- 2 months ago
Courtesan Nana (Katya Berger) invades Paris in the 1880s, quickly working her way up to the top levels of society in this erotic drama loosely adapted from Émile Zola's novel. She entices a wealthy banker to buy her a house, then moves on to a respected count.
Category
🎥
Short filmTranscript
00:00:00What the hell is going on here?
00:00:20Give them out!
00:00:22How do you think?
00:00:24I will totally tell this is a respectable house!
00:00:28Out!
00:00:29Do you hear what I say?
00:00:30Out!
00:00:31Go on!
00:00:32Go on!
00:00:33Out!
00:00:34Move!
00:00:35Move!
00:00:36Move!
00:00:37Oh, Monsieur Steiner!
00:00:41Oh, welcome, welcome!
00:00:44A pleasure to see you again.
00:00:45Bonsoir, Monsieur Fontaine.
00:00:47I hope you have a very good table for me tonight.
00:00:49I have with me a very important guest.
00:00:51Oh!
00:00:52Oh, Monsieur Faucherie!
00:00:54The famous journalist of Le Figaro!
00:00:57Oh, ho, ho, ho!
00:00:59Oh, you'll not be sorry!
00:01:01You'll not be sorry you've entered out in this awful weather!
00:01:05I have a surprise for you tonight!
00:01:07What is it?
00:01:08Marvellous!
00:01:09Georges Méliès!
00:01:10Who?
00:01:11The magician!
00:01:12With his moving autographs!
00:01:14And his beautiful assistant, Diana!
00:01:16She'll raise more than her eyebrows, gentlemen!
00:01:19Come, come!
00:01:20Heeeeee!
00:01:21Heeeeee!
00:01:22Hehehehe!
00:01:23Hehehehe!
00:01:24There, Chicken!
00:01:26Hehehehe!
00:01:28You ought to be right in this evening!
00:01:29The Ja shapes, anyway!
00:01:31Yes, itinks!
00:01:32Yes, my fringe!
00:01:33ui.
00:01:34Yes!
00:01:39Hehehe heeh!!
00:02:45Enjoy your time.
00:02:50Hector?
00:02:51Hector!
00:02:52Why are you hiding there in the corner?
00:02:54Come join us.
00:02:56Bonsoir, Monsieur Stein.
00:02:57Good evening.
00:03:00May I introduce you to young Hector Mouffa de Bourville,
00:03:03son of my good friend, Count Mouffa.
00:03:06Pleasure.
00:03:06Monsieur Faucherie of Le Figaro.
00:03:08How do you do, Monsieur?
00:03:09Fine.
00:03:10I read your articles frequently.
00:03:11I find them most enlightening.
00:03:13You mean my gossip column.
00:03:15I'm slattered.
00:03:17Is this by any chance your first visit?
00:03:20Huh, Hector?
00:03:21Yes.
00:03:22And what do you think of it?
00:03:23I find it almost incredible.
00:03:25Yes, indeed, incredible.
00:03:26That's what it is.
00:03:28Does your papa know that you're here?
00:03:30Oh, no.
00:03:31I certainly hope not.
00:03:32Please, Monsieur Faucherie, I beg you,
00:03:34do not announce it in your paper tomorrow.
00:03:36Don't worry, Hector.
00:03:37I only write on enlightening subjects.
00:03:40Ha, ha, ha.
00:03:40Ha, ha, ha.
00:03:41Bravo, wonderful, wonderful, bravo, bravo.
00:03:57Thank you, ladies, thank you.
00:04:01And now, mesdames, messieurs, the Minotaur proudly presents to you the dance of the erotic ostrich.
00:04:08And if you see anything you shouldn't, pray don't hide your heads in the sand.
00:04:35Nana.
00:04:38I've just seen Fontan. He says everyone is here and they're all waiting to see you.
00:04:43Come on, offer the gown.
00:04:48Here, this should take the chill out of it.
00:04:58Now smile at the rich ones. They're the ones who want to like you.
00:05:01Gerard, have you nothing better to do than stand round here? Out! Out!
00:05:11Out!
00:05:12I think he's very handsome.
00:05:13Handsome?
00:05:14Who cares if he's handsome? He hasn't got a sue.
00:05:17Who cares if he's handsome? He hasn't got a sue.
00:05:18Who cares if he's handsome? He hasn't got a sue.
00:05:23Who cares if he's handsome? He hasn't got a sue.
00:05:30Who cares if he's handsome? He hasn't got a sue.
00:05:31Who cares if he's handsome? He hasn't got a sue.
00:05:37He hasn't got a sue.
00:05:38He hasn't got a sue.
00:05:39He hasn't got a sue.
00:05:40What did he say?
00:05:41Who cares if he's handsome?
00:05:42Thank you, thank you, and now, mesdames, eh, monsieur, by public demand, the return of
00:06:07the magnificent man of magic and mystery, monsieur, Georges Méliès!
00:06:22I thank you.
00:06:25Good evening, ladies and gentlemen. Tonight, I have something very special for you.
00:06:31You have seen my illusions. You have also seen my famous erotic shadow play.
00:06:38And now, ladies and gentlemen, I'm going to show you my incredible new invention,
00:06:44the moving photographs with the exciting new actress, Nana!
00:06:48Excuse me?
00:08:38I see you like my new invention, the moving photographs.
00:08:46And now, my new actress, Nana!
00:09:35Excuse me.
00:09:38Excuse me.
00:09:40Well, gentlemen.
00:09:41Wonderful.
00:09:42And you were right.
00:09:43This George Mellier, his camera, his moving pictures.
00:09:46Fantastic show.
00:09:47But this Nana is by far his greatest invention.
00:09:51I will write a very good article in my newspaper, to be sure.
00:09:54My deepest thanks.
00:09:55My God, she's beautiful.
00:09:59I'm in love with her.
00:10:01Fontana, that girl is wonderful.
00:10:03We must meet this beautiful Nana.
00:10:05No problem.
00:10:07No problem.
00:10:08Follow me.
00:10:09Come.
00:10:10Hector, you'd better stay here.
00:10:13This is not for you.
00:10:15You've seen enough for one night.
00:10:17Come, come.
00:10:43Yes, monsieur?
00:10:44Some gentleman to see Nana.
00:10:45I'm sorry, but Nana is dressing.
00:10:47It only takes a moment.
00:10:48I said, no, not now.
00:10:50She just can't.
00:10:51Gentlemen.
00:10:52Nana's just finished a show.
00:10:54She's very tired.
00:10:55She needs time to get changed and have a rest.
00:10:58Gentlemen.
00:11:06Gentlemen, I'm sorry.
00:11:08Well, let's go.
00:11:10Look, wait.
00:11:12Look.
00:11:14I'll go for okay..
00:11:15I'll go for it.
00:11:16Bye.
00:11:17Come.
00:11:18Bye.
00:11:22Bye..
00:11:35Bye.
00:11:39Susan!
00:11:41Oh, she's so gorgeous.
00:11:45Oh, wonderful.
00:12:11Fontaine. Fontaine, I simply must have that girl. Right now. This very minute. I must.
00:12:21Oh, I'm sorry, sir. That's impossible. She just isn't one of my girls.
00:12:25The baker one? You must. She's so young. She's so beautiful. She's wonderful.
00:12:32How much will it cost?
00:12:33Five hundred.
00:12:34Five hundred? Five hundred francs? Fontaine, you're crazy.
00:12:40Fifty and that's... Oh, you must be joking. I'm sorry, sir.
00:12:44It's robbery. Two hundred. Two hundred.
00:12:49All right. Five.
00:12:52Bless you, sir. And don't forget to give something to the girl.
00:12:57Come with me, sir.
00:13:01Go on. Go on. Go on.
00:13:10Go on. Go on. Geer Hector.
00:13:24Good morning. You are late.
00:13:28Or should I say early.?
00:13:29sorry father i was sorry your poor mother didn't sleep last night but father i and really well i
00:13:41think she's about to break off the engagement please father i i hope you have a good excuse
00:13:46young man forgive me mama see me in my library if you'll excuse me
00:14:13yes father
00:14:17are those the clothes for the sobon
00:14:22and i wasn't aware the sobon was in the habit of giving all night lectures no father they're not ah
00:14:32then perhaps you'd care to tell me where you did spend the night
00:14:36i was at the minotaur the minotaur why that's a
00:14:42a bordello
00:14:45i mean in a house of ill repute
00:14:54well if anybody had seen you i wouldn't be able to show my face in town even less at the ministry
00:15:04why only yesterday i was appointed personal escort to the prince of scotland during his state visit and
00:15:14my son
00:15:15mother please
00:15:17and your mother
00:15:19your poor mother if she knew
00:15:25and what about rennie
00:15:26the daughter of the duke of chazelle
00:15:31father you talk as if i didn't know who we are
00:15:34and you act as if you don't know who we are
00:15:38i thought i ought to prepare for my wedding day
00:15:50well
00:15:55did you
00:15:57no father i didn't
00:16:00that is i couldn't
00:16:01i didn't dare to
00:16:03good heavens that makes it even worse
00:16:06that son of a bitch fontan
00:16:08is this all he gives you
00:16:10i bet steiner paid far more than that
00:16:12that's over 200 francs that's nothing steiner owns a bank you can get far more than that
00:16:19the man's wallowing in it
00:16:22i'll bet he paid fontan more than twice that amount
00:16:25don't give him so easily next time make him beg
00:16:31do you think he'll come back oh he'll be back for more all right you can bet on that
00:16:36but don't take a pittance next time if a man wants you make him pay
00:16:40horses carriages jewels make him give you his soul
00:17:10what a beautiful dress
00:17:25i have to go to the minotaur see you tonight goodbye don't be late we have a show tonight
00:17:38i'm sorry i'm late my darling but i was at sorbonne with my professor
00:18:06with my professor your professor strange yesterday i was at the sorbonne looking for you and the professor said he hadn't seen you in a month
00:18:14you were at the sorbonne listen hector i'm tired of your lies i hardly see you anymore i
00:18:20don't know where you are what you're doing
00:18:24renee i i don't care i've decided to break our engagement oh no you can't mean that please forgive me
00:18:30i love you very much i'll speak to my father and we'll get married soon
00:18:39sometime next month
00:18:40all right
00:18:48nana
00:18:50how are you
00:18:52where is she where's nana
00:18:53you look so beautiful
00:19:08would you like to have dinner with me tonight no i can't
00:19:11i booked my special table at maxime's i can't i've got a show tonight
00:19:17fontanes promised to let you go straight after the show so don't worry about that i don't want to
00:19:21i don't want to
00:19:28this is the last night
00:19:33well no i can't
00:19:35i don't want to
00:19:48i don't want to
00:19:49Stop!
00:20:01Mufar, there's the Minotaur.
00:20:04You've heard of it.
00:20:05I want to go inside.
00:20:07But, sir, surely you don't want to go in there?
00:20:10This is a house of repute.
00:20:12But just the same.
00:20:13I want wine, women, and song.
00:20:15Oh, my lord, I was asked to show you Paris, not all...
00:20:19No, let's go in.
00:20:20Let's go in.
00:20:20Come on, Mufar.
00:20:23What if you insist?
00:20:25Sir, are you sure?
00:20:31Hector!
00:20:33How are you?
00:20:36Do you know each other?
00:20:37I know the young man's father.
00:20:42This is Xavier de Venderve, king of Parisian nightlife.
00:20:47Pleased to meet you.
00:20:49Welcome, my friends.
00:20:57This is His Royal Highness, the Prince of Scotland.
00:21:00Your Royal Highness.
00:21:02I'm honoured.
00:21:04My good, sir.
00:21:05Good evening.
00:21:06Welcome to my humble establishment.
00:21:08Follow me.
00:21:09I have the best table in the house for you.
00:21:24Let me feel.
00:22:10Thank you, thank you. Your Royal Highness, I'm proud to present our brightest new star, Little Nana.
00:22:17Your Highness.
00:22:18Thank you. And may I also present you to the Count Mufan.
00:22:23A real Count?
00:22:24Yes.
00:22:29I enjoyed your show. You are very lovely.
00:22:35May I offer you champagne?
00:22:37Thanks.
00:22:38To you.
00:22:40Ah, a monocle. May I look?
00:22:47Yes, of course.
00:22:50Now do I look like a real Countess?
00:22:52Yes.
00:22:53If you like it, please keep it. It's a gift.
00:23:07Thank you. I must go. Oh. Thank you.
00:23:13Good morning, darling.
00:23:38Where is Hector? I haven't seen him.
00:23:45He came home very late from his studies last night, so I didn't want to wake him too early this morning.
00:23:50His studies? Ah, it's good to know the boy is working hard.
00:23:54He'll have to if he's to raise a wife and family.
00:23:57Hmm? I'll go and wake him up. I have to talk to him.
00:24:01Don't disturb him. Please.
00:24:04It's important.
00:24:05It's important.
00:24:05It's important.
00:25:05Hey, you. I've come to see Nana. I must see her. Where is she? Where is she?
00:25:25Nana, you come to see Nana. Now the whole world wants to see her. Come.
00:25:35All these people? For Nana?
00:25:37Huh?
00:25:39Huh?
00:25:43Ah, Nana. You're proving very popular. But don't let success go to your head.
00:26:09All I see is my success go into your pockets. You're well paid to get your share. Besides,
00:26:14I've got my overheads to think of. This place is expensive to run.
00:26:17Well, don't think I'll spend the rest of my life slaving for you.
00:26:20Well, do as you please, but elsewhere you're on your own and I doubt if you'd survive.
00:26:24We'll see about that.
00:26:26Nana, I must talk to you. Nana, I must see you. I think of you. I think of you all the time.
00:26:38I want you.
00:26:39Oh, Steiner, please.
00:26:42Nana. Nana. I think of you all the time. I want you. I want you for myself.
00:26:52Oh, Steiner. Only for myself. What does that mean?
00:26:57I'll give you anything. Anything you want.
00:27:00Steiner.
00:27:01Nana.
00:27:02I just...
00:27:03Believe me. Anything.
00:27:08Anything?
00:27:14Anything?
00:27:15Yes. Come. Tell me. Tell me what you desire and I'll get it for you. Within reason, of course.
00:27:24Well, I don't like it here. I work too hard. I'd like a big house with a big garden. All of my own.
00:27:37It's done.
00:27:45It's done.
00:27:48Nana?
00:27:52Come and see this. You won't believe it. It's so beautiful.
00:28:07Beautiful.
00:28:08Oh, and look at that over there. Isn't it fantastic?
00:28:11It's wonderful.
00:28:17It's wonderful.
00:28:30Oh, it's lovely.
00:28:31Yes.
00:28:32Yes.
00:28:33No, it's lovely.
00:28:34You're very lucky.
00:28:36You're too happy.
00:28:37This is a female.
00:28:38You're so sweet.
00:28:39I'm so excited.
00:28:41You're so happy to come.
00:28:42Don't you?
00:28:43Yes.
00:28:44Well, I can't be happy.
00:28:46You're so happy to come.
00:28:47I'm so happy.
00:28:48I'm so happy.
00:28:49What you do?
00:28:50Wait, wait.
00:28:51I'm so happy.
00:28:52I'm so happy to get down.
00:28:53I love you, I love you.
00:28:54I'm so happy.
00:28:55I love you.
00:28:56And give me a chance.
00:28:57I will know what my body is missing.
00:28:58If I can't see this, girl, I can't see me.
00:28:59Nana, Nana.
00:29:19Yes.
00:29:20Oh, Steiner, I love it.
00:29:22I love it.
00:29:23Everything is so wonderful.
00:29:25Well, do you realize what this property is worth?
00:29:28This is one of the best residential parts of Paris.
00:29:32On the northern end of the boulevard lives the Duke of Denzi,
00:29:35who incidentally is bankrupt.
00:29:37And on this end, the Count Muffin and his family.
00:29:42Count Muffin?
00:29:44I met him at the Manotour.
00:29:46I got you out of there just in time.
00:29:49You would have ended up knowing everybody.
00:29:52Damn it. I can only spare a few minutes.
00:29:55I have a busy morning.
00:29:57No, no, no, no, no, no, no, no, no, no, no, no, no.
00:30:13Do you know what Cook has just told me?
00:30:15No, my dear, what is it?
00:30:19That, that banker Steiner.
00:30:22He's given a house to one of his women.
00:30:24The house right next door.
00:30:26She's some little strumpet that works at the Minotaur.
00:30:29The Minotaur?
00:30:32It's one of those places one sees, dear, off the Champs Elysees,
00:30:38full of foreigners and loose women who enjoy that sort of thing.
00:30:44Um, did you say the, the house next door?
00:30:50Yes, the de Villiers property.
00:30:53Within no time at all, the entire neighbourhood will be a slum.
00:30:57No, no, no, no, no, no.
00:31:15Yes, I go.
00:31:16Yes, no, no, no.
00:31:18Now
00:31:31now
00:31:35I see you tonight.
00:32:02I see you tonight.
00:32:05I see you tonight.
00:32:12This is Hector, the young man who sent you flowers.
00:32:21So you're Hector.
00:32:25Please don't get up.
00:32:27I've met your father, a very nice man.
00:32:32My father?
00:32:34No, no.
00:32:37I've seen your show at the Minotaur and...
00:32:40I adore you.
00:32:45Well, that's nothing new.
00:32:47Every man I've ever met has adored me.
00:32:50Every man wants something from me.
00:32:53But would you do something for me?
00:32:55Would you marry me?
00:32:59I can't.
00:33:00Oh?
00:33:01Why not?
00:33:02I'm already engaged to be married.
00:33:09Yes.
00:33:10And who's the lucky girl?
00:33:16Well?
00:33:17My cousin, her name is Renée de Chazelle.
00:33:18Renée de Chazelle?
00:33:19And when is the marriage?
00:33:20In July.
00:33:26Well now, listen.
00:33:27I'll make your promise.
00:33:28We'll get together, just you and I, on your wedding day.
00:33:29That's an easy date for you to remember.
00:33:31And if you really adore me, you'll be only too happy to do that.
00:33:32Hmm?
00:33:33No.
00:33:34No.
00:33:35In July.
00:33:46Well now, listen.
00:33:48I'll make your promise.
00:33:50We'll get together, just you and I,
00:33:52on your wedding day.
00:33:53That's an easy date for you to remember.
00:33:56And if you really adore me,
00:33:58you'll be only too happy to do that.
00:35:20My very first party in my own house.
00:35:22Imagine that.
00:35:23And everybody from the Minotaur will be coming.
00:35:27Oh, God.
00:35:28And I've arranged something for them.
00:35:29What?
00:35:30A hunt.
00:35:31A hunt?
00:35:32Steiner!
00:35:33No, no, no, no, I can't afford it.
00:35:36It's much too much.
00:35:37It's going to be beautiful.
00:35:38Look at the flowers.
00:35:39Yeah, they're very nice.
00:35:39Come on, look.
00:35:40It will go to the forge.
00:35:41Everything is going to be so lovely.
00:35:42Excuse me, I need some money.
00:35:44We have to pay them.
00:35:47All right.
00:35:48No, that's not enough.
00:35:49That's enough.
00:35:49I need more.
00:35:50Oh, Steiner, please.
00:35:55That's for you.
00:35:56This is for you.
00:35:58Here you are.
00:35:59This is for you.
00:36:00This is for you.
00:36:30Oh, no, no, no, no.
00:36:57Come look.
00:36:57The hunt has started.
00:37:00Come look, everybody.
00:37:04The hunt's starting.
00:37:05Yes, come on.
00:37:07Come on.
00:37:08Come on.
00:37:09Come on.
00:37:09Thank you!
00:37:39Oh, oh.
00:38:09Look over there!
00:38:18Oh, oh, oh.
00:38:20Look over there!
00:38:23Oh, isn't that exciting?
00:38:25Look over there!
00:38:28Oh, gosh.
00:38:33Oh, my God!
00:38:35I did it!
00:38:36Oh, my God!
00:38:50Oh, my God!
00:38:51Hey, come on, please, come on!
00:38:53Oh, no, no, no, no, no, no!
00:38:56He went up!
00:39:05He's coming!
00:39:12He's coming!
00:39:13He's coming!
00:39:14He's coming!
00:39:15Oh, my God!
00:39:16Oh, my God!
00:39:18Oh, my God!
00:39:19Oh, my God!
00:39:22Oh, my God!
00:39:24Ah...
00:39:27Come on, introduce this to Nana.
00:39:30Nana!
00:39:31Nana!
00:39:32Nana!
00:39:33Hello!
00:39:34This is one of my best friends!
00:39:38Hello!
00:39:39I'm pleased to meet you!
00:39:40I say, everyone!
00:39:41Look what's happening!
00:39:42Oh!
00:39:43Look!
00:39:44Over there!
00:39:45Did you ever see anything like it?
00:39:57Nana!
00:40:03Oh!
00:40:04On the other side!
00:40:06You look everywhere!
00:40:07I've been waiting for you!
00:40:08The one of my best friends!
00:40:09Oh!
00:40:10Oh!
00:40:12If I saw a fancy thing!
00:40:13There's enough time!
00:40:14Here, I'll be waiting for you!
00:40:15Let me wait for you!
00:40:16I'll be waiting for you!
00:40:17What about the show?
00:40:18Oh!
00:40:19Oh!
00:40:20What?
00:40:21Oh!
00:40:22Oh!
00:40:23Oh!
00:40:24Oh!
00:40:25Oh!
00:40:26Oh!
00:40:27Oh!
00:40:28Oh!
00:40:29Oh!
00:40:31Oh!
00:40:32good morning sir good morning um could you tell the lady of the house that count mufi
00:40:41is here to see her come in sir come in thank you one moment sir
00:40:51Nana Nana Nana quickly get dressed you will believe who's arrived to see you count mufi
00:41:21follow me sir thank you
00:41:51hello come far what a pleasant surprise please sit down won't you
00:42:10well can I do something for you well
00:42:17I'm terribly sorry to intrude but there's an important matter that I I want to talk to you
00:42:33about it concerns my son Hector you see he's only a student and he has to complete his final exam
00:42:44my um my wife and I are very concerned if he comes to see you all the time but he's only been here once
00:42:56oh oh the point is one second please what happened did you hurt yourself oh my little baby what's
00:43:10what's matter what's wrong oh what happened she hurt yourself oh
00:43:24oh poor baby poor little bunny poor little Casper Casper
00:43:32hmm oh Nana my Nana I if only you knew
00:43:46I'm sorry I'm sorry I'm sorry what have I done my god
00:43:53I lost control I I I think I should go
00:44:01no why stay
00:44:04oh no
00:44:08oh no
00:44:11why have they blocked a door up
00:44:39what's happening
00:44:45Nana
00:44:46Steiner
00:44:53Steiner
00:44:55where is the nah go away get away from this house
00:44:59what on earth do you mean go away where's the nah go away
00:45:03she doesn't want to see you she doesn't want to see me
00:45:05this is my house no it isn't it's in Nana's name
00:45:09oh what nonsense is this
00:45:10Zoe
00:45:11you signed it in her name don't you remember
00:45:14she's a legal owner
00:45:16she's the legal owner and how does she intend to pay the upkeep or pay the property taxes
00:45:21tell me that
00:45:22oh I'm sure she'll manage now just go away and leave her alone
00:45:25you
00:45:26you slut how dare you
00:45:30this is my house god damn you
00:45:33I'll make you little trollip sorry for this
00:45:36you mark my words
00:45:38Steiner
00:45:40yeah
00:45:44RANDY
00:45:46what number
00:45:47I love you
00:45:48I love you
00:46:03how do you
00:47:35Come on, come on, sit up, sit.
00:47:59Come on, up.
00:48:02What's the matter?
00:48:04Nothing.
00:48:05Why are you dressed like that?
00:48:07I want to be a boy.
00:48:09A boy?
00:48:10Well, that's silly.
00:48:12That would be a pity.
00:48:13No, no.
00:48:17Now tell me, what's wrong?
00:48:21Nothing.
00:48:22Everything.
00:48:24Nobody loves me.
00:48:25You don't love me.
00:48:26How can you say such a thing?
00:48:29What do you mean I don't love you?
00:48:32You know I love you.
00:48:34I only want you to be happy.
00:48:37And I will do anything to make you happy.
00:48:41Anything?
00:48:42Yes.
00:48:45Be my horse.
00:48:46What?
00:48:48Be my horse.
00:48:49But no, no.
00:48:52Come on, you're my horse.
00:48:53What are you doing?
00:48:54Come on, come on, come on, come on.
00:48:56Go faster, go faster.
00:48:58Come on.
00:48:58This is ridiculous.
00:48:59I don't know how to do it.
00:49:03I've never done this before.
00:49:05Come on, come on, go faster.
00:49:05Come on, get it up, get it up.
00:49:06Come on, come on.
00:49:08Oh.
00:49:09Oh.
00:49:10Oh.
00:49:11I want you to be my dog.
00:49:12What?
00:49:13Go on, go fetch it.
00:49:14Go on.
00:49:15Oh, no, no.
00:49:15Go fetch it.
00:49:16Come on, come on.
00:49:17Come on, come on, hurry up, hurry up.
00:49:19Good boy, good boy.
00:49:21Come on, come on, come on.
00:49:22Come back to me.
00:49:23Come on, hurry up, hurry up.
00:49:25Good boy, good boy.
00:49:27Go fetch it.
00:49:28Come on.
00:49:29Come on, come on, go fetch it.
00:49:34Come on, come on, come on, bring it back.
00:49:37Come on, come on, fetch it, come on.
00:49:45Come on, boy, good boy.
00:49:48Oh, good boy.
00:49:49Come on, boy.
00:49:50I don't know.
00:50:20I don't know how I should do this with a kid, but I don't know what it's made, I think it's
00:50:33what it looks wrong, I think it's terrible, it makes me so depressed, and that's the last
00:50:43thing I've ever seen, I think your wife is hard enough because it is, I don't know, I don't
00:50:48know what I like about you, yours where's gloves, you think it's odd?
00:50:52Yeah, yeah, I think I'll take off, you think, and...
00:50:56So it seems like I'm not sorry, but it wasn't the same thing.
00:51:01I'm not aisting, I'm not aisting, I'm not aisting, I'm not aisting.
00:51:04I'm not aisting, I'm aisting, I'm aisting, I'm aisting.
00:51:09Well, I love you, I'm aisting, I do.
00:51:13I love you, I love you, I'm aisting.
00:51:47Nana, so you've come.
00:51:54So, Satan, this is your little Nana.
00:51:58You're the actress.
00:51:59You look even more beautiful than you do in the moving photographs.
00:52:02Oh, Felix, leave us alone.
00:52:09Come on, Jean, you heard them.
00:52:11They want to be left alone.
00:52:17Come on.
00:52:47Come on.
00:53:17Come on.
00:53:47Come on.
00:53:54Come on.
00:53:56Come on.
00:54:08Come on.
00:54:17Come on.
00:54:26Come on.
00:54:35Come on.
00:54:44Come on.
00:54:45Come on.
00:54:46Come on.
00:54:47Come on.
00:54:48Come on.
00:54:49Come on.
00:54:50Come on.
00:54:51Come on.
00:54:52Come on.
00:54:53Come on.
00:54:54Come on.
00:54:55Come on.
00:54:56Come on.
00:54:57Come on.
00:54:58Come on.
00:55:00Come on.
00:55:01Come on.
00:55:02Come on.
00:55:03Come on.
00:55:05Come on.
00:55:07Come on.
00:55:08Come on.
00:55:09Come on.
00:55:10Come on.
00:55:11Come on.
00:55:12Come on.
00:55:13Come on.
00:55:14Come on.
00:55:15Come on.
00:55:16Come on.
00:55:17Come on.
00:55:18Come on.
00:55:19Come on.
00:55:20Come on.
00:55:21Come on.
00:55:22Come on.
00:55:23Come on.
00:55:24Come on.
00:55:25Come on.
00:55:26Come on.
00:55:27Come on.
00:55:28Come on.
00:55:29Come on.
00:55:30Come on.
00:55:31Come on.
00:55:32Come on.
00:55:33Come on.
00:55:34Come on.
00:55:35Come on.
00:55:36Come on.
00:55:37Come on.
00:55:38Come on.
00:55:39Come on.
00:55:40Come on.
00:55:41Come on.
00:55:42Come on.
00:55:43Come on.
00:55:44Come on.
00:55:45Come on.
00:55:46Come on.
00:55:47Come on.
00:55:48Come on.
00:57:19Oh, no, no.
00:57:22Oh, but it'll be an investment.
00:57:27No, no.
00:57:28I cannot raise that kind of money.
00:57:30Oh, don't be silly.
00:57:31Of course you can.
00:57:35Please.
00:57:37No, no.
00:57:38Please.
00:57:38You know, you know that I've given you everything you wanted, right?
00:57:44Everything.
00:57:45But this time...
00:57:48As a matter of fact, my financial situation just now is not very healthy.
00:57:56Sell one of your farms in Normandy.
00:57:59Sell one of my farms in Normandy?
00:58:02But, no, no, it's impossible.
00:58:04I would have to...
00:58:06What?
00:58:08Well, I would have to tell my wife.
00:58:11Oh, I see.
00:58:13We'll borrow the money.
00:58:19Five hundred thousand.
00:58:21Where could I borrow it from?
00:58:24Borrow it from anybody.
00:58:26Borrow it from Steiner.
00:58:28Steiner?
00:58:30No, no, no, no.
00:58:31You must be joking.
00:58:33Why not?
00:58:34You'll make it back.
00:58:35And you can pay it back to him.
00:58:36No, no, not Steiner.
00:58:38Don't ask me that.
00:58:39Why not?
00:58:40No, no.
00:58:41Please.
00:58:42Please, no.
00:58:45No.
00:58:47Not that.
00:58:50Yes, that's perfect.
00:58:53Very good.
00:58:54Here's an apple for you for your good work.
00:58:58Nana.
00:59:00Hello.
00:59:03Hello.
00:59:06For Shri, I'm so glad you came.
00:59:07I want you to do something for me.
00:59:13Well, Nana, for you, anything.
00:59:16I think you might even enjoy it.
00:59:18Do you want me to kill someone?
00:59:20Not exactly.
00:59:22But I want you to have an affair with our Countess Mufar.
00:59:27Sabine.
00:59:28Me?
00:59:30You want me to seduce Sabine?
00:59:32Why not?
00:59:34She doesn't have a lover.
00:59:36And she's a good-looking lady.
00:59:37Me and Sabine.
00:59:40I'll do it.
00:59:42But why?
00:59:43What are you planning this time?
00:59:46Oh, Nana, you are a little devil.
00:59:49You'll do it?
00:59:50Why not?
00:59:51Oh, Fushiri, thank you.
00:59:55Get me the contract.
00:59:56Yes.
00:59:57You are required to sign both copies.
01:00:06And, of course, will require substantial cletering.
01:00:10What would you suggest?
01:00:14A property would be acceptable if you fill in here, say, your house.
01:00:25Your house on the boulevard, but in your.
01:00:27Oh, I see.
01:00:31Sign here, please.
01:00:34And fill in the address.
01:00:37Here, please.
01:00:44A pen.
01:01:16Oh, it's so exciting.
01:01:27There.
01:01:27I can't wait.
01:01:29All right.
01:01:29Come and sit down.
01:01:31Now, come on, Bijou.
01:01:32We've just got to win.
01:01:36And now, ladies and gentlemen, introducing the cockfight of the century in the yellow
01:01:43pantalones, Bijou.
01:01:46And in the red, Ahmed the Turk.
01:01:53Place your bets.
01:01:54Place your bets now.
01:01:57Come on.
01:02:00Place your bets now.
01:02:01Place your bets.
01:02:03Come along now.
01:02:03Come on.
01:02:05Ahmed, is it to be Ahmed or Bijou to win this magnificent spectacle?
01:02:09Come on.
01:02:10Close the fuck.
01:02:13Oh, my God.
01:02:14Come on.
01:02:15Come on.
01:02:16Come on.
01:02:17Oh, buddy.
01:02:18Come on.
01:02:19Come on.
01:02:21Okay.
01:02:24Careful.
01:02:27Place your bets now.
01:02:28Place your bets.
01:02:29It's it.
01:02:29It's it.
01:02:29It's it.
01:02:29It's it.
01:02:30It's it.
01:02:30In the round one to your corners!
01:02:32Come along now!
01:02:34You're doing well!
01:02:36It's time to get back, let's go!
01:02:38Hey, come along now!
01:02:40Ha ha ha!
01:02:42Give me a drink to the fresh sun!
01:02:44Get your emotions!
01:02:46Ha ha ha ha ha!
01:02:50Now I've done this way!
01:02:52Now we'll see some beer!
01:02:54Hey!
01:02:56Hey!
01:02:58Come along!
01:03:00Come along, everybody!
01:03:02You've got it!
01:03:03Come along!
01:03:04Come along!
01:03:06Yay!
01:03:07Hey!
01:03:08Hey!
01:03:21Come along, come along, feelings!
01:03:23Woo!
01:03:241,000, 1,000!
01:03:282,000!
01:03:29Come on up, they're on your feet stand!
01:03:38Thanks!
01:03:40Come on!
01:03:50In the round two, back two corner sets it!
01:03:54Give them a round of applause, very good!
01:03:59Now this is your chance, we should kill!
01:04:03We're going in for the kill!
01:04:06Oh, this is a complete answer!
01:04:09Oh, may the best man win, may the best man win!
01:04:17Right, get yourself ready, men!
01:04:20Here we go, get yourself ready, nearly time to get it again!
01:04:24That's it, have a little bit before we start!
01:04:27Over there, right!
01:04:29On your feet, don't move, come along!
01:04:31Round three!
01:04:34Thank you so much!
01:04:40Oh my God!
01:04:42Is this the trick to that damage?
01:04:43Is this the trick to it?
01:04:44No way?
01:04:45It's the trick to our coast.
01:04:47I'm so creative!
01:04:49That's it, that's it!
01:04:53It's still time to face it, and it's still time to get some money on.
01:05:09I don't know how much it's going to beat this fight.
01:05:11Come on in. Come on.
01:05:23I don't think it's going to go off.
01:05:33I don't think it's going to go off.
01:05:38Oh, there it is.
01:05:41I don't think it's going to go off.
01:05:43There's somebody's going to go on this fight very strongly.
01:05:46Come along.
01:05:47Oh, there it is.
01:05:49Oh, dear brother.
01:05:53Everybody.
01:05:56It's still time to go off.
01:05:58I don't think it's going to go on this fight.
01:06:00Come on in.
01:06:01I don't think it's going to go off.
01:06:03Come on, somebody else.
01:06:06I don't think it's going to go off.
01:06:12I don't think it's going to go off.
01:06:15Not going to go off.
01:06:18I can't say.
01:06:21Don't be upset.
01:06:45Never mind.
01:06:48Come.
01:06:49Come to bed.
01:06:50No, I don't feel like it.
01:06:52But why?
01:06:54It's only money.
01:06:56Only money?
01:06:58I am ruined.
01:07:02And I'm not only thinking of myself.
01:07:06What about my family?
01:07:08My poor wife?
01:07:11Your poor wife?
01:07:14Your wife gets everything she needs from foucherie.
01:07:17I'm sure she can get some money, too.
01:07:19Foucherie?
01:07:22Yes, foucherie.
01:07:27Listen.
01:07:28If you care so much about your wife, why don't you go back to her?
01:07:31Nana.
01:07:32Go on.
01:07:32Go home.
01:07:34Get out.
01:07:34I don't want you here anymore.
01:07:36Nana, please.
01:07:36Go on.
01:07:37Leave.
01:07:38Get out of my house.
01:07:41Go on.
01:07:42Get out.
01:07:43Get out.
01:07:47Get out.
01:10:22This is all your fault.
01:10:25Because of you and your strumpet.
01:10:28We're ruined.
01:10:29Ruined.
01:10:31No, no, no, stop playing.
01:10:50Listen to me.
01:10:56What?
01:10:58From now on, I intend to stay with you.
01:11:02I don't understand you.
01:11:04Steiner has taken my house.
01:11:07Yes, but here?
01:11:08Well, I...
01:11:09Well, I...
01:11:10I mean, I...
01:11:12If that doesn't inconvenience you...
01:11:15No, no, on the contrary.
01:11:17Ah.
01:11:17Now I can come to Hector's wedding with you.
01:11:21No, Nana.
01:11:22I...
01:11:23No, you can't.
01:11:24Why not?
01:11:25Why not?
01:11:26Well, I...
01:11:27I don't know.
01:11:28It's out of the question.
01:11:31Oh, I see.
01:11:32I'm good enough you'd come and live with when you're homeless,
01:11:35but not good enough to go to your precious son's wedding.
01:11:39We'll see.
01:11:39Yes, that's it.
01:11:53That's it.
01:11:54Very nice.
01:11:55Now, let me see.
01:11:55Now, we go a little forward.
01:11:56A little forward.
01:11:57We go down here.
01:11:57Down here.
01:11:58Now, go on.
01:11:58This is it.
01:11:58This is it.
01:11:59This is it.
01:12:04Oh, yeah.
01:12:05Oh, yeah.
01:12:05Oh, yeah.
01:12:05Oh, yeah.
01:12:05Oh, yeah.
01:12:05Oh, yeah.
01:12:09Sun.
01:12:13Yes, that's right.
01:12:17Right forward.
01:12:19Now.
01:12:20Oh, lovely.
01:12:21That's it.
01:12:25No, no.
01:12:25This way.
01:12:26This way, yes.
01:12:27No, look.
01:12:27The sun is in.
01:12:28I have to have this.
01:12:32Lovely.
01:12:33Now, back and forth.
01:12:34Now, that, that, down there.
01:12:36That way, yes.
01:12:38Oh.
01:12:39Come on.
01:12:42Come on.
01:12:46No, no.
01:12:47No, no.
01:12:48Héctor.
01:12:48Héctor.
01:12:49Héctor.
01:12:49Stop.
01:12:50Héctor.
01:12:51Stop.
01:12:59Come here, Héctor.
01:13:00Come here, Héctor.
01:13:00Ha ha ha!
01:13:01This is a lie!
01:13:02No, wait, who is?
01:13:30Hector!
01:13:34Hector!
01:13:38Hector!
01:13:46Hector!
01:13:56Hector!
01:13:58Oh, my God.
01:14:28Oh, my God.
01:14:58Oh, my God.
01:15:28I wrote a big article about it in the Figaro.
01:15:31Were you surprised that they appointed him?
01:15:35C'est la vie.
01:15:37He's a good customer.
01:15:38There you are, Satan.
01:15:41That'll cheer you up on shore.
01:15:42Make you feel better.
01:15:44What's the matter with you, Satan?
01:15:46You look so sad.
01:15:49Haven't you heard about Nana?
01:15:51You know, she's leaving Paris.
01:15:52She's decided to give up the good life.
01:15:58I'll believe that when I see it.
01:16:02It's true.
01:16:02She's leaving tomorrow.
01:16:04She's going to India to meditate.
01:16:06We're all going to see her off.
01:16:08Paris without her will be...
01:16:10different.
01:16:15Bravo!
01:16:16Come on!
01:16:17Come on!
01:16:46Come on!
01:16:52Come on!
01:17:16Come on!
01:17:46Come on!
01:18:16Come on!
Comments