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  • 8 hours ago
Scourged by the need to be different from his contemporaries and driven by an insatiable hunger for adventurous living, Marko, a young man of 25, returns from America where he has spent a few years. He wants to impress people in his native town, but eventually everything turns against him
Transcript
00:00:00San Chirillo. What kind of a saint was he? On the other hand, who gives a damn?
00:00:22There are people who'd lay out a lot of bread for something like this. Why not?
00:00:30Did you get anything done in town? Did you look up Stefan? Wake up! If you want to get your job at the plant. It's honest work, steady, good pay.
00:01:00Think about it. Good jobs don't come easy. Your father's right. You better start thinking about it. This isn't America, Marco.
00:01:11So I noticed. Here everything's screwed up. Any coffee for me? It's coming. I have to go into town today.
00:01:22Here. Marco, you've got to start earning a living. It's hot.
00:01:30Pop, you think I don't know that?
00:01:34The only trouble is the best jobs are gone.
00:01:37Look, I've ended your trousers for you, dear. Thanks, Mom, but I'm not wearing these pants today. Here.
00:01:48I'm going to look for a job.
00:01:50It's about time.
00:01:53Marco, what's this?
00:01:58Marco, what is this? What's a pistol doing in your pants pocket?
00:02:01I feel safer with it. Look, Mom, there's no need to get upset. Everybody in America keeps some kind of weapon on him.
00:02:09They don't do it here.
00:02:12Oh, Marco, I'm so frightened. If you're not careful, you're going to get into a lot of serious trouble.
00:02:17Mother.
00:02:18You're all we have.
00:02:23Here comes Marco.
00:02:24Oh, all right. You better let me handle it.
00:02:32We're over here.
00:02:35Hi. How are you doing?
00:02:39How are you, Marco?
00:02:40Shitty.
00:02:41I've got a large thirst, a pocket full of air, and an old bag watching me like a hawk over there.
00:02:46Well, that's your thing, isn't it?
00:02:47My thing is dough, and that's all.
00:02:49What are you going to always ask Lillian for some money? She's in love with you.
00:02:56Her business is picking up, eh?
00:03:00So why do you need money?
00:03:02I've got a big deal going.
00:03:04A lady's coming in from the States.
00:03:06I have to make her think I'm loaded.
00:03:07After that, everything will be groovy for everybody.
00:03:10Why don't you come with me and forget that old crow?
00:03:12Because she's rich.
00:03:14You're really going to earn your money.
00:03:19The bill's 5,000 lera.
00:03:24You pay, Maria.
00:03:26Just for a change, huh?
00:03:30And so you say goodbye to sunshine
00:03:35Now you've lost your golden valentine
00:03:42And so upon reflection you rely
00:03:49And so upon reflection you rely
00:03:49I love you.
00:04:20The bank's always open for you.
00:04:27Wait a second.
00:04:34You're a real high-class lady, huh?
00:04:37Don't worry about paying me back.
00:04:41I got more important things to worry about, Lillian.
00:04:45There's a nice bed in the corner.
00:04:48Or didn't you notice?
00:04:50What's your hurry?
00:04:54Afraid you'll wear yourself out with me?
00:04:56Money and love don't go together.
00:04:59Marco.
00:05:05That's a nice pair.
00:05:08But I'm too busy now, so I'll see you later.
00:05:17Got to get a move on, got to get on back home.
00:05:29So I've got a crew bar, really need to get back home.
00:05:34Oh, oh, oh, oh, oh.
00:05:39Seeking and fighting.
00:05:428,000 lira.
00:05:43That's a rip-off.
00:05:45But if the motor lasts a week, it'll be worth it.
00:05:47Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:05:48Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:05:50And you should look in hay there.
00:05:59Fireworks make any sky beautiful, Rowell.
00:06:03But on the sidewalk, the shit is still there.
00:06:06New York or anywhere else.
00:06:11What's the difference?
00:06:17Where's the girl?
00:06:18The goose with the golden eggs?
00:06:21I met Barbara by chance.
00:06:23But America is full of rich, kinky chicks.
00:06:27But Barbara.
00:06:29Barbara is out of sight.
00:06:32Just look at her.
00:06:36Right, eh?
00:06:39When you're born lucky, you're born lucky.
00:06:42I picked her up the next day in front of the Waldorf Astoria.
00:06:46Waldorf Astoria?
00:06:48But you said she owns half a dozen buildings in New York.
00:06:50Yeah, but she lives at the Waldorf.
00:06:53Poor thing.
00:06:54I guess she enjoys being waited on.
00:06:58I made the first move, and she made all the rest.
00:07:01Wow, she's really something.
00:07:08Did you ball her?
00:07:13Sure, first thing.
00:07:16Well, I mean, that's the only way to make a woman understand.
00:07:20You know, having her on the string is like having four aces every time.
00:07:27That's why I need your help.
00:07:28You really want to sew her up?
00:07:30Eh, if I do sew her up, it's worth half a million dollars.
00:07:33Listen, after a few drinks, she'd marry a scarecrow if he had balls.
00:07:38Who's that guy?
00:07:39Who?
00:07:40The one with the mustache?
00:07:41His name's Laszlo.
00:07:42He's half-Hungarian and all turd.
00:07:44He looks like a cross between a drug addict and a prize fighter.
00:07:47Yeah, but he's all right, I suppose.
00:07:55Right now, he's in jail, I guess, of the government.
00:07:59Well, let's go.
00:08:00You think you can find Vico for me tonight?
00:08:02Bet your ass I can.
00:08:04Don't worry, I'm paying.
00:08:17See you tonight.
00:08:18Yeah, hang loose.
00:08:20At eight, on the button, eh?
00:08:21I'll be back in two hours, okay?
00:08:23Okay.
00:08:23I don't want to be stranded on this rock all night, eh?
00:08:24Don't worry, I'll be here.
00:08:25I'll be back in two hours, okay?
00:08:27Okay.
00:08:28I don't want to be stranded on this rock all night, eh?
00:08:29Don't worry, I'll be here.
00:08:30aside from now to interview with Michael Jones.
00:08:39Call me.
00:08:40Call me.
00:08:42Call me.
00:08:43Call me.
00:08:44Call me.
00:08:45Call me.
00:08:48Call me.
00:08:50I'll be here.
00:08:53Call me.
00:08:56Call me.
00:08:59Call me.
00:08:59No!
00:09:29Hey, paintbrush!
00:09:37Marco, what brings you to my island?
00:09:41I got a hell of a deal for you.
00:09:45A deal?
00:09:47Yeah, a deal.
00:09:49Why don't you just look at all this crap?
00:09:53Deals make me sick.
00:09:59Doe makes me sick.
00:10:01And so do you.
00:10:03I have a painting to sell.
00:10:05Hey, cut it out.
00:10:07It's a real antique.
00:10:09Now, why should I buy your painting?
00:10:11I don't need trouble.
00:10:13If it's hot,
00:10:15go see Louie the fence.
00:10:19You came to the wrong place, Marco.
00:10:23Do you know where I can find him?
00:10:25Ask around.
00:10:27All I know, he lives in the old city.
00:10:29He won't give me a hand.
00:10:35I'd get back a stump.
00:10:37I like things the way they are.
00:10:39Got my little island.
00:10:41My models.
00:10:43It's nice.
00:10:45It's Marco.
00:10:47Get away from here.
00:10:49Who's that?
00:10:50It's Maria.
00:10:51Why?
00:10:52Because we're naked.
00:10:54Oh, let's go to hell with it.
00:11:04Chin Chin, you ready for the quiz?
00:11:06Your American friend is going to get the shock of her life.
00:11:09You know, I get a kick out of backing Marco and this little caper.
00:11:12He's really enjoying this.
00:11:13How sweet.
00:11:14Afraid to be alone in the dark.
00:11:15You owe money too.
00:11:16Sure is.
00:11:17Simple.
00:11:18I'll ask the questions and you already know the answers by heart.
00:11:19You can't miss.
00:11:20And in return you'll find out what a thousand dollar bill looks like.
00:11:21Then we slip Lillian into Raoul's bed and everybody's happy.
00:11:25.
00:11:26Hey, who's that chick?
00:11:27.
00:11:32.
00:11:35Now, what to do?
00:11:40Who's that chick?
00:11:44.
00:11:50Hey, who's that chick?
00:11:56She plays at being a tour guide.
00:12:00She lives at the hotel?
00:12:06Don't get yourself in an uproar, my friend.
00:12:09It's a waste of time.
00:12:11Want to lay dough on it?
00:12:13Just keep your mind on business.
00:12:15That's what we're here for.
00:12:17Remember?
00:12:18If I want to, I can make them both.
00:12:51I'll take care of Barbara when she gets here.
00:12:53I don't waste my nights.
00:12:55Besides, I got enough for them all.
00:12:58You betting or not?
00:13:01Mark, I'll bet you $2,000 there, you don't make it.
00:13:04Payment on demand, huh?
00:13:05Mm-hmm.
00:13:06I may be wrong, but aren't you the sleepwalker I saw in the corridor of the colony?
00:13:15Oh, I could be, I suppose, but I wouldn't know about it, would I?
00:13:23Oh, I know.
00:13:24That's why I'm here.
00:13:26Sleepwalkers need someone to look after them, or otherwise, they could fall off a roof.
00:13:30Oh, I wouldn't.
00:13:31Well, there goes my 2,000 lira, damn it.
00:13:35Beds are more dangerous.
00:13:37Oh, no.
00:13:38If you just lie on your back, I'll see that you don't fall.
00:13:41Thanks, I'm not sleeping.
00:13:43Well, we could always do other things.
00:13:44I think I'm allergic to you.
00:13:47Good night.
00:13:48Well, well, well.
00:13:57Let's have it.
00:13:58All right.
00:13:59Don't worry.
00:14:01Maybe you'll do better next time.
00:14:03Look at him.
00:14:05Idiot.
00:14:06Oh, well.
00:14:07Can't win them all.
00:14:09Too bad.
00:14:14Pretty girl.
00:14:31You're not really thinking of marrying a girl like that.
00:14:34Why not?
00:14:37She flew in from America because she couldn't be without me.
00:14:40We're engaged.
00:14:41Sort of.
00:14:42Anyway, you underestimate me.
00:14:44Listen, I've heard of buildings that tall, but this is the first time I've ever seen one.
00:15:00The U.S. is a sea of skyscrapers.
00:15:03And Barbara owns several waves.
00:15:08That's one of her ships.
00:15:10When we get married, I'm going to be commander of the fleet.
00:15:13No one will believe it.
00:15:20Why not?
00:15:20All you need is one clean shirt and one in the washer.
00:15:24I won't bring her here, though.
00:15:25I'll tell you that.
00:15:26She's not going to set foot in this rat hole.
00:15:31Our boy is ashamed of his house.
00:15:35Ashamed of his parents.
00:15:36Do me a favor, Mama, and wash the car for me.
00:15:44That's my medal.
00:16:00Is it made out of gold?
00:16:01It might be.
00:16:02I suppose so.
00:16:03Anyway, what do you want with it?
00:16:04I just want to wear it.
00:16:05Listen, Marco, please don't lose it.
00:16:07I won't.
00:16:08Here, divide it up.
00:16:14You win!
00:16:38I won't.
00:16:38Get out!
00:16:39Get out!
00:16:40Go get out of here!
00:16:41You got it!
00:17:11Let's go!
00:17:32A son of a bitch! Look who's here!
00:17:36Traveling in style, huh?
00:17:38Hey, what do you say?
00:17:44That's a friend of mine, Danny.
00:17:47He's got a bar we use as a base.
00:17:56Laszlo tells me you're quite a guy.
00:17:59He jokes a bit.
00:18:01Jokes and women are my downfall.
00:18:03Very fancy racing car you got here.
00:18:10What do you want, anyway?
00:18:11Well, Laszlo says you're fond of money and we've got a job for you.
00:18:14Nothing special, just a small delivery, nice and clean.
00:18:17Yeah, you can't refuse it.
00:18:19Or somebody might have a few stories for the police and that'd be a pity, wouldn't it?
00:18:23Do as Danny says and everything will be cool.
00:18:28Mmm, lovely flower.
00:18:29Whoever she is, she won't have a chance.
00:18:32This is the first good ride I've had this week.
00:18:47All I've had are a bunch of old creeps.
00:18:51You're okay, what's your name?
00:18:52Ah, shut up. What the hell do you care about names?
00:18:55Just that I feel alive.
00:19:04When I make a call.
00:19:12Cause I really need her.
00:22:15Okay, we've got a deal.
00:22:21See you later.
00:22:22Wait a second.
00:22:22I've got something for you.
00:22:27Thanks.
00:22:27Oh, don't forget, Marco.
00:22:29Try to pretend that you're thinking before you answer the question.
00:22:31Well, I see our American cousin.
00:22:42I'm sorry.
00:22:43I don't know.
00:22:51I don't know.
00:22:54I don't know.
00:22:55Oh, my God.
00:23:25Hello, beautiful.
00:23:32Hello, Marco.
00:23:35How are you?
00:23:36Fine.
00:23:37Long trip.
00:23:38You must be tired.
00:23:39Come on, let's get out of here.
00:23:40I'll take you to your hotel.
00:23:43Hi.
00:23:45He's got a big TV show.
00:23:46He owes me a lot.
00:23:51You should be pleased.
00:23:52I'm getting fat.
00:23:55Come here.
00:24:17Come here.
00:24:25Have you been faithful?
00:24:26Never.
00:24:31Have you?
00:24:33Sure.
00:24:34You're lying in your teeth.
00:24:36Listen, all I want is to be with you.
00:24:46Nice day, huh?
00:24:47It's lovely.
00:24:48You know, I'm not going to let you go back.
00:24:50You're staying here and that's it.
00:24:52It's all so beautiful.
00:24:54So primitive.
00:24:55Oh, Marco, look over there.
00:24:59Oh, we've got miles and miles of coast like that.
00:25:02It makes California seem so plastic.
00:25:05California?
00:25:06Don't tell me it's still there.
00:25:08Oh, it's so beautiful.
00:25:09Well, I had it custom made.
00:25:11You know, I'm not going to let you go back.
00:25:12You know, I'm not going to let you go back.
00:25:13You know, I'm not going to let you go back.
00:25:14You know, I'm not going to let you go back.
00:25:14You know, I'm not going to let you go back.
00:25:15You know, I'm not going to let you go back.
00:25:16You know, I'm not going to let you go back.
00:25:17You know, I'm not going to let you go back.
00:25:18You know, I'm not going to let you go back.
00:25:19You know, I'm not going to let you go back.
00:25:20You know, I'm not going to let you go back.
00:25:21You know, I'm not going to let you go back.
00:25:22You know, I'm not going to let you go back.
00:26:23I think I love you, Marco.
00:26:30Thank you, Carl.
00:26:34Vino de Mostar, eh?
00:26:35Yes, sir.
00:26:36Hmm, a good year.
00:26:49Yes, it's a lovely wine.
00:26:51A nice bottle of wine, a beautiful woman, and we have ourselves a pretty explosive situation.
00:26:58Yes, sir.
00:26:59In that case, why don't we light the fuse, darling?
00:27:02Well, I've been waiting for you for two whole months.
00:27:10For two months, I've been going around in a dream.
00:27:12I couldn't work.
00:27:13I couldn't sleep.
00:27:15I could only think of you.
00:27:17And now you're here.
00:27:18Now you finally made it.
00:27:20Do you love me?
00:27:21Really?
00:27:23Hmm?
00:27:24Well, I'll be truthful with you.
00:27:29Absolutely.
00:27:29You mean more than anything in the world, and that's the truth, Barbara.
00:27:35Tell me, Marco.
00:27:36Not that it's important.
00:27:38It's just that you've never mentioned it.
00:27:40But what kind of work do you do?
00:27:42I deal in precious stones, and I just imported a precious diamond from America.
00:27:48Then you'll have to watch out for thieves.
00:27:51Keep it close to you all the time, dear.
00:27:53Look at the faces on those two.
00:27:56Who are they, the founders of the restaurant?
00:28:00In America, it's very old-fashioned to have your family portraits hanging on the walls.
00:28:05This is a very historic place.
00:28:07It used to belong to Archduke Walensky.
00:28:10That's why they have all the portraits.
00:28:13Have you seen that one?
00:28:16She's the prettiest of all.
00:28:21But only an idiot would paint you with your clothes on.
00:28:42You know, we have more nudist camps here than in Sweden.
00:28:56You know, we have more nudist camps here than in Sweden, even.
00:29:13Well, I don't want to be conspicuous.
00:29:17I better get these clothes off.
00:29:26Oh, that's better.
00:29:35Look at those fantastic islands over there.
00:29:37The Trusky Islands. There's a legend about them.
00:29:39Trusky was a god who was in love with a woman, and in order not to lose her,
00:29:43he changed her and some of her friends into those islands.
00:29:46Now he can kiss her with waves forever.
00:29:48How pretty. Just think, to be kissed forever.
00:29:52It's a lovely story.
00:29:54I made it up. Did you like it?
00:29:56Yes.
00:30:06You know what? I've got a wonderful idea.
00:30:09That's why they make up stories, to give people wonderful ideas.
00:30:13Hey, look over there.
00:30:16One time I saw a school of dolphins go by from one of those rocks.
00:30:21I was spellbound.
00:30:23I've always dreamed of riding a dolphin.
00:30:25Crazy, huh?
00:30:28Ridiculous.
00:30:32Well, enough of that.
00:30:35We're getting too romantic, don't you think?
00:30:41Darling, will you shut up?
00:30:42Why?
00:30:42Why don't we find ourselves some place that's just a little bit softer?
00:30:52Okay.
00:30:53Let's go.
00:30:54Let's go.
00:30:54Well, I know.
00:30:55Let's go.
00:30:57Oh.
00:31:14I know.
00:31:15It's all about money.
00:31:16Oh.
00:31:17Yes.
00:31:18What do you think about it?
00:31:34It's worth 2,000 lira, right?
00:31:36You get stuck on stuff like this.
00:31:43I don't get involved with this crap.
00:31:45It's not worth it.
00:31:46Shit, nothing's working out.
00:31:49There's other ways to make bread.
00:31:50How?
00:31:51Find a little snow.
00:31:52You know the game.
00:31:55It's not that simple to find.
00:31:57There's lots of it around.
00:31:58If there's any around,
00:32:00Laszlo and Danny will be in on it for sure.
00:32:03Shit, I can't just go up to them and ask them.
00:32:06Hello, how about a little snow for the competition?
00:32:10Look at that face.
00:32:16A whiskey, straight.
00:32:22With those two bastards loose,
00:32:24a saint could get hooked on drugs.
00:32:26Still, I need the bread.
00:32:37I'll have to go to Danny's bar.
00:32:39If they give me some stuff to deliver,
00:32:41I'll split.
00:32:43I'll be gone before they realize what's happened.
00:32:45What happened?
00:33:11Oh, my God.
00:33:41No!
00:33:42No!
00:33:43No!
00:33:44No!
00:33:45No!
00:33:46No!
00:33:47No!
00:33:48No!
00:33:49No!
00:33:50No!
00:33:51No!
00:33:52No!
00:33:53No!
00:33:54No!
00:33:55No!
00:34:01Give me a scotch straight.
00:34:03I'll run away.
00:34:11You need bread?
00:34:29Always.
00:34:30What do I have to do?
00:34:31Make a delivery to the harbor.
00:34:33Nah, this isn't New York.
00:34:34I don't know my way around.
00:34:35Yeah.
00:34:36For 20,000 Lira, all harbors are the same.
00:34:43Now listen.
00:34:44Five on the button, okay?
00:34:46Okay.
00:34:47Get there on time.
00:35:06Underneath the fourth boxcar.
00:35:36I really enjoyed it!
00:35:38I'm not sure I was satisfied with it.
00:35:39The Stream 9,000ーン...
00:35:40They both have a discounted음.
00:35:41I'm not sure I know your stuff.
00:35:42I'm gonna forget...
00:35:44I'm gonna add that to a second one.
00:35:46I'm gonna start it.
00:35:47And you're easy on...
00:35:48Is that...
00:35:49You're definitely Ôngel?
00:35:50No.
00:35:51You make some enhancements.
00:35:52You're wrong!
00:35:53You're almost of a ή.
00:35:54You're right.
00:35:55I'm taken, Jimmy.
00:35:56You're mine.
00:35:57No.
00:35:59It's only can we drive huh?
00:36:01It's silly.
00:36:02You're making a deически....
00:36:03You're according to demonstrating
00:36:04Hey you! Stop!
00:36:34Hey you!
00:37:04Let's go.
00:37:34louie it's marco he's not here what do you want give him this he knows about it
00:37:48christ you're gonna break me all this dough for this moth-eaten stuff
00:37:55moth-eaten are you kidding it's genuine with gold embroidery if you'd gotten it downtown
00:38:01you would have paid double or more i hope so otherwise it's a real swindle what do you mean
00:38:09swindle no not from you i just hope somebody likes this stuff thanks so long goodbye
00:38:22hi kid everything go off okay
00:38:24yeah i got it delivered okay our client hasn't contacted us strange yeah you haven't been
00:38:32playing games have you don't be stupid laszlo i was lucky to get away somebody turned a police
00:38:37dog loose on me anyway just to let you know we're not playing games your neck's at stake understand
00:38:46what do you mean listen i did everything i was up ends up someplace else what are you talking about
00:38:54marco i said listen if that stuff ends up somewhere else you're crazy i may be crazy but you'll be dead
00:39:02what's bugging you nothing's bugging me it's just a warning it better arrive tonight or you've had the
00:39:08full course am i right danny
00:39:17i'd advise you not to forget what he said my young friend
00:39:24have you heard anything
00:39:25oh
00:39:35oh daddy it's absolutely lovely where did you find it i went through about 30 shops looking for it you like
00:39:41it i've never put on such a lovely dress you could pass for a princess princess no
00:39:56harem slave
00:39:59i'm the slave not you barbara everything looks great on you you're so beautiful
00:40:09maritio hey have a nice day any mail for us here you are sir 410 thanks is there anything else
00:40:17thanks well actually there's the bill sir the bill it wasn't taken care of no sir it's been here a few
00:40:23days aren't you to pay the bill now uh well uh i suppose they all have to be paid sooner or later yes
00:40:29sir they do one moment sir here it is yeah not very cheap for this far out of town eh
00:40:53they remember me how are you rather forlorn since you left i've been working very hard
00:41:06right this way folks the boss is about to leave hurry now we don't want to be late watch your step there
00:41:21please sit down gentlemen
00:41:39now then i hope you're going to enjoy this tour which features a lot of interesting sites
00:41:44the bus is air conditioned for your comfort
00:41:49with a tour guide like her we need air conditioning on this tour we will first visit the newer part of
00:41:56the city and then the old section which you will find very interesting i'm sure
00:42:02on our right we're now passing the old harem quarters of sultan salem the second
00:42:14salem had seven wives and one of his many amusing pastimes was to drown any of the unfaithful ones
00:42:21by putting them in a sack full of cats and tossing them in the river on your left where there was once
00:42:29a great bazaar we see a typical open market selling local products on our return trip we'll stop in case
00:42:38you'd like to buy something
00:42:46thanks i don't bother quite all right i don't know how to work this it's awfully complicated
00:42:52anyway i figured i'd try excuse me sir but you're in my seat i'm not used to giving anything away you see
00:42:58please look i'm asking politely miss will you take care of this he's in my seat and he won't get out
00:43:09it's a matter of principle oh this is ridiculous
00:43:14listen there are enough places for everyone why don't you sit somewhere else why doesn't he
00:43:20i would have thought your mother would have taught you some manners young man
00:43:23now look i'm sorry but i want to sit by the door and manners don't really come into it so please stop
00:43:30annoying me sit by the door look i'm not going to put up with this young lady now there's no need to
00:43:37get excited sir children can be difficult but at least you're an adult yes yes i am
00:43:44i'm sorry for this disturbance to the tour group
00:43:46i'd like to apologize
00:43:55sorry about this folks very sorry i'll be leaving now because everything worth seeing
00:43:59i've already seen see you later at the sleepwalkers convention
00:44:16all right the answer yes or no
00:44:25yes right and was it the turks who won at lepanto no also correct and now your third question
00:44:31who dominated cyprus uh
00:44:37venice right again the venetian republic held the island for nearly a century
00:44:40not bad for gondolese who was the last doge daniele manin how many italian marine republics were there
00:44:49four there were four and kings of rome
00:44:54if i remember right there were seven what state is represented by the last star on the american flag
00:45:01hawaii wonderful where was the first astronaut from russia and his name do you remember
00:45:10gagaaren yes his name was yuri gagaaren splendid you've answered every question correctly how about
00:45:20that folks a brilliant performance we salute our new champion a man truly deserving of victory tonight
00:45:28a man who answered each and every one of the questions correctly these questions have been
00:45:33prepared by experts especially for our weekly quiz program
00:45:46marco what do you do with the money i'm not going to take it and may i ask why
00:45:54it's nice to win but what one wins isn't important everyone talks about charity about people
00:46:00uh who are hungry well as far as i'm concerned i'm happy with what i got so you might as well give
00:46:07the money to folks who need it i don't that's about it nothing more to say except i do this on behalf
00:46:14of miss nelson the woman i intend to marry barbara
00:46:30the
00:46:48wasn't as tough as i figured and now a few minutes with tito burns and his pop festival hey vico
00:46:54go sit down have a drink to barbara and my success i'm happy to to our future right
00:47:02chin chin do we have to stay much longer no just a little while you don't mind a few more minutes do you
00:47:09it's just there are too many people here and i have my own special quiz i'd like to put you through
00:47:15you two have secrets we only had one and they already let that out yes
00:47:33listen shed head all our client was an empty box work it out with him what's that mean i delivered
00:47:47the package exactly as i was told quit screwing around get that stuff back or we'll see at your
00:47:52funeral
00:48:07oh
00:48:09oh
00:48:11oh
00:48:13oh
00:48:15oh
00:48:17oh
00:48:19Oh, my God.
00:48:49Oh, my God.
00:49:19Oh, my God.
00:49:49Oh, my God.
00:50:19Willie should be in Santa Monica by now.
00:50:24I'll have to find out about flights to New York at the end of the week.
00:50:27I don't know why, but after a while, people on film remind me of dead loved ones.
00:50:45You're tired of me, that's rather obvious.
00:50:49I bore you, don't I?
00:50:51Don't be silly.
00:50:52Here, you know something, Marco?
00:51:11Well, it's pretty strange, but, you know, I get very homesick for New York City.
00:51:17I'll have to take another shot.
00:51:19She had a lot of traveler's checks when she got here.
00:51:22I'll bet she keeps them in her hat box.
00:51:23Yes, I'll go at the end of the week.
00:51:26This is really boring.
00:51:36Really boring.
00:51:37Maybe we should fly to Mexico and get married.
00:51:42Then to Reno for the divorce.
00:51:45Well, then you'd have all my alimony to spend.
00:51:48That'd be nice, wouldn't it?
00:51:49Why don't we get married?
00:51:54I'm serious, honey.
00:51:55You want to?
00:51:56I already had one husband.
00:51:58He ended up in a nuthouse.
00:51:59Well, in your country, he'd make a good candidate for president.
00:52:04Very funny.
00:52:07I've got to get rid of her.
00:52:09The hotel bill must be a mile long.
00:52:12This little bastard thinks he's got me where he wants me.
00:52:15But he's wrong.
00:52:16If he gets out of hand, I'll go to the embassy.
00:52:21Well, I'm going to bed.
00:52:41You little thief.
00:52:46Barbara, listen.
00:52:53Let me go.
00:52:54Let me explain.
00:52:56Leave me alone, you little thief.
00:52:58It's really ridiculous.
00:53:16I must have left my brains back in America.
00:53:20Find yourself an old bag.
00:53:21You can wheel her into the discotheques.
00:53:28And maybe you can figure out where she hides her money.
00:53:33You bitch, you.
00:53:34Louie.
00:53:51Louie.
00:53:53What do you want, Marco?
00:53:54The bread.
00:53:55I need it right away.
00:53:56Okay.
00:53:57Be right back.
00:53:57Okay.
00:53:57Be right back.
00:54:04These are the ancient Phoenician walls, which protected the harbor.
00:54:12Here you are.
00:54:34Wait for me tonight.
00:54:41I have to talk to you.
00:54:43Well, what is it?
00:54:44What's wrong?
00:54:49Okay, let's go on.
00:54:50We've still got lots of places.
00:54:52Oh.
00:54:53Let's go.
00:55:16I try.
00:55:17Yeah.
00:55:19Let's go.
00:55:49Let's go.
00:56:19The judge there?
00:56:32No, that's all right.
00:56:33Thanks.
00:56:38Always call on the broads, huh?
00:56:42Come on.
00:56:42We have a few things to talk over.
00:56:44Look, he's got a gun.
00:57:00Bastard!
00:57:01Smart little punk, aren't you?
00:57:03Little shit.
00:57:04Who's got the stuff?
00:57:14Talk!
00:57:21Who'd you give it to?
00:57:22I didn't do anything.
00:57:24Son of a bitch.
00:57:27You think you're a smart guy, huh?
00:57:29You're gonna talk?
00:57:30Okay, you win.
00:57:50I'll get the stuff back for you tomorrow.
00:57:52You better get it back, punk.
00:57:57Or you lose the back of your head.
00:58:04Tomorrow.
00:58:05Understand?
00:58:22There's your gun, tough guy.
00:58:30Bastards.
00:58:31If they take the seats out, they'll find the money.
00:58:35If I'd think Don Louie, I'd be dead right now.
00:58:37Well, as long as they don't know who's got it, I can get away with it.
00:58:57Sir, there was a young lady looking for you.
00:59:00She's waiting at the mocha bar.
00:59:02And, um, she's rather upset.
00:59:04Oh, thanks.
00:59:05You said her name was Maria.
00:59:08I see.
00:59:09Some days nothing goes right.
00:59:12If anyone calls, I'll be in my room for a while, okay?
00:59:16Yes, sir.
00:59:17I'll see that you get the call.
00:59:18Okay, thanks.
00:59:20See you later.
00:59:22Hotel colony, Annex.
00:59:35Hey, what's going on?
00:59:41The man was killed.
00:59:48Who is it?
00:59:48Louie the antique dealer.
00:59:50Yeah, poor bastard.
00:59:51Somebody stabbed him.
00:59:55Oh, Christ.
00:59:58It's my turn next.
01:00:00I don't know.
01:00:28I don't know.
01:00:28I'd like a scotch
01:00:58and call me a taxi.
01:00:59Yes, sir.
01:01:03Hi.
01:01:04Maria.
01:01:05Give me the keys to your pad.
01:01:06I've got a taxi waiting.
01:01:08I need a place to hide out right now.
01:01:10Marco.
01:01:11Your mother's dead.
01:01:13No need for you to feel sad.
01:01:16I'm not dead.
01:01:18I might be, though, real soon
01:01:20if you don't help me.
01:01:21I've got to get out of sight.
01:01:23The funeral's today.
01:01:26I saw your father yesterday
01:01:27in the village.
01:01:29I suppose I'd better go back
01:01:30and talk to him.
01:01:31He must be feeling awful.
01:01:34Listen, Maria.
01:01:36I'm not kidding.
01:01:37You just got to help me.
01:01:40Everything's going to pieces.
01:01:47Go, Marco.
01:01:48You're right.
01:01:55I'll go now.
01:01:57See you later.
01:01:57I looked all over for you.
01:02:23She kept calling for you.
01:02:26She kept saying,
01:02:27where's Marco?
01:02:29Where's my son?
01:02:30Where's Marco?
01:02:31I didn't know.
01:02:32I found out about it this morning.
01:02:33Pop, I need some money.
01:02:39Well, I haven't got any.
01:02:41And the funeral is just another debt.
01:02:53I have to leave town.
01:02:54I'll get in touch with you
01:02:55as soon as I can.
01:02:56You have to leave.
01:02:58Why?
01:02:59Haven't you learned anything here today?
01:03:14Young man, police.
01:03:16Come with us.
01:03:18What's wrong?
01:03:19What do you want me for?
01:03:20The judge wants to talk to you.
01:03:26Marco,
01:03:26we just connected Louie's death
01:03:28with your phone call.
01:03:30And we want to know more
01:03:31about some of your friends.
01:03:33These are interesting, aren't they?
01:03:35Anyway, Marco,
01:03:36how about a little more information
01:03:38for old time's sake?
01:03:40I'd like to help,
01:03:41but I already told you
01:03:42everything I know.
01:03:43Nah, that's bullshit.
01:03:44But it really doesn't matter that much.
01:03:46Small face don't interest us.
01:03:50And why are you recording this?
01:03:52I don't know what was in the package.
01:03:54Cocaine.
01:03:55And you do know.
01:03:59Here, Marco,
01:04:00would you like a smoke?
01:04:01Before the execution?
01:04:03Don't be so dramatic.
01:04:06Don't take this down, Diana.
01:04:07I'm just being sociable.
01:04:09Let's have a drink.
01:04:14Help me, eh?
01:04:17And why should I help you?
01:04:20Because that way
01:04:20you keep out of jail.
01:04:25We know the two
01:04:26you tried to take for a ride.
01:04:29I'll bet they didn't like that.
01:04:32I still don't understand.
01:04:34Take for a ride?
01:04:36What do you mean?
01:04:38I mean the cocaine.
01:04:40It went somewhere else
01:04:41and you know where.
01:04:42So what do you want from me?
01:04:43We want your help.
01:04:46Listen, they'll be after you, Marco.
01:04:48And we're after them.
01:04:49So why shouldn't you help us?
01:04:54You recognize this face?
01:04:59It's the antique dealer who was killed.
01:05:01And here are your guardian angels.
01:05:05Laszlo and Danny.
01:05:08So what?
01:05:09Give them my regards.
01:05:11Haven't I made myself clear?
01:05:12Sure you have.
01:05:13I've understood every word.
01:05:15It's clear.
01:05:16Use a small fish
01:05:17so you can catch yourself
01:05:18two big fish, right?
01:05:19Absolutely right.
01:05:22And I'm afraid
01:05:23you haven't got much choice.
01:05:24They'll come after you.
01:05:27But we'll be there too.
01:05:32You want another drink?
01:05:34No thanks.
01:05:36You're free to go.
01:05:53Hello.
01:05:54What are you doing here?
01:05:57I need you, Margo.
01:06:00Can I come inside?
01:06:03All right, if you want.
01:06:08What about the police then?
01:06:09What will you do?
01:06:10If I cooperate,
01:06:11there won't be any trouble, I'm sure.
01:06:15I'll get out of this.
01:06:16And I'll show Laszlo and Danny too.
01:06:19I'll be okay.
01:06:20Don't worry about that.
01:06:21I want everything to be okay, Margo.
01:06:33And I want to help you, darling.
01:06:35I want to help you, darling.
01:06:35I want to help you.
01:06:36I want to help you.
01:06:39Okay.
01:06:39Okay.
01:06:40Welcome to the colony, sir.
01:07:10Has anybody been around asking for me today?
01:07:21No, sir. Nobody's asked for you.
01:07:31He's in room 317.
01:07:33Hurry, he hasn't talked yet.
01:07:40Let's go.
01:08:10The movie's over.
01:08:16Now we'll have some fun.
01:08:21Hey!
01:08:23Everybody's here, huh?
01:08:26Yeah, one too many.
01:08:29Marga, she's the only one who could have told them.
01:08:32Did you tell the police who they are?
01:08:36No, but I'm going to tell them.
01:08:40You weren't hard to find.
01:08:42That bitch, right?
01:08:43Finally figured it out, huh?
01:08:46A little too late.
01:08:47So what do we do now?
01:08:50Now you pay.
01:08:55I need a little time.
01:08:57A couple of days.
01:08:59But I'll get the stuff back.
01:09:00I swear.
01:09:02Oh, look.
01:09:05We're friends, aren't we?
01:09:06Not any longer.
01:09:08Take them, Laszlo.
01:09:13Okay.
01:09:15Hey, what are you doing?
01:09:17Is this a joke?
01:09:18Kill him.
01:09:45Breathe your last, you bastard.
01:10:08Listen, I can still...
01:10:10Laszlo.
01:10:10Go!
01:10:12Finish him!
01:10:40Gently falling through the echoes of the past
01:10:54Hallucinations of the world
01:10:59Fly it was so fast
01:11:01Waiting for the grass and pictures that I've found
01:11:06Laszlo is so fast
01:11:14I've left the dark and bad
01:11:16And the inches are my mind
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