, these theories, your stories, photographs, pictures,

00:28:04drawings, it doesn't, it's not going to hold up.

00:28:09Do you not, do you not believe me?

00:28:11That's not, that's not what I'm.

00:28:13Do you believe?

00:28:15Yes.

00:28:15Well, how about this?

00:28:16I really, really want to believe.

00:28:20How about that?

00:28:21Um, I, I mean, I want to believe so wicked bad in this.

00:28:26I mean, that's why I'm doing this.

00:28:28That's why I'm here following you and, and doing, I'm, I can tell you my wife thinks I'm

00:28:32crazy for, for doing this.

00:28:34Do you have any children?

00:28:36Uh, no, not yet.

00:28:39That's not, it's, I, this is, it's not really the priority right now.

00:28:43We've only been married like three, it's just three years or so.

00:28:47That explains a lot.

00:28:50Okay.

00:28:51Um, how about this?

00:28:54Eventually, we are, we're going to need to have some monsters in our monster documentary.

00:29:04Right?

00:29:08How's the night vision working for you?

00:29:10It's, uh, it's pretty good.

00:29:13I mean, I can, I can see a lot farther, but I mean, it's still, it's like a little green.

00:29:19I mean, it looks like a, it's like a sex tape.

00:29:26Kill it.

00:29:29Shh.

00:29:30What?

00:29:31You see those two trees?

00:29:34What, what, what trees?

00:29:35Those are trees right straight away from us.

00:29:37What in a forest?

00:29:37There's nothing between us.

00:29:38There's a tree on the right.

00:29:39Okay.

00:29:40There's one right behind it.

00:29:44He's not moving, but it's there.

00:29:48What?

00:29:48Look.

00:29:49No, stay still.

00:29:50He might be watching us.

00:29:51He may have seen us already.

00:29:53See?

00:29:53Look, look, you see him moving?

00:29:56Huh?

00:29:56You see him?

00:29:59No.

00:30:00Yeah.

00:30:01Wait, I see something.

00:30:02Yeah.

00:30:03But it, it kind of looks like a tree branch.

00:30:05Okay.

00:30:12Do you, do you see anything?

00:30:16Oh, God.

00:30:17He's right here in front of us now.

00:30:19No, I, I, I, I don't see it.

00:30:21Turn, turn it on.

00:30:22Turn on the light.

00:30:22No, no, no, no, no.

00:30:23Turn on the light.

00:30:23If it's here, I want to see it.

00:30:24Turn off that light.

00:30:25Turn on the light.

00:30:27Shut it off.

00:30:28Shut it off.

00:30:31All right.

00:30:35What the hell was that?

00:30:38We're done.

00:30:39What?

00:30:40We just saw something.

00:30:41We're done.

00:30:43We're done.

00:30:47All right.

00:30:48So, uh, camera's rolling.

00:30:50Tell me about what we saw today.

00:30:51Well, basically my boy Decker finally delivered and we got a, what I can only think is a monster

00:31:03on camera and it's undeniable.

00:31:06It was there.

00:31:07We have the footage and I am psyched because this is, you know, I, I'll be totally honest

00:31:14for, for a brief moment, I was starting to think, okay, the guy is completely crazy

00:31:18and we've wasted our time, which still could have been funny for something, but, but we

00:31:23saw it and it was real and it was awesome.

00:31:25Yep.

00:31:26Don't you, uh, don't you think it's a little scary though?

00:31:29Why is it scary?

00:31:30Why are you going to be such a pussy?

00:31:32It's not scary.

00:31:32Just because something doesn't look like us or, uh, or look like everybody else doesn't

00:31:37mean that it's scary.

00:31:39I mean, my whole life, I've only wanted to see like a real monster.

00:31:43You know, like when I was little, I'd look under my bed, I'd look in the closet, not

00:31:46because I was afraid, because I wanted it to be real.

00:31:49You know, I mean, it's just, you know, think about, think about Victor Crowley.

00:31:55You know what?

00:31:56Uh, Victor Crowley actually kills people.

00:32:00Victor Crowley's not real.

00:32:01Stop it.

00:32:13Stop it.

00:32:14If that's a makeup job, it is a damn good makeup job is all I'm saying.

00:32:19Right?

00:32:20Well.

00:32:21Right?

00:32:21I'm just going off the footage because I wasn't there, but my gut is telling me that you guys

00:32:26are messing with me.

00:32:26We're not messing with you.

00:32:27I told you gut to shut up, how about that?

00:32:30You believe this, you're a believer

00:32:32Yes, well okay

00:32:34How about this, I don't necessarily believe

00:32:36Him, but I believe this, yes

00:32:38I've always wanted to believe this

00:32:40Haven't you always wanted this to be, look at you

00:32:42You have a whole sleeve of horror

00:32:44Stuff and you're not more excited by this

00:32:46Haven't you always wanted this to be real?

00:32:49I mean I don't know about this

00:32:50Like aliens maybe

00:32:51Aliens, aliens, who cares about aliens

00:32:54This is monsters, this is monsters

00:32:56What if, what if this guy's

00:32:58Conspiracy theories are all true, right?

00:33:00And he came to us with this and we're the ones who are getting it

00:33:02Right, but maybe we'll make some of our money

00:33:04Back for filming this

00:33:05There's always money with you, why is it always going to be about money?

00:33:08I'm just saying

00:33:08Oh, oh that's Cain

00:33:11Hey, hey boys

00:33:12How are you?

00:33:13Hey Cain

00:33:13Good

00:33:14Thank you for coming over

00:33:15What's with the camera?

00:33:16Uh, we're just

00:33:17Part of a thing

00:33:18Yeah, we're just doing a thing

00:33:19Thank you for coming so late

00:33:20Sure

00:33:20First, first you have to see this, okay

00:33:22Alright, what are you showing me?

00:33:23Wait, wait, wait

00:33:24We've been shooting, we've been shooting this documentary, okay

00:33:26Uh, this guy contacted me

00:33:29Documentary

00:33:29Yes, it's a documentary

00:33:30And

00:33:31Very fancy

00:33:32I think that's fancy

00:33:33It's just another makeup you had on in the interviews

00:33:35I, it's a formal

00:33:36It's a formal sit-down interview

00:33:38You'd have some makeup on

00:33:40Yeah

00:33:40Okay, but will you just play this for you

00:33:41Just watch this

00:33:42Watch this, watch this

00:33:43Play the tape

00:33:44Turn, turn it on

00:33:47Turn it on

00:33:48Turn it on

00:33:49Turn it on

00:33:50Turn it on

00:33:51Turn it on

00:33:52So what am I looking at?

00:33:59What, what are you looking at?

00:34:00The monster, did you not just see that?

00:34:02No, I mean, what's it for?

00:34:03It's, it's not for anything

00:34:05It's, it's, it's act

00:34:06It's, play it again, play it again

00:34:07Watch, watch closely

00:34:08Look at this

00:34:09Really look at it

00:34:10Go, go, go

00:34:11It's here, I want to see it

00:34:12Turn it on

00:34:13Turn it on

00:34:14Turn it on

00:34:15Turn it on

00:34:16Turn it on

00:34:17It does look pretty cool

00:34:21But you can't really see it that well

00:34:23Who made it?

00:34:25Nobody made it

00:34:26That's the whole point

00:34:27It's real

00:34:28We actually shot this in a cemetery

00:34:29Up in Chatsworth

00:34:31Yes

00:34:31And it wasn't porn?

00:34:34No

00:34:34I knew you were going to say it

00:34:35Chatsworth is like a porn

00:34:37I know that

00:34:38I'd like to see that part

00:34:40No, there's no

00:34:41There's no porn in this

00:34:42If anybody should be excited by this

00:34:45It's you

00:34:46If anyone knows monsters

00:34:47It's you

00:34:48Look at that

00:34:48Look at the neck

00:34:49The thin neck

00:34:50The huge head

00:34:51How could you even do that

00:34:52As an appliance on somebody?

00:34:53You want my real opinion?

00:34:55Yes

00:34:55It looked really good

00:34:57Thank you

00:34:57I mean, no

00:34:58Not thank you

00:34:59Because it's not

00:35:00We didn't do it

00:35:01It looks really good

00:35:01But it's

00:35:02You need to light it better

00:35:04It's terrible, Will

00:35:05Oh, come on

00:35:06It wasn't lit

00:35:07That's the whole point

00:35:08Yes, that's exactly right

00:35:10No, it's actual footage

00:35:12Actual footage

00:35:13Yes

00:35:14Found footage

00:35:15Oh, boy

00:35:16That hasn't been done before

00:35:17No, no, no, no, no

00:35:18Nobody's going to want that anymore

00:35:20Will you shut up?

00:35:22No, it's not found footage

00:35:23It's

00:35:24It's

00:35:25Footage

00:35:26Footage

00:35:27I don't know

00:35:28It's

00:35:28I am so let down right now

00:35:31Well, what else have you got

00:35:32To look at there?

00:35:33We have

00:35:34We have tons

00:35:35We have so much

00:35:36We've actually got nothing

00:35:37Else

00:35:38What you did

00:35:43Could have destroyed

00:35:46Decades of work

00:35:47Have you been back

00:35:48To our spot

00:35:50Since

00:35:51Okay, and

00:35:52Yes, I have

00:35:53And thank God

00:35:55They haven't gone yet

00:35:56But they're moving around

00:35:57With a lot more caution

00:35:58You know, they probably

00:35:59Choked up our little incident

00:36:00To a random sighting

00:36:02And they don't fear

00:36:03For their discovery

00:36:03Or that their

00:36:04Entrance is in jeopardy

00:36:06In any way

00:36:06Okay, alright

00:36:08But

00:36:08I totally hear you

00:36:11I want this to work

00:36:12So badly

00:36:13I really do

00:36:14But

00:36:14By the same token

00:36:16You brought us into this

00:36:18To shoot stuff

00:36:20Okay

00:36:20And if we can't

00:36:22If we can't shoot stuff

00:36:23Then there's no

00:36:25There's no story, right?

00:36:27There's nothing

00:36:27So

00:36:28Help me here

00:36:30Yeah

00:36:31Yeah

00:36:32Well, that's why

00:36:33I brought you over here today

00:36:34Is there any way

00:36:35That we can shoot

00:36:36And not be so

00:36:38Completely intrusive

00:36:39Yes

00:36:40Will and I

00:36:42Have been talking

00:36:43About that a lot

00:36:44And

00:36:46Will

00:36:47Why don't

00:36:47Why don't you tell

00:36:48Tell

00:36:49Mr. Decker

00:36:50Our plan

00:36:51Go ahead

00:36:52Me?

00:36:53Yeah

00:36:53Do it

00:36:54Um, okay

00:36:55Well, uh

00:36:56Here's what we talked about

00:36:57Um

00:36:57So we set up

00:36:59Um

00:37:00A fake street light

00:37:01If you will

00:37:02Out there

00:37:03A light that's just

00:37:04Maybe could play for a street light

00:37:05We turn it on during the day

00:37:07We do all this during the day

00:37:08So no one is disturbed

00:37:10We set up a street light out there

00:37:12Turn it on

00:37:13And leave it on

00:37:14It's just on

00:37:14It's on all the time

00:37:15Then

00:37:16We take some small cameras

00:37:19And we rig them to the trees

00:37:21We have a few cameras in the office

00:37:22They're so small

00:37:23Like you wouldn't even

00:37:24They're little tiny cameras

00:37:25They're so small

00:37:25And we rig them to the trees

00:37:27And just let them roll

00:37:28Let them roll

00:37:29Nobody goes out there

00:37:30Starts and stops them

00:37:31Nothing

00:37:31No lights on the cameras

00:37:33Nope

00:37:33There's no lights on the cameras

00:37:34How bright is that light

00:37:35That you already had on

00:37:37It's not

00:37:38It's not bright

00:37:39It's soft

00:37:40Yeah

00:37:40Like on a scale of one to ten

00:37:42I'd say it's really soft

00:37:43And nobody turns it on

00:37:44It's already on

00:37:45Nobody's gonna disturb anybody

00:37:48With this

00:37:48With what we wanna do

00:37:49No

00:37:50No

00:37:51We got five cameras now

00:38:16Yeah

00:38:16We're pointed here at the mound

00:38:18We're pointed there at the cemetery

00:38:20Right

00:38:21And if you look up there

00:38:22Well hung that streetlight looking thing

00:38:25It looks almost identical to the ones that they have hanging in the front of this place

00:38:29So completely unobtrusive

00:38:31But now we have light

00:38:33Now we can see things

00:38:34If that cemetery light makes them suspicious

00:38:36It won't

00:38:38Honestly I'd be more worried about it

00:38:40Making that park ranger dude suspicious

00:38:43But hopefully he thinks that

00:38:44You know like maintenance came out

00:38:46And replaced it or something

00:38:47I don't know

00:38:48But I'm

00:38:49Honestly I'm kinda surprised that

00:38:51You haven't thought of this before

00:38:52I have

00:38:53Didn't work

00:38:55Fantastic

00:38:59Actually I think it would be better

00:39:10If we didn't have the music

00:39:12While we're actually

00:39:12Recording the interview

00:39:14Because the music makes it hard

00:39:15To edit

00:39:17It's my favorite tune

00:39:19Who is this?

00:39:24I don't know

00:39:25During my decades of research

00:39:33I have

00:39:34Discovered over 40 different species

00:39:37Going to and from the marrow

00:39:39And that's just from the half dozen or so entrances that I've found

00:39:44Half dozen or so

00:39:47Now are they always

00:39:48Out in the woods

00:39:50Or near a creepy cemetery

00:39:52Sometimes in the woods

00:39:53Sometimes in a cemetery

00:39:55And sometimes in other places

00:39:56The IHOP

00:40:01Why would they have a marrow entrance

00:40:11Where there's an IHOP

00:40:13They like pancakes

00:40:14Pancakes?

00:40:18Everybody loves pancakes

00:40:21Pancakes?

00:40:27Of course

00:40:29Anyway

00:40:37That one entrance in Arizona

00:40:40I couldn't really identify

00:40:42I mean I monitored the situation

00:40:44For several months

00:40:45But I couldn't pinpoint

00:40:47Where the entrance was

00:40:48However

00:40:50The entrance here

00:40:51In Southern California

00:40:53Is the most defined entrance

00:40:55I've ever seen

00:40:56I don't want to lose it

00:40:57Because you give them

00:40:59Enough reason down there

00:41:00To suspect

00:41:01That they've been discovered

00:41:02And they'll just move on

00:41:03I don't know if they move underground

00:41:04From one metropolis to another

00:41:05But

00:41:06You'll find the entrance sealed

00:41:08Like there was nothing ever there

00:41:11And I would like to think

00:41:12That the

00:41:13You know

00:41:14The metropolises underneath

00:41:15Are connected in some way

00:41:17You know

00:41:18Like all the different

00:41:19Areas

00:41:20Because I mean

00:41:21I'm looking at that map

00:41:22And I mean

00:41:23There's

00:41:23It's all over the country

00:41:25And so you feel

00:41:26That they're all connected

00:41:28Underground

00:41:28I think that's quite possible

00:41:31Yes

00:41:31But I don't have any hard evidence

00:41:33Of course

00:41:33To substantiate that

00:41:35So

00:41:35Look at this

00:41:37Most of the subjects

00:41:38Are painfully shy

00:41:40Painfully shy

00:41:43In fact

00:41:44One that I observed

00:41:45In Salem, Massachusetts

00:41:46That I call

00:41:47Brella

00:41:48Brella?

00:41:49Brella

00:41:50Short for umbrella

00:41:51There she is right there

00:41:54You notice the umbrella

00:41:57Covers up her head entirely

00:41:58You can't see her face

00:41:59Yep

00:42:00But she does have the body

00:42:02Of a normal

00:42:03Human female

00:42:04And a very attractive one

00:42:06I might say

00:42:06You know

00:42:07In fact I saw her interacting

00:42:10With a human

00:42:10Interacting how?

00:42:13Like a human

00:42:14A human saw

00:42:15Saw that

00:42:16I saw Brella

00:42:17In Salem, Massachusetts

00:42:19Pick up a drunk college boy

00:42:23Outside of a bar

00:42:25In an alley

00:42:26Pick up

00:42:27Like

00:42:28Like flirted with

00:42:30Like

00:42:30Took him home

00:42:32Like

00:42:32What do you mean by picked up?

00:42:34What does pick up mean to you?

00:42:36Well that's

00:42:36That's what it means

00:42:38But I

00:42:38That's what I mean

00:42:39Okay but I would imagine

00:42:40She picked him up

00:42:41For some sort of sexual escapade

00:42:42Okay?

00:42:43Whatever

00:42:44Now but if I got picked up

00:42:45They walked away

00:42:46They disappeared

00:42:47I tried to follow them

00:42:48Why wouldn't he say something

00:42:49To somebody though

00:42:50If he saw that?

00:42:52What is wrong with you?

00:42:53Why can't I ever

00:42:53Just tell you something

00:42:54And you listen

00:42:55Because I want to cut through it

00:42:56And I don't

00:42:57I mean again

00:42:57It's another painting

00:42:58You don't have a picture

00:42:59You don't have a photograph

00:43:00Now you're telling me somebody

00:43:01I'm telling you what she did

00:43:02She picked up this drunk college boy

00:43:05She went off with him

00:43:06I don't know what happened

00:43:07I tried to follow them

00:43:08I lost them

00:43:09That's it

00:43:10So then

00:43:13Then what?

00:43:13And then

00:43:14After about three weeks

00:43:16A body washed up

00:43:18By a river in Danvers

00:43:19The body of the boy?

00:43:23Well

00:43:23Nobody really knew

00:43:25I mean

00:43:26There wasn't much there

00:43:28To be able to identify

00:43:29All his

00:43:31Entire jaw was gone

00:43:33No dentition

00:43:34The hands were gone

00:43:35The feet were gone

00:43:36Just a lump of flesh

00:43:37Not very identifiable

00:43:40Now the case is still open

00:43:41And you know

00:43:42It's unsolved

00:43:43But

00:43:43I bet my pension

00:43:46That it was that boy

00:43:47In every society

00:43:51There are the deviants

00:43:55The bad seeds

00:43:58The ones who are

00:44:01Pure evil

00:44:03You're saying

00:44:06That

00:44:08Something from the marrow

00:44:11Killed somebody

00:44:12And these things

00:44:13Are dangerous

00:44:14Not all of them

00:44:16But some of them

00:44:19Perhaps

00:44:21I think we're good

00:44:28Okay

00:44:29Today

00:44:29Can we stop?

00:44:30Please?

00:44:31Yeah, to cut

00:44:31Forget the fact

00:44:34This guy

00:44:34Is just a complete psycho

00:44:36Which is a given

00:44:37But now he's showing us

00:44:39These like

00:44:39Images of

00:44:40These things

00:44:41That may or may not exist

00:44:42Right

00:44:43And now he says

00:44:44They're killing people

00:44:45I don't understand

00:44:47What we're doing

00:44:47Yeah

00:44:48I mean

00:44:49You

00:44:49You were there

00:44:50You saw

00:44:50You can't deny

00:44:51What we saw

00:44:52Well I mean

00:44:53I can't say

00:44:53That I saw a real monster

00:44:55Look at the movies

00:44:56We've done

00:44:56Right

00:44:56Like think about that

00:44:58All the makeup effects

00:44:59That we put on the screen

00:45:00The visual effects

00:45:01Wait, wait, wait, wait

00:45:02After all the movies

00:45:03We've done

00:45:04You mean to tell me

00:45:05That you can't tell

00:45:06The difference

00:45:07Between foam latex

00:45:08Or silicone

00:45:09And what we actually

00:45:10Saw right in front of us

00:45:12I'm just saying

00:45:12It's possible

00:45:13You know

00:45:14That's all

00:45:15It's possible

00:45:17What?

00:45:18That there's monsters

00:45:19No

00:45:19That this guy's

00:45:20A total freakazoid

00:45:21Guys

00:45:21Listen

00:45:23I mean

00:45:23I'm not

00:45:24I'm not actually

00:45:25Working on this

00:45:26This whole monster project

00:45:28But what I am working on

00:45:30Is a little show

00:45:30Called Holliston

00:45:31I'm a little concerned

00:45:34Adam

00:45:35Do you have any scripts?

00:45:36They're

00:45:37Almost ready

00:45:38I am

00:45:39They're going to be there

00:45:39We start production

00:45:40In like two months

00:45:41And I will get it done

00:45:42I don't want to just

00:45:43You know

00:45:44I don't want to say

00:45:45Stop what you're doing

00:45:46And write Holliston

00:45:47But um

00:45:49I really need you

00:45:50To stop what you're doing

00:45:50And write Holliston

00:45:51Okay

00:45:52If

00:45:53I swear to God

00:45:55If you had been there

00:45:56And you saw this

00:45:57You would be just as fired up

00:45:58As we are

00:45:59And you would be like

00:46:00Okay

00:46:00The other stuff

00:46:01Can wait

00:46:02And you don't think

00:46:03It's dangerous

00:46:03You don't think

00:46:04You could get hurt

00:46:05Listen

00:46:05It was fun

00:46:06When it started

00:46:07You know

00:46:08Running around the woods

00:46:08Chasing this psycho guy around

00:46:09It was fun

00:46:10But now

00:46:11Sarah's telling us

00:46:12We're putting the show on hold

00:46:13Which means

00:46:15We're putting our careers on hold

00:46:16And I mean

00:46:18I talked to Krishna about it

00:46:19She's not really happy

00:46:20About this whole thing

00:46:20Oh no

00:46:22You know what

00:46:22Not to be a dick

00:46:24But I don't care

00:46:26What your wife thinks

00:46:27Why doesn't she write

00:46:29The next season of the show

00:46:30It'd probably be better

00:46:31Stop

00:46:31Stop it

00:46:32All I'm saying

00:46:34Is that

00:46:34An amazing opportunity

00:46:36Just dropped

00:46:38Right into our laps

00:46:38And now

00:46:40You're saying

00:46:41You want to quit

00:46:41No no no

00:46:42No

00:46:42I'm not saying

00:46:43I want to quit

00:46:43I'm just saying

00:46:44That we just need

00:46:45To control it better

00:46:46We need to get done

00:46:47We need to get done

00:46:48Not quit

00:46:49Okay

00:46:50Adam

00:46:50Like honestly

00:46:52Do you 100%

00:46:54Believe this guy

00:46:55And his whole monster thing

00:46:56I

00:46:57I 90%

00:47:00I 90%

00:47:02Believe

00:47:02Well

00:47:0490%

00:47:06That's a lot of percent

00:47:07Alright

00:47:10That's number five

00:47:12I'm sorry

00:47:15Could you please wait

00:47:16Because we need to shoot you

00:47:18When you analyze the footage

00:47:19So just wait

00:47:20Till we get back

00:47:21Please

00:47:21So you're sure

00:47:22That camera two

00:47:23Is in this tree

00:47:24Yeah I'm sure

00:47:25And we have

00:47:27One

00:47:28Three

00:47:28Four

00:47:29And five

00:47:29Definitely two

00:47:31Uh maybe it fell out

00:47:34No

00:47:36Uh what about you

00:47:41Mr. Decker

00:47:42See anything over there

00:47:42No

00:47:44I don't see a thing

00:47:46Nothing

00:47:46Um well

00:47:51Looks like we lost

00:47:52Camera two

00:47:52Come on

00:47:53We gotta get out of here

00:47:55Yep

00:47:55I will pay you back

00:47:58Wait a minute

00:48:02I got something

00:48:03Hmm

00:48:04Adam come here

00:48:05Look

00:48:06Look

00:48:07Look

00:48:07Will

00:48:08Oh come here

00:48:09Come here

00:48:10Come here

00:48:10No look at

00:48:11Dude

00:48:12Come here

00:48:13Come here

00:48:13Lee

00:48:14Lee

00:48:15Did I tell you

00:48:16Dude that is awesome

00:48:20I've never seen one

00:48:21Like that before

00:48:22Really

00:48:22No

00:48:23Oh my

00:48:24New species

00:48:25You wanna name it

00:48:28Me

00:48:29No

00:48:30No

00:48:30No you do

00:48:31That's your thing

00:48:32Alright

00:48:33Alright

00:48:33I'm gonna call him

00:48:35Little Bigfoot

00:48:36Little Bigfoot

00:48:38Really

00:48:39He looks like a Bigfoot

00:48:40Doesn't he

00:48:40Yeah I mean

00:48:42If Bigfoot was

00:48:44A real thing

00:48:45And if anyone knew

00:48:46And seen it

00:48:47What about

00:48:48Something more original

00:48:49You know

00:48:50Like what about

00:48:50Derringer

00:48:52What do you wanna name it

00:48:53No you

00:48:54Alright then

00:48:55Little Bigfoot

00:48:57New species

00:48:59You don't like

00:49:03Derringer

00:49:03Okay stop it

00:49:07Stop it

00:49:08Okay so that was

00:49:10What

00:49:11Four hours

00:49:12Four hours

00:49:13Four hours

00:49:14And then

00:49:15Whatever that thing is

00:49:17Crawls out of the hole

00:49:19And walks away

00:49:20So you honestly wanna try to tell me

00:49:24That Decker

00:49:24Had some dude

00:49:26Just wait

00:49:27Underground

00:49:28For four hours

00:49:29Only to get up

00:49:30And walk away

00:49:30For our cameras

00:49:31You got me

00:49:33You got me

00:49:35Three

00:49:38Two

00:49:39One

00:49:40We've now caught

00:49:41Our second

00:49:42Monster

00:49:43On camera

00:49:45And

00:49:46Mr. Decker

00:49:47Seems to think

00:49:48That it's a

00:49:48New kind of species

00:49:50Which is

00:49:51All kinds of

00:49:51Exciting

00:49:52What

00:49:53I'm going to

00:49:55In a second

00:49:55I just

00:49:56I have to do my

00:49:57Recording about

00:49:57The second monster

00:49:58Or else it's gonna

00:49:59Drive me nuts

00:49:59And then I'll be

00:50:02Talking about

00:50:02Monsters

00:50:03Only

00:50:04You're cute

00:50:05Seriously though

00:50:08You need to sleep

00:50:09I'm going to

00:50:10In three

00:50:14Two

00:50:15One

00:50:29So look at that

00:50:50I mean

00:50:51The teeth

00:50:51The eyes

00:50:52It's amazing

00:50:53Right

00:50:53Yeah

00:50:53Very nice

00:50:54Who does your creature

00:50:55Work

00:50:55Well

00:50:56Okay

00:50:56That's the best part

00:50:57Nobody

00:50:59It's real

00:51:00This is real

00:51:01Footage that we got

00:51:02There was this guy

00:51:03Who wrote me

00:51:04A letter through

00:51:05My fan mail

00:51:06And he had

00:51:07This whole theory

00:51:08That like

00:51:08You know

00:51:08When people are

00:51:09Born deformed

00:51:10Or whatever

00:51:11Like where do they go

00:51:12You know

00:51:12You don't just see

00:51:12Him walking around

00:51:13I mean unless

00:51:14You're at a horror

00:51:15Convention like this

00:51:16But you know

00:51:17But he says that

00:51:18They've all retreated

00:51:20Underground

00:51:20And that's where

00:51:21They live

00:51:21And so we've been

00:51:22Making this documentary

00:51:23And following him

00:51:25Hold it

00:51:25You're reminding me

00:51:27Of the cycle

00:51:27Of the guy

00:51:28He has a name

00:51:30Like Babis

00:51:31Darren

00:51:32Decker

00:51:34That's it

00:51:35Mick

00:51:36Mick

00:51:37Would you come

00:51:37Over here

00:51:37For a second

00:51:38Adam

00:51:39Hey

00:51:40How are you

00:51:42Good to see you

00:51:43Adam is working

00:51:44With Decker

00:51:45The monster hunter

00:51:46Oh no

00:51:47No I'm not

00:51:49I wouldn't

00:51:49You

00:51:49He's harassing

00:51:50You now

00:51:51No

00:51:51I talked to him

00:51:53Once

00:51:53I found

00:51:54Mamero

00:51:55That guy

00:51:56Please

00:51:57He's been after me

00:51:58Tom and Carpenter

00:52:00And Guillermo

00:52:01Landis

00:52:01Every horror director

00:52:03In the business

00:52:03He's been bothered

00:52:04With this

00:52:04He really antagonized

00:52:06Everybody

00:52:06For years

00:52:07Trying to get us

00:52:08To buy the movie rights

00:52:10To his stupid story

00:52:11He's a real

00:52:12Basket case

00:52:13Yeah

00:52:15No I

00:52:16Totally

00:52:17I just

00:52:17Grasshopper here

00:52:19Has been working

00:52:21With him

00:52:22I couldn't tell

00:52:23I wouldn't say working

00:52:24What are you

00:52:25Stupid

00:52:25No I'm sorry

00:52:26That was rude

00:52:27But are you

00:52:29I guess

00:52:30Sort of

00:52:31I guess

00:52:31Anyway

00:52:32Your creature work

00:52:33Is great

00:52:33Regardless of

00:52:34Who's doing it

00:52:35How's your next

00:52:35Movie coming

00:52:36Which one

00:52:38I don't know

00:52:39It's just what you say

00:52:40I'm trying to be nice

00:52:41Good luck

00:52:43Good luck

00:52:43Have a good signing

00:52:45And whatever you're shooting

00:52:46I'm not signing

00:52:47The leads

00:52:47Thank you

00:52:48Alright so

00:52:51Are we gonna talk about it

00:52:53He said

00:52:56Right up front

00:52:57That he's

00:52:57Tried

00:52:58Numerous ways

00:52:59To get this story

00:53:00Out there

00:53:00Okay

00:53:01So

00:53:01Yeah

00:53:03It was

00:53:04Embarrassing

00:53:05That I didn't know

00:53:06That he'd already been

00:53:06To everybody else

00:53:07Okay

00:53:07Like but what am I

00:53:08Is that what you want

00:53:10Is that what you want

00:53:10Is that what you want me to say

00:53:11I'm embarrassed

00:53:11I feel stupid

00:53:12No

00:53:13But look

00:53:14When we get back

00:53:15The next time

00:53:16We talk to him

00:53:16I'll ask him

00:53:17Point blank

00:53:18Who else have you

00:53:19Brought this story to

00:53:20And you know

00:53:22We'll see what he says

00:53:23Yeah we'll see

00:53:25You think he's gonna be

00:53:26Truthful about that

00:53:27So

00:53:35One thing that

00:53:37I've been meaning to ask you

00:53:39Is

00:53:39Why

00:53:40Why reach out to a genre filmmaker

00:53:44With this

00:53:44Like why go to somebody

00:53:46Like me

00:53:47Who does what I do

00:53:48Well I tried the authorities

00:53:50I tried the press

00:53:51I was even on a couple talk shows

00:53:53Nobody wanted to hear it

00:53:54They all treated me like

00:53:56I was a nut

00:53:58You know

00:53:59So I thought you know

00:54:01A filmmaker

00:54:02Who had a built in audience

00:54:05And who could capture

00:54:07And tell the story

00:54:09Convincingly and properly

00:54:12Properly

00:54:13That would be the way to go

00:54:15You know

00:54:16Okay but then

00:54:18Why not go to somebody

00:54:19Bigger

00:54:20Like an even more established

00:54:22You know

00:54:23Why

00:54:23Why me

00:54:24You work outside the machine

00:54:26I like that

00:54:28So you never

00:54:32Reached out to somebody else

00:54:34Before me

00:54:34You never went to anybody

00:54:36Was it straight to me

00:54:36Nope

00:54:37Just you

00:54:38Just me

00:54:39So there were a couple

00:54:42Of interesting things

00:54:43That happened

00:54:43While you guys were gone

00:54:44I think you're gonna like this

00:54:45So we'll start on camera four here

00:54:48We're looking right at the marrow

00:54:49And here comes Decker

00:54:501.30 in the morning

00:54:51With a bag and a flashlight

00:54:53Right

00:54:55This is where it gets really weird

00:54:58He walks over to camera three

00:55:00Looks right at it

00:55:03And turns it off

00:55:06Why would he shut

00:55:10I don't know

00:55:12Goes over to camera one

00:55:13Again

00:55:15Right at it

00:55:16And he shut

00:55:17Turns it off

00:55:18Alright what I want to know though

00:55:21Is if he shuts off all the cameras

00:55:22Like what does he not

00:55:23Does he think we're not gonna see that

00:55:25In the footage

00:55:26He doesn't turn off camera four

00:55:28So he either doesn't know

00:55:31How to work the cameras

00:55:31He doesn't know how many are up there

00:55:33Whatever

00:55:34He's back at the hole

00:55:36Signaling something

00:55:37It looks like

00:55:38And if we get in close

00:55:40He starts pulling something

00:55:41Out of the bag

00:55:42And I don't know

00:55:43What's in the bag

00:55:44Maybe you guys can help me out

00:55:45What is that?

00:55:47Just an old man

00:55:47Talking to a hole in the ground

00:55:48No what's in his hand?

00:55:50It's

00:55:50I know what that is

00:55:52What?

00:55:54It's a

00:55:54It's a spoon

00:55:55So what is he doing?

00:55:57He's taking dirt?

00:55:58Was he taking samples

00:55:59Out of the

00:56:00I mean he's like

00:56:02He's digging down there

00:56:03And then he puts it in his bag

00:56:06No

00:56:08No no no

00:56:08He's taking something

00:56:09Out of

00:56:10What is he feeding?

00:56:11Feeding one of them?

00:56:13I can't see

00:56:14I can't see

00:56:15I can't see in

00:56:16There's no definition

00:56:17Such low light sensors

00:56:19That

00:56:19He's feeding something

00:56:21Or he thinks

00:56:23He's feeding something

00:56:23Okay then

00:56:27What else?

00:56:28What else?

00:56:29I mean

00:56:29After that

00:56:30Fast forward a little bit

00:56:31He packs up his stuff

00:56:32Yep yep yep

00:56:33Stands up

00:56:34Walks back over

00:56:38Turns the cameras on again

00:56:39Yep

00:56:39Camera one comes on

00:56:41Sets it up

00:56:42Clear as day

00:56:43He has to know

00:56:44We're gonna see that

00:56:45So is this

00:56:46Here's a question

00:56:48Is this on purpose?

00:56:49Did he want us to see that?

00:56:52Cause I'm

00:56:53I'm

00:56:55I'm

00:56:55Waving and signaling again

00:56:58Okay awesome

00:56:59What else?

00:57:00Anything else?

00:57:00This one's a little weird

00:57:02The very next night

00:57:05Four o'clock in the morning

00:57:06Camera one

00:57:09Yep

00:57:09I'll zoom in so you can see

00:57:11Here he is sitting

00:57:12On the edge of the marrow

00:57:13He's like

00:57:19And I have no idea

00:57:21What he's doing

00:57:21But he's sitting here

00:57:22For about a minute and a half

00:57:23Two minutes

00:57:24He's

00:57:26He's touching something

00:57:28In there

00:57:28What is he petting?

00:57:30Petting one of them

00:57:31I don't think he's petting him

00:57:35What is

00:57:37Oh my god

00:57:38Wait

00:57:39He's crying

00:57:42He's crying

00:57:44I didn't know what to make of it

00:57:51He's like sobbing

00:57:52I mean the only other thing I'm doing is just catching up on cemetery footage

00:57:57Just hours of cemetery footage

00:57:59This guy

00:58:03It's like

00:58:04It's like he's sick

00:58:07You know like he chooses the weirdest things to lie about

00:58:11Well isn't

00:58:12Isn't the lying just enough to stop this whole thing?

00:58:15No

00:58:15No it's not

00:58:16Why do you have to keep saying that we need to stop it?

00:58:17It's not enough

00:58:18I don't care about him lying to me

00:58:20That's irrelevant

00:58:20Did you tell Josh about the other night?

00:58:22What happened the other night?

00:58:23Nothing happened the other night

00:58:24It turns out that this Decker guy

00:58:25Has gone to every single Hollywood director with a story

00:58:28Who else did he go to?

00:58:30It doesn't matter

00:58:31It's semantics

00:58:32What matters isn't him

00:58:34Okay

00:58:34It's it

00:58:35It's where he can take us

00:58:37Because I know

00:58:38And I know I sound crazy to everybody

00:58:39But my whole life

00:58:40Since I was a little kid

00:58:42I have prayed for this to happen to me

00:58:43I have prayed for this to be real

00:58:45And

00:58:46And now I've

00:58:47I've seen it

00:58:48And

00:58:48And for better or for worse

00:58:50This lunatic

00:58:51Is the guy who can bring me to it

00:58:53And

00:58:54Okay

00:58:55I know you guys are going to say

00:58:57I'm trying to make excuses for him

00:58:58And I swear to God I'm not

00:58:59But this is just a theory I have

00:59:00I think

00:59:01That this is some sort of psychosis

00:59:03Like this whole thing

00:59:04I think that like

00:59:05His kid

00:59:06Died

00:59:07Or something

00:59:08And

00:59:08And this is why

00:59:09When we were in the cemetery

00:59:10And you mentioned your kids

00:59:11He was all over you

00:59:12About your kids

00:59:13Right

00:59:13And then

00:59:14When we were doing our

00:59:15One of our interviews with him

00:59:16He was showing me

00:59:17Paintings

00:59:18Of the monsters

00:59:19And

00:59:20And I asked him about

00:59:21I'm like

00:59:21Oh well who painted that

00:59:22And he

00:59:23And he said

00:59:23He said my son

00:59:24Thank you

00:59:25Yes

00:59:26And then when I

00:59:27Try

00:59:27I'm like oh wait

00:59:28Son

00:59:28He was all like

00:59:29Oh no

00:59:29We didn't want to go there anymore

00:59:31Now

00:59:31He's feeding something in a hole

00:59:33Something that's probably

00:59:34Probably not there

00:59:35Maybe he's imagining it

00:59:36Or

00:59:37This is where it gets a little weird

00:59:39Maybe he thinks his kid is down there

00:59:41And his kid's one of them

00:59:42Oh boy

00:59:43Okay

00:59:44I know

00:59:44It's crazy

00:59:45But if we could just find

00:59:47One person

00:59:47One person to vouch for him

00:59:49A family member

00:59:50A neighbor

00:59:51Just somebody who actually knows

00:59:52This guy in real life

00:59:54Not the life that he's presenting to us

00:59:56I'd feel so much better

00:59:58Because then I would know

00:59:59Is he crazy

00:59:59Is he mentally ill

01:00:02Is it all a hoax

01:00:04And I'm just a sucker

01:00:05You know

01:00:06But like you google him

01:00:07And he has no digital imprint

01:00:09On the internet whatsoever

01:00:10There's literally nothing about what

01:00:12Boston

01:00:14He was a police

01:00:18He was a police detective

01:00:20So what?

01:00:21No

01:00:21The original package that he sent me

01:00:23The original letter

01:00:24It says he was a

01:00:25Former Boston police detective

01:00:27We can go talk to them

01:00:28We're not going to Boston

01:00:30We're going to Boston

01:00:31Awesome

01:00:32No

01:00:33We're going to Boston

01:00:34Awesome

01:00:36Right now we're going to Boston

01:00:42Because I spoke to a guy

01:00:45At the Boston police department

01:00:46But they wouldn't answer

01:00:48Any of my questions

01:00:49Over the phone

01:00:50But the guy did say

01:00:51He would give us like

01:00:5215 minutes

01:00:52So what I want to do

01:00:53Is I want to sit down

01:00:54I want to find out

01:00:55More about

01:00:56When Decker worked there

01:00:59Like maybe there's people

01:01:00That still know him

01:01:01And like especially

01:01:02If he's talked about

01:01:03The marrow

01:01:04And all this stuff

01:01:05Before

01:01:06I think we're going to get

01:01:07Some really

01:01:07Some cool stuff

01:01:09Great

01:01:10I don't know

01:01:12It seems like a waste of time

01:01:13To begin

01:01:14Alright

01:01:16Well you know what

01:01:17If nothing else

01:01:18We get to go home

01:01:19To Boston

01:01:19When's the last time

01:01:20We got to go to Boston

01:01:21Like what

01:01:21Like three years ago

01:01:22Four years ago

01:01:23No

01:01:23I was in Boston

01:01:24Two weeks ago

01:01:25Shooting a cable ad

01:01:26I don't need to go back there

01:01:28Well

01:01:28You don't have to shoot a cable ad

01:01:31While you're there

01:01:31So

01:01:32Great

01:01:32We fuck

01:01:33I've been with the Boston Police Department now for 24 years and I don't ever recall working

01:01:59With this gentleman

01:02:00No

01:02:00What department did he say work with

01:02:03Uh

01:02:04He didn't specify that

01:02:06Well then I suggest you have him contact us

01:02:09And as you can understand

01:02:11I can't get into the surface records of a former police officer with a third party

01:02:15No

01:02:16I understand that totally

01:02:17I just

01:02:18I guess

01:02:19Okay

01:02:20To clarify that though

01:02:21What you're saying

01:02:21Is that

01:02:22To the best of your knowledge

01:02:24A William Decker

01:02:25Has never worked here at the Boston Police Department

01:02:28That I know of

01:02:29No

01:02:30Just because

01:02:32One guy that we talked to

01:02:34Didn't know him

01:02:34Doesn't mean that it's a lie

01:02:36I mean you heard what the

01:02:37The officer said

01:02:38Even if he didn't know something

01:02:39He's not allowed to tell us anyway

01:02:41So

01:02:41He can tell us if he worked there

01:02:43I mean

01:02:44Clearly the guy

01:02:44Never worked there

01:02:46You don't know that

01:02:47That's according to one officer

01:02:49When we get home

01:02:51Let's go back out there

01:02:53To the spot

01:02:53But just

01:02:54Just me and you

01:02:55No Decker

01:02:56So that way

01:02:57If this is like a hoax

01:02:59And he's putting stuff on for us

01:03:01He won't even know that we're there

01:03:02Just us

01:03:03Right

01:03:04Just so he can freak out again

01:03:05And tell us how much we're compromising his work

01:03:07And then quit

01:03:08Not if he doesn't know

01:03:10Is this it?

01:03:19Yeah, I know where we are

01:03:20Just park it

01:03:21Okay, cool

01:03:22All right, let's do a quick in and out, okay?

01:03:25I don't want to be here all night

01:03:25No, I just want to see the spot

01:03:28Without him here, that's all

01:03:29Wait, wait, how do you

01:03:30Just twist the dial on the side

01:03:32Like that?

01:03:33Yep, that's it

01:03:34All right, got it

01:03:35All right

01:03:38Wait, wait, wait

01:03:41Shh

01:03:41Wait, wait

01:03:42Do you hear that?

01:03:47Was that your footsteps?

01:03:48No, I stopped

01:03:49All right

01:03:52Let's see

01:03:52It's freaking hot tonight

01:03:56Yeah

01:03:57It's wicked fucking warm, dude

01:03:59It's moist

01:04:00Oh

01:04:00Whoa, whoa, whoa

01:04:01You good?

01:04:02You good?

01:04:02Yeah, yeah, yeah

01:04:03Trees

01:04:03Well, I told you

01:04:06No more ski lifts at night, right?

01:04:08So this isn't that bad

01:04:10This is like

01:04:10It's the woods

01:04:12You know what's funny, though?

01:04:13What?

01:04:13Is that during the day

01:04:14It's like, oh, I'm in the forest

01:04:16But then at night

01:04:16It's like, I'm in the forest

01:04:18Like, it's really scary

01:04:19All right

01:04:20And there it is

01:04:23Okay, so

01:04:24All right, let me do my intro

01:04:26Okay

01:04:26All right

01:04:32Am I all sweaty?

01:04:33Um, a little shiny

01:04:35I'm too bad

01:04:35All right

01:04:36Okay

01:04:36Hold on

01:04:37Okay

01:04:37In

01:04:39To camera, right?

01:04:40Yep

01:04:40Here we are at the entrance to the marrow

01:04:43Or at least what Decker claims to be

01:04:45The entrance to the marrow

01:04:46No

01:04:47Okay

01:04:48Hold on

01:04:48Oh, my God

01:04:51I thought that was you

01:04:53Do you smell that?

01:04:56Well, you realize we're in a cemetery, right?

01:04:57And, uh

01:04:58There's dead bodies all around us

01:05:00Um

01:05:02Uh, I've stuck

01:05:04I've stuck my head in worse

01:05:05I actually went to Hofstra for four years, so

01:05:08All right

01:05:09Hold on

01:05:09Okay

01:05:12Wait a minute

01:05:13You realize we're in a cemetery

01:05:15And you're sticking your head in a hole

01:05:16I know that

01:05:17But I gotta see

01:05:18Hello

01:05:19Monsters

01:05:22Yeti

01:05:25Yeah

01:05:29Dude

01:05:30Okay

01:05:31Here's one thing I will say, though

01:05:33Is

01:05:33I don't know if you can see it

01:05:34But when you

01:05:34When you go down

01:05:35It curves around

01:05:37Oh, my God

01:05:38Ah!

01:05:38Dude

01:05:39It's got me

01:05:40Nothing?

01:05:43Really?

01:05:44No, jackass

01:05:45Come on

01:05:45Come get out of here

01:05:46You're no fun

01:05:48All right

01:05:50Well, good

01:05:50I'm glad we did that

01:05:51Now

01:05:52We know that we have lots of footage

01:05:55Of a crazy guy

01:05:57Who should probably be committed

01:05:58Rambling around about nothing

01:05:59We have a hole in the ground over here

01:06:02We have lots of old gravestones

01:06:04And we have a dude

01:06:06Who was probably one of Decker's friends

01:06:08Who jumped out at us

01:06:09Wearing nothing but a Halloween mask

01:06:11Which is good

01:06:11Whoa

01:06:12Dude

01:06:13Sorry

01:06:14Oh!

01:06:14Dude, dude, dude

01:06:15Seriously, help me, help me

01:06:16Please, please, please

01:06:17I'm not joking

01:06:18I'm not joking

01:06:18Something took my boot

01:06:23It grabbed me

01:06:25Well, at least you still have your foot

01:06:27No, I'm serious

01:06:28Something, something

01:06:29It took my boot

01:06:30You mean like a root or something?

01:06:33No, no

01:06:33Something like

01:06:34Like it

01:06:34It didn't hurt

01:06:35But it like

01:06:36It took my boot

01:06:37Off of my foot

01:06:38Bullshit

01:06:43Fine

01:06:45You know what

01:06:45Here

01:06:46Hey, uh, dude

01:06:47Can you do me a favor really quick

01:06:48And just reach in that hole

01:06:49And, um

01:06:50And grab my boot for me

01:06:52Please

01:06:52You want me to get your boot?

01:06:54Yeah

01:06:55Come on, do it

01:06:55There's nothing in there

01:06:57Alright, alright

01:06:58Do it

01:06:59It's pretty deep

01:07:03It's, uh

01:07:06You know what?

01:07:08No

01:07:08It's your boot

01:07:09You get it

01:07:09Oh

01:07:10Oh, okay

01:07:11Yeah

01:07:11There you go

01:07:13You know what?

01:07:15Um

01:07:15I was gonna throw these boots out

01:07:18When I got home tonight

01:07:19Anyway

01:07:20Because they're old

01:07:20And they smell

01:07:21So I don't even need it

01:07:23And you're gonna walk home

01:07:24In your sock

01:07:24I am gonna walk home

01:07:26In my sock

01:07:27But what about

01:07:29The snakes?

01:07:30There's no snakes

01:07:31What about the spiders?

01:07:34Oh, oh, spider

01:07:34What?

01:07:35Dude

01:07:35Oh, she's such a dick

01:07:37Fine

01:07:38Go get your boot

01:07:40I'll get my boot

01:07:40I'm gonna get out of here

01:07:41If something happens to me

01:07:43Seriously

01:07:44Damn it

01:07:46And don't do that thing

01:07:49Where something grabs you again

01:07:50I would never do the same gag twice

01:07:53Have you seen Hatchet 2?

01:07:58Go on

01:07:59Give me a second

01:08:01Holy shit

01:08:05Okay

01:08:07Go on

01:08:11I'm going

01:08:12I'm going

01:08:13I can't reach it

01:08:25I can't reach it

01:08:27Wait, wait, wait

01:08:29Okay, hold on

01:08:31Oh, shit

01:08:36Got it

01:08:40What the hell are you two doing?

01:08:42You shit

01:08:42What have you done?

01:08:44What have you done?

01:08:45Nothing, nothing

01:08:46We were just getting some shots

01:08:48Without you out here

01:08:49Potentially orchestrating shit

01:08:51What do you mean orchestrating?

01:08:54I can hear you a half a mile

01:08:55Down the goddamn road

01:08:56You had no right to come up here

01:08:58No, but honestly something down there just totally took my boot

01:09:01I told you we needed to be discreet

01:09:03I warned you we could scare them away

01:09:06I warned you some of them were dangerous

01:09:08Public place

01:09:11We have every right to be here if we want to

01:09:13That was really stupid

01:09:14That was stupid

01:09:15It's not stupid

01:09:16Don't film this now

01:09:18No, I'm not recording

01:09:19No, you know what was stupid?

01:09:20You're not?

01:09:21No, listen to me

01:09:22You know what was stupid?

01:09:23Was the other day

01:09:24When we took you out to coffee

01:09:25And I asked you point blank

01:09:27Have you sent this shtick to anybody else?

01:09:30And what did you say?

01:09:30I said that I took it to a multitude of places before I brought it to you

01:09:35No, no, no, no, no, no

01:09:36I asked you point blank

01:09:38Didn't I?

01:09:38I asked him point blank

01:09:39I said

01:09:40Have you sent this to any other directors in Hollywood?

01:09:43And you said

01:09:44No, just you

01:09:46Just you

01:09:46Just me

01:09:47That's what you said

01:09:48And it's not adding up at this point

01:09:50It's never gonna add up

01:09:52If they move away because of your meddling

01:09:55Our meddling?

01:09:56Yes, you're meddling

01:09:57No, we're trying to tell a story here

01:09:59Because you know what?

01:10:00Like, what if?

01:10:01What if it was real?

01:10:02I want to believe in it

01:10:02He wants to believe in it

01:10:04And I've snuck a lot of my time

01:10:05And a lot of his money into this so far

01:10:09And honestly, it feels like Linus

01:10:11Waiting for the great pumpkin to arrive or something

01:10:13And for all we know

01:10:14This is just a bunch of your buddies

01:10:16Running around in like Halloween costumes for our cameras

01:10:19Maybe I don't need the two of you involved in this anymore, alright?

01:10:22But let's take this conversation over to the road

01:10:24So we don't make the situation any worse than it is?

01:10:26No, we're not taking one more step

01:10:28Until you admit that you've been lying

01:10:30About?

01:10:33About what haven't you lied about?

01:10:34About everything

01:10:35Monsters, the marrow

01:10:36Your name

01:10:38I don't even know who you really are

01:10:39My personal life is my business, you understand?

01:10:43It's my business

01:10:44We have been up front with you since day one

01:10:47You know exactly who we are

01:10:48Good job

01:10:50What the hell was that?

01:10:52I don't know, I don't know what it was

01:10:53But it brushed against my feet

01:10:54It went over there

01:10:54Turn off that camera light

01:10:56They're watching us

01:11:00What was that?

01:11:06Shh, shh, shh, shh

01:11:07Shh, shh, shh, shh

01:11:10It went over there

01:11:11Get up

01:11:12�

01:11:37¡Suscríbete al canal!

01:12:07¡Suscríbete al canal!

01:12:37¡Suscríbete al canal!

01:12:39¡Suscríbete al canal!

01:12:41¡Suscríbete al canal!

01:12:43¡Suscríbete al canal!

01:12:45¡Suscríbete al canal!

01:12:47¡Suscríbete al canal!

01:12:49¡Suscríbete al canal!

01:12:51¡Suscríbete al canal!

01:12:53¡Suscríbete al canal!

01:12:55¡Suscríbete al canal!

01:12:57¡Suscríbete al canal!

01:12:59¡Gracias!

01:13:29¡Gracias!

01:13:35Has that ever happened before?

01:13:37No, never to that extent.

01:13:39I mean, I've been followed once, I've been chased a couple of times,

01:13:41but I don't have an outright attack like that.

01:13:43You see what you've done?

01:13:45What I've done?

01:13:46Okay, hold the phone here.

01:13:47First of all, you have not been straight with us since day one.

01:13:50Okay?

01:13:51Starting with the fact that you never worked for the Boston Police Department.

01:13:54What? You never worked for them.

01:13:55Yes, I did.

01:13:56We went and met with them, and they've never even heard of you.

01:13:58I was a private detective.

01:14:00Private, you imbecile, don't you understand English, huh?

01:14:03You speak English?

01:14:04I understand it enough to know that you would at least have been affiliated with their division in one way or another.

01:14:10But no, they've never even heard of you.

01:14:12You know, I trusted you, Adam.

01:14:13I brought you into one of the greatest discoveries of all time.

01:14:15Don't point your finger at me.

01:14:16You're going to screw me.

01:14:17I'm not screwing.

01:14:18Why are you screwing me?

01:14:19Because I don't know if it's bullshit or not.

01:14:21Why couldn't you listen to me?

01:14:22Because I didn't want to spend five more months running around looking at sketches,

01:14:25and looking at drawings and listening to your psycho babble, okay?

01:14:28Oh, listen to you, man.

01:14:29You sound like all those other assholes.

01:14:30You're too blind to see what's going on around you.

01:14:32Well, you're going to see.

01:14:33You're going to see.

01:14:34Oh, I saw.

01:14:35I saw something through it.

01:14:36I don't know what it was.

01:14:37Do you know what it was, Mo?

01:14:38No.

01:14:39So what was it?

01:14:40Back me up here.

01:14:41For what?

01:14:42Back me up.

01:14:43I'm going to go.

01:14:44I'm going to go inside.

01:14:45Okay, no, no, no, no.

01:14:46They know we found out about them, Adam.

01:14:48They know we found them.

01:14:50They're going to move.

01:14:51They're going to close up that entrance.

01:14:53And I'm going to lose him.

01:14:54And I'm not going to lose him.

01:14:56Who?

01:14:57Who's him?

01:14:58This is my last chance.

01:14:59I'm not going to blow it.

01:15:00Who is him?

01:15:01Just tell me the truth about one single thing.

01:15:02Okay, how about this, Mr. Decker, if that's even your name?

01:15:06What about the fact that you went to every director in Hollywood before you came to us with this project, right?

01:15:11I was like the absolute last choice.

01:15:13And I asked you.

01:15:14Boy, boy, boy, we had coffee.

01:15:15And you lied to me about that too.

01:15:16Bullshit, bullshit, bullshit, bullshit, bullshit.

01:15:18Okay, it's 1.30 in the morning.

01:15:21I think the best thing to do right now, we were just attacked.

01:15:24Let's call the police.

01:15:25How about that?

01:15:26No!

01:15:27No police.

01:15:28No police.

01:15:29No police.

01:15:30If they've moved, then I'll dig.

01:15:31I'll dig down.

01:15:32That tunnel's still there.

01:15:33I'll dig.

01:15:34Then you can call the police.

01:15:35I don't care.

01:15:36Just get out of here now.

01:15:37Go on.

01:15:38We can't.

01:15:39Do we have lights in the car if we go down there?

01:15:40I got a plan.

01:15:41I got a plan this.

01:15:42I got a plan it.

01:15:43Get out.

01:15:44Go on, get out.

01:15:45No, I'm not going to get out because if you're going down there, then I'm going with

01:15:47you and I'm seeing this through.

01:15:48All right.

01:15:49We need lights from office.

01:15:50We need two more cameras.

01:15:51Listen, listen to me for a second.

01:15:56I'll meet with you here at sunrise, you and Will, all right?

01:15:58Sunrise.

01:15:59Then you can shoot any goddamn thing you want.

01:16:01You can shoot as much as you want, all right?

01:16:02I don't care.

01:16:03Shoot whatever you want.

01:16:04Okay, so Sunrise here.

01:16:05We have two cameras at the office.

01:16:06Yes.

01:16:07Sunrise here.

01:16:08Now go, please.

01:16:09I've got to work.

01:16:10You're good with this, right?

01:16:11I've got to plan this.

01:16:12Don't puss out on me on this.

01:16:13Get out.

01:16:14Get out!

01:16:15I'm going to get out.

01:16:16Get out, Will.

01:16:17Where do we meet you exactly?

01:16:18Here, here, at sunrise.

01:16:19Right here at sunrise.

01:16:20Right here at sunrise.

01:16:21We will be back.

01:16:22Get out of here, goddammit.

01:16:23Thank you!

01:16:24.

01:16:30Maybe we should just go.

01:16:32I find it hard to believe he overslept.

01:16:36Mr. Decker!

01:16:41Al menos un segundo, let's see, let's see.

01:16:44Where are we? Hold on, hold on, hold on.

01:16:48Excuse me. Excuse me, excuse me, excuse me. Hello, hello. Sorry.

01:16:52I'm trying to reach the guy that lives there, your neighbor.

01:16:55No one lives there.

01:16:56No, no, the guy, uh, the old guy, William Decker, the guy lives there.

01:17:00No one lives there.

01:17:01First door.

01:17:06Okay, I'm sorry, I'm sorry.

01:17:06So, according to Decker's neighbor, this place has been empty for a year.

01:17:16Wait, so nobody lives here?

01:17:17No one's supposed to live here.

01:17:22No, no, no.

01:17:23What do you know?

01:17:24No, no, no.

01:17:24Mr. Decker!

01:17:28Are you kidding me?

01:17:34What, you just skipped town?

01:17:36What?

01:17:38Look, look, look.

01:17:41Oh, man.

01:17:42You know what?

01:17:43No, we should just go.

01:17:44We should...

01:17:45Dude, no, no.

01:17:46Come here.

01:17:47Come here.

01:17:48Man.

01:17:49Ugh.

01:17:51Dude.

01:17:53Ugh.

01:17:54What the...

01:18:00Is that...

01:18:01Is that shit?

01:18:04What are you...

01:18:06Smells so bad.

01:18:08What the...

01:18:09What did he have?

01:18:14Can we go?

01:18:15Yeah, did you get all this?

01:18:16Did you see all this?

01:18:17Aw, man.

01:18:18Let's go.

01:18:19Please, can we just go?

01:18:20Oh, God.

01:18:21Okay, okay, okay, okay.

01:18:22Come on.

01:18:23Dude, where are we going?

01:18:24Where do you think we're going?

01:18:25We're going after him.

01:18:26Oh, hell no.

01:18:27I'm not going down that hole.

01:18:28We're not going in the hole.

01:18:29Will you just come with me?

01:18:30No, I'm not even going back there, man.

01:18:31We're not going back there.

01:18:32Just get in the car.

01:18:33Trust me.

01:18:38Come on.

01:18:39Seriously, can we please just call the police?

01:18:43Mr. Decker?

01:18:48Come on.

01:18:49No, no, no, no.

01:18:50No, no, no.

01:19:14Okay, final recording in three, two, so it's been,

01:19:19It's been a little over a month since we last heard from Decker, and I've tried calling, but his number just rings, and about, I don't know, two weeks ago, it switched over to one of those, this number has been disconnected messages.

01:19:39But last week, our missing camera, camera two, was delivered to me, and...

01:20:09I don't know.

01:20:39I don't know.

01:21:09I don't know.

01:21:39I don't know.

01:21:40I don't know.

01:21:41I don't know.

01:21:42I don't know.

01:21:43I don't know.

01:21:44I don't know.

01:21:45I don't know.

01:21:46I don't know.

01:21:47I don't know.

01:21:48I don't know.

01:21:49I don't know.

01:21:50I don't know.

01:21:51I don't know.

01:21:52I don't know.

01:21:53I don't know.

01:21:54I don't know.

01:21:55I don't know.

01:21:56I don't know.

01:21:57I don't know.

01:21:58I don't know.

01:22:02I don't know.

01:22:03I don't know.

01:22:04I don't know.

01:22:05I don't know.

01:22:08I don't know.

01:22:09I don't know.

01:22:10I don't know.

01:22:11I don't know.

01:22:12I don't know.

01:22:13I don't know.

01:22:14I don't know.

01:22:15I don't know.

01:22:16I don't know.

01:22:17I don't know.

01:22:18I don't know what to do.

01:22:19I don't know.

01:22:20But I was wrong.

01:22:21There is no such thing as the marrow.

01:22:26There are no monsters.

01:22:28Don't follow me.

01:22:30Don't believe my work.

01:22:32Stay away.

01:22:35There's no such thing as monsters.

01:22:42Monsters are not real.

01:22:44Monsters are not real.

01:22:47¡No!

01:23:17¡No!

01:23:47¡No!

01:24:17¡No!

01:24:47¡No!

01:25:17¡No!

01:25:47¡No!

01:26:17¡No!

01:26:47¡No!

01:26:48¡No!

01:26:49Gracias por ver el video.

01:27:19Gracias por ver el video.

01:27:49Gracias por ver el video.

01:28:19Gracias por ver el video.

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