- 14 hours ago
Explore one of Hollywood’s most powerful early dramas with Of Human Bondage (1934) — a gripping story of obsession, heartbreak, and emotional struggle.
The film follows a sensitive young man who becomes entangled in a destructive and unbalanced relationship that challenges his dignity, dreams, and self-worth. Featuring an unforgettable performance by Bette Davis, this classic delivers raw emotion, intense character conflict, and timeless dramatic impact.
Perfect for fans of vintage cinema, literary adaptations, and deep psychological storytelling.
The film follows a sensitive young man who becomes entangled in a destructive and unbalanced relationship that challenges his dignity, dreams, and self-worth. Featuring an unforgettable performance by Bette Davis, this classic delivers raw emotion, intense character conflict, and timeless dramatic impact.
Perfect for fans of vintage cinema, literary adaptations, and deep psychological storytelling.
Category
🎥
Short filmTranscript
00:00:00THE END
00:01:30Arretez au coin, s'il vous plaît.
00:01:32Arretez au coin, s'il vous plaît.
00:02:02Arretez au coin, s'il vous plaît.
00:02:32Arretez au coin, s'il vous plaît.
00:03:02Arretez au coin, s'il vous plaît.
00:03:04Arretez au coin, s'il vous plaît.
00:03:06Arretez au coin, s'il vous plaît.
00:03:08Arretez au coin, s'il vous plaît.
00:03:10Arretez au coin, s'il vous plaît.
00:03:12Arretez au coin, s'il vous plaît.
00:03:14Arretez au coin, s'il vous plaît.
00:03:16S'il vous plaît.
00:03:18S'il vous plaît.
00:03:20S'il vous plaît.
00:03:22S'il vous plaît.
00:03:24S'il vous plaît.
00:03:26S'il vous plaît.
00:03:30S'il vous plaît.
00:03:31S'il vous plaît.
00:03:32S'il vous plaît.
00:03:33S'il vous plaît.
00:03:34S'il vous plaît.
00:03:35Well, you see, I have my limitations.
00:03:39My father was a doctor.
00:03:40I've always been interested in medicine.
00:03:42And if one can't be great,
00:03:44at least one can be of some use to people.
00:04:05Well, I've always had the meny.
00:04:12I don't know why I should have such a thing upon my bird, I don't.
00:04:40I've never had a day's illness in my life, you look at me to know that.
00:04:44It's what we call a winter cough, a great many middle-aged women have it.
00:04:47Well, I've never, that's a nice thing to say to a lady.
00:04:50No one's ever called me middle-aged before.
00:04:53Oh, it's time you got used to it.
00:04:54All the same, you're a nice one, dearie.
00:04:57Unfortunately, I can't say the same for you. Good day, madam.
00:05:00That'll be all now, the rest you come back tomorrow.
00:05:03Get him ready. All right, sir.
00:05:10Are you the boy's father?
00:05:12Yes, sir.
00:05:15What's the matter with you now?
00:05:18You see well enough what the matter is.
00:05:20The boy has a club foot.
00:05:22Oh, uh, Carrie, you better take this case.
00:05:25It's a subject you ought to know something about.
00:05:27It's only for the looks of the thing, you know.
00:05:39I don't find it no trouble.
00:05:40Don't you? That's wonderful.
00:05:43I always did.
00:05:44Oh, that's because you let them go on at you.
00:05:46You seem to be a little slow, Carrie.
00:05:48I think I'll have to instruct the class.
00:05:50There are many varieties of club feet.
00:05:52This is one of the less interesting.
00:05:53Yours would probably prove more interesting.
00:05:57You have Telepisaquinas, haven't you?
00:06:00Yes, I believe so.
00:06:01Don't mind taking off a sock, do you, Carrie?
00:06:07No, not at all.
00:06:23Keeps his feet nice and clean, doesn't he?
00:06:29Hmm, yes, just as I thought.
00:06:31Telepisaquinas.
00:06:33Malformation requiring you to walk on the outside of the foot.
00:06:36A very interesting example, I must say.
00:06:39Do you mind if I have a look?
00:06:42Congenital club foot.
00:06:44In simple language, a foot twisted inward.
00:06:46The cause of this twisting is not clear.
00:06:49Hereditary influence plays a part here.
00:06:51As pointed out by Dr. Little, who traces recurring deformity through four generations.
00:06:55Well, when you've quite finished.
00:07:01I say, old man, I like that.
00:07:04French, isn't she?
00:07:05Yes, she was a model in Paris.
00:07:07You know, I can't for the life of me understand why you gave up painting.
00:07:10I'd rather look at that all day long than at this.
00:07:15Woman, you know.
00:07:16You can tell by the pelvis.
00:07:19I like them with a little more...
00:07:25Oh, there's life in the old girl yet.
00:07:27Don't inhale, dearie.
00:07:30I say, I've got to be getting along.
00:07:32It's a little matter of a barmaid at the crown on anchor.
00:07:35And very nice, too.
00:07:37Cheerio.
00:07:38Funny fellow, isn't he?
00:07:40I say, Carrie, it must have been wonderful having that life in Paris.
00:07:43Well, it was.
00:07:44And do you mean that you really knew all those fascinating women?
00:07:48Well, some of them.
00:07:49I see, you're just the man I'm looking for.
00:07:51I wonder if you couldn't help me.
00:07:52In what way?
00:07:53Well, there's a girl and I can't get anywhere with her.
00:07:56And you've been to Paris and all that.
00:07:59I'm sure you could say something that would give me a starter.
00:08:01I'd ask Griffiths, only he couldn't do it and remember whom he was doing it for.
00:08:05Oh, but you're just the man.
00:08:07You know, say something to make her laugh.
00:08:14What?
00:08:14You don't believe it?
00:08:16You are too suspicious.
00:08:28I say, she's marvelous, isn't she?
00:08:30No, she's anemic.
00:08:43You don't suppose she likes that bounder, do you?
00:08:45Of course.
00:08:47Now's your chance.
00:08:48Say something.
00:08:53Well, I see your friend's going.
00:08:55I don't know what you mean.
00:08:56I was referring to the nobleman with the sandy mustache.
00:09:01Has he left you for another?
00:09:05Some people would do better to mind their own business.
00:09:10Why?
00:09:14You have a very nice back.
00:09:16Am I on speaking terms with your back?
00:09:18Woman, you know.
00:09:20You can tell by the pelvis.
00:09:22And that calls himself a gentleman.
00:09:27I apologize.
00:09:29What for?
00:09:30I promised you something charming.
00:09:31And she's turned out to be ill-natured and contemptible.
00:09:34I'm sorry I let you in for it.
00:09:35Oh, that's all right.
00:09:36You don't suppose I care what an anemic little waitress says to me, do you?
00:09:39Well, I do.
00:09:40I must be going.
00:09:44Coming along?
00:09:46No, I think I'll have some more tea.
00:10:10I'll have some more tea.
00:10:10I'll have some more tea.
00:10:11I'll have some more tea.
00:10:12I'll have some more tea.
00:10:18Anything you want?
00:10:20Yes, if you don't mind, I'd like to talk to you.
00:10:23Um, filthy weather, isn't it?
00:10:27Makes no difference to me.
00:10:28I have to be here all day.
00:10:30Oh, don't talk like that.
00:10:31I only wanted to say something pleasant.
00:10:34Well, say it.
00:10:36You know, you have a lovely smile.
00:10:38You should use it more often.
00:10:40Now, don't go spooking me.
00:10:42A girl that works hard all day like I do,
00:10:45don't have much reason to smile.
00:10:47Perhaps I can find a reason.
00:10:50Will you let me try?
00:10:52Well, I don't know whether I will or whether I won't.
00:10:55Well, I hope you'll decide you will.
00:11:07Well, I wish to go after lunch.
00:11:08I love to get someone else.
00:11:09I don't know.
00:11:10Have a good night.
00:11:10Well, I hope I'll just get somebody else to go to the room.
00:11:11I will do that.
00:11:13I won't go to the room for the room.
00:11:15But I'll just get them.
00:11:29Happy birthday, Mom.
00:11:30Who's on?
00:11:30I'll be tonight.
00:11:31Happy birthday.
00:11:32Happy birthday.
00:11:33Happy birthday.
00:11:34Happy birthday.
00:11:35Happy birthday.
00:12:06Like that, and that, like so.
00:12:36That's just a nice little hand.
00:12:52Excuse me, won't you?
00:12:53Yeah, yeah.
00:12:54How do you do?
00:12:59You seem to be in a great hurry.
00:13:01Well, I've been waiting ten minutes.
00:13:05I didn't know you could draw.
00:13:07Didn't you?
00:13:08That meant to be me.
00:13:09Looks like you, doesn't it?
00:13:12If you look at it that way.
00:13:14Tea?
00:13:14You are a strange sort.
00:13:20I say, will you dine with me sometime?
00:13:23And we'll go to the theatre.
00:13:25I don't mind.
00:13:26When will you come?
00:13:28I'm off Thursdays.
00:13:29All right, shall we say Thursday?
00:13:31Seven o'clock, Victoria Station.
00:13:38All right.
00:13:38I'll meet you, Victoria, in the second-class waiting room.
00:13:47All tickets, please.
00:13:49Show your tickets.
00:13:51All tickets, please.
00:13:54Show your tickets.
00:13:56All tickets, please.
00:13:58Show your tickets.
00:14:00All tickets, please.
00:14:02Both drag, platform 19.
00:14:06All tickets, please.
00:14:07All tickets, please.
00:14:09All tickets, please.
00:14:10All tickets, please.
00:14:13All tickets, please.
00:14:14All tickets, please.
00:14:16All tickets, please.
00:14:17Show your tickets.
00:14:18All tickets, please.
00:14:20Show your tickets.
00:14:22All tickets, please.
00:14:24All tickets, please.
00:14:25Show your tickets.
00:14:26All tickets, please.
00:14:28All tickets, please.
00:14:30Both drag, platform 19.
00:14:32All tickets, please.
00:14:34All tickets, please.
00:14:35Well, I thought you were never coming.
00:14:41I like that, after keeping me waiting.
00:14:43I almost went home.
00:14:45I was in the second class waiting room.
00:14:47I thought you said you'd be there.
00:14:48Now I say.
00:14:50Is it likely I'll sit in the second class when I could sit in the first?
00:14:53For a gentleman of brains, you don't use them, do you?
00:14:58Perhaps not.
00:14:59Anywhere you're here, so it's all right, isn't it?
00:15:01Certainly do make a girl feel important to you.
00:15:05I love that music.
00:15:11Whenever I hear it, I think of you.
00:15:17How pale you are.
00:15:19How strange, how cold.
00:15:26You are going it.
00:15:28Do you always order champagne?
00:15:31No.
00:15:33Then why'd you do it now?
00:15:35I was hoping it would make you more friendly.
00:15:43Do you think it will?
00:15:45Well, there's one thing I can say for you.
00:15:49A gentleman in every sense of the words.
00:15:51May I see you again?
00:16:04May I see you again?
00:16:21I don't mind.
00:16:21It doesn't make any difference to you?
00:16:24Well...
00:16:27You don't take me out.
00:16:29Someone else will.
00:16:30I'll say goodnight here.
00:16:57Won't you stay for a moment?
00:16:58No.
00:16:59Why not?
00:17:00Why, people would think I don't know what all.
00:17:30Why not?
00:17:50I love that music.
00:18:04Whenever I hear it, I think of you.
00:18:07Whenever I hear it, I think of us.
00:18:20I've never danced with anyone who danced like you.
00:18:50I've been with you, all my life.
00:19:13You don't seem to have much to do with your time.
00:19:15I should be studying.
00:19:17Then why don't you?
00:19:18I'd rather see you.
00:19:20Any of the girls notice you're waiting for me?
00:19:22I don't know.
00:19:23Why, what difference does it make?
00:19:25They all laugh at you, you know.
00:19:27Do they?
00:19:28Why?
00:19:29They say you're in love with me.
00:19:36May I call you Militant?
00:19:38I don't mind.
00:19:40Look here, don't say that any more, will you?
00:19:44Why not?
00:19:45Well, alternate, I'll call you Mildred.
00:19:48And you call me Philip, will you?
00:19:50I think of it.
00:19:52I, um...
00:19:54I'm a little awkward at this, but...
00:19:57Will you kiss me goodnight?
00:19:58No.
00:19:59Oh, Mildred.
00:20:00Will you come to the theatre with me on Saturday?
00:20:02I don't mind.
00:20:04Will you come to the theatre with me on Saturday?
00:20:06I don't mind.
00:20:16You're sure they're for Saturday?
00:20:18Certainly.
00:20:39My name is Miller.
00:20:40Emile Miller.
00:20:41We should know each other.
00:20:42Why?
00:20:43Well, we are both interested in the same thing.
00:20:46Thing?
00:20:47My dear young man, you are so, um...
00:20:50So, uh...
00:20:52Artistic.
00:20:53You, you should be more...
00:20:57Like so.
00:20:58Thanks.
00:20:59Thanks very much.
00:21:00That's, uh...
00:21:01That's all right.
00:21:03Hip change?
00:21:09What time should I see you?
00:21:11Oh, I forgot to tell you, Philip.
00:21:13I can't go.
00:21:15Why not?
00:21:17My aunt's here.
00:21:21Oh.
00:21:26Well...
00:21:29What's the sense in that?
00:21:31You don't suppose I want to go by myself, do you?
00:21:33I only got them for your sake.
00:21:35Well, you needn't go on about it.
00:21:37You're going to be all right.
00:21:38Uh...
00:21:43Violent?
00:21:44Sweet Violet.
00:21:45Sweet Violet.
00:21:47Sweet Violet.
00:21:49Violet's...
00:21:50Sweet Violet.
00:21:51Violet's...
00:21:52Violet's...
00:21:54Violet's...
00:21:56Violet's...
00:21:57Violet's...
00:21:58You're spying on me. I always thought you was a gentleman at every sense of the word.
00:22:03Are you going out with Miller?
00:22:05No.
00:22:09Well, what if I am? I can go out with him if I want to, can't I?
00:22:16He's keeping you waiting, isn't he?
00:22:18Well, I'd rather wait for him than if you wait for me.
00:22:21Why don't you change your mind? I'll get some more tickets and we'll...
00:22:29No.
00:22:37You keep looking for him the way I look for you.
00:22:44If you don't come out for me tonight, you'll never see me again.
00:22:47Good riddance to bad rubbish.
00:22:51I guess so.
00:22:54You're not able to see him.
00:22:55It's just that best.
00:22:57I'm ready.
00:22:59I'm ready.
00:23:00I'm ready.
00:23:06I'm ready.
00:23:07There we go.
00:23:10The game's ready.
00:23:12I'm ready.
00:23:15The game's ready.
00:23:16The game is ready.
00:23:18I'm ready.
00:23:19Oh, my God.
00:23:49Oh, my God.
00:24:19Oh, my God.
00:24:49Oh, my God.
00:25:19Oh, my God.
00:25:49Oh, my God.
00:25:51Oh, my God.
00:25:55Oh, my God.
00:25:57Sorry, old boy.
00:25:58How about a nice large beer?
00:26:01Wouldn't help.
00:26:03Well, what would?
00:26:04Oh, my God.
00:26:05Oh, my God.
00:26:14Oh, my God.
00:26:15Oh, my God.
00:26:24Oh, my God.
00:26:26Oh, my God.
00:26:27Oh, my God.
00:26:28Oh, my God.
00:26:29Oh, my God.
00:26:31Oh, my God.
00:26:32Well, I can tell you.
00:26:33And then you know he'll tell you.
00:26:34Bill, leave it.
00:26:36Why, what for?
00:26:37And so do I.
00:26:39What do you mean?
00:26:41I'm sorry, I didn't mean...
00:26:44You're a bit too superior for me, my fine young friend.
00:26:51Mildred!
00:26:59Of course you don't like me, I'm a cripple.
00:27:01You don't feel it, isn't that?
00:27:03Oh yes, I've felt it all along.
00:27:05Foolish.
00:27:10My hat, silly.
00:27:12You are clumsy.
00:27:14You're off your nut, you don't know what you're doing.
00:27:19What sort of practice can you expect to have with a wife like that?
00:27:23I don't know.
00:27:24Let me ask you something.
00:27:25Why do you want to marry this girl?
00:27:26Because I'm so in love with her.
00:27:58I don't know.
00:27:59I don't know.
00:28:00I don't know.
00:28:01I don't know.
00:28:02I don't know.
00:28:03You've been so sweet to me all day.
00:28:04And I've got something to ask you and it makes it so much easier for me.
00:28:05It makes it easier for me too.
00:28:06I have something to tell you.
00:28:07No, no, no.
00:28:08Let me tell you first.
00:28:09There it is.
00:28:10There it is.
00:28:11There it is.
00:28:12There it is.
00:28:13There it is.
00:28:14There it is.
00:28:15There it is.
00:28:16There it is.
00:28:17There it is.
00:28:18Thank you, sir.
00:28:19Thank you, sir.
00:28:20Hello.
00:28:21Were you surprised by asking you to take me to dinner tonight?
00:28:23It makes it easier for me too.
00:28:24I have something to tell you.
00:28:25No, no, no.
00:28:26Let me tell you first.
00:28:27There it is.
00:28:28I want you to marry me.
00:28:29I'm so sorry, Philip.
00:28:30That's just what I was about to tell you.
00:28:31I shouldn't have waited so long.
00:28:32The fact is, I'm going to be married.
00:28:53Are you?
00:28:54To whom?
00:28:55A man I know.
00:28:57He owns very good money.
00:29:00Yes, I'm sure of it.
00:29:03Now, you won't go on about it, will you, Philip?
00:29:07All right.
00:29:09I'm getting on.
00:29:11Twenty-four.
00:29:12It's time I settle down.
00:29:14The gentleman earns seven pounds.
00:29:16Whitney's got good prospects.
00:29:18Well, this is goodbye.
00:29:19I hate to eat and run, Philip, but...
00:29:22Well, I have an engagement.
00:29:24I'm going to the theatre with the gentleman I'm going to marry.
00:29:27All the ladies soldiers of the day, love me tonight.
00:29:28It's your company, Sharon.
00:29:29Love me tonight.
00:29:30All the ladies.
00:29:31All the ladies.
00:29:32Love me tonight.
00:29:33All the ladies.
00:29:34Love me tonight.
00:29:35It's your company, Sharon.
00:29:36Love me tonight.
00:29:37It's your company, Sharon.
00:29:38Love me tonight.
00:29:39All the ladies.
00:29:40Love me tonight.
00:29:41It's your company, Sharon.
00:29:42Love me tonight.
00:29:43All the ladies.
00:29:44Love me tonight.
00:29:45The ladies soldiers of the day.
00:29:46It's your company, Sharon.
00:29:47Love me tonight.
00:29:48It's your company, Sharon.
00:29:49Love me tonight.
00:29:50It's your company, Sharon.
00:29:52It's your company, Sharon.
00:29:54All the ladies.
00:29:56The ladies soldiers of the day.
00:29:57It's your company, Sharon.
00:29:59Yes, haben Air.
00:30:00Call of the Ladies.
00:30:01The ladies soldiers of the day.
00:30:02If you want me tonight.
00:30:03On the ladies.
00:30:04All the ladies soldiers of the day.
00:30:06All the latest soldiers come to me tonight,
00:30:08come to me tonight...
00:30:09Here, Haller.
00:30:11Come to me tonight!
00:30:13Come to me tonight, come to me tonight,
00:30:16come to me tonight!
00:30:17The soldiers come to me here!
00:30:19Come to me tonight...
00:30:21All the ladies...
00:30:23All the ladies gekommen...
00:30:35THE END
00:31:05You seen her since?
00:31:12No
00:31:12Well London is the largest city in the world
00:31:16And you know the cure for one woman
00:31:18Another
00:31:19Right-ho
00:31:21Nora
00:31:33You don't read such junk, do you?
00:31:36No, I write it
00:31:37What?
00:31:39That's how I earn my living
00:31:40I didn't know
00:31:42Successful?
00:31:44Very
00:31:44I have an immense popularity amongst kitchen maids
00:31:47They think me so refined
00:31:49Let's not talk about that
00:31:55Let's talk about us
00:31:59Nora
00:32:12You're not really fond of me, are you?
00:32:17Clever boy
00:32:18You ask such foolish questions
00:32:21Oh my dear, it never struck me that you could be
00:32:23Pleased?
00:32:25Delighted
00:32:26And so proud
00:32:28And so happy
00:32:28And so
00:32:29So grateful
00:32:30I wish you hadn't been in love with
00:32:33What was her name?
00:32:36Mildred
00:32:37Because if she hadn't treated you so abominably
00:32:41It wouldn't have taken you so long to understand how I feel
00:32:44I saw you
00:33:04I wasn't very quick
00:33:07Let's go out and play
00:33:09Not until you've passed that exam
00:33:39Tell me darling, what do you get out of this?
00:33:49You'll never know
00:33:50Afraid you don't get much fun with me
00:33:53I wish
00:33:55If only I could take you dancing
00:33:58I know how you love it
00:34:01Philip, it's very silly of you to be so sensitive about your foot
00:34:04You know, other people don't think about it nearly as much as you do
00:34:08They notice it when they first see you
00:34:11And after that they forget all about it
00:34:12You know, I only speak of it because I love you
00:34:18And I don't want it to make you unhappy
00:34:21Now, will you please stay here
00:34:25And go on cramming for that exam
00:34:27Thank you
00:34:34There's a lady to see you, sir
00:34:41Oh, is there?
00:34:42I shouldn't have let her in, but she was that upset
00:34:45I just
00:34:45Nora
00:34:46What do you want?
00:35:01I didn't think I'd ever see you again
00:35:02What's the matter?
00:35:14He's left me
00:35:15Emo
00:35:17Oh, has he?
00:35:23Yes
00:35:23Of course, I'm going to have a baby
00:35:27Well, why don't you sit down?
00:35:47I suppose you want him back
00:35:58He'll never come back
00:36:00Why not?
00:36:02He just won't, that's all
00:36:04If you're his wife, he has to provide for you
00:36:06He won't give me anything
00:36:09Even if he did, I wouldn't take it
00:36:16Why not?
00:36:18Now, what's happened?
00:36:20I've still got me pride
00:36:21That's something, isn't it?
00:36:27Have you got any money?
00:36:30No
00:36:30Well, you'd better get yourself a place to live
00:36:35After that, we'll see what can be done
00:36:38Oh, Philip
00:36:40You're always so good to me
00:36:42That's why I knew I could come to you
00:36:44Now, look here, Mr. Miller
00:36:52I'd like to know what you intend to do about Mildred
00:36:55I?
00:36:56What you expect me to do?
00:36:58Well, I expect you to take care of her
00:36:59You married her, you know
00:37:00Aye
00:37:01I married Mildred?
00:37:04Ah
00:37:04I married, uh
00:37:06Stephen one
00:37:10Well, all the same
00:37:17I'd still like to know what you intend to do about it
00:37:19Me?
00:37:21I can do nothing
00:37:22One man cannot solution the problem of the unmarried mother
00:37:25Why didn't you tell me?
00:37:37I just couldn't
00:37:39Well
00:37:41Brace up
00:37:43Everything will be all right
00:37:55Philip
00:37:56Do you still
00:38:09Like me?
00:38:15Really?
00:38:18Strange as it may seem, I always have
00:38:20I suppose I always shall
00:38:22I did everything I could
00:38:25To make you love me
00:38:26I thought you were incapable of loving anybody
00:38:29It seems horrible to think that
00:38:33That you were willing to sacrifice everything for that man
00:38:36I'm awfully sorry, Philip
00:38:37I shall never forget you wanted to marry me
00:38:55Philip
00:38:57Yes?
00:39:01You've been so nice to me
00:39:03I'll do anything you want
00:39:08Will you?
00:39:11Why?
00:39:12Why, I owe it to you
00:39:13Oh
00:39:16Do you?
00:39:17You're not angry?
00:39:26No
00:39:26Then will you stay and have some dinner?
00:39:34Yes, if you want me to
00:39:36Of course, Philip
00:39:38Nothing could like me more
00:39:40Just a moment
00:39:42I'll have everything ready
00:39:51I'll have everything ready
00:40:04I'll have everything ready
00:40:05Come in.
00:40:26Hello, darling.
00:40:28Nora.
00:40:30How did you happen to come?
00:40:33Just passing by.
00:40:35I wanted to rub my nose against your door.
00:40:43Philip, why haven't I heard from you?
00:40:47I was just going to write.
00:40:49Why haven't you come to see me?
00:40:51Well, I've been busy.
00:40:56Why so silent?
00:40:59Well, you see...
00:41:03Nora.
00:41:03I've got something strange to tell you.
00:41:07You've been so good to me, it only makes it harder.
00:41:12Philip, what's wrong?
00:41:15I'm sorry.
00:41:16It's just over.
00:41:18You mean you don't care for me anymore?
00:41:21I'm afraid so.
00:41:23What have I done?
00:41:24Nothing.
00:41:25You've been wonderful to me.
00:41:26You've been wonderful to me.
00:41:27It's just that I...
00:41:34Of course, I knew you never loved me as much as I loved you.
00:41:38Yes, I'm afraid that's usually the case.
00:41:41There's usually one who loves.
00:41:43And one who is loved.
00:41:45Oh, it's always the same.
00:41:46If you want a man to be nice to you, you have to be rotten to him.
00:41:52If you treat a man honestly, you...
00:41:59Philip.
00:42:01There's someone else.
00:42:02There's someone else.
00:42:06Yes.
00:42:08Who is she?
00:42:11Mildred.
00:42:12She's come back.
00:42:15After all she's done.
00:42:19How could you?
00:42:21That's what I'd like to know.
00:42:24Just as though you were...
00:42:26bound to her in some way.
00:42:27Yes.
00:42:29As I am to you.
00:42:33As she was to Miller.
00:42:36As every human being is.
00:42:39To something or other.
00:42:54Funny looking little thing, isn't it?
00:42:55I can't believe it's mine.
00:42:58No, if you'll excuse me.
00:43:02I'm so glad it's over, darling.
00:43:04You've been so good to me, Philip.
00:43:05From now on, things will be different.
00:43:06Now you will take good care of her, won't you?
00:43:07That I will, Mum.
00:43:08Good day.
00:43:09Good day.
00:43:10Good day.
00:43:11Good day.
00:43:12I know you don't like it, Philip.
00:43:13I can't do anything else if I'm going to work.
00:43:14I know you don't like it, Philip.
00:43:15I can't do anything else if I'm going to work.
00:43:16You've been so good to me, Philip.
00:43:17You've been so good to me, Philip.
00:43:18From now on, things will be different.
00:43:19Now you will take good care of her, won't you?
00:43:20That I will, Mum.
00:43:21Good day.
00:43:22Good day.
00:43:23Good day.
00:43:24I know you don't like it, Philip.
00:43:26I can't do anything else if I'm going to work.
00:43:27No, I suppose not.
00:43:29But be sure and go over on Sundays, see the baby's properly taken care of.
00:43:46I will.
00:43:47What are we going to do this afternoon?
00:43:50Er, I asked Griffiths to come over.
00:43:52What you want?
00:43:53What you want?
00:43:54Uh, I asked Griffiths to come over.
00:43:57Oh, did you?
00:43:59Why?
00:44:01Well, I know you find him amusing, and I...
00:44:04I'm always afraid of... boring you.
00:44:14Hello, hello, hello!
00:44:16Sorry I'm late.
00:44:18Had to get rid of a girl.
00:44:20Why didn't you bring her along?
00:44:21Oh, I'm not interested in my girl.
00:44:23I'm only interested in other men's girls.
00:44:26Do you like me?
00:44:34Really, I'm too hungry to know.
00:44:36But I think I like you lots.
00:44:38I'd like you a lot more if you got him to take us out to dinner tonight.
00:44:41And if you do, I'll tell you some funny stories.
00:44:43And you'll laugh and think you're having a wonderful time.
00:44:45What will he do?
00:44:47Oh, pay the bill.
00:44:49What's that bill?
00:44:51Your missus?
00:44:52I'm sorry.
00:44:53I thought it was your sister.
00:44:54Ha ha ha ha ha!
00:44:55I thought it was your sister.
00:44:57Ha ha ha ha!
00:45:12Well, there'll a hup.
00:45:19There'll a hup.
00:45:22I thought it was just a...
00:45:33Good night, Philip.
00:45:38Good night.
00:45:42Just a moment.
00:45:52Are you in love with Mildred?
00:45:54I?
00:45:57So that's what you've been so funny about, huh?
00:46:00Why, my dear old boy, I...
00:46:02It doesn't matter to you, Harry. You've got so many women.
00:46:05Don't take Mildred away from me.
00:46:08But my dear old boy, she's nothing to me at all.
00:46:12Nothing at all.
00:46:14Do you like it, Philip?
00:46:18Very much.
00:46:20So nice of you to give it to me.
00:46:22Do you like it, Philip?
00:46:32Very much.
00:46:34So nice of you to give it to me.
00:46:43What are you thinking about?
00:46:46You were having quite a flirtation with Griffiths last night.
00:46:49Yes, I was, wasn't I?
00:46:50It's a matter of fact, well, I'm sort of in love with him.
00:46:56I'm not surprised.
00:46:58Why, what do you mean?
00:46:59Well, Griffiths is good looking, he's amusing, he says the kind of things that make you laugh.
00:47:03I thank you not to make fun of me.
00:47:04You're a bit too superior for me, my fine young friends.
00:47:06Oh, good heavens, Mildred, I wasn't making fun of you.
00:47:08Well, you certainly don't act a bit serious.
00:47:10Well, I don't think it is.
00:47:11Oh, you don't, eh? Why not?
00:47:12Because Griffiths isn't in love with you.
00:47:13How do you know?
00:47:14I asked him.
00:47:15Would you like to read a letter I got from him this morning?
00:47:21I've been up all night thinking about you.
00:47:31And I've just sent for a special messenger who will take this to you in the dawn.
00:47:35You've no notion of the time I had with your friend last night.
00:47:42He kept asking me if I love you, and of course, what could I say?
00:47:47He'll doubtless tell you all this, so I'm making sure that you...
00:47:56Well?
00:48:01I won't help but if I love him, can I?
00:48:03No, I suppose not, but...
00:48:05And what's your going on about?
00:48:06Nothing.
00:48:08Only I was fool enough to think that you cared for me.
00:48:11I do, Philip.
00:48:12He's a friend.
00:48:15Not in any other way.
00:48:18But you do care for Griffiths in the other way.
00:48:23But you're...
00:48:24You're rather cold.
00:48:25That sort of thing doesn't mean anything to you.
00:48:30That's what you think.
00:48:33There's no use going on about it, Philip.
00:48:44Said yourself I couldn't help it if I'm in love with him.
00:48:47Well, if there's anything else to be said, say it.
00:48:59That's a nice dress you have on, Mildred.
00:49:02I couldn't afford it, but I paid for it.
00:49:06You have a nice apartment.
00:49:07I couldn't afford it, but I paid for it.
00:49:09You're a gentleman.
00:49:10You think you'd throw what you've done for me in the face?
00:49:12Do you think it matters to me whether I'm a gentleman or not?
00:49:15If I were a gentleman, you don't suppose I'd care for a cheap bugger little...
00:49:21I'm sorry, Philip.
00:49:23I didn't want to end this way.
00:49:29Harry's waiting for me.
00:49:31What do you intend to do?
00:49:32We're going to Paris.
00:49:37Get out.
00:49:38Get out.
00:49:39Get out.
00:49:39I'm sorry.
00:50:03I've moved three times.
00:50:32And each time this woman's hounded me down.
00:50:35I don't like to do this, but...
00:50:37All right, sir.
00:50:38I'll move on.
00:50:39Come on, young lady.
00:50:41You can't stay here.
00:50:42Come on, now.
00:51:02Look here, Carrie.
00:51:03Mildred and I are all washed up.
00:51:04That's too bad.
00:51:09If you'll excuse me, I'm due in the ward.
00:51:15Anything interesting, Carrie?
00:51:22I was just thinking what an unusual name you have.
00:51:24It's a very old Yorkshire name.
00:51:25Once took a day's riding across our estates.
00:51:27And here I am in a charity hospital.
00:51:29Because my father loved fast women and slow horses.
00:51:32How old are you?
00:51:33How old are you?
00:51:34How old are you?
00:51:35How old are you?
00:51:36How old are you?
00:51:37How old are you?
00:51:38How old are you?
00:51:39How old are you?
00:51:40Hall, hey, let's go.
00:51:41One help, Bea.
00:51:42Here's the fine young lady, what's the olde emelius real name?
00:51:45It's a very old Yorkshire name.
00:51:47Once took a day's riding across our estates.
00:51:49Here I am in a charity hospital because my father loved fast women and slow horses.
00:51:55How the mighty a-fallen!
00:52:06Hello!
00:52:07Hello, father.
00:52:08My father always calls her Sally.
00:52:10This young man is a student here.
00:52:12He's been very nice to me.
00:52:14And with some inducement, he might be nice to you.
00:52:16Now, Father,
00:52:18Father's particular genius is saying the wrong thing.
00:52:22He thinks it's fun to embarrass me.
00:52:24It is!
00:52:26Why don't you try it sometime, Carrie?
00:52:28I will if I get the chance.
00:52:30You shall have it. You're coming to see us the first Sunday I'm home.
00:52:34Oh, yes, please do.
00:52:38I'll see you later.
00:52:40I'll see you later.
00:53:02What a quaint house.
00:53:04Yes, it is, but it's not very sanitary.
00:53:06Sanitation be hanged. Give me art.
00:53:08I've got nine children and they thrive on bad drains.
00:53:12Look at that now.
00:53:14I am with great admiration.
00:53:18Shall I bring the ale, Father?
00:53:20Right, my girl. The sooner the better.
00:53:22I hope you didn't have the table in here on my account.
00:53:24I'd have been quite happy to have had dinner with Mrs. Affelnir and the children.
00:53:26Oh, no. I always take meals by myself.
00:53:28I like these antique customs.
00:53:30I don't think women ought to sit down at table with men.
00:53:32Oh, don't you? Why not?
00:53:34It ruins conversation.
00:53:36I'm sure it's very bad for them.
00:53:38It puts ideas in their heads.
00:53:40And women are never at ease with themselves when they have ideas.
00:53:42You sound like the voice of old England.
00:53:44I am, sir.
00:53:46And it's this fine old Yorkshire pudding that gives me strength to carry on.
00:53:48Now, stop getting up and down like a jumping jack every time she comes into the room.
00:53:50She doesn't want you to make a fuss about her, do you, Sally?
00:53:52And she won't look at rude if you sit still while she waits on you.
00:53:54She don't care to hang for chivalry, do you, Sally?
00:53:56No, Father.
00:53:57You speak quietly while I eat the young man's hands of a man's hands.
00:53:59I'm sorry.
00:54:00I'm sorry.
00:54:01I'm sorry.
00:54:02I'm sorry.
00:54:03I'm sorry.
00:54:04I'm sorry.
00:54:05I'm sorry.
00:54:06I'm sorry.
00:54:07I'm sorry.
00:54:08I'm sorry.
00:54:09I'm sorry.
00:54:10I'm sorry.
00:54:11I'm sorry.
00:54:12I'm sorry.
00:54:13I'm sorry.
00:54:14I'm sorry.
00:54:15I'm sorry.
00:54:16I'm sorry.
00:54:17Why eatin' the young man so boldly?
00:54:21Yes, Father.
00:54:23You know what I'm talking about, Sally?
00:54:25How could I, darling?
00:54:27You're so clever.
00:54:28Don't stand behind my chair in order to make eyes at him.
00:54:33Better get Phillip some more ale.
00:54:35Let us thank God for simple pleasures, a good appetite, roast beef and beer.
00:54:43I was married to a lady once.
00:54:47Good heavens.
00:54:49Never marry a lady, my lord.
00:54:52Oh, really?
00:54:54I was married to a lady once.
00:54:58Good heavens.
00:55:00Never marry a lady, my lord.
00:55:02Oh, really? Why?
00:55:04Because a lady has a point of view, a personality and an individuality. All to double you with.
00:55:10Hang it all you want a waifuga and cook your dinner and look after your children. Don't you think so, Sally?
00:55:16Father, I think you'd talk the hind leg off a donkey.
00:55:18Well, it's clean fun. Now, Sally, wait it on me, I'll wait on you. Take my chair here.
00:55:24While I fetch you and the young man some cheese.
00:55:26Thank you, Father.
00:55:28Well, what do you think of us?
00:55:29You don't know what this means to me.
00:55:32You see, I practically never had any family.
00:55:34This is almost the only place I've ever known that's had the quality of, of home.
00:55:40Don't you think we're a little queer?
00:55:42Everyone's queer but me and thee. And sometimes thee is a little queer.
00:55:48Thank you, Father.
00:55:49It's no use moaning over Carrie.
00:55:52Sally never kisses a gentleman until he's been here twice.
00:55:55You must ask me again sometime.
00:55:56Do it yourself.
00:55:57Why don't you come next Sunday?
00:55:58Why don't you come next Sunday?
00:55:59Mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm-mm.
00:56:00It's no use moaning over her, Carrie.
00:56:04Sally never kisses a gentleman until he's been here twice.
00:56:12You must ask me again sometime.
00:56:16Do it yourself.
00:56:18Why don't you come next Sunday?
00:56:30How are we?
00:56:32I saw my revelations.
00:56:34What else did you say?
00:56:36In here?
00:56:38It walked out.
00:56:45No, she was like.
00:56:48No.
00:56:50She felt a little.
00:56:52Standard a little.
00:56:56May I walk to the station, will you?
00:57:13No.
00:57:13Why not?
00:57:15It's too late and you're a child.
00:57:17I'm 20.
00:57:19Let's talk it over when you're 30.
00:57:26Did you hear what I said, old man?
00:57:39Yes, I heard.
00:57:41Sorry if I brought up a painful subject, only I thought you'd be interested to hear about Mildred.
00:57:47Sorry she's had such a bad time.
00:57:48I gave her all I could, but you know me, always stony broke.
00:57:53I thought perhaps you'd want to...
00:57:55I can't do anything.
00:57:57Got another cigarette?
00:58:00I don't blame you.
00:58:02I wouldn't have told you, only she asked me to give you her address.
00:58:06Gave you a bit of a jolt, I can tell you, seeing her lugging that baby around and asking for something to eat.
00:58:12She has the baby with her?
00:58:14Yes.
00:58:15It's not difficult to imagine her next step.
00:58:17I don't know.
00:58:26Here we go.
00:58:27I don't know.
00:59:08Baby, all right?
00:59:10I'm very grateful to you, Philip.
00:59:14If I could afford it, I'd have given you a place of your own.
00:59:18As it is, you're welcome to my room.
00:59:21I don't know what will become of me and...
00:59:24and baby.
00:59:26You hadn't taken us in.
00:59:28Oh, you'd have got on, I expect.
00:59:30You've always been much nicer to me than I deserved.
00:59:34I'm beginning to realise how silly I've been.
00:59:36Well, you couldn't help how you felt.
00:59:39Let's not talk about it, shall we?
00:59:42I don't feel like that now.
00:59:44Okay, Mildred.
00:59:46Let's have no misunderstanding about this.
00:59:48The reason you're here is because...
00:59:50I know.
00:59:52Because you once liked me enough to want to marry me.
00:59:58Yes.
01:00:00Well, at least I can...
01:00:02cook for you and...
01:00:03keep your flat clean.
01:00:08Maybe someday you'll...
01:00:10you'll feel better about me and...
01:00:12things will be like they used to be.
01:00:16you'll feel better.
01:00:20Oh, thanks.
01:00:21I'll smoke it later.
01:00:26Well...
01:00:29good night.
01:00:33Good night.
01:00:46Good night.
01:00:47Good night.
01:00:48Good night.
01:00:49Good night.
01:00:50Good night.
01:00:51Good night.
01:00:52Good night.
01:00:53Good night.
01:00:54Good night.
01:00:55Good night.
01:00:56Good night.
01:00:57Good night.
01:00:58Good night.
01:00:59Good night.
01:01:00Good night.
01:01:01Good night.
01:01:02Good night.
01:01:03Good night.
01:01:04Good night.
01:01:05Good night.
01:01:06Good night.
01:01:07Good night.
01:01:08Good night.
01:01:09Good night.
01:01:10Good night.
01:01:11Good night.
01:01:12Good night.
01:01:13Good night.
01:01:14Good night.
01:01:15The landlady came upstairs a little while ago. She said, Mrs. Carey, she said, how can you stand it?
01:01:36Well, what's the matter with them?
01:01:37They're indecent. Disgusting, I calls it. They have drawings of naked people about.
01:01:42You want to know what I think. I've half a mind to take them down myself.
01:01:48You do nothing of the kind.
01:01:53I love those pictures, Mildred. I love them for what they were meant to be.
01:02:12What happened to it?
01:02:23Hmm? What?
01:02:26The way you used to love me.
01:02:28Oh, I don't know.
01:02:30I was disappointed so often and hurt so much.
01:02:34Besides, what difference does it make, anyway?
01:02:35Nothing. Only, remember how you got when I was so cold to you?
01:02:43Getting me that way.
01:02:45Because you're so cold to me.
01:02:48No one else is there.
01:02:49No one else is there.
01:03:03No one else.
01:03:04No one else is there.
01:03:06No one else is coming to you.
01:03:08He's not in love with anybody.
01:03:38He's not in love with anybody.
01:04:08He's not in love with anybody.
01:04:16Where were you?
01:04:17Athelnes.
01:04:19What are you doing up?
01:04:22I couldn't sleep.
01:04:25I couldn't sleep.
01:04:29Hadn't you better put on something warmer?
01:04:31Oh, I'll be all right.
01:04:35Just let me stay here.
01:04:43Phil.
01:04:46Phil, I love you so.
01:04:48Oh, nonsense.
01:04:49Tisn't.
01:04:50I can't live without you.
01:04:52Please get up.
01:04:53You're making a fool of yourself and a fool of me.
01:04:56Athel, please.
01:04:59I can't get on off this.
01:05:12Nonsense.
01:05:13You haven't anywhere to go.
01:05:14Stay here as long as you like.
01:05:15But with the definite understanding...
01:05:21You disgust me.
01:05:33Me?
01:05:34I disgust you.
01:05:36You.
01:05:37You.
01:05:38You.
01:05:39You.
01:05:40You're too fine.
01:05:41You won't have none of me.
01:05:42But you'll sit here all night looking at your naked females.
01:05:43Mildred.
01:05:44You.
01:05:45You.
01:05:46You.
01:05:47You're too fine.
01:05:48You won't have none of me.
01:05:49But you'll sit here all night looking at your naked females.
01:05:52Mildred.
01:05:53You cared.
01:05:54You dirty swine.
01:05:56I never cared for you, not once.
01:05:58I was always making a fool of you.
01:06:00You bored me stiff.
01:06:01I hated you.
01:06:02It made me sick when I had to let you kiss me.
01:06:05I only did it because you begged me.
01:06:07You hounded me.
01:06:08You drove me crazy.
01:06:09And after you kissed me, I always used to wipe my mouth.
01:06:13Wipe my mouth.
01:06:15But I made up for it.
01:06:16For every kiss I had a laugh.
01:06:18We laughed at you.
01:06:19Miller and me and Griffiths and me.
01:06:21We laughed at you.
01:06:22Because you was such a mug.
01:06:24A mug.
01:06:25A mug.
01:06:26You know what you are.
01:06:28You gippy lake monster.
01:06:30You're a cripple.
01:06:31A cripple.
01:06:32A cripple.
01:06:39You love these things.
01:06:41You love what they were meant to be.
01:06:43Well, here's what they were meant to be.
01:06:48You want to be a doctor.
01:07:06You need to be a doctor.
01:07:10This will take you through medical school.
01:07:40You're leaving?
01:07:56Why?
01:07:58My money's gone.
01:08:00What do you intend to do?
01:08:02Oh.
01:08:04Anything.
01:08:06Before you go out into the world,
01:08:08don't you think we ought to try and do something about that foot?
01:08:12Think it'll do any good?
01:08:14I'll know better tomorrow.
01:08:20How are you, Philip?
01:08:22I'm all right, Sally.
01:08:24How's the foot?
01:08:26Well, let's try, shall we?
01:08:30Go now.
01:08:34Go now.
01:08:36Go now.
01:08:38Go now.
01:08:42Go now.
01:08:46Go now.
01:08:48Go now.
01:08:54Go now.
01:08:58No, Oakley.
01:09:13Sorry, nothing today.
01:09:16All situations filled.
01:09:17Nothing today.
01:09:18No experience?
01:09:19How'll do you?
01:09:20Nothing today.
01:09:21All situations filled.
01:09:23Sorry, no.
01:09:26All situations filled.
01:09:27Sorry, no vacation.
01:09:28Nothing today.
01:09:30No opening.
01:09:30Nothing.
01:09:31Nothing.
01:09:32Nothing.
01:09:32Nothing.
01:09:33Nothing.
01:09:33Nothing.
01:09:34Nothing.
01:09:34Nothing.
01:09:35Nothing.
01:09:56Nothing.
01:10:26Why haven't you been to see us?
01:10:28Why, I don't know. I've had things to do.
01:10:33Well, you've been putting on weight.
01:10:36I'm sure you haven't.
01:10:37Why do you say that?
01:10:38The way you look.
01:10:40Oh, that's only my look.
01:10:42I'm afraid it's more than that.
01:10:44I sent you a note last Sunday, and when you didn't answer, I went round to your room.
01:10:48Your landlady said she had to put you out.
01:10:54Hello, Philip.
01:10:56My dear fellow, by peer-raised signal, my daughter just communicated to me confirmation of our suspicions.
01:11:13As you know, I've been on the beach most of my life.
01:11:16In fact, in Tahiti, I was president of the Beachcombers Union,
01:11:20and as such, I should like to inquire into your amateur standing.
01:11:24Where have you been staying?
01:11:26Oh, anywhere.
01:11:28Why didn't you come here?
01:11:30False modesty, I suppose.
01:11:33Now, stop being an Englishman.
01:11:34When a man's on his opposite time, he came down to earth.
01:11:37We want you here with us.
01:11:40Well, I...
01:11:40Thanks very much, but I...
01:11:44Don't talk trash.
01:11:45You ought to stay here until you get your bearings.
01:11:47And I want no more fang-talk about it.
01:11:50It's all arranged.
01:11:53Well...
01:11:54Well, here goes my amateur standing.
01:12:00I really have no place to go.
01:12:03It's awfully good of you.
01:12:04No nonsense.
01:12:05As you know, the house is completely unsanitary.
01:12:08You'll probably wind up with some foul disease.
01:12:10Now, let him alone, Father.
01:12:12I want to talk to him.
01:12:13Well, I suppose youth must be served,
01:12:15but I must say I'm sick and tired of serving it.
01:12:18Nine of them.
01:12:19Will that do?
01:12:24Looks as if it might.
01:12:31Wouldn't be a very nice night to be out.
01:12:33Not very, no.
01:12:35It's going to be jolly having you here.
01:12:37I hope I shan't have to stay very long.
01:12:40You do?
01:12:40Why?
01:12:41I can't go on like this, you know.
01:12:43I need a job.
01:12:44That's right.
01:12:45Father and I discussed that.
01:12:47There isn't much you've overlooked.
01:12:49I have to sew that on, too.
01:12:53And Father has a job for you.
01:12:55Has he where?
01:12:56Where he works.
01:13:19Where he works.
01:13:28You have a job.
01:13:29Where he works.
01:13:31But when we're.
01:13:31You've got a job.
01:13:32And Father has a job.
01:13:33You've got to像.
01:13:33You've got to brag.
01:13:35And Father has always.
01:13:36You walk all right now.
01:13:52I saw you in the window.
01:13:56Well, I never thought you'd come to that.
01:14:00You're very hoarse.
01:14:04Throat sore?
01:14:08You haven't forgotten your doctor, have you?
01:14:12No.
01:14:14Because that's what I want to say about.
01:14:18And I go to a doctor.
01:14:22Well, there's a free hospital.
01:14:26I have all them students staring at me.
01:14:30What seems to be the trouble?
01:14:36Well, I cough all the time.
01:14:40Let's have a look at your throat.
01:14:42Look!
01:14:48Just go, go.
01:14:54It's not my lungs, is it?
01:15:04It's not my lungs, is it?
01:15:15It's not my lungs, is it?
01:15:24Where's the baby?
01:15:34She died, last summer.
01:15:40Oh.
01:15:41You might say you're sorry.
01:15:43I'm not. I'm very glad.
01:15:50I'm afraid I can't help you much.
01:15:54Don't leave me, Philip.
01:16:02I know I've treated you shocking, but don't leave me.
01:16:05Not yet, please.
01:16:07There's no one I can go to.
01:16:09You're the only one that's tricking me like I was human.
01:16:12You're a gentleman, Philip.
01:16:14The only one I've ever met.
01:16:24The things you need.
01:16:54The last day.
01:16:57It's our last day.
01:17:22My Sally, my dear.
01:17:27I was so determined not to let you see.
01:17:30Well, that's sweet of you.
01:17:31To care because I'm going away.
01:17:36I suppose I'm a fool to care, but...
01:17:38It doesn't mean you have to do anything about us.
01:17:42You can't help it just because someone loves you and...
01:17:45You don't love back.
01:17:48Sally, look at me.
01:17:52Darling, do you think you'll always feel like this about me?
01:17:56Yes.
01:18:00I've known it since the first time you came to our house.
01:18:05I thought at first that I meant something to you, too.
01:18:09Oh, but you did.
01:18:10You do.
01:18:14When I come back, if you still feel the same,
01:18:17will you marry me, darling?
01:18:19Don't you mean if you still feel the same?
01:18:26Well, this is what you might call the irony of fate.
01:18:30Come on, now.
01:18:30Be quick.
01:18:31Get her out of here.
01:18:32I don't want the likes of her on me, Anne.
01:18:40I don't want the likes of her on me, Anne.
01:18:53I don't want the likes of her on the end.
01:19:04I understand there's an interesting case.
01:19:06Look here, old man. Don't go in there.
01:19:08Why not?
01:19:11If you please.
01:19:12It's no use.
01:19:23Oh, Philip. I'm sorry I'm late.
01:19:44You're not. I'm not going.
01:19:53What's that?
01:19:57My wedding present to my wife.
01:20:03When do you intend to marry me?
01:20:06Right away.
01:20:08Thank you, Philip.
01:20:10I'll beg your pardon.
01:20:13You don't seem very pleased.
01:20:15Well, I am, and I'm not.
01:20:17Why?
01:20:19I'm afraid it's only a noble gesture.
01:20:21That's not enough for marriage.
01:20:22No, no, Sally.
01:20:23It isn't just that.
01:20:25Philip, I like you far too much to ever stand in your way.
01:20:29Philip, you're free.
01:20:31Philip, you're free.
01:20:58Yes, but suddenly, suddenly there's nowhere to go.
01:21:02Taxi, sir.
01:21:03No, thanks, no.
01:21:05I had to be free to realize that.
01:21:07I had to be free to understand that all those years that I dreamed of escape,
01:21:12it was because I was limping through life.
01:21:14Taxi, sir.
01:21:15No, thank you.
01:21:17And because I was bound up with a person who was incredible to me.
01:21:22Well, that's all over.
01:21:24I'm not limping anymore. My life's all right.
01:21:27Then why don't you go?
01:21:32Because everything that's beautiful to me is right here.
01:21:36Won't you please marry Miss Sally?
01:21:40If you like.
01:21:42But don't you want to?
01:21:45Well, there's no one else I'd marry.
01:21:49How about a taxi, sir?
01:21:53What?
01:21:54How about a taxi?
01:21:55Yes.
01:21:56Yes.
01:22:26What?
01:22:37How about a taxi.
Recommended
1:09:37
|
Up next
1:27:07
1:16:59
1:14:02
1:00:38
1:19:56
59:00
50:02
1:19:57
1:05:15
1:26:53
1:00:30
1:32:17
1:15:35
1:11:50
1:27:03
1:16:59
1:16:27
1:36:26
19:35
21:20
21:29
19:06
Be the first to comment