- 15 hours ago
A Secret Affair (1999) - Full HD Movie Uncut
Category
🎥
Short filmTranscript
00:00:00Transcribed by ESO, translated by —
00:00:30Transcribed by —
00:01:00Transcribed by —
00:01:30Transcribed by —
00:02:00Transcribed by —
00:02:29Transcribed by —
00:02:59Transcribed by —
00:03:29Transcribed by —
00:03:37Transcribed by —
00:03:40Delivery for the Stuart dynasty.
00:03:46I designed it myself.
00:03:48You did?
00:03:48What is it?
00:03:53Oh.
00:03:57It's so you.
00:03:59I wanted you to feel like a bomb girl on your honeymoon.
00:04:03As your maid of honor.
00:04:05Do I actually qualify as a maid?
00:04:07As a maiden?
00:04:08No.
00:04:08Then again, you are wearing white, which is incredibly accurate.
00:04:12As your maid of honor, I do feel it is my duty to remind you that you don't have to go through with this.
00:04:18Your point?
00:04:19Vanessa, when you're marrying a man, you're supposed to love him truly, madly, and very deeply.
00:04:26There you are.
00:04:27Hi.
00:04:28What a party, huh?
00:04:30I can hardly wait for the karaoke.
00:04:32Mimi and Vanessa, yeah, pow.
00:04:35Oh, honey, I almost forgot.
00:04:39Billy Babcock from Smith Barney is a five handicap, and his wife is 11.
00:04:42They want to play on Sunday.
00:04:43Oh, all right.
00:04:44Yeah.
00:04:45Mm-hmm.
00:04:45Cool.
00:04:47What's that?
00:04:48Oh, yeah.
00:04:49Oh, yeah.
00:04:49Oh, yeah.
00:04:56He's funny.
00:04:59But golf with a broker.
00:05:01I'm happy.
00:05:02Donnie, first thing in the morning, we have to decide what to do about the caterers.
00:05:07And we've got to get you in for a final fitting.
00:05:10Ugh.
00:05:11To win the company going public in my wedding, I'm going to have an annual reserve.
00:05:13Hey, at least you get to go to Venice.
00:05:15That is so cool.
00:05:16I'm so jealous.
00:05:17Venice isn't going to work out this year.
00:05:19I need you here for the presentation to the investors.
00:05:22Well, yeah, but if I don't go to Venice, we won't have stock for the holidays.
00:05:24Someone else can go.
00:05:28Well, I always do the buying trip to Venice.
00:05:30That's a luxury you may have to sacrifice.
00:05:34Luxury?
00:05:36Wait a minute.
00:05:37These are the items that make our store unique.
00:05:39I'm not asking you.
00:05:41I'm telling you.
00:05:42You know what?
00:05:43I'm not asking for the keys to the car here.
00:05:46Yes.
00:05:46No, and while we're at it, I don't like the direction that you're taking the company.
00:05:50Have you forgotten what we stand for?
00:05:51I don't need anyone reminding me what Stuart stands for.
00:05:56I built this company from the ground up for you.
00:05:59I need you here.
00:06:01Now, what's it going to be?
00:06:02What's it going to be waiting for?
00:08:24A few days.
00:08:26Will you have time to see the city?
00:08:28No, I'm going to be working the entire time.
00:08:32Maybe we could have dinner one night.
00:08:34I'm really very busy.
00:08:36Too busy for dinner?
00:08:38Well, yeah.
00:08:39My schedule's unpredictable.
00:08:40Is it?
00:08:41Yeah.
00:08:42So is mine.
00:08:43I like unpredictability.
00:08:45Keep things from getting dull and predictable.
00:08:47Yeah.
00:08:48Yeah, well.
00:08:51Oh, this is my stop.
00:08:56It was nice meeting you.
00:08:58You want me to go?
00:08:59I can tell.
00:09:00I'm...
00:09:00No, it's just that I'm traveling alone, and actually, I prefer it that way.
00:09:05Don't you think that's the best part to traveling alone, is meeting new people?
00:09:10I'm jet-lagged, and I don't like to get to my hotel.
00:09:13Okay, I can take a hit.
00:09:16Although it's actually more of a bold statement.
00:09:18You'd like me to go?
00:09:21Bye.
00:09:23Goodbye.
00:09:23Bye.
00:09:24Bye.
00:09:24Bye.
00:09:43Bye.
00:10:12Bye.
00:10:13Okay, what is this?
00:10:43Hello?
00:10:52I know what you're thinking.
00:10:55Is that annoying man again?
00:10:58Not, no, not exactly.
00:11:00But close.
00:11:03I'm sorry for being obnoxious yesterday.
00:11:05The truth is, I'm only here for a few days.
00:11:07I didn't want to be alone.
00:11:10And I always say the wrong thing.
00:11:13Apology accepted.
00:11:18May I join you?
00:11:21Okay.
00:11:26So, are you getting a lot of work done?
00:11:29Yes, actually, I am.
00:11:33Is this something for your store?
00:11:36Merci?
00:11:37Yes.
00:11:43Oh, these are beautiful.
00:11:46Especially this.
00:11:47Mmm.
00:11:49What made you buy it?
00:11:50I always like to have one item that's out of the ordinary.
00:11:53You know, give people the range of the expected, but then the exception.
00:11:57They have a way of being very endearing.
00:11:59Do you need items?
00:11:59How's that?
00:12:04Maybe we feel they're being themselves.
00:12:07Yeah, they're the underdogs.
00:12:09We pull for them because it's a tough job to be yourself.
00:12:13Is it tough for you to be yourself?
00:12:16No.
00:12:16It's not tough for me.
00:12:19Though I suspect it's tough on others to put up it.
00:12:24So, what are you doing for dinner?
00:12:28I'm not sure.
00:12:30I was going to go to a break at a restaurant right near here.
00:12:33Will you join me?
00:12:34I like well-made, well-designed objects.
00:12:43They're beauty.
00:12:44And I love what it means to our customers.
00:12:46Like last year I was here and I got these faces.
00:12:48Beautiful faces.
00:12:49They have these great clean lines and these wonderful pastel stripes
00:12:54and these circles that just seem to float.
00:12:56Ah, such versatile.
00:12:57Whenever I look at them, I'm comforted.
00:13:00Is that what you're looking for?
00:13:02Comfort?
00:13:02I want to give my customers something that when they get home,
00:13:05no matter what kind of day they've had,
00:13:07they can look at something beautiful and be comfortable.
00:13:09Yeah, yeah.
00:13:10Like my friend Mimi, she's got this piece of Steuben glass
00:13:12her mother gave her.
00:13:14Now, it's not her style, she'd never buy it.
00:13:15But there it is, sitting on her piano,
00:13:17a symbol of her mother.
00:13:19A connection.
00:13:20You love what you do.
00:13:21Yeah.
00:13:23But when it comes to finances and compared to pricing...
00:13:26Not for you.
00:13:27Not for me.
00:13:30Good thing you know where you're going
00:13:32because I'm completely turned around here.
00:13:35What about getting up a job?
00:13:37Do you think something else?
00:13:39Oh, well, it's my family's business.
00:13:42It's kind of like being in the mob, you know, once you're a member.
00:13:45You seem far too creative to be stuck in an office.
00:13:47Yeah?
00:13:48I did study art in college.
00:13:51That's actually my real love.
00:13:53Art is such a primal thing.
00:13:55I remember when my father died,
00:13:58my mother started to paint.
00:14:01If it hadn't been for that,
00:14:02I don't know what would have happened to her.
00:14:04It saved her life.
00:14:06She's still painting?
00:14:07She struggled for years.
00:14:09Now she actually makes a living out of it.
00:14:11Oh, I don't think I could do that.
00:14:15Sacrifice.
00:14:18Life is too short to settle.
00:14:21What about you?
00:14:21What kind of reporting do you do?
00:14:23Foreign conflicts.
00:14:24I just got back from Cossack.
00:14:26Three days off,
00:14:27and then back I go.
00:14:28You'd be scared to death.
00:14:29I can barely watch the evening news.
00:14:31I am scared to death.
00:14:32Which doesn't mean I don't love it.
00:14:34I do.
00:14:36Like I said,
00:14:36good thing you know where you're going.
00:14:38That would be a good thing.
00:14:40You do know where you're going.
00:14:42Maybe.
00:14:43Maybe not.
00:14:46My instinct says right.
00:14:48What do you think?
00:14:49Right or left?
00:14:51You're the one who's been to the restaurant,
00:14:52not me.
00:14:52It doesn't mean you can't have an opinion.
00:14:54You do seem to have opinions.
00:14:56Oh, what does that mean?
00:14:57Some of my best friends are stubborn and willful.
00:15:00Is that a compliment?
00:15:01Of a sort.
00:15:02Well, Missy.
00:15:04We can't stand here all day.
00:15:06Which way?
00:15:07Right or left?
00:15:10Left.
00:15:11Left, then.
00:15:16I think I recognized that gondoloon.
00:15:18Didn't we cross this square before?
00:15:20I thought you were so sure yourself.
00:15:22Don't trust your instincts.
00:15:23Oh, it's not my instincts I'm concerned about.
00:15:25And you doubted me.
00:15:27I did.
00:15:28I thought you were so sure.
00:15:31Giorgio.
00:15:32Hello, hello.
00:15:32Giorgio.
00:15:33Nice to see you again.
00:15:34Hello, how's it going?
00:15:35All right?
00:15:35Giorgio.
00:15:37You don't mind if I, uh...
00:15:42it's delicious you're eating all my food this is Italy it's full of food you don't
00:15:55take no for an answer do you an occupational hazard mm-hmm I feel sorry for people who
00:16:03get in your way I'm very charming to everyone that bulldoze what's the biggest no you didn't
00:16:10take for an answer the biggest no that would have been Somalia 1991 what's going on then clan wars I
00:16:24was there with Francis my cameraman unfortunately one of the local warlords had it in for journalists
00:16:29some of his henchmen came in the middle of the night has dragged us out of bed and threw us in
00:16:33jail before espionage not that he needed a reason to shoot you while we were in prison we heard how
00:16:42extensive the killings were entire villages were being wiped out so what happened a few days later
00:16:50they let us go gave us an escort to the border we headed north then when our escort was gone we
00:16:58swung around and went back in we were the first ones to find the mass graves I never could have
00:17:05gone back you don't know what you'd do I didn't know how not to go back I only knew that if I didn't
00:17:15more people were going to die it must be really hard for people that are close to you knowing what
00:17:22could happen to you I'm worried most about my little girl I chose this job before I was a dad you have a
00:17:29little girl Helena
00:17:32she's beautiful how long have you been married my wife died eight years ago Helena saves my mother while
00:17:51I'm working I try to see her as much as I can how about you that's a very conspicuous looking diamond ring
00:18:01on your finger yes well I'm engaged he's the lucky guy his name is Steven he's the chief
00:18:14financial officer for our store is he the guy for you
00:18:19oh thank you for dinner I had a lovely time actually you're not going to turn in now it's dusk it's magic hour oh no I have a huge huge day tomorrow come on you can't waste a night in Venice to sleep well I have to get up at the crack of dawn
00:18:47oh come on the city's waiting for you let's walk to Zatara or take the water taxi to San Giorgio have you ever seen the sunrise from Piazza San Marco I have to be at the finish a glass factory
00:19:00I've always been interested in blowing glass may I join you I have to look at a lot of items negotiate prices you wouldn't be effective I'm afraid not
00:19:22thanks for dinner bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye
00:19:52I... I can't do this.
00:20:20Ciao, Rosa!
00:20:22Oh, Vanessa!
00:20:24How are you?
00:20:25Good!
00:20:26Oh, bellissima!
00:20:27Oh, thanks.
00:20:28How's that?
00:20:29Very well, and you?
00:20:30Oh, bambini.
00:20:31Oh, well.
00:20:32Oh, good.
00:20:33Oh, look!
00:20:35Oh, 14th century.
00:20:37Yes, do you like?
00:20:39Beautiful, yes.
00:20:40The master is starting another one.
00:20:42Come with me.
00:20:43It's like something I'd like to see.
00:20:45Vanessa Stewart, and this is Bill...
00:20:47Fitzgerald.
00:20:48Yes, he's a reporter.
00:20:50Have you wanted a tour of the factory?
00:20:52Yeah.
00:20:53A friend of mine's an editor with National Geographic,
00:20:54so I thought I'd turn my holiday into an article.
00:20:56But you two know one another?
00:20:58Sorry.
00:20:59Yes.
00:21:00One moment.
00:21:01Mm.
00:21:02I always wanted to see a glass factory, ever since I was a little boy.
00:21:07You're following me.
00:21:08Do you like it?
00:21:09You know, Italy's the one place where I can be myself, and I'd prefer not to be stopped.
00:21:14Thank you very much.
00:21:15You can't be yourself at home.
00:21:16No.
00:21:17But yes.
00:21:18I mean, it's not that I can't.
00:21:19You don't.
00:21:20Well, it's just, I have roles to play.
00:21:22You know, I can't let people down.
00:21:23By being yourself?
00:21:24No.
00:21:25So you're slightly phony Vanessa Stewart at home.
00:21:27Vanessa must spin.
00:21:28No, I am not phony.
00:21:29No, it's just me.
00:21:30Performing a role?
00:21:33Will you stop answering for me?
00:21:34Sorry.
00:21:36You're making this much worse than it is.
00:21:37I do not have a problem.
00:21:38There is no problem.
00:21:39You're only one person you can be yourself with.
00:21:42One?
00:21:43I hope it's your fiancee.
00:22:06Even though it's really hot.
00:22:08You can't wear gloves because he's got to feel the curves.
00:22:14He's got a great touch.
00:22:15Yeah.
00:22:20He's making an hourglass.
00:22:38You see how it constantly changes?
00:22:45That's what I love about glass work.
00:22:48It just evolves.
00:22:50It just evolves.
00:22:51It just evolves.
00:22:52It just evolves.
00:22:53It's a whoop.
00:22:54It just evolves.
00:22:55It just evolves.
00:22:56It's really about the eyes.
00:22:57It's a very similar thing.
00:22:58Even though it's gonna be terrible when it's not over.
00:22:59I would like to wear gloves.
00:23:00It's a good job.
00:23:01It has to be a bad thing.
00:23:02It's a good job.
00:23:03It's a good job.
00:23:04It's a good job.
00:23:05You're not really bad.
00:23:06It's a good job.
00:23:07It's a good job.
00:23:08Vanessa, this is a present for my master.
00:23:19Oh, do you like it?
00:23:21I see, very much.
00:23:23Look at that.
00:23:25It's perfect.
00:23:38I see, very much.
00:24:08I see, very much.
00:24:38I see, very much.
00:25:08You know what this proves?
00:25:16Honesty is the best policy.
00:25:18If I hadn't admitted I was a jerk, you would never have had dinner with me.
00:25:25Well, maybe the best policy would be not to be a jerk in the first place.
00:25:35Well, you see, that's why you're wrong.
00:25:37If I hadn't been a jerk, I couldn't have apologized for it.
00:25:42And you wouldn't have been disarmed.
00:25:44You know, that just doesn't seem right somehow.
00:25:47Well, you know, it's just a lucky guy.
00:25:53I feel so.
00:25:55To be in the most romantic place in the universe.
00:25:59To be in the most romantic place in the universe.
00:25:59And to meet you.
00:26:01I feel so.
00:26:09I feel so.
00:26:10I feel so.
00:26:11I feel so.
00:26:13I feel so.
00:26:20I feel so.
00:26:22I feel so.
00:26:22I feel so.
00:26:23I feel so.
00:26:53I feel so.
00:26:54Yeah, yeah, things are great.
00:26:57How are you?
00:26:59How's Dad?
00:27:00Is he still angry?
00:27:05Um, yeah, things are going well.
00:27:08I'm finding lots of great things.
00:27:11Um.
00:27:16Oh.
00:27:17The engravers?
00:27:18Already?
00:27:19Well, you decide.
00:27:20You decide.
00:27:21You decide.
00:27:22Buff is fine.
00:27:23Yeah.
00:27:24Listen, you know what?
00:27:25Um, Stephen, I really have to go because I'm due at a designer's and, uh, the maid is here
00:27:26and she would like to change the sheets.
00:27:27Okay.
00:27:28All right.
00:27:29Okay.
00:27:30All right.
00:27:31Yes, yes.
00:27:32See you soon.
00:27:33Okay.
00:27:34All right.
00:27:35All right.
00:27:36Yes, yes.
00:27:37See you soon.
00:27:38Me too.
00:27:39Bye.
00:27:40Bye.
00:27:41What the hell do you think you're doing?
00:27:43That was my fiancé.
00:27:44How is Stephen?
00:27:45How is Stephen?
00:27:46You know what?
00:27:47Just because you rocked my world has not given you the right to screw up my life.
00:27:51You didn't know what was going on.
00:27:52No thanks to you.
00:27:53You know what?
00:27:54What?
00:27:55You thought that was funny?
00:27:56I thought we had an incredible time together.
00:27:57At least I did.
00:27:58You know what?
00:28:11I thought we had an incredible time together.
00:28:13At least I did.
00:28:14You know what?
00:28:15I'm not supposed to be having incredible nights with other men.
00:28:19Where are you going?
00:28:23Where are you going?
00:28:30Vanessa!
00:28:35Wade!
00:28:38Vanessa!
00:28:43Vanessa!
00:28:47Wade!
00:28:53Leave me alone!
00:28:55Life's not like that!
00:28:56Like what?
00:28:57Life's not what's supposed to happen!
00:28:59If life is anything, it's just today!
00:29:01It's not the plans we make for ourselves,
00:29:03and what we expect to happen!
00:29:05It's now!
00:29:07It's now!
00:29:09It's now!
00:29:11It's now!
00:29:13It's now!
00:29:15It's now!
00:29:17It's now!
00:29:19It's now!
00:29:21It's now!
00:29:22It's now!
00:29:23It's us!
00:29:24You may see the world that way, but I don't!
00:29:37I'm sorry I hurt you.
00:29:44Spend the weekend with me.
00:29:46Oh, God.
00:29:50I can't.
00:29:53I can't.
00:29:54I feel so...
00:29:55guilty.
00:29:58When was the last time you laughed like last night?
00:30:01I have told you, no...
00:30:03I can't.
00:30:04I could.
00:30:05I have to translate like this.
00:30:06I could.
00:30:08I could.
00:30:09You know I don't read.
00:30:12Number, it's now.
00:30:13I could.
00:30:15You can.
00:30:17I have to come for a while.
00:30:18I can't wait for a while.
00:30:20But I don't know.
00:30:21I can't wait for you.
00:30:22Oh, my God.
00:31:52Do you really think I could be an artist?
00:32:08Definitely.
00:32:10What makes you think so?
00:32:11You're creative.
00:32:13You're smart.
00:32:14You have the discipline to succeed at work you don't like.
00:32:17You can certainly succeed at work you love.
00:32:24That's what my friend Mimi says.
00:32:27She's the only one, though.
00:32:29Hey, how about me?
00:32:31Okay.
00:32:34You're the only other one.
00:32:38It's nice when you have people who believe in you.
00:32:41But you're the only person who knows what's right for you.
00:32:50What are you doing?
00:32:53Washing you.
00:32:53Are you sure you don't want me to go with you to the train station?
00:33:16No.
00:33:17Let's say goodbye here.
00:33:19Let's not say goodbye.
00:33:21When can I see you again?
00:33:23You can't.
00:33:25Why?
00:33:27Because I have obligations.
00:33:29You know that.
00:33:29I'm only saying we should stay in touch.
00:33:34This was amazing.
00:33:39We don't really know each other.
00:33:42I think I know you.
00:33:45And you know me?
00:33:47If we make more of this, we'll ruin it.
00:33:49Give me your number.
00:33:54If you call me,
00:33:56I want to see you and I can't.
00:34:19I want to see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you and I can't see you
00:34:49You, uh, don't fool me one little bit.
00:35:09No.
00:35:11Well, you told me about the Dorsoduro, the, uh, Vaporetto,
00:35:15the amazing furnaces in Murano, but, uh, you don't fool me.
00:35:19Well, I'm not trying to keep anything from you.
00:35:21I just didn't want you to crash the car.
00:35:24You met someone?
00:35:27You met someone?
00:35:29Yes!
00:35:30What happened? Who is he?
00:35:32His name is Bill Fitzgerald, and he's a television reporter.
00:35:35Television reporter?
00:35:37Well, have I seen him? Is he on TV?
00:35:39Oh, yes, he's a television reporter, and he's Irish.
00:35:42The accent guy with those lips.
00:35:45And those blue, blue eyes?
00:35:47Oh, my God.
00:35:48You have had some major activity.
00:35:52You have to tell me every detail.
00:35:54Oh, it was the most wonderful, exciting, romantic four days of my life.
00:35:59He was unbelievable in bed, right?
00:36:02Mimi!
00:36:03Tell me everything.
00:36:07Well...
00:36:08Who is it?
00:36:11Hey.
00:36:11Wait, wait, wait, wait, wait.
00:36:16When are you gonna see blue eyes again?
00:36:18Never.
00:36:19What do you mean, never?
00:36:20Fuck.
00:36:21I have a whole life here planned with Stephen, a real life.
00:36:24And when I had in Italy, it wasn't real.
00:36:26I don't even know him.
00:36:27You could get to know him.
00:36:30Well, I didn't give him my number, but I didn't get his.
00:36:33No, no, no, no, wait, wait.
00:36:34Vanessa, wait.
00:36:36Vanessa!
00:36:36That's so great.
00:36:41Compare and contrast.
00:36:47Hey.
00:36:48Hey.
00:36:49I miss you.
00:36:50Yeah, nice to see you.
00:36:52Hi.
00:36:53Hi.
00:36:53Sorry I got tied up on that.
00:36:55And I, you know, you don't mind that.
00:36:56I'm just...
00:36:57No problem.
00:36:57No problem.
00:36:58You know, I'm gonna leave you lovebirds alone, okay?
00:37:02Compare and contrast.
00:37:05Bye.
00:37:06Bye.
00:37:07Oh, take care now.
00:37:08See ya.
00:37:10Compare and contrast.
00:37:11Uh, it's a problem Mimi's having.
00:37:13Wow.
00:37:13How was your flight?
00:37:14Uh, not bad.
00:37:15Listen, I picked up your suit from the dry cleaners.
00:37:17Oh.
00:37:18And I also got your accounts file over, which you left behind at the office.
00:37:21Taking a little vacation from collections, were you?
00:37:23Huh?
00:37:24Combining a little pleasure with business?
00:37:26Oh, and I figured you were tired, so...
00:37:27I picked up some meekrob from Chandora you love so dearly.
00:37:30Oh, speaking of what you love so dearly, remember that townhouse in Riverdale?
00:37:34Well, it's for rent, and I took a peek, and, uh, it's in our ballpark now.
00:37:38Really?
00:37:39Yeah.
00:37:40We can look at it tomorrow night.
00:37:43Do you ever feel trapped, you know, by all these plans?
00:37:46Like, everything is so set?
00:37:50Why should I?
00:37:50I am marrying the girl of my dreams.
00:37:52Too good for me, really.
00:37:53No.
00:37:53Smart, gorgeous, sexy, and best of all, true blue.
00:37:57I mean, our careers are taking off.
00:37:58Everything is in line.
00:38:00And we can start a family.
00:38:10Why don't we just elope?
00:38:12Well, no, no.
00:38:13I mean, I mean, I mean, I don't know, honey, we can't.
00:38:15After nine months of wedding plans, our parents will kill us.
00:38:19Listen, you're just probably jet-lagged, all right?
00:38:22Mm-hmm.
00:38:22Why don't you come lay down on the couch,
00:38:25and I'll fix you some of that meat-crob.
00:38:29Ah.
00:38:45Our customers come to us expecting the extraordinary,
00:38:48and they're willing to pay for it.
00:38:49Why are we throwing all of that out just because we're expanding?
00:38:53We can't talk about this if you insist on getting emotional.
00:38:57Emotional?
00:38:58It's not emotional just because I care.
00:39:00We can't go public until we get our new fiscal goals.
00:39:03If we go public and destroy everything we stand for,
00:39:05then we're not being true to ourselves or the customers.
00:39:08We are in business to make money.
00:39:10That's the bottom line.
00:39:11There she is.
00:39:12It's a few.
00:39:17Hello?
00:39:18Hello?
00:39:19Vanessa?
00:39:20Don't hang up, please.
00:39:23Okay.
00:39:25I know you didn't want me to call,
00:39:27but I tracked down your number because I had to speak to you.
00:39:30Certainly.
00:39:31Could you hold for just a moment?
00:39:35This is going to be a while.
00:39:36I'll just take it at my office.
00:39:37Now, take it here.
00:39:38I've got to see this on the computer.
00:39:45Can you talk?
00:39:46Yes.
00:39:47No.
00:39:48This is crazy.
00:39:50Vanessa, listen.
00:39:51I'm in the Balkans.
00:39:52I'll be in Dublin over the weekend.
00:39:54I know it's asking a lot,
00:39:56but I have to see you.
00:39:59I'm sending you a plane ticket.
00:40:03My life is falling apart.
00:40:06All I can think about is Venice.
00:40:08I can't fly to Dublin.
00:40:12I know it's insane,
00:40:14and you're engaged,
00:40:15and you're 3,000 miles away.
00:40:18I've said the same to myself every hour over the past three days,
00:40:21until I found myself sitting here with your phone number in my hand.
00:40:25And now I've gotten up the courage to call you
00:40:27and ask you to do this crazy thing.
00:40:29And, of course, you'll probably say no.
00:40:35But please,
00:40:36please, Vanessa, don't say no.
00:40:39I can't come see you.
00:40:41When you said goodbye,
00:40:43you said nothing like this had ever happened to you before.
00:40:46How can you say no?
00:40:49I'm due in an hour before you.
00:40:51If I get delayed,
00:40:53there's a key under the mat.
00:40:56Come to Dublin.
00:41:06Hey.
00:41:07Hey.
00:41:08Oh!
00:41:08Hey.
00:41:08Is that beautiful?
00:41:10Yeah, I thought so, too,
00:41:12when I ran into the delivery boy on the stairs.
00:41:15Oh.
00:41:15Yeah.
00:41:16That was fun.
00:41:30Hey, who are they from?
00:41:34They're from Mimi.
00:41:34I thought you might went on one
00:41:39with a little high-plains drifter,
00:41:41especially after the day you had.
00:41:43Why is Mimi sending you flowers?
00:41:48Her sister, the one in Miami,
00:41:50is really ill,
00:41:52and I told Mimi that I'd go with her over the weekend,
00:41:56so I guess she's grateful.
00:41:57That's terrible.
00:41:58Is it cancer?
00:41:59Yes.
00:42:00No.
00:42:01Well, I don't think they really know.
00:42:02A female thing.
00:42:04Hmm.
00:42:05When are you leaving?
00:42:07Tonight.
00:42:09Actually, a couple hours.
00:42:11But, honey, you just got here.
00:42:13I know.
00:42:13It's just that her sister's having an operation
00:42:15first thing in the morning,
00:42:16and I...
00:42:16Well, Mimi's a wreck.
00:42:19All right.
00:42:22Seen this before, anyway.
00:42:25All right.
00:42:26Okay.
00:42:27Uh, travel's safe.
00:42:29Thanks.
00:42:30Talk to you later?
00:42:31All right.
00:42:31All right.
00:42:31I say have a good time,
00:42:35but, you know,
00:42:36it's probably a bad thing
00:42:37on a certain circumstances.
00:42:40Try it out.
00:42:41Okay.
00:42:41All right.
00:42:41All right.
00:42:42I'm sorry.
00:42:43Bye.
00:42:43Bye.
00:42:44Bye.
00:42:44Bye.
00:42:44Bye.
00:42:44Bye.
00:42:44Bye.
00:42:44Bye.
00:42:45Bye.
00:42:45Bye.
00:42:46Bye.
00:42:46Bye.
00:42:47Bye.
00:42:47Bye.
00:42:48Bye.
00:42:48Bye.
00:42:49Bye.
00:42:49Bye.
00:42:50Bye.
00:42:50Bye.
00:42:51Bye.
00:42:51Bye.
00:42:52Bye.
00:42:52Bye.
00:42:53Bye.
00:42:53Bye.
00:42:54Bye.
00:42:54Bye.
00:42:55Bye.
00:42:55Bye.
00:42:56Bye.
00:42:56Bye.
00:42:57Bye.
00:42:57Bye.
00:42:58Bye.
00:42:58Bye.
00:42:59Bye.
00:43:00Bye.
00:43:00Bye.
00:43:01Bye.
00:43:02Bye.
00:43:02Bye.
00:43:03Bye.
00:43:03Bye.
00:43:04Bye.
00:43:04Bye.
00:43:05Bye.
00:43:06Bye.
00:43:06Bye.
00:43:07Bye.
00:43:08Bye.
00:43:09Bye.
00:43:10Bye.
00:43:11Bye.
00:43:12Let's go.
00:43:42Let's go.
00:44:12Let's go.
00:44:42We were delayed on the ground for two hours.
00:44:44I'm sorry.
00:44:45How was your flight?
00:44:46Fine.
00:44:49Except for the part where I wanted to get off midair because this is the craziest thing I've ever done.
00:44:54Don't think you can blame the airline for that.
00:44:56That's my wife and our daughter, Helena.
00:45:02Must have been horrible to lose her.
00:45:04It was.
00:45:05How'd you cope?
00:45:10I'm not religious.
00:45:11But my wife had a strong belief in God.
00:45:14She told me that after she was gone, she'd be in heaven.
00:45:18Because heaven is other people holding you in their hearts.
00:45:21Now I believe that's true.
00:45:22All the way here, I was afraid.
00:45:28I thought you'd changed your mind at the last moment.
00:45:31I almost did a dozen times.
00:45:34But every time I tried to turn around, I just couldn't.
00:45:38Did you have to lie to him?
00:46:03Yes.
00:46:10Why are you with him?
00:46:16Ironically, because I can trust him.
00:46:23Sounds like the ones with someone who become.
00:46:33When I was 12, my father almost left my mother for another woman.
00:46:43That must have been rough.
00:46:44Mm.
00:46:46I hated my father for lying.
00:46:51I guess I decided right then and there that I would never depend on a man for anything.
00:46:58Are they still together?
00:47:00Yeah.
00:47:00My mother says they're trying to make it work.
00:47:07She doesn't trust him.
00:47:09I think that's why she went back into the business.
00:47:13She'd stay at home, you know, to be a mom.
00:47:15But the minute that affair happened, she was back at the office every day.
00:47:22I don't want that to be me.
00:47:23I don't want that to be me.
00:47:30I have to go to the country to meet my daughter tomorrow.
00:47:40I might be rushing things.
00:47:43But I want you to come.
00:47:48To meet your mother?
00:47:49Then...
00:47:49And my daughter.
00:47:55We are friends, aren't we?
00:47:55Sheena's having a birthday party and she's inviting me.
00:48:25But she's not inviting Becca, because they had a big fight.
00:48:30What was the fight about?
00:48:31Becca told Barry O'Brien that Sheena likes them.
00:48:36Sheena punched Becca in the loo.
00:48:40Well, I don't remember antics like that when you were away at school.
00:48:45Oh, did you leave out those bits in your letters home?
00:48:48You went to boarding school?
00:48:50In England. Don't blame my parents.
00:48:53I made up my own mind when I was nine years old.
00:48:54The beginning of my wanderlust, I suppose.
00:48:57Oh, nine.
00:48:59We were very impressed with his independence.
00:49:02I got an excellent classical education and a healthy resentment of authority.
00:49:10When Bill's father died, we could no longer afford boarding school.
00:49:14That was the excuse.
00:49:16I've always suspected Mother wanted my company.
00:49:18And would I need an excuse to have my own son here at home with me?
00:49:24I had to find some way to put food on the table.
00:49:27Granny is a great painter.
00:49:29Vanessa's an artist.
00:49:31Are you?
00:49:31Well, I sculpt.
00:49:33And, um, I studied art in college, but now I'm a buyer for my family's store.
00:49:37Do you want to see the report I did for school?
00:49:40It has lots of drawings.
00:49:42Oh, yes, I'd love to.
00:49:44An after dessert.
00:49:49That's such a pretty ring.
00:49:51Is it a diamond?
00:49:53Yes, actually.
00:49:54Yeah, it is.
00:49:55It's lovely.
00:50:01Will we have some dessert?
00:50:04I'm going to get my report.
00:50:07We have absolutely not.
00:50:11Bill and I will do the kitchen duties for a guest.
00:50:14Oh, dear.
00:50:15How long have you known this Vanessa person?
00:50:28This Vanessa person?
00:50:30You make it sound like she's one of the long line of Vanessa persons.
00:50:34I've known her long enough.
00:50:38Long enough to introduce her to Helena.
00:50:41Mother, how many women friends have I brought back to meet Helena?
00:50:44Yeah.
00:50:46None.
00:50:47The defence rests.
00:50:50And would that be an engagement ring on the Miss Vanessa person's finger?
00:50:56You can lower your eyebrow.
00:50:59With little luck, the next time you meet her, she won't be wearing it.
00:51:08Hello?
00:51:10Yeah.
00:51:12Yeah.
00:51:13I like doing the report on bees because they are such an interesting hierarchy and they're
00:51:19easy to draw.
00:51:20You have a real gift for drawing.
00:51:22Did you know that?
00:51:23Yes.
00:51:25Those are great beads.
00:51:28Do you want to try them on?
00:51:29Yeah.
00:51:30Okay.
00:51:32Got it?
00:51:36These are really cool.
00:51:37Are you my dad's girlfriend?
00:51:41The network called.
00:51:43Day after tomorrow, I have to go back to the Balkans.
00:51:47You do?
00:51:49Aw.
00:51:50Hey.
00:51:51Hey, little missy.
00:51:53We still have a whole two days together.
00:51:55There's plenty of time.
00:51:59Thanks.
00:51:59I hope it wasn't too much meeting my mother and Helena all in the one day.
00:52:19No.
00:52:20I like them.
00:52:22They like you.
00:52:23Hmm.
00:52:26I don't know about your mother.
00:52:27She takes a bit of time to warm to people.
00:52:34Did you get your interview with the KLA leader?
00:52:36I did.
00:52:38I'd be gone about a week.
00:52:44I couldn't feel this way about you if I loved Stephen.
00:52:48I can't keep lying to him.
00:52:52I love you.
00:53:04What a beautiful place to grow up.
00:53:06It was.
00:53:10I wish I could go with you.
00:53:12Hmm.
00:53:12I wish you could go instead of me.
00:53:15And you could go to the Balkans for me.
00:53:17Ah, let's see.
00:53:18Telling Stephen I'm not getting married or a devastating war.
00:53:22I think I'd take the war.
00:53:27It's not going to be like this for us.
00:53:29I promise.
00:53:31Like what?
00:53:34I'm going to be there when you need me.
00:53:36I was the start of my career when I got married.
00:53:45I was always on assignment.
00:53:47Thinking that next year I'd be more established.
00:53:51Next year we'd have more time together.
00:53:53Next Christmas I'd be home.
00:53:56Next birthday.
00:53:56And then Claire was diagnosed with lymphoma.
00:54:01And it was now next year.
00:54:03I ran from it for years.
00:54:08Working all the time.
00:54:10Having flings.
00:54:12Never getting involved.
00:54:14Until now.
00:54:15My assignment is over in a week.
00:54:23Let's meet in Venice.
00:54:26In Venice?
00:54:28I don't want to waste any more time.
00:54:30How's Mimi's sister?
00:54:51Better.
00:54:51Oh, that's good.
00:54:53I am up to my neck in next year's budget.
00:54:55Do you mind giving me a hand after dinner?
00:54:57I need to talk to you.
00:54:58Sure.
00:55:01Do you remember how I said I felt trapped by all the wedding plans?
00:55:05Fee, we've been through this before.
00:55:06I mean, it's a great time to get married.
00:55:07I want to call it the wedding.
00:55:13Honey, I know it's scary and it's a big step, but I'm going to be there for you.
00:55:17I'm not scared.
00:55:18A lot of people get rattled before the wedding.
00:55:21I'm not rattled.
00:55:22Well, you know, they do.
00:55:23I need you to listen to me.
00:55:26Okay, I'm listening.
00:55:29There's no point in not doing what you want to do in life.
00:55:34Okay, fine.
00:55:36I agree.
00:55:37We made these plans and they were really wonderful plans at the time.
00:55:43But I've changed and the plans just aren't right.
00:55:50What are you saying?
00:55:51I want to call it the wedding, Stephen, because I don't love you the way I should.
00:55:59What do you mean the way you should?
00:56:03I'm not happy.
00:56:05What's going on with you?
00:56:06I don't expect you to understand.
00:56:15No, you know, I don't understand.
00:56:17I mean, you don't even sound like yourself.
00:56:19Maybe not.
00:56:20But this is me.
00:56:24You really want to do this?
00:56:25Back out a month before the wedding.
00:56:30I mean, what about our parents?
00:56:31I mean, we've invested four years in this relationship.
00:56:34I'm sorry.
00:56:34You know, it's all fine to think about yourself, Vanessa.
00:56:37But what about other people?
00:56:38What about me, for God's sakes?
00:56:44What about me?
00:56:45Boasts are massive.
00:56:57It's perfectly all right.
00:56:58I'm sure it is.
00:57:00I came to ask for a favor.
00:57:02I'd like some time off.
00:57:05When?
00:57:06Right away.
00:57:08We have to finish the budget.
00:57:09Then there's the fall advertising campaign.
00:57:11You can't have time off now.
00:57:12Well, Stephen and I broke up.
00:57:20What happened?
00:57:24I met someone.
00:57:26What?
00:57:27When?
00:57:28In Venice.
00:57:30In Venice?
00:57:31But you were in Venice for four days.
00:57:33Days?
00:57:33You know what?
00:57:34It wouldn't have happened if things had been right between Stephen and me.
00:57:36You made a commitment to that man.
00:57:39Well, that's a funny thing coming from you.
00:57:46Vanessa!
00:57:52Rather a poor choice of argument, Charles.
00:57:59What's happening?
00:57:59We got the interview with Janice Wheaton, leader of the KLA holdout faction.
00:58:04We'll see him tomorrow.
00:58:05A local guy.
00:58:05Harry's going to take us.
00:58:06Great.
00:58:08Who are you calling?
00:58:09None of your business.
00:58:10Ah.
00:58:11Must be the woman.
00:58:13What woman?
00:58:14The woman you're so obsessed with that you're hardly yourself.
00:58:18Kevin knows us.
00:58:18You've a teary about everything.
00:58:20Why is that?
00:58:23Hello?
00:58:24Hello?
00:58:24It's me.
00:58:25Where are you?
00:58:27Beautiful downtown Pristina.
00:58:29I broke up with Stephen.
00:58:32Hang on.
00:58:36Are you all right?
00:58:38Yeah.
00:58:40I wish you were here.
00:58:42I'd make you feel better.
00:58:45Bet you would.
00:58:46I'll be in Venice the day after tomorrow.
00:58:50Can you meet me?
00:58:52Yes.
00:58:52Let's get lost together.
00:58:55I know a great little restaurant.
00:58:58Okay.
00:59:01I love you.
00:59:01I love you.
00:59:02I love you.
00:59:29All right, I'll take this.
00:59:46Strabo!
00:59:54Journalists, we're reporters.
00:59:59We can do it.
01:00:21Stop the camera.
01:00:24Stop the camera.
01:00:25Don't give it to him.
01:00:26Stop the camera.
01:00:27Keep rolling.
01:00:28Stop.
01:00:58Stop.
01:01:00Stop.
01:01:01Stop.
01:01:02Stop.
01:01:03Stop.
01:01:04Stop.
01:01:05Stop.
01:01:07Stop.
01:01:08Stop.
01:01:09Stop.
01:01:10Stop.
01:01:11Stop.
01:01:12Stop.
01:01:13Stop.
01:01:14Stop.
01:01:15Stop.
01:01:16Stop.
01:01:17Stop.
01:01:18Stop.
01:01:19Stop.
01:01:20Stop.
01:01:21Stop.
01:01:22Stop.
01:01:23Stop.
01:01:24Stop.
01:01:25Stop.
01:01:26Stop.
01:01:27Stop.
01:01:28Stop.
01:01:29Stop.
01:01:30Stop.
01:01:31Stop.
01:01:32Stop.
01:01:33Stop.
01:01:34Stop.
01:01:35Stop.
01:01:36Stop.
01:01:37Stop.
01:01:38Stop.
01:01:39Stop.
01:01:40Stop.
01:01:41Stop.
01:01:42Stop.
01:01:43Stop.
01:01:44Stop.
01:01:45Stop.
01:01:46Stop.
01:01:47Stop.
01:01:48Stop.
01:01:49Stop.
01:01:50Stop.
01:01:51Stop.
01:01:52Stop.
01:01:53Stop.
01:01:54Stop.
01:01:55Stop.
01:01:56Stop.
01:01:57Stop.
01:01:58Stop.
01:01:59Stop.
01:02:00Stop.
01:02:01Stop.
01:02:02Stop.
01:02:03Stop.
01:02:04Stop.
01:02:05Stop.
01:02:06Stop.
01:02:07Stop.
01:02:08Stop.
01:02:09Stop.
01:02:10Stop.
01:02:11Stop.
01:02:12Stop.
01:02:13Stop.
01:02:14Stop.
01:02:15Stop.
01:02:16Stop.
01:02:17Stop.
01:02:18Stop.
01:02:19Stop.
01:02:20Stop.
01:02:21Stop.
01:02:22Stop.
01:02:23Stop.
01:02:24Stop.
01:02:25As you wish.
01:02:28Okay.
01:02:55Ah!
01:02:58Shut up, fuck!
01:03:03No, I'm not going to die! I'll die!
01:03:25Let's go, let's go.
01:03:29Mrs Fitzgerald.
01:03:30Yes.
01:03:32And, er...
01:03:33Vanessa Stewart, my son's friend.
01:03:35Miss Stewart, I'm Jim O'Connor, Senior Director of Security for the network.
01:03:40Mrs Fitzgerald, let me take the time to say how sorry I am for what you're going through.
01:03:45Do you have any idea where my son is?
01:03:48Bill was shot in a rural area of the military zone, about 70 miles from here.
01:03:53Now, we searched the area, but we couldn't find him.
01:03:56However, every effort is being made.
01:03:58Well, where could he be?
01:04:00It's possible he's being held for ransom.
01:04:02Now, if that's the case, then the people holding him have every reason to keep him alive.
01:04:07Well, what are you doing to find him?
01:04:09Well, mounting an extensive search, using undercover operatives.
01:04:13What kind of operatives would that be?
01:04:15Experts who've been in the field for years, and local contacts.
01:04:20When will we know if he's being held for ransom?
01:04:23It could be some time before a ransom demand is made.
01:04:26Weeks. Possibly months.
01:04:29Do you believe he's still alive?
01:04:32Honestly, I don't know.
01:04:37I don't know.
01:04:44Ah!
01:04:46Ah!
01:04:47Ah!
01:04:52Ah!
01:04:55Ah!
01:04:56Ah!
01:04:57Ah!
01:04:58Ah!
01:04:59Ah!
01:05:00Ah!
01:05:01Ah!
01:05:02Ah!
01:05:03Ah!
01:05:04Ah!
01:05:05Ah!
01:05:06Ah!
01:05:07Ah!
01:05:08Ah!
01:05:09Ah!
01:05:10Ah!
01:05:11Ah!
01:05:12Ah!
01:05:13Ah!
01:05:14Ah!
01:05:15Two weeks!
01:05:16Ah!
01:05:17Ah!
01:05:18They said it could be months.
01:05:19Well, you don't have to stay here, my dear.
01:05:20You must have something else to go back to.
01:05:22A job, family.
01:05:23My parents are worried, but this is my life now.
01:05:36Before I met Bill, I thought I had everything.
01:05:41A wonderful job, an engagement, the American dream.
01:05:48We do the best with the hand we're dealt, don't we?
01:05:52Bill made me see that I could do the things that I wanted to do.
01:05:59You really love my son, don't you?
01:06:04I do.
01:06:10You know, my husband died, and then Claire.
01:06:16My daughter-in-law.
01:06:17I don't get close to people very easily.
01:06:20I don't get close to people very easily.
01:06:38I spoke to Helena this morning.
01:06:40Yeah.
01:06:41How is she?
01:06:42Oh, she's, well, missing me, and...
01:06:45She loves my sister, but you know, I worry about leaving her for so long.
01:06:50Well, if you need to see her, I'll be here.
01:06:52No, no.
01:06:53I am not going back without my son.
01:06:55My son.
01:07:00God, are you okay?
01:07:01Are you okay?
01:07:02Are you okay?
01:07:03Oh, oh, oh, oh.
01:07:13Hello?
01:07:15This is she.
01:07:22They've got a ransom note for Bill.
01:07:24Oh, God.
01:07:25Oh, God.
01:07:34This is her.
01:07:46It's good.
01:07:47What are you doing?
01:07:49What are you doing?
01:07:51We are running.
01:07:53This is a Kutino.
01:07:55This is a Kutino.
01:07:57Is it Kutino?
01:07:59Is it Kutino?
01:08:01Is it Kutino?
01:08:17I'm afraid I have bad news.
01:08:29The ransom didn't take place.
01:08:31What happened?
01:08:33Our operative went to the drop, but no one turned up.
01:08:37There's more.
01:08:39Bill's wallet and ring were found.
01:08:41Where?
01:08:43In a bombed out church quite close to the ransom spot.
01:08:47On a body that was burnt beyond recognition.
01:08:51We hoped to have the body analyzed, but we believe it was Bill.
01:08:57But are you sure?
01:08:59If I said otherwise, I'd be raising false hope.
01:09:13Oh!
01:09:35Baby, I'm so sorry.
01:09:37You don't know how good it feels to see you and to know you're all right.
01:09:47Charles, could you get her a glass of water?
01:09:49Oh, darling.
01:09:55Oh, my God.
01:09:57Bill's mother wants me to come to her home in Ireland.
01:10:17We're trying to get Bill's body back.
01:10:21And I want to be with her.
01:10:23Yeah.
01:10:25Okay.
01:10:27Vanessa, whatever you decide,
01:10:31your mother and I understand the decisions you made.
01:10:35We're behind.
01:10:37We love you.
01:10:49Helena!
01:10:53Helena!
01:10:55Helena!
01:10:59Helena!
01:11:05Helena!
01:11:07Helina!
01:11:11Helina, what are you doing here? I've been looking all over for you.
01:11:29Sorry.
01:11:32What are you doing here?
01:11:35I wanted to ask Mammy something.
01:11:37Daddy told me to come here and you'd speak to me.
01:11:42I wanted to ask Mammy where Daddy is.
01:11:48Oh.
01:11:50I want to know where Daddy is.
01:11:54Oh, darling, listen to me.
01:12:00Daddy's with Mammy now.
01:12:05He's dead.
01:12:06Oh, darling.
01:12:07No.
01:12:08No.
01:12:09He's dead.
01:12:10Oh, darling.
01:12:11No.
01:12:12No.
01:12:13It's cold there.
01:12:14And you know it rains like every other minute.
01:12:18So I brought you all those big bulky sweaters my mom sends me that I never wear.
01:12:21I'm never gonna wear all those sweaters.
01:12:22Oh, you say that now.
01:12:23You know I can't really imagine you living on a farm, getting up at dawn, milking the sheep.
01:12:24You don't milk sheep.
01:12:25Oh, really?
01:12:26One weekend on a farm, you're an expert.
01:12:27It's not a farm.
01:12:28It's not a farm.
01:12:29It's not a farm.
01:12:30It's a farmhouse.
01:12:31Herding them, sorting them out, getting them to roll their wool into those neat little
01:12:32balls.
01:12:33There are no sheep.
01:12:34The mohairs in one corner, polyesters in the other.
01:12:35You're just trying to get me to laugh.
01:12:36Explaining to them their quotas.
01:12:37Faster, faster are your lamb jobs.
01:12:39I'm gonna make a mess.
01:12:40You say that now.
01:12:41You know I can't really imagine you living on a farm, getting up at dawn, milking the sheep.
01:12:43You don't milk sheep?
01:12:44Oh, really?
01:12:45One weekend on a farm, you're an expert.
01:12:47It's not a farm.
01:12:48It's a farmhouse.
01:12:49Herding them, sorting them out, getting them to roll their wool into those neat little balls.
01:12:54There are no sheep.
01:12:55The mohairs in one corner, polyesters in the other.
01:12:58You're just trying to get me to laugh.
01:12:59Explaining to them their quotas.
01:13:01Faster, faster are your lamb jobs.
01:13:03I'm gonna miss you.
01:13:04And I miss you too.
01:13:05I'm gonna miss you.
01:13:06I'm gonna miss you too.
01:13:23I'm gonna miss you!
01:13:32Oh, this is beautiful.
01:13:37There's a pond up ahead and a waterfall and some rooms.
01:13:41Oh, you must love exploring here, Helena.
01:13:43It's my favourite place.
01:13:46It was Daddy's favourite place too.
01:13:55That man looks like Daddy.
01:14:02I miss him.
01:14:06Me too.
01:14:32What are you doing up at this hour?
01:14:45Oh, I couldn't sleep, you know.
01:14:52Nightmares.
01:14:55I saw that your light was on.
01:14:57I have them too.
01:15:00I spoke to Jim O'Connor about an hour ago.
01:15:07He believes Bill's body is in the hands of the Yugoslavian government.
01:15:13I need to bring him home.
01:15:18I know you do.
01:15:24Did you know that he also had a gift for drawing?
01:15:28No, he never said a word.
01:15:29No, he wouldn't.
01:15:32He romanticised my painting.
01:15:36He used to sit and watch me paint for hours.
01:15:39I used to feel guilty and...
01:15:41tried to make him go out and play.
01:15:46He'd say,
01:15:47Ma,
01:15:49what does a painting mean?
01:15:52if nobody sees it?
01:15:53Maybe that's where he learned how to do what he believes in, you know.
01:16:06To take chances.
01:16:08Maybe.
01:16:14Maybe he took too many chances.
01:16:15Do you think he would have been happy living life any other way?
01:16:26No.
01:16:28No.
01:16:31No.
01:16:31No.
01:16:31Vanessa.
01:16:43Yes.
01:16:43Yes.
01:16:48Sleep well.
01:16:49You're so funny.
01:17:06Hey!
01:17:07Hi!
01:17:08I'm Rita.
01:17:09No, stay out!
01:17:10Close the gate.
01:17:17Who are you?
01:17:19hi I'm I'm Steve this is Helena Helena have you been more miserable than I've
01:17:39ever been in my entire life I miss you please don't judge me and how I
01:17:46handled the most painful moment of my life I was an idiot I do love you I want a second chance your
01:17:58mother your father and I we all want you back home I I can't go back to my old life
01:18:09we can build a new one I mean there was a lot there that was there's a lot between us yes but
01:18:20it it wasn't enough I blew it I blew it with you Vanessa couldn't stop thinking about work long
01:18:36enough to tell you how much you meant to me how much I loved you I really love you
01:18:45Steven it wasn't one thing you did or didn't do
01:18:53it just wouldn't have worked even if I hadn't met Bill
01:19:00and we would have been stuck pretending that it did
01:19:05now
01:19:09so
01:19:17so
01:21:48I never found out who I really was.
01:21:51Later, when you had the affair, I felt so angry and betrayed.
01:21:56I took revenge by locking a part of myself away from you and from everyone.
01:22:02I was so shut down that I almost married the wrong man.
01:22:06When I met Bill, I felt safe to unlock that part of myself and for the first time in my life, I've taken a risk and I know I've done the right thing.
01:22:18Dad, I'm not angry with you anymore. I hope you understand why I left you and Mom and the business. I want you to get to know the Vanessa that I'm coming to know. I know she's not perfect and I also know that you love her anyway, as I love you.
01:22:39Helena, come on. We're ready to leave. We have plenty of food here.
01:22:44Well, when Helena goes out on the hill, she wants to be gone all day.
01:22:47Oh, well, I'll be glad for a long hike. Come on, you!
01:22:55Well, no need to waste anymore.
01:22:56Go on, come on!
01:22:57Go on, Milo, let me get you to go!
01:22:58Go on, Milo!
01:22:59Go on, Milo!
01:23:00Go on, Milo!
01:23:14Go on, Milo!
01:23:16Go on, Milo!
01:23:18Go on, Milo!
01:23:19Go on, Milo!
01:23:21Oh, I'm laughing!
01:23:22How am I going to hike home?
01:23:24But you won't have to.
01:23:26No!
01:23:27We're not going home yet.
01:23:28We're going to see the horses.
01:23:30No! I don't think I can make that.
01:23:35But you have to.
01:23:37I want to see the horses.
01:23:41It was one of Daddy's favourite things.
01:23:45We'll go see the horses.
01:23:50I miss Daddy.
01:23:52We never found him.
01:23:55How will he ever get to Heaven?
01:23:59Your Daddy's in Heaven.
01:24:01Who do you know?
01:24:07Your father once told me
01:24:09that after you're gone
01:24:12Heaven is having other people hold you in their hearts.
01:24:17So see?
01:24:18Your Daddy's in my heart
01:24:20and he's in your grandmother's heart
01:24:22and he's in your heart too.
01:24:25I like that.
01:24:27Sweetie.
01:24:28You two are too slow.
01:24:29You're too fast.
01:24:30You know, I tried to get through this morning again to the network about Gryville's remains.
01:24:35But no one will talk to me.
01:24:36It's as though I've been frozen right out.
01:24:37What's going on?
01:24:38Why won't they release this plane?
01:24:39Something's up.
01:24:40Daddy!
01:24:41Daddy!
01:24:42Daddy!
01:24:43Daddy!
01:24:44Daddy!
01:24:45Daddy!
01:24:46Daddy!
01:24:47You are too slow.
01:24:48You're too fast.
01:24:49You know, I tried to get through this morning again to the network about Gryville's remains.
01:24:53But no one will talk to me.
01:24:55It's as though I've been frozen right out.
01:24:57What's going on?
01:24:58Why won't they release this plane?
01:25:00Something's up.
01:25:01Daddy!
01:25:02Daddy!
01:25:03Daddy!
01:25:04Daddy!
01:25:05Daddy!
01:25:19They're not a ghost.
01:25:20They want me to stay for debriefing.
01:25:23But I made them fly me straight here.
01:25:34I can't believe we're lost again.
01:25:52I think...
01:25:54Right.
01:25:55Oh, do you?
01:25:57Left.
01:25:58I could get lost with you forever.
01:26:03Well, do you want to?
01:26:05What?
01:26:06Get lost with me for the rest of your life.
01:26:11Yes, I do.
01:26:16Yes, I do.
01:26:17Yes, I do.
01:26:18Ah, two Пока.
01:26:19Yes, please.
01:26:21Yes, please.
01:26:23Yeah, thank you.
01:26:24I, too.
01:26:25Well, I started following my
01:26:29PIANO PLAYS
01:26:59PIANO PLAYS
01:27:29PIANO PLAYS
01:27:59PIANO CONTINUES
01:28:04PIANO CONTINUES
01:28:08PIANO CONTINUES
Recommended
1:40:28
|
Up next
1:43:11
1:58:16
1:36:38
26:19
1:48:11
1:36:20
2:23
1:27:09
1:30:37
1:37:08
1:49:09
1:27:39
47:41
43:14
36:32
1:12:21
1:24:33
1:15:55
1:36:05
1:37:37
1:04:28
Be the first to comment