After the Divorce The Heiress Takes It All_full movie

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Transcript

00:00Congratulations to Dorothy for winning the best original screenplay at the Rising Stars

00:16Movie Awards.

00:18You did it.

00:19Three years ago, I was the most sought after screenwriter.

00:22Three years later, I fell in love with Drake, keeping my identity a secret for the sake

00:30of his pride.

00:32I thought we were happy until...

00:38Hi.

00:45Where the hell have you been?

00:47I told you that Stephanie was coming to help set up for my brother's birthday, and instead

00:51of helping us, he'd just disappear.

00:53What, did you fail so you could go and laze around or something?

00:56You know, people say that the only reason you're allowed to stay by Drake's side is because

01:00you're nothing more than a free maid.

01:03Otherwise, why would someone like you be allowed to marry my brother?

01:08What?

01:08A maid?

01:09I just hid my identity for the sake of this marriage.

01:13Well, I think Drake's idea is great, and it could be really good for us.

01:17But the risk is way too high.

01:22Dad.

01:23Please.

01:26Okay.

01:27And I'm sure you don't want him to know the real reason why I'm a person.

01:31Think about it, Dorothy.

01:37So, if you got married, has he ever even touched you?

01:39How often does he actually come home?

01:42He doesn't even want to look at you.

01:44Let alone sleep with you.

01:46That's enough, Ellie.

01:48We're all here to celebrate Drake's birthday.

01:50I'm sure he wouldn't be happy to see us like this.

01:52Everybody knows that if it weren't for her, you would be married to Drake instead of being

01:56my late brother's widow.

01:58Ellie!

01:59Whatever happened between me and Drake is all in the past.

02:02Besides, I'm carrying Nick's baby.

02:09It's the perfect time.

02:12Oh, my God!

02:13Oh, my God!

02:14So, Dorothy just pushed Stephanie into the pool!

02:17What?

02:17She's carrying Nick's baby!

02:30Quick, get in there!

02:31He chose Stephanie over me.

02:50My baby!

02:51My baby is gone!

02:53Why would you do this to me?

02:56How dare you!

02:58You pushed Stephanie into the pool to try and kill her and her unborn baby!

03:02Are you happy now that Stephanie's baby's gone?

03:04I didn't do it!

03:05I know you don't want me here!

03:07I told you whatever happened between me and Drake is in the past!

03:10You can hate me however you want to, but how could you be so cruel as to kill my unborn child?

03:15You didn't do it!

03:16You know me, I would never do that to Stephanie!

03:19Apologize to Stephanie.

03:22I'm not going to apologize for something I didn't do!

03:24Apologize to Stephanie right now, or I will divorce you.

03:28If you apologize right now, then I'm willing to give you another chance.

03:44It's been three years, Drake.

03:46I gave up everything to be your wife.

03:50I've always kept to the shadows, Dorothy.

03:51I already have a life, and right now I just want to focus on being on my marriage or Drake.

04:00I thought you would always be by my side, but I was wrong.

04:04The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.

04:09Since you got married, has he ever even touched you?

04:12He doesn't even want to look at you.

04:13Fine!

04:19Let's get a divorce.

04:27There's nothing, bless my heart.

04:30Drake's nothing without me.

04:33Ah!

04:34My ring!

04:36My ring is gone!

04:38Well, you must have taken it.

04:39Why would I take her ring?

04:41Well, look how quickly you packed your suitcase.

04:43You're probably seeing someone else.

04:45Dorothy.

04:48We were married for three years.

04:50Were you seeing someone else?

04:51Of course she was.

04:53You've probably been cheating on you for a really long time.

04:55Couldn't wait for the divorce.

04:57So what if I was, huh?

04:58And what about you?

05:01Still hung up on your so-called sister-in-law?

05:03What gives you the right to talk about me?

05:06I only look after Stephanie because she's my brother's widow.

05:10Yeah.

05:10But you actually seeing someone else?

05:12Who is he?

05:13Big talk!

05:14Don't bring me down to your level.

05:17I'm not like you.

05:19Since your sister-in-law lost her ring,

05:21why don't you take...

05:25This one.

05:34You've been waiting for this for a long time, haven't you?

05:41Bye.

05:48And so I left.

05:52This is ridiculous!

05:53We, the Bennett family,

05:56are one of the four major production companies in the world.

05:59I let him marry my daughter

06:00and even invested in his business.

06:03How dare that Drake do this to my daughter!

06:07Look, it's actually good from Dad.

06:11Now we know who he really is

06:12and he has no idea who I am.

06:15Still, you're my daughter.

06:17I can't let him do this to you.

06:19If it weren't for you,

06:19I would not have considered investing in his company.

06:22We're going to pull our investment immediately.

06:24Yes.

06:25It's time to cut him off.

06:27He doesn't deserve you.

06:28I'm over Drake.

06:30If we withdraw the plans now,

06:33it's going to hurt the family business.

06:35He's not worth it.

06:38Honey,

06:38why don't you just take a vacation?

06:43I would just put all this aside

06:45and take some time out for yourself.

06:47Yeah.

06:47I've wasted too much time with Drake

06:55over the three years.

06:58You know, now I want to focus on something

07:00that actually matters.

07:03You know, Christopher has been saying

07:04that many people want to buy the movie rights

07:07to Liar's Game.

07:08Universal, Paramount,

07:10every major studio wants this.

07:12Liar's Game.

07:17Your story on the big screen.

07:19If you're in,

07:19I'd be happy to be the one headlining it.

07:21Oh.

07:22So that's why they're making it.

07:24Because of you.

07:25I'm sorry, Christopher Santoro.

07:27See?

07:28They're not funding the film.

07:30They're funding you.

07:31Wrong.

07:33They're funding the story.

07:34It's more than good.

07:36It's phenomenal.

07:39Christopher is right.

07:40I'm taking my life back.

07:46I'm going to adopt it myself.

07:49You are?

07:50Yes.

07:52I will.

07:53Good for you.

07:55I won't tell anyone unless you.

07:57Congratulations to Aria Wong

08:09for winning the best director.

08:15This is my close friend from college.

08:18Aria, I need your help.

08:20I want to adopt the Liar's Game myself

08:22and I want you to direct it.

08:25Of course.

08:26There's just one thing.

08:30I want to keep my identity as the writer a secret.

08:34I don't want anyone to know,

08:37especially not the team.

08:38SQ.

08:39Are you sure?

08:40But why keep it a secret?

08:42I just want people to focus on the story itself.

08:45Got it.

08:46Your secret's safe with me.

08:48Hey.

08:50My God.

08:54Jeff.

08:55It's a bit weird.

08:55Ever since news got out about our movie,

08:59my phone has not stopped ringing.

09:01Really?

09:08It's Stephanie.

09:09Yeah, just take it.

09:18Hello?

09:19Hello, Miss Wong.

09:20I've heard Liar's Game is being made into a movie.

09:23I'm interested in playing the lead.

09:24Can we arrange an audition?

09:25I'll speak to the writer and I'll let you know.

09:32Thank you, Miss Wong.

09:35What do you think?

09:38Anyone can audition, right?

09:39As long as they're right for the role.

09:41Well, what happened between me and Stephanie is not important here, so.

09:47Okay.

09:48I'll call her back and let her know.

09:51Mm-hmm.

09:51What about me?

10:04Can I be your hero?

10:09Oh, you mean, uh, a film, right?

10:12I've never considered anyone else.

10:19I have to take this.

10:21Hi.

10:26You know, I'm not just talking about the film, Dorothy.

10:31It's okay.

10:31I can wait.

10:36Waited this long.

10:41Well, well, well.

10:42Look who it is.

10:47Why are you here?

10:49Oh, I see.

10:51You're the production assistant.

10:53Well, do your job.

10:55Get me a water.

10:58Stephanie.

11:00Get you on water.

11:02I'm not your PA.

11:04Look.

11:05It's my first day on set, and I want to buy coffee for the crew.

11:08Why don't you be a doll and mark down everyone's order?

11:12Are you deaf?

11:13I'm not a PA.

11:16Here's your tip.

11:18Go on.

11:19Show some respect, Stephanie.

11:22Do you know who she is?

11:25What were you doing?

11:27Oh, no.

11:28She can't know I'm a school.

11:32I want to keep my identity as the writer a secret.

11:36I don't want anyone to know, especially not the team.

11:39What do you mean?

11:44Who is she?

11:47No one but a lower PA, I'm sure.

11:50Isn't that right?

11:55Well, actually, she's...

11:57She's...

12:00She's...

12:00Just a PA.

12:02You're right.

12:02So why don't you show me a lower PA, your acting sales.

12:09Maybe I'll be impressed when you didn't buy you the coffees myself.

12:12Watch this.

12:13I loved you once.

12:20Or so I thought.

12:23But now I see that it was all just a lie.

12:27A beautiful...

12:30Painful lie.

12:32You took everything from me.

12:39My dreams.

12:41I hate you.

12:46See?

12:47There's no soul.

12:48That's not acting.

12:49It's just...

12:51reciting lines.

12:53Why don't you show how it's done?

12:55What?

12:56Go on.

12:57Go on.

13:23I loved you once.

13:25So I thought.

13:30But now I can see.

13:32It was all a lie.

13:34A beautiful, painful lie.

13:38You took everything from me.

13:43My heart.

13:45My dreams.

13:48My future.

13:50And for what?

13:52For your own personal gains.

14:06How is that possible?

14:08Dorothy, that was perfect.

14:11The role is yours if you want it.

14:14No.

14:16This role is mine.

14:19I'm the one with the investment.

14:20Without me, there's no funding for this movie.

14:22Your investment?

14:23Do you even know who she is?

14:26Who is she?

14:27Who is she?

14:33As you know, no one but a PA.

14:37Dorothy, this movie is important to Stephanie.

14:41I mean, why are you here?

14:41You're not a real actress.

14:43What are you doing?

14:43You're trying to ruin her career.

14:44You're trying to get back at me by ruining her career.

14:46I'm not ruining anything.

14:48If she can't handle the role, that's on her, not me.

14:52You can't blame this on anyone else.

14:54You embarrassed her in front of everyone.

14:57I mean, I know what you're doing.

14:58You're the one pulling all the strings here.

15:00You're trying to make her fail so you can take her place.

15:03She's using this whole thing to get to you, Drake.

15:05She's been jealous from the start, trying to ruin my chance just to get back to you.

15:09I know.

15:10I don't want to fight anymore.

15:11Let's just take a look at the script so maybe we can work something out.

15:16You were just so damn selfish.

15:19You already care about yourself.

15:21Just give Stephanie her role back.

15:22You know what?

15:26I didn't want to do this.

15:27Very well.

15:29I'll take the role.

15:31I'll play the lead.

15:36I'll play the lead.

15:37No way.

15:38You can't be serious.

15:39She's not even a real actress.

15:43Dorothy's performance was far stronger than yours.

15:46Everyone in the room can see it.

15:48I'm so glad you've agreed to do the role.

15:54Right.

15:55It's settled then.

15:56The lead roles go to Christopher and Dorothy.

15:58I will double my investment if you give Stephanie a role.

16:05I never thought I'd see the day my ex-husband would go this far for his sister-in-law.

16:15I can always count on you, right?

16:17I will double my investment if you give a role to Stephanie.

16:26You two are just such...

16:28Okay, look.

16:32If the money's on the table, there's no reason to turn it down.

16:35Let's just leave her apart.

16:37We have nothing to lose.

16:39I guess that'll be fine.

16:40I'll talk to SQ.

16:48Your father's production company is already the biggest investor in your movie.

16:52So why take Drake's money?

16:53You don't.

16:55You still have feelings for Drake.

16:57No.

16:59He's an asshole.

17:01Come on.

17:02I've got an idea.

17:05Why don't we just give her a character that'll make her miserable?

17:11Wow, Mrs. Santaro.

17:13I feel bad now.

17:19I only wish you didn't have feelings for Drake anymore.

17:25How did she land herself the role?

17:27She's practically a nobody.

17:29No fan base, no real experience.

17:31Just one good scene.

17:33Doesn't make sense.

17:37Find out everything you can about Dorothy.

17:39I want all the dirt.

17:48Director, there must be a mistake.

17:50I'm only a side character and not even in the main scene.

17:53If you wanted a role, we gave you a role.

17:56I came in with an investment.

18:00Well, you're more than welcome to take it back and leave the set.

18:03Even a small role in Eskew's film is going to do great things for your career.

18:08Now is not the time for you to be messing around.

18:13Fine.

18:19Two, take one.

18:21Action.

18:23Lily, you're my best friend.

18:24How could you do this to me?

18:25I'm sorry, but this is a...

18:26What the hell are you doing?

18:31It's part of the scene!

18:37Okay, take it again from this lap.

18:40Action.

18:45Cut!

18:45Stephanie, why aren't you saying your lines?

18:48You have to keep going in the scene.

18:52I think you've had enough for today.

18:54We'll just try again tomorrow.

18:55Did you see her face?

19:05Absolute gold.

19:07I mean, she got what she wanted.

19:08She asks for a role and that's what we gave her, so...

19:12Seriously, her performance is all over the place.

19:15Maybe we should just cut down on her screen time.

19:18We all know the film's better without her slowing us down.

19:22You're right.

19:23I'm not going to let anyone ruin your story.

19:31So, if you can just give me something that's a bit more...

19:36Give me about her back.

19:43What's going on with my scenes?

19:45Why have so many of them been cut?

19:47It's a collective decision.

19:50Fuck that.

19:51Let me talk to the writer.

19:53The writer is SQ, and as you know, they never show their face, so their decision is final.

20:00I'll see you on set in five.

20:02Now it all makes sense.

20:15Now it all makes sense.

20:19That's the head of the production company.

20:26No wonder she got the role.

20:28Let's see how John's wife feels about that.

20:32Everyone, I have an announcement to make.

20:43Today will be Stephanie's last day on set.

20:46You really think I don't see through your little gaze.

20:53Somebody will be walking out that door today, but it won't be me.

20:57You really think you can get away with this?

21:02Sleeping your way up?

21:03John's wife is on her way.

21:08Let's see how you talk your way out of this one.

21:10Slut.

21:11That's enough!

21:11So were you the one who was stalking and secretly taking photos?

21:23What?

21:24Scared the truth is going to come out?

21:27Someone had to expose her for who she really is.

21:30So you admit it.

21:32You did it.

21:33Damn right I did.

21:34And I'd do it again if I had to.

21:36You don't know who you just crossed!

21:40Oh, I know.

21:42Just some rich old bastard throwing a tantrum.

21:45I sent those photos to your wife, too.

21:47And now your mistress is about to be exposed.

21:51Yeah, security.

21:53Stephanie is banned from the studio.

21:55Make sure she never sets foot here again.

21:57You can't just do that!

21:59Oh, this is insane!

22:00What are I of rights?

22:02I'm without any telling the truth!

22:03She is a mistress!

22:04A loose woman!

22:05A lady of the night!

22:15Is it true that Dorothy is John's sugar baby?

22:17Otherwise, why would he come onto the set and get me banned from the movie?

22:21That's unbelievable.

22:23And he humiliated me.

22:25He had me dragged off the set like a criminal.

22:26You should have seen it.

22:29I'm not going to let her just ruin her reputation like this.

22:32I mean, this whole mess is making us look like fools.

22:35Dorothy's always been trouble.

22:38I mean, first she goes off with a married man and now this.

22:41I don't know how you put up with her for three years.

22:45You should have got a divorce earlier.

22:47Stephanie, are you 100% sure that Dorothy is John's sugar baby?

22:53It's the only explanation!

22:55She's clearly nothing but a slut!

22:57Oh!

22:58Drake, Stephanie is your sister-in-law.

23:04Now you need to take care of her and forget about Dorothy.

23:07Can't you see she's the one behind all of this?

23:10She was sleeping her way to the top, killing Stephanie's unborn child.

23:16And John dragging her off the set.

23:18You should be sticking up for Stephanie.

23:24I'm not going to let her do this to you.

23:27Do you think you can just walk away from what you did like nothing happened?

23:43I didn't walk away from anything.

23:45You did.

23:46You took Stephanie over me.

23:48Remember this one?

23:49And she's my sister-in-law.

23:50I'm so sick of hearing this.

23:53You have feelings for her and I'm just tired of it.

23:56You're out of your mind if you think I'm going to let you get away with this.

23:59You do what you want to do.

24:02For now, get out!

24:04Why?

24:11We were married for three years.

24:13And we never...

24:14Oh, dear.

24:15Fuck, who am I?

24:16Let go of me!

24:17No wonder you want me to go.

24:29Just look at yourself.

24:31You're not half the man Christopher is.

24:34Get out.

24:35Or I won't call the cops.

24:38Just go!

24:47Are you okay?

24:54Dorothy?

24:56Remember, safety first.

24:58The lifeguard's right there if you need him.

25:01Okay.

25:02Anything you need to let the AD know.

25:06Okay, got it.

25:07Got it.

25:08Yeah?

25:09Here's a coffee for you.

25:18It's still early before the shoot.

25:20Take your time.

25:21There he is.

25:33There we go.

25:34There he is.

25:35There 40 hours.

25:36There 47 hours.

25:37There 40 more minutes.

25:38There who is.

25:39I mean, it's not going to be awhile.

25:42$5.

25:44I don't know.

26:14Something's wrong.

26:17That's not acting.

26:19She's in trouble.

26:26Where's the lifeguard?

26:31Where's the lifeguard?

26:44Where the fuck is the lifeguard?

27:02Come on, Dorothy.

27:05Where's the lifeguard?

27:12Why did you do that?

27:29I'll do anything for you, Dorothy.

27:36Christopher risked everything without hesitation.

27:40How could I have been so blind?

27:59I wasn't expecting that.

28:14Where were you?

28:15Dorothy could have drowned.

28:16I'm sorry.

28:16I had a stomachache.

28:18I had to go to the bar.

28:19Make sure it doesn't happen again.

28:20Do you think that I should call Dorothy just to make sure she's okay?

28:29Are you still hung up on her?

28:34It's not like that.

28:34I'm just trying to be helpful.

28:36Don't you remember, Drake?

28:37She's the one who had me kicked out of the movie.

28:41She's the one who killed my baby.

28:44Not just my baby, but Nick's baby.

28:46I know I'm just your sister-in-law.

28:49Whatever happened between us is in the past.

28:51But I have no one now.

28:54No husband.

28:55No baby.

28:56What I have left is you.

29:01Can you see through Dorothy yet?

29:04She's nothing but a slut sleeping away to the top.

29:06You don't know that.

29:09You know I'm right.

29:11Why else would John come onto the set and stand up for her?

29:13Not just John, but Christopher too.

29:16She's sleeping around with anyone she can find.

29:18She's a whore.

29:18Shut up.

29:26You want war?

29:31I'll give you war.

29:36Do it.

29:38Make sure Dorothy feels every bit of it.

29:45Breaking news.

29:46Unknown actress seduces Hollywood heartthrob.

29:49Rising star or opportunist.

29:52Actress Dorothy's shocking affair with Christopher.

29:54Christopher's new flame for a heartless gold digger.

29:57Dorothy!

29:59Liar!

30:00Happy!

30:03This is getting out of hand.

30:05Maybe we should just reveal her real identity.

30:08Let everyone know she's not just some random actress.

30:15Dorothy, no.

30:16Dorothy, once we tell them who you are,

30:18there's no reason for them to attack you.

30:20There's someone behind us.

30:22And whoever they are, I'll make them pay.

30:24Fuck off.

30:39This can't be right.

30:44I die in the second scene.

30:46This must be Dorothy and John forcing his cue to cut me out.

30:51They won't get away with this.

30:52Trey, can you believe this?

30:59They've completely written me out of the script.

31:02Can you remember when Nick was lying in that hospital bed?

31:05You promised him you'd look after me.

31:07I've already lost my husband and my baby.

31:10I can't lose my career too.

31:11Don't worry.

31:13I'll get you your character back.

31:14There's a tape of a documentary that apparently SQ has always wanted.

31:35So, if we win this bid and we gift it to them, you should be able to get you your rollback.

31:41Up next, a rare gem.

31:46The original film documentary chronicling the creative journey of none other than herself, legendary screenwriter Margaret Lane.

31:5560,000.

31:56What's she doing here?

32:00I don't know.

32:03I'm not going to let her win this.

32:0560,000!

32:0670,000.

32:13100,000.

32:17This is my grandmother's documentary.

32:19It's her legacy.

32:21She's the one who inspired me to become a screenwriter.

32:24I can't let her fall into the wrong hands.

32:26500,000.

32:39500,000.

32:43Trying to get you your rollback.

32:45Don't worry.

32:46I've got it covered.

32:47Ladies and gentlemen, we are down to the final bid.

32:51Standing at a whopping 500,000.

32:54500,000 going once.

32:58500,000 going twice.

33:01Sold.

33:02To the lady in the blue dress.

33:11I can't believe this.

33:13You have no right to take that film reel with you.

33:21You have no right to take that film reel with you.

33:24What's going on?

33:33Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.

33:40Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.

33:46This is ridiculous.

33:48I was invited.

33:49Well, in that case, may I see your invitation?

33:58I did have it, I swear.

34:00I'm sorry, Miss Dorothy.

34:01If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.

34:06This is the protocol.

34:07Oh, you don't understand.

34:08I'm sorry.

34:27I'm sorry.

34:29These are the rules.

34:30The documentary reel will go to the honourable couple.

34:53Stephanie, wait.

34:55Just sell it to me.

34:56Name your price.

34:58I'll pay you anything you want.

34:59It's really important to me, please.

35:01Why are you doing this?

35:03Are you just trying to get my attention by going after something that Stephanie wants?

35:08No, you don't understand.

35:10Just let me buy this.

35:12Whatever it takes.

35:14You're a horror thing.

35:15You think this is about money?

35:18Please.

35:19This isn't something you can just buy.

35:22You're a horror thing.

35:23What the hell are you doing?

35:24Why do you always have to go against her like that?

35:26This reel is important to Stephanie.

35:28She can use this to help her career.

35:30Her career?

35:33Is this about your role being cut from the dead?

35:36Is that why you're doing this?

35:40I'm the writer.

35:42Fix this.

35:42Can you write the story and bring your character back?

35:46Just...

35:46Just let me have a real person.

35:49You're the writer.

35:51Are you telling me that you're SQ?

35:54You're SQ.

35:57You.

35:58The writer SQ.

35:59Can you give us a break?

36:01Look.

36:02It's real.

36:03It's important to Stephanie.

36:05End it.

36:06Don't make this harder than it has to be.

36:09You've been with Dorothy for so long and you don't even know her.

36:12Oh, and you do.

36:13A hell of a lot more than you.

36:15What the fuck do you think you are?

36:16Both of you, calm down.

36:17Scratched all over.

36:33It's ruined.

36:34Not even fit to be a gift anymore.

36:36I can fix this.

36:37Stephanie, I know someone who can restore it.

36:39Just sell it to me, please.

36:40Just name your price.

36:44Even if I had no use for it, I'd never give it to you.

36:47I want to be a writer like you, Grandma.

37:17I want to make movies like you do.

37:21This reel has more than pictures and sound on it.

37:26Really?

37:26An entire world I've captured.

37:29But it's just one way of seeing things.

37:32The magic is creating it yourself.

37:36Someday you will.

37:37Dorothy, I need you to go apologize to Stephanie and give her her rollback.

37:55Apologize?

37:56To her?

37:57She destroyed the reel.

37:58Because she wouldn't have done that if you hadn't pushed her.

38:05So go apologize or I'm pulling my funding.

38:09Look, Dorothy, let's be real here.

38:12Without Stephanie, who's going to be pissed?

38:16Even the production company will call out if they hear that she's not involved anymore.

38:19Her name carries weight.

38:21Let's not pretend that your reputation is exactly stellar right now.

38:25Christopher's fans hate you.

38:27Stephanie's fans hate you.

38:28Even if you actually make this film, no one is going to support you.

38:33You will be buried.

38:36If you apologize to Stephanie now, I can help you.

38:41I can control the press.

38:44I can control the narrative.

38:45I can actually give you a chance.

38:49What's so funny?

38:53What's so funny?

38:55Pull your funding?

38:57Do it.

38:59You'll see it does nothing for the movie.

39:00Okay.

39:02So what if I tell the production head to pull his funding too?

39:06Didn't I tell you that I know Mr. Bennett?

39:08Oh.

39:09Go ahead.

39:10Quiet.

39:11You want me to call?

39:13All right.

39:14Fine.

39:19Hi, Mr. Bennett.

39:20It's Drake.

39:21Drake Mosbacher.

39:23Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing.

39:26I've seen it and it's a sinking ship.

39:30You're pulling up?

39:31Great.

39:32I'll take full control of the investment.

39:34Not a problem.

39:34So you're sat with him.

39:45That's why he's supporting you, isn't it?

39:47Hey.

39:47is this how you see me the type of woman who would use her body to get what she

39:53wants what other explanation do you have you know nothing about Dorothy

39:58apologize to Stephanie cut ties with Mr. Bennett and end this Dorothy come back to me whatever

40:07he's offering you I'll match it I'll double it you must be out of your fucking mind what makes

40:13you think I would ever go back to that living hell living hell you heard me being married to you

40:19was a fucking nightmare you made me believe you loved me and then you had me waiting in vain

40:27for three years Drake you said you'd always protect me but then when I needed you the most

40:32just tell you back on me chose your sister-in-law over your wife

40:39we've had enough Drake you were my prison so just go back to your precious Stephanie

40:48let's just go

40:53why are you hurt are you okay

41:04what is that what are you doing well you want me don't you just kiss me I'm all yours

41:16Steph you're Nick's wife I've always thought of you like a sister sister funny don't you

41:24remember when you came to me the night Nick and I got married don't you remember what you said

41:28remember this yeah why don't marry Stephanie

41:32you're practically begging me not to marry Nick

41:36what's that oh it's nothing what is that no Drake no please

41:46you lied about this

41:50you lied about this

41:55you said that Dorothy pushed you into the water but this shows you

42:01shoving her in it's a glitch a glitch don't you actually expect me to believe

42:07that what's this find pills of the black market

42:13it's time when you blame Dorothy like some sort of scapegoat and she was innocent the

42:21whole time please no you have to believe me I didn't you know I've always thought of

42:26you like a sister I've always taken care of you I even thought I loved you once but

42:30that was before you were Nick's wife

42:34you changed

42:37you changed you're not the person I thought you were

42:45I only looked after you because I thought it was my duty as Nick's brother to look

42:49after his widow I guess there's no need to look after you anymore

42:53what does that mean you're just going to throw me away

42:58I'm not going to throw you away but this is my house

43:01I'm not back I hope that we got

43:05but you can't just walk away from me like that

43:08I've said everything that I need to say now I'm going to go find the person that I actually care about

43:12let's take this bitch down

43:25I say please

43:39no

43:44I was wrong

43:46I misunderstood everything about you and about us.

43:54Can you please just hear me out?

43:57You think you can just come here and apologise?

44:00After everything?

44:02I didn't mean to hurt you.

44:05Look, I understand what I did, but it was just because of Stephanie and anyone.

44:08Can you please just forgive me?

44:11I don't need your apology, Drake.

44:13You let me down.

44:15You abandoned me when I needed you the most.

44:20You used me, manipulated me, and now you beg for my forgiveness?

44:26Oh, God, please, just don't show me out.

44:28I can fix this. I can fix that.

44:30I can do anything, Dorothy, please.

44:33No.

44:35You were never the person who felt you were.

44:38And I'm not either.

44:40I have moved on.

44:41I don't need you.

44:48Not like I used to.

44:50Just stay back.

44:52After everything.

44:53Yeah, that's it.

45:06Make yourself better than this.

45:08You did it.

45:28Before you all celebrate this movie, there's something you should know.

45:39Dorothy is nothing but a homewrecker.

45:42What's going on?

45:44A glorified mistress who's been playing the part of a wonderful actress

45:47when all she's really done is ruin lives.

45:52This is true, Dorothy. We're involved with a married man.

45:55What's your response to Stephanie's claim?

45:58This is ridiculous.

46:02Let's talk about how she got here, shall we?

46:06She didn't get here off her talent.

46:08Oh no, she got here by clinging to powerful men.

46:13No real experience, no skill, just a man's name and a man's money.

46:18Security, get her out of here.

46:20Wait, if she has something to say, let's hear it.

46:24Dorothy, it's a trap.

46:26I'm not afraid of the truth.

46:28Let's see what she's got.

46:33What's going on?

46:35So tell us, Dorothy.

46:36How did you get here?

46:39Did you use your relationship with John Bennett to land the part?

46:42Homework, are you saying?

47:01Is there something wrong with me appearing with my own dad?

47:03You're the one who sent me this photo, right?

47:06How about you take another one?

47:08This time, of my lovely family of three.

47:11Dorothy, Dorothy, Dorothy.

47:13Are you really John Bennett's daughter?

47:14Yes.

47:15I bet you never ask my last name.

47:17It's Bennett's, by the way.

47:20So, Dorothy is the producer's daughter.

47:24Dorothy, so did you use your father to get the part?

47:27Oh, so it's just nepotism, then.

47:35Well, even if she didn't fuck her way to the top, she still only got here through her connections.

47:39Whether you like it or not, my performance speaks for itself.

47:42And everyone here saw it.

47:44She was actually really good.

47:45Yeah, she handled the mortgage.

47:48Oh, are you saying that everyone here is wrong?

47:50You think you're so clever, don't you?

47:53Fine.

47:54You can act a little bit.

47:56But let's be real.

47:57You didn't land this role on your own.

47:59You just snapped your bony little fingers and let Daddy give you a role.

48:03How else would a nobody like you have landed yourself the lead otherwise?

48:07Dorothy isn't just a nobody.

48:11She wrote Liar's Game.

48:14She is SQ.

48:15Dorothy is SQ.

48:22How can that be possible?

48:24Liar's Game is a masterpiece.

48:25There's no way you could have written it.

48:27You don't have to believe me.

48:29Just let the credit speak for itself.

48:34How can this be true?

48:41Dorothy Van Eyck, you're the daughter of the producer and the famous writer SQ.

48:45Why did you keep your identity a secret so long?

48:51Why did you keep your identity a secret so long?

48:53Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker.

48:56I'm arresting you on suspicion of defamation.

48:58No, no, no, no.

48:59I didn't do anything wrong.

49:00This is all Stephanie's idea.

49:01I didn't do anything.

49:02Oh, jeez.

49:04This whole time she was actually telling the truth.

49:13Dorothy's SQ.

49:15She's genius.

49:16That's why she always had a book in her hand.

49:22Always writing something on her laptop, always lost in her thoughts.

49:28Didn't even see her.

49:31Guess I was blind all along.

49:35I don't deserve her.

49:36I've missed this place.

49:56Don't you remember?

50:00Of course I do.

50:01We saw so many films here.

50:04We would just stay in our seats and talk about life and everything.

50:11But you just made me feel like I could face anything, really.

50:15God, I used to be so nervous back then about everything, about the future.

50:26But you just made me feel like I could face anything, really.

50:30No.

50:32Someone had to be there to make sure you didn't ever think everything.

50:36I remember you used to unpick every little detail like it was a life or death situation.

50:45You know, Dorothy, life's not been the same without you.

50:53Even when we parted ways, I...

50:55I always knew that we would find each other again.

51:01I don't care what we've been through.

51:04I don't care what's happened.

51:05All I know is that I need you now.

51:12More than ever.

51:15And the award for Best Adapted Screenplay goes to...

51:32Dorothy Bennett with Liar's Game!

51:38Wow.

51:39Best Screenplay.

51:41Shall I start calling you Your Majesty?

51:43I think that's the greatest idea.

51:46Why don't I start now?

51:48You deserve this.

51:50Your Majesty.

51:52Every bit of it.

51:54Now, since you've won, I think this calls for a reward.

52:00Oh, yeah?

52:03And what would that be?

52:07Me.

52:08Me.

52:09Me.

52:10Me.

52:13Me.

52:14Me.

52:15Me.

52:31Me.

52:32Me.

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