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Pakistani Drama 2025 Full Story REVEALED – You Won’t Believe This! is the drama that everyone is talking about right now. Discover the plot twists, behind-the-scenes secrets, and unexpected turns that are taking Pakistani television by storm in 2025. From powerhouse performances to jaw-dropping visuals, this drama is redefining the future of South Asian entertainment. Whether you're a long-time fan or a newcomer, this is the ultimate breakdown you can't afford to miss. Dive into our detailed story reveal, character analysis, and more! Stay ahead of the curve and find out why this drama is trending worldwide. Don’t forget to like, comment, and subscribe for the latest updates!
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00:00:00Houses are alive.
00:00:23This is something we know.
00:00:26News from our nerve endings.
00:00:30If we're quiet, if we listen, we can hear houses breathe.
00:00:56Sometimes, in the depth of the night, we hear them groan.
00:01:01It's as if they're having bad dreams.
00:01:03It's as if they're having bad dreams.
00:01:06It's as if they're having bad dreams.
00:01:08It's as if they're having bad dreams.
00:01:13It's as if they're having bad dreams.
00:01:23ORGAN PLAYS
00:01:53ORGAN PLAYS
00:02:23A good house cradles in comforts, a bad one fills us with instinctive unease.
00:02:46Bad houses hate our warmth, our humanness.
00:02:52That blind hate of our humanity is what we mean when we use the word haunted.
00:02:57Steve? Are you all right?
00:03:02Yeah.
00:03:04It stopped. I heard it too, but it stopped.
00:03:11What? What did you hear?
00:03:12There were words. It wasn't clear. Did any of you...
00:03:17I might have heard something.
00:03:19Or it might have just been my imagination.
00:03:22Steve, what was it?
00:03:23How would I know? I don't have a psychic bond in my body, as you well know.
00:03:25You tested me yourself, so there's no real...
00:03:29What?
00:03:30What are you looking at?
00:03:30Um, nothing.
00:03:40Pam!
00:03:41Can you come here?
00:03:43Probably might as well get started.
00:04:07Will you, uh...
00:04:10All right.
00:04:21Pam, this old boy, why don't you come and give us a hand?
00:04:23It seems to be the butler's day off.
00:04:25Don't call me that.
00:04:28Come on.
00:04:29For $5,000, you can at least carry a couple of boxes, can't you?
00:04:32I'm not being paid for my services as a porter.
00:04:49Pam, you all right?
00:04:50Hey, I thought this house was empty.
00:04:57You would be Mr. Bollinger, I believe.
00:05:00The reporter.
00:05:01Pam?
00:05:02Yeah, I'm Bollinger, but how did you know?
00:05:05Come in, sir.
00:05:07You were expected.
00:05:09This way.
00:05:12Come in, sir.
00:05:14You were expected.
00:05:16This way.
00:05:17This way.
00:05:20How old were you when you got lost in the, uh, eight, nine?
00:05:27What are you talking about?
00:05:29The room with colored light.
00:05:30The smell of sawdust.
00:05:32What happened?
00:05:34What did you see?
00:05:35What?
00:05:36What frightened you?
00:05:38I don't know what you're talking about.
00:05:48You know, don't you?
00:05:50What you're not saying.
00:06:02What is it?
00:06:07It's cold.
00:06:08Just cold metal, that's all.
00:06:11No, but, but you spoke.
00:06:12There was something there, but it's gone.
00:06:15I didn't like the way it felt.
00:06:18I didn't like the way it felt.
00:06:18I didn't like the way it felt.
00:06:19I didn't like the way it felt.
00:06:20I didn't like the way it felt.
00:06:21I didn't like the way it felt.
00:06:22I didn't like the way it felt.
00:06:23I didn't like the way it felt.
00:06:24I didn't like the way it felt.
00:06:25I didn't like the way it felt.
00:06:26I didn't like the way it felt.
00:06:27I didn't like the way it felt.
00:06:28I didn't like the way it felt.
00:06:29I didn't like the way it felt.
00:06:30I didn't like the way it felt.
00:06:31I didn't like the way it felt.
00:06:32I didn't like the way it felt.
00:06:33I didn't like the way it felt.
00:06:34I didn't like the way it felt.
00:06:35I didn't like the way it felt.
00:06:36I didn't like the way it felt.
00:06:37I didn't like the way it felt.
00:06:38I don't know.
00:07:08I don't know.
00:07:38I don't know.
00:08:08I don't know.
00:08:10I don't know.
00:08:12I don't know.
00:08:14I don't know.
00:08:16I don't know.
00:08:18I don't know.
00:08:20I don't know.
00:08:22I don't know.
00:08:24I don't know.
00:08:28I don't know.
00:08:30I don't know.
00:08:36I don't know.
00:08:37I don't know.
00:08:38I don't know.
00:08:40I don't know.
00:08:42I don't know.
00:08:43I miss it.
00:08:45Not after the summer.
00:08:46Come September there won't be a gate to open.
00:08:50There's a flashlight for each of you.
00:08:52I suggest you keep it on or near you at all times.
00:08:54Yeah, the power's fine most of the time.
00:08:56And if it goes out, I don't suppose looking for the fuse box does much good?
00:09:00Nope.
00:09:02Neither is calling Puget Sound Energy.
00:09:04What about your equipment?
00:09:06Well, if the power goes, everything in mine switches over to batteries.
00:09:09I think we better get started.
00:09:19Where's Annie?
00:09:28She's wonderful.
00:09:36Friday afternoon, 3.17 p.m.
00:09:41We've just experienced our first paranormal phenomenon.
00:09:45A phantom draft.
00:09:52The only thing I insist on is that you don't go off exploring on your own.
00:09:55The geography of Rose Red can seem unstable.
00:09:58Well, maybe we should double up on sleeping arrangements.
00:10:00I don't mind sharing with Cathy or the three of us could go in together like summer camp.
00:10:05I'll sleep with Emery and after midnight, we'll raid the fridge, won't we, Annie?
00:10:08No, the bedrooms are perfectly safe.
00:10:10The important thing is not to go off wandering.
00:10:15I think you'll find this interesting.
00:10:17Wow.
00:10:18We could make Thanksgiving dinner for a hundred people in here.
00:10:22Maybe after the place was fumigated.
00:10:24You're such a charmer.
00:10:27Was I talking to you?
00:10:31Ellen Rimbauer called this the health room.
00:10:35We call it a solarium.
00:10:40A railroad executive named George Meter, friend and drinking buddy of John Rimbauer,
00:10:44died in here just after the end of the First World War.
00:10:48According to a doctor, he was stung by a bee.
00:10:51Died of an extreme allergic reaction.
00:10:53As I told you, in Rose Red's heyday, men didn't fare well here.
00:11:04That's not very reassuring, Joyce.
00:11:06After you have nothing to worry about, just remember to use the buddy system when you're moving through the house.
00:11:10Now.
00:11:11Whoa, whoa, whoa.
00:11:12What?
00:11:13What's this?
00:11:14Did the caretaker leave that too?
00:11:15I doubt it.
00:11:16Well, then who?
00:11:17Press Read Island, see who answers.
00:11:18Hello?
00:11:19You've reached Professor Carl Miller of the Psychology Department.
00:11:20I'm not able to answer the phone at the present time.
00:11:22Leave a message at the beep if you like.
00:11:23But remember your Shakespeare.
00:11:24Who is it?
00:11:25Brevity is the soul of wit.
00:11:27We'll see who answers.
00:11:37Hello. You've reached Professor Carl Miller of the Psychology Department.
00:11:41I'm not able to answer the phone at the present time.
00:11:44Leave a message at the beep if you like.
00:11:46But remember your Shakespeare.
00:11:47Who is it?
00:11:48Brevity is the soul of wit.
00:11:52Hello, Professor Miller. This is Joyce Reardon's friend, Steven Rimbauer.
00:11:55We seem to have found a piece of your property here in Rose Red.
00:11:58I'm fairly sure you didn't drop it yourself since we saw you only an hour ago,
00:12:01but I've got a good idea who did.
00:12:03The guy who wrote the newspaper story, am I right?
00:12:05Now, trespassing isn't a very serious crime,
00:12:07and abetting a trespasser is probably even less serious,
00:12:10but I think your dignity's gonna take a hit at the very least.
00:12:13Guess who's gonna be the cover boy on next week's newspaper.
00:12:16You have a nice day.
00:12:17Bravo, Steve. Bravo.
00:12:20You can't be certain that that is Professor Miller's cell phone.
00:12:24Oh, of course it is.
00:12:26If you want proof, dial some of the numbers in memory.
00:12:28I bet one of them is that son-of-a-bitch Bollinger.
00:12:30If the reporter had the phone, where's the reporter?
00:12:33Maybe the house ate him. Isn't that what it's supposed to do?
00:12:37Eat people?
00:12:38Probably something frightened him,
00:12:40the sort of thing neither he nor Professor Miller believes in,
00:12:42and he just ran off.
00:12:44Perhaps he's still in the house.
00:12:46Well, if he is, then we'll find him.
00:12:48Come on, folks, let's...
00:12:49Joyce, are you sure we shouldn't, you know, notify somebody?
00:12:53Why should we?
00:12:54If Bollinger's here, he's trespassing, just like Steve said.
00:12:57And if we call the cops, then we're apt to find ourselves
00:12:59with half a dozen police tromping through the house
00:13:02and roiling up the atmosphere, and then he'll win.
00:13:04That pig Miller will win in spite of everything,
00:13:06and I can't have it, okay?
00:13:08I just won't. I can't. I won't.
00:13:10It's okay. He doesn't get to win.
00:13:13And if we find Bollinger, we can give him a cup of tea
00:13:16and a good spanking and send him on his way.
00:13:18Sounds good to me.
00:13:19Yeah, me too.
00:13:23On with the show?
00:13:25Yeah. On with the show.
00:13:34It's a pity no one kept up those vines.
00:13:37Yeah, well, there hasn't been a full-time groundskeeper at Rose Red
00:13:39since Omicron oil fell off the big board a quarter century ago.
00:13:42I, uh, I believe we're lingering in the kitchen
00:13:45because Joyce wants to tell you about my great-aunt April.
00:13:49Go on, Joyce.
00:13:50Are you sure?
00:13:51Sure, I'm sure. I mean, that's what we're here for, right?
00:13:53Besides, it was all before my time. Go on.
00:13:55Well, April was six years old when she disappeared.
00:13:59Her brother Adam was away at boarding school.
00:14:01Boarding school at eight?
00:14:03Ah, it was Rimbauer's idea.
00:14:05Oh, Ellen ranted and raved.
00:14:07But John, at least this time, put his foot down and kept it down.
00:14:11He didn't trust Rose Red even then.
00:14:13This was the last place April was ever seen.
00:14:17Sukina stepped into the pantry over there
00:14:21for what she swore was for no more than 30 seconds.
00:14:24When she came out...
00:14:29April?
00:14:30April.
00:14:31I'm a little teen cuss.
00:14:32April, honey, where are you?
00:14:34April?
00:14:35I am a little teen cuss.
00:14:37April?
00:14:38April?
00:14:39I am a little teen cuss.
00:14:40April?
00:14:41April, honey, where are you?
00:14:42April?
00:14:43My little teen cuss.
00:14:44April.
00:14:45April?
00:14:46April?
00:14:47April!
00:14:48April!
00:14:49Oh!
00:14:50It's me!
00:14:53Fifty men searched the house and grounds.
00:14:56They found nothing.
00:14:58nothing not so much as a lock of hair or a thread from her dress great-grandfather was convinced
00:15:06sukina had something to do with it so he had her taken downtown ellen objected in the strongest
00:15:13possible terms but john respectfully declined to listen please john sukina was taken to the sort of
00:15:25small basement room you can probably imagine in question for 50 hours no sleep no
00:15:29food no bathroom breaks no mercy i don't know she was gone i don't know
00:15:55in the end she convinced them that she didn't know anything about april's disappearance but
00:16:01it cost her i mean it cost her three teeth a broken nose and a broken wrist
00:16:07eventually ellen's maid was allowed to return home again i mean the only home she had left anyway
00:16:16so when do we get to go upstairs or that's where the really weird stuff is
00:16:20is no time like the present come on everybody
00:16:37i didn't notice that one before
00:16:40neither did i for the rest of the weekend could you please try to remember who's running this expedition
00:16:46sure
00:16:50nick could you come here please if you could tie the end of your rope to that pole there it'll help us
00:16:54find our way back
00:16:58well couldn't we just go back and get the plans in this house the plans don't always mean a lot
00:17:04it's only a safety measure honestly so follow me and prepare to be amazed
00:17:16so
00:17:18i'm
00:17:22so
00:17:28i
00:17:30i
00:17:32i
00:17:34i
00:17:36i
00:17:38i
00:17:40i
00:17:42Oh
00:18:12Ellen called this the Prospective Hallway.
00:18:27It was her first major addition, and no architect designed it either.
00:18:31She made it up herself? Way to go, Ellen.
00:18:36But she didn't.
00:18:38Then who?
00:18:42Sukina.
00:18:49Her maid?
00:18:51Her companion.
00:18:53It's so wild, like something in a funhouse.
00:18:59Oh, it's making my stomach turn.
00:19:05I guess... I guess they're pieces built in perspective.
00:19:10Camouflaging the real doors was Great Graham's idea. She didn't want them to spoil the illusion.
00:19:16Hey, Bollinger. Hey, Bollinger, are you in there?
00:19:23Hey!
00:19:24Jenny, no!
00:19:28No!
00:19:30You mean quiet!
00:19:31You wanted this place to wake up. I'd say you've been successful in that regard.
00:19:37What was that? Who screamed?
00:19:38Uh, no one.
00:19:39Does she ever get assertive, or does she always waffle like that?
00:19:42She doesn't talk much, but what she says she means.
00:19:50Yeah, I'll say.
00:19:51In the mid-sixties, a team of scientists, one of them a geologist, spent some time investigating
00:19:56Rose Redd and heard the house scream several times.
00:19:59They recorded a couple of them, uh, actually, although on tape they don't sound very impressive.
00:20:04What did they conclude?
00:20:05That they were hearing the sound of underground water.
00:20:08Huh.
00:20:09Hmm.
00:20:09Perhaps amplified by the old water drainage pipes that run under this part of Seattle.
00:20:13Underground water?
00:20:15People faced with these sort of phenomena tend to protect their belief systems ferociously.
00:20:21This hallway was the last place Ellen Rimbaud was ever seen, you know.
00:20:25They moved in on January 15th, 1909. Ellen marked the occasion each January 15th by wearing the same
00:20:33white dress she wore on the day they arrived. For many of those years, Ellen threw a party on January
00:20:3815th, and everybody who was anybody showed up. Politicians, hoodlums, sports players, stars.
00:20:44When the actress disappeared, the, uh, the party stopped.
00:20:48Well, finish telling us about old Mrs. Rimbaud.
00:20:51She disappeared on January 15th, 1950. She was 70.
00:20:58A maid saw her and wished her good evening, and she swept by as if she didn't even hear her.
00:21:05And that was the last anyone ever saw of her.
00:21:07Come on. Lots more to see.
00:21:17This is the gymnasium. You'll notice that although the exercise equipment is out of date...
00:21:30This room demands a particular form of exercise.
00:21:33Uh, uh, what? How what?
00:21:35It's the mirror library.
00:21:37It's not in the plans, but I remember seeing it as a little boy. I was afraid to go in because I thought I'd fall.
00:21:41They're not in the plans? How can they not be in the plans?
00:21:46There's a camera.
00:21:47Not good. Not good at all. The property of Kevin Bollinger.
00:21:58Oh, God. Mr. Bollinger. Mr. Bollinger, are you here?
00:22:01What's wrong?
00:22:02I told you this might happen. The lights will come back on. In the meantime, use your flashlights.
00:22:06It's nonsense. I think we should go back downstairs.
00:22:08It's nonsense. Oh, my. Look.
00:22:19Steve, rotate, rotate.
00:22:29Annie, no.
00:22:31Annie, you don't touch it.
00:22:36Annie, you don't touch it.
00:22:45Annie, no.
00:23:06Annie, no.
00:23:13Stop her! Somebody's got to stop her!
00:23:35Are you okay?
00:23:37How did you know to do that?
00:23:39I don't know. I just did it. Here, take it. I don't want to...
00:23:42Here, give it to me.
00:23:48Try and get some pictures.
00:23:50Good pictures.
00:23:52What's that supposed to mean?
00:23:54I don't know. I think it's somebody talking to Bollinger.
00:23:58I bet I know who.
00:24:00Is Bollinger alive? Can you tell?
00:24:02He was when he dropped this camera, and beyond that, I don't know.
00:24:06I think we ought to get out of here, Joyce, really.
00:24:08Okay, okay. Folks, let's head back downstairs. Break time.
00:24:11Thank God.
00:24:25Wait. It's not the same.
00:24:27The hallway.
00:24:29No, no, no, nonsense.
00:24:31I was right. We should be going back the way we came, but we're not.
00:24:33Well, what in heaven's name is that?
00:24:35Steve, what's going on?
00:24:37The building started again.
00:24:39You wanted to wake the place up.
00:24:41Now you got what you wanted.
00:24:43It was whose building, and what?
00:24:45I don't know.
00:24:47You're lying.
00:24:49No, I'm not lying.
00:24:51Is it too hard to remember?
00:24:53Or too frightening to remember?
00:24:57It's gone.
00:24:59Stopped.
00:25:01Then I suggest we go downstairs before it starts again.
00:25:05Once again.
00:25:07All.
00:25:09All.
00:25:11All.
00:25:13All.
00:25:14All.
00:25:15All!
00:25:16All.
00:25:17All.
00:25:21Annie, I need your help.
00:25:49I'll put your hand here.
00:25:51I'll push from here.
00:26:01Annie, what are you doing?
00:26:07Nick?
00:26:08Not now, Joyce.
00:26:15Annie!
00:26:17Annie!
00:26:38That wasn't funny.
00:26:39Okay, I know another way down from here and there might be something worth seeing along the way.
00:26:49Are you sure you know the way?
00:26:50Yes.
00:26:57Oh my God.
00:27:01Oh my God is right.
00:27:03More camouflaged doors, Stevie.
00:27:05Great-grand was never above using a good trick twice.
00:27:08This was her little joke on her husband's business life.
00:27:11Did he get it?
00:27:12I doubt it.
00:27:13I mean, I don't even really get it.
00:27:15Here's the real door, right here.
00:27:18Just, uh, just press right there.
00:27:19Just press right there.
00:27:30This house has everything but chow.
00:27:32I don't know.
00:27:46Joyce, it's this way.
00:27:48Oh, of course.
00:27:49I knew that.
00:27:50You.
00:28:11Better, Emery?
00:28:12Better, Emery?
00:28:14Nothing, I guess.
00:28:16Too much mayo in the crab meat.
00:28:18What do you want, big boy?
00:28:20Bare-breasted nymphs to kneel at your feet
00:28:22and offer you delicacies from silver platters?
00:28:25You stop it right now.
00:28:26Stop harassing me.
00:28:28There's a difference between joking and harassing.
00:28:30Did you never learn that?
00:28:31I learned plenty in high school, believe me,
00:28:33from guys like him and you.
00:28:36Come on, come on, give it a rest.
00:28:38Emery, I may be able to provide you
00:28:39with something you like better in a little while.
00:28:42Tell us about the actress, Joyce.
00:28:44I've always been a sucker for celebrities.
00:28:47Well, that's her.
00:28:49On Ellen's Wall of Fame.
00:28:58Deanna Petrie was a fairly big star in the 40s.
00:29:06Musical comedies, mostly.
00:29:09She could dance, sing a little.
00:29:12And she was sexy as hell.
00:29:19She was one of Ellen Rimbauer's favorite guests
00:29:22at her January 15th parties.
00:29:25In 1946, she showed up in what Hedda Hopper called
00:29:29the cocktail dress.
00:29:31It was what she was wearing when she disappeared.
00:29:33She spent most of the night here in the billiard room,
00:29:37wowing the guests with her many talents.
00:29:42She left behind a single earring.
00:29:44A maid found it the next day, but there was no longer a girl
00:29:47to go with it.
00:29:49Deanna's disappearance made Rose Red's reputation.
00:29:54And now, Annie, if you've finished eating,
00:29:56I have something to show you.
00:30:00It's nice, but you'll like it.
00:30:02I promise.
00:30:03It's okay.
00:30:07Go up, Annie.
00:30:14Go up and see what you find.
00:30:17It's not dangerous, is it?
00:30:18No, not a bit.
00:30:19Go on, Annie.
00:30:20Go up and see what you find.
00:30:21It's not dangerous, is it?
00:30:22No, not a bit.
00:30:23Go on, Annie.
00:30:24Go on, you okay, son?
00:30:26Yeah.
00:30:27She's having fun.
00:30:28Annie.
00:30:29What are you doing?
00:30:30I'm going to talk to her mom.
00:30:31Sorry.
00:30:32Okay, I'm gonna be fine, too.
00:30:32Now, I'm gonna look for her.
00:30:33Go up and see what you find.
00:30:34Go up, Annie.
00:30:35Go up and see what you find.
00:30:36It's not dangerous, is it?
00:30:37No, not a bit.
00:30:38Go on, Annie.
00:30:40You okay, son?
00:30:43Yeah.
00:30:45You're having fun?
00:30:46Annie.
00:30:47Annie.
00:30:54I don't know.
00:31:24What in the world is it?
00:31:39Whatever it is, she likes it.
00:31:54What in the world is it?
00:32:24What in the world is it?
00:32:32Kathy, you were right.
00:32:34Revelation 12.
00:32:40No corporal presence in six centuries.
00:32:45No psychic pulse.
00:32:46Anne-Marie, are you thinking of dressing for dinner?
00:32:56You tell me.
00:32:58Read my mind.
00:33:06Anne, Glenn Miller.
00:33:07That doesn't work.
00:33:12I tried it while I was setting up.
00:33:15Sorry, Annie.
00:33:19Ah!
00:33:22Joyce?
00:33:23Yeah, it's all right.
00:33:24Bye-bye.
00:33:25Bye-bye.
00:33:26Bye-bye.
00:33:30Bye-bye.
00:33:32Bye-bye.
00:33:34I've got three and loaded for Reardon large with two six-packs of soda.
00:33:57Yep, thank you.
00:34:00Told you there might be something you'd like better.
00:34:02Loaded.
00:34:03Excellent.
00:34:03Miss Asperger.
00:34:21Miss Asperger.
00:34:23May I?
00:34:24Do this often?
00:34:38Every chance we get.
00:34:40Can I?
00:34:44Hey, this is some place, huh?
00:34:46Is it haunted?
00:34:47Yeah.
00:34:48There goes a delivery man who asked too many stupid questions and never escaped.
00:34:51This is unbelievable.
00:34:59What are you doing to me?
00:35:01It tastes terrific.
00:35:01Yeah.
00:35:21Oh, my God.
00:35:51I wouldn't think you'd need a telemetry readout
00:36:01just to count hands.
00:36:02Not human ones, certainly.
00:36:10I'm really worried about Mr. Bollinger.
00:36:13Don't bother.
00:36:14I'll show up eventually.
00:36:15At least I could be as sure of that as you seem to be.
00:36:17By the way, where's Vic?
00:36:19Right here.
00:36:20Anyone care to dance?
00:36:22Well, not me.
00:36:24I'm pooped.
00:36:26Where have you been?
00:36:28I lost my book.
00:36:30It's story time.
00:36:31We've heard the one about the actress.
00:36:33Tell us about Rimbau's partner, Mr. Posey.
00:36:37Remember that seance I told you about?
00:36:38Starring the famous gypsy psychic Cora Frye.
00:36:42Yes.
00:36:43That was 1914,
00:36:45and the war in Europe was heating up the American economy.
00:36:48Omicron oil was in clover.
00:36:50Money was rolling in.
00:36:51And John Rimbauer was tired of sharing it.
00:36:55So in October of that same year, he gave Douglas Posey the bum's rush.
00:36:59According to family legend, Uncle Posey had a taste for cowboys.
00:37:04He liked chaps in chaps.
00:37:07Was he into roping or branding?
00:37:10Probably a little bit of both.
00:37:12John Rimbauer bought him out at distress sale prices.
00:37:16He was told never to come back to Rose Red, but he did.
00:37:19Once.
00:37:20And that was in 1915.
00:37:22John was in Europe, and Adam and April were at home with their mom.
00:37:26John Rimbauer.
00:37:36And those were
00:37:53Oh, my God.
00:38:23granddad never forgot posy tossing him that tom mix had of his he wanted to keep it and he threw
00:38:43a tantrum when his mother tried to take it away and the rose he never forgot april catching the
00:38:49rose why did posy wait a year to do it and and why here any ideas if if you wanted answers you came
00:38:57to the wrong place following the suicide john and ellen kept adam out of rose red as much as possible
00:39:02and as i told you he was at boarding school when his sister disappeared he knew damn well that
00:39:07something was very wrong here even then the male descendants in the rimbauer line have mostly
00:39:12stayed clear of the family man's i wasn't here more than half a dozen times as a kid i got off on my
00:39:17own just once i was eight wait i thought your father no my father hated this place he was afraid
00:39:21of it but it was my mother who brought me i forgot until today blocked it out i suppose nick reminded
00:39:28me she she probably couldn't find a babysitter what was she looking for antiques loot i think
00:39:36she was drunk that's my memory of it but she so often was in those days
00:39:39one of the the blaze
00:39:43eek
00:39:43eek
00:39:45eek
00:39:46eek
00:39:47eek
00:39:49eek
00:39:50eek
00:39:51eek
00:39:51eek
00:39:52I know she and dad were broke
00:40:21after we lost the oil company
00:40:23it's been a family disease
00:40:25broke itis
00:40:26and while your mother was treasure hunting
00:40:31you got lost
00:40:32yeah
00:40:35I mean it was no big deal
00:40:37and you were upstairs before you realized
00:40:39how lost you were
00:40:40one floor above the mirror library
00:40:43or was it three floors
00:40:45or ten
00:40:46because when this place gets going
00:40:48when it feels lively
00:40:49when it has energy to draw on
00:40:51Rose Red can make itself as big as it wants
00:40:54can't it
00:40:54but finally you got to the top
00:40:56and that's where
00:40:58oh my god
00:41:04come on in the deer now
00:41:10it's the custom manifestation
00:41:12with striking elements like an earthquake
00:41:15it's the house
00:41:20it's coming alive
00:41:21how many are in there can you tell
00:41:26oh
00:41:27damn this thing
00:41:34I'm not so sure that there is anyone
00:41:37here
00:41:37I know that sounds crazy
00:41:40he's on
00:41:52he's on
00:41:52Oh, Annie, don't, don't touch it.
00:43:22I'd advise none of you to go wandering tonight.
00:43:43You'd agree, wouldn't you, Steve?
00:43:44As a matter of fact, I would.
00:43:45Hmm.
00:43:47If we're quiet, if we listen, you can hear houses breathe.
00:44:07Sometimes, in the depth of the night, you can hear them groan, as if they were having bad
00:44:15dreams.
00:44:17Could I ask you something?
00:44:20Of course, Emery.
00:44:23Would you come to bed with me?
00:44:25Look, isn't that your mom?
00:44:31That's not my mother.
00:44:33That's just an old...
00:44:35Pam?
00:44:39Pam, what are you doing?
00:44:40Say cheese, say cheese, to me!
00:44:42Oh, my God.
00:45:12Five grand wasn't enough, Ma, not at all.
00:45:28Twenty wouldn't have been enough.
00:45:42What do you do?
00:45:54Wanna get it all?
00:45:57We've got all night, Emery.
00:45:59We've got forever.
00:46:01We're not there.
00:46:02Not there.
00:46:03But I am.
00:46:04I'm your girl.
00:46:06I'm your dream girl.
00:46:08No, no, no, no, no, no, no, no, no.
00:46:38No, no, no, no.
00:47:08No, no, no, no, no.
00:47:38No, no, no, no, no.
00:48:08No, no, no, no.
00:48:38No, no, no, no.
00:49:08No, no, no, no.
00:49:38No, no, no, no.
00:50:08No, no, no, no.
00:50:10No, no, no, no.
00:50:12No, no, no, no, no.
00:50:16No, no, no, no, no, no, no, no.
00:50:18No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:50:40Sofie's!
00:50:52Who's it?
00:50:53Cassie!
00:51:11Come on. Hurry up.
00:51:16What is it?
00:51:17It's Steve. He's found something amazing. It explains so much.
00:51:21Explains what? What are you talking about?
00:51:40Look.
00:51:46Look.
00:52:10See you soon.
00:52:40Rain or storm
00:52:45Yet I'm safe
00:52:48And warm
00:52:50Annie, turn the record player off.
00:52:52Dad will be pissed.
00:52:53Down to me
00:52:58The normal gloomy skies
00:53:03When seen through the eyes
00:53:08Of those who live with life
00:53:38What is it?
00:54:03Did you open that?
00:54:05If you opened it, close it.
00:54:11I can't sleep with the closet door open.
00:54:14I'm afraid of the boogie man, aren't you?
00:54:16I can't sleep with the closet door open.
00:54:23I can't sleep with the closet door open.
00:54:25I can't sleep with the closet door open.
00:54:31No, boogie man.
00:54:35No boogie man.
00:54:37Oogie lady.
00:54:39Boogie lady.
00:54:43Oh, you are going to get low.
00:54:49Ah!
00:54:50Yes!
00:54:51Yes!
00:54:52Yes!
00:54:53Yes!
00:54:54Yes!
00:54:55Yes!
00:54:56Yes!
00:54:57Yes!
00:54:58Yes!
00:54:59Yes!
00:55:00Yes!
00:55:01Yes!
00:55:02Yes!
00:55:03Yes!
00:55:04Yes!
00:55:05Yes!
00:55:06Yes!
00:55:07Yes!
00:55:08Yes!
00:55:09Yes!
00:55:10Yes!
00:55:11Yes!
00:55:12Yes!
00:55:13Yes!
00:55:14Yes!
00:55:15Yes!
00:55:16Yes!
00:55:17Yes!
00:55:18Yes!
00:55:19Yes!
00:55:20Yes!
00:55:21Yes!
00:55:22Yes!
00:55:23Yes!
00:55:24Yes!
00:55:25Yes!
00:55:26Yes!
00:55:27Yes!
00:55:28Yes!
00:55:29Yes!
00:55:30I'm sorry, your call cannot be completed.
00:55:45Just pay your bill and kiss my ass.
00:55:49No luck?
00:55:50No. My mother's gonna go crazy.
00:55:53It's not a very long trip for her, even at the best of times.
00:55:55I'm sorry about that.
00:55:56Oh, well. I'm thinking about getting out of here before she shows up.
00:56:02I get very tired of her, you know, showing up.
00:56:06Also, Rimbauer gets on my nerves. Joyce, too, actually.
00:56:09If you look to your left, you will see the ghosts of April Rimbauer and Douglas Posey.
00:56:13Don't worry, they're perfectly harmless.
00:56:16And you know what? Underneath that phony tour guide shtick,
00:56:20she's as crazy as a Red Queen. Off with their heads.
00:56:23And that creepy kid with that creepy doll.
00:56:28She's nuts, too.
00:56:30Rimbauer's just smart-ass du jour.
00:56:34Well, what's this, your shrink routine?
00:56:38Just get it off your chest.
00:56:42A dead cell is not what Joyce called it.
00:56:46You want to know about dead?
00:56:48I had a dead movie star in bed with me last night.
00:56:51Deanna Petrie?
00:56:52Yeah. It didn't last long, but it was a very physical manifestation.
00:56:57I think I'm getting tired of Rose Red's little tricks.
00:57:00Joyce wants some of her 5,000 back. I'll just see her in court.
00:57:04My mother doesn't hear from me soon.
00:57:06She's really gonna go nuclear.
00:57:09I will not try my call again later.
00:57:12Good morning, Annie.
00:57:38All right, then.
00:57:53Good morning, Steve.
00:57:55Good morning.
00:57:57Is it Danny?
00:57:59Annie it is.
00:58:00Would you like some eggs?
00:58:03It would be a pleasure.
00:58:05No, thanks.
00:58:06You seen Joyce?
00:58:07Yes.
00:58:07She is fiddling with her equipment.
00:58:09Looking as if she last got a good night's sleep circa 1972.
00:58:13I'd tread carefully if I were you.
00:58:15She's crabby, huh?
00:58:16Very.
00:58:17Video was cloudy.
00:58:18The audio garbled.
00:58:20No recorded telemetry of any use.
00:58:28What's... what's that?
00:58:30Well, that's the wine cellar.
00:58:32Isn't it marvelous?
00:58:33The door was open when I came down this morning.
00:58:35Haven't you seen it before?
00:58:37No.
00:58:41Rose Red hasn't just woken up.
00:58:43It's become the house and garden version of Frankenstein's monster.
00:58:47That's ridiculous.
00:58:49Is it?
00:58:50Listen.
00:58:55You heard much of that?
00:58:57Enough to worry me.
00:58:59And Bollinger's persistent non-appearance worries me too.
00:59:01I mean, you would think if he was still here, if he was still here and alive, we would have
00:59:06run into him by now, wouldn't you?
00:59:08I don't know.
00:59:10And the longer we go without reporting his disappearance, then the more peculiar opposition
00:59:14becomes if he turns up dead or if he doesn't turn up at all.
00:59:24Dom Perignon, 1949.
00:59:27It's a very good year.
00:59:29In my experience, they're all good years.
00:59:31What goes better with scrambled eggs and champagne?
00:59:38Pull the cork, Steve.
00:59:50Will you wet your whistle?
00:59:52It's a little early for me.
00:59:55Cheers.
00:59:56Cheers.
01:00:00Mmm.
01:00:01You know this place is feeding offers.
01:00:06And although I'm sure it finds us all rather tasty,
01:00:10its primary sources of nourishment are little Annie and you.
01:00:15Me.
01:00:16I don't have a telepathic bone in my body.
01:00:17And I don't know what you were before you came here and the house almost ate you alive.
01:00:21But I know now that you're a powerful psychic transmitter operating on Rose Red's wavelength.
01:00:26It almost had you once.
01:00:28It wants you back.
01:00:30It wants Annie, too.
01:00:31You're crazy.
01:00:32Crazy?
01:00:34Maybe.
01:00:34But I vouch that Joyce is crazier than she means to have her proof, even if someone has to die for her to get it.
01:00:41You're wrong.
01:00:42Really?
01:00:43Let's ask Mr. Bollinger if we meet him again.
01:00:47Hmm.
01:00:50What are you doing?
01:00:51Trying to make sure Miller actually sent Bollinger here.
01:00:54If he did, I'll call the police and report him missing.
01:00:57Joyce won't like that.
01:00:58According to you, she's not very happy anyway.
01:01:10Hey, Professor.
01:01:12What are you doing here on a Saturday morning?
01:01:13Minding my business, as I hope you will yours.
01:01:16Oh, lock this door!
01:01:20I'm glad you're locked with yourself, Professor.
01:01:23He'd be in your office.
01:01:26You must have the number.
01:01:27It's your cell phone.
01:01:30Will you talk to him if he calls back?
01:01:32That'd be delighted.
01:01:34Thanks.
01:01:38Guess who's going to be the cover boy on next place newspaper?
01:01:42You have a nice day.
01:01:43Damn.
01:01:44Damn you!
01:01:45At 8.42 a.m.
01:01:48This is Steven Rimbauer again.
01:01:50I had to talk to you about Kevin Bollinger.
01:01:53He slit his wrists and wrote your name on the wall in his own blood before he died.
01:01:58And Joyce suggests you come out here before we call the police.
01:02:02Maybe we can work out a way to minimize the scandal,
01:02:05but it's imperative you come the second you get this message.
01:02:08End of message.
01:02:10You have no more new messages.
01:02:12Have a nice day, Professor.
01:02:22Yeah.
01:02:22Good morning, Annie.
01:02:52Good morning, Annie.
01:03:01Good morning, Annie.
01:03:08Good morning, Annie.
01:03:16Good morning.
01:03:18Good morning.
01:03:20Steve.
01:03:22Good morning, Steve.
01:03:25Good morning, Steve.
01:03:30Right.
01:03:48Good morning, Steve.
01:04:00Wow.
01:04:02Knock yourself out.
01:04:19Good morning, Steve.
01:04:27It's pretty good.
01:04:58She can also bend spoons, turn on lights, and set off car alarms.
01:05:21Gee.
01:05:23Huh.
01:05:24I got babies.
01:05:26Yes.
01:05:27Yes.
01:05:27Very nice babies.
01:05:28I got Adam.
01:05:34I got April.
01:05:36She never talks to strangers.
01:05:39I'm impressed.
01:05:41In fact, I'm stunned.
01:05:43Well, I've never heard Glenn Miller playing out of a flower before.
01:05:49You're...
01:05:50You're Rachel.
01:05:52That's right, isn't it?
01:05:54Yeah.
01:05:54Yeah.
01:05:54Most people call me sister.
01:05:56Or Sissy for short.
01:05:58I think I prefer Rachel.
01:06:01So this is a very big deal for Joyce, right?
01:06:04Well, the biggest.
01:06:05Because of all the disappearances, Rose read as a white whale in the field of psychic research.
01:06:11And now that Miller's gotten her tenure revoked, it's even more important.
01:06:14If Joyce comes back with proof of paranormal activity, she'll be okay.
01:06:18If not...
01:06:19I had no idea things were so dire for her.
01:06:23She's paying me a great deal of money.
01:06:25Paying Annie, I should say.
01:06:27I wonder if she can afford it.
01:06:29I wonder, too.
01:06:29You really don't know?
01:06:32I mean, forgive me, but I thought the two of you were closer than that.
01:06:36In some ways, we're close.
01:06:37In other ways, we're not even in the same neighborhood.
01:06:39Tell me about her.
01:06:43She's 15.
01:06:45She's autistic.
01:06:46She loves a summer place.
01:06:48She loves the big bands.
01:06:50She's also telepathic and psychokinetic.
01:06:54Which are probably the least important things about her.
01:06:57Can I show you something?
01:07:00Sure.
01:07:08Everything was dead at this end of the room yesterday.
01:07:11Well, the house is coming to life.
01:07:13I think we all feel it.
01:07:14Maybe, but the house didn't do this.
01:07:17Annie did.
01:07:18It's the other side of what she is.
01:07:20It's not all frozen pipes and falling stones.
01:07:24When I look at her, I don't see ruin.
01:07:27I see roses.
01:07:32When Annie was five, a dog bit her.
01:07:38Annie, make him go away!
01:07:40Annie!
01:07:41Annie, make him stop!
01:07:43Annie, make him go away!
01:07:45What happened?
01:07:55Oh, my God!
01:07:58He bit her!
01:07:59Your dog bit my sister!
01:08:01Oh, my God!
01:08:02How did he get back in the house?
01:08:04I'm so sorry.
01:08:05He's never done this before.
01:08:07He's never been there before.
01:08:08I'm so scared.
01:08:10It'll be all right.
01:08:11You'll see.
01:08:12It'll be just fine.
01:08:13It'll be just fine.
01:08:15Bye-bye.
01:08:18Sister, look at this.
01:08:21Sister, I got baby.
01:08:29This is 12.
01:08:31Hey, go on now.
01:08:34Stones from the sky,
01:08:35and they all just fell in Stannis' house,
01:08:37nowhere else on the street.
01:08:39I mean, it was the dog that hurt her,
01:08:41and the dog had already been destroyed,
01:08:42but Annie...
01:08:44Annie didn't understand that.
01:08:45Stop it.
01:08:47Answer me.
01:08:48Are you proud of this?
01:08:49Oh, stop it, Annie.
01:08:51I'm not gonna stop it.
01:08:52Come on, how could you be so stupid?
01:08:54How could you let a reporter
01:08:55get a hold of Annie's drawings?
01:09:00Annie came in
01:09:01while I was arguing with my father,
01:09:03and...
01:09:04Talk about it.
01:09:05Well...
01:09:05You turn around and look at this.
01:09:06I guess you could say
01:09:07she lodged a protest.
01:09:09bust.
01:09:09Come on.
01:09:11I mean, let's ask you,
01:09:11to you.
01:09:12A62x5!
01:09:29You're all right.
01:09:29You're all right.
01:09:30See you next time.
01:09:30Come on, get up.
01:09:31You're all right.
01:09:31Come on.
01:09:32Come on.
01:09:32Come on.
01:09:33Come on.
01:09:33Come on.
01:09:34Come on.
01:09:35You're all right.
01:09:35You're all right.
01:09:35Come on.
01:09:36she froze all the water in the house she's a big-time telekinetic and that's all joyce cares
01:09:55about joyce is no no i thank you i do understand i mean i think even annie understands why we're here
01:10:08in her own way but for me the thing that's important about annie all that's important about annie
01:10:18is that she responds to love with love there has to be a place for the annies of the world
01:10:27doesn't there i don't know it'd be nice to think so but the world isn't always fair that's all
01:10:33i know it
01:10:36we must drink from the grape and not the grain maybe later
01:11:06you sure
01:11:11could we
01:11:16what you thinking any idea at all not the slightest
01:11:25if only i'd have known i would have dressed for the occasion
01:11:36what's wrong sweetheart
01:11:38what's wrong sweetheart
01:11:46miss hasbury
01:11:48it's not much farther
01:11:58oh
01:12:10oh
01:12:12oh
01:12:16oh
01:12:22oh
01:12:26oh
01:12:28oh
01:12:30oh
01:12:32oh
01:12:34oh
01:12:36oh
01:12:38oh
01:12:40oh
01:12:42oh
01:12:48oh
01:12:50oh
01:12:52oh
01:12:54oh
01:12:56oh
01:12:58oh
01:13:00oh
01:13:02oh
01:13:04oh
01:13:06Come on, put your back into it!
01:13:33What is it you found?
01:13:35Something amazing. It explains so much.
01:13:38Maybe we should tell the others.
01:13:40We will.
01:13:41But I wanted to show you first.
01:14:05What is it you found?
01:14:08What is it you found?
01:14:10What is it you found?
01:14:12What is it you found?
01:14:15What is it you found?
01:14:21What is it you found?
01:14:23What is it you found?
01:14:25What is it you found?
01:14:26What is it you found?
01:14:28What is it you found?
01:14:30What is it you found?
01:14:32What is it you found?
01:14:33What is it you found?
01:14:35What is it you found?
01:14:37What is it you found?
01:14:39What is it you found?
01:14:40What is it you found?
01:14:42What is it you found?
01:14:44What is it you found?
01:14:46What is it you found?
01:14:47What is it you found?
01:14:49Emery?
01:14:57What is wrong with you, woman?
01:14:59Hey, look what you've done to my car!
01:15:00Emery! Emery!
01:15:01Come back!
01:15:07Emery!
01:15:11Woman, do you think we've got
01:15:13exchange insurance information?
01:15:14Where are you?
01:15:16Woman!
01:15:19Emery!
01:15:22Emery!
01:15:25Not there, not there, not there.
01:15:50Emery!
01:15:53Emery!
01:15:56Emery, what's wrong?
01:15:59Stop running!
01:16:00Let me help!
01:16:04Emery?
01:16:05Man?
01:16:22Man?
01:16:23Hey, man!
01:16:24No!
01:16:25No!
01:16:26No!
01:16:27No!
01:16:29No!
01:16:31No!
01:16:33Woman!
01:16:34Wait!
01:16:36Where are you?
01:16:38I'm sorry.
01:16:51Be not afraid.
01:16:55Be not afraid.
01:16:57Be not afraid.
01:16:58Be not afraid.
01:17:00Where am I?
01:17:07Emory!
01:17:11Oh, my God. It is her.
01:17:29What? What? Where are you?
01:17:33Emory!
01:17:36Emors!
01:17:38Is that you?
01:17:40Emory!
01:17:42I don't believe.
01:17:44I don't believe.
01:17:46I know. I don't believe.
01:17:50I don't believe.
01:17:56I don't believe.
01:17:58I don't believe.
01:18:06I don't believe.
01:18:10No!
01:18:12I don't believe.
01:18:14I don't believe.
01:18:16I don't believe.
01:18:26No!
01:18:34Emory!
01:18:36Help me, Mommy. I'm so scared.
01:18:38Emory!
01:18:39Help me, Mommy.
01:18:44Mrs. Waterman?
01:18:46No!
01:18:56Go, help me!
01:18:58Help me! She's alive! Help me if he's alive!
01:19:15Not there. Not there. Not there.
01:19:19I don't want to go! I don't want to go!
01:19:21Open no window! Open no window and let me in!
01:19:24Not there.
01:19:26Emory! I'm having a heart attack!
01:19:30Call 9-1-1!
01:19:32Call 9-1-1!
01:19:34Not there! Not there! Not there! Not there!
01:19:37Emory! Not there!
01:19:39Emory! Look at me!
01:19:41Please! Look at me!
01:19:43For God's sake! Open the window!
01:19:47Oh no! Not there! Not Mummy! Not Vic!
01:19:51Not anyone! Not there! Not there!
01:19:54Not there! Not there! Not there!
01:19:57Not there! Not there! Not there!
01:19:59Ugh!
01:20:00In my hair!
01:20:01Foul or fair!
01:20:02Don't you dare!
01:20:03No one there!
01:20:04Teacher pair!
01:20:05No one there!
01:20:06In my hair!
01:20:08Foul or fair!
01:20:09Don't you dare, no one there, peach or pear.
01:20:16What's going on?
01:20:17No one there, foul or fair, peach or pear.
01:20:20No, no.
01:20:21He came to you for help and you turned your back on him.
01:20:26What the hell's going on?
01:20:36Sir, pardon me, sir?
01:20:50Yes?
01:20:51Are you here for Mr. Pollinger?
01:20:55Is he here?
01:20:56Oh, yes.
01:20:57Waiting for you in the salarium, sir.
01:21:00If you're Professor Miller, that is.
01:21:03He's all right?
01:21:04He's not hurt or?
01:21:06I believe he's impatient to go home, sir, but otherwise he seems quite well.
01:21:12It's a ramp hour.
01:21:14What is going on?
01:21:16I'm sure I cannot say, sir.
01:21:19Miss Raiden's party seems rather rambunctious.
01:21:23Does it indeed?
01:21:25Take me to Bollinger's.
01:21:28Right away, sir.
01:21:32Will I get up here?
01:21:37Will you slow down a bit?
01:21:52Where are you?
01:21:54Hello?
01:21:56Ma'am?
01:21:58Where are you?
01:21:59Where are you?
01:22:05Uh-oh!
01:22:07Help!
01:22:09Uh-oh!
01:22:10Uh-oh!
01:22:11Help!
01:22:12Oh!
01:22:13Uh-oh!
01:22:14Uh-oh!
01:22:15Uh-oh!
01:22:16Uh-oh!
01:22:17Uh-oh!
01:22:18Uh-oh!
01:22:19Oh, my God.
01:22:49I'm no longer there.
01:22:51la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la de la
01:23:07No, no, no, no, no, no.
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