Senior Entourage (2021) - Full HD Movie Uncut - video Dailymotion

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Senior Entourage (2021) - Full HD Movie Uncut

Transcript

00:00:00I once had a big dream about making a really big Hollywood movie with a really big budget.

00:00:26Instead, I had to make this film with only 10 cents.

00:00:31All right, it wasn't exactly 10 cents, but we had very little money and no script.

00:00:36Where's the script?

00:00:37Nobody got no scripts here.

00:00:42The seed for this film was planted years ago, as I gradually got to know my dear friend

00:00:46Mark Rydell, one of the most acclaimed film directors of all time, having to his credit

00:00:52such films as On Golden Pond, The Rose, The Cowboys.

00:00:59Mark.

00:01:00Hey.

00:01:01Hey, come on.

00:01:02Hey, Mark.

00:01:03Come on.

00:01:04We have to start shooting today.

00:01:06What?

00:01:07We have to shoot?

00:01:08It's you.

00:01:09It's Ed Asner, Helen Reddy, Charlie Robinson, Marion Ross from Happy Days.

00:01:15My God.

00:01:16How terrific.

00:01:17This is great.

00:01:18You're building this.

00:01:19You're not treating this seriously, man.

00:01:21We're making a movie.

00:01:22Oh, my God.

00:01:23This is ridiculous.

00:01:24All right.

00:01:25All right.

00:01:26I'm up.

00:01:27I'm up.

00:01:28I'm up.

00:01:29I'm up.

00:01:30Now what?

00:01:31I have a confession to make.

00:01:32Uh-oh.

00:01:33We went to the Sundance Film Festival without you.

00:01:35Standing by the wall in the back of the club.

00:01:39She's a beauty with the face of an angel.

00:01:42Get out on the floor.

00:01:44So sexy.

00:01:45Turn me on.

00:01:46Put your body in the hole.

00:01:48I wanted to take you.

00:01:49I was hoping we'd meet up with your old friend, Robert Redford.

00:01:52And?

00:01:53I got shot down.

00:01:54Who shot you down?

00:01:55You know, it's high elevation.

00:01:57There's snow, slippery ice.

00:01:59I couldn't risk you falling.

00:02:00I never heard such bulls**t.

00:02:02You mean because there was snow and ice, I couldn't come?

00:02:04You thought I'd fall?

00:02:06You have fallen.

00:02:07I have seen you fall.

00:02:08Don't bulls**t me.

00:02:09I have seen you fall.

00:02:10No.

00:02:11Yes, I have.

00:02:12You must be somebody else.

00:02:13No, no, no.

00:02:14I have seen you fall.

00:02:15You're laughing.

00:02:16I have s**t.

00:02:17I have s**t.

00:02:18I have s**t.

00:02:19I've seen you.

00:02:20I don't fall.

00:02:21Mark's robust physical appearance can fool you.

00:02:24But the fact remains, he's 90.

00:02:28We had already booked our flights in condo and couldn't get a refund.

00:02:31So we decided to go to Sundance anyway.

00:02:33I think I'm about to lose it.

00:02:34Hey.

00:02:35The way you cut the rock.

00:02:36Yeah.

00:02:37Just like music.

00:02:38Hey.

00:02:39I can't get enough.

00:02:40Oh.

00:02:41Got me feeling stupid.

00:02:42I feel so wild to play.

00:02:43Yeah.

00:02:44Love, are you moving?

00:02:46Yeah.

00:02:47Yeah.

00:02:48So let's go all the way.

00:02:50Yeah.

00:02:51Oh.

00:02:52Baby, we can do whatever together for my life.

00:02:55Yeah.

00:02:56Yeah.

00:02:57I feel so wild to play.

00:02:58Yeah.

00:02:59Love, are you moving?

00:03:00Yeah.

00:03:01So let's go all the way.

00:03:03Yeah.

00:03:04Oh.

00:03:05Baby, can't it's night get any better?

00:03:08I don't know.

00:03:09Better.

00:03:10I don't know.

00:03:11Better.

00:03:12I want to know.

00:03:13Better.

00:03:14Oh.

00:03:15Baby, we can do whatever together for me.

00:03:20Together, forever, forever.

00:03:25Could you act so fucking wrong?

00:03:28What happened to Dick Shawn?

00:03:30Yeah, he died on stage.

00:03:31On stage?

00:03:32Tell me that story.

00:03:33In the middle of his act, there were like 40 people in the audience.

00:03:37And he lied down on the stage.

00:03:39We thought it was part of the act.

00:03:41And she laid out.

00:03:42Boom, boom, boom, boom, boom.

00:03:45Went on too long.

00:03:47Finally, a stage manager came out.

00:03:49He was dead.

00:03:50How about you?

00:03:51You want to go like that?

00:03:53No.

00:03:54You want to go on my movie?

00:03:55Would you rather die in bed with a young, hot, sexy nurse?

00:03:59So far, sounds good.

00:04:00You're liking this idea?

00:04:01Yeah.

00:04:02You'll do that scene.

00:04:02So far, I'm smiling.

00:04:04You're liking that scene.

00:04:05Yes, I do like that scene.

00:04:09Wow.

00:04:10You see the cross?

00:04:11You see me?

00:04:12Take a guess.

00:04:13What am I going to be?

00:04:15Oh, yes, you're right.

00:04:16The sexy, hot nurse.

00:04:18So then I brought in Mark's dear old pal, Charlie Robinson.

00:04:26Mark had hired Charlie years ago to play a role in his film, The River.

00:04:30What the hell am I doing in a movie called Senior Entourage, and ain't nothing, ain't no script?

00:04:36Charlie, what is with him?

00:04:38My agent called me, says, Charlie, you got a meeting at Universe Studios.

00:04:43I said, with who?

00:04:43And they see a man by the name of Mark Rydell.

00:04:47Mark's got snapshots of pictures all over the place.

00:04:53So he said, sit down.

00:04:54I said, yeah, what's going on?

00:04:56What's going on?

00:04:58He said, look, I'm getting ready to do a movie called The River.

00:05:01I said, yeah?

00:05:02He said, yeah.

00:05:03And it's going to be with Sissy Spacek and Mel Gibson.

00:05:07And I said, wow.

00:05:09I said, who is Mel Gibson?

00:05:13I'll tell you what, see, he teased himself as Francis Coppola.

00:05:17That's what he sees.

00:05:17So he thinks if you're Francis, you don't hear the script.

00:05:20Well, he's full of shit.

00:05:23Francis, you're full of shit.

00:05:25How am I going to write for this crew?

00:05:26This is a man who has done this for years and years.

00:05:31Fifty f***ing years.

00:05:32And he's brilliant at it.

00:05:33Yeah, I know he's good.

00:05:34Bring it at it.

00:05:34I know he's good.

00:05:35So he understands what it takes to do a good, important film.

00:05:39Listen to him.

00:05:40And it's got to.

00:05:41He knows what he's talking about.

00:05:42You got to answer.

00:05:43You got to write the thing.

00:05:44I can't.

00:05:45I wrote for Doris Roberts.

00:05:46I wrote for Paul Mazursky.

00:05:48Both of them died.

00:05:49I was walking through Washington to see one day.

00:05:51He grabs his heart.

00:05:52Yeah?

00:05:53Yeah.

00:05:53And then I figure out.

00:05:54And then he says he needs Tums or something like that.

00:05:56But I thought he was having a heart attack.

00:05:57I don't want the guy to die on me.

00:05:59You know what?

00:05:59Yeah, I got that I'm trying to get money on for f***ing years.

00:06:03And now I hear you're not happy with your five points.

00:06:05And everybody else has got five points.

00:06:06Oh, this whole thing was my idea.

00:06:07Oh, f***.

00:06:08Whoa.

00:06:09That was your idea.

00:06:11I ordered.

00:06:12You ordered.

00:06:12Oh, God.

00:06:13Oh, man.

00:06:14We're not going down now.

00:06:16No, no.

00:06:16What about me?

00:06:17I got final.

00:06:18What about me?

00:06:21I got a final cut on this.

00:06:22Yeah, I'm cutting you out.

00:06:24Listen, I have final cut.

00:06:25That's right.

00:06:26I don't want the f***ing five points.

00:06:28Okay.

00:06:29Give me the hot nurse.

00:06:30You want a sexy hot nurse?

00:06:31Yeah.

00:06:32Oh, just say.

00:06:33You're back to that.

00:06:34I'm back.

00:06:34I want to.

00:06:34You want to.

00:06:36He wants a sexy hot nurse.

00:06:38You're back to that.

00:06:39I thought you liked him.

00:06:41I don't want to forget you get to that point.

00:06:43My hand's up.

00:06:44He's good.

00:06:46Father.

00:06:50Yes, my son.

00:06:51Please help me.

00:06:52What's the problem?

00:06:54I've been living a very, very strange life.

00:06:57What's your name, sweetheart?

00:06:59I'm your sexy hot nurse, Mark.

00:07:01You sure are.

00:07:02Yes.

00:07:03Oh, my God.

00:07:04How lovely.

00:07:05But so.

00:07:06Wow.

00:07:06I'm so glad to meet you.

00:07:08Very nice meeting you, too.

00:07:10What's your name?

00:07:11I have a special invitation from my friend, Vladimir.

00:07:15Yeah.

00:07:16Who organized a very good trip for us.

00:07:18Where are we going?

00:07:19To St. Petersburg.

00:07:21I want to go immediately.

00:07:23Making love to women I don't even know.

00:07:25Oh, God bless you.

00:07:26I know it's wrong, but I enjoyed it.

00:07:29You did?

00:07:29I did.

00:07:30A little bit of comfort.

00:07:31That's what I'm here for.

00:07:33I'm here to comfort you, not you.

00:07:36I'd love some comfort, too.

00:07:38I'd like to know more about the filthy things that you've done and the dirty things you've

00:07:42done in your life, you know, if you could tell me something.

00:07:45Do you want to hear my confession?

00:07:47Certainly.

00:07:48Let's go.

00:07:51In the name of the Father and the Son and the Holy Spirit, Son, tell me your sins.

00:07:55Bless me, Father, for I've sinned.

00:07:57Ah.

00:07:58It's been a long time since my last confession.

00:08:00Oh, no.

00:08:01It's been a bunch of years.

00:08:02Oh, be Jesus.

00:08:03What have you done during that time?

00:08:04Well, I've committed a lot of sins.

00:08:09Right.

00:08:09But the one I'm most concerned about right now is just this making of this movie.

00:08:17You know, you there.

00:08:18Me here in the tub.

00:08:19You in the tub.

00:08:20What are you doing here?

00:08:22What are you doing here?

00:08:24I don't know if you're paying money.

00:08:26I don't even know if you're two people.

00:08:28Yeah, you are.

00:08:29You want to join us?

00:08:30Come on, join us.

00:08:32Come on in.

00:08:33Okay, enough of this delightful debauchery.

00:08:39I was trying desperately to assemble an arsenal of actors to make this thing work.

00:08:44Without money, I had to rely on favors.

00:08:46So we dragged in Ed Asner.

00:08:48Any chance you can help us get Dick Van Dyke into this movie?

00:09:05Is he still alive?

00:09:06The other problem I had was that I promised Ed Asner that Dick Van Dyke would be in the movie, too.

00:09:12Well, Dick signed a letter of intent, but I wasn't actually able to get him because, well, we didn't have a script.

00:09:18You know, Brian, Dick Van Dyke is not one of my strong impressions.

00:09:22What about Robert De Niro?

00:09:24What about Robert De Niro?

00:09:25Robert De Niro, he calls him up, and Ed's got a question, and Robert De Niro has to answer, you know, go back and forth, have a little conversation.

00:09:33I told him he'd be calling Dick Van Dyke, and I don't even know if Ed knows if he knows that you're cool.

00:09:39Okay, well, how about George W. Bush?

00:09:43Why couldn't he call him?

00:09:44You know, he's an old leftist calling an old ambidextrous.

00:09:49He should have this conversation going on.

00:09:51It could be pretty classical.

00:09:53I can't imagine Ed's going to believe that George Bush is going to take his call.

00:09:58I don't know about that.

00:10:00He's got a good imagination.

00:10:01How about Tommy Lee Jones?

00:10:02Tommy Lee Jones, call him up, or take his call, Ed Asner.

00:10:07Ed's a good Tommy Lee Jones word, very short.

00:10:09Ed, Ed.

00:10:10Just pick up the phone.

00:10:12Will you call him for us?

00:10:13I said I was the icon, but I don't think Dick listens.

00:10:19Dickie?

00:10:20Dickie?

00:10:21Is that you?

00:10:22Yes, Ed.

00:10:24I'm here.

00:10:26What do you want?

00:10:27Well, you don't have to be so abrupt, do you?

00:10:31Mark and I are involved in selling this idea.

00:10:36It's called Senior Entourage.

00:10:39What do you think?

00:10:41I guess so.

00:10:43We've never worked together, have we?

00:10:45What?

00:10:45I said we've never really worked together, have we?

00:10:48You know what I mean?

00:10:49I remember watching you with Mary Tyler Moore, and I learned a lot from watching you and

00:10:57Mary Tyler Moore.

00:10:58I consider you two my tutors.

00:11:03So, what do you say?

00:11:05Are you in or not?

00:11:07I'm going to have to see a script first.

00:11:09You're going to go in?

00:11:10I said I've got to see a script first.

00:11:12Well, we'll send it to you in email.

00:11:14Yeah, I'm not too big on email.

00:11:16Send me a hard copy.

00:11:17I got your hard copy.

00:11:20You bastard.

00:11:21All right, Ed, we're done here.

00:11:22Why do you make such problems, Dick?

00:11:25Because you're older than everybody else?

00:11:28Why?

00:11:29Answer me that.

00:11:33Hello?

00:11:35Hello?

00:11:38Dick?

00:11:39You still there?

00:11:40If you'd like to make a call, please hang up and try again.

00:11:44Sorehead.

00:11:45And one thing that every film needs is an investor.

00:11:53It's an honor to meet you, sir.

00:11:55He wrote us, he's, he's, he's helping paying for the film.

00:11:57You see that guy there with the baseball cap and the scruffy beard?

00:12:00That's David Lockhart, our executive producer.

00:12:03He's the guy who fooled me into thinking we could make a movie for 10 cents.

00:12:06It's an honor to meet you, sir.

00:12:08It's an honor to meet you.

00:12:09I've been following your career since I was a little kid.

00:12:11I used to watch the Mary Tyler Moore show.

00:12:13Mary Tyler Moore show.

00:12:14Yeah, yeah.

00:12:15I was on that.

00:12:17That's, that's right.

00:12:18You were on that.

00:12:19What do you do?

00:12:21Yeah, I'm a friend of Brian's.

00:12:22He brought me on board with this.

00:12:24Why?

00:12:27Uh, I want to see this project succeed.

00:12:32What project?

00:12:33Uh, Senior Entourage.

00:12:36Senior Entourage.

00:12:37That's it.

00:12:37We're going to make a lot of money.

00:12:38We're going to make a lot of money.

00:12:40That's what I know.

00:12:40That's what Brian told me.

00:12:43Huh?

00:12:44What?

00:12:44You're repeating everything he says, but, uh, that you have an original idea?

00:12:48No, I don't.

00:12:49Uh, he's one of our investors.

00:12:51What?

00:12:51He's one of our investors.

00:12:52Treat him by.

00:12:53I'm not the investors.

00:12:54You know, oh my God, Ed Asner's chair.

00:12:56Hey, hey, hey, hey, hey, what the hell do you think you're doing?

00:13:03Well, I just want to...

00:13:04You're going to put your dirty ass on my clean chair?

00:13:07No way, pal.

00:13:09Who are you?

00:13:10Uh, I'm one of the investors on, on your project, sir.

00:13:13Where did you invest?

00:13:15Talk to Brian about that.

00:13:16Who?

00:13:17Mark Rydell and Helen.

00:13:18It just came.

00:13:19You're out the door.

00:13:20That's great.

00:13:21Helen Reddy!

00:13:25Come on in.

00:13:26Do you need more lights?

00:13:30Hello.

00:13:31Nice to see you.

00:13:32Nice to see you, too.

00:13:33It only serves to make me more determined to achieve my final goal.

00:13:41Who's directing?

00:14:05I am.

00:14:07What?

00:14:08You?

00:14:09Me!

00:14:11Nice to see you.

00:14:21Is it over here?

00:14:21Is it all right?

00:14:22Sit in his chair.

00:14:23You have one with my name on it?

00:14:25What were you doing in my chair?

00:14:27What?

00:14:28Get out of my chair.

00:14:30It's sacred.

00:14:30You're going to have to drag me out of your chair.

00:14:31My chair is sacred.

00:14:33That's right, and I'm a sacred person.

00:14:35Get him out of here.

00:14:38No chance.

00:14:39This is my chair from now on.

00:14:41He's not leaving.

00:14:42Hey, Helen.

00:14:44Are you ready for this?

00:14:45I am now.

00:14:47Where's the script?

00:14:48I keep telling you there is a script.

00:14:50There is a script somewhere.

00:14:51Mark, I wrote a script.

00:14:52I gave it to you, but not everyone in this cast can remember lines, right?

00:14:56Well, I remember everything.

00:14:58What's my name again?

00:15:00Mark Rydell.

00:15:01Oh, yeah, I got a mark right on.

00:15:03Your comments about the writing being bad?

00:15:06Yeah.

00:15:06I'm one of the investors.

00:15:07I mean, you weren't serious, were you?

00:15:10You didn't write this, did you?

00:15:11No, but I put money in it.

00:15:13How much?

00:15:15Enough.

00:15:15Enough?

00:15:16Oh, I'm so worried about your investment.

00:15:19Do you think you're going to be okay?

00:15:21That's what I'm asking you.

00:15:22I think you're f***ed.

00:15:24I do think f***ed.

00:15:26If you can get the money back at all, try and get it.

00:15:30See if you can get half of it back.

00:15:34You think that has anything to do with the writing?

00:15:37Yes, that's the writing.

00:15:40That's what happened when the guy sat down to write this thing.

00:15:43He fell asleep like that.

00:15:44I did a film that didn't really have a script either.

00:15:54Kind of like this.

00:15:55It was a little bit bigger scale.

00:15:57Just a little bit.

00:15:58And it was called Apocalypse Now.

00:16:00A little bit bigger.

00:16:01Not, you know, you guys are close.

00:16:03Now that it looked like we might pull this off, Lockhart and I needed another producer.

00:16:08I knew this terrific actress-producer, Dahlia Waincourt,

00:16:11who had performed my plays in the park with Doris Roberts.

00:16:14Oh gosh, I miss Doris.

00:16:16She was hilariously funny and such a sweetheart.

00:16:18I'm the producer of film.

00:16:20I'm also, I guess, acting in it.

00:16:22I don't know.

00:16:23I'm Brian's therapist.

00:16:26I'm wearing way too many hats.

00:16:30Oh my God, what the hell are you doing in here?

00:16:32I don't have any...

00:16:33Guys, I don't have any makeup on.

00:16:35I'm doing laundry.

00:16:35What the heck are you doing in my house?

00:16:37Okay, did Brian put you up to this?

00:16:39Who was Brian?

00:16:41I don't know.

00:16:41Ian, come on.

00:16:43He's been asking me to produce his film.

00:16:45He called me last night at 11 o'clock.

00:16:47We're having lunch.

00:16:48I have three kids.

00:16:49I'm not...

00:16:51I don't have time.

00:16:52I don't have time to do this.

00:16:52Don't worry, we cut it out.

00:16:54What's going on with you guys?

00:16:55What, you've been together like four years or something?

00:16:58Come on.

00:17:00Are you going to get married?

00:17:01Why is it about us now?

00:17:04Well, because you don't have to film me,

00:17:06so it doesn't have to be about me, right?

00:17:07It has to be about you guys.

00:17:08Actually, I would like to have an answer to that.

00:17:11What?

00:17:12Are you, like, surprised?

00:17:14Well, so now you're taking sides against me?

00:17:16No, I'm...

00:17:17Why don't you answer Cresson?

00:17:18Why don't you answer Cresson?

00:17:19What question?

00:17:20Ian.

00:17:21Yes.

00:17:21I will marry, okay?

00:17:23Okay.

00:17:24Let's not do it.

00:17:25I'm going to cut.

00:17:25All right.

00:17:27Okay, Brian, I'll do it if my kids can be in the film, okay?

00:17:29Oh, my God.

00:17:30No, no, seriously.

00:17:31They're great.

00:17:32No, no.

00:17:32My daughter's a legit blues singer.

00:17:34My other one is a drummer.

00:17:36Why are you springing on this now?

00:17:38Your kids have to be in the movies?

00:17:39Yeah.

00:17:40Oh, my God.

00:17:42Brian, please.

00:17:43They're actually good.

00:17:44No, they're really good.

00:17:45Seriously, Ian knows.

00:17:47Yeah?

00:17:47He knows.

00:17:47He filmed them.

00:17:48They were performing in Santa Monica.

00:17:50All right, all right.

00:17:51Just give me a movie.

00:17:52Leave me alone.

00:17:52I got to go.

00:17:53Okay.

00:17:54Come on, let's go.

00:17:55Okay, guys, leave my laundry room, please.

00:17:58So I've been together with my boyfriend, Ian, for three and a half years, and I think for

00:18:04two years, he's been talking about he wanted to propose.

00:18:06We've been looking at rings, and it's been a talk, but he just needs to do some accent

00:18:12out of it.

00:18:13So I'm just waiting.

00:18:14The clock is ticking.

00:18:16So if he doesn't start to get going, then let's see what happens.

00:18:21This is an homage.

00:18:22This is an homage to Mark and Helen and Ed, and it's an homage to these great actors.

00:18:29Charlie Robinson is in it, and Marion Ross.

00:18:31You've got these incredible people that want to be involved in this movie, and we have to

00:18:35pay respect to them, and as they come out, we have to pay respect, we have to be able

00:18:39to put food on the table, and we have to pay.

00:18:42Do you understand?

00:18:43We have to pay them.

00:18:44How many times are you going to talk about seeing your entourage?

00:18:46I thought you finished filming that, like, years ago.

00:18:48No, we finished filming, but we still, we had to clear music.

00:18:52It took a long time.

00:18:53We had to raise some extra money.

00:18:55Yeah, and then this whole thing came on set with me and Catherine, my girlfriend.

00:18:59You know, we've been dating for a while, and I've been looking for rings, and everybody's

00:19:02giving me s*** why I'm not proposing, and what's going on, and like...

00:19:07We have some of your other clients in the movie.

00:19:09Who?

00:19:10Oh, yeah, yeah, that's right.

00:19:11Marion.

00:19:11Marion Ross.

00:19:12Yeah, yeah, yeah, yeah.

00:19:13And Jim Mesko.

00:19:14Yeah, great talent, the impressionist.

00:19:16Yes.

00:19:16Very good.

00:19:16He does De Niro, he does, uh...

00:19:19De Niro, I do De Niro.

00:19:20Let's hear De Niro.

00:19:21Let's hear De Niro.

00:19:23A little bit, a little bit.

00:19:26You know, it's going to happen, I mean, like, soon, because I am working on it, just I have

00:19:32my own plans.

00:19:33I want to do it my own way, and it's just like when people say, hey, why don't you do it?

00:19:37I'm going to do it when it feels right, you know?

00:19:40That's how it is.

00:19:41The thing is, I actually, I don't believe in God.

00:19:46I'm an atheist.

00:19:47Oh, an atheist, right.

00:19:49Yes.

00:19:50So does that make you, like, freer in your sex life?

00:19:53Do you feel like you can just do anything you want in your sex life?

00:19:56Because God's not going to punish you, right?

00:19:59You're free.

00:20:00You're free to be sex-free.

00:20:02Isn't that wonderful?

00:20:03Oh, it's a wonderful thing.

00:20:05I wish I could do that.

00:20:06I wish I could do that.

00:20:06You're free, you can't do stuff like that.

00:20:08No, I can't do that.

00:20:09I'm sorry, I can't.

00:20:11I want to, but I can't.

00:20:12I'm not free.

00:20:13But you are free.

00:20:14And you're beautiful.

00:20:15Look how beautiful you are.

00:20:16So do you go out there and you have free sex everywhere?

00:20:20I wouldn't say that.

00:20:21No?

00:20:21No, because I have a boyfriend.

00:20:23A boyfriend?

00:20:24Yes.

00:20:25Oh, that's too bad.

00:20:26I've been with him for a very long time now.

00:20:29Really?

00:20:29Mm-hmm.

00:20:30Is he having sex all over the place with other people?

00:20:32I hope not.

00:20:34Oh, well, we'll see about that, won't we?

00:20:36If he comes in and confesses to me, I'll find out.

00:20:39But I'm not allowed to tell you.

00:20:40You know, that's the law.

00:20:42That's the law.

00:20:42That's the church law.

00:20:44I can't.

00:20:44If he comes in and says, look, I've been screwing around.

00:20:47What's your name, by the way?

00:20:48Catherine.

00:20:49I've been screwing around on Catherine all the time.

00:20:51I've got all these women out there.

00:20:53I can't say anything.

00:20:54It's the confessional seal.

00:20:56It's called the confessional seal.

00:20:57I can't tell you that he's been screwing around on everybody.

00:21:01Now back to the issue of Dahlia's musical munchkins.

00:21:05Have you ever tried to deal with a mom who wants her kids in a movie?

00:21:09Ryan, my kids have performed in front of 3,000 people.

00:21:11They're professionals as well, okay?

00:21:13So just because they're young doesn't mean that they don't, they're not talented or they

00:21:16don't know what they're doing.

00:21:16You didn't come to our concert in Santa Monica, okay?

00:21:19You have no freaking clue what they can do.

00:21:22And because, and listen, they do originals, so you don't have to worry about the clearances.

00:21:26Suddenly, I found myself wishing I was someplace else, anyplace else.

00:21:31Ah, this is better, much better.

00:21:34I just needed to speak to someone who really understands me.

00:21:37All right, all right.

00:21:38She can have her kids in the movie.

00:21:39Just not the brat with the hat.

00:21:41He'd steal the whole show.

00:21:42No, Ryan, come on.

00:21:44Yeah, it's going to piss off Asner and Rydell.

00:21:46I know it.

00:21:46Do you know how many people are going to want to see him in this film?

00:21:49He's a star.

00:21:50He wakes up in the morning to play, to play, to play the guitar.

00:21:54He just, he gets up in the morning and he's like, guitar center, guitar center.

00:21:57I want to go play music.

00:21:58All right, all right.

00:21:58He's in the picture, but don't let him wear that hat.

00:22:00I hate that stupid hat he's wearing.

00:22:01Oh, no.

00:22:02The hat?

00:22:03The hat makes the whole thing.

00:22:04No, no, no.

00:22:05I don't want him wearing the hat.

00:22:06Okay, well, it's up to Eric.

00:22:07I'm sorry.

00:22:07You're, you know.

00:22:08Oh, God, I have no, I have no power.

00:22:10Ha, ha, ha.

00:22:12Bye.

00:22:20Where's the script, Gabe?

00:22:44Where's the script?

00:22:46What do we have to do to get a script around here?

00:22:48I'm hoping to get laid on this show.

00:22:50Yes, well, I'm not up for that, you know.

00:22:53You're not?

00:22:54No, I'm sorry.

00:22:55I mean, I like you.

00:22:56Are you down?

00:22:57I like you, but it's a little pushy.

00:22:59You know, now you go to the movies and it's all about vampires and zombies.

00:23:03Yeah, yeah.

00:23:04I hope that there are no vampires or zombies.

00:23:07No, I don't, no, no, none that I know of.

00:23:09Come on, a few vampires and zombies never hurt anybody?

00:23:12Help!

00:23:15Help!

00:23:16Help!

00:23:16I guess that's not exactly true.

00:23:20I've looked at Mark lately and he's, he's got some of those qualities, if you want to call

00:23:26them that.

00:23:27He looks like a blood sucker.

00:23:29And your wonderful movie, the wonderful movie when you played the old guy with the balloons.

00:23:35Yeah, that's up, yeah.

00:23:36What are you doing next?

00:23:37You.

00:23:38Yeah.

00:23:40What are you doing?

00:23:41Boy, I'm looking at your earlobes.

00:23:42Why?

00:23:44Because they're so long and funny.

00:23:47Pendulous.

00:23:48Pendulous.

00:23:49I like that.

00:23:50That's good.

00:23:50I had invested in a helicopter.

00:23:55It was going to save me a lot of tax money.

00:23:58Well, after a while, the guy didn't want it anymore and I'm stuck with the helicopter.

00:24:04So, now I thought, how am I going to get rid of this helicopter?

00:24:08Yeah.

00:24:09And, is he eating me alive?

00:24:12Oh, I'd like to f*** you alive.

00:24:14So, what I did was, I said, I'm going to go on that plane up to Hamilton Island with Conrad

00:24:21Hilton and the Duck Hunters.

00:24:22Ah.

00:24:23And I'm going to sell this.

00:24:25You never did?

00:24:27I finally did.

00:24:28Who was the sucker?

00:24:29Some guy up in Canada.

00:24:31Yeah.

00:24:32The cast list was in the variety.

00:24:39And there my name is in it.

00:24:42I said, what?

00:24:42I'm in the movie.

00:24:44This is even before we got, my agent didn't know.

00:24:48All the names from Brando to my, from Brando all the way down to my name down there.

00:24:57We did, was the one that was in the film.

00:24:59So, have her sing in the film.

00:25:02I want her to sing in the film.

00:25:04Okay.

00:25:04So, bring her over to my house.

00:25:06My husband, Martina, is a musician.

00:25:08Well, why didn't you tell me that?

00:25:09I didn't know that.

00:25:10Brian, come on.

00:25:11I thought he was a director.

00:25:12He's a director, but he's a musician.

00:25:13You haven't seen him perform all of them.

00:25:14No, you never told me that.

00:25:16I never knew that.

00:25:17Well, he's a musician.

00:25:18And I have a beautiful piano in the house.

00:25:20Bring her over to the house.

00:25:21We'll make her feel comfortable.

00:25:22She'll sing.

00:25:23And I can sell the movie.

00:25:24I need a hook.

00:25:26I need an angle to be able to sell the film.

00:25:27If I could sell the soundtrack, I could sell the movie.

00:25:32I stumbled upon this tune that she did that I forgot was hers, which I love.

00:25:46You know, I mean, I gravitate towards blues and gospel.

00:26:00So, that might be, you know, I'm going to throw that at her and see if she'd be open

00:26:04to it.

00:26:04I still haven't learned it, but it's not that difficult a song.

00:26:09I just want to understand the nuances of it.

00:26:10So, I was thinking that might be the right one to do, sort of.

00:26:15Ryan Conner, he's crazy f***ing ideas.

00:26:19How are you ready?

00:26:20Hello.

00:26:21How are you?

00:26:23Oh, huggy, huggy.

00:26:25Thanks for coming.

00:26:26My pleasure.

00:26:28You've got a beard.

00:26:31I shaved mine.

00:26:32Hi, Lee.

00:26:33Well, you're much more feminine than me, aren't you?

00:26:35In nuns' outfits, you have them?

00:26:36Two Jews in nuns' outfits?

00:26:38What the hell's the matter with you?

00:26:39Have you gone crazy, Brian?

00:26:41Oh, my God.

00:26:42Please.

00:26:43I need a shot when I talk to you.

00:26:44I need a, I need a f***ing drink.

00:26:46I'll tell you that when I talk to you.

00:26:48How long have I known you?

00:26:49Oh, my God.

00:26:52Well, he's a year older than I am.

00:26:54How come I look so much younger than you?

00:26:57Ah, because all the, all the, all that surgery you had.

00:27:00Anyway, that's, you know, the beauty's in the eye of the beholder.

00:27:05If certain people think you're beautiful, fine, they can have you.

00:27:09I don't care for you that way.

00:27:11I'm excited about the fact that you don't care for me.

00:27:14What?

00:27:14Oh, no, no, no.

00:27:15That way.

00:27:16Oh, that way.

00:27:17Yeah.

00:27:18Sexually?

00:27:18Is that what you're trying to say?

00:27:19Huh?

00:27:20Are you referring to me sexually?

00:27:22Yeah.

00:27:23And you're not interested in it?

00:27:24No.

00:27:26What the f*** is that mean?

00:27:27And that nuns' outfit certainly isn't flattering.

00:27:30What's the matter with my nuns' outfit?

00:27:35What's with the nuns' outfit, Brian?

00:27:36What?

00:27:37I, I, I, it doesn't make any sense.

00:27:41Why do you have them in nuns' outfits?

00:27:43Nothing about this movie makes sense.

00:27:45I'm much more of a Jew than Mark.

00:27:49He probably wasn't even bar mitzvahed.

00:27:51Are you kidding?

00:27:52My bar mitzvahed is the talk of the brunks.

00:27:54I looked out at the world and said, today I am a man.

00:27:58The only problem is I don't have any pubic hair.

00:28:01What's the movie Some Like It Hot with Jack Lemmon?

00:28:05And Mark...

00:28:05But that's funny.

00:28:06They're in women's outfits.

00:28:08Well, these guys are in women's outfits.

00:28:10They're two old Jewish guys in nuns' outfits.

00:28:14Nuns are women.

00:28:14It looks like it's a bib.

00:28:15It looks like there's just schmata on him.

00:28:17It's not a schmata.

00:28:18They're nuns.

00:28:19He's got a do-rag on his head and a schmata around like a bib.

00:28:22Like he's going to the cafeteria.

00:28:24It doesn't look like a nun.

00:28:25You put him in a wig.

00:28:26You put him in lipstick.

00:28:27And that's a woman's outfit.

00:28:29This is not...

00:28:30This is a bib with a do-rag.

00:28:32As little as I saw you as an actor,

00:28:35you had a certain magic,

00:28:38a certain excitement as an actor.

00:28:42Maybe it was that evil grin,

00:28:44that Nazi grin that you had.

00:28:46But it was that grin.

00:28:48But I appreciate the compliment.

00:28:50And whenever I got close to you,

00:28:54because when you hired me for the Virginian,

00:28:57I...

00:28:58Gunsmoke.

00:28:59What?

00:29:00Gunsmoke.

00:29:00No, I'm in Virginia.

00:29:03Now, here's the grand pop quiz.

00:29:06Did Mark Rydell direct Ed Asner

00:29:08in an episode of The Virginian,

00:29:10or was it Gunsmoke?

00:29:11If I get the episode of Gunsmoke...

00:29:13You get it.

00:29:14And your name is on it.

00:29:15Yeah, put your...

00:29:16How much do I get?

00:29:17Put your footage where your mouth is.

00:29:19Ha!

00:29:20Truth is, it was Gunsmoke.

00:29:22It was Virginian.

00:29:24Gunsmoke.

00:29:25That's too bad.

00:29:26Virginian.

00:29:27On the weekend, one weekend,

00:29:28he saw me.

00:29:29He says,

00:29:29What are you doing this weekend, Charlie?

00:29:30I said,

00:29:32Not much of anything.

00:29:33He says,

00:29:33I want you to do something.

00:29:35He says,

00:29:35I love this character

00:29:37that you are working on.

00:29:39He said,

00:29:39Would you do me a favor?

00:29:40I said,

00:29:40What is it?

00:29:41He said,

00:29:41Go to your room tonight,

00:29:44whenever you get a chance,

00:29:46and he said,

00:29:47Put some of this stuff down on tape

00:29:49that you would...

00:29:50How you feel about this guy.

00:29:54I said,

00:29:54Really?

00:29:55He said,

00:29:55Yeah.

00:29:55And I put this stuff down on tape.

00:29:57I felt, you know,

00:29:58because he was kind of wild-eyed

00:30:00and kind of crazy, you know.

00:30:02And I gave it to him

00:30:03and he listened to it

00:30:05because he wanted to put it in a script

00:30:06because he had,

00:30:07he had,

00:30:08thank you,

00:30:08you know,

00:30:09I had no script.

00:30:10And you fell off the horse?

00:30:12Yeah.

00:30:12He fell off the fucking...

00:30:14Knocked off a horse.

00:30:15I didn't fall off.

00:30:16They switched horses on me.

00:30:21And fortunately,

00:30:22he did a right turn

00:30:23when he was supposed to.

00:30:25And it whips your leg.

00:30:25The right turn

00:30:26was under a low-hanging branch

00:30:28and then knocked me off a horse.

00:30:32It was very exciting.

00:30:34I thought it was very exciting.

00:30:35And as the director, Mark,

00:30:36said,

00:30:37as I got up back on a horse...

00:30:39Print!

00:30:39He said,

00:30:40It's all right, Ed.

00:30:41A lot of guys

00:30:42wouldn't get back up on a horse.

00:30:45And I thought,

00:30:45well, that'll kick...

00:30:46That'll get me to the store on time.

00:30:49God, yes,

00:30:49I'm remembering now.

00:30:51Yeah.

00:30:51As you remind me.

00:30:52Well, you said

00:30:53it was a Virginia.

00:30:55The Gunsmoke.

00:31:00This glass of water

00:31:01is in the key of G.

00:31:05You're wrong.

00:31:05It's M.

00:31:09One, two, three, four.

00:31:12Delta Dog,

00:31:15what's that flower

00:31:17you have on?

00:31:19Could it be

00:31:20a faded rose

00:31:21from days gone by?

00:31:25And did I hear you say

00:31:28he was a needle

00:31:30you're here today

00:31:31to take you

00:31:33to his mansion

00:31:35in the sky?

00:31:38She's 41

00:31:40and daddy still

00:31:41calls her baby.

00:31:45All the folks

00:31:47round Brownsville

00:31:48say she's crazy.

00:31:49Nice.

00:31:50Nice.

00:31:51Cause she walks

00:31:52downtown

00:31:53with a suitcase

00:31:54in her hand

00:31:56looking for

00:31:59a mysterious

00:32:01dark-haired man

00:32:02In her younger days

00:32:06they called her

00:32:07Delta Dog

00:32:09Prettiest woman

00:32:13who ever laid

00:32:14eyes on

00:32:15Then a man of love

00:32:20to grace

00:32:20stood by her side

00:32:22And promised her

00:32:26he'd take her

00:32:27for his bride

00:32:29Go on!

00:32:30What the dog

00:32:33What's that flower

00:32:35you have on?

00:32:37Could it be

00:32:38a faded rose

00:32:40from days gone by?

00:32:42Oh, my, my, my

00:32:43And did I hear you say

00:32:46he was a meeting

00:32:48you here today

00:32:49To take you

00:32:51to his mansion

00:32:53in the sky

00:32:55To take you

00:32:58to his mansion

00:33:00in the sky

00:33:02I have no idea

00:33:18what happened

00:33:19but there was

00:33:20some human bones

00:33:21on this set

00:33:22Boy, I tell you right now

00:33:23My career will be over

00:33:25after I leave this place

00:33:27Yeah, yeah, yeah

00:33:28What are you laughing at?

00:33:30He's got that

00:33:31German quality

00:33:32I told you about

00:33:33I'm telling you I'm Irish

00:33:34Will you stop this?

00:33:35People think he's a German Jew

00:33:36Jesus Christ

00:33:37Before the war

00:33:38they used to ask Jews

00:33:39Oh, you're Jewish?

00:33:43And the response to me

00:33:44I'm a German Jew

00:33:45Not necessarily

00:33:46I'm a German

00:33:47Yeah, it's not me

00:33:48He poses a German Jew

00:33:50wherever he could

00:33:51with that Nazi grin

00:33:52You want to see more

00:33:53Yeah

00:33:54Oh, that's a twisted

00:33:58What do you think?

00:33:59You don't got any pants

00:34:01on all that funny

00:34:02He goes out

00:34:03and me and the guy

00:34:04and three other actors

00:34:05are sitting around

00:34:06and here comes Francis

00:34:08Listen, Joe

00:34:10He says

00:34:11I want to tell you something

00:34:12now

00:34:13He said

00:34:13Now let me explain something

00:34:15to you

00:34:15You are a

00:34:16He says

00:34:18Marty Sheen

00:34:19is a

00:34:19He says

00:34:21Whatever goes on

00:34:21in this set

00:34:22is my set

00:34:23Okay

00:34:23This is my

00:34:24So

00:34:25So anyway

00:34:27Now

00:34:28what happens is

00:34:29Mr. Brando

00:34:31shows up

00:34:32Mr. Brando

00:34:35shows up

00:34:36And so

00:34:36they say

00:34:37Marty goes

00:34:39to Mr. Brando

00:34:40and says

00:34:40Marlon

00:34:42there's

00:34:43human bones

00:34:44on this set

00:34:44There is?

00:34:46Yeah

00:34:47The next day

00:34:49the bones are gold

00:34:50The bones are gold

00:34:55Oh, this has been such fun

00:34:59Yay

00:34:59Cause I've heard it all before

00:35:03And I've been down there

00:35:05on the floor

00:35:06And no one's ever gonna

00:35:09keep me down again

00:35:12Oh, yes

00:35:15I'm wise

00:35:17But it's wisdom

00:35:19but a pain

00:35:20Yes, I'll pay the price

00:35:23But look how much I gained

00:35:27If I have to

00:35:29I can do anything

00:35:32If I have to

00:35:34I can do anything

00:35:36I am strong

00:35:37I can't sing it

00:35:39Hello everyone

00:36:01I'm on the set

00:36:02of Senior Entourage today

00:36:04at Ed Asner

00:36:05Mark Rydell

00:36:06and Helen Reddy

00:36:08We have your director

00:36:09He wants to do

00:36:11a lot of things, right?

00:36:12I just needed

00:36:12some direction from you

00:36:13Oh, you're asking

00:36:15the wrong person

00:36:16about direction

00:36:16on this one

00:36:17Um, I don't know

00:36:19Okay

00:36:19I don't know

00:36:19There's zombies

00:36:20There's vampires

00:36:21There's whacked out

00:36:22Dahlia just didn't understand

00:36:24how badly

00:36:24I was scrambling

00:36:25to pull this off

00:36:26Belly dancers

00:36:27I don't know

00:36:27It's just gonna be

00:36:28You're just gonna

00:36:29have to go with the flow

00:36:29I'm sorry

00:36:30You're gonna have to

00:36:31go through everybody's stuff

00:36:32and just pick the best things

00:36:35and what you think

00:36:35are gonna be the best things

00:36:37I don't know

00:36:37Should I coordinate

00:36:38with Brian, the director?

00:36:40Because I'm just

00:36:40having a hard time

00:36:41getting to him

00:36:41because he's very busy

00:36:42Well, it was a really

00:36:43frustrating morning

00:36:44You know, I had to get

00:36:46Ed and Mark

00:36:46dressed up as nuns

00:36:48That was no easy task

00:36:49Then Mark

00:36:50goes on this long search

00:36:52for his keys

00:36:53then his wallet

00:36:54then his phone

00:36:54and of course

00:36:55Ed was grumpy as usual

00:36:57I thought you said

00:36:58I was getting my own car

00:36:59Why is he in it

00:37:01if it's my car?

00:37:03We can't afford

00:37:04two cars, Ed

00:37:04It took Ed 20 minutes

00:37:08to put the nuns costume on

00:37:09and when I come back

00:37:10I see he's got it

00:37:11on backwards

00:37:11And did anybody tell you

00:37:13you have your nuns outfit

00:37:14on backwards?

00:37:14That's your t-shirt

00:37:15we can see

00:37:16Yeah

00:37:16Do you want

00:37:17I like it better this way

00:37:19Okay, fine

00:37:20I'm gonna be different

00:37:21from him

00:37:21So we finally get

00:37:22everyone loaded up

00:37:24in the van

00:37:24and we're all ready to film

00:37:26we're gonna drive down

00:37:27to the 405

00:37:28and get started

00:37:28with our day

00:37:29and then Ed announces

00:37:31that he's gotta take a pee

00:37:32Well, Liza handed me

00:37:34Ed's plastic pee bottle

00:37:35But as we're driving

00:37:36down the 405

00:37:37guess who has to

00:37:38pour out the pee?

00:37:39Me!

00:37:40The director!

00:37:40But enough about that

00:37:41Let's get back to the movie

00:37:43Hi

00:37:43It's me

00:37:45The sexy

00:37:46Hot

00:37:47Nurse again

00:37:48And my executive producer

00:37:50David Lockhart

00:37:51Well, his Tom Cruise fantasy

00:37:53is cruising way out of control

00:37:54You had me at hello

00:37:55This is what happens

00:38:00when you give actors

00:38:01artistic freedom

00:38:03Now, does it bother you

00:38:04that people could think

00:38:06that you're Tom Cruise?

00:38:08You know?

00:38:09I

00:38:09I've had it since

00:38:10I was in the 8th grade

00:38:11people

00:38:11homeless people

00:38:12to little kids

00:38:14to grandmas

00:38:15and grandpas

00:38:15they think I'm him

00:38:16so I

00:38:16I think I grew up

00:38:18sort of like

00:38:19imitating him

00:38:19Are you

00:38:20are you fit?

00:38:21Can you do all those things?

00:38:22Can you swing from

00:38:23a skyscraper

00:38:2420,000

00:38:25You have a skyscraper?

00:38:26Let's go

00:38:27Let's do it

00:38:27You might get Tom Cruise

00:38:30in this movie?

00:38:31Yeah

00:38:31Oh my god

00:38:32I'd like to meet Tom myself

00:38:35Favorite Nations

00:38:35He's getting the same deal

00:38:37He's getting what I'm getting?

00:38:38Yeah

00:38:38How did you do it?

00:38:40You bought him lunch?

00:38:43Oh my god

00:38:44Oh

00:38:44Look who's here

00:38:47Look who

00:38:48Look who's

00:38:49Charlie

00:38:50Oh my

00:38:51It's

00:38:52Look

00:38:52Hey y'all

00:38:53Look who we got here

00:38:54Look at this

00:38:55Ain't this lovely?

00:38:57Oh my goodness

00:38:58I'm a big fan

00:38:59Oh thank you

00:39:00I'm a big fan

00:39:00Give me a big kiss

00:39:02Alright

00:39:02This is my man Tom

00:39:04My man Tom

00:39:05Alright

00:39:06Good to see you Tom

00:39:07Hey come on back

00:39:08Come on back

00:39:08and talk to me some more

00:39:09I will

00:39:09You made my day

00:39:12You made my day

00:39:14If I knew anything

00:39:15about this project

00:39:16I would be glad to tell you

00:39:17But all I know

00:39:18is they picked me up

00:39:19He's the one

00:39:21who organized it

00:39:22Brian Connors

00:39:24and we came out here

00:39:25which is a very nice place

00:39:27To be honest with you

00:39:27I've always wanted

00:39:28to be a player in Hollywood

00:39:29So this is my chance

00:39:31and I figure

00:39:32this is a baby step

00:39:33But then this other dude

00:39:35comes

00:39:35and he says

00:39:36I need the camera

00:39:38operating

00:39:38and can you operate

00:39:40and I'm looking at him

00:39:42and he says

00:39:42there will be food

00:39:44and drinks

00:39:45and I'm looking

00:39:47still looking

00:39:48and he says

00:39:49and the hot girls

00:39:51and I said

00:39:52yeah

00:39:53I'm in

00:39:54Senior Entourage

00:39:56how could you not like

00:39:57Senior Entourage

00:39:58just the name

00:39:59you don't even have to say

00:40:00who's in it

00:40:00or anything

00:40:00just say

00:40:01hey we're making a movie

00:40:02it's called Senior Entourage

00:40:03and people are like

00:40:04I want to be a part of it

00:40:05I have no clue

00:40:06what's going on

00:40:07in this movie

00:40:07it makes no sense

00:40:09to me whatsoever

00:40:10look who's involved

00:40:11in this

00:40:11Ed Asner

00:40:127, 8 Emmy Awards

00:40:14that's incredible

00:40:15man

00:40:15absolutely incredible

00:40:17and yeah I know

00:40:18he's a little abusive

00:40:19to me

00:40:19but you know

00:40:20that just goes

00:40:21with the territory

00:40:21I met Ed Asner

00:40:23doing a show

00:40:25called

00:40:26Mr. Ricky

00:40:27calls a meeting

00:40:28and it was for

00:40:29L.A. Theatre Works

00:40:30some crazy

00:40:32crazy crazy

00:40:32people

00:40:33it's

00:40:34it's just

00:40:35wild

00:40:36but I like it

00:40:37let's see what happens

00:40:39in the editing room

00:40:39we'll figure it out

00:40:41in post

00:40:41we are in post

00:40:42all right

00:40:43we'll figure it out

00:40:44you're the director

00:40:47meanwhile

00:40:48back on the set

00:40:49trouble was brewing

00:40:50one of my investors

00:40:52was walking

00:40:53dangerously close

00:40:54to the edge

00:40:55this was the last

00:40:57thing I needed

00:40:58I don't know if you

00:40:58know this or not

00:40:59I'm one of the producers

00:41:00in this project

00:41:01um

00:41:02okay

00:41:03um

00:41:04how about a trailer

00:41:04well

00:41:06I'll have to talk

00:41:07to the

00:41:07head boss

00:41:08about that

00:41:09okay

00:41:10um

00:41:11how about hair

00:41:11and makeup

00:41:12oh

00:41:13I think you're doing

00:41:14just fine

00:41:15okay

00:41:16yeah you don't need

00:41:18much hair

00:41:18work or makeup

00:41:20um

00:41:21my hair is

00:41:22getting crazy

00:41:23oh it's beautiful

00:41:24you probably get that

00:41:26all the time

00:41:26though don't you

00:41:27um

00:41:28well you know

00:41:29so

00:41:30um

00:41:31what's your part

00:41:32of being producer

00:41:33are you

00:41:33getting money

00:41:34or

00:41:35well um

00:41:37the head

00:41:37the head honcho

00:41:38and I are

00:41:39are like this

00:41:39and I

00:41:40I've invested

00:41:41some money

00:41:41in the project

00:41:42yeah

00:41:42okay

00:41:43where the money

00:41:46goes

00:41:47I'm sorry

00:41:47where the money

00:41:49show me

00:41:51the money

00:41:51I love black people

00:41:54show me

00:41:55the money

00:41:56yeah

00:41:58I'm just kidding

00:42:00continue

00:42:01ignore him

00:42:02yeah

00:42:04I want the money

00:42:05from this show

00:42:06I want the money

00:42:07from this show

00:42:08show me the money

00:42:10alright

00:42:10I love black people

00:42:12oh I love that

00:42:13he loves black people

00:42:14I like white people

00:42:15alright

00:42:16good to see you Tom

00:42:17get out of here

00:42:18go

00:42:18oh Tom Cruise

00:42:21is totally hot

00:42:23the first time

00:42:24I saw him

00:42:25I said

00:42:26hey

00:42:26I did not know

00:42:27you were this short

00:42:28in real life

00:42:29he's like

00:42:31what

00:42:31but I'm short

00:42:32I'm like yeah

00:42:32because the screen

00:42:33makes you look so big

00:42:34my private jet

00:42:38is coming

00:42:39to get me

00:42:40private jet

00:42:41yeah

00:42:42wow

00:42:43you scored big

00:42:44you must really

00:42:47be big in Japan

00:42:48you really are

00:42:51a lovely woman

00:42:52so

00:42:54I hope that was good

00:43:03uh

00:43:04I don't think that was good

00:43:06Phil

00:43:06Hi it's Dahlia

00:43:10hey would you like to be in a movie

00:43:13On Golden Pond

00:43:15was a huge success

00:43:16in China

00:43:17and has remained popular

00:43:18there ever since

00:43:19every Chinese

00:43:20know Golden Pond

00:43:21I'm very proud of that

00:43:23yeah

00:43:23so if I tell

00:43:24oh this is Golden Pond

00:43:25director

00:43:26the whole

00:43:27China will clap

00:43:28oh let's go

00:43:29where they can clap

00:43:30yeah

00:43:31I'd love to hear

00:43:32some applause

00:43:32hey Marion

00:43:33what's this

00:43:35oh Kathy

00:43:37that's

00:43:38that's me

00:43:39and this is my hometown

00:43:40of Albert Lee

00:43:42Minnesota

00:43:42and I came there

00:43:44to be

00:43:45open up this theater

00:43:46and

00:43:47that theater's been there forever

00:43:49but I was performing

00:43:51in a play

00:43:51and they honored me

00:43:53by calling it

00:43:54the Marion Ross

00:43:55Performing Arts Center

00:43:56oh

00:43:57I was thrilled

00:43:59I was thrilled

00:44:00thank you for asking

00:44:01okay

00:44:01I always loved the scenes

00:44:04in On Golden Pond

00:44:05between the young boy Billy

00:44:06and the elderly character

00:44:08Norman

00:44:08played by Henry Fonda

00:44:09that's why it was so special

00:44:11for me to see Mark

00:44:12teaching a young girl

00:44:13from China

00:44:13how to play piano

00:44:14what's your name

00:44:16my name is Catherine

00:44:18Catherine

00:44:19what a beautiful name

00:44:21I love the name Catherine

00:44:23oh that's so pretty

00:44:25how do you spell it

00:44:26c-a-t-h-e-r-i-n-e

00:44:31c-a-t-h-e-r-i-n-e

00:44:36got it

00:44:37yeah

00:44:38you play something

00:44:39okay

00:44:40okay

00:44:40very good

00:45:00we learned how to play together

00:45:01in On Golden Pond

00:45:02the young boy

00:45:03asks Norman

00:45:04played by Henry Fonda

00:45:05Norman

00:45:06are you afraid of dying

00:45:08well when young Kathy

00:45:10posed that same question

00:45:11to Marion Ross

00:45:12their spontaneous exchange

00:45:14really took me by surprise

00:45:16nice rhythm

00:45:17nice tempo

00:45:17who's that

00:45:19ah

00:45:20that's my Paul

00:45:21my Mr. Paul Michael

00:45:23and this is how we looked

00:45:25when I first met him

00:45:26this is him

00:45:28when he was young

00:45:28on Broadway

00:45:29oh so handsome

00:45:31oh so handsome

00:45:32and a great singer

00:45:33where is he now

00:45:35well

00:45:36he went to heaven

00:45:38you know

00:45:39because he was

00:45:41like 80

00:45:42almost 85 years old

00:45:44you know

00:45:44so

00:45:45that was a good life

00:45:46we had a

00:45:48wonderful life together

00:45:49are you afraid of dying

00:45:52no

00:45:54no I'm not

00:45:55I find that that's a natural

00:45:57cycle of everything in life

00:45:59and

00:46:00I have a feeling

00:46:02I'm not ready to go yet

00:46:04but when the time comes

00:46:05you probably

00:46:06are ready

00:46:08somehow

00:46:09somehow

00:46:10because who knows

00:46:12what the next phase is

00:46:14and

00:46:15maybe I will want to go

00:46:17somewhere else

00:46:18or become

00:46:20a piece of

00:46:21atomic

00:46:22energy

00:46:23out in the universe

00:46:25who knows

00:46:26who knows

00:46:27who knows

00:46:27is that

00:46:28where you're going to be

00:46:30after you go to heaven

00:46:31I don't know

00:46:33and I don't know

00:46:33anybody who's

00:46:34been to heaven

00:46:35none of us

00:46:37knows the answer

00:46:38to that

00:46:39and I can live

00:46:40with not knowing

00:46:41the answer

00:46:42and nobody knows

00:46:44the answer

00:46:44but I think

00:46:46that the structure

00:46:47of the universe

00:46:48is so orderly

00:46:49that I think

00:46:51it's going to be

00:46:52all right

00:46:53and maybe something

00:46:54more wonderful

00:46:56than we can have

00:46:58ever imagined

00:46:59are you going to have

00:47:02an adventure

00:47:03in heaven

00:47:04I think so

00:47:05I'm sure of it

00:47:07so what's the schedule

00:47:17today

00:47:17the schedule

00:47:18is we're going

00:47:19to be shooting

00:47:19some rather

00:47:21unorthodox shots

00:47:22I'm just trusting

00:47:24the director

00:47:25he's the one

00:47:26who comes up

00:47:26with all the

00:47:27great ideas

00:47:29what's your name

00:47:31by the way

00:47:32I'm Catherine

00:47:34Catherine

00:47:35what are you doing

00:47:37behind the camera

00:47:38I mean

00:47:38you're very beautiful

00:47:42thank you

00:47:43yeah

00:47:45why don't you

00:47:46put that down

00:47:47a second

00:47:47man man

00:47:48don't even

00:47:48think about it

00:47:49man

00:47:49no just

00:47:52no

00:47:53and your interest

00:47:55in this is

00:47:56man

00:47:57no

00:47:57don't go there

00:47:58I'm writing

00:48:01your paycheck

00:48:01I will cut

00:48:02your head

00:48:03like

00:48:04here

00:48:06this is between

00:48:07me and her

00:48:07I'm cutting

00:48:08your head

00:48:09right now

00:48:10let's see

00:48:10that's what's

00:48:11happening

00:48:11cutting your head

00:48:13um

00:48:14alright

00:48:15I'm a professional

00:48:17she's taken

00:48:18sorry

00:48:20sorry

00:48:21it's fine

00:48:22all good

00:48:22alright

00:48:23all good

00:48:23just

00:48:24not that

00:48:25you see her

00:48:26you're a lovely lady

00:48:27you're a very lucky man

00:48:28you're a very lucky man

00:48:30yes

00:48:31no harm no foul

00:48:32thank you

00:48:33I'd like to find a place

00:48:39where I could settle down

00:48:41and I can do it too

00:48:43with you around

00:48:46I never thought that I'd want to share my life

00:48:51with a girl I'd want

00:48:53to call my wife

00:48:55but you're the one

00:48:57I never thought that I'd want to share my life

00:49:05with a girl I'd want

00:49:07to call my wife

00:49:10but you're the one

00:49:12you're the one

00:49:16you're the one

00:49:21you're the one

00:49:26did you bring this

00:49:28or is this our wardrobe

00:49:29I brought it

00:49:31okay

00:49:31it's how I normally dress

00:49:33okay

00:49:33did you bring anything else

00:49:34um

00:49:35yeah

00:49:35it's outside

00:49:36okay great

00:49:37because this one's a little busy for camera

00:49:39you know I'm one of the producers

00:49:41oh you are

00:49:42okay

00:49:43are you in the film as well

00:49:44yes

00:49:45okay

00:49:46so I'll just check with Dahlia

00:49:48because she brought me on

00:49:49but I know that there's a lot of disrespect

00:49:51coming from you

00:49:52towards the um

00:49:54talent

00:49:54so I just need to get you

00:49:56in

00:49:56dressed properly

00:49:58and then I'll check with Dahlia on

00:49:59what else I'm supposed to do with you

00:50:01who said that about me

00:50:03oh just a couple of the talent

00:50:04that

00:50:04came to get some breakfast in the kitchen

00:50:06I

00:50:07I respect

00:50:08every attractive woman on this set

00:50:11okay

00:50:11what's your name

00:50:13Erica

00:50:14Philip

00:50:16so what are you going to wear in the scene

00:50:19well you've just told me I can't wear this

00:50:23okay so let's grab some other stuff

00:50:25I'm going to check with Dahlia

00:50:27and what's your name again

00:50:29Philip

00:50:31Philip

00:50:32okay

00:50:32there's a guy on set

00:50:36um

00:50:37that is

00:50:38being very disrespectful to all the talent

00:50:40he's really like crossing the line

00:50:42uh

00:50:43okay who

00:50:44he says he's the producer

00:50:45so I told him

00:50:49that I would talk to you

00:50:50Phil

00:50:52don't know his name

00:50:53maybe Phil

00:50:55maybe Phil

00:50:55Phil

00:50:56yeah I don't know

00:50:57he's he

00:50:58look he put in some money for the film

00:51:00he's an investor

00:51:00he's not really the producer

00:51:01obviously right

00:51:02um

00:51:03I

00:51:04yeah I

00:51:05I don't know

00:51:05okay I'll talk to him

00:51:07okay cool

00:51:07you're a little inappropriate with some of the women on the set

00:51:13you have to be careful okay

00:51:14because I'm producing this movie

00:51:16and it's my reputation

00:51:17and I really don't want it to go sour for Brian

00:51:20wow that's

00:51:24that's pretty

00:51:25that's a pretty

00:51:27hurtful thing to say

00:51:30uh

00:51:32no you're a really nice guy

00:51:35okay so maybe it's just you being friendly

00:51:37but um

00:51:38a couple of the girls

00:51:39I don't know

00:51:40the crew girls

00:51:40and some of the

00:51:41some of the extras have just said that

00:51:42I don't know you're hitting on them

00:51:44I'm just being friendly

00:51:45okay

00:51:46friendly's fine

00:51:47but on a set

00:51:48you know there are ways in which people feel like they're crossing the line

00:51:52and you just have to be careful

00:51:53okay because you're

00:51:54you're an investor on this movie

00:51:56and you want to be in a position of respect

00:51:59and you know

00:52:00courtesy

00:52:00but I'm the producer

00:52:02and you really have to understand that

00:52:04I like to hire women on my cruise

00:52:07because then it shows that women are working in the industry

00:52:09and that you know

00:52:11we should be treated with the same equal respect as men

00:52:13and we should be paid the same amount of money as men

00:52:16right

00:52:16okay okay

00:52:17I'm getting a lot of

00:52:18a lot of hostility here

00:52:19I'm a loving kind of guy

00:52:21you've got me completely wrong

00:52:23I give out positive vibes to everybody

00:52:25people are just

00:52:27maybe you're just misreading me

00:52:29I mean

00:52:29you are a charming woman you know

00:52:34I'm also a married woman Phil

00:52:37I don't know if you saw my kids on the set

00:52:40you know they were in the band

00:52:42they're

00:52:42I can't

00:52:44Brian

00:52:45meanwhile

00:52:47Ed was really starting to worry me

00:52:49not only was he back in that nun's outfit

00:52:51he started growing a beard

00:52:53hey Ian

00:52:54I need a favor

00:52:55yeah

00:52:56what's up

00:52:56yeah

00:52:57I need you to play Dracula

00:52:59in this next scene

00:53:00Dracula

00:53:02yeah

00:53:02you can do it

00:53:04Mark is doing Dracula

00:53:05no no no Mark's tired

00:53:06he took a nap

00:53:07and now he just wants to go home

00:53:09you know Mark

00:53:09he just

00:53:10he's gone

00:53:11yeah but he has to play Dracula

00:53:12we're not going to get him to play Dracula

00:53:15this is our last day

00:53:16so get someone else

00:53:16why me

00:53:17what do you mean why you

00:53:19I mean you've got the Romanian accent

00:53:21the whole thing

00:53:21it's because I'm Romanian

00:53:22yeah

00:53:23yeah

00:53:24what is like a racist thing

00:53:25no

00:53:26Romanian isn't a race

00:53:28that's like

00:53:28that's like a country

00:53:29oh come on forget it

00:53:31no I'm not playing a vampire

00:53:32come on

00:53:33Ian come on

00:53:34I need a vampire

00:53:35okay they get someone

00:53:36you have a lot of people on set

00:53:38I need a Dracula

00:53:38I need a real Dracula

00:53:39oh so because I'm Romanian

00:53:40I'm playing a Dracula

00:53:41no you look like Dracula

00:53:42oh God

00:53:43come on

00:53:43what everybody's against me here

00:53:44like the Dahlia wants me to like

00:53:46propose now

00:53:47and I like

00:53:47yeah you should do that

00:53:49you're crazy if you don't propose

00:53:51okay there's nothing to do with it

00:53:52there's five other guys on the set

00:53:53that would

00:53:54yeah well okay

00:53:55I'm working on it

00:53:56okay

00:53:56but there's no hell

00:53:57I'm playing Dracula

00:53:58you are playing Dracula

00:54:00alright

00:54:00listen

00:54:01listen

00:54:02very good

00:54:03there's no way

00:54:04I'm playing Dracula

00:54:06you are playing Dracula

00:54:08no way

00:54:09I don't know

00:54:16there's something about vampire movies

00:54:18with everyone getting their next bit

00:54:20and their blood sucked

00:54:21so I was hoping there was a way

00:54:24that we could work in the vampires

00:54:25and keep my investors happy

00:54:27perhaps even use some green screen

00:54:29in case we need to find sponsors

00:54:31or get product placement

00:54:32we need to raise some money

00:54:35to finish post

00:54:36welcome to Al's Discount Center

00:54:39where our prices

00:54:40won't scare you

00:54:41like our competitors

00:54:42I guarantee you

00:54:44you won't walk out of here

00:54:45feeling like somebody

00:54:47sucked the blood out of you

00:54:48so come on down

00:54:50and check out our prices

00:54:51vampires really suck

00:54:58Phil

00:55:04is that his name

00:55:05Phil

00:55:05yes Phil

00:55:06okay so

00:55:07he's

00:55:08he's a nice guy

00:55:10but he's really like

00:55:10he's a very nice guy

00:55:11no no no

00:55:12he gave us a check

00:55:12that's the kind of guy

00:55:14well so that's why

00:55:14I want to be cordial to him

00:55:16but he's

00:55:17he's f***ing up on the set

00:55:18with the girls

00:55:18okay with the women

00:55:19on our

00:55:20he's a little

00:55:21he's a little

00:55:22I don't know

00:55:22he's lonely

00:55:23okay but he can't use this

00:55:25as a

00:55:26like a dating service

00:55:27you know

00:55:27we're not

00:55:28we're not here

00:55:29to satisfy his wimps

00:55:30did he pay for

00:55:31for us to be able

00:55:32to get him a date

00:55:33I don't know

00:55:34he's trying to hit on

00:55:35our

00:55:36on our

00:55:36crew

00:55:37and our cast

00:55:38what's going on man

00:55:40what's your name

00:55:42I'm Phillip

00:55:44hey Phil

00:55:45I hear you're looking

00:55:46for some action

00:55:47hey

00:55:50uh

00:55:53I think you got

00:55:55the wrong guy buddy

00:55:56no you look like

00:55:57the right guy

00:55:58hey Phil

00:56:00where'd you go

00:56:02Phil

00:56:03come on

00:56:05take on someone

00:56:05your own side

00:56:06are you on a mission

00:56:10here in America

00:56:10on a mission

00:56:11no I'm a MacGuffin

00:56:12I have nothing to do

00:56:13with anything

00:56:14I'm a MacGuffin

00:56:15I have nothing to do

00:56:16with the whole plot

00:56:17of this damn thing

00:56:17I don't even know

00:56:18why I'm involved

00:56:19but I'm so happy

00:56:20to see you

00:56:21I have a confession

00:56:22to make

00:56:22oh really

00:56:23yes

00:56:24I'd love to hear it

00:56:26I was playing

00:56:29the victim

00:56:29for too long

00:56:30oh look at the eyepatch

00:56:32going back

00:56:32right

00:56:33oh my god

00:56:34look at you

00:56:34I told Mr. Rydell

00:56:38yeah

00:56:38that I was tortured

00:56:40tortured

00:56:41that's why I lost my eye

00:56:43oh really

00:56:43but I just wanted

00:56:45to be a victim

00:56:46oh

00:56:47I wanted his sympathy

00:56:48oh right

00:56:49I can see that

00:56:50I wasn't tortured

00:56:51no

00:56:52I torture people

00:56:53you torture

00:56:54you're torturing me

00:56:54right now

00:56:55I'm getting very excited

00:56:57you know

00:56:58is excitement torture

00:56:59my very first confession ever

00:57:03oh really

00:57:03well can you give me

00:57:04the quickie one

00:57:05oh

00:57:05I like a cookie

00:57:06I like a cookie too

00:57:07it's the one from Amsterdam

00:57:08with the stuff in it

00:57:09I don't know

00:57:10what the hell

00:57:10you're talking about

00:57:11oh in Amsterdam

00:57:12we only have cookies

00:57:12with stuff in it

00:57:13oh really

00:57:14yeah

00:57:14well would you confess

00:57:15your sins

00:57:16oh yeah

00:57:16so confession

00:57:16I don't really hear those

00:57:17okay

00:57:18so ever since

00:57:19I saw Jude Law

00:57:20in the Pope

00:57:21I cannot get over him

00:57:22wow

00:57:23could you get into him

00:57:24uh huh

00:57:25yeah

00:57:25no

00:57:26I mean

00:57:27no

00:57:27this is a confession

00:57:28it's a confession

00:57:58Hey, Dahlia.

00:58:00Brian, please.

00:58:02One more thing. I just need five minutes.

00:58:04Just one more thing, please. I know you've worked hard, Brandy.

00:58:06One more thing. What?

00:58:08I don't know where Ian is, but I don't know where the hard drives are.

00:58:10We don't have backups, and I think we're screwed

00:58:12if Ian's pissed off at me. Ian's not pissed off.

00:58:14He is pissed off. He's finally getting married.

00:58:16He's okay. Yeah, but he didn't like doing that vampire thing.

00:58:18He didn't want to attract your effects,

00:58:20and he's pissed off at me.

00:58:22Okay, he's an actor as well.

00:58:24Actually, there's a couple more things. I'd like you to do one more scene.

00:58:26One more scene? Are you crazy?

00:58:28Yes, one more scene. No, I've given you

00:58:30three weeks of my life for this,

00:58:32you know, whatever. I don't know.

00:58:34Two. Okay, I had fun,

00:58:36but your degree of toxicity...

00:58:38I'm trying to sweat it out

00:58:40right in here, and you're not even giving me

00:58:42five minutes to... Now I'm toxic, right?

00:58:44Now you say that to me after...

00:58:46You're not toxic, okay? It's just

00:58:48Phil and everything that... What about

00:58:50Phil? He wrote us a check. We wouldn't be making this

00:58:52money for one for him. He wrote us a check, but I almost got frickin'

00:58:54sued by a sexual harassment case

00:58:56with one of our wardrobe people.

00:58:58Can you please, can you just close the door so that I can

00:59:00relax for five minutes, okay? I'm trying to

00:59:02sweat it out. Calm down, alright?

00:59:04For God's sake. Just close the door!

00:59:06Calm down!

00:59:08Stop filming me!

00:59:20I could see you're a beautiful woman.

00:59:22I think men have been ravaging you probably

00:59:24for years, have they?

00:59:26I have three children. Oh, really?

00:59:28I don't think that I should be talking to you about that stuff.

00:59:30Oh, no, no, alright. Yeah, I...

00:59:32Brian, I...

00:59:34I have several children myself, and I'm a priest. Do you believe that?

00:59:36Priests can't have children?

00:59:38Oh, well, I can. I'm a different kind, you know what I mean?

00:59:40Yeah, of course you are, right?

00:59:42That's why you're in that stuff.

00:59:43I'm a bit of a woman, I say, you know what I mean?

00:59:45You know, I have a couple of drinks like this, and...

00:59:47Well, then I go, I...

00:59:48Can I have some?

00:59:49No, you want some? You want a little share?

00:59:50I'm really good at it.

00:59:51Really, you do?

00:59:52Yeah.

00:59:53Are you kidding me? Alright.

00:59:54Oh, thank you.

00:59:55Gentleman Jack!

00:59:56Yeah, I...

00:59:57Alright, there you go. Oh, my God, you know.

00:59:59Yeah, it always gets me a little jacked off, you know, when I drink this, you know?

01:00:03Wow. Wow.

01:00:04Isn't that good?

01:00:05I think you and I...

01:00:06I could use two more tonight.

01:00:08Right? I think you and I might, you know, be an item, if you think of it.

01:00:11Well, I wouldn't mind getting in the bathtub.

01:00:13Really? I actually have been wanting...

01:00:14Oh, God, this is what I've been hoping for all my life.

01:00:16This is a really nice one.

01:00:18Isn't this nice? It's very comfy, isn't it?

01:00:20Oh, I never thought I'd be in a bathtub with a Jewish woman.

01:00:23I really didn't.

01:00:24You know, you're the second one to come in here.

01:00:26The first one was a Jew.

01:00:27Tell me a story, Father.

01:00:29Sorry, this part is only available in the special features menu,

01:00:33due to explicit language and content.

01:00:39Okay, so I convinced Brian that you guys can be in the movie, okay?

01:00:43But you have to play music.

01:00:44You have to play the drums and you have to sing.

01:00:46What type of movie is it? Does it have, like, zombies?

01:00:49No, it doesn't have zombies.

01:00:50What are you talking about?

01:00:51This is a movie with Ed Asner and Mark Rydell.

01:00:53It's a movie about old guys.

01:00:54They don't have zombies.

01:00:55Come on, everybody's driving me crazy.

01:00:57I'm just trying to get this movie done, all right?

01:00:59Easy, buddy, easy.

01:01:01No more kids in the movie.

01:01:02No more kids in the movie?

01:01:04No more kids in the movie.

01:01:05Hello, folks.

01:01:14Here at Ray's Audio and Video, we understand budgets and would like to help put you into a new entertainment center that you can afford.

01:01:23So don't be a zombie.

01:01:24Get on up out of that chair and come on down.

01:01:27We're here until 10 o'clock tonight.

01:01:29You wouldn't want to end up looking like this guy.

01:01:32Oh, my God.

01:01:33I'm worried about getting sued.

01:01:34We're going to need a lawyer.

01:01:35Hi, I'm Melissa Centeno from Centeno Law Firm.

01:01:39I am a partner and founder of the firm where we specialize in corporate and mergers and acquisitions.

01:01:52How do you know when a lawyer is lying?

01:01:55Her lips are moving.

01:01:57Come on, let's go see the cast.

01:02:03Oh, my God.

01:02:04Are you kidding?

01:02:06Jimmy, this is the greatest.

01:02:08Hi, how are you?

01:02:09I'm good.

01:02:10I live in the front.

01:02:13What are you doing?

01:02:16What are you doing?

01:02:22I want to suck your blood.

01:02:25Oh, yeah?

01:02:26Cut.

01:02:27Cut.

01:02:29I said cut.

01:02:33No matter what the future brings

01:02:36As time goes by

01:02:45It's still the same old story

01:02:49A fight for love and glory

01:02:52A case of do or die

01:02:53A case of do or die

01:02:55The world will always welcome lovers

01:03:05As time goes by

01:03:17Tomorrow

01:03:18Tomorrow, and tomorrow, and tomorrow

01:03:34Creeps in this petty pace from day to day

01:03:39To the last syllable of recorded time

01:03:43And all our yesterdays have lighted fools the way to dusty death

01:03:48Out, out, brief candle

01:03:53Life's but a walking shadow

01:03:56A poor player that struts and frets his hour upon the stage

01:04:02And then is heard no more

01:04:04It is a tale told by an idiot full of sound and furry

01:04:09Signifying nothing

01:04:10Signifying nothing

01:04:11Signifying nothing

01:04:12Signifying nothing

01:04:14You know, Ian actually just got a new dog and he wants the dog in the film

01:04:18What?

01:04:20It's a really cute puppy

01:04:21You know, people will actually come to see a movie because of dogs and pets

01:04:25Oh, come on

01:04:26What are we, a YouTube video here?

01:04:41What's with the Ian? He wants his dog and why is he telling us now?

01:04:44Well, I think it would be really cute

01:04:45You know, you can have the dog sit on Mark's lap or Ed's lap

01:04:48We already have enough dogs in this movie

01:04:49We don't need another dog in this movie

01:04:51Well, maybe Ed's dog and Ian's dog can, you know

01:04:56No! Can do what? What are you suggesting? What kind of movie is this?

01:05:01Ay-yi-yi-yi-yi-yi-yi-yi

01:05:04Are these dogs in the union? Are they SAG dogs?

01:05:21The things a producer has to go through

01:05:37The things a producer has to go through

01:05:41Right over here, right there

01:05:44This is what you've been waiting for?

01:05:45This is what we've been promising him

01:05:48This is how we got him to get in the shoot

01:05:51Okay, so we don't have any more money for a wrap party

01:06:03You have to get another investor

01:06:05Another cameo?

01:06:07I'm Henry Penzi, I'm from the original Entourage

01:06:09I was called in by Brian the director on this movie

01:06:14And I was a big fan when he brought up the great name as Senior Entourage

01:06:19So I'm still a big fan of Senior Entourage

01:06:22Hey Henry, is Wahlberg going to sue us for using the title Senior Entourage?

01:06:25No, he's not going to sue us actually because I'm part of it

01:06:28So there you go

01:06:29My name is Greg, I'm in one of the gym scenes

01:06:35Henry brought me in and I just had a couple of minutes to think

01:06:39And I think Senior Entourage is the best one

01:06:41Or maybe, um, Age Before Beauty

01:06:45The title, you want a title, right? Senior Fever

01:06:51I'm George, I'm here for dessert

01:06:54I was part of Brian's Entourage when he was 17, in fact, a little bit earlier

01:07:03I went to high school with Brian

01:07:05And, uh, certain stories are sealed, but

01:07:08For enough money I will, uh, you know

01:07:11I have a Chinese name already named this one

01:07:14It's called Lao Ren Bang

01:07:17It's like, uh, direct translation will be senior again

01:07:21I can see Russia!

01:07:23Where is the f***ing script?

01:07:25Where is the script?

01:07:26We were supposed to do something clearly if we had an idea

01:07:28Where is the script?

01:07:30Since I couldn't wake Ed up from his nun nap

01:07:33I asked their old buddy, writer Jerry Sedley

01:07:36To stand in for the sunset shot

01:07:37Whoa-whoa-whoa-whoa-whoa-whoa-whoa-whoa-whoa

01:07:51So it was finally time to see if Dahlia's musical munchkins

01:07:53so it was finally time to see if dahlia's musical munchkins had the right stuff hi everybody today

01:08:09i'm going to sing an original and this is my sister rebecca this is my brother noah and this

01:08:15is my dad martin

01:08:28oh baby i love you all the time

01:08:33oh baby

01:08:36cause it's you and me baby

01:08:46it's you and me baby

01:08:50you and me baby

01:08:51it's you and me baby

01:08:54it's you and me baby

01:08:58it's you and me baby

01:09:01to the end of time

01:09:05Well, I'm very happy to say

01:09:13that Dahlia's kids certainly proved me wrong.

01:09:26Don't be scared, girl.

01:09:28Don't be scared.

01:09:29Don't be scared, girl.

01:09:33Don't be scared.

01:09:35I give you all of my heart

01:09:39So we don't leave love torn apart

01:09:44I love you each and every day

01:09:49And this is why I say, I say

01:09:55Don't be scared, girl.

01:09:57Don't be scared of me.

01:09:59Don't be scared, girl.

01:10:01Don't be scared.

01:10:03No, no, no, no.

01:10:04Don't be scared, girl.

01:10:07Don't be scared.

01:10:08Don't be scared.

01:10:09Don't be scared, girl.

01:10:13Now don't you be scared, girl.

01:10:17Don't be scared.

01:10:19Excuse me.

01:10:20Are you Andy Dick?

01:10:22If there's money in it, yes.

01:10:25Really?

01:10:25Are you Andy Dick?

01:10:26Not exactly.

01:10:27No.

01:10:28You probably get that a lot, don't you?

01:10:29I get that from time to time to time.

01:10:32I think he's alive.

01:10:34Oh, good Jesus.

01:10:35No.

01:10:35If you let me give you a little, a little, a little, a little, a little, a little cake.

01:10:41There you are, there you are.

01:10:43Come on, get up.

01:10:44Who the hell are you?

01:10:45Oh, you've got to confess your sins to me.

01:10:46Come on, come on, get up.

01:10:48Don't give me a hard time now.

01:10:49Why do you confess what sins?

01:10:50Sins, the sins that are all your life, all right.

01:10:52What are you doing with that vodka?

01:10:53There you go, shake your ****.

01:10:55Come on now, get up.

01:10:56What are you doing in this room?

01:10:57What the hell?

01:10:57I don't know where we are.

01:10:59I don't even know where we are, for God's sake.

01:11:00Well, are you a pervert?

01:11:01I thought you were dead.

01:11:02Are you a pervert?

01:11:03Come on now, come on, get up.

01:11:05You know what I need right now?

01:11:07Some forgiveness and grace.

01:11:09I'm so glad Jesus lifted me.

01:11:14I'm so glad Jesus lifted me.

01:11:19I'm telling you, I'm so glad Jesus lifted me.

01:11:24Singing glory, hallelujah, Jesus lifted me.

01:11:29Amazing.

01:11:33Amazing.

01:11:41Sing great.

01:11:45How sweet the song.

01:11:53How sweet the song...

01:12:03There you go now.

01:12:08Oh, sister, sister.

01:12:09Get off me, get off me.

01:12:10I don't want you near me.

01:12:11Oh, my God.

01:12:12All right now, let me bless you.

01:12:14All right.

01:12:15In the name of the Father, and the Son, and the Holy Spirit.

01:12:19Now relax, and just tell me your sins.

01:12:22So if you do kick the bucket very soon, you'll go straight to the hereafter, okay?

01:12:28I'm not going to kick any f***ing bucket.

01:12:31Well, don't you know what that means?

01:12:33What?

01:12:33It means you go up.

01:12:34You go up to heaven.

01:12:35I'm not going to heaven.

01:12:36You see the Lord?

01:12:37You see all the angels?

01:12:38No, no, no.

01:12:39Oh, for goodness sakes.

01:12:40You're at the wrong party.

01:12:42There's a good pick-me-up.

01:12:44Amazing, great, how sweet the song that saved a red like me.

01:13:03I once was lost, but now I found me found, yeah, yeah.

01:13:15Now what do you want?

01:13:16I want to hear your sins.

01:13:19So that I can give you absolution, to give you anything, and go straight to heaven if you die.

01:13:24You're going to go out that window before I die.

01:13:26I say mother, mother, mother, mother, mother, mother.

01:13:48Don't you mow.

01:13:51Oh, I, I, I.

01:13:55Mother, don't you mow.

01:14:06Are you really a priest?

01:14:12Of course I'm a priest.

01:14:13What about Father MacGuffin?

01:14:15Don't you know me?

01:14:15for god's sake i'm famous i'm not a nun you're not a nun no what the hell are you then uh

01:14:22i'm not uh i'm not to have a good time really yeah you like be like my shade

01:14:28oh that's very very becoming becoming what i don't know but it's very becoming they make the

01:14:33outfit don't really beautiful yes you're a handsome you're a handsome nun i'll have to say that

01:14:37all right this scene is getting really just a little bit too bizarre i think it's time to wrap

01:14:42this movie up with a party you're at the party of the year the only thing that matters is filling up

01:14:52the cup lost in the moment it's all

01:14:55you'll have the time of your life don't matter where you come from feeling your interest

01:15:07lost in the moment it's all

01:15:10have the time of your life

01:15:21take it all

01:15:23and i can't believe in your eyes

01:15:27my feelings are better

01:15:30it's so good to see you

01:15:33it's so good to see you

01:15:43it's so good to see you

01:15:49it's so good to see you

01:15:55it's so good to see you

01:16:04it's so good to see you

01:16:16it's so good to see you

01:16:17it's so good to see you

01:16:19it's so good to see you

01:16:32it's so good to see you

01:16:36it's so good to see you

01:16:40it's so good to see you

01:16:53it's so good to see you

01:16:59it's so good to see you

01:17:03it's so good to see you

01:17:19it's so good to see you

01:17:23we recently caught up with well-known academy award nominated director mark rydell

01:17:39emmy-winning actor ed asner and actress and animal activist lauren maddox they afforded us a peek into their discussions about their new venture senior vegan vacation

01:17:50vegan vacation the movie take two

01:17:54so i was thinking for the next movie yes we could call it vegan vacation and this

01:18:00could be a sequel to senior entourage and the schnooks could be included so

01:18:04this is already a sequel well we're thinking about doing a sequel yeah once this is finalized

01:18:10what is this a sequel to yes we would have like even more expensive amounts of fun

01:18:15even more fun than that so much more even more

01:18:18because i know this one's been great

01:18:22how could you have more fun that dog could be as big as a saint bernard by then

01:18:36yeah i once had a big dream about making a

01:18:55really big hollywood movie with a really big budget instead i had to make this film

01:19:02and i'm really glad that i did

01:19:14they may be old but they still got it

01:19:32they still got it

01:19:34they still got it

01:19:36miss to see your entourage

01:19:38life so grand and they know

01:19:46they know

01:19:51they ain't got no script but they

01:19:59only

01:20:03when they have dialogue we all like to hear it

01:20:07and even if the sky is blue or the sky is gray

01:20:13it sure feels good seeing you today

01:20:17no bad news

01:20:19we don't want to hear it

01:20:21no no no no no bad news

01:20:25good vibrations we sure gonna give it

01:20:29yeah we all know they got a lot of spirit

01:20:43when are we doing the the the nun scene right now we dressed as nuns

01:20:48when are we doing that you just did it this was it you did it yeah this is it

01:20:53a full frontal but i i really would never expose my front

01:20:57that's that's for the oscar

01:21:01you look like tom cruise

01:21:04you can't handle the truth did you order the code red

01:21:10i'm just joking i'm just joking it's uncanny

01:21:14i don't remember your eyes are pretty they're almost

01:21:17translucent just like yours they're translucent they're not real

01:21:21they're not real

01:21:23i love you

01:21:28so

01:21:36gary marshall he just had such a wonderful wonderful way he was with us

01:21:44he would say you know we would just uh we just make some nice shows here it's not

01:21:50serious it's not serious and it was always kind to everybody and we had a softball team

01:21:57oh you jeffrey like a person that works very good

01:22:02what i would do was i would i would run with my arms like this oh so they would overthrow first

01:22:08face yeah you know so then i'd get on and the guys you get me i know i see mark righto as a rebel

01:22:16rebels without a wheelchair

01:22:22so you are embracing this oh gosh you're so sexy

01:22:27why don't we shoot the rap

01:22:44why don't you go down to the shangri-la that's a great place it's right down the street from my

01:22:50place to ask them for a freebie a freebie yeah but we'll put it we'll plug them in in the movie

01:22:55why don't you explain it that was your job well a macguffin you know macguffin is when the plot

01:22:59does there's no there's no reason for this thing to be in the plot just like me you know there's

01:23:03no reason it doesn't go anywhere it doesn't mean anything you just look it up hitchcock

01:23:07hitchcock talked about it all the time he made it up the mcguffin so you're the mcguffin i'm the

01:23:11mcguffin your father don't you understand i'm the father mcguffin not mcmuffin

01:23:37but

01:23:41oh

01:23:49uh

01:23:58uh

01:24:37So, where do we go from here?

Senior Entourage (2021) - Full HD Movie Uncut

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