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Shadows Over Shanghai – The Hidden Conspiracy is a gripping classic-era thriller set against the tension-filled backdrop of wartime Shanghai. The story follows an American adventurer entangled in espionage, stolen secrets, and a deadly hunt that pulls him deep into a web of betrayal. With atmospheric cityscapes, dangerous encounters, and a mystery that tightens at every turn, this film delivers a suspenseful journey through one of the most chaotic cities of its era.
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00:00:00The End
00:02:00I only wish they'd put as much energy into their studies as they do into the recess.
00:02:07Wuzang or Boston, children are the same the world over.
00:02:11I hate to think of their growing up into men who believe there's such a great difference between them.
00:02:17It's a pity children come from here.
00:02:25Here, don't you know it's undignified to fight?
00:02:38I do, but he doesn't.
00:02:40If you don't behave yourself, there'll be no recess for either of you.
00:02:43Understand?
00:02:44Yes, ma'am.
00:02:45Now, let alone.
00:02:47What did you say about children ruling the earth?
00:02:51The young scamps would contradict me.
00:03:10Is that your brother's plane?
00:03:14I believe it is.
00:03:16Yes, it's Peter.
00:03:18It looks as though he's bringing a friend, too.
00:03:21Some young swain, no doubt, who is eager to meet our beautiful teacher.
00:03:25Let's hope we won't be too disappointed.
00:03:26Todd, he's flying right by here.
00:03:44Todd, he's trying to shoot Peter down.
00:03:56Todd, he's flying right by here.
00:04:26Todd, he's flying right by here.
00:04:56Todd, he's flying right by here.
00:04:58Todd, he's flying right by here.
00:04:59Todd, he's flying right by here.
00:05:00Todd, he's flying right by here.
00:05:23How badly is he hurt, Doctor?
00:05:24I don't know.
00:05:25Probable concussion and internal injuries.
00:05:28Todd, please.
00:05:54Irene.
00:05:55Irene.
00:05:56Irene.
00:05:57Everything's going to be all right.
00:06:01Dr. Adams will take care of you.
00:06:02Nice to you.
00:06:03Take it easy.
00:06:04Cotton, please.
00:06:05No.
00:06:06No, never mind that.
00:06:07Irene.
00:06:08Sargoza, who will be here any minute.
00:06:09Sargoza?
00:06:10What does he want with you?
00:06:15It's this.
00:06:16He mustn't get it.
00:06:17No matter what happens, Irene, he mustn't get it.
00:06:21Why?
00:06:22It's part of an amulet.
00:06:23Don't tell me that thing is the cause of all this.
00:06:24That thing, as you call it, means much to Chana.
00:06:25And to Sargoza, if he can get it.
00:06:26Hoy long trusted me to deliver it for him to the Sun people in San Francisco.
00:06:29But what does Sargoza have to do with all that?
00:06:30He found out I had it.
00:06:31Irene.
00:06:32You're the only one I can trust with it.
00:06:33You'll have to take my place.
00:06:34Don't excert yourself, Peter.
00:06:35Don't you understand?
00:06:36He'll get to my place.
00:06:37He'll get to my place.
00:06:38Don't excert yourself, Peter.
00:06:39Don't you understand?
00:06:40He'll get to my place.
00:06:41He'll get to my place.
00:06:42Don't excert yourself, Peter.
00:06:43You'll get to the Sun people in San Francisco.
00:06:44But what does Sargoza have to do with all that?
00:06:46He found out I had it.
00:06:47Irene.
00:06:48You're the only one I can trust with it.
00:06:49You'll have to take my place.
00:06:50Don't excert yourself, Peter.
00:06:51Don't you understand?
00:06:52He'll be here any minute in this room.
00:06:53Irene, you must be gone with that amulet before he gets here.
00:07:13уже There will be 3-2 hours closer to Kennedy to his Sultan's visit.
00:07:16Next zone again he'll Familie sent to the Hills Hotel, Peter.
00:07:21Are not about to Shooters here?
00:07:22We must be able to do the underplay ofação.
00:07:23Come on, Peter ...
00:07:24We must be able to die then killing water in San Francisco.
00:07:25You'll be able to sightseeing theault to prevail.
00:07:26Right?
00:07:27Jesus.
00:07:28Yeah, when's in San Francisco...
00:07:29There's a giantaciones clearing in San Francisco.
00:07:30What's up?
00:07:31How do you see that?
00:07:32... Ama원이.
00:07:33Oh, while's in San Francisco.
00:07:34I'm aääand...
00:07:36At San Francisco.
00:07:38I know how's in San Francisco.
00:07:40Now you understand how important that amulet is, what it means to us, to Hoi Lung's people, and to China.
00:08:07I wouldn't ask it of you, Irene, if there was any other way.
00:08:10There's no one else I can trust.
00:08:12But you're hurt.
00:08:14I don't like to leave you now.
00:08:16I can't.
00:08:17If you don't go, now it'll be too late.
00:08:19Whoever has that amulet can either help or rob China.
00:08:23I gave Hoi Lung my word that China would not be robbed.
00:08:26Don't worry about me.
00:08:27I'll be all right.
00:08:31I'll get Peter to the base hospital.
00:08:33He'd be well taken care of there.
00:08:37I'll go.
00:08:38Good girl.
00:08:38There's a boat leaving Shanghai for the States tomorrow morning.
00:08:42You must be on it.
00:08:44You'll have the protection of many of our old friends when you get to San Francisco.
00:08:49I only wish you were going to.
00:08:51I'll join you as soon as I can.
00:08:54Now remember, Irene, no word of this to anyone.
00:08:57And if you run into trouble in Shanghai, look up Howard Barkley at the Cafe Hotel.
00:09:01You can trust him.
00:09:03Howard Barkley.
00:09:04I'll remember.
00:09:11You'll look after him.
00:09:14and he'll be right back.
00:09:25Hey!
00:09:27Hey!
00:09:29Hey!
00:09:33Hey!
00:09:35Hey!
00:09:37This will raise you until I can get you to the hospital and have some X-rays taken.
00:09:55That doesn't matter now, doctor.
00:09:58I only hope that I ring.
00:10:01Sarcoza.
00:10:02What do you want?
00:10:04The amulet.
00:10:05You had a narrow escape, my friend.
00:10:09If you want to benefit by it, you'll hand it over to me.
00:10:11I haven't got it.
00:10:13You'll force me to search you.
00:10:15I refuse to permit it.
00:10:16I did not ask your permission.
00:10:26Now then, what did you do with it?
00:10:29I threw it out of the plane.
00:10:31No, you didn't.
00:10:31I was watching you.
00:10:32That girl who was here, did you give to her?
00:10:36Did you?
00:10:40Maybe you tell me.
00:10:41Did you give something to that girl who was here?
00:10:48You.
00:10:49Did you see him give something to that girl?
00:10:52I see nothing.
00:10:53Nothing.
00:10:55Don't lie to me.
00:10:55I don't know.
00:10:57I don't see a girl.
00:11:05So there was no girl here.
00:11:08Well, she won't get very far.
00:11:11Come.
00:11:20Come on.
00:11:23Come on.
00:11:33Come on.
00:12:04Boat's ready to pull off, sir.
00:12:26As the last boat for today, the ship's loaded.
00:12:29Can't my wife get on, sir?
00:12:31Sorry, but there's no more room.
00:12:32There'll be another ship at nine tomorrow morning.
00:12:40No, there's nothing like a war to make people unhappy.
00:12:44Hey, Murph, take a look.
00:12:50Blanche.
00:12:51Why, you poor goop, why didn't you show me this earlier?
00:12:53You could have went off on a tap.
00:12:54I got soft-hearted or something.
00:12:56You know, women and children first.
00:12:57Besides, I figured I could spend another night in this dump.
00:13:00The fellas in this fracas couldn't hit you if they tried.
00:13:03Yeah, well, where'd you get that rooked wing?
00:13:05That's just it.
00:13:06They weren't aiming at me when I got this.
00:13:08I was in the international settlement minding my own business when off went the fireworks.
00:13:12You're lucky to be able to talk about it.
00:13:14Between you and me, I'm glad I got it.
00:13:15When the office found out I'd been winged, they cabled me to come home.
00:13:18Probably figured I couldn't handle the camera with one med.
00:13:21Can you?
00:13:21Sure, but why tell them?
00:13:23Well, you meet me in the morning, and I'll send you off on the first boat.
00:13:26She's the Nitschimaru, a Japanese ship, gone to Manila.
00:13:28She'll transfer her passengers there to an American liner.
00:13:32McGinty, where did you get a handle like that?
00:13:35Faith, and haven't you heard?
00:13:36I come from a long line of seafowders.
00:13:38Down goes McGinty.
00:13:40Well, I'll be here the first thing in the morning.
00:13:42And don't let me get soft-hearted again.
00:13:44Ah, it's the curse of the Irish.
00:13:45I'll get you aboard if I have to use a bainer to get you there.
00:13:47Well, when is the next boat out to the President Taft?
00:13:49The last boat is left, Miss.
00:13:51But I must get on that boat.
00:13:52I'm sorry, Miss, but she's jammed to the water line.
00:13:54But I've got to.
00:13:55How about it, Mert?
00:13:56Any exceptions?
00:13:57Say the word, and I'll roar her out myself.
00:13:59You ought to know better than ask me that.
00:14:01I tried.
00:14:02I thought I had some influence.
00:14:03Never mind him, Miss.
00:14:05You get here early in the morning with your passport and order,
00:14:06and you'll probably get off all right.
00:14:08Passport?
00:14:09It's a better ship.
00:14:10I'm going out of my ship.
00:14:11I'm going out of my ship.
00:14:13I'm going out of my ship.
00:14:14I'm going out of my ship.
00:14:16I'm going out of my ship.
00:14:17myself, that makes it a better ship.
00:14:18Do I have to have a passport even for evacuation?
00:14:21You sure do, Miss.
00:14:22It'll be a Japanese ship using American trade
00:14:24for evacuation of American citizens only.
00:14:26You have to wait your turn, and you'll...
00:14:31I get one like that every once in a while.
00:14:34Not me, I don't.
00:14:35I never had that much luck.
00:14:38So long.
00:14:47That's right, Miss.
00:14:48It's not hours...
00:14:49I will pay the time.
00:14:50I don't know what I will do.
00:14:52My teammates are in the end of my life.
00:14:54Yes, yes, yes.
00:15:00You are a beast, my limits, you don't know what I call it,
00:15:01but I'm a beast, you know what I call it?
00:15:02Yes, yes, you aren't there.
00:15:07I'm hardly a beast.
00:15:08You meddling fool!
00:15:11Scram, Tavares, before you get hurt.
00:15:13Don't be an idiot.
00:15:14I am Jindemal, Alexis of the Soviet Embassy.
00:15:16That girl is a spy.
00:15:17Yeah, well, you've got just five seconds to be going with the wind.
00:15:24Go on, beat it.
00:15:28Oh, boy.
00:15:29If that guy had ever called my...
00:15:36Well,
00:15:37that's gratitude for you.
00:15:57Hello, Frank.
00:15:58Well...
00:15:59Any chance of getting my old room back?
00:16:00You haven't been going long enough to rent it out.
00:16:02Have a boy take my bag up, will you?
00:16:04Yes, sir.
00:16:05Go in.
00:16:06Good boy.
00:16:07Roommate 12.
00:16:16Johnny McGinty.
00:16:17Bless my soul.
00:16:18How are ye?
00:16:19I thought for now you'd be outward bound to the States.
00:16:21Life is like that, Gallicuddy.
00:16:23How's tricks and where are the boys?
00:16:25Done at the Japanese consulate.
00:16:27Something to do with issue and a statement.
00:16:29How's the arm, laddie?
00:16:30Oh, fair to middling.
00:16:31What's the matter, Johnny?
00:16:32Behind me with the spats.
00:16:44Who is it?
00:16:45A gentleman by the name of Sargoza.
00:16:46Not General Alexis.
00:16:47No, there's no General Alexis in this town.
00:16:48Not in the diplomatic service as far as I know.
00:16:49And I should know.
00:16:50He used to be commissar with the Soviet Embassy before they gave him the boot.
00:16:52Boy.
00:16:53Yes, sir.
00:16:54That man at the bar, who is he?
00:16:58Anything else?
00:16:59Well, I wouldn't have played Ping Pong William at night if I were you.
00:17:15He gave a party the other night.
00:17:16And they got very, very drunk.
00:17:18And he showed us his knife tricks.
00:17:20And they can work one out funny when he came out once.
00:17:25Right there, Johnny.
00:17:26as his knife tricks and they can whip one out from either sleeve into a target very very fast
00:17:37johnny mcginty sir you stop here yes sir room 812.
00:17:47i don't know what your connection with mr sagosa is but if you're on the wrong end of the stick
00:17:51i'll see it's very very unhealthy if you'll take a tip from me i know get out tomorrow while i can
00:17:56hi johnny old boy what a stroke of luck i was overcoming at the thought of single solitaire
00:18:05tonight why aren't you on the task saving for home all my seafaring blood i guess women and
00:18:11children first no room left for mcginty that good heart of yours will get you into trouble yet johnny
00:18:16it already has on the way back i ran into a fellow who was trying to grab a girl against the will
00:18:22and i stepped in chap rescues maiden from monster did she appreciate it johnny well if she did i
00:18:28never found out about it when i turned around she was gone not even a kiss or a scented handkerchief
00:18:33for your pains eh well fortunes of war in the galahad complex we all have a touch of that at least once
00:18:39in our young lives oh but i'd love to have seen it was she pretty johnny of course she had to be it
00:18:46says so in all the story books huh the first time i rescued a maiden she slapped my face for doing it
00:18:52apparently liked the molesting chap's attentions and felt i'd ruined her chances
00:18:58good luck
00:19:06well i can't say i'm sorry johnny you're missing the boat today was a bit of good luck for me
00:19:10for you why i'm leaving myself tomorrow i've decided to get out of here and leave the war behind i'm going
00:19:15to america on the nietzsche maroon yes we'll be shipmates do you mind no that's a break for me
00:19:20let's have dinner together later what do you say you know our last night in shanghai and all that
00:19:24sure count me in i'll be up in a few minutes i've got to get a cable off first come to my room
00:19:28whenever you're ready i'll be waiting for you
00:19:30okay
00:19:40is there a mr howard barclay registered here yes miss room 810. thank you sorry on us
00:19:54Barclay.
00:19:55Barclay.
00:19:56Barclay.
00:19:57Barclay.
00:20:22The door's unlocked.
00:20:23I'm sorry.
00:20:29You.
00:20:31Well.
00:20:32The damsel in distress.
00:20:34Come in.
00:20:35Just a minute.
00:20:40All right.
00:20:41Sit down.
00:20:47Would you have a cigarette?
00:20:48No, thanks.
00:20:49You know, I wonder what happened to you.
00:20:52Did you come to thank me?
00:20:54You must forgive me for running away as I did.
00:20:56Well, it wasn't exactly according to Hoyle.
00:20:58Well, I had no idea you were the person I was looking for.
00:21:01Oh, that's all.
00:21:02Huh?
00:21:03Looking for me?
00:21:04I'm in trouble.
00:21:07Again?
00:21:08Now, don't tell me the desperate Desmond's still after you.
00:21:10It's no joking matter.
00:21:12I need your help.
00:21:13That's why I'm here.
00:21:14Well, I'd be glad to help you if only to prove that chivalry still lives or something like that.
00:21:18Just for curiosity's sake, I'd like to know why you select me as your protector.
00:21:21My brother told me to come to you if I got in trouble.
00:21:23Your brother?
00:21:24Am I supposed to know him?
00:21:25His name is Peter Roma.
00:21:26Peter Roma?
00:21:27Oh, pardon me.
00:21:28But what do you know about Peter Roma?
00:21:29Now, this is the girl I was telling you about.
00:21:30You know?
00:21:31The girl I saved from a fate worse than death.
00:21:32This is Mr. Barclay, your host.
00:21:33Mr. Barclay?
00:21:34How stupid of me.
00:21:35I'm Peter Roma's sister.
00:21:36Peter Roma's sister?
00:21:37Who are you?
00:21:38Well, of course, then you're Irene.
00:21:54Well, let me have a good look at you.
00:21:57Would you believe it?
00:21:58I used to dangle her on my knee when she was a mere infant.
00:22:01Hmm.
00:22:02That would be all right about now.
00:22:05Pardon me.
00:22:06He's just one of those incorrigible Irish-Americans, Irene.
00:22:09His name is Johnny McGinty.
00:22:11And you couldn't have chosen a better champion
00:22:12if you'd have to do the picking yourself.
00:22:14Well, now, dear.
00:22:17What's wrong?
00:22:19It's... Sargosa.
00:22:23Sargosa?
00:22:25Oh, so it was Sargosa you locked horns with it.
00:22:28I don't know.
00:22:34Pour me a spot of brandy out of that bottle, Jimmy.
00:22:36Things are becoming a bit involved.
00:22:38How come?
00:22:39Simply that you've locked horns with one of the two most dangerous men in China.
00:22:43I'll take one myself.
00:22:47Say, if Sargosa's one of the two most dangerous men in China,
00:22:50who's the other one?
00:22:51A natural question.
00:22:52The other is Fuji Yokohama,
00:22:54Japan's number one military agent in Shanghai.
00:22:57But what does Sargosa want with you, my dear?
00:23:05Well, I'll step out if you want.
00:23:08Oh, you can trust Johnny, Irene.
00:23:10I vouch for it.
00:23:11Besides, he may want to help.
00:23:13Oh, I'll help.
00:23:14For more reasons than one.
00:23:16Thank you, Mr. McGinty.
00:23:17Ah, Johnny, or I don't play.
00:23:19All right.
00:23:20Johnny.
00:23:21That's better.
00:23:25This is what they're after.
00:23:26This broken amulet.
00:23:29It's the key to $5 million being held in San Francisco.
00:23:32The money is to be used to help China.
00:23:35Hmm, quite a sum.
00:23:36The other half of that is in San Francisco.
00:23:38And the money will be turned over only when this half is presented to the person who holds it.
00:23:43Extraordinary.
00:23:44Ah, now, wait a minute, lads and lassies.
00:23:46This grouse stock business went out with the gay nineties.
00:23:48Now, I may be just a country boy from Peoria, Illinois, but after all, I'm a newspaper photographer and I've been around a little bit.
00:23:54When you start talking about broken amulets that have to be matched up in $5 million.
00:23:58Well, that stuff belongs in the comic thrillers in my paper back home.
00:24:01Now, let's get on the level with this thing or just skip me.
00:24:04This is no joke, Johnny, and nobody's trying to pull your leg.
00:24:07I've been around a bit myself and I believe it.
00:24:10But, Irene, how did you get this?
00:24:13Well, Sargoza found out Peter had it and shot his plane down.
00:24:16Peter was injured, so I took his place.
00:24:19Oh, I see.
00:24:20And how did Peter get into it?
00:24:22The money belongs to Hoi Lung's people.
00:24:24It's been kept on deposit in San Francisco for safety.
00:24:27Hoi Lung's cousin, who is with the Sun Company in that city, has the other half of the amulet.
00:24:32Why didn't this Hoi something another go himself?
00:24:35Well, that would be impossible.
00:24:36He's too closely watched.
00:24:38Why pick on your brother?
00:24:39Johnny, your persistence is most embarrassing.
00:24:41It was Hoi Lung who gave the Roma family protection when the general fled to China.
00:24:45In other words, he was their benefactor.
00:24:47His home was theirs and all he had he shared with them.
00:24:50All right, forget it.
00:24:51But what I don't get is what this Sargoza guy is after if he isn't working for the Soviet Embassy.
00:24:56My dear boy, you underestimate our worthy opponent.
00:24:59Of course he isn't with the Soviet Embassy.
00:25:01But it would make no difference if he were.
00:25:03Dear old Sargoza is always strictly for himself.
00:25:06Oh, I get it now.
00:25:07Sargoza gets this gadget, takes it to San Francisco, gets $5 million and keeps it.
00:25:11Poor Sargoza.
00:25:12You're learning fast, Johnny.
00:25:13The point is, where do we go from here?
00:25:15And a very good point too.
00:25:16Since I have a suspicion that we'll have more than Sargoza to contend with.
00:25:20Who?
00:25:21Does somebody else know about it?
00:25:22Well, possibly Fuji Yokohama.
00:25:24You know, there's very little takes place without Yokohama being aware of it.
00:25:28And if he disapproves.
00:25:29Well, you don't expect him to approve of $5 million to be used for China, do you?
00:25:33That's why I'm concerned about him, Johnny.
00:25:35How do you know so much about him?
00:25:37That's part of my business.
00:25:39What is your business?
00:25:41Do you mind if I keep it to myself for a while?
00:25:43Oh no, not at all, not at all.
00:25:45I'm sorry if I stepped on your toes.
00:25:47Well, that's quite all right, Johnny.
00:25:49As for you, my dear, you must leave Shanghai tomorrow morning.
00:25:52But I can't.
00:25:53I have no passport.
00:25:54Kind of stymied, aren't we?
00:25:56One thing we can't do is fake a passport.
00:25:58There's only one ship going out tomorrow, the Nishimaru.
00:26:01That's for American refugees only.
00:26:03Johnny's taking that, and I happen to be going on it myself.
00:26:06Through an embassy courtesy.
00:26:08Well, why don't you take the amulet for her?
00:26:10Oh, I couldn't permit that.
00:26:11It's my responsibility.
00:26:12Well, I'd do that, Johnny, if I thought it would do any good.
00:26:14But believe me, it wouldn't save Irene if it were learned she'd send it out.
00:26:19No.
00:26:20We've got to think of something else.
00:26:28Johnny, are you married?
00:26:29Hmm?
00:26:30No, of course not.
00:26:32Let me see your passport.
00:26:33Hey, what is this?
00:26:39Excellent.
00:26:46Blended.
00:26:47Now look here, both of you, get this.
00:26:49If this passport read Johnny McGinty and wife, Irene would have no trouble leaving Shanghai.
00:26:54If you were married to him, that would make you an American citizen.
00:26:56And you could be all for thus tomorrow.
00:26:58But I couldn't do that, even if Johnny agreed.
00:27:00It wouldn't be fair to him.
00:27:01Besides, I...
00:27:02Besides what?
00:27:03Don't be foolish, my dear.
00:27:04This is urgent and necessary.
00:27:05And it won't mean actual marriage.
00:27:07You can have it annulled when you get to the States.
00:27:09But at least it would get you out.
00:27:10Mrs. McGinty.
00:27:11Not bad.
00:27:12And you agree, Johnny?
00:27:13Sure.
00:27:14I'll marry her if it'll get safely aboard ship and out of the country.
00:27:17But I don't see...
00:27:18There are no buts, Johnny.
00:27:19You're both intelligent people, not fools.
00:27:21Now we'll work out the problem of travel some way.
00:27:23Well, that's settled.
00:27:24Yes, it is.
00:27:25Or is it?
00:27:26Now for the amulet.
00:27:27Irene can't carry it.
00:27:28It's too obvious.
00:27:29So you take it, Johnny.
00:27:30Or better yet, put it in your luggage.
00:27:31I've got a better idea.
00:27:32We'll put it in the camera.
00:27:33The camera?
00:27:34Sure.
00:27:35I'll take the back off and we can put it right in there.
00:27:36That's a good idea, Johnny.
00:27:37It's the last place they'd suspect.
00:27:38All Shanghai knows Johnny feels undressed without his camera.
00:27:41Well, now everything's settled.
00:27:42Let's get to work.
00:27:43I'll have a narrow certificate sent up here.
00:27:44As soon as you're married, we'll help out with the American Consulate.
00:27:46Johnny, you go in and pack.
00:27:47Well, you don't mind if I change my clothes, do you?
00:27:48After all, I'm getting married.
00:27:49And the fellow doesn't get married every day.
00:27:50All right, all right.
00:27:51But make it fast, will you, old man?
00:27:52Sure.
00:27:53Be back in a second.
00:27:54I'll get me the American Consulate.
00:27:55Quickly, please.
00:27:56Say to her, kiss the bride.
00:27:58Now or later.
00:27:59Johnny, this is no time for clowning.
00:28:00Oh, I'm not clowning.
00:28:01See you soon, Mrs. McGinty.
00:28:03Mr. McGinty?
00:28:04Well, you've got the right name but I can't place the accent.
00:28:06I'm not speaking English good.
00:28:07Yeah, well, you don't have to.
00:28:09Well, you don't have to.
00:28:10Well, you don't have to.
00:28:11You don't have to.
00:28:12You don't have to.
00:28:13You don't have to.
00:28:14I'm married every day.
00:28:15All right, all right.
00:28:16But make it fast, will you, old man?
00:28:17Sure, be back in a second.
00:28:18No, get me the American Consulate.
00:28:19Quickly, please.
00:28:20Say to her, kiss the bride now or later.
00:28:22Johnny, this is no time for clowning.
00:28:23Oh, I'm not clowning.
00:28:28I don't have that thing in your hand.
00:28:30It is understood, then.
00:28:32You will go downstairs.
00:28:34In front of hotel, a car.
00:28:36You get in with car, no?
00:28:38I get in with car, yes.
00:28:40You fly running away.
00:28:42Then come shoot.
00:28:44Bingo, just like Batman, huh?
00:28:46Funny, no joke.
00:28:52No, you're not bluffing.
00:28:54You sure got one of those outstanding chins.
00:28:57Go.
00:28:59All right.
00:29:00Me follow.
00:29:14Allow me.
00:29:22Hello, Frank.
00:29:23Hello, Mr. McGinney.
00:29:24You want me for anything?
00:29:25Not a thing.
00:29:27I expect he would.
00:29:28Oh, how do you do?
00:29:29How do you do?
00:29:30I'm awfully glad to see you.
00:29:31Isn't it a lovely day?
00:29:32Good day.
00:29:33Good day.
00:29:34Good day.
00:29:35Good day.
00:29:56Johnny, it's all fixed.
00:29:57Good day.
00:29:58Good day.
00:29:59Let's go, Mr. McGinty.
00:30:27Mr. McGinty, the less trouble you'll make for me, the sooner you will be on your own.
00:30:32Understand?
00:30:33Sure, I understand.
00:30:34But what's the idea of grabbing me like this?
00:30:36Well, I can overlook your rash conduct this morning.
00:30:39Your lady apparently was in distress,
00:30:41and you were impetuous enough to rescue her.
00:30:43Sure, being impetuous is one of my failings.
00:30:46How did you know my name?
00:30:48Did you think I was fool enough to drive off?
00:30:51Did you think I was fool enough to drive off?
00:30:54And lose track of you?
00:30:56I hoped you'd forget about me.
00:30:57The young woman, where is she?
00:30:59The young woman?
00:31:00The young woman, uh...
00:31:02Oh, that young woman, why...
00:31:03Yeah, where is she?
00:31:04I don't know.
00:31:05I don't even know her name.
00:31:06After you left and I turned around, she disappeared.
00:31:08Don't lie to me.
00:31:09I want to know where she is.
00:31:10Now, what makes you think I'm lying to you?
00:31:12You followed me back to the hotel, didn't you?
00:31:14You know, Don, well, I'm not lying to you.
00:31:16I never saw her after I caught your man Friday.
00:31:18And furthermore, if you didn't have that case,
00:31:20I'd lay one on your kitchen and it would fold you up like an accordion.
00:31:23Oh, I've got no time for histrionics.
00:31:25For the last time.
00:31:26I want to know where she is.
00:31:27For the last time, I don't know.
00:31:28She's gone and disappeared, Savvy.
00:31:29To your hometown.
00:31:30For the last time...
00:31:31I want to know where she is.
00:31:32For the last time, I don't know.
00:31:33She's gone and disappeared, Savvy.
00:31:34To your hometown.
00:31:35For the last time, I don't know.
00:31:36She's gone and disappeared, Savvy.
00:31:37To your hometown.
00:31:46You are no longer in the international settlement, Kamatsago, sir.
00:32:02You are in Japanese territory.
00:32:04Only diplomatic courtesy returns your pistol to you.
00:32:08Diplomatic courtesy cannot, however, allow you to retain your prisoner.
00:32:11So, sir.
00:32:12Come with me, please.
00:32:16Let's go.
00:32:36Thanks.
00:32:36You just about saved my skin.
00:32:38Your skin had no part in the interruption.
00:32:40I'm afraid that your life is of no interest to me whatsoever.
00:32:42It is merely that I take a peculiar delight in causing Sarkoza as much embarrassment as possible.
00:32:48That and other things, Mr. McGinty.
00:32:51How did you know my name?
00:32:52This is beginning to bother me.
00:32:54It is my business to know names.
00:32:56You are supposed to be a problem at the moment.
00:32:57Well, I don't get it.
00:32:59You will.
00:33:00I am interested in knowing the whereabouts of a young lady by the name of Irene Roma.
00:33:04Now, now, wait a minute.
00:33:05If you think I'm going to go all through that again, you...
00:33:07Go on.
00:33:09Well, uh...
00:33:11Do you know where she is?
00:33:13No, I just happened along when a guy with spats made a grab at her, and I butted in.
00:33:19Next time, I'll find my own business.
00:33:21I should not advise you to lie.
00:33:23I'd be lying if I told you I knew where she was.
00:33:27You are not a spy.
00:33:29Me, a spy?
00:33:30No, I'm just a newspaper photographer.
00:33:33Here, look.
00:33:35Click.
00:33:35The money.
00:33:39This is where you get off, Mr. McGinty.
00:33:44And parting.
00:33:45I would be happy if you permitted me to offer a word of wisdom.
00:33:48Sure, go ahead.
00:33:51Should you meet Miss Roma in future, it will be advisable for you to avoid her.
00:33:55Her company at present is most dangerous.
00:33:57A gentleman is usually known by the company he keeps.
00:34:00How do you Americans say, yes, birds of a feather flock together?
00:34:04That is explicit enough.
00:34:06Good day.
00:34:06Good day.
00:34:09Good day.
00:34:10Good day.
00:34:11Good day.
00:34:12Good day.
00:34:13Good day.
00:34:14Good day.
00:34:15Good day.
00:34:16Good day.
00:34:17Good day.
00:34:18Good day.
00:34:19Good day.
00:34:20Good day.
00:34:21Good day.
00:34:22Good day.
00:34:23Good day.
00:34:24Good day.
00:34:25Good day.
00:34:26Good day.
00:34:27Good day.
00:34:28Good day.
00:34:29Good day.
00:34:30Good day.
00:34:31Good day.
00:34:32Good day.
00:34:33Good day.
00:34:34Good day.
00:34:35Good day.
00:34:36Good day.
00:34:37Good day.
00:34:38Mr. Barkley's room. I'm sorry, but Mr. Barkley's no longer staying at the hotel. He just checked out.
00:34:48Just checked out? Well, didn't he leave a forwarding address?
00:34:54Nothing. Well, uh...
00:34:58I'm sorry, Mr. Barkley's no longer staying at the hotel. He just checked out.
00:35:02Just checked out? Well, didn't he leave a forwarding address?
00:35:06Well, uh... Oh, never mind.
00:35:24Hello, Johnny. Whiskey and soda?
00:35:26No, give me a straight rye.
00:35:28You know, Gallicuddy, I'm learning fast.
00:35:31I thought there was just an out-and-out war going on in this town.
00:35:34Now I find out there's plenty popping under the surface.
00:35:37That's Shanghai for you, Johnny.
00:35:39It's a hotbed of the world's worst and best.
00:35:42You wanted a 25 suit show road quick.
00:35:45But don't ask any questions, I'll bet.
00:36:04Johnny, I'm glad to see you. We were worried you wouldn't make it.
00:36:06I was worried about you, too.
00:36:07Well, what happened?
00:36:08That Sargoza was taking me for a ride when I was yanked out of his car by an exceptionally tall Japanese sporting a Monaco.
00:36:21Buji Yokohama.
00:36:23Holy smokes!
00:36:24So that's the number one boogeyman.
00:36:25He warned me to stay away from you.
00:36:27Wait till he hears we're married.
00:36:28I take it for granted you still have the amulet.
00:36:30Oh, sure.
00:36:31I had that with me all the time, the suckers.
00:36:32All they had to do was reach out and grab it.
00:36:34Good day.
00:36:35Is this the happy groom?
00:36:36Yes, this is Wu Chang whose home we're in.
00:36:38He's going to perform the marriage ceremony.
00:36:40Well, will the embassy recognize a Chinese wedding?
00:36:42Don't worry, old boy.
00:36:43It'll be perfectly legal.
00:36:44Wu Chang is an ordained minister.
00:36:45Well, then go ahead and tie the knot.
00:36:46Hey.
00:36:47It's the marriage certificate, Wu Chang.
00:36:49Don't I have to sign that?
00:36:50No, I signed it for you, Johnny, just to save time.
00:36:52Just an ordinary marriage certificate.
00:36:53Say, whose wedding is this?
00:36:55Go ahead, Wu Chang.
00:36:56Over there, Lyrene.
00:36:57Right next to it.
00:36:58That's right.
00:36:59We are gathered together to unite this man and this woman in marriage, which is an institution ordained.
00:37:12I don't want to interrupt, Wu Chang, but could you make it a bit faster, please?
00:37:15My English is clumsy, can make faster if you talk native tongue.
00:37:20I'll understand.
00:37:21No, I won't.
00:37:22I'll tell you what to do, Johnny.
00:37:23Go ahead, Wu Chang.
00:37:24Just make it short and sweet, please.
00:37:37Go ahead, say, I do, Johnny.
00:37:38He wants you to promise to love, honor, and cherish.
00:37:40What's the matter with obey?
00:37:42No, obey.
00:37:43This modern marriage.
00:37:44Oh, I get it.
00:37:45I do.
00:37:46I do.
00:37:47Have you got a ring, Johnny?
00:37:48Any kind of a ring will do.
00:37:49Here, take this one.
00:37:50I'll give it back to Irene, Johnny.
00:37:51Oh, an Indian giver, huh?
00:37:52I now pronounce you husband and wife.
00:37:53You may kiss the bride.
00:37:54For a moment, I thought you were going to forget that part of it.
00:37:55Now, wait a minute, Johnny.
00:37:56We've got to get to the embassy.
00:37:57You're always taking the joy out of life.
00:37:58May you enjoy happiness together until the day you die.
00:37:59Why do you have to bring that up?
00:38:00Come along, Johnny.
00:38:02Thank you very much, Wu Chang.
00:38:03Ok, come on.
00:38:05Thank you very much, Wu Chang.
00:38:06Ok, come on.
00:38:07Here, come on, Johnny.
00:38:08On the train, we've got to get to the embassy.
00:38:09If you'd like Ye-Tong Kong and Yoi, O Star-Yong Kong, you're going to take the
00:38:11order to the embassy.
00:38:12And I'll pronounce you husband and wife.
00:38:13You may kiss the bride.
00:38:14For a moment, I thought you were going to forget that part of it.
00:38:15Now, wait a minute, Johnny.
00:38:16We've got to get to the embassy.
00:38:17You're always taking the joy out of life.
00:38:18May you enjoy happiness together until the day you die.
00:38:21Why do you have to bring that up?
00:38:22Come along, Johnny.
00:38:23Thank you. Thank you very much, Wu-Chang.
00:38:36Congratulations, McGinty.
00:38:38And good wishes to you, Mrs. McGinty.
00:38:41Now, look. All you have to do is okay this passport for both of us.
00:38:45I'm sorry I'd like to, McGinty, but I can't.
00:38:48Can't? Look here, sir.
00:38:50If you're afraid, that marriage certificate isn't legitimate.
00:38:52Why don't you get in touch with Wu-Chang?
00:38:54Well, sure. Everything's on the up and up.
00:38:56We were just married, weren't we, Irene?
00:38:58Oh, I don't doubt that. But Miss Roma is not eligible to...
00:39:01Mrs. McGinty.
00:39:02Oh, I beg your pardon. Mrs. McGinty.
00:39:04Is not eligible to enter the country without a passport.
00:39:07Why not? She's my wife. Doesn't that mean anything?
00:39:10Evidently, you've spent so much time everywhere but in the United States, McGinty,
00:39:13that you haven't kept up with its laws.
00:39:15Congress passed a law a number of years ago ending the custom
00:39:18where a foreign-born woman who marries an American
00:39:21automatically becomes an American citizen.
00:39:23Holy smokes.
00:39:25Well, this is certainly a good time to find that out.
00:39:27The only way Miss Roma could enter the United States...
00:39:29Mrs. McGinty.
00:39:30Oh, I beg your pardon, Mrs. McGinty, could enter the United States
00:39:33is under the quota laws.
00:39:34And before I could issue a visa, a passport would be necessary.
00:39:37Well, that's a fine kettle of fish.
00:39:39That's the reason we were married.
00:39:41I'm sorry I caused you all this trouble, Johnny.
00:39:44Oh, that's all right. I didn't mean it that way.
00:39:46It's just that we planned this thing so carefully and now...
00:39:50Hey, Boppy, this was all your idea.
00:39:52Uh, why doesn't Miss Roma...
00:39:54Uh, wait a minute.
00:39:55Oh, I beg your pardon.
00:39:56Mrs. McGinty, get a Soviet passport.
00:39:58Oh, that's a long story.
00:40:01With a passport issued by the Chinese office to...
00:40:04Of course.
00:40:05Then it's all settled.
00:40:07But how?
00:40:09Don't ask so many questions, Johnny.
00:40:11Where can I get you later?
00:40:12Well, I've still got the hotel room.
00:40:13Good.
00:40:14Take Irene back there and wait for me.
00:40:15I'll be alone shortly.
00:40:16Do me a favor, please, and wait until I return with the passport.
00:40:18It won't be long, I promise you that.
00:40:28You know, that guy's the number one mystery man to me.
00:40:31Well, we might as well be getting along to the bridal suite.
00:40:33Huh, Mrs. McGinty?
00:40:34Well, we might as well be getting along to the bridal suite.
00:40:36Huh, Mrs. McGinty?
00:40:46Here.
00:40:47Let me eat.
00:40:50Thanks.
00:40:52Johnny.
00:40:54You don't know how sorry I am that I got you into all this.
00:40:56Now, Mrs. McGinty, you mustn't talk like that.
00:40:59Have you forgotten?
00:41:00We're married.
00:41:01You know, your troubles are my troubles and vice versa.
00:41:03Although, I will admit, so far,
00:41:05it's been mostly vice versa.
00:41:07You're sweet, Johnny, but our marriage didn't help at all.
00:41:11It only put your life into more danger.
00:41:13Oh, regrets already, huh?
00:41:14And only married an hour.
00:41:16Think of the scandal.
00:41:17What'll the neighbors say?
00:41:18Mr. Barclay was right.
00:41:19You are incorrigible.
00:41:20That's a four-dollar word.
00:41:22You will take this to the honorable Mr. and Mrs. John McGinty at the Café Hotel, immediately.
00:41:39Wait, what are you going to have?
00:41:40Get away.
00:41:41Get away.
00:41:42Get away.
00:41:43Get away.
00:41:44Get away.
00:41:45Get away.
00:41:46Get away.
00:41:47Get away.
00:41:48Get away.
00:41:49Get away.
00:41:50Get away.
00:41:51Get away.
00:41:52Get away.
00:41:53Get away.
00:41:54Get away.
00:41:55Get away.
00:41:56Get away.
00:41:57Get away.
00:41:58Get away.
00:41:59Get away.
00:42:00Get away.
00:42:01Get away.
00:42:02Get away.
00:42:03Get away.
00:42:04Very beautiful.
00:42:31It will serve our purpose admirably.
00:42:34You will have the bottom open and an explosive inserted so that when the incense is burned
00:42:39in here it will make contact with the explosive.
00:42:44Make certain that Mrs. McGinty gets it.
00:42:48See that this is delivered with it.
00:42:53I hope nothing has happened to him.
00:42:54To Barclay?
00:42:55No, he's got as many lives as a cat.
00:42:58You know it isn't fair.
00:42:59A fellow like that lives to a ripe old age while a cautious timid soul like Johnny McGinty
00:43:02meets with an early catastrophe.
00:43:04Well, it's the law of nature or something.
00:43:07I'd hate to be a widow so soon.
00:43:09Sweetheart, you couldn't hate the thought as much as I do.
00:43:12That's Mr. Barclay.
00:43:14Maybe.
00:43:15Yes?
00:43:16Can you give it to Mrs. McGinty, please?
00:43:17Sure.
00:43:18Thanks.
00:43:19Hey!
00:43:20How did you know there was a Mrs. McGinty?
00:43:21Told to bring here.
00:43:22Can you give it to Mrs. McGinty, please?
00:43:25How does anyone know we're married?
00:43:26Unless there was a Chinese Waller Winchell at the keyhole, I don't know.
00:43:28And I'm not going to try to figure it out.
00:43:31Open it.
00:43:52Oh, my gosh.
00:43:53I'll give you a minute.
00:43:57Lunsat Lee. Who is that?
00:44:01May your marriage be blessed with happiness and devotion.
00:44:05Lunsat Lee. The old son of a gun.
00:44:08He's a friend of mine. I met him through Barclay.
00:44:11But how he found out we were married is beyond me.
00:44:14Isn't it beautiful?
00:44:16Yeah, it's all right.
00:44:18You know, that's our first wedding present.
00:44:20What is it?
00:44:21Why, it's an incense burner.
00:44:23Oh.
00:44:25Oh! Did you get it?
00:44:27Why, of course. Didn't think I let you down, did you?
00:44:29Here's your passport, my dear. Signed, sealed and delivered.
00:44:32Now you can leave with us tomorrow.
00:44:35I don't know how I'll ever thank you.
00:44:38Here, right before your husband's eyes?
00:44:40Oh, that's all right.
00:44:41Besides, you deserve it.
00:44:42If I wasn't so self-conscious, I'd kiss you myself.
00:44:45Say, that's a delightful thing. Where did you get it?
00:44:47Lunsat Lee sent it to her, our first wedding present.
00:44:49But don't ask me how I knew we were married.
00:44:51Oh, I told him.
00:44:52You see, we're going to spend the night at his place.
00:44:54Sort of disappear until we get aboard the Nichamaru.
00:45:09Promise.
00:45:11We'll be over the city in a minute.
00:45:20Excuse me.
00:45:22What are you going to do?
00:45:23What do you think I'm going to do?
00:45:24I'm going to take some pictures.
00:45:26What's the matter with this thing?
00:45:29We're getting a little matter of an amulet.
00:45:31Here.
00:45:32Help me get it out.
00:45:33Here.
00:45:34Here.
00:45:35Here.
00:45:36Here.
00:45:45We'd better find a new hiding place for this.
00:45:46Your excitable husband is allowed to forget himself at a most inopportune time.
00:45:50Well, where else could we hide it?
00:45:52Let's see.
00:45:53I know.
00:45:54The Mandarin.
00:45:55The little place where the incense goes.
00:45:57That's a good idea.
00:45:59Put the amulet inside and wax up the opening.
00:46:03Yeah.
00:46:23Oh, boy.
00:46:24That was a pit.
00:46:27Hey, hold that curtain for me, will you?
00:46:28Yeah.
00:46:51If I don't get a bonus for this, I'm going to quit.
00:46:53How are you making out?
00:46:54I'll be through in a moment.
00:46:58You should be able to see him.
00:46:59That's it.
00:47:00Get enough photographs?
00:47:01Well, I never get enough, but these will hold me for a while.
00:47:05Say, that looks pretty good.
00:47:06You must have had experience with that sort of thing before.
00:47:10Well, come on now.
00:47:11Let's all get out of here.
00:47:12I got a car waiting downstairs.
00:47:13That's it.
00:47:15What a car is waiting for you.
00:47:16Good, ma'am.
00:47:17I don't have a car waiting for a while.
00:47:19I don't have a car waiting for a while.
00:47:20Hey, that looks pretty good.
00:47:21You must've had experience with that sort of thing before.
00:47:24Well, come on now.
00:47:25Let's all get out of here.
00:47:26I got a car waiting downstairs.
00:47:28You're witnessing a preview of what the next war will be like, Johnny.
00:47:48I hate to think of it.
00:47:58You got a gun, Johnny?
00:48:05No, you get in trouble carrying guns.
00:48:07Neutrals aren't supposed to go on.
00:48:09If they catch it...
00:48:10Right, if they catch it.
00:48:12Sometimes they're more comfortable than a hot water bottle.
00:48:15Well, I'd hate to put one on my stomach for a pain.
00:48:28Have we much farther to go?
00:48:36No, we'll be there in a few minutes, Irene.
00:48:38Well, I hope we're in about playmates.
00:48:40So say we all.
00:48:50Good work, Wreck.
00:48:51Keep your eyes open now and be sure to sound an alarm if you see anyone.
00:48:58Well, we've made it.
00:49:04Good evening.
00:49:05Hello, Lee.
00:49:06I'm glad you arrived safely.
00:49:07Mrs. McGinney, this honorable and venerable gentleman is Lunsat Lee, the man who sent you a wedding present.
00:49:12A meager token of my friendship for your husband.
00:49:15Very lovely.
00:49:16And very handy, too, believe me.
00:49:18Handy?
00:49:19Skip it.
00:49:20Please come in.
00:49:26Make yourselves comfortable.
00:49:28Is the boat ready, Lee?
00:49:32It is ready.
00:49:33A man sits in it now, waiting.
00:49:35You see, we're right over the river.
00:49:37In fact, it flows beneath this house.
00:49:39There's a 22-foot power launch below this room all ready to go.
00:49:42That's just in case something unforeseen happens.
00:49:45I suppose you had the foresight to play on all this.
00:49:47With the capable assistance of our good friend Lunsat Lee.
00:49:54Mr. Barkley.
00:49:55He is here with many men.
00:49:56He's here with me.
00:49:57Follow me, please.
00:49:58Let's go.
00:50:28Martin, get out of here. Come on.
00:50:52Look out!
00:50:58You almost got us that time.
00:51:00Yes, that was a close call, Johnny.
00:51:02Thank you very much, Irene.
00:51:03Where I'll be.
00:51:04The Wainbu River.
00:51:05What do we do now?
00:51:15The battleships are opening up.
00:51:17We can't lie out here all night with the shells going places.
00:51:20This is something I didn't take into account.
00:51:21Look at that.
00:51:22Look at that.
00:51:23Look at that.
00:51:24Look at that.
00:51:28We are lucky.
00:51:29Do you think we can water now?
00:51:30We can try.
00:51:31We haven't anything to lose, especially if one of those battleship spots us.
00:51:36You're right, Johnny.
00:51:37They went to risk a night for me to attack from a small launch.
00:51:38And this looks pretty much like one of those suicide boats.
00:51:39Well, our best bet is to try and water now.
00:51:43Keep your fingers crossed, Mrs. McGinney.
00:51:44Keep your fingers crossed, Mrs. McGinney.
00:51:45They'll be able to shoot first and identify us afterwards.
00:51:46Ahoy!
00:51:47Hit him out!
00:51:48Oh!
00:51:49Oh!
00:51:50Oh!
00:51:51Oh!
00:51:52Oh!
00:51:53Oh!
00:51:54Oh!
00:51:55Oh!
00:51:56Oh!
00:51:57Oh!
00:51:58Oh!
00:51:59Oh!
00:52:00Oh!
00:52:01Oh!
00:52:02Oh!
00:52:03Oh!
00:52:04Oh!
00:52:05Oh!
00:52:06Oh!
00:52:07Oh!
00:52:08Oh!
00:52:09Oh!
00:52:10Oh!
00:52:11Oh!
00:52:12Oh!
00:52:13Oh!
00:52:14Oh!
00:52:15Oh!
00:52:19Wait a minute!
00:52:20Hold your fire!
00:52:21The American passenger is trying to come aboard.
00:52:24Oh!
00:52:26Oh!
00:52:27They are lowering the ladder.
00:52:28Head with that ladder, will you, old man?
00:52:33Pardon me, my friend.
00:52:34It looks like our troubles are over.
00:52:35Mrs. McGinney, you have nothing more to fear.
00:52:42It should be safe.
00:52:44No, they're safe.
00:52:50And they would have done a Iya.
00:52:57You have your credentials?
00:52:59Oh, yes.
00:53:00I have a carte blanche from the embassy.
00:53:05Oh, yes.
00:53:06I have a carte blanche from the embassy.
00:53:12very good and the others I think you'll find our passports and puppy
00:53:20daughter's she's my wife yes the tree is all right but then we can stay on board
00:53:27now most unusual we did not expect passengers until tomorrow but it is
00:53:34all right this room is for mr. and mrs. McGindy and this is for mr.
00:54:02Harvey thank you good night night oh I'm glad that's over for all I thought we'd
00:54:09never get on this boat I think we can all relax now in fact that's just what I
00:54:12intend to do I'll see you after I get cleaned up hey wait a minute how about
00:54:18Irene and me after all this marriage was just a marriage in name only wasn't it
00:54:23completely slipped my mind well come on and we'll straighten it out somehow
00:54:29well let's see now
00:54:33yes that's all right Johnny I'll take this state room and you keep the other for
00:54:37yourself Irene oh now that's settled everything's fixed do you mind if I
00:54:41clean up a bit I'll only be a moment no go ahead we're not going anyplace
00:54:48another bombardment hope they ever get tired
00:54:55I'll be out of this mess tomorrow tomorrow we'll be on our way to America America now there's a country for you no bomb
00:55:25bombardments over there the only bombardments you see are the pop bottles
00:55:28around enough I had a baseball game never been to a baseball game you don't know
00:55:32what you've missed but don't you worry mrs. McGinney I'll see that you don't miss
00:55:35anything when we get there probably be too busy to see me too busy do you think I'm
00:55:40crazy you think you're gonna lose me just come on mrs. McGinney let me escort you to your
00:55:45state room you can come in at the darndest times oh I'm sorry old man I didn't realize I was
00:55:50intruding upon a private taint of taint I'll go back if you wish no it's too late now come along
00:55:55then I read you must be dreadfully tired as a matter of fact I didn't happen even think of
00:55:59being tired hey let's celebrate a little let's have a couple of drinks to what well to the mandarin
00:56:09grandpa came in handy heaven knows I'm not the one to put a damper on any celebration come on
00:56:14I'll have the steward drink some scotch and soda I'll celebrate with rye do you mind not at all
00:56:21I'd rather have a good drink of rye than a drink of scotch any day before you when that hits you
00:56:27that really does something good evening Yokohama so nice meeting you again Mr. Barkley I noticed
00:56:35you disregarded my warning concerning Miss Froma well you see we had a date to get married and I
00:56:40couldn't very well leave her waiting at the altar what do you want the amulet you will save
00:56:46yourselves the most unpleasant scene if you give it to me at once I'm afraid old man you'll have
00:56:51to take it from us forcibly that is of course if you can find it now wait a minute don't be silly
00:56:56about this thing he's got us dead to rights why not give him the thing and save a lot of trouble
00:57:01Johnny look here have you gone crazy oh I be saps he holds all the cards let him pick up the chips
00:57:07side I'm getting sick of dodging bullets all the time mr. McGinty is right how did you say it
00:57:14yes I hold all the cards there is it please right here you will hand the camera to me please from
00:57:23where you are all right I don't want it nice work Johnny now mr. Yokohama the cards are in my hands
00:57:31don't you think we'll be to compliment you mr. McGinty and admirable Bruce well it's funny how handy a camera can be
00:57:43sometime you have made a dreadful mistake you should have handed me the amulet as I requested it but
00:57:49have saved the young lady's life now I have no alternative what's he talking about my dear fellow it
00:57:56appears your life is the one that needs saving at the moment no doubt you have hidden the amulet
00:58:02someplace else in the package perhaps you've always been such a good guesser mr. Yokohama well you
00:58:10needn't worry about it you'll never get that amulet put up your hands mr. Parkway
00:58:14I want the amulet for yourself or the Soviet Embassy diplomatic courtesy prevents my putting
00:58:31a bullet through your head mr. Yokohama but diplomatic courtesy does not prevent my telling you to mind
00:58:36your own business this is my business enough of this either I get the amulet or all there is no
00:58:42necessity for threats you want the amulet I want my life I care nothing for these others you know where
00:58:49it is in this package open it
00:59:12you do not know how it is hidden how stupid drop it at the hollow of the figure and wax poured in
00:59:25a match will melt the wax and drop the amulet down if you are lying see for yourself
00:59:32stand back in that room all of you you too did you expect me to leave without first verifying the
00:59:52hiding place I did not think you would
01:00:02you must have had a good reason for disclosing that hiding place you must have had a good reason for
01:00:31disclosing that hiding place mr. Yokohama I did you better not go in there I understand now why you
01:00:45reveal the hiding place I intercepted the gift from Lunsat Lee I regret the necessity of being forced to
01:00:51such extremes but I had to take precautions in case the young lady should escape with the amulet
01:00:55you will be coming ashore with me now no doubt going ashore I thought you were sailing with us
01:01:02you did not know know what mr. Barkley happens to be a first-class Chinese military agent empowered
01:01:09at the moment to buy ammunition with the funds that amulet was to release he's more or less right
01:01:13Johnny I'm sorry I couldn't have told you before do not feel too badly the trip would have proved useless
01:01:17I had hoped to get to the States before that would happen I received it but a moment before coming here most unfortunate for you
01:01:39I received it but a moment before coming here.
01:01:41Most unfortunate for you.
01:01:49I suppose you'll be going ashore too.
01:01:52I guess so.
01:01:54No, Irene. You stay with Johnny.
01:01:57There's nothing for you in China but trouble.
01:02:00Don't worry. I'll talk to your brother and Hoi Lung.
01:02:03I'll be seeing you both up on deck before I go.
01:02:10You know, I...
01:02:13There's a fellow who knows what he's talking about.
01:02:19My brother almost killed.
01:02:21Our lives are endangered and all for the sake of an amulet,
01:02:24which exists no more.
01:02:25That amulet did some good.
01:02:27If it hadn't been for that, I never would have met you.
01:02:31Sorry if I always seem to be barging in at the wrong moment, Johnny,
01:02:34but this is the last time, I promise you that.
01:02:36Oh, that's all right.
01:02:37You're going?
01:02:38That's all right.
01:02:39That's all right, Johnny.
01:02:40Goodbye and better luck next time.
01:02:42Goodbye, my dear.
01:02:45Take good care of her, Johnny.
01:02:47Goodbye and good luck.
01:02:56The amulet.
01:02:57Yeah.
01:02:58What?
01:03:00Well, the old son of a gun.
01:03:01Hey, Barclay.
01:03:03I thought it was blown up.
01:03:04I thought it was in the Mandarin.
01:03:05That's what I wanted you to think.
01:03:06When I started to place it in, I noticed the Mandarin had been tampered with.
01:03:10So I decided to take no chances.
01:03:12Well, I'm doggone.
01:03:13Well, if we have the amulet, why don't you go with us?
01:03:16That cablegram changed everything, my dear.
01:03:18So let's hope the Chinese will find a better use with that money.
01:03:21Very clever, you know.
01:03:22At any rate, we eliminated Mr. Sargoza.
01:03:24So perhaps it was worthwhile after all.
01:03:28Won't you change your mind and go with us?
01:03:30Believe me, Johnny, there's nothing in the world I'd love more.
01:03:34It's been a long time since I've seen the Statue of Liberty.
01:03:37In fact, it's been a long time since I've seen liberty of any kind.
01:03:41I know just how you feel.
01:03:43I wonder.
01:03:45I'm like the prodigal son who counted the minutes until he could return home.
01:03:49Only to have the clock suddenly stopped.
01:03:51Give my regards to the Golden Gate and all the rest of the Americana.
01:04:02Well, next stop, America.
01:04:05Land of the fan dancers Mickey Mouse and Flatfoot Floozy with the Floy Floy.
01:04:09Oh, heaven bless it.
01:04:12Land of...
01:04:13My destiny.
01:04:14Whose destiny?
01:04:15I wouldn't take advantage of your gallant gesture in marrying me, Johnny.
01:04:17Oh, now, wait a minute.
01:04:18Our marriage might have been a gallant gesture,
01:04:20but there's nothing in the book that says we can't make it to McCoy.
01:04:24Now, whose destiny is it?
01:04:26Mrs. McGinty.
01:04:27That's better.
01:04:33Why, Johnny, you're rubbing it off.
01:04:35Oh, no, I'm not.
01:04:36I'm rubbing it in.
01:04:37I'm rubbing it in.
01:04:38I'm rubbing it in.
01:05:07It으면 bemodem, nobody whose destiny could the mostrelated tune in the movie.
01:05:08Oh, let me know.
01:05:09Well, let me know.
01:05:10I've never done a war exists, too.
01:05:11Oh, my God.
01:05:12But on the end there she opens, Sarah.
01:05:13The O me and my hand.
01:05:15He set up the cross.
01:05:16The haあります any worthy of his
01:05:29wife or brother ever.
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