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Vanessa Stewart (Turner) has the soul of an artist, but her business tycoon father insists that she follow in his footsteps. As a result, Vanessa convinces herself that she wants to be a globetrotting executive, and also that she truly loves the man to whom she is engaged.
Transcript
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00:03:59I wanted you to feel like a bomb girl on your honeymoon.
00:04:03As your maid of honor, do I actually qualify as a maid?
00:04:07As a maiden? No.
00:04:09Then again, you are wearing white, which is incredibly accurate.
00:04:12As your maid of honor, I do feel it is my duty to remind you
00:04:16that you don't have to go through with this.
00:04:18Your point?
00:04:19Vanessa, when you're marrying a man,
00:04:21you're supposed to love him truly, madly, and very deeply.
00:04:26There you are.
00:04:27Hi. What a party, huh?
00:04:29I can hardly wait for the karaoke.
00:04:32Mimi and Vanessa, yeah, pow.
00:04:37Oh, honey, I almost forgot.
00:04:39Billy Babcock from Smith Barney is a five handicap.
00:04:41His wife is 11. They want to play on Sunday.
00:04:43Oh, all right. Okay.
00:04:45Cool.
00:04:46What's that?
00:04:48Oh, yeah. Oh, yeah.
00:04:56He's funny.
00:04:57But golf with a broker.
00:05:01I'm happy.
00:05:03Darling, first thing in the morning,
00:05:05we have to decide what to do about the caterers.
00:05:07And we've got to get you in for a final fitting.
00:05:09Ugh.
00:05:10To win the company going public in my wedding,
00:05:12I'm going to have an aneurysm.
00:05:13Hey, at least you get to go to Venice.
00:05:15That is so cool. I'm so jealous.
00:05:17Venice isn't going to work out this year.
00:05:19I need you here for the presentation to the investors.
00:05:22Well, yeah, but if I don't go to Venice,
00:05:23we won't have stock for the holidays.
00:05:24Someone else can go.
00:05:28Well, I always do the buying trip to Venice.
00:05:30That's a luxury you may have to sacrifice.
00:05:34Luxury?
00:05:36Wait a minute.
00:05:37These are the items that make our store unique.
00:05:39I'm not asking you.
00:05:41I'm telling you.
00:05:42You know what?
00:05:43I'm not asking for the keys to the car here.
00:05:46Yes.
00:05:46No, and while we're at it,
00:05:47I don't like the direction that you're taking the company.
00:05:50Have you forgotten what we stand for?
00:05:51I don't need anyone reminding me what Stuart stands for.
00:05:56I built this company from the ground up for you.
00:05:59I need you here.
00:06:01Now, what's it going to be?
00:06:02What's it going to be?
00:06:32Oh, what's it going to be?
00:06:33I love you.
00:06:35It's going to be.
00:06:37I'm telling you.
00:06:42We're Brough conforms.
00:06:43We're redesigning withBRU.
00:06:48I love you.
00:06:53I love you.
00:06:55I love you.
00:06:55I love you.
00:06:57I love you.
00:06:59I love you.
00:07:00Wait a minute.
00:07:30Excuse me, stop, no, why stop, stop, stop, stop, no?
00:07:42That's a different line.
00:07:46What?
00:07:47We stop ahead of the next platform, San Samuel, next stop.
00:07:52Oh, thanks.
00:07:56First time here.
00:07:57Um, no, I come here for business.
00:08:02That's lucky.
00:08:04Whenever I'm burned out, I always try and get a few days here.
00:08:07What do you do?
00:08:09I'm a buyer for a store.
00:08:13Sorry, am I being nosy?
00:08:15Occupational hazard.
00:08:16I'm a reporter.
00:08:18Bill, Bill Fitzgerald.
00:08:19Vanessa, hi.
00:08:21How long are you here?
00:08:24A few days.
00:08:26Will you have time to see the city?
00:08:28No, I'm going to be working the entire time.
00:08:32Maybe we could have dinner one night.
00:08:34I'm really very busy.
00:08:36Too busy for dinner?
00:08:38Well, yeah.
00:08:38Muscat is unpredictable.
00:08:40Is it?
00:08:40Yeah.
00:08:41So is mine.
00:08:43I like unpredictability.
00:08:45Keep things from getting dull and predictable.
00:08:47Yeah.
00:08:48Yeah, well.
00:08:50Oh, this is my stop.
00:08:56It's nice meeting you.
00:08:58You want me to go?
00:08:59I can tell.
00:09:00I'm...
00:09:00No, it's just that I'm traveling alone, and actually, I prefer it that way.
00:09:05Don't you think that's the best part to traveling alone, is meeting new people?
00:09:09I'm jet-lagged, and I don't like to get to my hotel.
00:09:13Okay.
00:09:14I can take it.
00:09:16Although it's actually more of a bold statement.
00:09:18You'd like me to go?
00:09:21Bye.
00:09:23Goodbye.
00:09:23Bye.
00:09:23Bye.
00:09:30Bye.
00:09:57Bye.
00:09:58Bye.
00:09:59Bye.
00:10:30Okay, what is this?
00:10:51Hello?
00:10:53I know what you're thinking.
00:10:55Is that annoying man again?
00:10:58Not, no, not exactly.
00:10:59But close.
00:11:02I'm sorry for being obnoxious yesterday.
00:11:05The truth is I'm only here for a few days.
00:11:07I didn't want to be alone.
00:11:09And I always say the wrong thing.
00:11:15Apology accepted.
00:11:18May I join you?
00:11:20Okay.
00:11:21So, are you getting a lot of work done?
00:11:29Yes, actually, I am.
00:11:32Is this something for your store?
00:11:34Mm-hmm.
00:11:36May I see?
00:11:37Yes.
00:11:37Oh, these are beautiful.
00:11:46Especially this.
00:11:47Mm.
00:11:49What made you buy it?
00:11:50Well, I always like to have one item that's out of the ordinary.
00:11:53You know, give people the range of the expected, but then the exception.
00:11:57They have a way of being very endearing.
00:11:59Unique items.
00:11:59How's that?
00:12:04Maybe we feel they're being themselves.
00:12:07Yeah, they're the underdogs.
00:12:09We pull for them because it's a tough job to be yourself.
00:12:13Is it tough for you to be yourself?
00:12:16No.
00:12:17It's not tough for me.
00:12:19I always suspect it's tough on others to put up with.
00:12:20So, what are you doing for dinner?
00:12:28I'm not sure.
00:12:29I was going to go to a break at a restaurant right near here.
00:12:33Will you join me?
00:12:36Okay.
00:12:40I like well-made, well-designed objects.
00:12:43They're beauty.
00:12:44And I love what it means to our customers.
00:12:46Like, last year I was here and I got these faces.
00:12:48Beautiful faces.
00:12:49They have these great, clean lines and these wonderful pastel stripes
00:12:54and these circles that just seem to float.
00:12:56Ah, such personality.
00:12:57Whenever I look at them, I'm comforted.
00:13:00Is that what you're looking for?
00:13:02Comfort?
00:13:03I want to give my customers something that when they get home,
00:13:05no matter what kind of day they've had,
00:13:06they can look at something beautiful and be comforted.
00:13:09Yeah, yeah.
00:13:10Like my friend Mimi.
00:13:11She's got this piece of Steuben glass her mother gave her.
00:13:13Now, it's not her style.
00:13:14She'd never buy it.
00:13:15But there it is, sitting on her piano, a symbol of her mother.
00:13:18A connection.
00:13:20You love what you do.
00:13:21Yeah.
00:13:22But when it comes to finances and compared to pricing...
00:13:26Not for you.
00:13:26Not for me.
00:13:30Good thing you know where you're going,
00:13:32because I'm completely turned around here.
00:13:35What about giving up a job?
00:13:37Doing something else?
00:13:39Oh, well, it's my family's business.
00:13:42It's kind of like being in the mob, you know, once you're a member.
00:13:44You seem far too creative to be stuck in an office.
00:13:47Yeah?
00:13:49I did study art in college.
00:13:50That's actually my real love.
00:13:52Art is such a primal thing.
00:13:55I remember when my father died.
00:13:57My mother started to paint.
00:14:01If it hadn't been for that, I don't know what would have happened to her.
00:14:04It saved her life.
00:14:05She's still painting?
00:14:07She struggled for years.
00:14:09Now she actually makes a living out of it.
00:14:11Oh, I don't think I could do that.
00:14:13It's a sacrifice.
00:14:17Life is too short to settle.
00:14:20What about you? What kind of reporting do you do?
00:14:23Foreign conflicts.
00:14:24I just got back from Corsica.
00:14:25Three days off, and then back I go.
00:14:28You'd be scared to death. I can barely watch the evening news.
00:14:31I am scared to death.
00:14:32Which doesn't mean I don't love it. I do.
00:14:35Like I said, good thing you know where you're going.
00:14:38That would be a good thing.
00:14:40You do know where you're going.
00:14:41Maybe. Maybe not.
00:14:45My instinct says right.
00:14:48What do you think? Right or left?
00:14:50You're the one who's been to the restaurant, not me.
00:14:52It doesn't mean you can't have an opinion.
00:14:54You do seem to have opinions.
00:14:55Oh, what does that mean?
00:14:57Some of my best friends are stubborn and willful.
00:15:00Is that a compliment?
00:15:01I have a sword.
00:15:02Well, Missy, we can't stand here all day.
00:15:05Which way? Right or left?
00:15:07Left.
00:15:07Left.
00:15:11Left, then.
00:15:15I think I recognized that gondoloon.
00:15:18Didn't we cross this square before?
00:15:20I thought you were so sure of yourself.
00:15:22Don't you trust your instincts?
00:15:23No, it's not my instincts I'm concerned about.
00:15:25And you doubted me.
00:15:27I did.
00:15:30Giorgio.
00:15:32Hello, hello.
00:15:32Nice to see you again.
00:15:34Hello, how's it going?
00:15:35All right.
00:15:35Do you?
00:15:37Do you?
00:15:38Oh, shit.
00:15:40You don't mind if I...
00:15:41It's delicious.
00:15:49You're eating all my food.
00:15:50This is Italy.
00:15:51It's full of food.
00:15:54You don't take no for an answer, do you?
00:15:58An occupational hazard.
00:15:59Mm-hmm.
00:16:00Mm-hmm.
00:16:02I feel sorry for people who get in your way.
00:16:04I'm very charming to everyone that bulldoze.
00:16:09What's the biggest no you didn't take for an answer?
00:16:11The biggest no.
00:16:13Mm-hmm.
00:16:16That would have been Somalia, 1991.
00:16:20All right.
00:16:21What was going on there?
00:16:22Clan wars.
00:16:24I was there with Francis, my cameraman.
00:16:26Unfortunately, one of the local warlords had it in for journalists.
00:16:29Some of his henchmen came in the middle of the night,
00:16:31dragged us out of bed, and threw us in jail.
00:16:34What for?
00:16:36Espionage.
00:16:37Not that he needed a reason to shoot you.
00:16:39While we were in prison,
00:16:41we heard how extensive the killings were.
00:16:44Entire villages were being wiped out.
00:16:48So what happened?
00:16:49A few days later, they let us go.
00:16:51Gave us an escort to the border.
00:16:52We headed north.
00:16:55Then, when our escort was gone, we swung around and went back in.
00:16:59We were the first ones to find the mass graves.
00:17:01I never could have gone back.
00:17:07You don't know what you'd do.
00:17:10I didn't know how not to go back.
00:17:13I only knew that if I didn't, more people were going to die.
00:17:16It must be really hard for the people that are close to you, knowing what could happen to you.
00:17:23I'm worried most about my little girl.
00:17:26I chose this job before I was a dad.
00:17:29You have a little girl?
00:17:31Helena.
00:17:32Oh, she's beautiful.
00:17:44How long have you been married?
00:17:46My wife died eight years ago.
00:17:50Helena saves my mother while I'm working.
00:17:52I try to see her as much as I can.
00:17:57How about you?
00:17:58That's a very conspicuous-looking diamond ring on your finger.
00:18:03Yes, well, I'm engaged.
00:18:08Who's the lucky guy?
00:18:10His name is Stephen.
00:18:13He's the chief financial officer for our store.
00:18:18Is he the guy for you?
00:18:22Well, I believe he is.
00:18:26Yes.
00:18:26Then he must be.
00:18:28Oh, thank you for dinner.
00:18:32I had a lovely time, actually.
00:18:35You're not going to turn in now.
00:18:36It's dusk.
00:18:37It's magic hour.
00:18:39Oh, no, I have a huge, huge day tomorrow.
00:18:42Oh, come on.
00:18:42You can't waste a night in Venice just sleeping.
00:18:45Well, I have to get up at the crack of dawn.
00:18:49Oh, come on.
00:18:51The city's waiting for you.
00:18:52Let's walk to Zatera.
00:18:54I'll take the water taxi to San Giorgio.
00:18:55Have you ever seen the sunrise from Piazza San Marco?
00:18:58I have to be at the Fenice Glass Factory, Marana, first thing in the morning.
00:19:01I can't tempt you.
00:19:06I can't.
00:19:08I'm still going straight to bed.
00:19:12I'd love to see a glass factory.
00:19:14I've always been interested in blowing glass.
00:19:16May I join you?
00:19:17I have to look at a lot of items to negotiate prices.
00:19:22He wouldn't be effective.
00:19:24I'm afraid not.
00:19:29So, thanks for dinner.
00:19:32Bye.
00:19:33Buenas tardi.
00:19:34Buenas tardi.
00:19:35I can't do this.
00:19:54I can't do this.
00:19:54Buenas tardi.
00:20:24Buenas tardi.
00:20:25Oh, bellissima.
00:20:26Oh, thanks.
00:20:27How's that?
00:20:28Very well, and you?
00:20:29Oh, bambini.
00:20:30Oh, well.
00:20:31Oh, good.
00:20:32Oh, look.
00:20:35Oh, 14th century.
00:20:37Yes.
00:20:38Do you like?
00:20:39Beautiful, yes.
00:20:40The maestro is starting another one.
00:20:42Come with me.
00:20:42Sounds like something I'd like to see.
00:20:45Vanessa Stewart.
00:20:46And this is Bill.
00:20:47Fitzgerald.
00:20:48Yes.
00:20:49He's a reporter.
00:20:50And he wanted a tour of the factory.
00:20:51A friend of mine's an editor with National Geographic, so I thought I'd turn my holiday
00:20:55into an article.
00:20:56But you two know one another.
00:20:59Yes.
00:21:00Un momento.
00:21:01I always wanted to see a glass factory, ever since I was a little boy.
00:21:06You're following me.
00:21:08Do you like it?
00:21:10You know, Italy's the one place where I can be myself, and I prefer not to be stopped.
00:21:14Thank you very much.
00:21:15You can't be yourself at home.
00:21:16No.
00:21:17But yes.
00:21:18I mean, it's not that I can't.
00:21:19You don't?
00:21:20Well, it's just, I have roles to play, you know?
00:21:22I can't let people down.
00:21:23By being yourself?
00:21:24So you're slightly phony Vanessa Stewart at home.
00:21:27Vanessa must spin.
00:21:28No, I am not phony.
00:21:29No, it's just me.
00:21:30Performing a role?
00:21:33Will you stop answering for me?
00:21:34Sorry.
00:21:36You're making this much worse than it is.
00:21:37I do not have a problem.
00:21:38There is no problem.
00:21:40You're only one person you can be yourself with.
00:21:42One.
00:21:43I hope it's your fiancée.
00:21:44Even though it's really hot, you can't wear gloves because he's got to feel the curves.
00:22:11He's got a great touch.
00:22:15Yeah.
00:22:20He's making an hourglass.
00:22:22Yes.
00:22:41See how it constantly changes?
00:22:47That's what I love about glasswork.
00:22:49It just evolves.
00:22:51It just evolves.
00:23:11Melissa, this is a present for my master.
00:23:19Oh, do you like it?
00:23:20I see, very much.
00:23:22Look at that.
00:23:25It's perfect.
00:23:41I see, very much.
00:24:11I see, very much.
00:24:41I see, very much.
00:25:11You know what this proves?
00:25:16Honesty is the best policy.
00:25:17If I hadn't admitted I was a jerk, you would never have had dinner with me.
00:25:25Well, maybe the best policy would be not to be a jerk in the first place.
00:25:35Well, you see, that's why you're wrong.
00:25:36If I hadn't been a jerk, I couldn't have apologised for it.
00:25:42And you wouldn't have been disarmed.
00:25:44You know, it just doesn't seem like it's just a lucky guy.
00:25:53To be in the most romantic place in the most romantic place in the universe.
00:25:59And to meet you.
00:26:01You know, it's just a lucky guy.
00:26:08You know, it's just a little bit.
00:26:10You know, it's just a little bit.
00:26:12You know, it's just a little bit.
00:26:19You know, it's just a little bit.
00:26:21You know, it's just a little bit.
00:26:35Hello?
00:26:44Hello?
00:26:49Steven.
00:26:53Yeah, yeah, things are great.
00:26:57How are you?
00:26:59How's Dad? Is he still angry?
00:27:01Um, yeah, things are going well.
00:27:08I'm finding lots of great things.
00:27:12Um...
00:27:13Oh, the engravers? Already?
00:27:21Um...
00:27:22Well, you decide. You decide.
00:27:28Buff is fine.
00:27:29Yeah.
00:27:32Listen, you know what?
00:27:33Um, Steven, I really have to go because...
00:27:36Um, I'm due at a designer's and, uh...
00:27:38The maid is here and she'd really like to change the sheets.
00:27:42Okay?
00:27:43All right.
00:27:44Yes, yes, see you soon.
00:27:46Me too.
00:27:47Bye.
00:27:53What the hell do you think you're doing?
00:27:55That was my fiancé!
00:27:57Hey!
00:27:57How is Steven?
00:27:59You know what?
00:28:01Just because you rocked my world does not give you the right to screw up my life!
00:28:05You didn't know what was going on.
00:28:07No thanks to you!
00:28:10You know what?
00:28:12You thought that was funny?
00:28:15I thought we had an incredible time together.
00:28:17At least I did.
00:28:19You know what?
00:28:19I'm not supposed to be having incredible nights with other men.
00:28:22Where are you going?
00:28:25Where are you going?
00:28:31Vanessa!
00:28:33Wait!
00:28:38Vanessa!
00:28:42Vanessa!
00:28:45Vanessa!
00:28:47Wait!
00:28:49Leave me alone!
00:29:10Life's not like that.
00:29:12Like what?
00:29:12Life's not what's supposed to happen.
00:29:14If life is anything, it's just today.
00:29:17It's not the plans we make for ourselves and what we expect to happen.
00:29:21It's now!
00:29:23It's us!
00:29:24You may see the world that way, but I don't!
00:29:27I'm sorry I hurt you.
00:29:44Spend the weekend with me.
00:29:46Oh, God.
00:29:50I can't.
00:29:52I can't.
00:29:53I feel so...
00:29:55guilty.
00:29:56Guilty.
00:29:57When was the last time you laughed like last night?
00:30:20I can't.
00:30:21I can't.
00:31:52Do you really think I could be an artist?
00:32:08Definitely.
00:32:08What makes you think so?
00:32:11You're creative.
00:32:12You're smart.
00:32:14You have the discipline to succeed at work you don't like.
00:32:17You can certainly succeed at work you love.
00:32:19That's what my friend Mimi says.
00:32:27She's the only one, though.
00:32:29Hey, how about me?
00:32:30You're the only other one.
00:32:37It's nice when you have people who believe in you, but you're the only person who knows
00:32:42what's right for you.
00:32:43What are you doing?
00:32:50What are you doing?
00:32:52Washing you?
00:32:53Are you sure you don't want me to go with you to the train station?
00:33:15No.
00:33:16Let's say goodbye here.
00:33:18Let's not say goodbye.
00:33:21When can I see you again?
00:33:23You can't.
00:33:25Why?
00:33:27Because I have obligations.
00:33:29You know that.
00:33:30I'm only saying we should stay in touch.
00:33:31This was amazing.
00:33:38We don't really know each other.
00:33:42I think I know you.
00:33:44And you know me?
00:33:47If we make more of this, we'll ruin it.
00:33:51Give me your number.
00:33:54If you call me, I'll want to see you, and I can't.
00:34:01If you call me, I'll want to see you again.
00:34:31If you call me, I'll want to see you again.
00:35:01what you uh don't fool me one little bit
00:35:07no well you told me about the dorsoduro the uh vaporetto the amazing furnaces in murano but uh
00:35:17you don't fool me well i'm not trying to keep anything from you i just didn't want you to
00:35:22crash the car you met someone you met someone yes what happened who is he his name is bill
00:35:33fitzgerald and he's a television reporter television reporter well have i seen him is
00:35:38he on tv oh yes he's a television reporter he's irish the accent guy with those lips and those
00:35:45blue blue eyes oh my god you have had some major activity you have to tell me every detail it was
00:35:54the most wonderful exciting romantic four days of my life he was unbelievable in bed right
00:36:01me tell me everything who is it hey wait wait wait wait when are you gonna see blue eyes again
00:36:18never what do you mean never look i have a whole life here planned with steven a real life and when
00:36:24i had in italy was it real i don't even know him you could get to know him well i didn't give him my
00:36:30number but i didn't get his no no no wait wait vanessa wait compare and contrast
00:36:47hey hey i missed you yeah i missed you hi hi sorry i got tied up on that and i you know you don't mind
00:36:55that just no problem no problem you know i'm gonna leave you lovebirds alone okay compare and
00:37:04contrast bye bye take care now see you compare and contrast uh it's a problem mimi's having oh how
00:37:13was your flight uh not bad listen i picked up your suit from the dry cleaners oh and i also got your
00:37:19accounts file over what you left behind at the office taking a little vacation from collections were you
00:37:23well combining a little pleasure with business oh and i figured you were tired so i picked up some
00:37:28new crop from chandora you love so dearly oh speaking of what you love so dearly remember that townhouse
00:37:32in riverdale well it's for rent and i took a peek and it's in our ballpark now really yeah we can
00:37:40look at it tomorrow night do you ever feel trapped you know by all these plans like everything is so set
00:37:47why should i i am marrying the girl of my dreams too good for me really no smart gorgeous sexy and best
00:37:55of all true blue i mean our careers are taken off everything is in line
00:38:02and we can start a family
00:38:06why don't we just elope oh no honey we can't after nine months of wedding plans our parents will kill
00:38:17us listen you're just probably jet-lagged all right why don't you come lay down on the couch
00:38:25and i'll fix you some of that microp
00:38:45our customers come to us expecting the extraordinary and they're willing to pay for it
00:38:50why are we throwing all that out just because we're expanding we can't talk about this you
00:38:54insist on getting emotional emotional it's not emotional just because i care we can't go public
00:39:01until we get our new fiscal goals if we go public and destroy everything we stand for then we're not
00:39:05being true to ourselves or the customers we are in business to make money that's the bottom line she is
00:39:11it's for you
00:39:17hello hello vanessa don't hang up please
00:39:23okay i know you didn't want me to call but i tracked down your number because i had to speak to you
00:39:30certainly could you hold for just a moment
00:39:35this is going to be a while i'll just take it my office now take it here
00:39:38i gotta see this on the computer
00:39:45can you talk yes no this is crazy vanessa listen i'm in the balkans i'll be in dublin
00:39:53over the weekend i know it's asking a lot but i have to see you i'm sending you a plane ticket
00:40:00my life is falling apart all i can think about is venice
00:40:10i can't fly to dublin i know it's insane and you're engaged and you're 3 000 miles away
00:40:17i've said the same to myself every hour over the past three days
00:40:21until i found myself sitting here with your phone number in my hand
00:40:25and now i've gotten up the courage to call you and ask you to do this crazy thing
00:40:31and of course you'll probably say no
00:40:35but please please vanessa don't say no
00:40:39i can't come see you when you said goodbye you said nothing like this had ever happened to you before
00:40:45how can you say no
00:40:49i'm due in an hour before you if i get delayed there's a key under the mat
00:40:56come to dublin
00:40:58oh
00:41:10yeah i thought so too when i ran into the delivery boy on the stairs
00:41:14oh yeah
00:41:28Hey, who are they from?
00:41:33They're from Mimi.
00:41:37I told you why I went on one, the little high-planes drifter,
00:41:40especially after the day you had.
00:41:43Why is Mimi sending you flowers?
00:41:48Her sister, the one in Miami, is really ill,
00:41:52and I told Mimi that I'd go with her over the weekend,
00:41:55so I guess she's grateful.
00:41:58Terrible. Is it cancer?
00:41:59Yes. No.
00:42:00Well, I don't think they really know.
00:42:02A female thing.
00:42:04When are you leaving?
00:42:06Tonight.
00:42:09Actually, a couple hours.
00:42:11But, honey, you just got here.
00:42:12I know.
00:42:13It's just that her sister's having an operation
00:42:14first thing in the morning, and I...
00:42:16Well, Mimi's a wreck.
00:42:19All right.
00:42:22I've seen this before, anyway.
00:42:25All right.
00:42:26Okay.
00:42:26Uh, travel's safe.
00:42:29Thanks.
00:42:30Talk to you later?
00:42:31All right.
00:42:33Say have a good time, but, you know,
00:42:36it's probably a bad thing on the circumstances.
00:42:39Try it out.
00:42:40Okay.
00:42:41All right.
00:42:41All right.
00:42:42I'm sorry.
00:42:43Bye.
00:42:43Bye.
00:42:43Bye.
00:42:43Bye.
00:42:43Bye.
00:42:43Bye.
00:42:43Bye.
00:42:43Bye.
00:42:44Bye.
00:42:44Bye.
00:42:44Bye.
00:42:45Bye.
00:42:45Bye.
00:42:45Bye.
00:42:45Bye.
00:42:45Bye.
00:42:46Bye.
00:42:46Bye.
00:42:46Bye.
00:42:47Bye.
00:42:47Bye.
00:42:47Bye.
00:42:48Bye.
00:42:49Bye.
00:42:50Bye.
00:42:51Bye.
00:42:52Bye.
00:42:53Bye.
00:42:54Bye.
00:42:55Bye.
00:42:56Bye.
00:42:57Bye.
00:42:58Bye.
00:42:59Bye.
00:43:00Bye.
00:43:01Bye.
00:43:02Bye.
00:43:03Bye.
00:43:04Bye.
00:43:05Bye.
00:43:06Bye.
00:43:07Bye.
00:43:08Bye.
00:43:09Bye.
00:43:10Bye.
00:43:11Bye.
00:43:12Bye.
00:43:13Bye.
00:43:14Bye.
00:43:15Bye.
00:43:16Bye.
00:43:17Bye.
00:43:18Bye.
00:43:19Bye.
00:43:20Bye.
00:43:21Bye.
00:43:22Bye.
00:43:23Bye.
00:43:24Bye.
00:44:25Thank you, sir.
00:44:36You made it.
00:44:39I was worried.
00:44:40Yeah.
00:44:41We were delayed on the ground for two hours. I'm sorry. How was your flight?
00:44:46Fine.
00:44:49Except for the part where I wanted to get off midair because this is the craziest thing I've ever done.
00:44:54Don't think you can blame the airline for that.
00:44:58That's my wife and our daughter, Helena.
00:45:02Must have been horrible to lose her.
00:45:04It was.
00:45:05How do you cope?
00:45:10I'm not religious.
00:45:11But my wife had a strong belief in God.
00:45:14She told me that after she was gone, she'd be in heaven.
00:45:18Because heaven is other people holding you in their hearts.
00:45:21Now I believe that's true.
00:45:22All the way here, I was afraid.
00:45:28I thought you'd changed your mind at the last moment.
00:45:31I almost did a dozen times.
00:45:34But every time I tried to turn around, I just couldn't.
00:45:38Did you act like to lie to him?
00:46:04Yes.
00:46:08Why are you with him?
00:46:16Ironically, because I can trust him.
00:46:23Sounds like the ones with someone who become.
00:46:38When I was 12, my father almost left my mother for another woman.
00:46:43That must have been rough.
00:46:46I hated my father for lying.
00:46:51I guess I decided right then and there that I would never depend on a man for anything.
00:46:58Are they still together?
00:47:00Yeah.
00:47:01My mother says they're trying to make it work.
00:47:06She doesn't trust him.
00:47:09I think that's why she went back into the business.
00:47:13She'd stay at home, you know, to be a mom.
00:47:15But the minute that affair happened, she was back at the office every day.
00:47:22I don't want that to be me.
00:47:34I have to go to the country to meet my daughter tomorrow.
00:47:37I might be rushing things, but I want you to come.
00:47:48To meet your mother?
00:47:50And my daughter.
00:47:50We are friends, aren't we?
00:47:51We are friends, aren't we?
00:47:55We are friends, aren't we?
00:47:55We are friends, aren't we?
00:47:56Sheena's having a birthday party, and she's inviting me.
00:48:25But she's not inviting Becca, because they had a big fight.
00:48:29What was the fight about?
00:48:31Becca told Barry O'Brien that Sheena liked them.
00:48:35Sheena punched Becca in the loo.
00:48:38Well, I don't remember antics like that when you were away at school.
00:48:44Or did you leave out those bits in your letters home?
00:48:47You went to boarding school?
00:48:49In England. Don't blame my parents.
00:48:52I made up my own mind when I was nine years old.
00:48:54The beginning of my wanderlust, I suppose.
00:48:57Oh, nine.
00:48:59We were very impressed with his independence.
00:49:02I got an excellent classical education.
00:49:04And a healthy resentment of authority.
00:49:06When Bill's father died, we could no longer afford boarding school.
00:49:13That was the excuse.
00:49:15I've always suspected mother wanted my company.
00:49:18And would I need an excuse to have my own son here at home with me?
00:49:24I had to find some way to put food on the table.
00:49:26Granny is a great painter.
00:49:28Vanessa's an artist.
00:49:30Are you?
00:49:31Well, I sculpt.
00:49:32And, um, I studied art in college.
00:49:34But now I'm a buyer for my family store.
00:49:36Do you want to see the report I did for school?
00:49:39It has lots of drawings.
00:49:41Oh, yes.
00:49:42I'd love to.
00:49:44An after-dessert.
00:49:46That's such a pretty ring.
00:49:47Is it diamonds?
00:49:48Yes, actually.
00:49:49Yeah, it is.
00:49:50It's lovely.
00:49:52Will we have some dessert?
00:49:53I'm going to get my report.
00:49:54Can we help?
00:49:55Absolutely not.
00:49:56Will and I will do the kitchen duties for a guest, my dear.
00:50:13How long have you known this?
00:50:25Have you known this Vanessa person?
00:50:28This Vanessa person?
00:50:30You make it sound like she's one of the long lines of Vanessa persons.
00:50:34I've known her long enough.
00:50:38Long enough to introduce her to Helena.
00:50:41Mother, how many women friends have I brought back to meet Helena?
00:50:46None.
00:50:47The defense rests.
00:50:50And would that be an engagement ring on the Miss Vanessa person's finger?
00:50:56You can lower your eyebrow.
00:50:59But little luck the next time you meet her, she won't be wearing it.
00:51:08Hello?
00:51:10Yeah?
00:51:12Yeah?
00:51:13I like doing the report on bees because they have such an interesting hierarchy and they're
00:51:18easy to draw.
00:51:20You have a real gift for drawing.
00:51:22Did you know that?
00:51:23Yes.
00:51:25Those are great beads.
00:51:27Do you want to try them on?
00:51:29Yeah.
00:51:30Okay.
00:51:31Got it?
00:51:32These are really cool.
00:51:37Mmm.
00:51:38Are you my dad's girlfriend?
00:51:40The network called.
00:51:42Day after tomorrow, I have to go back to the Balkans.
00:51:45You do?
00:51:47Aw.
00:51:49Hey.
00:51:50Hey, little missy.
00:51:52We should live a whole two days together.
00:51:54There's plenty of time.
00:51:56I hope it wasn't too much meeting my mother and Helena all in the one day.
00:52:05No.
00:52:06I like them.
00:52:07They like you.
00:52:08Mmm.
00:52:09I don't know about your mother.
00:52:10She takes a bit of time to warm to people.
00:52:11Did you get your interview with the KLA leader?
00:52:15I did.
00:52:16I'll be gone about a week.
00:52:17I couldn't feel this way about you if I left Steven.
00:52:31Did you get your interview with the KLA leader?
00:52:37I did.
00:52:38I'd be gone about a week.
00:52:44I couldn't feel this way about you if I left Stephen.
00:52:47I can't keep lying to him.
00:52:52I love you.
00:53:01What a beautiful place to grow up.
00:53:06It was.
00:53:10I wish I could go with you.
00:53:12I wish you could go instead of me.
00:53:15And you could go to the Balkans for me.
00:53:17Ah, let's see.
00:53:18Telling Stephen I'm not getting married or a devastating war.
00:53:22I think I'd take the war.
00:53:27It's not going to be like this for us.
00:53:29I promise.
00:53:31Like what?
00:53:33I'm going to be there when you need me.
00:53:42I was the start of my career when I got married.
00:53:45I was always on assignment.
00:53:47Thinking that next year I'd be more established.
00:53:51Next year we'd have more time together.
00:53:53Next Christmas I'd be home.
00:53:55Next birthday.
00:53:58And then Claire was diagnosed with lymphoma.
00:54:01And there was no next year.
00:54:05I ran from it for years.
00:54:07Working all the time.
00:54:09Having flings.
00:54:12Never getting involved.
00:54:14Until now.
00:54:15My assignment is over in a week.
00:54:23Let's meet in Venice.
00:54:26In Venice?
00:54:28I don't want to waste any more time.
00:54:29How's Mimi's sister?
00:54:51Better.
00:54:51Oh, that's good.
00:54:53I am up to my neck in next year's budget.
00:54:55Do you mind giving me a hand after dinner?
00:54:56I need to talk to you.
00:54:58Shoot.
00:55:01Do you remember how I said I felt trapped by all the wedding plans?
00:55:04See, we've been through this before.
00:55:06I mean, it's a great time to get married.
00:55:07I want to call it the wedding.
00:55:13Honey, I know it's scary and it's a big step, but I'm going to be there for you.
00:55:17I'm not scared.
00:55:18A lot of people get rattled before the wedding.
00:55:21I'm not rattled.
00:55:21Well, you know, they do.
00:55:23I need you to listen to me.
00:55:24Okay, I'm listening.
00:55:29There's no point in not doing what you want to do in life.
00:55:34Okay, fine.
00:55:36I agree.
00:55:37We made these plans and they were really wonderful plans at the time.
00:55:43But I've changed and the plans just aren't right.
00:55:48What are you saying?
00:55:53I want to call it the wedding, Stephen, because I don't love you the way I should.
00:55:58What do you mean the way you should?
00:56:03I'm not happy.
00:56:05What's going on with you?
00:56:06I don't expect you to understand.
00:56:14No, you know, I don't understand.
00:56:17I mean, you don't even sound like yourself.
00:56:19Maybe not.
00:56:20But this is me.
00:56:24You really want to do this?
00:56:27Back out a month before the wedding.
00:56:30I mean, what about our parents?
00:56:30I mean, we've invested four years in this relationship.
00:56:34I'm sorry.
00:56:34You know, it's all fine to think about yourself, Vanessa.
00:56:37But what about other people?
00:56:38What about me, for God's sakes?
00:56:44What about me?
00:56:55Boasts are massive.
00:56:57It's perfectly all right.
00:56:58I'm sure it is.
00:57:00I came to ask for a favor.
00:57:02I'd like some time off.
00:57:05When?
00:57:06Right away.
00:57:07We have to finish the budget.
00:57:09Then there's the fall advertising campaign.
00:57:10You can't have time off now.
00:57:14Stephen and I broke up.
00:57:20What happened?
00:57:24I met someone.
00:57:25What?
00:57:27When?
00:57:28In Venice.
00:57:30In Venice?
00:57:31But you were in Venice for four days.
00:57:33Days?
00:57:33You know what?
00:57:34It wouldn't happen if things had been right between Stephen and me.
00:57:36You made a commitment to that man.
00:57:40Well, that's a funny thing coming from you.
00:57:46Vanessa.
00:57:47Vanessa.
00:57:47Vanessa.
00:57:47Rather a poor choice of argument, Charles.
00:57:58What's happening?
00:57:59We got the interview with Janice Wheaton, leader of the KLA holdout faction.
00:58:04We'll see him tomorrow.
00:58:05A local guy.
00:58:05Harry's going to take us.
00:58:06Great.
00:58:06Who are you calling?
00:58:09None of your business.
00:58:10Ah.
00:58:11Must be the woman.
00:58:12What woman?
00:58:13The woman you're so obsessed with that you're hardly yourself.
00:58:17Have I noticed you have a teary about everything?
00:58:20Why is that?
00:58:20Hello?
00:58:24It's me.
00:58:25Where are you?
00:58:26Beautiful downtown Pristina.
00:58:29I broke up with Stephen.
00:58:31Hang on.
00:58:36Are you all right?
00:58:38Yeah.
00:58:40I wish you were here.
00:58:42I'd make you feel better.
00:58:44Bet you would.
00:58:46I'll be in Venice the day after tomorrow.
00:58:48Can you meet me?
00:58:52Yes.
00:58:53Let's get lost together.
00:58:55I know a great little restaurant.
00:58:58Okay.
00:59:00I love you.
00:59:01I love you.
00:59:18I love you.
00:59:44I love you.
00:59:44Strabo!
00:59:52Journalists, we're reporters.
01:00:08That's all.
01:00:14Stop the camera!
01:00:22Stop the camera!
01:00:24Don't give it to him!
01:00:26Stop the camera!
01:00:27Keep rolling!
01:00:29Stop!
01:00:44Stop the camera!
01:01:02Our jeep was blocked by two cars carrying four guys with AK-47s.
01:01:14We thought they were our contacts, members of the Liberation Front.
01:01:18Bill approached them. They wanted money. He gave money.
01:01:21And they just gunned him down. Cold blood.
01:01:24I got it all on camera.
01:01:27Don't give him the camera!
01:01:29Don't give him the camera! Keep rolling!
01:01:32Don't give him the camera!
01:01:44Drisilla? It's Vanessa.
01:01:47Who?
01:01:48Vanessa Stewart!
01:01:50Yes, Miss Stewart.
01:01:52Listen, I just saw him on TV. I mean, uh, I can't believe he's...
01:01:57Presumed dead. Of course, I'm not sure they haven't.
01:02:02Been able to find him.
01:02:04I'm, uh, just hoping.
01:02:07Where is he?
01:02:09Well, they're being very vague.
01:02:11Of course, perhaps they don't know anything.
01:02:14His network is going to fly me to the place where he was last seen.
01:02:18Oh, I'm going with you.
01:02:23I'm going with you. Is that all right?
01:02:24Yes.
01:02:24As you wish.
01:02:28Okay.
01:02:29I love you.
01:02:59Oh, my God.
01:03:03I don't want to get out of here!
01:03:29miss gerald and vanessa stewart my son's friend miss stewart i'm jim o'connor senior director of
01:03:38security for the network mrs miss gerald let me take the time to say how sorry i am for what
01:03:44you're going through do you have any idea where my son is bill was shot in a rural area of the
01:03:51military zone about 70 miles from here now we searched the area but we couldn't find him
01:03:55however every effort is being made where could he be it's possible he's being held for ransom
01:04:02if that's the case then the people who are holding him have every reason to keep him alive
01:04:07what are you doing to find him mounting an extensive search using undercover operatives
01:04:12what kind of operatives would that be experts who've been in the field for years and local
01:04:19contacts when will we know if he's being held for ransom it could be some time before a ransom
01:04:25demand is made weeks possibly months do you believe he's still alive
01:04:32honestly i don't know
01:04:37ah
01:04:45ah
01:04:47ah
01:04:51ah
01:04:53ah
01:04:55ah
01:04:56ah
01:04:57ah
01:04:58ah
01:04:59ah
01:05:00ah
01:05:14two weeks
01:05:15ah
01:05:18they said it could be months
01:05:20well you don't have to stay here my dear you must have
01:05:23something else to go back to a job family my parents are worried but this is my life now
01:05:35before i met bill i thought i had everything a wonderful job and engagement the american dream
01:05:45well we could do the best with the hand we're dealt don't we bill made me see that i could
01:05:53do the things that i wanted to do
01:05:59you really love my son don't you
01:06:03i do
01:06:04you know my husband died and then claire my daughter-in-law
01:06:16i don't get close to people very easily
01:06:21i spoke to helena this morning how is she oh she's well missing me and she loves my sister but you know i worry about leaving her for so long
01:06:36well if you need to see her i'll be here no no i am not going back without my son
01:06:53oh god are you okay are you okay hello? this is she
01:07:16They've got a ransom note for Bill.
01:07:31Is this it?
01:07:34It's good.
01:08:04I'm afraid I have bad news.
01:08:29The ransom didn't take place.
01:08:31What happened?
01:08:32Our operative went to the drop, but no one turned up.
01:08:37There's more.
01:08:39Bill's wallet and ring were found.
01:08:41Where?
01:08:43In a bombed-out church quite close to the ransom spot.
01:08:47On a body that was burnt beyond recognition.
01:08:51We hoped to have the body analyzed, but we believe it was Bill.
01:08:57But are you sure?
01:08:59If I said otherwise, I'd be raising false hope.
01:09:02Oh.
01:09:12Oh.
01:09:12Oh.
01:09:13Baby, I'm so sorry.
01:09:37Baby, you don't know how good it feels to see you and to know you're all right.
01:09:48Charles, could you get her a glass of water?
01:09:51Oh, Tom.
01:10:07Bill's mother wants me to come to her home in Ireland, trying to get Bill's body back.
01:10:21And I want to be with her.
01:10:24Okay?
01:10:26Vanessa, whatever you decide, your mother and I understand the decisions you made.
01:10:34We're behind you.
01:10:36We love you.
01:10:49Polina!
01:10:55Polina!
01:10:59Polina!
01:11:04Polina!
01:11:10Polina!
01:11:22Polina!
01:11:25What are you doing here? I've been looking all over for you.
01:11:28Sorry.
01:11:29What are you doing here?
01:11:31I wanted to ask Mammy something.
01:11:34Daddy told me to come here and she'd speak to me.
01:11:38I wanted to ask Mammy where Daddy is.
01:11:43Oh.
01:11:44I want to know where Daddy is.
01:11:45Oh.
01:11:46I want to know where Daddy is.
01:11:47Oh, darling.
01:11:48Listen to me.
01:11:49Daddy's with Mammy now.
01:11:50He's dead.
01:11:51Oh.
01:11:52Oh.
01:11:53Oh.
01:11:54Oh.
01:11:55Oh.
01:11:56Oh.
01:11:57Oh, darling.
01:11:58Oh.
01:11:59Oh, darling.
01:12:00Listen to me.
01:12:03Daddy's with Mammy now.
01:12:04Oh.
01:12:05Oh, darling.
01:12:06Oh.
01:12:07Oh.
01:12:08Oh, darling.
01:12:09Oh.
01:12:10Oh.
01:12:11Oh.
01:12:12Oh.
01:12:13Oh.
01:12:14Oh.
01:12:15Oh, darling.
01:12:16Oh, darling.
01:12:21No.
01:12:23No.
01:12:25Gets cold there.
01:12:27And you know, it rains like every other minute.
01:12:30So I brought you all those big, bulky sweaters my mom sends me that I never wear.
01:12:33I'm never going to wear all those sweaters.
01:12:35Why don't you say that now?
01:12:37You know, I can't really imagine you living on a farm, getting up at dawn, milking the sheep.
01:12:43You don't milk sheep.
01:12:44Oh, really?
01:12:45One weekend on a farm, you're an expert?
01:12:47It's not a farm.
01:12:47It's a farmhouse.
01:12:49Herding them, sorting them out, getting them to roll their wool into those neat little balls.
01:12:54There are no sheep.
01:12:55The mohairs in one corner, polyesters in the other.
01:12:57You're just trying to get me to laugh.
01:12:59Explaining to them their quotas.
01:13:01Faster, faster are your lamb jobs.
01:13:05I'm going to miss you.
01:13:06I'm going to miss you, too.
01:13:07I'm going to miss you.
01:13:25Oh, how are you?
01:13:32Oh, this is beautiful.
01:13:36There's a pond up the head, and a waterfall, and some ruins.
01:13:40Oh, you must love exploring here, Helena.
01:13:42It's my favourite place.
01:13:46It was Daddy's favourite place, too.
01:13:48That man looks like Daddy.
01:14:04I miss him.
01:14:05Yeah, me too.
01:14:18What are you doing up at this hour?
01:14:42What are you doing up at this hour?
01:14:44Oh, I couldn't sleep, you know.
01:14:52Nightmares.
01:14:55I saw that your light was on, you know.
01:14:59I have them, too.
01:15:02I spoke to Jim O'Connor about an hour ago.
01:15:07He believes Bill's body is in the hands of the Yugoslavian government.
01:15:12I need to bring him home.
01:15:17I know you do.
01:15:23Did you know that he also had a gift for drawing?
01:15:27No, he never said a word.
01:15:30No, he wouldn't.
01:15:32He romanticised my painting.
01:15:35He used to sit and watch me paint for hours.
01:15:37I used to feel guilty and try to make him go out and play.
01:15:43He'd say, Ma, what does a painting mean?
01:15:52If nobody sees it.
01:15:54Maybe that's where he learned how to do what he believes in, you know.
01:15:57To take chances.
01:15:59Maybe.
01:16:01Maybe he took too many chances.
01:16:04Do you think he would have been happy living life any other way?
01:16:08No.
01:16:10No.
01:16:11No.
01:16:12No.
01:16:14No.
01:16:16No.
01:16:18No.
01:16:20No.
01:16:21way. No. No. Vanessa. Yes. Sleep well.
01:16:51Hey. Hi. No fair. Close the gate.
01:17:09Who are you? Hi. I'm Steena.
01:17:21This is Helena. Helena. It's nice to meet you.
01:17:33Where have you been?
01:17:38More miserable than I've ever been in my entire life. I miss you Vanessa. Please don't judge
01:17:46me in how I handled the most painful moment of my life. I was an idiot. I do love you.
01:17:55I want a second chance. Your mother, your father and I, we all want you back home.
01:18:05I can't go back to my old life. We can build a new one. I mean there was a lot there.
01:18:15There was a lot between us. There was, yes. But it wasn't enough. I blew it. I blew it with you Vanessa.
01:18:32I couldn't stop thinking about work long enough to tell you how much you meant to me. How much I loved you. I really love you.
01:18:47Steven. Steven, it wasn't one thing you did or didn't do. It just wouldn't have worked. Even if I hadn't met Bill. And we would have been stuck pretending that it did. Now.
01:19:09There was sweaters, I worked for $9,000. I thought, sire dollar. I saw an example of an unhappy boyle got involved in her family's care in business.
01:19:19But it was tough to have you made people, but you know half month, you don't warped some calls.
01:19:25But he didn't really play with the other family around you. You know that all the time is fun for you.
01:19:28Very well if you had the couple of followers. The animals who don't have any time to think about anything.
01:19:30So, the видеоization is very important. But also, I think that, you know, it's a little bit more about it.
01:21:35Dear Dad, as I was growing up, I believed that if I was a perfect little girl, you and Mom would love me.
01:21:45I tried so hard to be that perfect little girl.
01:21:49I never found out who I really was.
01:21:51Later, when you had the affair, I felt so angry and betrayed.
01:21:56I took revenge by locking a part of myself away from you and from everyone.
01:22:02I was so shut down that I almost married the wrong man.
01:22:05When I met Bill, I felt safe to unlock that part of myself, and for the first time in my life, I've taken a risk, and I know I've done the right thing.
01:22:18Dad, I'm not angry with you anymore.
01:22:23I hope you understand why I left you and Mom and the business.
01:22:27I want you to get to know the Vanessa that I'm coming to know.
01:22:32I know she's not perfect, and I also know that you love her anyway, as I love you.
01:22:38Helena, come on, we're ready to leave.
01:22:43We've got plenty of food here.
01:22:44Oh, well, Helena goes out on the hill, she wants to be gone all day.
01:22:49Oh, well, I'll be glad for a long hike.
01:22:52Come on, you!
01:22:55Well, no need to wait anymore.
01:22:56Come on, come on, come on, come on, come on.
01:23:26We have to.
01:23:27No!
01:23:27We're not going home yet.
01:23:29We're going to see the horses.
01:23:30No!
01:23:31I don't think I can make that.
01:23:35But you have to.
01:23:38I want to see the horses.
01:23:41It was one of Daddy's favourite things.
01:23:46We'll go see the horses.
01:23:50I miss Daddy.
01:23:53We never found him.
01:23:54How will he ever get to heaven?
01:23:59Your daddy's in heaven.
01:24:02Who do you know?
01:24:07Your father once told me
01:24:09that after you're gone,
01:24:13heaven is having other people hold you in their hearts.
01:24:18So see, your daddy's in my heart,
01:24:21and he's in your grandmother's heart,
01:24:23and he's in your heart.
01:24:24Me too.
01:24:25I like that.
01:24:26Sweetie.
01:24:39You two are too slow.
01:24:41You're too fast.
01:24:46You know, I tried to get through this morning again
01:24:49to the network of my privilege remains,
01:24:52but no one will talk to me.
01:24:54It's as though I've been frozen right out.
01:24:57What's going on?
01:24:58Why won't they release this party?
01:25:01Something's up.
01:25:02Something's up.
01:25:03Daddy!
01:25:04Daddy!
01:25:05Daddy!
01:25:06I'm not a ghost.
01:25:07They want me to stay for debriefing.
01:25:08But I made them fly me straight here.
01:25:09I'm not a ghost.
01:25:10They want me to stay for debriefing.
01:25:11But I made them fly me straight here.
01:25:12I'm not a ghost.
01:25:13They want me to stay for debriefing.
01:25:14But I made them fly me straight here.
01:25:18I'm not a ghost.
01:25:19I'm not a ghost.
01:25:20They want me to stay for debriefing.
01:25:21But I made them fly me straight here.
01:25:25I can't believe we're lost again.
01:25:52I think...
01:25:54Right.
01:25:55Oh, dear.
01:25:56Left.
01:25:57I could get lost with you forever.
01:25:59Well, do you want to?
01:26:01What?
01:26:02Get lost with me for the rest of your life.
01:26:07Yes, I do.
01:26:18THE END
01:26:30PIANO PLAYS
01:27:00PIANO PLAYS
01:27:30PIANO CONTINUES
01:27:35PIANO CONTINUES
01:27:39PIANO CONTINUES
01:27:43PIANO CONTINUES
01:27:47PIANO CONTINUES
01:28:06PIANO CONTINUES
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