Also an alumni of Robbie Lane and The Disciples, when Dominic Troiano left Mandala in 1969, he was looking for a change from the high class big band r&b rhythms. Along with Mandala-mates vocalist Roy Kenner and Pentti 'Whitey' Glan on drums, they moved to Arizona early the next year to get different musical vibes and a fresh start. They recruited bassist Parkash John and began playing the circuit, cutting their teeth on the harder blues based riffs and less sophisticated material they were trying out on a hungry market looking for something different to wet their appetite.
They caught the attention of Reb Foster, an LA disc jockey while he was in Arizona. Foster ran a management company through his Cuordoroy Records that was affiliated with ABC/Dunhill Records. He agreed to manage the band and had them signed to Dunhill in early 1970. Bush in fact was the first band to sign with Cuordoroy. They got bigger gigs, opening for the likes of Steppenwolf and Three Dog Night, but found themselves in the middle of a nightmarish R'n'R political BS situation as they prepared to release their first lp. ABC/Dunhill sued Cuordoroy, and Bush became the football, punted back and forth with no one ever scoring.
Their first and only lp was self-titled and like the band's name, straight forward, simple, catchy and easy. Tracks like the lead off "Back Stage Girl, "Got To Leave The City," "Messin' Around With Boxes" and their only single "I Can Hear You Calling" all showed Troiano and company were looking for a different direction, straight to the bones driving rhythms. The reminiscent "Yonge St. Patty" paid homage to 'the girls from home,' not far from where Troiano grew up.
They carried along the dusty trails but by early the next year, they were broke. The band packed it in, but Troiano and Kenner weren't out of work for long. The James Gang came knocking on Troiano's door to fill Joe Walsh's guitar duties, and he convinced them Kenner would be the perfect vocalist for them. Troiano then would go on to join The Guess Who and cut several solo albums, as well as form his Black Market project before becoming immersed in production and behind the scenes work, scoring a number of soundtracks for film and television. Kenner would also appear on again off again in Troiano's solo projects, as well as in Black Market, as did John, who also went on to record with Alice Cooper, along with Glan. Tracks:
01. Back Stage Girl - 0:00
02. Yonge St. Patty - 2:58
03. Got To Leave The City - 5:47
04. I Miss You - 9:25
05. The Grand Commander - 12:20
06. Cross Country Man - 16:42
07. I Can Hear You Calling - 20:40
08. Messin' Around With Boxes - 23:29
09. Livin' Life - 26:20
10. Turn Down - 29:40
11. Drink Your Wine - 33:42
Bonuses (recorded live at “The Bitter End”, Los Angeles, June 5 & 6, 1971):
00:20:29I can hear you calling, calling my name out loud
00:21:29We can't, we can't, we can't, we can't, we can't get together, we can't get together, we can't get together, you're just good, you can't keep on calling me, until it's understood, yeah, you've got to learn the hard way, I think that it's up to you, you've got to get, get, get, get, get what you've got coming, I think to know it's true, don't
00:22:59I can't, we can't, you, you've got to turn, yeah, you've got to turn, you can't, we can't hit, get, get, get, get, get, get, get there, you've got to tell you, you've got to tell them, you've got to tell me, it's true,
Be the first to comment