- 4 months ago
Plot. Inspector Capuana, a small town investigator who transferred to the big city with his wife Barbara, investigates the murder of a brutally slashed woman, naked in her bed with developed photos scattered around her corpse, showing she was having an affair.Annabella Incontrera Angela Covello
Category
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Short filmTranscript
00:00:00a razor could have been a weapon very sharp the bruises on her face
00:00:10were caused by a hand that gripped her like a vice
00:00:17the face immobilized with a hand the blade made the mortal wound there are several cuts
00:00:28well those were inflicted on the body in an uncontrollable fit of savagery but for no
00:00:36purpose by then the victim was dead to cause any person to be so inhuman he has to hate his victim
00:00:42or be a maniac who else would leave photographs of her in the arms of a man a lover presumably
00:00:48with his face scratched out so he can't be identified yes when the autopsy is over i'd
00:00:53like to have a report as soon as possible doctor why certainly inspector and in full detail
00:00:59i think we'd better be going inspector
00:01:12i was examining the photos left beside the body if we could first figure out why the
00:01:17killer erased the man's face from them we might have a lead yeah maybe the face of the man was
00:01:23scratched away by a razor blade or something sharp i could have the photos blown up large enough to
00:01:29show every mole and blemish on the body yeah but then what get every male in town to strip
00:01:36i try everybody who moved to the same circle as the victim
00:01:42it's a closed one she was a general's wife a member of the well-to-do set
00:01:47i don't think that any of her friends are going to tell us who went to bed with her
00:01:50they've too many secrets of their own is there a way you intend to find him oh the usual throw out
00:01:59the net pull in all the bad fish and see what we come up with
00:02:02and on date in question was confined to a hospital for clinical tests
00:02:11it's out of my business you've got time to waste there's no women at all in my record
00:02:14i pity the fellows they get their paws on poor freaks yeah and not only that aren't you a woman hater
00:02:22no i don't hate no one i'm for gay liberation that's what i'm for anyway sergeant why do you
00:02:28keep saying murderer could be murderess yeah and which would you be clear patrick neither i may be
00:02:32homosexual but i'm not homicidal his brother-in-law's a colonel i know so we're nowhere inspector
00:02:40these jerks never bust anybody else do they
00:02:50get mr clean i'm a taxpayer inspector well now cleopatra i thought you were a lady
00:02:55these jerks are these paper men all here there's a slew of them in the main entrance the usual crime
00:03:01busters they know about the roundup sure they're all waiting outside to see what'll come of it
00:03:10well i don't think we'll find what we're looking for in this bunch but
00:03:14keep trying i'm going home try to get some rest inspector call me if you need me yes sir
00:03:23hey superman's taking off how about who pays for us for the business we lose
00:03:29calm down calm down first we type up everyone's story after that you may return to your endeavors to
00:03:35make an honest living what a ball breaker is it the investigation what's wrong why don't you relax
00:03:49why don't you drop it i only wish i could it's this total silence i don't know worse than the mafia
00:03:58and not a trace of the victim's lover the victim's lover and who's going to name her the betrayed
00:04:05husband her parents think of the scandal the problems are always for those left behind
00:04:15mine for example the papers are always attacking the police chief gave me hell
00:04:21bring in the suspects he says create activity but be careful capuana don't offend the wrong people
00:04:31do it please him what could it cost you what'll it cost me the risk of being sued
00:04:40times have changed i can't question people that's the magistrate's job
00:04:45well i can round up the pimps and the whores but the victim's husband he's untouchable our friends
00:04:53they're all above suspicion but the killer or maniac is it possible he didn't leave a clue
00:05:01he left a very special one photos of the naked woman embracing a lover
00:05:06he has some purpose a plan i know it do you think that he'll kill again
00:05:18i think so i'm sure it will
00:05:36come back soon yeah
00:06:06so
00:06:24uh
00:06:34I don't know.
00:07:04No!
00:07:05No!
00:07:06No!
00:07:07No!
00:07:20No!
00:07:23No!
00:07:28No!
00:07:29No!
00:07:31No!
00:07:37No!
00:07:59No!
00:08:05No!
00:08:07No!
00:08:09No!
00:08:11No!
00:08:13No!
00:08:15Oh, my God.
00:08:45Oh, my God.
00:09:15Your panic's unjustified, I would say.
00:09:23You won't be recognized in that photo.
00:09:26I advise you as your lawyer not to move yet.
00:09:30Unless they can prove it was you.
00:09:32But they're sure to hear gossip about me and Serena.
00:09:35So what?
00:09:37That inspector's well informed.
00:09:40He cares about his position, his career.
00:09:42He's well aware as a policeman that he'd better take certain basic precautions
00:09:47and use the most guarded discretion.
00:09:50But murder means he'll follow the usual routine.
00:09:52And most of all, he'll want to know if she played around.
00:09:54Where will I be then?
00:09:56Sure, there's routine.
00:09:58But exceptions are made.
00:10:01Remember the victim in the first crime.
00:10:03There's no scandal.
00:10:04Like our poor friend Serena.
00:10:06She made a fortunate marriage.
00:10:08I know her husband wouldn't let his name be sullied.
00:10:09All right.
00:10:10What should I do?
00:10:12Just go on living as you have every day.
00:10:15Don't worry if Capuana starts poking around.
00:10:18I'm close by the phone.
00:10:21Ciao, Papa.
00:10:23Oh, sorry.
00:10:24I should have knocked, I guess.
00:10:25I've finished.
00:10:25I'm leaving now.
00:10:26How have you been?
00:10:27Fine, thanks.
00:10:28What's the problem?
00:10:29Nothing much, Papa.
00:10:30I'll be back later.
00:10:31Bye, Johnny.
00:10:32Bye, Bettina.
00:10:32So keep in touch.
00:10:40Fine time as usual for tennis.
00:10:42Saturday bridge.
00:10:43Go to parties, mingle.
00:10:45And do it all calmly.
00:10:46All right.
00:10:47I'll do my best.
00:10:48But it's a tough act.
00:10:56This case is a carbon copy of the first one.
00:10:58In fact, the weapon used is the same.
00:11:01It certainly looks like the previous crime.
00:11:03And the same method used in killing her.
00:11:06And the photographs with the lover.
00:11:08Tell me how the husband reacted.
00:11:10He's in a state of collapse.
00:11:13First the murder and then discovering his wife was a whore.
00:11:15But are you really quite sure he had nothing to do with the murder?
00:11:19He might be pretending.
00:11:21It may have been to defend his honor.
00:11:23We've checked out his alibi.
00:11:24It's all in order.
00:11:26We're also keeping tab on our ex-lover.
00:11:28We know he consulted his lawyer.
00:11:30But so far, we have nothing on him.
00:11:33Doesn't it seem odd to you,
00:11:34someone having photographs taken naked of a woman and himself,
00:11:37to arrange around a cadaver exposing all but his face to the police?
00:11:40That's right.
00:11:44That's Gastoni.
00:11:46The one who prepares the cadavers.
00:11:48It's his way of rejoicing when he approves of his own work.
00:11:53Come.
00:11:54Have a look.
00:11:54Have a look.
00:11:57Have a look.
00:14:53Go ahead.
00:14:53Stop.
00:15:04That's far enough.
00:15:05Shall we talk about men and if we can live without them?
00:15:09Well, the husband's ruled out and so was the lover.
00:15:11I would say, Capuana, that we're back to zero.
00:15:18Yes, sir.
00:15:20That's the situation.
00:15:23I've checked and rechecked.
00:15:28I could still bring in the husband if necessary.
00:15:32Do you want to put your head into a noose?
00:15:34Are you mad?
00:15:36That fella's a leader in politics.
00:15:38You see that telephone?
00:15:40It's been like a burglar alarm ringing since yesterday.
00:15:42With all respect to you, Capuana, unless we have more than ample proof, he's not to be inconvenienced.
00:15:48I see.
00:15:49Now, what have we got?
00:15:50Nothing.
00:15:50There's nothing against him.
00:15:52He's in politics and she had other interests.
00:15:55Yes.
00:15:56Unfortunately, Inspector, we're sitting on top of a barrel of dynamite.
00:16:00Whatever, then we all fry.
00:16:05And to be frank, I find it pleasant to live here.
00:16:08Such a beautiful place.
00:16:09And for you?
00:16:10You know I do.
00:16:12But obviously, there's as much rot in small towns as there is in big cities.
00:16:18Wherever they transfer me, I'll know what to expect.
00:16:21Have you a plan?
00:16:22All I know is that some madman has killed two prominent citizens' wives.
00:16:33And both were unfaithful.
00:16:35Be careful, Capilano.
00:16:37Don't step on too many toes.
00:16:52Don't step on too many toes.
00:17:22This place is dangerous, so solitƔrio.
00:17:28Please.
00:17:32But why are you afraid?
00:17:34You wouldn't think I am?
00:17:36What are you saying?
00:17:38Why can't you do so?
00:17:42It's not easy to find an apartment.
00:17:44I don't want to come to you.
00:17:46If you pay money, don't worry.
00:17:48Come on, please. Let's go.
00:17:54Renata.
00:17:55Please.
00:18:19Won't you come in?
00:18:23You like your job?
00:18:26Please.
00:18:31Smoke?
00:18:32No.
00:18:37You were saying?
00:18:38I didn't say anything.
00:18:42Oh, yes.
00:18:44You do like your job.
00:18:46Surely. Otherwise, I wouldn't go on doing it.
00:18:49As you wouldn't go on doing yours, if you didn't like it.
00:18:53You're quite right.
00:18:57When you're not working, what do you do?
00:19:00But I rarely go out.
00:19:02I take care of the house.
00:19:06Nice place you have.
00:19:08Well kept.
00:19:12You live alone?
00:19:17You want to know why I'm not married?
00:19:22Oh, no. That's none of my business.
00:19:25It's lovely here.
00:19:27What's over there?
00:19:30Through that door?
00:19:31The bathroom.
00:19:33I have only two rooms.
00:19:34No woman is going to marry a man who works at my job, you see.
00:19:41Sooner or later, they find out about the corpses.
00:19:48And it's finished before I can get started.
00:19:51Here's another room.
00:19:53It's my small photographic lab.
00:19:57Oh, I'm not making a search.
00:19:59It's getting late.
00:20:01Do you want to have a look at it?
00:20:03If you like.
00:20:04Please.
00:20:06I would like your opinion.
00:20:22But if you didn't know them, would you say they were dead?
00:20:25Look at them.
00:20:26How perfect.
00:20:28How lovely they are.
00:20:30Better than live girls.
00:20:32There's no more trace of sin or human misery.
00:20:34Because I have erased it.
00:20:36That's why I love my work.
00:20:38There we are.
00:20:39Three minutes.
00:20:40Augustine would have made it faster.
00:20:41Big joke.
00:20:43Anyway, you slow me down.
00:21:11I got news.
00:21:12You like me a lot.
00:21:13Well, it could be.
00:21:14But I like school these days much better.
00:21:15Lecturing the professors and joining collectives.
00:21:18I like my special collectives.
00:21:19It's just you and me together.
00:21:21You reactionary.
00:21:22You're spoiled bourgeois who skips current events that shake the world.
00:21:26The maniac who's clobbering horrors in the best of families.
00:21:28Where do we fit in that?
00:21:30He's preventing our dates even in the daylight.
00:21:32My folks won't let me out.
00:21:35Quit that.
00:21:36I'm only allowed to spare you a few minutes.
00:21:38Betray the revolution.
00:21:39Obey the bourgeoisie.
00:21:41I'll disobey them for you.
00:21:42But not if you air your political views.
00:22:02Yes?
00:22:03Who's this calling?
00:22:04You're mistaken.
00:22:05This is the residence of Franco Sant'Angeli.
00:22:09Why did you hang up?
00:22:12Who was it?
00:22:13The one who always rings up our number?
00:22:15Don't ask me who the person was.
00:22:17Pretend I'm complacent.
00:22:18Only, don't try and make me an imbecile.
00:22:21If it's going to be put on that level, do you think I don't know about you and your crummy mistress?
00:22:24So I can be just as free as you.
00:22:26Really?
00:22:28Well, that's plain enough.
00:22:30But what we have we hang on to.
00:22:31So you say?
00:22:33The proprieties must be defended.
00:22:36Only respectability can guarantee what I'd like for our daughter.
00:22:40For babies' sake or papa's.
00:22:43I want yours as well.
00:22:45Your private life I leave to you.
00:22:48But not if you cause a scandal.
00:22:51This maniac was on the prowl.
00:22:54It's only women he likes to catch in adultery.
00:22:57He does a good job.
00:22:58He might kill me to your great good fortune.
00:23:01No.
00:23:02It would complicate things.
00:23:04I want to prevent just that.
00:23:06Pay a visit to your mother.
00:23:07Your favorite pretext, right?
00:23:09But this once really visit her.
00:23:10I bet you're worried.
00:23:12In my opinion, the solution is credible and logical.
00:23:16When they catch the murderer, come back and relax at home.
00:23:20Branca, please do as I tell you.
00:23:22Here you're in danger.
00:23:33Lily?
00:23:43Lily!
00:23:49I love you.
00:24:05By your life ever.
00:24:37Good day at school? Fine. Ciao. Ciao.
00:24:46Good morning.
00:24:50Magnificent plants, senora.
00:24:52They're the envy of my wife.
00:24:54How is your wife?
00:24:55How's your husband?
00:24:57A bit cross.
00:24:58Like every morning.
00:25:00Improving rapidly, I see.
00:25:02Good morning.
00:25:05Six o'clock at our place.
00:25:07I'll be there.
00:25:28No, Inspector.
00:25:28I say you're following the wrong path.
00:25:30Gastoni's somewhat strange, I don't deny.
00:25:32But harmless.
00:25:34He just has this morbid obsession
00:25:36to erase every trace of violence on a cadaver
00:25:39and then a photographing it.
00:25:42I once knew someone who would smash valuable vases
00:25:45just so he could fix them again.
00:25:46Listen, Capuano.
00:25:47I see your motive on how desperately you're trying to catch the murderer
00:25:50before someone else gets killed.
00:25:53But Gastoni's not your culprit.
00:25:55Well, what makes you so sure?
00:25:57Well, I know Gastoni would never be capable of committing any act of violence.
00:26:02That's why he insists on erasing every trace of it.
00:26:04Professor Casali, I learned my profession in Sicily and Sardinia
00:26:10where two plus two makes four
00:26:13where every crime has a motive.
00:26:15But what motive is there for these crimes?
00:26:20I don't know.
00:26:22Perhaps they could be traced to a homosexual.
00:26:26Homosexual?
00:26:26Yes, a jealous one.
00:26:31Supporting my hypothesis,
00:26:33we've got the fact that on the photos he made of the victims
00:26:35he took care to erase all the men's faces.
00:26:37Yes.
00:26:40Or possibly.
00:26:42A husband kills other guilty wives and then his own
00:26:44to create more mystery.
00:26:48Who would suspect the husband?
00:26:50Would you?
00:26:51No.
00:26:53One other motive.
00:26:56Impotency has proven to cause mortal hate in men
00:26:58toward any woman they cannot possess.
00:27:01It's not practical.
00:27:04How do we find all the impotent men in town?
00:27:06Advertise?
00:27:10Well, I'd better be going.
00:27:12I promised Barbara I'd be home for supper for a change.
00:27:16Why don't you and your lovely wife
00:27:17come to my house for dinner again soon, Capuana?
00:27:20I'd really appreciate it.
00:27:22I'd love to, when this is over.
00:27:24Sure.
00:27:26I'd love to, when this is over.
00:27:27I'd love to, when this is over.
00:27:28I'd love to, when this is over.
00:27:29I'd love to, when this is over.
00:27:30I'd love to, when this is over.
00:27:31I'd love to, when this is over.
00:27:32I'd love to, when this is over.
00:27:33I'd love to, when this is over.
00:27:34I'd love to, when this is over.
00:27:35I'd love to, when this is over.
00:27:36I'd love to, when this is over.
00:27:37I'd love to, when this is over.
00:27:38I'd love to, when this is over.
00:27:39I'd love to, when this is over.
00:27:40I'd love to, when this is over.
00:27:41I'd love to, when this is over.
00:27:42I'd love to, when this is over.
00:27:43I'd love to, when this is over.
00:27:44THE END
00:28:14have I kept you up again
00:28:26no decent woman comes home at this hour
00:28:27go to hell
00:28:28your unbearable
00:28:29your suicide might at least have been fatal
00:28:32a decent woman as you say
00:28:34would have had you packed up to some rest home
00:28:36now if I'm permitted I'll go to bed
00:28:44oh
00:28:46oh
00:28:48oh
00:28:50oh
00:28:52oh
00:28:54oh
00:28:56oh
00:28:58oh
00:29:00oh
00:29:02let's meet in the garden afterwards
00:29:19I'm not sure
00:29:20if mother suffers with insomnia
00:29:22it should be alright
00:29:22she'll be dumped on the pill she takes
00:29:24let's go get something to drink
00:29:34kids it's late
00:29:39and I was told at what time you would have been for the night
00:29:41but it's early senora
00:29:43be patient
00:29:44I'm being patient
00:29:46but your parents will worry if you don't go now
00:29:47I'll be close to that woman hater
00:29:54yeah why doesn't he make love
00:29:55love is natural only at our age
00:29:57I'll see you home then
00:29:59yeah
00:29:59you're welcome
00:30:04thank you
00:30:05good night
00:30:06well I'm sorry
00:30:08don't blame me
00:30:09come again
00:30:10my best to your mother
00:30:16I'll be waiting in the garden for you
00:30:20okay
00:30:20yes or no
00:30:22say it fast
00:30:23you know it's yes
00:30:24ever since I've known you
00:30:26your neighbor's up late
00:30:39her husband's a cripple
00:30:41the poor guy goes around on crutches
00:30:42but she likes to run places
00:30:44usually her boyfriend
00:30:45well at least she has the good taste
00:30:46not to bring him to the house
00:30:47want to walk me to the gate now
00:30:55yes
00:31:09night
00:31:18night
00:31:20till tomorrow
00:31:21night
00:31:38night
00:31:42I'm not forgetting that anybody's coming uses a ghost.
00:31:46No!
00:31:46No!
00:31:48No!
00:31:49No!
00:31:50No!
00:31:51No!
00:31:52No!
00:31:53No!
00:31:54No!
00:31:55No!
00:31:56No!
00:31:57No!
00:31:59No!
00:32:00No!
00:32:01No!
00:32:02No!
00:32:03No!
00:32:04No!
00:32:05No!
00:32:07No!
00:32:08No!
00:32:09No!
00:32:10No!
00:32:11Oh, my God.
00:32:41Oh, my God.
00:33:11Lily, where the hell are you?
00:33:33Lily!
00:33:35Lily!
00:33:37Lily!
00:33:41Lily!
00:33:43Lily!
00:33:45Lily!
00:33:47Lily!
00:33:49Lily!
00:33:51Lily!
00:33:53Lily!
00:33:55Lily!
00:34:01Lily!
00:34:03Lily!
00:34:05Lily!
00:34:11Lily!
00:34:13Lily!
00:34:15Hello, Professor.
00:34:16Morning, Inspector.
00:34:17Well, another stabbing.
00:34:19The usual photographs were left next to the body.
00:34:23It's been an accident, I'd say.
00:34:29Hmm.
00:34:30Looks like it.
00:34:31Better look around, Sergeant.
00:34:32Yes, sir.
00:34:33Always the same technique.
00:34:34Hmm.
00:34:35Would you say she struggled with him?
00:34:37Of course.
00:34:38She was taken by surprise and tried desperately to resist.
00:34:41Just like the others.
00:34:43And another savage murder has just been reported.
00:34:44All three are pointing to the same person, a sex criminal or maniac.
00:34:45And all three killings appear to be unmotivated.
00:34:46The police are investigating all leads.
00:34:47Reacher, Apollo.
00:34:48Get on top of it.
00:34:49Christopher.
00:35:02Now, how do you know?
00:35:03I'm so close.
00:35:04Would you say she struggled with him?
00:35:06Of course, she was taken by surprise and tried desperately to resist.
00:35:07Just like the others.
00:35:09And another savage murder has just been reported.
00:35:12All three are pointing to the same person, a sex criminal or maniac.
00:35:13And all three killings appear to be unmotivated.
00:35:17Over the net.
00:35:19Move in closer, Piero.
00:35:26Come on, set him up, boys.
00:35:27Good.
00:35:29Slam it across.
00:35:31Good.
00:35:32Lop it over now.
00:35:34Move in closer.
00:35:39Piero.
00:35:41Wait.
00:35:41Can I go, coach?
00:35:42Yeah, go ahead.
00:35:44Johnny, you take over.
00:35:46Hi.
00:35:46Come on, get the lead out.
00:35:49We'll be close to the net.
00:35:51Let's go.
00:35:52Did I keep you along?
00:35:53No, I just got here.
00:35:54Do you know what's happened?
00:35:55Uh-huh.
00:35:55I just read it.
00:35:56It's terrible.
00:35:57Well, I saw it all.
00:35:59What?
00:35:59I saw it, and I wish I hadn't.
00:36:02When you left last night,
00:36:03I heard the strange sound of someone gagging.
00:36:08I saw the man, though I don't know who he was.
00:36:11But you even saw her killed?
00:36:15Yes.
00:36:15I was so frightened, I...
00:36:17I was too scared to run.
00:36:19But my God, this is serious.
00:36:20Did he ever get a look at you?
00:36:21Yes.
00:36:22What did he look like?
00:36:23I don't know.
00:36:24He...
00:36:25His face was covered with his talking.
00:36:27But he could remember your face.
00:36:29Yes.
00:36:30I think so.
00:36:31I have to get my things.
00:36:32Come on.
00:36:37Maybe we ought to tell this to your father.
00:36:40Not now, Piero.
00:36:40My excuse to get out was studying at Powell's.
00:36:44Do you mind taking me?
00:36:46Not a bit.
00:36:46Do you want me to come back here for you later?
00:37:15No, I'll walk him.
00:37:16Thanks.
00:37:17Bye.
00:37:17Bye.
00:37:17What button?
00:37:43Uh, eight.
00:37:45Bye.
00:37:46Bye.
00:37:47Bye.
00:37:48Bye.
00:37:48Bye.
00:37:49Bye.
00:37:49Bye.
00:37:50Bye.
00:37:50Bye.
00:37:50Bye.
00:37:50Bye.
00:37:50Bye.
00:37:50Bye.
00:37:51Bye.
00:37:51Bye.
00:37:51Bye.
00:37:51Bye.
00:37:51Bye.
00:37:51Bye.
00:37:51Bye.
00:37:51Bye.
00:37:51Bye.
00:37:52Bye.
00:37:52Bye.
00:37:52Bye.
00:37:53Bye.
00:37:53Bye.
00:37:53Bye.
00:37:53Bye.
00:37:53Bye.
00:37:54Bye.
00:37:54Bye.
00:37:54Bye.
00:37:54Bye.
00:37:54Bye.
00:37:55Bye.
00:37:55Bye.
00:37:56Bye.
00:37:57Bye.
00:37:57Bye.
00:37:58Bye.
00:37:58Bye.
00:37:59Bye.
00:37:59Bye.
00:37:59Bye.
00:38:00Bye.
00:38:01Bye.
00:38:02Bye.
00:38:03Bye.
00:38:03Bye.
00:38:04Bye.
00:38:05Bye.
00:38:06Bye.
00:38:07Bye.
00:38:08Bye.
00:38:09Oh, my God.
00:38:39Oh, my God.
00:39:09Oh, my God.
00:39:24Packed, where are you going?
00:39:27Your grandmother's. They telephoned. She suffered another attack.
00:39:31She had another? Will you have to stay with her long?
00:39:33I don't know myself, Bettina. As soon as I arrive, I'll telephone to relieve your mind.
00:39:38The last time you stayed for a week.
00:39:40Yes, what a miserable time. I'll say goodbye, darling.
00:39:43I should be at the station early to pick up my reservation.
00:39:46Does Papa know you're leaving?
00:39:50Naturally. He was busy with several clients, but he promised me he'd try to reach the station in time to see me off on the train.
00:39:54Have you anything to tell me?
00:39:58No.
00:40:01I hope she gets well soon.
00:40:09I'll miss you every minute you're there.
00:40:13I'll miss you.
00:40:15Have a good trip.
00:40:21Milan Brenner Express departing from track two.
00:40:25Milan Brenner Express departing from track two.
00:40:27All aboard, please.
00:40:30Local train from Reggio Calabria due at 8.15 is running 40 minutes late.
00:40:36Role Milan Express is now arriving on track number 12.
00:40:57Montee.
00:40:59I'm not a good trip.
00:41:00Just go.
00:41:02I'll miss you.
00:41:02We will be half past, but I'll miss you.
00:41:03I'll miss you.
00:41:04I'll miss you.
00:41:05I'll miss you after the station.
00:41:06Cheers.
00:41:07Next, please.
00:41:09Cheers.
00:41:11Cheers.
00:41:12Cheers.
00:41:18Cheers.
00:41:21Cheers.
00:41:25Cheers.
00:41:26Cheers.
00:41:27Let's go.
00:41:57Let's go.
00:42:27Let's go.
00:42:57Let's go.
00:43:28Poor girl broke down when she heard that her mother had been killed.
00:43:32I'm worried.
00:43:33I understand.
00:43:37I know the routine, Inspector.
00:43:40I'm at your disposal.
00:43:42You're a lawyer.
00:43:45You realize I will have to ask you some unpleasant questions.
00:43:49I do, Inspector.
00:43:51I'm ready to answer with all frankness, to avoid any misunderstanding.
00:43:56You might begin by asking me this.
00:43:59Off the record, Sant'Angeli, is it true you were on that train?
00:44:02Okay.
00:44:03That's it.
00:44:04No, it's not true.
00:44:06I saw Franco only for a couple of minutes.
00:44:10In fact, after she got on, we spoke through the window till the train started.
00:44:15I waved goodbye to her.
00:44:16Well, now, did anyone you know see you at the station?
00:44:24I wouldn't know.
00:44:26Unless one has a reason to establish an hell of a, one pays no attention.
00:44:30No.
00:44:32And besides, in my case, I must say, insurance policies are out of the question.
00:44:36There's no inheritance.
00:44:37And I've never had anything but an electric razor.
00:44:41You're forgetting a perfectly valid motive.
00:44:43The revenge of a betrayed husband.
00:44:46You forget the age we're living in.
00:44:49We're moral opportunists.
00:44:51I knew that Franco had a lover.
00:44:53And she knew that I kept a mistress.
00:44:56Nowadays, the best of families manage without principles.
00:44:58And the easiest way to reach another kindred spirit is to run out and place a want-head.
00:45:03Do I shock you?
00:45:05I apologize.
00:45:07Where were you at the time of the murder?
00:45:10I refuse to answer that.
00:45:12By replying without knowing what time the police have established for the murder could incriminate me.
00:45:17Rephrase your question.
00:45:19Yeah.
00:45:21Well, we'll play legal games.
00:45:23All right, I'll rephrase the question.
00:45:25Where were you at 9.30 last night?
00:45:36You should ask your commissioner where.
00:45:39I was murdering him at the hunt club.
00:45:42In a bridge tournament.
00:45:43I hope you found our interview informative.
00:45:48Nothing else?
00:45:51All right, you can go.
00:45:54Nothing else?
00:45:57All right, you can go.
00:45:58I told you I didn't call him in.
00:46:14Sant'Angeli came of his own accord.
00:46:16Come on now, Capuano.
00:46:17Don't feel I'm complaining.
00:46:19It doesn't help, you know, to shout.
00:46:21May I just refresh you on one point?
00:46:23Both of us are put on the firing line.
00:46:25They're going to blow us to pieces.
00:46:26Our career's to smithereens.
00:46:28Oh, God damn it.
00:46:29Don't you think I know the spot we're in?
00:46:31Then show it.
00:46:32You behave with that lawyer like a rookie cop.
00:46:34A rank amateur.
00:46:35He was with me and the commissioner at the club that night.
00:46:37Use your head.
00:46:38This moving into higher circles is too much.
00:46:40I...
00:46:40Do you want me to take a leave so you can pass the case on to someone else?
00:46:44No, don't be silly.
00:46:45Nobody will be pulling you off this case.
00:46:48I know what's a hot potato.
00:46:49But you'll find the answer.
00:46:50You're not chief of homicide for nothing.
00:46:52I have faith in your ability.
00:46:55I keep thinking I have the answer.
00:46:58But there's still something missing.
00:47:02In our business, the missing clue pops up where you least suspect.
00:47:07If this maniac is no ghost and he's left a clue, you'll find someplace.
00:47:10Maybe.
00:47:11But he goes on making no mistakes.
00:47:16Well, I believe this one is very intelligent.
00:47:20I agree.
00:47:21He's appointed himself moral avenger of the town's upper class.
00:47:27He knows all their secrets.
00:47:30Who the lovers are.
00:47:32Where they meet.
00:47:34He must be one of their little world.
00:47:37That's our problem, Capoana.
00:47:39The time is running out.
00:47:41We have to pull him in here fast.
00:47:43Or we'll be out too.
00:48:10You?
00:48:10No.
00:48:11You're not happy.
00:48:23Oh?
00:48:24You think you are.
00:48:26You're frightened, really.
00:48:29Of a man who's threatening you.
00:48:32What man?
00:48:33Oh.
00:48:37Your husband, Janina.
00:48:39For your own good, child.
00:48:42Don't drive him too far.
00:48:44Oh, Mama, cut it out.
00:48:45Your husband, your husband trusts you and loves you more than you think.
00:48:53But he's gone away.
00:48:55And tonight you're alone and unprotected.
00:48:57There's a bad card here.
00:49:01Don't go home, Renata.
00:49:03It's too far away and you're alone.
00:49:05Mama, your cards are getting on my nerves.
00:49:08They tell the truth.
00:49:12Renata loves to take risks like me.
00:49:14After all, that's what gives every affair its flavor.
00:49:16I don't know.
00:49:46It's too far away and it's too far away and it's too far away.
00:50:16I don't know.
00:51:46Yes, he left yesterday.
00:51:48Well, let's take a little drive in my car. Is that all right?
00:51:51Why don't we just stay here?
00:51:52I'd rather not. Your husband might walk in and find us. Is he wise?
00:51:58No, you don't have to worry.
00:52:00Well, you never can tell.
00:52:02No, he's really not the type who'd surprise us.
00:52:06And he won't be here before tomorrow evening.
00:52:09So don't waste another second.
00:52:12Hurry, I'm dying to make love with you tonight, Mauro.
00:52:15I'll make it fast, gorgeous. I miss you.
00:52:18I'll make it fast.
00:52:48I'll make it fast.
00:53:18I'll make it fast.
00:53:48I'll make it fast.
00:53:51I'll make it fast.
00:53:52Oh, my God.
00:54:22Renata. Renata, is that you?
00:54:52Oh, my God.
00:55:22Renata?
00:55:26Renata?
00:55:26Renata?
00:55:30Renata?
00:55:31Renata?
00:55:36Renata?
00:55:40Renata?
00:55:42Renata?
00:55:44Renata?
00:55:48Renata?
00:55:50Renata?
00:55:53Renata?
00:55:55Renata?
00:55:59Renata?
00:56:01Renata?
00:56:07Renata?
00:56:09Renata?
00:56:11Renata?
00:56:12Renata?
00:56:13Renata?
00:56:14Renata?
00:56:15Renata?
00:56:16Renata?
00:56:17Renata?
00:56:18Renata?
00:56:20Renata?
00:56:22Renata?
00:56:23Renata?
00:56:27You've been out all night?
00:56:29You've been out all night?
00:56:31Renata?
00:56:32Renata?
00:56:34Renata?
00:56:34Renata?
00:56:36Renata?
00:56:37Oh, no.
00:56:38It's all here.
00:56:41Go on, read it.
00:56:48Oh, no.
00:56:50Renata, too.
00:56:52It's horrible.
00:56:56Where will it end?
00:57:03And here.
00:57:05There's an attack on the police.
00:57:07Mm-hmm.
00:57:08I've read it.
00:57:09And it won't be the last.
00:57:11Next, they'll be blaming us for the government crisis.
00:57:14Why do they drag in politics?
00:57:18Because this case involves important people.
00:57:21They don't want any scandals.
00:57:22Why won't you quit all this?
00:57:36Why won't you quit all this?
00:57:40My father has offered you a position in this firm.
00:57:44Take it.
00:57:46Let's move up north.
00:57:48Let them go to hell.
00:57:50Let's not go through that again.
00:57:52I like my job.
00:57:56Besides, I don't want to work for your father.
00:57:58I know.
00:57:59I know.
00:58:01When I was transferred down here, it seemed we'd finally found some peace.
00:58:05Remember.
00:58:13A lovely town.
00:58:16Surrounded by green.
00:58:17Good people.
00:58:19Habitual crime, Neil.
00:58:24Then, in one lousy, stinking month, the apocalypse.
00:58:28I know.
00:58:35Hello.
00:58:36Capuana.
00:58:39What?
00:58:40what's the address sergeant
00:58:44okay i'll come right away what happened maybe i've found the winning card
00:58:53so long
00:59:10open up open in the name of the law
00:59:32open up in the name of the law
00:59:41tell your men not to shoot her inspector inside
00:59:58why did you call the police
00:59:59why i was tired of killing
01:00:09i murdered all these horses
01:00:14they were only little
01:00:15bitches
01:00:21guess what made me kill not now later at the station
01:00:29are these yours yes of course
01:00:51those are my gloves for the killings
01:00:58confess now i've led you a merry old chase
01:01:03frankly you wouldn't have me now if i hadn't made up my mind
01:01:06i have it all figured out inspector
01:01:13do you know how it shows my victims do you know that
01:01:17why did you ask me take them away well don't give yourself credit
01:01:21you never would have found me on your own
01:01:33he's obviously a publicity seeker
01:01:35i set it up i raised the whole thing
01:01:40and for what purpose
01:01:40i deliberately chose someone whom i think is the exact opposite of the murderer
01:01:48hoping the real one will rise to the bait
01:01:51is that it
01:01:54right
01:01:55giving credit to a half-wit for the murders should be such an insult to the killer's ego
01:02:00that it'll bring him out in the open
01:02:01the person sooner or later will confess he lied
01:02:05uh the magistrate
01:02:07it'll take a few days to discover that he can only charge the man with misrepresentation
01:02:12meanwhile i hope to trap the real killer
01:02:15it's your baby i hope you do
01:02:18and pray the lord you'll be safe
01:02:22from the killer no the news hounds they're waiting for you grumbling for the press conference to begin
01:02:27you better go good luck thanks
01:02:30i'll need it
01:02:34why don't you show me
01:02:35it's from the magistrate
01:02:37how it's called
01:02:37it's all written behind the photos that we have given
01:02:41what did you say when you took it
01:02:43that he was tired of killing
01:02:45and then he was able to have a diabolical mind
01:02:47are you sure that he was the culpable
01:02:49this is what he found in his house
01:02:51a pair of dark glasses
01:02:53a hat
01:02:54a hat
01:02:54a hat
01:02:54a hat
01:02:54a hat
01:02:56what tests do you have other than this
01:02:57really do we still have his life in the last few months
01:03:01but the firm
01:03:03You can't prolong it over two days.
01:03:05Let's say something.
01:03:06It's not a firm and it's not a mandate.
01:03:10And then?
01:03:11Now it's only a clear test.
01:03:13It's presented by your own will.
01:03:17What do you think?
01:03:18I'm not the magistrate, it's him who decide.
01:03:22This is all, gentlemen.
01:03:26And we'll see you soon.
01:03:28They don't know a case.
01:03:30They're going to pretend that they're going to do it.
01:03:33What do you think of the assassin's house?
01:03:34You'll find the blackmailer, the cartel.
01:03:36It's only needed to find the house in the bank.
01:03:38You'll find the cadavres, and then...
01:03:49Inspector Capuana.
01:03:51I am the person you think you have captured.
01:03:54Why?
01:03:55Come now.
01:03:55Don't be any stupider than you are.
01:03:58Excuse me, I don't understand.
01:04:00Really?
01:04:01Who are you?
01:04:03You know very well.
01:04:05I'm sorry I can't give you my name.
01:04:09I'm the Avenger, the one you insist upon calling a maniac.
01:04:14The man you have in custody is a moron.
01:04:17If you know it and take advantage of him, you're a fraud.
01:04:19If you don't know it, you're a bigger fool than he is.
01:04:23In either case, you're incompetent.
01:04:25It depends on the way you look at it.
01:04:27The fact that you're phoning me shows that you're deranged, wouldn't you say?
01:04:31You're the one who's deranged, Inspector.
01:04:34All you found in that poor idiot's house were some pornographic photos clipped from sex magazines.
01:04:39I'll make you look like an ass.
01:04:41You made a big mistake, and now you'll pay for it.
01:04:46Very dearly.
01:04:47Is that so?
01:04:49How?
01:04:49You don't understand.
01:04:52Go on.
01:04:52Tell me, genius.
01:04:54Don't be funny.
01:04:55I'll give you another couple of minutes.
01:04:56You underestimate me.
01:04:58That was your mistake.
01:04:59And while you're holding that fool, I'm going to kill again.
01:05:02That's right.
01:05:02And make a laughing stock of you, the commissioner and the magistrate.
01:05:06It will mean the end of your career.
01:05:08Wait, don't hang up.
01:05:09I have to tell you the most important thing yet.
01:05:11I'm going to kill your wife this very day.
01:05:15That took your breath away.
01:05:17You don't believe your ears.
01:05:18I said I'm going to kill your wife.
01:05:20Do I make myself clear?
01:05:21Your own wife.
01:05:23You're wasting your breath and my time.
01:05:28The maniac only kills unfaithful women.
01:05:30Whores.
01:05:31Exactly, Inspector.
01:05:33You're the only one in town that doesn't know your wife deceives you.
01:05:36I have photos to prove it, too.
01:05:38Just like the others.
01:05:39You didn't expect this, did you?
01:05:41You'll be disgraced.
01:05:43You'll have to leave town.
01:05:44A cuckold and a widower.
01:05:46And you can't prevent it, Inspector.
01:05:48Because you've no idea where your wife meets her lover.
01:05:53No?
01:06:03Yeah, I have time.
01:06:03No.
01:06:06All right.
01:06:06Yeah?
01:06:07Xenia.
01:06:09Love you?
01:06:10Opportunist case.
01:06:11What's the end of the Fel ŠµŃŃŃ?
01:06:12Yes, commissario?
01:06:14Non.
01:06:14All right.
01:06:14Come here.
01:06:15Commissario?
01:06:15Commissario?
01:06:16NĆ£o.
01:06:16Hahaha.
01:06:16No.
01:06:17No.
01:06:17For none.
01:06:18ļæ½ļæ½?
01:06:19All right?
01:06:19No.
01:06:19To ness.
01:06:20Tempest look.
01:06:20I do?
01:06:21Well, Commissario.
01:06:51Commissario, in casa di quel pezzente hai trovato soltanto qualche foto pornografica e qualche ritaglio di riviste oscene.
01:07:05Ti farĆ² fare una figura di merda. Hai commesso un grosso errore, Commissario Capuana.
01:07:09C'ĆØ il sole in cittĆ , non sapere che tua moglie ti tradisce. Ho le foto che lo provano, come per le altre.
01:07:23Non te l'aspettavi, bella. Perderai la faccia.
01:07:26Casa Capuana, chi parla?
01:07:39Sono io, Teresa. C'ĆØ mia moglie.
01:07:41Ć uscita, dottore. Doveva andare dal parrucchiere. Desidera altro, dottore.
01:07:47Grazie.
01:07:47Dovrei andare di qui, cornuto e vedovo. E non puoi impedirmelo, Capuana, perchƩ non sai dove si incontra con il suo amante.
01:08:03Non ridi piĆ¹, eh?
01:08:13Che ritaglio di riviste oscene. Ti farĆ² fare una figura di merda.
01:08:17Hai commesso un grosso errore, Commissario Capuana. E lo pagherai caro. Molto caro.
01:08:31Pronto?
01:08:32Sono Capuana, c'ĆØ mia moglie.
01:08:34No, Commissario.
01:08:35Ma deve venire?
01:08:36SƬ, ma non ĆØ ancora arrivata.
01:08:38Ha prenotato?
01:08:39Ha prenotato. Vuole che controlli l'ora, Commissario?
01:08:42No, grazie.
01:08:43Penso che non dovrĆ tardare.
01:08:44Mi faccia chiamare.
01:08:45Va bene, Commissario. Non dubiti. Appena arriva la faccio chiamare.
01:08:51SƬ, cosƬ sono molto sensibile.
01:08:54A che ora doveva venire la signora Capuana?
01:08:56Alle cinque, signore.
01:08:58Ma come al solito tarda sempre.
01:09:00Non sarĆ qui prima delle sette.
01:09:02Eh giĆ , viene a rifarsi la testa dopo.
01:09:05Signora, ho le mani fatate, ĆØ vero?
01:09:12Ć vero.
01:09:12Vedesse con i ragazzi.
01:09:14Ci dĆ a non sapere che tua moglie ti tradisce.
01:09:16Ho le foto che lo provano, come per le altre.
01:09:19Non te l'aspettavi, vero?
01:09:21Perderai la faccia.
01:09:22Dovrai andartene di qui, cornudo e vedovo.
01:09:25E non puoi impedirmelo Capuana.
01:09:27PerchƩ non sai dove si incontra con il suo amante.
01:09:30Non ridi piĆ¹.
01:09:39Perderai la faccia.
01:09:41Dovrai andartene di qui, cornudo e vedovo.
01:09:44E non puoi impedirmelo Capuana.
01:09:46PerchƩ non sai dove si incontra con il suo amante.
01:09:49Non ridi piĆ¹.
01:09:49Perderai la faccia.
01:10:14Dovrai andartene di qui, cornudo e vedovo.
01:10:17E non puoi impedirmelo Capuana.
01:10:18PerchƩ non sai dove si incontra con il suo amante.
01:10:22Non ridi piĆ¹.
01:10:48E non sai dove si incontra con il suo amante.
01:11:18Non sai dove si incontra con il suo amante.
01:11:38Let's go.
01:12:08So, let's go.
01:12:38All right.
01:13:08All right.
01:13:38All right.
01:14:08All right.
01:14:38Oh, it's you, sir.
01:14:40Roberto is away.
01:14:41He won't be back till Thursday.
01:14:43Come?
01:14:44I think to the beach.
01:14:46Inspector?
01:14:47Inspector?
01:14:49Can you hear me?
01:14:50Why have you come back, sis?
01:15:20I forgot something.
01:15:21Where are you going?
01:15:22I was just leaving for the beach.
01:15:24Hello?
01:15:25Ciao.
01:15:26Ciao.
01:15:26Roberto's taking me.
01:15:27You don't mind, do you?
01:15:29No, providing you don't drive as if you're racing in Le Mans.
01:15:32Don't worry.
01:15:33I won't let him race.
01:15:36See you tonight.
01:15:36See you, bye.
01:15:39See you.
01:15:47Bye.
01:16:31Barbara?
01:16:59Pardon?
01:16:59Her husband knows it. Don't be a fool. Get out of there.
01:17:04But who are you? Repeat that.
01:17:07But who the hell are you?
01:17:29I'm sorry.
01:17:31I'm sorry.
01:17:32I'm sorry.
01:17:34I'm sorry.
01:17:38I'm sorry.
01:17:40I'm sorry.
01:17:42I'm sorry.
01:17:43I'm sorry.
01:17:45I'm sorry.
01:17:47I'm sorry.
01:17:49I'm sorry.
01:17:52I'm sorry.
01:17:53Oh, my God.
01:18:23Oh, my God.
01:18:53Oh, my God.
01:19:23Oh, my God.
01:19:53Oh, my God.
01:20:23Oh, my God.
01:20:53I'm sure that we're dealing with a sexual maniac.
01:21:06The blade was sharp and precise.
01:21:23The blade was sharp and at the same time it was dark.
01:21:38The blade was sharp and sharp.
01:21:41The blade was sharp and wide.
01:21:45The blade was sharp.
01:21:51Oh, oh, oh.
01:22:21Hello, Rossi.
01:22:38I'm Capuana.
01:22:41Give me the chief.
01:22:51Oh, oh, oh.
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