- 9 hours ago
Storyline. A promiscuous black hairstylist and businessman has fun with his white female customers, but when he begins a relationship with his black secretary, her white mobster ex-boyfriend resorts to violent measures to get her back.
Category
🎥
Short filmTranscript
00:00Transcription by CastingWords
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03:59Oh, my God, Mr. Jonathan, it is bigger and better.
04:14He's a real man.
04:17He's a real man.
04:20He's a real man.
04:23He's a real man.
04:26Jonathan.
04:28He's funny.
04:29He's a real man.
04:59Thanks, Artie.
05:11I'll see you next week.
05:16That bitch.
05:17She pinched my chin, honey, and she didn't even tip me.
05:21Well, maybe next time, Artie.
05:22I'm sorry, Brenton.
05:26Sorry, Brenton.
05:26Sorry, Brenton.
05:26Sorry, Brenton.
05:30I said, what's the next time?
05:33I asked her, if you're doing something else.
05:38Oh!
05:39Oh!
05:59Good morning.
06:04Good morning. You must be Mrs. Simpson.
06:06Yes, my dear. I have an appointment with Mr. Jonathan.
06:09Yes, of course. Just have a seat. I'll tell Mr. Jonathan you're here.
06:13Nice tits, huh, Artie?
06:41Oh, her hair looks a mess. Why didn't she come in here first? Look at this, Richard.
06:50Her hair is a fright. You're right, Artie, baby. She should have came in here first.
07:00Mr. Jonathan?
07:02Hello, Mr. Jonathan.
07:03Hello, ladies. Artie taking good care of all of you?
07:07Not the way you could. Artie just didn't have the equipment you have.
07:12I wouldn't bet on it, honey.
07:15How's my schedule?
07:20Full.
07:22You like that hairstyle?
07:24Yeah, it's nice.
07:25About how old would you say?
07:31About that.
07:33The one that just left, Mrs. Simpson?
07:36About 30.
07:3930 isn't that bad. I had a little experience with that myself. I think I'll go see her. Is this the address?
07:48Yes, but remember, you have a full schedule.
07:51Have Richard Artie handle it.
07:54Mr. Jonathan, how good to see you.
07:57Mrs. Phillips, right?
07:59Yeah. Hey, I won't be able to do you today. Have Richard Artie take care of all of you.
08:05Oh, no, I haven't seen you in weeks. I don't want Richard. I want Mr. Jonathan to do.
08:10So let's come up this little thing. See you later.
08:13Have Richard Artie handle it okay. Bye-bye, baby.
08:16Bye-bye.
08:46You tell Mr. Jonathan that I left.
09:15If he won't do me, nobody will.
09:18But we've got nothing.
09:31Good morning. May I help?
09:33The boss is back in town. He wants to talk to you. You didn't actually think you could hide, did you?
09:46Come on.
09:47Stop it. Let's go.
09:50Get out of here. I don't have to talk to you.
09:52You'd better come along quietly.
09:54What in the world is going on in here?
09:57Come on.
09:57Don't you touch her. I'll call the police.
10:01Oh, oh, oh, oh, no, please.
10:05What do you think you're going to put him down?
10:08Oh, no, no, no.
10:08Hey, hey, hey, everybody. Come on. Calm down, huh?
10:14All we want to do is talk to the young lady.
10:20Easy, Brenda.
10:22We've got orders not to hurt you unless we have to.
10:24Okay. Just don't hurt anybody.
10:29What do you want?
10:32The boss just wants to talk to you. That's all.
10:35Please, ask him to leave me alone.
10:38Goddamn you people, shut up!
10:40Don't be gone.
10:42Those brutes.
10:46Come on, we're leaving.
10:47No, I'm not going.
10:49Tell Mr. Wilson I'll call in the night, I promise.
10:54Mr. Wilson?
10:55I never heard of anybody by that name.
11:04Okay, Brenda.
11:05You better do it before somebody really gets hurt.
11:09I'll tell the boss to expect your call tonight.
11:16Nice seeing you again.
11:19All right, let's go.
11:29You'd better call.
11:49There he is.
12:06You looking for Mom?
12:08You must be Mr. Jonathan.
12:10Why don't both count,
12:11if Mrs. Simpson is your mother?
12:12Oh, let me.
12:18Is your name Mr. Jonathan something?
12:21Or Mr. Something Jonathan?
12:24Hey, give me that.
12:25I'll make my living with that.
12:26I just bet you do.
12:29Tools of the trade.
12:31Handle with care.
12:33But this way, sir,
12:34after you.
12:35Hey, where's your mother?
12:50She'll be out soon enough.
12:52Too soon.
12:54It's a nice place you guys got here.
12:56It's okay.
12:57Let's see.
12:58Which daddy got this for us?
12:59Well, was it the fourth?
13:03No, I think it was daddy number five.
13:07Well, you're kind of pushy little chicks, you know that?
13:10Hey, just cool it.
13:12Hey, when did you say your mother was coming?
13:14Eh, don't worry about it.
13:15She'll be right in.
13:16Come on, come on.
13:17Yeah, come on.
13:18Yeah.
13:19Come on.
13:20Okay, now what?
13:23So, uh, Mr. Jonathan,
13:27so is it true that you're the best in the West?
13:32We shared a guy once, twice.
13:36Why do you guys come up with this kind of stuff, huh?
13:39No, Mr. Jonathan,
13:41the question is,
13:43when do you...
13:45Mr. Jonathan, she can't swim.
13:47Yeah, come on in, Mom.
13:48We'll help you.
13:49Yeah, we'll help you, y'all's bag.
13:51We'll help you swim right to the bottom.
13:53Hey, lady,
13:54exactly what kind of funny farm are you running here?
13:57Funny farm?
13:58Just who do you think you are?
14:00I ought to call the police.
14:02Oh, no, no, no, lady,
14:04you got it all wrong.
14:05I know.
14:06Don't say it.
14:08They attacked you, right?
14:09Yeah, we attacked.
14:10As a matter of fact, they did.
14:12You know, they came at me like a pair of sharks,
14:14and somebody ought to teach those girls some manners,
14:17you know that?
14:17I guess it's not your fault.
14:21They've done that sort of thing before.
14:24It's time those two learned a lesson.
14:27Maybe I better go.
14:28I think I'll teach them a lesson.
14:31Oh, Mama!
14:33I swear to God, Jesus.
14:36Please, uh...
14:37Now, isn't that better than those kids?
14:39Mama's still king of the hill.
14:44And this way they can see just who's wrong.
14:47Show us, Mama.
14:48God.
14:48Show us.
14:50I just came here to do your hair,
14:53and so...
14:54Oh, God.
14:55What happened here?
15:13Where'd everybody go?
15:14There was a little problem.
15:16Where's Artie and Richard?
15:17Artie?
15:17He's gone, Jonathan.
15:19They're both gone.
15:20They wanted to wait to talk with you,
15:21but I made Artie go home.
15:23He was hurt.
15:24Hurt?
15:24And I thought Richard should go with him.
15:26How'd he get hurt?
15:27Couldn't we sit down?
15:32Okay, run it down.
15:33What happened?
15:34Two men came in.
15:37They worked for a man I knew.
15:39A man I used to work for.
15:41They demanded I leave with him to go back to him.
15:43And when Artie tried to help me,
15:45they roughed him up pretty bad.
15:47Thank goodness he's all right now.
15:49I'm sorry about all this.
15:51I'm leaving,
15:51but I had to tell you personally.
15:53Who is this giant punk anyway?
15:55Jonathan, I know it must sound pretty weird.
15:58I'm sorry.
15:59I'm sorry about everything.
16:02Where are you going?
16:04Look, I balanced the books
16:06through today's receipts.
16:08Everything's in the desk there.
16:11I'm just sorry
16:12for any trouble I might have caused you.
16:16Relax.
16:18You ain't going anywhere.
16:20At least until I've got
16:21the whole story anyway.
16:22It's no good, Jonathan.
16:25Best thing is just for me to leave.
16:28This guy's too powerful to fight.
16:29Believe me, I know him.
16:30Come on inside.
16:45Sit down.
16:52All right, let's have it from the top.
16:53I worked for this guy before I came here.
17:03What guy?
17:04That doesn't matter.
17:07He wanted to keep me.
17:08I mean, the whole bit.
17:11Mercedes, Jules,
17:12stay at his mansion.
17:15Couldn't dig it and I left.
17:17I don't know.
17:18Maybe I should leave town or something.
17:20I don't know.
17:21That's bullshit.
17:23What I don't understand
17:25is what all the strong-arm business is about.
17:27Hey, nobody walks out on him.
17:31Nobody.
17:31That's why I've got to go.
17:36Fuck that.
17:37The only place you're going
17:39is to dinner with me.
17:40Jonathan,
17:41I don't think you understand.
17:43See, baby,
17:44there ain't any slaves anymore.
17:47And no strong-arm punk
17:48is going to take you
17:49and make you stay
17:50where you don't want to be.
17:52You're going to dinner with me.
17:54Okay?
17:55Okay.
18:01Can you feel your love?
18:18Can you feel your love?
18:25Here we are,
18:28sitting with one another.
18:31So alive
18:34and so free.
18:40Here we are,
18:42gazing at one another
18:45in a world
18:48of maybe me.
18:53You can be here
18:56if you open up your eyes.
19:00It's really not so hard
19:03and so hard.
19:04Oh, you can be
19:10just what you want to be.
19:14See the light that's deep inside.
19:18Feel the love that's in your mind.
19:21Can you feel the light?
19:34Can you feel the light?
19:37Ooh, can you be your love?
19:48You can be here if you open up your eyes
19:55It's really not so hard to find
20:00You can be just what you want to be
20:08See the light that's deep inside
20:11Feel the love that's in your mind
20:15Ooh, can you feel the love?
20:24Can you feel the love?
20:32Can you feel the love?
20:39Listen to me, listen to me
20:42Can you feel the love?
20:46Can you feel it, yeah
20:49Can you feel the love?
20:54Thank you
21:10Oh
21:15Oh
22:20I'm telling you that I'm aware of what's going on and what the cause of it is.
22:26Do you understand?
22:28Yes, sir.
22:38Good news.
22:39We found her.
22:40She's working for some faggot hairdresser on the Sunset Strip.
22:52She promised she'd call tonight.
22:54You believe her?
22:56This is your call.
22:57I can take that as your own personal guarantee.
23:00What else could I do?
23:01You...
23:02There are people there.
23:03You said you didn't want to create a scene.
23:06Go back to the place she's working.
23:08Make sure she calls.
23:10I don't understand.
23:11First, you asked me to...
23:12I told you before, schmuck.
23:15You've got to know the people you're dealing with.
23:18I know Miss St. John.
23:21You say she's working for a hairdresser.
23:24Rip the joint apart.
23:27She'll call.
23:274, 3, 2, 2, 3, 2, 1.
23:394, 3, 3, 2, 2, 1.
23:455, 4, 3, 2, 1.
23:475, 6, 1.
23:495, 7, 1.
23:516, 1.
23:52Oh, look at this, baby.
24:13Oh, look at this, baby.
24:22Oh, look at this.
24:35Oh, look at this.
24:42Oh
25:12Oh
25:39Watch
25:42Oh
26:12THE END
26:42What in the fuck happened here?
27:03What the fuck is this?
27:08Son of a bitch.
27:12Son of a bitch.
27:28Son of a bitch.
27:32I'm sorry, Jennifer.
27:46I'm responsible for all this.
27:50I'm sorry.
27:51Fuck it.
28:05Brenda, come on.
28:07Brenda?
28:11Fuck this shit.
28:14Fuck this.
28:18Can you feel the love?
28:21La, la, la, la, la, la, la, la, la, la.
28:25Can you feel the love?
28:29Ooh, can you feel the love?
28:39You can be here.
28:43You open up your eyes.
28:46And it's not so hard to find.
28:52Oh, look at me.
29:01Oh, my beautiful mirrors, Richard.
29:08Jonathan, did you spend the night here?
29:23Jonathan, look at this place.
29:25It's such a mess.
29:27Brenda, have you seen Brenda?
29:28Look at this place, Jonathan.
29:30You all right, man?
29:31Is he all right?
29:32What do you mean, is he all right?
29:34Look at this place.
29:34Just look at this mess.
29:35This is just...
29:37We must notify the police, Jonathan.
29:41Please.
29:43Brenda?
29:44She hasn't come in yet.
29:46You mean you haven't seen her?
29:49No, Jonathan.
29:50How come?
29:50What happened?
29:51Don't worry about it, fellas.
29:52We'll fix it up, okay?
29:53Take it easy.
29:58Oh.
30:01You sure of that poor fella?
30:04Terrible destruction has affected him so deeply.
30:07Hey, have you seen Brenda?
30:20You know, my new receptionist.
30:21No, I'm sorry, Mr. Donovan.
30:23I haven't.
30:23No, I'm sorry, Mr. Donovan.
30:53No, I'm sorry, Mr. Donovan.
31:23No, I'm sorry, Mr. Donovan.
31:53No, I'm sorry, Mr. Donovan.
31:56No, I'm sorry, Mr. Donovan.
32:23It's a goddamn shame.
32:35Watch out, Mr. Johnson!
32:36Relax.
32:39Hey, it's some mess you've got here.
32:42They're the ones, Jonathan, the brutes.
32:44How dare they show their balls around here again
32:46after what they've done to Artie.
32:48All right, tone down a little bit.
32:50You're looking for Brenda St. John, right?
32:52That's right.
32:53Well, we're here to take you to her.
32:57Where is she?
32:59Friends.
33:00They, uh, want to talk to you.
33:03Don't trust them.
33:04I don't trust them, Artie.
33:05But as soon as I find out that Brenda's okay,
33:09I want to have a little talk with them
33:11about what they did to the shop
33:12and to you.
33:16All right, let's go.
33:16I'll take my own car if you don't mind.
33:33I'll take my own car if you don't mind.
33:34I'll take my own car if you don't mind.
33:35I'll take my own car if you don't mind.
33:36I'll take my own car if you don't mind.
33:37I'll take my own car if you don't mind.
33:38I'll take my own car if you don't mind.
33:39I'll take my own car if you don't mind.
33:40I'll take my own car if you don't mind.
33:41I'll take my own car if you don't mind.
33:42I'll take my own car if you don't mind.
33:43I'll take my own car if you don't mind.
33:44I'll take my own car if you don't mind.
33:45Oh, oh, oh, oh.
34:15The boss is at the pool.
34:45Did you send for me, Master Ball, sir?
34:56You're the hairbender.
35:00Where is she?
35:03Very well, Mr. Jonathan.
35:07We'll play it your way.
35:10Friend or darling, would you mind stepping out by the pool for a minute?
35:16Of course.
35:18Would you care for a cup of coffee?
35:40Hello, gentlemen. I'm surprised to see you here.
35:44Did you call for me, dear?
35:46This gentleman, your former hairdresser, I believe.
35:50I'd like to talk to you about something.
35:52Come on, Brenda, get your things and let's go.
35:55Aren't you assuming quite a lot?
36:00Stop it, all of you.
36:03I don't know what you're doing here, but why don't you just go away, quietly?
36:09A couple of my boys got out of line at your place yesterday.
36:13I'm sorry.
36:16This ought to more than cover the damages.
36:19Is this shit for real?
36:21I made a mistake, Jonathan.
36:23This is where I want to be.
36:26I belong here.
36:28Okay.
36:30You got it.
36:32Bought and paid for.
36:34But your hair looks like shit that way.
36:39I'm sorry if I've caused a problem for you.
36:44Young men can be so infetuous.
36:49But then, maturity has its moments too.
36:53Shall we?
36:54What's the matter, stud?
36:55You losing your touch?
36:56Ha!
36:57I understand them black pussies sucking fuck like wild animals!
36:59You move.
37:00Put it away, I'll shove it up your ass and pull the trigger.
37:01Don't be a dead hero.
37:02Like the girl said, nobody needs you around here.
37:04I'll get you from here.
37:05I'll get you from here.
37:06I'll get you from here.
37:07I'll get you from here.
37:08I'll get you from here.
37:09What's the matter, stud?
37:10You losing your touch?
37:11Ha!
37:12I understand them black pussies sucking fuck like wild animals!
37:15You move.
37:16Put it away, I'll shove it up your ass and pull the trigger.
37:21Don't be a dead hero.
37:23Like the girl said, nobody needs you around here.
37:26I'll get you from here, you son of a bitch.
37:37Next time you come around my shop, sucker breaking up things, pick on me, brother.
37:56Hey!
37:57What are you doing?
37:58I'm just talking about his hippie.
37:59You're listening.
38:00I'm always listening to Sirje Lyle.
38:01I'm always listening to Sirje Lyle.
38:02I'm always listening to Sirje Lyle.
38:03Yeah.
40:03Hey, come on.
40:09Oh, come on.
40:11No, Mr. Jonathan.
40:15Just who do you think you are?
40:17Get up, you two, let's go.
40:29Oh, Johnny.
40:31Oh, Johnny.
40:33Oh, yeah.
40:35Oh, Johnny.
40:37Go away.
40:39Jonathan, it's me.
40:41Can I come in for a minute?
40:43Not now, Artie.
40:45Later, huh?
40:47Go away.
40:49Jonathan, it's me.
40:51Can I come in for a minute?
40:53Not now, Artie.
40:55Later, huh?
40:57We must talk about this, Jonathan.
41:07Okay, Artie.
41:09Look, I know I owe you an explanation, huh?
41:17First of all, forget about the damage to the shop.
41:21It's been bought and paid for with interest.
41:25With interest.
41:29And secondly, forget about Brenda.
41:33She's gone and she's exactly where she wants to be.
41:37Brenda?
41:38Jonathan, you can't be serious.
41:40I know Brenda.
41:41She wouldn't do such a thing.
41:43She did, Artie.
41:45I know because I just left her.
41:47She's happy as hell where she is.
41:50The only thing I'm really concerned about
41:53is what they did to you.
41:55You okay?
41:56That's all right, Jonathan.
41:57You mustn't worry about that.
41:58I'll be all right.
42:01Can I come in?
42:03Might as well.
42:05Jonathan, I know you're upset about this.
42:07I know you're upset about the condition of the salon.
42:09But don't worry about it.
42:11We can fix it up.
42:12I'm sure we can fix it.
42:13Of course we can.
42:14It'll be nice as ever.
42:16Or it'll be better than ever.
42:18Of course.
42:19Artie, I have a great idea.
42:20Why don't we invite Jonathan to the party?
42:23Hey, Jonathan.
42:25No, thank you.
42:26Jonathan, it'll be such fun.
42:27Yeah.
42:28It's gay and straight and really wild.
42:31A western-style barbecue.
42:35Won't you please come?
42:36It's just what you need to pick you up.
42:39A western-style barbecue to pick me up?
42:45Might be a good idea.
42:47Okay.
42:48Brenda!
42:49You look wonderful, like a beautiful black angel.
42:51Come over here.
42:52Yeah, let me do that.
42:53What's the matter, darling?
42:54You seem a million miles away.
42:55No, nothing.
42:56I don't look at any of my papers ever.
42:57Do you understand what I'm saying?
42:58Yes, sir.
42:59Do you understand what I'm saying?
43:00Yes, sir.
43:01What's the matter, darling?
43:02What's the matter, darling?
43:03You seem a million miles away.
43:06No, nothing.
43:07Look at any of my papers ever.
43:08Do you understand what I'm saying?
43:09Yes, sir.
43:10I'm sorry I lost my temper.
43:12But don't you ever look at any of my papers or books again.
43:13Do you hear me?
43:14I won't, I promise.
43:15I won't.
43:16I promise.
43:17That's a good little thing.
43:18No, sir.
43:19I'm sorry I lost my temper, but don't you ever look at any of my papers or books again.
43:37Do you hear me?
43:38I won't, I promise.
43:40That's a good little pussycat.
43:45I won't be around tonight.
43:47I got a fucking speech to make us some goddamn dinner.
43:50Understand?
43:51Yes, of course.
44:10I don't Sunday.
44:11I'm sorry, right?
44:12My mom's back there.
44:13She's coming up there, huh?
44:18Okay, fine, fine.
44:19I'll do that.
44:22No, you gotta buy half an hour.
44:27I'm sorry.
44:30Okay, I'll do it anymore.
44:33Well, you didn't know what my looking no matter.
44:36Is your boss, Mr. Jonathan, coming?
44:54Uh, we're not certain he might.
44:55I hope so.
44:57I'd love to get my hands on him.
44:59Lay off, sweetie.
45:00Mr. Jonathan is straight as an arrow.
45:02Maybe I can bend him.
45:04Not a chance.
45:06Just leave him alone.
45:09Artie, I heard you were having trouble at the salon.
45:12And Mr. Jonathan needs a new receptionist.
45:14Can I have the job?
45:15He certainly does need a new receptionist, darling.
45:19Mr. Jonathan would just love you.
45:21You've got the job going.
45:23Good, good, good, good.
45:24God, she'll never drown, believe me.
45:27Well, look, it ain't Mr. Johnson.
45:37Mr. Johnson himself.
45:38Something to do.
45:39All right.
45:41Well, as they say, business is business.
45:43Come on, let me show you.
45:45No, not later, man.
45:46I'll check you later.
45:47How big is he really?
45:55Who?
45:56Your boss, Mr. Jonathan.
45:59Oh, I wouldn't know.
46:00Well, if they don't know, I'll just find out and tell them.
46:11Jonathan, it's so good to see you.
46:14I'm Jonathan.
46:15Hello, Mr. Jonathan.
46:17This is our new receptionist.
46:19Do you like her?
46:20Wonderful, wonderful, wonderful.
46:21Jonathan?
46:22Jonathan?
46:24And Mr. Jonathan, my name is Ben.
46:26Artie refuses to introduce her.
46:28You bet your ass, honey.
46:29So just relax.
46:31Jonathan, don't mind him.
46:33Jonathan?
46:36What about Brenda?
46:37This is not like you, man.
46:39I don't understand you.
46:40Come on, have some fun.
46:41It's not like you, Jonathan.
46:43Yeah, you're right, but I'll tell you what.
46:49I'm going up to my cabin and hang out for a couple of days
46:51and try to get my hair together.
46:54You take care of the salon, huh?
46:56Jonathan, that salon will be prettier and better than ever, Jonathan.
47:01I'll fix it right to the details, every picture on the wall.
47:05Don't worry about it, Jonathan, okay?
47:07Okay, thanks a lot, but you take care.
47:09Right, Jonathan.
47:09See you in a few days, huh?
47:10Bye-bye.
47:13I'll see you in a few days.
47:43How you doing, buddy?
47:48Good, good.
47:49Good to see you.
47:50Good to see you.
47:51Thanks, yeah.
47:52How you been doing?
47:53How you feel?
47:53Oh, fine, fine, fine, fine.
47:56How's everything around the place?
47:57Well, everything that's going on pretty good.
47:59Pretty good.
48:00That's just great.
48:02See, how long you going to be here now?
48:04Oh, a few days.
48:05very good very good
48:19i think i'll go down to the cottage for a few hours and i'll be back with you later huh
48:27all right
48:28hey i'll put your car away for you huh
48:31thanks a lot see if you are okay there
48:36damn i forgot the safety deposit key i'll be right back
48:58i'll be right back
49:07Oh, my God.
49:37Hurry up, I'm late.
50:03Have a nice time, darling.
50:07Taxi!
50:15Taxi!
50:28Hey, what are you doing here?
50:30I decided I wanted to go for a ride.
50:32Yeah, well, I thought you were supposed to be in town shopping.
50:35I changed my mind.
50:37And I don't have to report to you on my actions.
50:40Yeah, well, Mr. Wilson don't like surprises.
50:43He's supposed to be in town. You'd better be there.
50:45Then you tell Mr. Wilson I decided to go for a ride, messenger boy.
50:50I'll do just that.
50:52I didn't know.
50:53I said to him, I just wanted to hear you.
50:55You're supposed to be in town shopping.
51:01I said to him, you're supposed to be in town.
51:03I didn't know.
51:03I didn't know.
51:05I didn't know.
51:05I didn't know.
51:05I couldn't know.
51:06I didn't know.
51:07Let's go.
51:37Let's go.
52:07Let's go.
52:37Let's go.
52:38Let's go.
52:39Let's go.
52:40Let's go.
52:41Let's go.
52:42Let's go.
52:43Let's go.
52:44Let's go.
52:45Let's go.
52:46Let's go.
52:47Let's go.
52:48Let's go.
52:49Let's go.
52:50Let's go.
52:51Let's go.
52:52Let's go.
52:53Let's go.
52:54Let's go.
52:55Let's go.
52:56Let's go.
52:57Let's go.
52:58Let's go.
52:59Let's go.
53:00Let's go.
53:01Let's go.
53:02Let's go.
53:03Let's go.
53:04Let's go.
53:05Let's go.
53:06Let's go.
53:07Let's go.
53:08Let's go.
53:09Let's go.
53:10Let's go.
53:11Let's go.
53:12Let's go.
53:13Let's go.
53:14Let's go.
53:15Let's go.
53:16Let's go.
53:17Let's go.
53:18Let's go.
53:19Let's go.
53:20Let's go.
53:21Let's go.
53:22Let's go.
53:23Let's go.
53:24Let's go.
53:25Let's go.
53:26Let's go.
53:27Let's go.
53:28Let's go.
53:29Let's go.
53:30Let's go.
53:31Let's go.
53:32Let's go.
53:33Let's go.
53:34Let's go.
53:35Let's go.
53:36Let's go.
53:37Let's go.
53:38Let's go.
53:39Let's go.
53:40Let's go.
53:41You can be just what you want to be
53:47See the light that's deep inside
53:50Feel the love that's in your mind
53:54Where's Jonathan?
53:57Are you Miss Brenda?
53:59Yes, please, where's Jonathan?
54:00He's out shooting pool.
54:02Wait a minute, I don't understand. What are you talking about?
54:03Well, he's at that cabin.
54:06Right over the hill, you take that path right on up over the hill
54:09and I'll take you right to it.
54:10Okay, thank you.
54:11Oh, can you feel the love?
54:18Yes, I do.
54:19Yes, I do.
54:20Yes, I do.
54:21Can you feel the love?
54:25Can you feel the love?
54:28Yes, I do.
54:30Yes, I do.
55:36This is outrageous.
55:39What do you people want in here?
55:40I'm going to call the police.
55:41What are you going to do with that?
55:43Don't worry about it, baby.
55:44They ain't going to do nothing.
55:47Put everybody in the back.
55:48Him first.
55:50Let me go.
55:52Black bamboo.
55:54Kiss this, sweetie.
55:55Okay, let's go.
56:00Everybody in the back row.
56:03Kissy-goosey.
56:05Kissy-goosey.
56:08Woo.
56:09Hey, you.
56:10Knock that shit off.
56:11All right, so I was grabbing a little ass.
56:13So what?
56:14Tell the boss we got everything under control.
56:16Okay, sweetheart.
56:23Now you're going to tell us where Super Fag went.
56:26I'm not going to tell you pricks anything.
56:30Now you just get right out of here right now.
56:34And if you...
56:35You're going to tell us where Super Fag went.
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