Accidentally in Love _ Full Romantic Comedy Movie

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Transcript

00:00:00See, I like your style

00:00:15I like the way you live

00:00:19I like the way you smile

00:00:27You're designed for me

00:00:29I'm done

00:00:31Yeah, I just gotta turn on this paper

00:00:33And I will meet you guys at the ferry

00:00:35Yes, of course I brought the champagne

00:00:38Oh, sorry

00:00:41I'm gonna go, okay, bye

00:00:45Maybe we can start right here

00:00:50Let me get to know you're there

00:00:54Love the way you're living

00:00:57So much more than love

00:00:59Rumors to go

00:01:03We can put it all together

00:01:08Cause we've got this feeling

00:01:11And it feels like hope

00:01:13Rumors to go

00:01:17You make it easy

00:01:20You make it bright

00:01:21Got me believing

00:01:23Feels so right

00:01:25No need to wait

00:01:33We can get it now

00:01:35And if you want

00:01:37You can come around

00:01:38So sit down

00:01:40Really

00:01:41Are you okay?

00:01:49Yeah, fine

00:01:50You?

00:01:53Um, um, your teeth

00:01:58Well, I am English

00:02:01No, they're covered in blood

00:02:03Oh

00:02:04Oh

00:02:05Um, I think I'm able to get to go

00:02:09To the top

00:02:10Hey, I'm at the clinic

00:02:18No, no, I'm okay

00:02:21I just, I ran into someone

00:02:23On my way to turn to my assignment

00:02:24Like, literally ran into someone

00:02:27He's asleep or passed out or something

00:02:29Yeah, he's cute

00:02:34Stop it

00:02:36Okay, uh

00:02:37Have fun in Greenwich

00:02:38I'll try to meet you when I can

00:02:39Okay

00:02:39Bye

00:02:40Oh, sorry

00:02:52Did I scare you?

00:02:53No, I was just surprised

00:02:55Yeah

00:02:56Me too

00:03:00You have a little

00:03:02Oh, oh

00:03:05All right, let's get this up

00:03:10How does it feel?

00:03:12Yeah

00:03:12Cool

00:03:14Well, it looks pretty good

00:03:16I, I do probably get going

00:03:18You two took knocks to the head

00:03:20Really?

00:03:20Mm, yeah, one too many in your case

00:03:22It seems

00:03:22You likely have minor concussions

00:03:24And I'd like you to do neurological checks

00:03:26Every four hours

00:03:27I have some pamphlets

00:03:28That'll walk you through

00:03:29Wait, even me?

00:03:33That's a good question, actually

00:03:34I mean, because

00:03:35Evidently

00:03:36You have a

00:03:37Particularly

00:03:38Thick skull

00:03:39So

00:03:40It might not be necessary

00:03:42But you know what?

00:03:43Let's be safe

00:03:44And just do what I tell you

00:03:45Okay?

00:03:46All right

00:03:47Well, oh

00:03:47That lip, actually

00:03:48It's going to be tender for a few days

00:03:50So

00:03:50No, easier

00:03:51Oh, no

00:03:52Paracetamol for the pain

00:03:53And I'll be right back

00:03:55With the pamphlets

00:03:55Thank you

00:03:58So, um

00:04:03Do you really think I'm cute?

00:04:09You heard that

00:04:10Yeah

00:04:11Can I get your number?

00:04:14Yeah, sure

00:04:15Would you mind passing me my phone?

00:04:18Oh, yeah

00:04:19Thank you

00:04:20Oh, no

00:04:28What's wrong?

00:04:30I'm late

00:04:31Oh, no

00:04:32But you

00:04:33You haven't learned how to

00:04:34Neurological check

00:04:35Where the hell are you going?

00:04:39Sorry

00:04:39Thank you

00:04:40Why, hello

00:04:42Miss Master of Art

00:04:44We haven't graduated yet

00:04:47Wait, what are you doing here?

00:04:49Oh, I didn't get his number

00:04:49What?

00:04:50I know

00:04:51I lost track of time

00:04:52And I had to get my assignment in

00:04:54So I just had to leave there in a hurry

00:04:55Well, easy come, easy go

00:04:57Is that all I get?

00:05:05Well, that's why I'm glad you came

00:05:07The champagne

00:05:08Oh, I totally forgot

00:05:09The others

00:05:11Yes

00:05:11Oh, thanks

00:05:12They went somewhere to find a liquor store

00:05:15Wait, where is it?

00:05:16I don't know

00:05:17Across the common

00:05:18No, no

00:05:19Where is my journal?

00:05:20It's not here

00:05:21I must have left me at the clinic

00:05:22It's got my whole year in there

00:05:24Well, it'll still be there

00:05:25We'll go back

00:05:26I'll go with you

00:05:27After my champagne

00:05:29Okay

00:05:29Oh, beautiful

00:05:34Where have you been?

00:05:39Having a jolly time, I hope

00:05:41Yeah, I was at the university doctor's

00:05:43Oh, here's the, uh

00:05:45If I'd known you were going to take that long

00:05:46I'd have just brought it up to my class finish

00:05:48This is your diary

00:05:49Hmm?

00:05:50Oh, sorry

00:05:51Here it is

00:05:53I made a few notes

00:05:54Nothing too major

00:05:55But just take a look

00:05:56And let me know what you think

00:05:57Where's Richard?

00:05:58Richard?

00:05:59He's still in Prague

00:06:00It's a Saturday

00:06:01Oh, of course he is

00:06:02I forgot

00:06:03What's this?

00:06:04What was I coming over here for?

00:06:06Cup of tea?

00:06:07Oh, yes

00:06:08Please, Harry

00:06:09Thank you

00:06:10James, what were you doing at the hospital?

00:06:12Oh, that is really sweet

00:06:14I, uh

00:06:14I ran into someone

00:06:16At first, I presume

00:06:17Yeah

00:06:17Why?

00:06:20Oh, dear

00:06:21Oh

00:06:23We clean it after every visit

00:06:26There's nothing here

00:06:27Except that

00:06:29Look, are you ready to learn

00:06:32How to do a neurological check?

00:06:34Sure

00:06:35Good

00:06:36Hello?

00:06:48Is anybody there?

00:06:54That's not it

00:06:55Um, James

00:06:57I think you should wait

00:06:58I think you should wait

00:06:59Did you get your assignment in?

00:07:20Yeah, I found this.

00:07:24Yeah, I've got this.

00:07:29Should we get a drink?

00:07:34I have to learn my neurological check.

00:07:38How about a walk in the park tomorrow?

00:07:41A walk in the park would be great.

00:07:43Oh, why are you here?

00:07:46Well, I forgot something important.

00:07:49Oh, gross. Go on, how'd you go?

00:07:51No, no, I need to get out of there.

00:07:53What are you doing? You're supposed to be a doctor.

00:07:55You need tomorrow at the cafe tea, darling.

00:07:57I don't want tea with you!

00:08:00Sorry about that.

00:08:02Tea, darling?

00:08:14You look better.

00:08:16No, I don't. But thank you for trying.

00:08:21I'm a little bit hungover.

00:08:23You know, we had our finals yesterday, so...

00:08:25Oh, there's a doctor on campus who specialises in people with your condition.

00:08:28I think the treatment might be worse than the cure.

00:08:31Come on.

00:08:32Come on.

00:08:33I know what will fix you.

00:08:42Oh, it's the other way round, actually.

00:08:44Now that is the best hangover cure in the world.

00:08:55Trust me.

00:08:56Bit of salt, carbs, grease.

00:08:59You'll be good as gold in that time.

00:09:02I am supremely jealous right now.

00:09:06So you come here often?

00:09:08Mm, all the time.

00:09:09I love it.

00:09:11Here?

00:09:13It's...

00:09:14It's just so adorable.

00:09:16Yeah.

00:09:17It's tea, darling.

00:09:19Yeah, so I'm not technically a student.

00:09:31Um, by which I mean I'm not actually a student at all.

00:09:35I...

00:09:36I work for this start-up ad agency.

00:09:38And, well, we have this graphic design grad student interning with us,

00:09:41so he prints things for me.

00:09:44Isn't that stealing?

00:09:45Nana says stealing's wrong.

00:09:47Well, they're on a date.

00:09:50Sorry.

00:09:52Well, that was right.

00:09:54Get off me, Susie.

00:10:01I wouldn't mind

00:10:03If you and I would fly away together

00:10:06Fly away forever, honey

00:10:08I wouldn't mind

00:10:10If you and I would fly away together

00:10:13Fly away

00:10:15Fly away forever, honey

00:10:18I wouldn't mind

00:10:20If you and I would fly away together

00:10:21Fly away forever, honey

00:10:22I wouldn't mind

00:10:23If you and I would fly away together

00:10:25Fly away forever, honey

00:10:26I wouldn't mind

00:10:27If you and I could rule the sky

00:10:28No need to think twice

00:10:29We could leave behind our troubles

00:10:31If we flew around like lovers

00:10:32If we flew around like lovers

00:10:34I, I wouldn't mind if you and I would fly away together, fly away forever, honey

00:10:44I wouldn't mind if you and I would fly away together, fly away forever

00:10:51You and I could rule the sky, no need to think twice

00:10:54We could leave behind our troubles if we flew around like lovers

00:10:58Whenever, wherever, two birds of a feather, the sun on our wings, let the adventures begin

00:11:06And I, I, I wouldn't mind if you and I would fly away together, fly away forever, honey

00:11:17I wouldn't mind if you and I would fly away together, fly away forever, baby

00:11:25I, I really like, for you and I would fly away together, fly through any weather, honey

00:11:32I, I really like, for you and I would fly away together, fly away

00:11:39Happy and carefree, going on the days we will breathe

00:11:48Gliding on the breeze, living life in peace

00:11:55What are the chances

00:11:57If we could find all the answers

00:12:02It would be so nice if we spread our wings and fly

00:12:09Let me be your songbird

00:12:16Let me be your songbird

00:12:20Let me be your songbird

00:12:24So is this chair signature?

00:12:26Yeah, yeah, I've photoshopped it into all the campaigns

00:12:30Oh, oh, I love this one

00:12:36Have it, I think I have

00:12:42Oh, yeah

00:12:43I can't take this

00:12:47No, please, I would like you to

00:12:51I don't particularly want it

00:12:53Yeah, but you've been hiding something behind your back for about a minute now

00:13:01Now, which I can only presume is a gift

00:13:04And if you accept that, then I get to take credit for giving you the first gift

00:13:09Even though I didn't actually get you anything

00:13:16Thank you

00:13:21Oh

00:13:22This is beautiful

00:13:25Puts mine to shame

00:13:27I'm embarrassed

00:13:28Oh, I love your picture of another woman

00:13:30Oh, there it is, a J on her hand

00:13:33Why do you put that in?

00:13:36For fun, I suppose

00:13:38Not to keep things stimulating?

00:13:40What do you mean?

00:13:42Well, doesn't it get creatively stifling working on drill bit campaigns?

00:13:46No

00:13:47No, the creativity is in making the sale

00:13:50The art is defined by the outcome

00:13:53And this is literally art that moves something

00:13:56I love it

00:13:57Beauty is in the eye of the beholder

00:13:58But art is art in itself

00:14:00Is that what that note that you wrote on my work means?

00:14:06You think we see too much?

00:14:08Well, your whole message is that

00:14:11This company is not just selling drill bits

00:14:13But a way through obstacles, right?

00:14:15This image is awful

00:14:19There's nothing aspirational about it

00:14:23Punch in with a macro lens and show the spiral thingies

00:14:28Thread

00:14:29Show the thread in a way that suggests something more

00:14:34Like a spiral staircase

00:14:36Yeah, but no, because look, it's not always as, you know, neat as art for art's sake

00:14:43The what and the why can't be separated

00:14:46For instance, your picture, right?

00:14:48Now that's obviously incredibly special to me

00:14:51To anyone else, that's just a picture of a building corner

00:14:55Is that so?

00:14:57A lovely picture

00:14:58You're darn right

00:14:59Look, you're the uncompromising artist

00:15:02I'm the compromising artist

00:15:04You're the starving artist

00:15:05I'm the well-fed artist

00:15:07No offence

00:15:08You're right, maybe I'm clinging to an ideal

00:15:10Maybe I won't make a bunch of money, but

00:15:12I believe in what I do, I'm proud of it

00:15:14And you're brilliant at it

00:15:16I mean, you'll probably end up proving me wrong

00:15:18And become the next famous photographer

00:15:21You can't think of any, can you?

00:15:23I don't think they exist

00:15:24Oh, that is spicy

00:15:35Seems like we've run out of things to talk about

00:15:37Shut up

00:15:39That's another way to put it

00:15:43Oh!

00:15:44Ow

00:15:45I'm sorry

00:15:46Please

00:15:47Believe me

00:15:48There is nothing

00:15:49I would like more

00:15:50Than to kiss you right now

00:15:51I didn't mean to hurt you

00:15:53It's fine

00:15:54Honestly

00:15:55I mean, if you had it

00:15:56We'd have never met

00:15:57So

00:15:58I'll take it

00:16:01Um

00:16:03Can I see you again?

00:16:06After your pitch?

00:16:08I'd love that

00:16:10Well, do you want to just meet here

00:16:12And see where the night takes us?

00:16:16Sure

00:16:17Do you want my number?

00:16:20No

00:16:22No, let's

00:16:23Let's do it the old fashioned way

00:16:25More romantic

00:16:26But what if we miss each other?

00:16:28Well, if it's meant to work

00:16:29We'll make it work

00:16:31James

00:16:32I'm going back to the States in two days

00:16:37If it's meant to work

00:16:38We'll make it work

00:16:39To work

00:16:40To work

00:16:41To work

00:16:42To work

00:16:43To work

00:16:44To work

00:16:47We love it.

00:17:10Thank you very much.

00:17:12Thank you so much.

00:17:14How about we celebrate with a pint?

00:17:16Oh, actually, I...

00:17:18We'll take it from here.

00:17:20We'd love to.

00:17:32We're selling a means to an end.

00:17:35Another. Thank you.

00:17:36Let me just put this one over here.

00:17:38You know, I nearly laughed when you first said that.

00:17:41But at the end of the day, they're just drill bits.

00:17:44But boy, you're onto something.

00:17:46James is certainly very competent.

00:17:49He's a wizard.

00:17:50Don't let go of that one.

00:17:52Don't worry.

00:17:53I don't intend to.

00:17:54All right.

00:17:55I'm going to the loo.

00:17:56How many pints are we going to have?

00:17:57There's somewhere to be, mate.

00:17:59Did you change your shirt?

00:18:00Oh, yeah.

00:18:01I want to be comfy.

00:18:02Right.

00:18:03Yeah, well, as a matter of fact, I've got a date.

00:18:06Do you?

00:18:07Mm-hmm.

00:18:07And she goes home tomorrow.

00:18:09Overseas.

00:18:10This might be my last chance to see her.

00:18:11Who's going overseas?

00:18:13Did you change your shirt?

00:18:15Oh, yeah.

00:18:15I want to be comfy.

00:18:17So, what?

00:18:18You're going to leave England?

00:18:19I don't know.

00:18:20Maybe.

00:18:21We haven't figured any of that out.

00:18:22That's why I need to go tonight.

00:18:26Wow.

00:18:26You're not kidding.

00:18:27Where's she from?

00:18:28You might need to cancel, darling.

00:18:30I can't.

00:18:31But we're celebrating.

00:18:32No, I mean, I literally can't cancel.

00:18:35I don't have a number.

00:18:37James, blow her off.

00:18:38You're about to close on a multimillion-dollar campaign,

00:18:41and you want to go off chasing some foreign floozy.

00:18:43All right, Morgan.

00:18:43Firstly, she's not a floozy.

00:18:46And secondly, we've already closed.

00:18:47As I was just explaining to Henry here...

00:18:50Is that Harry?

00:18:50You can't go...

00:18:51You call me Henry, but my name's Harry.

00:18:54As I was just explaining to lowly, meaningless intern,

00:18:58you can never take a person at her word.

00:19:00Until the ink is drawn, you've got nothing.

00:19:02Trust no one.

00:19:04This is really important to me, Morgan.

00:19:06Sorry, James.

00:19:07You're staying.

00:19:08How about we order something to eat?

00:19:10Oh, it sounds marvellous.

00:19:11Um...

00:19:13All right, Harry, mate, can you do me a massive favour?

00:19:16Yes, of course.

00:19:17OK, you know the bridge over the duck pond in the common?

00:19:20Yep.

00:19:21I need you to go there, find a girl.

00:19:23She's got dark hair, might be holding a camera,

00:19:26answers to where you need it.

00:19:27I need you to find her.

00:19:28I'm really sorry I can't make our date tonight,

00:19:30but I will swing by her dorm first thing in the morning.

00:19:34You want me to skip dinner?

00:19:36Well, I will buy you dinner if it means that much to you.

00:19:40James, what are you eating?

00:19:41One minute.

00:19:42Three courses.

00:19:43What?

00:19:44You'll buy me a three-course dinner,

00:19:46and I get to pick the restaurant.

00:19:48Yeah, whatever.

00:19:51I'm just kidding, James.

00:19:52Relax.

00:19:53You should have seen your face.

00:19:55Two courses is fine.

00:19:56Harry, hurry.

00:19:57You're going to be late.

00:19:58I got it, mate.

00:20:01Trust me.

00:20:01I won't.

00:20:19I love you.

00:20:19Excuse me, Edie.

00:20:46Edie, are you Edie?

00:20:49Yes.

00:20:50Thank goodness.

00:20:52I tried the tube, but it was delayed,

00:20:53so I ended up getting a taxi.

00:20:55I thought I might have missed you, but it doesn't matter.

00:20:57James wanted me to tell you he can't come tonight,

00:21:00but he'll stop by your dorm first thing in the morning.

00:21:03Okay, yes.

00:21:05Yes.

00:21:06Okay, great.

00:21:07It's nice to meet you.

00:21:08One minute, I just need to send a text.

00:21:11Are you on social media at all?

00:21:14Cape Town, right?

00:21:16And there's this place called Shark Bay.

00:21:18Five hundredths of the cliffs, straight down.

00:21:21And the access men have jumped...

00:21:33Keep your crew, please.

00:21:34I just need to make a stop on the way.

00:21:35Okay.

00:21:36What have I told you?

00:21:39What have I showed you?

00:21:41A moment from my life.

00:21:45The times when I wake, I have a heartache.

00:21:51And I can't tell you why.

00:21:55I feel lonely, can't feel empty.

00:22:01I wanna draw the blinds.

00:22:03I wanna draw the blinds.

00:22:06Like something's missing.

00:22:08And I am wishing this will pass in time.

00:22:16I'm taking it day by day.

00:22:23Day by day.

00:22:24Day by day.

00:22:26I'm taking it day by day.

00:22:32What is it?

00:22:33Hi, I'm looking for James.

00:22:36Ah.

00:22:37You're American?

00:22:38Yes, and I'm on my way to the airport.

00:22:40Um, I just wanted to make sure he got this.

00:22:42Is he here?

00:22:45Give it to me, darling.

00:22:46I'll make sure he gets it.

00:22:48Would you?

00:22:49Thank you so much.

00:22:50I just...

00:22:52Hurry up, love.

00:22:53Meter's running, and you've got a plane to catch.

00:22:59Who is it?

00:23:00A Girl Scout.

00:23:01Dog Scout.

00:23:02And then enter you.

00:23:07You'll give me reason.

00:23:09Bring back a feeling.

00:23:12That maybe that sun will shine.

00:23:16You are a lesson.

00:23:18You are a blessing.

00:23:20You'll bring me back to life.

00:23:25And I'm taking it.

00:23:29I'm taking it day by day, day by day

00:23:36I'm taking it day by day, day by day

00:23:46And I don't know about tomorrow

00:23:54But yesterday is a world away

00:23:59And I am living it today

00:24:04Thank you, Mr. Parker. Have a nice day. Oh, it'll be delivered by Wednesday.

00:24:09How much was that piece?

00:24:11Seventeen.

00:24:13Seventeen thousand?

00:24:15Yep. Can you believe it? It looks like the artist just threw a bunch of paint on a canvas.

00:24:19Well, that's an awesome commission for you.

00:24:21It is.

00:24:22And I would be making an awesome commission off of your stuff.

00:24:26I can't afford to be a starving artist anymore.

00:24:28Why?

00:24:29It's too unreliable.

00:24:31Product and portrait shots just pay so much more.

00:24:35Yeah, about that. How's your mom doing?

00:24:38She'll be fine once the divorce is settled.

00:24:40Is it nice living back home?

00:24:42Not the word I'd use to describe it, but now we're just trying not to lose the house.

00:24:47Yeah, I get it.

00:24:50Have you called Noah back?

00:24:52No.

00:24:53And don't make me sorry I told you about that.

00:24:54What?

00:24:55It's a big job.

00:24:57And it'd give you breathing room.

00:24:58Jess, it's literally shooting poop.

00:25:00Whoa.

00:25:01It's fertilizer.

00:25:02Okay, calm down.

00:25:04And it'd give you freedom to do other things.

00:25:07You know I'm right.

00:25:08What did your mom say?

00:25:10She says I should marry him.

00:25:12Well, I'm sure he'd be along for the ride.

00:25:15No, no.

00:25:16See, when the conversation switches to getting romantically involved with Noah Pepper, that's my cue to leave.

00:25:21Oh, you mean that's all I have to do to get you to stop loitering around here?

00:25:24Shut up.

00:25:25Call him, Edie.

00:25:26Honey, just call him.

00:25:27It will help to talk.

00:25:29Okay.

00:25:30I hear you, universe.

00:25:33I guess I'm calling Noah Pepper.

00:25:35Pepper Poop, this is Penny.

00:25:40Hi, this is Edie Stevens returning Noah Pepper's call.

00:25:45Edie Stevens!

00:25:47Yes!

00:25:48Um, can I put you on a brief hold?

00:25:51Uh, sure.

00:25:52Okay, thank you.

00:25:56Noah?

00:25:57Noah.

00:25:58Hi.

00:25:59Um, Edie Stevens is on the phone.

00:26:02Edie's on the phone.

00:26:03Yeah.

00:26:05Okay.

00:26:07Oh, okay.

00:26:09Oh boy.

00:26:10Um, this is really good.

00:26:13Okay, I'll take her off hold then.

00:26:14No, uh, I'll do it.

00:26:16Um, excuse me.

00:26:19Uh, which button do I press?

00:26:22This one right here.

00:26:23No, no, no.

00:26:24Uh, don't touch it.

00:26:25I just, I need a moment to prepare.

00:26:27Sure, sure, sure.

00:26:31Okay.

00:26:32Can we practice?

00:26:33Is that okay?

00:26:34Yeah.

00:26:35Can we, um, you're, you'll be, you'll be Edie.

00:26:37I'll be Noah.

00:26:38Okay.

00:26:41Edie, hi.

00:26:42How are you?

00:26:43Good.

00:26:44She doesn't, she doesn't sound like that.

00:26:46Sorry.

00:26:47It's all right.

00:26:48Can you just sound a little bit more like her.

00:26:49You sound like, sound like you're trying.

00:26:51Can you just, just work with me here.

00:26:53Edie.

00:26:54Hi.

00:26:56Hi, Noah.

00:26:57That was pretty good.

00:26:58Edie, I've been following you since high school.

00:27:01Been following your work since high school.

00:27:03Um, been following your work since high school.

00:27:06Uh, I noticed you would take pictures.

00:27:09Really well.

00:27:10Uh, that's stupid.

00:27:12I need a mint.

00:27:13Uh, do you have a mint?

00:27:14Do we have any mints?

00:27:15Do we have any mints?

00:27:16Do we have any mints?

00:27:17We had a candy drawer here for years, Penny.

00:27:20I'm so sorry.

00:27:21I told you we were into the office, but it's a big deal to me that we keep up with consistency.

00:27:25It's fine.

00:27:26It's fine.

00:27:27It's fine.

00:27:28I'm sorry.

00:27:29I'm sorry.

00:27:30No, I'm sorry.

00:27:31But, you know...

00:27:32Edie, I was wondering if we could grab, um, food to eat.

00:27:41Do you think she'd like it?

00:27:42I like it.

00:27:43I don't know.

00:27:44So, Antonia, I feel like maybe that's a little too flashy.

00:27:46Okay.

00:27:47Yeah, maybe not.

00:27:48Well, now you got me in my head.

00:27:50Is it not too flashy or is it too...

00:27:51I like it too.

00:27:52Okay.

00:27:53You know, Antonia, it's fine.

00:27:54I just can't.

00:27:55I need to, um, this...

00:27:57I need the blood on my, um...

00:27:59See, I didn't, I didn't do any of my cardio today.

00:28:02Excuse me.

00:28:03Can I just have a little bit of space, please?

00:28:04Yeah, definitely.

00:28:05I'm so sorry.

00:28:06You're doing a great job.

00:28:07Definitely.

00:28:08You're doing a great job.

00:28:09Thanks.

00:28:10Ugh!

00:28:12It's just too tight.

00:28:14It's too tight.

00:28:15I can't do it in your office, Penny.

00:28:17Okay, um...

00:28:19Dinner?

00:28:20We want to have dinner?

00:28:22I want to offer you a job.

00:28:24I want to offer you a job.

00:28:27I want to offer you a job.

00:28:28Mm-hmm.

00:28:29Mm-hmm.

00:28:30Mm-hmm.

00:28:31Mm-hmm.

00:28:32Okay.

00:28:33I'm ready.

00:28:34Okay.

00:28:35This one, right?

00:28:36This one, right?

00:28:37It's the one on the left.

00:28:38This one.

00:28:39This one.

00:28:40Right.

00:28:41Right.

00:28:42Oh, my gosh, Noah.

00:28:43You're killing me.

00:28:44So this campaign launched...

00:28:45Geez, I was 17, so 12 years ago?

00:28:47Yeah.

00:28:48It, um...

00:28:49It has that vibe.

00:28:50I remember your Eminem phase in school.

00:28:51Phase?

00:28:52I'm joshing you.

00:28:53Gosh, it's so good to see you.

00:28:54Yeah.

00:28:55It's so good to see you.

00:28:56Oh, my gosh, Noah.

00:28:57You're killing me.

00:28:58Oh, my gosh, Noah.

00:28:59You're killing me.

00:29:00So this campaign launched...

00:29:01Geez, I was 17.

00:29:02So 12 years ago?

00:29:03Yeah.

00:29:04It, um...

00:29:05It has that vibe.

00:29:06I remember your Eminem phase in school.

00:29:07Phase?

00:29:08I'm joshing you.

00:29:09Gosh, it's so good to see you.

00:29:11How are you?

00:29:12How's Susan?

00:29:13Mom sends her love, of course.

00:29:14I mean, she's thrilled we're working together.

00:29:15Mom's great.

00:29:16Thanks.

00:29:17Um...

00:29:18Yeah, and it has been a while.

00:29:19It has, hasn't it?

00:29:20You know...

00:29:21You know...

00:29:22You know...

00:29:23You know...

00:29:24You know...

00:29:25You know...

00:29:26You know...

00:29:27You know...

00:29:28You know...

00:29:29You know...

00:29:30You know...

00:29:31You know...

00:29:32You know...

00:29:33You know...

00:29:34You know...

00:29:35You know...

00:29:36I keep on passing your studio in town.

00:29:38And I think to myself...

00:29:39I should go in and say hi.

00:29:41But I know you're so busy running the business and everything.

00:29:44I mean...

00:29:45Your life is insane.

00:29:46It certainly is.

00:29:48So...

00:29:49So what should we do?

00:29:52With the campaign?

00:29:55Uh...

00:29:57I'm...

00:29:58I'm used to working with smaller businesses.

00:30:00Like...

00:30:01Much smaller.

00:30:02And you're turning around what?

00:30:03Uh...

00:30:04330 million...

00:30:05And change.

00:30:06Wow!

00:30:07Yeah...

00:30:08Uh...

00:30:09That's...

00:30:10That's a lot more...

00:30:11Uh...

00:30:12You're a much bigger company than I'm used to working with.

00:30:14Uh...

00:30:15Have you thought about bringing an...

00:30:16Ad company on board?

00:30:17Like people who do this for a living?

00:30:18Oh...

00:30:19Uh...

00:30:20I have one already.

00:30:21I went with a British company.

00:30:22Kinda glam up our image a bit...

00:30:23You know?

00:30:24Great!

00:30:25Uh...

00:30:26So what am I doing?

00:30:27Well...

00:30:28You're gonna shoot it.

00:30:29But...

00:30:30I remember our senior year art class.

00:30:32Oh...

00:30:33You know what?

00:30:34You've got a darn good eye.

00:30:35And...

00:30:36I want you on my team.

00:30:38You...

00:30:39You don't need me.

00:30:40I need someone I trust.

00:30:42Looking out for me.

00:30:44Now truth be told, Edie...

00:30:46I'm scared of you creative types.

00:30:48I mean...

00:30:49You're...

00:30:50You're so cool with your crazy hair and...

00:30:52Old school fashion.

00:30:54I...

00:30:55I don't have either of those names.

00:30:56You know people who do.

00:30:57And you understand them.

00:30:59Should I put that on my resume?

00:31:01Why?

00:31:03It...

00:31:04It was a joke.

00:31:06See?

00:31:07I didn't even get that.

00:31:08But...

00:31:09But you speak their language.

00:31:10I believe it's called English?

00:31:20That's funny.

00:31:21English.

00:31:23That's good.

00:31:28Edie, I...

00:31:29I...

00:31:30I need you to keep an eye on these guys.

00:31:32You know...

00:31:33Be my woman on the inside, so to speak.

00:31:36You can't have another campaign like the last one.

00:31:38I mean, it was...

00:31:39Terrible.

00:31:47All right.

00:31:48Welcome to the pepper poop family.

00:31:49Maybe we could...

00:31:50Go out to dinner this Friday.

00:31:51Celebrate.

00:31:52Sure.

00:31:53Edie...

00:31:54Do you really have to do that right now while we're trying to eat breakfast?

00:31:55No, Mom.

00:31:56I'm eating breakfast.

00:31:57You're still on one of your intermittent fasts.

00:31:58I mean, it's the best way to lose weight.

00:31:59I mean, it's the best way to lose weight.

00:32:00You read about the next one in a magazine.

00:32:01Hey, if I could lose weight, I could be a cougar.

00:32:03Yeah.

00:32:05What?

00:32:06Come on.

00:32:07I mean, it's the best way to lose weight.

00:32:08You read about the next one in a magazine.

00:32:09Hey.

00:32:10If I could lose weight, I could be a cougar.

00:32:12Yeah.

00:32:15one of your intermittent fasts.

00:32:19I mean, it's the best way to lose weight.

00:32:20Will you read about the next one in a magazine?

00:32:22Hey, if I could lose weight, I could be a cougar.

00:32:30Yeah.

00:32:32Hold that thought.

00:32:45Mm, look what you made me do.

00:33:03Edie?

00:33:07Honey?

00:33:08Are you okay?

00:33:09Holy poop.

00:33:11Tons and tons of poop.

00:33:14You know, people really underestimate it,

00:33:16but I always say that if you want to go green,

00:33:18you gotta go brown first, obviously.

00:33:22Oh, you know, I could get you a sample if you'd like.

00:33:24Oh, no, that's okay.

00:33:26You're sure?

00:33:27Okay.

00:33:29And I said, careful, mate, that's my face.

00:33:32Where did you leave that?

00:33:33He nearly took my face off, he did.

00:33:35I'm really happy.

00:33:37Edie's here.

00:33:39Edie, hi.

00:33:41Thank you, Penny.

00:33:42Help yourself some coffee and breakfast.

00:33:46Oh, no, thank you, I'm fine.

00:33:47I already had plenty.

00:33:50Oh, I'm sorry.

00:33:51You mean Edie, I can get you something right now.

00:33:53Oh, I'm okay, thank you.

00:33:55Harry was just telling me this funny incident

00:33:57that happened during a commercial shoot.

00:33:58I got loads of stories, my friend.

00:34:00I want to hear all of them.

00:34:02Don't bother, half of them aren't true

00:34:04and the rest sadly are.

00:34:05Good morning, I'm Morgan.

00:34:06Guten Morgen.

00:34:07Edie.

00:34:08Actually, I think I am gonna get that coffee.

00:34:11Noah, I have been thinking about it

00:34:14and I have to agree,

00:34:15you should feature prominently in the campaign.

00:34:19Good morning, everyone.

00:34:21James!

00:34:21Noah, nice to finally meet you, mate.

00:34:24Oh, buddy, I've heard wonderful things.

00:34:26Oh, no, not from Harry, I hope.

00:34:28If they are, you probably shouldn't trust them.

00:34:29Nah, only told them the bad ones.

00:34:31Oh, no, no, they've all been really good,

00:34:33I assure you.

00:34:38Oh, uh, James, this is our photographer, Edie Stephens.

00:34:45Nice to meet you, Edie.

00:34:48You too, James.

00:34:52Now that we're all acquainted,

00:34:53you know why we begin?

00:34:55Right.

00:34:57So, we need a new ad campaign, obviously.

00:35:00So the broad plan is for you guys

00:35:02to come up with the idea

00:35:04and work with Edie to produce it.

00:35:07What's our timeframe again?

00:35:08Uh, I'd like this out by fall.

00:35:10Well, that's doable.

00:35:11Do you do many commercial productions, Edie?

00:35:14A few.

00:35:15Uh, she's being modest.

00:35:18I mean, she's done tons.

00:35:20Everyone knows if you want a commercial shot

00:35:22in Charleston, you want Edie.

00:35:25That is a wonderful reputation.

00:35:28I mean, she does portraits.

00:35:30She even does animal portraits.

00:35:32Moving on.

00:35:33Uh, you're looking for exposure

00:35:35across multiple platforms, I'm sure.

00:35:37Have you had any thought as to where?

00:35:39I'd trust you guys to come up with

00:35:41the best go-to-market strategy.

00:35:43Mm-hmm, and how would you define your customers

00:35:45if you had to place them, say?

00:35:48Mm.

00:35:49Well, uh, our largest clients by far

00:35:51are industrial farmers,

00:35:53but we don't really see much growth in that sector.

00:35:56May I?

00:35:56Go for it.

00:35:58We think there's a high-margin retail potential

00:36:00for, um, urban agriculture, you know,

00:36:04people who grow vegetables

00:36:05on top of balconies and rooftops.

00:36:07Farmers and urban millennials,

00:36:09they're two very different demographics.

00:36:11Yeah, we do quite a bit of business

00:36:13with city parks, suburban gardeners,

00:36:16and, believe it or not, cemeteries.

00:36:19So you're literally targeting everyone,

00:36:21the living and the dead?

00:36:23Those are great, aren't they?

00:36:27Oh, yeah, these are very evenly-lived.

00:36:31Yeah, totally.

00:36:34I don't see a single shadow on them.

00:36:36You can see everything perfectly.

00:36:38And they're in focus, too.

00:36:40They sold the product.

00:36:42Isn't that what art is, defined by the outcome?

00:36:44Well, I mean, beauty might be in the eye of the beholder,

00:36:47but surely art is in the art itself?

00:36:51I think somebody told me that once.

00:36:53Do you believe that, or are you just spinning words?

00:36:55Spinning words?

00:36:56Well, that's what you do, right, as an ad man?

00:36:59I believe in what I do.

00:37:00Can you say the same?

00:37:01In my experience, clever words aren't enough.

00:37:04A successful campaign needs follow-through.

00:37:06You don't just launch something and then abandon it.

00:37:09Unless it was always supposed to be

00:37:10a limited campaign, of course.

00:37:12What is this?

00:37:12Is this a tote bag?

00:37:16No.

00:37:17I know what this is.

00:37:18This is a compromise.

00:37:20Unlimited compromise.

00:37:22I knew I recognized it.

00:37:28Come on.

00:37:29I was just playing.

00:37:32Edie.

00:37:35Well, that was a good start.

00:37:43Edie.

00:37:44Edie, Edie, where are you going?

00:37:46I haven't seen you in five, maybe six years,

00:37:50and that's how you speak to me?

00:37:51I really don't see what the problem is here.

00:37:53Are you OK?

00:37:55I'm fine.

00:37:56No, I'm sorry, mate.

00:37:57I didn't mean to offend anyone.

00:37:58Oh, OK.

00:38:00Thanks, James.

00:38:01I got this.

00:38:03OK.

00:38:05What happened?

00:38:06Was it something he said?

00:38:09No.

00:38:10Did I do something?

00:38:12What?

00:38:13No, what?

00:38:14No, I, I can't do this.

00:38:18Fresh peanut cream, I got this for you.

00:38:26Is that tomato poop?

00:38:30Root poop.

00:38:31Root poop.

00:38:32It's that top product right there.

00:38:34You put it on your root vegetables.

00:38:35It's a miracle.

00:38:37Cool.

00:38:38No, but listen, I don't think it's a.

00:38:40Look, I get it.

00:38:41You do?

00:38:42You're a free spirit.

00:38:43You don't want to be tied down.

00:38:45Kind of.

00:38:46Doing the same job over and over again.

00:38:48Oh, no, no, I meant, I turned.

00:38:50Look, I know it's going to take some time to adjust,

00:38:52so why don't you go, take the rest of the day,

00:38:56and we'll talk about it at dinner.

00:39:01Thanks.

00:39:03That would be great.

00:39:21Edie, hey, how'd the meeting go?

00:39:26It was a disaster.

00:39:29Why?

00:39:32Because I've betrayed every artistic ideal I've ever had,

00:39:35and I'm living a lie.

00:39:37Are they going to pay you?

00:39:39Yeah, mom, they're going to pay me.

00:39:41Yay, that's great.

00:39:42Congratulations.

00:39:43Let's go out to dinner to celebrate.

00:39:46I can't.

00:39:48I have a date.

00:39:52Don't bother, I'm not telling you.

00:39:56You, you, you, you, you, you, you...

00:39:57You, you, you, you, you, you.

00:39:58You, you, you, you, you, you.

00:40:02I need a date.

00:40:03More.

00:40:06Keep going.

00:40:09Yep.

00:40:11There we go.

00:40:15What's the story here?

00:40:18He's here.

00:40:19Who?

00:40:21James.

00:40:22James?

00:40:24English James.

00:40:26Wait, English James?

00:40:27Flaky English James.

00:40:29Flaky but cute English James.

00:40:30Infuriating, arrogant, and rude English James.

00:40:35You're going to dinner with him?

00:40:40I'm going to dinner with, uh...

00:40:45What?

00:40:47Wait, how?

00:40:48Why?

00:40:49It's not what you think.

00:40:51I think it's a work dinner or something,

00:40:53some sort of welcome to the company dinner.

00:40:55When I walked out on the meeting earlier today,

00:40:57he chased after me and I wanted to call it all off,

00:40:59but then he just...

00:41:00Wait, wait, wait, one thing at a time.

00:41:02You walked out on a meeting because...

00:41:04James!

00:41:05James and his stupid uppity ad agency

00:41:07are the ones producing Noah's campaign.

00:41:10Oh.

00:41:11That's why he looks so familiar.

00:41:13Who?

00:41:14Well, an English guy came in here this afternoon

00:41:17asking about holding a launch party here.

00:41:19Noah sent him.

00:41:20When you went back to the university clinic,

00:41:22he was with me in the waiting room.

00:41:24Wait, they want to have the launch party here?

00:41:28Yeah, I guess it could work.

00:41:29Of course it will.

00:41:30I can't have too much.

00:41:32I'm having dinner with Noah Pepper.

00:41:34You're right.

00:41:35You can't have too much.

00:41:37What am I doing?

00:41:38I don't know.

00:41:39To us.

00:41:56To us.

00:41:57To us.

00:41:58to work together you know um you probably don't know this but i mean i guess i've never told

00:42:09anyone before but uh back in high school i uh kind of had a crush on you oh yeah secret's out

00:42:21you know but don't don't worry though please you know i i almost didn't even invite you out to

00:42:25dinner because i didn't want to send mixed mixed messages or act at all in any way inappropriately

00:42:33because more than anything edie i i want to work with you you know i wasn't kidding the other day

00:42:40i really meant it you know i need someone who can handle these creatives you know tell me what's

00:42:44going on like today it seemed like that guy was being a jerk but i honestly had no idea what was

00:42:54being said james was

00:43:01okay yeah he was being a jerk i'll just fire them then get a new agency i mean you're you're more

00:43:07important to me than they are in every way no no don't fire them

00:43:10so are you in or out out in it's out i'm pretty sure it was in whatever 40 15 my serve

00:43:29now his gold digger is back on the campaign gold digger i know her type morgan you think that every

00:43:38american's a gold digger you still haven't gotten over wallace simpson look you can't blame edie i

00:43:44upset her a stiff breeze would upset that delicate snowflake james look creative differences are a part

00:43:51of the job you know have you seen her pictures they're awful a trained monkey could do a better job

00:43:56anyway you fancy a gin and tonic it's about 10 in the morning not an engine darling you've got a

00:44:04problem you know i know i'm parched

00:44:09uh so where would the ball be good morning gentlemen james this is jess the gallery owner oh nice to meet

00:44:16you jess nice to meet you as well i was actually in london with edie so i guess we have a mutual friend

00:44:21well i hope so but i'm not quite sure well i wouldn't worry too much you know when i came in

00:44:27the other day i thought you looked familiar she was on jersey shore no survivor am i close

00:44:38morning okay when we were sent from london to open our north american agency branch

00:44:45we did it with pepper poop on our minds how are the acoustics yeah they're fine morgan you're not

00:44:52gonna say that though are you well i don't know what i'm going to say do we need a mic i think we

00:44:59need a mic um harry harry are you writing this down writing what down i agree with morgan with a lot

00:45:07of people here a microphone will really help cut across the noise then we'll get a mic james seeing as

00:45:14edie missed much of friday perhaps you could bring her up to speed of course morgan

00:45:24all right uh let's see after you left well i came to your dorm i went to heathrow and then the

00:45:34preceding six years were pretty dull and dreary but you know that's england for you after the meeting

00:45:40james yeah not much really we decided we'd do billboards print tv radio in terms of a creative

00:45:50vision we're uh we're going to emphasize what fertilizer does rather than what it is for obvious

00:45:55reasons and yeah no one wants to be featured in the campaign personally again

00:46:06you saw that

00:46:10it was a different time and it worked back then

00:46:13right yeah i suppose the uh the outcome made it art

00:46:18what do you mean just uh you know beauty's in the eye of the beholder seriously oh come on edy

00:46:31look we're both compromised artists now the only difference is i don't see any shame in that whereas

00:46:36you clearly haven't come to terms with it you think that's why i'm angry isn't it no well yes but i'm

00:46:44mostly angry that you never showed up excuse me i waited for you and then when you didn't show up

00:46:51i even went to your office i gave morgan my number i'm not having spotlight on me

00:46:59i think i'm gonna head out i have enough to get started on some test shoots

00:47:04it's simple sell the function not the product feature you i have some ideas uh it'll be easier

00:47:09to show you than tell you you won't stick around today no i think this is a much more productive

00:47:14use of my time

00:47:28how can they call it football only one man on the field ever touches it with his foot

00:47:32what harry do you remember about six years ago when i asked you to meet a girl in a park for me

00:47:41of course i do you still owe me dinner for that did you actually speak to the girl yes

00:47:48ide nice girl we're still friends online show me i always wondered what happened between you two

00:47:56i always figured it ended naturally when she moved back to japan

00:47:59oh no have you seen her animated cat videos aren't those incredible harry what have you done

00:48:05what edi harry i said ed not e-day you said a foreign girl with a camera who answered to e-day

00:48:14this was the only one in the park edi edi

00:48:19oh god it's edi wait that's where i've seen jess before she was at the clinic

00:48:23where are you going to beg forgiveness do you want chips coming do you do you want your chips

00:48:30you still owe me for dinner

00:48:37noah how did you get it under your collar i don't know it just kind of dripped down

00:48:54looks good to me come on good luck today

00:49:07noah how did you find me harry told me

00:49:35did you really go to heather yeah i did i didn't get very far apparently they frown

00:49:43upon young lovers trying to storm security

00:49:48mio ide huh i see he told you a few things yeah he uh he's a nice guy unlike me pretty much okay

00:49:56i am sorry edi for the way that i spoke to you in that meeting you should be but i'm not sorry for

00:50:07what i said you're insufferable and i'll admit that if you admit that you're above shooting tote bags

00:50:15i needed the money since when did you care about money yes i compromised i betrayed a younger more

00:50:22pure version of myself because i needed the money to help someone are you happy now obviously not now you

00:50:29put it like that but it was a joke edi one of life's little ironies but you took it to this whole other

00:50:41level which i understand now that i know about harry and that tourist but no no i am i am not doing this

00:50:51doing what arguing with you i bought you that book to say sorry why didn't you say it because

00:51:01you had company and i didn't want to intrude well i'm here now and i'm saying sorry

00:51:09it's not for you for the way that i spoke to you but not for what you said no no because what i saw in

00:51:17there was not inspiring edi and i don't mind saying that to you because i also know that it's not you

00:51:25you don't know me i don't know you

00:51:39this is you you still have this of course and you carry it with you that's a little weird newsflash

00:51:56i am a little weird and i didn't keep it because i never moved on from whatever it was that we had i

00:52:04i kept it because i was wrong and you were right it's not just a picture of a building corner

00:52:14or a drill bit or fertilizer it's it's a story that was our story

00:52:24and tote bags do not tell stories yes enough about the tote bags i get it but do you

00:52:31because i want to work with this ed okay i am dying to work with this ed you know our drill

00:52:39bit campaign won us loads of awards practically put the agency on the map and you know what the

00:52:45centerpiece was what a macro photograph of a drill bit low angle with the spiral thingies pointing up

00:52:57they're called threads that was you ed you put us on the map in a way

00:53:09also it was me because my coffee was amazing

00:53:27so

00:53:39i

00:53:41i

00:53:43i

00:53:45i

00:53:47i

00:53:49i

00:53:51i

00:53:53i

00:54:14i

00:54:16i

00:54:18wow what is that smell chicken poop or something fertilizer of some sort why is that smell

00:54:25you get used to it hey uh come check these out you'll be fine come on oh

00:54:33eddie these look great this is fertilizer yeah wow i haven't seen you do anything like this in years

00:54:40hey

00:54:41uh dating noah is uh clearly working out for you we're not dating

00:54:48how many times have you been out to dinner twice but we were doing a work thing last night

00:54:52and when are you going out to dinner again tomorrow

00:54:57well if it looks like poop and smells like poop yeah i get it but this isn't noah

00:55:02i

00:55:04i had a good conversation with james yesterday

00:55:07oh

00:55:10yeah

00:55:11oh yes

00:55:13oh these are brilliant

00:55:16i love this one

00:55:18that's amazing was that in the studio yeah

00:55:21morning penny

00:55:22morning noah

00:55:23how was your night

00:55:24good the dog wet the bed again but it's okay just hap

00:55:28yeah it was i feel like we can maybe figure out a way to incorporate noah

00:55:34yeah behind everything maybe just somewhere small hidden in the dirt just like way up in the

00:55:42distance that'd be more ideal for me

00:55:45oh no these are great these are great well we can get some more of these things yeah i have a couple

00:55:57more i just put it in

00:56:02okay what about fertile fields and productive farming we have to at least acknowledge the fact

00:56:08that what we're selling is feces so we double down we make a joke out of it but not out of the

00:56:14campaign no we can't undermine it and noah needs to be in it right okay let's get him in it i think

00:56:24he's gonna like this noah

00:56:29sorry i have no idea how late it is well we've been on a roll getting it done

00:56:37that's it getting it done that's the tagline

00:56:45i love it yes come on put it there

00:56:51all right should we call it a day there heck no uh do you want to do some test shoots

00:56:58i mean i'm up for it if you are let's go let's go

00:57:02let's go to the studio baby

00:57:17can i have a couple more minutes please

00:57:26things in life should be simple rather than complex i've been saying this for a long time

00:57:36i don't know what else to say at this point i don't think any of them also how do you use chopsticks

00:57:42these ones have two i only have one here you want my other one not really

00:57:47excuse me excuse me can i have another double rye on the rocks would you like any food sir

00:57:55uh no just whiskey and the check please

00:58:09oh

00:58:19hey noah this do you like the lean hey do i look like the face of poop

00:58:25that's what i'm really going for you that's not going to work for noah i'm not opening the bat

00:58:29come on we have to show him what we're thinking right i'm not showering myself in poop

00:58:33i don't even want to know what's going on harry yes well you two there's no time for that edie your

00:58:41mom and i guess now noah is looking for you what oh no i forgot dinner what um i need my phone um

00:58:51can someone call my phone i'm on it

00:59:03you need to hide him now oh no we were just working yeah harry mate we have an awesome campaign

00:59:12nice one think about what this looks like your mom is worried about you she's looking for you

00:59:19she and noah are going to come here shoot you're right yeah you gotta go what no this is absurd i'll

00:59:25just explain to noah we were working show him the shots you had a date with him no it's can you just

00:59:32not complicate things right now too late i see noah and an angry looking woman that parked across the

00:59:39street that's susan who's susan my mom yeah i'm gonna hide yeah go to the bathroom

00:59:44why are you in here edie's mom looks really angry i got scared edie edie why aren't you answering your

00:59:59phone mom i'm not a child i don't have to explain myself to you uh maybe not to me but you definitely

01:00:04have to explain yourself to noah he called and you missed your date it was just dinner oh no no don't

01:00:10sell yourself short you're wonderful do you think i have better things to do than to drive all over

01:00:15town mom if you would just stop talking for two seconds i could explain i've been yeah i i i've been

01:00:23uh here with me yeah uh edie and i had dinner together and she just totally forgot about your date

01:00:31it's my fault i'm so sorry noah it's okay is that the evergreen pro poop lactic what that fertilizer

01:00:45it's a proprietary disease resilient blend oh that's wonderful it's pepper poop i was working

01:00:51earlier and i got caught up i just i completely forgot telephone you could have called it's it's fine

01:00:58miss stevens it's really okay it's fine i just didn't know where you were and i got worried

01:01:04well i mean if you're okay noah i guess we could go and um i'll see you at home but uh i just gotta

01:01:10go to the bathroom real quick no no whoa whoa what's going on here girl just going home uh edie i have

01:01:19to go to the bathroom now not later there's a bar down the block that is open

01:01:24okay you guys are being really weird right now what is going on okay um i have to go to the bathroom

01:01:32excuse me there's no no um there's someone in there my date okay so you have a boyfriend now jess

01:01:42no no my boyfriend this is our first date you brought your new date to dinner with edie

01:01:49we're having it after dinner he just needed to use the bathroom well do you like him dear yeah yeah uh

01:01:59he's uh accidentally offensive and persistent but there's something really adorable about him

01:02:09oh that's funny hey can you focus he he has been in there for quite a while though you sure he's okay

01:02:20yeah he's been in there for a minute oh he's not feeling well yeah oh okay

01:02:26okay okay what was that yeah huh good evening everyone how are you feeling much better thank you

01:02:45great in fact jess are you ready for our date yep yep excellent okay

01:02:56um okay can i use the bathroom now okay

01:03:10um

01:03:24um

01:03:30noah noah noah noah

01:03:38yes

01:03:50noah하시는

01:03:54noah

01:03:58right

01:04:00noah

01:04:02noah

01:04:02Noah told me about him.

01:04:04I really worry about you.

01:04:05I hate to see you get hurt, and I don't think it's a good thing

01:04:07to be chasing after this guy.

01:04:09I mean, he's the one who left you.

01:04:11I'm afraid he's going to do that again.

01:04:13You really need somebody stable, dependable.

01:04:16And Noah's a good man, and he would be financially stable

01:04:18as well.

01:04:20I just really worry.

01:04:21And you know, when your dad left,

01:04:23I promise I'd never let something like that happen to you.

01:04:27I'm afraid this guy's going to break your heart,

01:04:29and you're going to lose your opportunity to be with Noah.

01:04:34You know I love you, and I just want the best for you.

01:04:37I'm really glad we had this chat, and thank you

01:04:39for listening for once.

01:04:41Well, now I've got to go to my kickboxing class.

01:04:44See you later.

01:04:54We need to focus on the campaign.

01:04:58What are we selling?

01:05:00Poop.

01:05:02No.

01:05:03No, we're not selling that.

01:05:05We're selling cultivation, growth, life itself.

01:05:19I'll go for coffee while we wait for them.

01:05:22I'll help you.

01:05:25Where are they?

01:05:26They're not together.

01:05:27I know that much.

01:05:27I saw James this morning, and he's definitely on his own.

01:05:33A raspberry frappuccino.

01:05:35You got it.

01:05:37Morgan?

01:05:38Black.

01:05:45Good luck.

01:05:45Oh, nice of you to join us.

01:05:54How was your lie-in?

01:05:55I wasn't aware we had a meeting scheduled.

01:05:57No, you must have forgotten.

01:05:59No, Morgan.

01:06:00You must have forgotten to actually tell me.

01:06:02Don't you dare speak to me like that,

01:06:04especially in front of a client.

01:06:06I expect an apology.

01:06:08For what?

01:06:08For insubordination, tardiness,

01:06:11and inappropriate relations with a team member.

01:06:14Oh, Harry and I are just good friends.

01:06:16With the American girl.

01:06:18Edie and I were working.

01:06:21And the campaign's good.

01:06:23It's really, really good.

01:06:27If you can grow up for one minute, you'll see that.

01:06:30She's his girlfriend, James.

01:06:31I didn't know that.

01:06:32Look.

01:06:32Haven't you done enough damage?

01:06:34Yeah, all right, Morgan.

01:06:35Look, Noah.

01:06:45Noah.

01:06:46I understand you're upset that Edie missed your date last night.

01:06:51But we have your campaign.

01:06:54And it's beautiful.

01:06:58Isn't that what you wanted?

01:07:01Can you promise me you have nothing but professional interest in Edie?

01:07:05Can you promise me you have nothing but professional interest in Edie?

01:07:16The campaign.

01:07:30Noah, it's everything.

01:07:35I need to go to the factory and check on production.

01:07:41I need to go to the factory.

01:07:48Noah!

01:07:49Noah!

01:07:51Noah!

01:07:52Noah, do you want us to continue working in your absence?

01:07:55I can assure you we are the right fit for your company.

01:07:58But please, don't do anything rash, okay?

01:08:01We will do whatever is necessary to keep your business.

01:08:04Right?

01:08:04Noah, let's just talk about it when you're back from the factory, okay?

01:08:09Noah?

01:08:12Noah, I know you can hear me.

01:08:13Noah!

01:08:33Noah!

01:08:33Oh!

01:08:35Go on! Go on!

01:08:41Richard! Darling!

01:08:43I don't understand why they have to be so juvenile about this.

01:08:48Are they wrong?

01:08:50What?

01:08:52You hesitated when Noah asked you that question.

01:08:55Is your interest in me purely professional?

01:08:58Um...

01:09:04Y-yes? Yeah.

01:09:08You're lying.

01:09:10E.D.

01:09:12You're dating Noah.

01:09:14No, I'm not.

01:09:16That's not what everyone else seems to think.

01:09:18That's not what Noah seems to think.

01:09:20I mean, you've literally been going on dates with him, E.D.

01:09:24So you're leading him on or are you leading me on?

01:09:27It's just dinner.

01:09:28Apparently not to him.

01:09:30And frankly, not to me.

01:09:32I'm not that guy, okay?

01:09:35And you seem to be having trouble committing to either of us.

01:09:39If you can't admit to Noah that you have feelings for me,

01:09:44then we can't be anything more than just work colleagues.

01:09:48Can we?

01:09:52Bravo, darling.

01:09:55You know, you might have just single-handedly ruined our North American expansion.

01:10:02No...

01:10:04Labour laws are a funny thing.

01:10:10I wish I could fire you.

01:10:14But alas, all I can do is promote you.

01:10:19You know, I've just got off the phone to Richard.

01:10:23I've been telling him all about the sterling work you've been doing here.

01:10:27Did you know he's looking for a new creative director?

01:10:31The whole agency?

01:10:33Oh, yes.

01:10:34And you've got the job.

01:10:38Congratulations.

01:10:41Well, you can't make me take it.

01:10:43But why wouldn't you?

01:10:45Surely such a promotion is within your professional interest?

01:10:50Yeah.

01:10:51Yeah.

01:10:53Well, you better book a flight, darling.

01:11:00Who's gonna replace me here?

01:11:03No, I didn't have raspberry, so I got you blueberry.

01:11:07Ah.

01:11:08Why is everyone staring at me?

01:11:11Why is everyone staring at me?

01:11:14He's my world, I'm a lucky girl, I'm a white guy.

01:11:27It all sounds so boring.

01:11:31I'm his star, he's my sky.

01:11:34Stab on my eyes, it's just the same old story.

01:11:39Boy loves girl and girl loves boy,

01:11:42But it doesn't always work out that way.

01:11:47Girl loves boy and boy hurts girl.

01:11:50In the end, someone's heart has to break.

01:11:55I'm so sick of talking about love.

01:11:57All the songs that they play sound the same.

01:12:00Wanna kick in my radio.

01:12:03I'm so sick of talking about love.

01:12:05It rips me apart.

01:12:07Take my heart, throw it right out the window.

01:12:10Oh, oh, oh, oh, oh, oh, oh, oh, oh.

01:12:15Oh, oh, oh, oh, oh, oh.

01:12:17Oh, oh, oh, oh, oh, oh.

01:12:19I'm so sick of talking about love.

01:12:22Cause all that it does is remind me that I'm alone.

01:12:27Don't laugh. It's launching in your gallery in less than a week.

01:12:33Yeah, but they know I don't have anything to do with it.

01:12:36Don't they?

01:12:37Meanwhile, my name is all over it.

01:12:39I'm kidding.

01:12:41Edie, it's, um, well, it's pretty terrible.

01:12:44But in a goofy Noah kind of way.

01:12:48Have you told him yet?

01:12:50About the campaign?

01:12:52What else do you have to tell him?

01:12:54I try, but he's just so darn happy all the time.

01:12:57I don't have the heart.

01:12:59It's like kicking a puppy.

01:13:01Besides, he hired me to handle the creatives,

01:13:04and I've been completely steamrolled.

01:13:05I can't work with Morgan.

01:13:07She's got awful ideas, and Harry, he's...

01:13:11Oh, it's okay. You can trash talk Harry to me.

01:13:13I don't, I don't mean to.

01:13:15Harry's really sweet, but we spent three full days shooting Noah.

01:13:20Thousands of images.

01:13:21At some point, you just need to make a decision.

01:13:23That is the smartest thing you've said all day.

01:13:30So what is your decision?

01:13:31Are you dating Noah or not?

01:13:33Why do people keep asking me that?

01:13:34Because you keep going out on dates with him.

01:13:40Am I dating Noah?

01:13:44Not very well.

01:13:45Room 418, enjoy your stay with us.

01:13:59Excuse me.

01:14:00Yes.

01:14:00I'm looking for Harry Masters.

01:14:04Never mind, I think I found him.

01:14:05I've, uh, been meaning to ask about the campaign, Morgan.

01:14:17Out with it.

01:14:18Well, it's sort of similar to the last one, isn't it?

01:14:22I know, darling.

01:14:24Look, Noah doesn't care about it,

01:14:26and quite frankly, we don't want to overwhelm his customers.

01:14:28They're American, remember?

01:14:30They've got less culture than a cup of yogurt.

01:14:33Well, I, I don't think...

01:14:35Good.

01:14:36You're not cut out for it.

01:14:38Your service.

01:14:40Right.

01:14:46What was that?

01:14:49My point, I believe.

01:14:51It's just a blinking game, Harry!

01:15:00Harry.

01:15:03We do what you're doing here.

01:15:05I need to talk to you.

01:15:08Yeah, so why are you here?

01:15:09It's the men's room.

01:15:11I can't let Morgan see us.

01:15:14Huh.

01:15:16She does seem rather omnipresent, doesn't she?

01:15:23The campaign is a train wreck.

01:15:27I know.

01:15:28It's awful.

01:15:31We need to do something.

01:15:34I've tried.

01:15:37Believe me, but Morgan won't listen.

01:15:38She's like a tank.

01:15:40The only person she'd ever listen to is James.

01:15:42So we go over her head.

01:15:48To Richard, we can try, but he won't get involved.

01:15:51There's got to be someone else.

01:15:54I mean, technically the creative director's more superior.

01:16:01James.

01:16:02Yep.

01:16:03You already knew that.

01:16:04Yeah.

01:16:04Oh, my God.

01:16:05Yeah.

01:16:10Your team look up to you.

01:16:13Come on, sit down.

01:16:16You know, I wanted to offer you this job when it opened up, but I didn't think you wanted

01:16:22to leave America just after you arrived.

01:16:26So, tell me what you're thinking.

01:16:31Uh, well, I think that the teams are working pretty well individually.

01:16:38They're just reluctant to collaborate.

01:16:39Yeah, yeah, yeah.

01:16:39Not about work.

01:16:41There's, um, something else going on, isn't there?

01:16:46Have you ever been in love?

01:16:52Ah.

01:16:56Um, three times.

01:16:59Married four.

01:17:01Yeah.

01:17:02So, uh, tell me about her.

01:17:06How long you got?

01:17:09Forty.

01:17:10Forty-five minutes.

01:17:13Come on.

01:17:15I want to hear it all.

01:17:16I'm having a hard time deciding between the fish and the steak.

01:17:22Oh, the fish is great.

01:17:24It's so rich.

01:17:25It's so soft.

01:17:28Yeah, it looks rich.

01:17:30Yeah, it's so rich.

01:17:31And the butter sauce is super mellow.

01:17:33I mean, it's a safe choice.

01:17:35Well, how about the steak?

01:17:38I don't know.

01:17:40Do you like hot English mustard?

01:17:43I mean, yeah, I like a bit of heat.

01:17:45I just can't do it.

01:17:46It gives me hiccups.

01:17:47But, you know, you get whatever you want.

01:17:50Yeah, don't let me sway you.

01:17:52Are you ready to cheese me up?

01:17:54Yeah, I think I am.

01:17:58Whoa, whoa, whoa.

01:17:58She told me Girl Guide.

01:18:02No.

01:18:03No, no, Girl Scout.

01:18:04America.

01:18:05Oh, that Morgan, she's a piece of work.

01:18:07Yeah, we'd need another bottle to get through all that.

01:18:09Oh, I have one, actually.

01:18:10No, no, please.

01:18:11My head's already spinning.

01:18:13Oh.

01:18:16I'm going to be sorry to see you leave.

01:18:20Excuse me?

01:18:21Well, you're going back, of course.

01:18:23What, to America?

01:18:24Mm-hmm.

01:18:24No, no, I don't want to muck things up more than I already have.

01:18:29Well, perhaps you could help rescue them.

01:18:33What do you mean?

01:18:34Well, you see, your love life was not the only thing that Morgan was sabotaging, it seems.

01:18:42No?

01:18:43Yeah.

01:18:43The pepper poop campaign is a total disaster.

01:18:46Oh, yeah, I know, but what do you want me to do?

01:18:51It's about to launch.

01:18:52Mm-hmm.

01:18:54What if I told you there's a way you could save it?

01:18:58There is?

01:18:59Mm-hmm.

01:19:00You see, James, sometimes, in order to see forwards, you have to look backwards.

01:19:12To the past?

01:19:14You think there's something I could have done differently?

01:19:15Probably.

01:19:16Um, just look back.

01:19:20Well, I mean, me and Edie came up with...

01:19:22Oh, for goodness sake, you're as thick as two short planks.

01:19:25Just look behind you.

01:19:29Edie.

01:19:30Edie.

01:19:34Developed the concept you both came up with and made it work.

01:19:37Harry is printing and swapping it now.

01:19:40So, what do you need from me?

01:19:43Authorisation?

01:19:44As creative director, it's your responsibility to maintain the company's reputation worldwide.

01:19:50Morgan's not going to like this.

01:19:52James, James.

01:19:54I believe in you.

01:19:56You're scared of her, aren't you?

01:19:58Terrified.

01:19:58Are you ready for your speech, Morgan?

01:20:14There are a few things that I detest more than public speaking.

01:20:17I can do it.

01:20:21That, my dear, is one of them.

01:20:25I mean, to be honest, I don't even know what to expect.

01:20:28I saw one mock-up early on, but these guys have been making all sorts of changes since then.

01:20:32You're real creative types.

01:20:34You've got me to understand.

01:20:35Wow.

01:20:37Noah, is that?

01:20:41Penny?

01:20:43Noah, can I talk to you?

01:20:45Uh, yeah.

01:20:48Yeah.

01:20:49Mrs. Stevens, if you can excuse us for a second.

01:20:52Sure, of course.

01:20:52Of course.

01:20:57Your mom doesn't know yet, huh?

01:20:58I think she's going to take it harder than anyone else.

01:21:03I enrolled in a painting class.

01:21:05Cool.

01:21:06Noah, um, there's something I need to-

01:21:07It just kind of helps me take my mind off of things, which is good.

01:21:10Right.

01:21:10Uh, but about the-

01:21:11Uh, just stop.

01:21:13It's fine.

01:21:15I-I'm fine.

01:21:17I get it.

01:21:19You don't feel about me the same way that I feel about you.

01:21:23It's not the first time this has happened.

01:21:25Noah, I do care about you.

01:21:28You're a kind, sweet, sensitive guy, and you're going to make the right woman very happy someday.

01:21:35But I'm not her.

01:21:37I know.

01:21:38But-

01:21:42That's not what I needed to tell you.

01:21:48The campaign is terrible.

01:21:51Oh, gosh, yeah.

01:21:52I can't stand any of it.

01:21:54Why didn't you say something?

01:21:55I felt bad for letting Morgan send James back.

01:21:59I-I didn't want to admit that we needed him.

01:22:03That I needed him.

01:22:07And more importantly, Edie,

01:22:09you needed him.

01:22:11Well, about that.

01:22:21We've made some changes to the campaign.

01:22:24I gotta talk to him.

01:22:26Mm-hmm.

01:22:27Everyone's attention?

01:22:28Right, well.

01:22:29First off, please join me in showing our appreciation to Jess Hammond here for hosting us in her amazing gallery.

01:22:37Jess Hammond, everybody.

01:22:38You came back.

01:22:52I love her, Noah.

01:22:55Yeah.

01:22:56Me too.

01:22:57I'm-I'm sorry, mate.

01:23:01I didn't want to ruin everything.

01:23:03No, it's-it's not about what you want.

01:23:07It's not about what I want.

01:23:10It's about what Edie wants.

01:23:12Isn't it?

01:23:15She lights up whenever she's around you, James.

01:23:19When she's angry.

01:23:21Mm.

01:23:21Especially when she's angry.

01:23:29Let's grab a drink.

01:23:29It is a privilege, of course, for any agency new to these shores, or well-established, to work with...

01:23:42Poop.

01:23:47Noah Poop.

01:23:50But, uh, sorry.

01:23:51Noah Pepper.

01:23:52Um, I, uh, hope you enjoy-all enjoy watching the campaign as much as we've enjoyed giving it life.

01:23:59Um, and please, don't forget to promote us.

01:24:03So, um, without further ado, we give to you...

01:24:09Pepper Poop.

01:24:10Like you have never seen it before.

01:24:29Surprise!

01:24:44And it was not what you're expecting.

01:24:46But we did it!

01:24:47Ah!

01:24:48You did something, but you didn't do that.

01:24:53I'm just happy these two were here.

01:24:55And Harry.

01:24:56If you hadn't made me take thousands of photos, we wouldn't have had what we needed.

01:24:58I always say you can never take too many photos.

01:25:01I've heard all about your games, Morgan.

01:25:04And unfortunately, I can't promote you.

01:25:06But I can't fire you.

01:25:08We'll take it from here.

01:25:10You presumptuous little toad.

01:25:12I am the agency in America.

01:25:14Actually, Morgan, you're not.

01:25:17Excuse me, well...

01:25:18No, shut up, Harry!

01:25:20What do you think you're doing?

01:25:22Pulling rank.

01:25:23Richard would like a word with you.

01:25:27Richard.

01:25:28No, you can't.

01:25:33Hang on, you can't.

01:25:34Wait a minute.

01:25:34That's my phone.

01:25:35Just a second.

01:25:36Richard, please.

01:25:40Well, I'm going to go make sure the bar is stocked.

01:25:50Shall we go somewhere quieter?

01:25:51Seems like we've run out of things to talk about.

01:26:10Shut up.

01:26:15That's another way to put it.

01:26:21That's better.

01:26:25Do you want my number now?

01:26:26Happy day.

01:26:28Happy day.

01:26:30He's on a happy day.

01:26:33Da da da

01:26:38Da da da

01:26:40Da da da da da

01:26:44Da da da

01:26:46Da da da

01:26:48Da da da da da

01:26:54Baby at me

01:26:56Sweet smile

01:26:57Willow trees

01:26:58We'll light through

01:27:00The canopy

01:27:01Baby at me

01:27:03Peace, taste the salty sea, rock with humanity

01:27:08My happy days, these are my happy days

01:27:16My happy days, these are my happy days

01:27:25Every day I'm in a, cause all I got inside is love

01:27:32Yeah, every day I'm in a, cause all I got inside is love

01:27:40That one great, Noah.

01:27:42Thanks. You look amazing, by the way.

01:27:47Really?

01:27:48Yeah. I was like, wow.

01:27:52Thank you. Um, I'm sorry about Edie.

01:27:58It's okay.

01:28:02Have you ever loved someone so much that you feel like they don't even see you?

01:28:09Yeah. Yeah, I know exactly how that feels.

01:28:12I mean, maybe, maybe I don't love Edie.

01:28:16Maybe I just love the idea of her.

01:28:18Right.

01:28:19And she's a creative.

01:28:20Exactly.

01:28:21I should find somebody in the industry.

01:28:24Somebody who knows how to support you.

01:28:26Someone who loves fertilizer.

01:28:28And would do literally anything to be noticed by you.

01:28:31Oh, I would definitely notice.

01:28:36Really?

01:28:37Yeah.

01:28:38And I would never let her go.

01:28:40Well, good night.

01:28:43Okay, good night.

01:28:47Okay, good night.

01:28:48Cheers

01:28:50Cheers

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