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00:00:00Leave me alone, please.
00:00:30Thanks.
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:00In time of mourning, we find comfort in the words of a psalmist.
00:02:19The psalm of David, the 23rd.
00:02:23The Lord is my shepherd, I shall not want.
00:02:26He maketh me to lie down in green pastures.
00:02:29He leadeth me beside the still waters.
00:02:32He restoreth my soul.
00:02:35He leadeth me in the paths of righteousness for his name's sake.
00:02:40Yea, though I walk through the valley of the shadow of death, I will fear no evil, for thou art with me.
00:02:47My rod and thy staff, they comfort me.
00:02:51Thou preparest a table before me in the presence of mine enemies.
00:02:56Thou anointest my head with oil.
00:02:57Thou, my cup runneth over.
00:03:01Surely goodness and mercy shall follow me all the days of...
00:03:04It's gonna rain.
00:03:12Maybe we should just go home.
00:03:13The reception's inside.
00:03:15I don't think weather's gonna be a factor.
00:03:17Yeah, I was just seeing everyone after so long.
00:03:22Kira's Kira.
00:03:25Sid, well, there's something wrong with that guy.
00:03:27Uh, you guys were friends.
00:03:30They need you.
00:03:32It's what matters.
00:03:57I guess you should go talk to her.
00:04:04We should talk to her.
00:04:06Kira.
00:04:16Well, uh, no sign of Sid.
00:04:19Not surprising.
00:04:20Maybe something came up.
00:04:21Yeah, Kinko's must be really busy tonight.
00:04:23So he doesn't have some big law firm job.
00:04:27He's our friend.
00:04:29Uh, Sid.
00:04:32Sid.
00:04:33Hmm.
00:04:34Hi, sorry I missed that funeral.
00:04:36It was, uh, crazy at work.
00:04:38We're just glad you could make it.
00:04:40Thanks, man.
00:04:42Miss Mitchell.
00:04:43Nice to see you, Sid.
00:04:44How are you?
00:04:47Hmm?
00:04:49What's wrong?
00:04:49Nothing.
00:04:51How are you?
00:04:52You know.
00:04:53I'm gonna go.
00:04:56Why?
00:04:57I just, I just don't feel comfortable.
00:05:00Okay, uh, let me say goodbye and-
00:05:02No, no, no, no, listen.
00:05:03I want you to stay.
00:05:04They're your friends.
00:05:05They need you.
00:05:06But, uh...
00:05:07You sure?
00:05:08Yeah, yeah.
00:05:09I'm fine.
00:05:10Okay.
00:05:11I'll be long.
00:05:12Okay.
00:05:14Love you.
00:05:14Love you too.
00:05:15I'll be long.
00:05:22Hey.
00:05:22Hey.
00:05:23How have you been?
00:05:24Good.
00:05:24Nice to see you.
00:05:25Hello.
00:05:26Well, it's good to see you guys.
00:05:37I mean, I really miss hanging out together.
00:05:40Having a few drinks.
00:05:41Well, it's because everyone picked up your bill.
00:05:43I could have claimed you was dependent in college.
00:05:44I'm just saying we took care of each other then.
00:05:49And then we didn't.
00:05:51Come on, guys.
00:05:52College doesn't last forever.
00:05:54You're free to get married.
00:05:55You hear that, Kira?
00:05:56We're free to get married.
00:05:57I'll keep that in mind.
00:05:59Okay.
00:06:00Who's taking me home?
00:06:02Home?
00:06:02It's like 8.
00:06:03It's 11.
00:06:04We're at work tomorrow.
00:06:05Anyway, this place is closing.
00:06:06All right.
00:06:07How about we go someplace else?
00:06:08A bar?
00:06:10How about a cemetery?
00:06:11Mm-hmm.
00:06:12Did I mention I have work tomorrow?
00:06:14No, serious, guys.
00:06:15I mean, since I miss Steph sooner,
00:06:17I thought it'd be cool if we went back,
00:06:18you know, together.
00:06:20Mm-hmm.
00:06:21Kira?
00:06:22I don't know.
00:06:22It's cold and about to rain.
00:06:25And a cemetery, isn't that a little weird?
00:06:28No.
00:06:29What's weird is we haven't been
00:06:30in the same room together for years,
00:06:32and the best we can do for Dev
00:06:33is to have a few drinks.
00:06:35Sid.
00:06:36You know what, guys?
00:06:36I didn't miss Dev's funeral because of work.
00:06:38I just didn't go.
00:06:40You think Dev would have wanted us
00:06:41sitting around crying over him like this?
00:06:43What do you want us to do?
00:06:44Say goodbye together.
00:06:46We did that.
00:06:47It's called a funeral.
00:06:48I wouldn't expect you to understand.
00:06:50Guess I'll see you guys
00:06:51the next time one of us dies.
00:06:58I don't know.
00:07:58I didn't do anything, I swear.
00:08:17Paris?
00:08:18Yeah?
00:08:19Hey, Sid.
00:08:19What are you guys doing here?
00:08:21Well, we're doing what you said, saying goodbye.
00:08:22Well, let's celebrate.
00:08:25We've got strawberry.
00:08:26That's what we're afraid of.
00:08:30Champagne.
00:08:31All right, let's go.
00:08:47To Devin.
00:08:49You'll always be with us, Dev.
00:08:51We love you.
00:08:52Rest in peace, Dev.
00:08:56Whoa, whoa, easy.
00:09:12Slow down there, man.
00:09:14You're going to feel like shit tomorrow.
00:09:19I didn't take a walk.
00:09:22I'm going to pass out.
00:09:22You want to come?
00:09:25Yeah.
00:09:46Oh, look, someone left you a card.
00:09:49Do you mind if I read it?
00:09:57Allison, no, she's good.
00:10:00She supports me.
00:10:02We've got goals.
00:10:03We're even taking it to the next step.
00:10:06The next?
00:10:09Jesus, Harris-Mitchell's going to be a dad.
00:10:12Well, not yet, but we're trying.
00:10:14That's the best part, right?
00:10:18Yeah.
00:10:23So, does your wife still hate me?
00:10:27She doesn't hate you.
00:10:29She's scared of you.
00:10:30She doesn't hate you.
00:10:31Scared of what?
00:10:35Maybe she thinks we've got something going on we don't.
00:10:40Do we?
00:10:41Why aren't you stopping me?
00:10:46Why aren't you stopping me?
00:10:47Hey, where are you guys?
00:10:51Oh, hey.
00:10:53There you are.
00:10:54So, guys, check this out.
00:10:56I'm hanging out with Dev, and I find this card on his tombstone, right?
00:11:00And I'm reading it, and I'm like, damn, this is so what we're about tonight.
00:11:05You know, what we're doing here.
00:11:06Oh, God, you're going to break your neck.
00:11:15All right, so without further ado, I'd like to read a few words for Devon and all the other dead people out there tonight.
00:11:22Oh, joyful, oh, delighted, oh, fortunate one.
00:11:27Weep no more, this departed son.
00:11:31Read these words and sound thy voice.
00:11:34Revel and sing.
00:11:36Rejoice.
00:11:37Rejoice.
00:11:39Life's for the living, not the dead.
00:11:42Forget tomorrow.
00:11:43Live now instead.
00:11:44This night you breathe while they cannot, so dance, ye soul, on their resting spot.
00:11:54Who sent that?
00:11:56Doesn't say.
00:11:57What?
00:11:58Dance on their resting spot?
00:12:00Woo-hoo!
00:12:01Dance on their resting spot.
00:12:03Whatever, man, I'm saying.
00:12:04It's about living for today.
00:12:06You can't dance on someone's grave.
00:12:09Don't listen to him.
00:12:10I think it's cool.
00:12:10Enjoy.
00:12:15Rejoice.
00:12:17Live's for the living, not the dead.
00:12:21Forget tomorrow.
00:12:22Live now instead.
00:12:24This night you breathe while they cannot, so dance, ye soul, on their resting spot.
00:12:34Woo-hoo!
00:12:36Woo!
00:12:36I'm still inside of town, so down, that I wake up, and I'm all right, I will die, I'm all right, and I'm still, baby, I thought I was dead.
00:13:06Come on, wake up!
00:13:36I'm glad I didn't wait up.
00:13:50Sorry, I started talking about work, life, death, old times.
00:13:58The usual topics after too much wine.
00:14:01Way too much.
00:14:02You know what, I think I'm going to skip work today.
00:14:05Are you sure they'll be able to practice law?
00:14:07I mean, you haven't missed a day since you've been there.
00:14:09I'm sure that will do just fine.
00:14:12They sure are.
00:14:14Okay.
00:14:31Oh, morning, Sammy.
00:14:34You hungry?
00:14:35Let's go eat.
00:14:41What is...
00:14:42What is that?
00:14:49Sammy?
00:14:56Huh?
00:14:56Hello?
00:15:10Hello?
00:15:10Hello?
00:15:15Hello?
00:15:24Hello?
00:15:41I submitted that evidence two weeks ago through Judge Wien.
00:15:45Yes, yes, yes.
00:15:48Be right there.
00:15:54Did you, uh, call Watsy's name?
00:15:57Yesterday.
00:15:59Said it's an old house with old pipes,
00:16:01and since it's not an emergency, blah, blah, blah.
00:16:04Love you.
00:16:06Love you, too.
00:16:07See you.
00:16:08Bye.
00:16:15I'm sorry.
00:16:19What's our point?
00:16:21How old can you go?
00:16:23It's the end of the day.
00:16:24How old can you go?
00:16:27How old can you go?
00:16:29Well, hey.
00:16:30How old can you go?
00:16:32I'm a young woman, and I'm the old pal.
00:16:35Hi, this is Kira. You know what to do.
00:16:38Kira, it's Harris. He's calling you back.
00:16:41I hope everything's okay.
00:16:43Bye.
00:17:05Bye.
00:17:35Oh, my God.
00:18:05Hello?
00:18:35Harris?
00:18:36Harris?
00:18:37Harris?
00:18:38Oh my god.
00:18:46Harris?
00:18:51Harris?
00:18:54и
00:18:58are you?
00:19:03oh
00:19:08Harris?
00:19:24Harris!
00:19:28Oh my God.
00:19:32Harris!
00:19:36Did you hear her?
00:19:46Who?
00:19:48I feel like I'm losing my mind.
00:19:52Baby, what's wrong?
00:19:54What happened that night?
00:19:56After I left the funeral?
00:19:58I told you, we sat around and talked.
00:20:00So nothing happened between you and Kira?
00:20:02Me and Kira? No.
00:20:04You know what? She's been calling ever since that night.
00:20:06I'd see her name on the caller ID
00:20:08and when I answered, she hangs up.
00:20:10Maybe something's wrong.
00:20:12Of course there's something wrong. She's back in our life again.
00:20:14Listen to me. She's been calling me too.
00:20:16I haven't seen or heard from her since the funeral.
00:20:18You know what? You've been acting strange since then too?
00:20:20And then, and then all the,
00:20:22all the stuff around the house started happening.
00:20:24The pipes? No, other things.
00:20:26The doors.
00:20:28There's tapping.
00:20:30And then there's voices.
00:20:34I just don't feel safe.
00:20:36Oh, baby.
00:20:56I just don't feel safe.
00:20:58I just don't feel safe.
00:21:00When did you learn Chopin, hon?
00:21:28Great.
00:22:34Hey, honey.
00:22:35Hey.
00:22:36Oh, how's the alarm going?
00:22:37Just finished.
00:22:38Looks good.
00:22:39Yeah.
00:22:40Looks good.
00:22:41Yeah.
00:22:42Hey, honey.
00:22:43Hey.
00:22:44Oh, how's the alarm going?
00:22:45Oh, how's the alarm going?
00:22:46Just finished.
00:22:47Looks good.
00:22:48Looks good.
00:22:49Yeah.
00:22:50Looks good.
00:22:51Yeah.
00:22:52Yeah.
00:22:53Yeah.
00:22:54Oh, how's the alarm going?
00:22:55Yeah.
00:22:56Just finished.
00:22:57Looks good.
00:22:58Yeah.
00:22:59Yeah.
00:23:00Yeah.
00:23:01Yeah.
00:23:02Yeah.
00:23:03Yeah.
00:23:04Yeah.
00:23:05I'm so nervous.
00:23:06Yeah.
00:23:07Yeah.
00:23:08Yeah.
00:23:09I don't know.
00:23:39I don't know.
00:24:09I don't know.
00:24:39I don't know.
00:25:09I don't know.
00:25:39I don't know.
00:25:41I don't know.
00:25:43I don't know.
00:25:45I don't know.
00:25:47I don't know.
00:25:48Come on.
00:25:49Harris!
00:25:53Harris!
00:25:54Harris!
00:25:55Harris!
00:25:57She's in our room!
00:25:58Who?
00:25:59I don't know.
00:26:00I don't know.
00:26:01Come on.
00:26:02No.
00:26:03I don't know.
00:26:04I don't know.
00:26:05I'm scared!
00:26:07I'm scared!
00:26:11Harris!
00:26:13I don't know.
00:26:23I don't know.
00:26:24Harris!
00:26:25Who?
00:26:31Is this okay?
00:26:32What the hell?
00:26:33I'm scared.
00:26:34I'm scared.
00:26:35I'm scared.
00:26:36I'm scared.
00:26:37Fuck!
00:26:38Drop it!
00:26:50Drop the weapon!
00:26:56Well, maybe she got in before we went to bed.
00:26:58How?
00:26:59The whole house was locked.
00:27:00They went home all night.
00:27:03Where is she?
00:27:05Did you find her?
00:27:06Uh, no, ma'am.
00:27:07We didn't find anyone.
00:27:08The alarm was tripped in the living room,
00:27:09but I didn't see any sign of forced entry.
00:27:12Well, she got in somehow.
00:27:14Has everything been all right here tonight, ma'am?
00:27:16Thank you for your time, officer.
00:27:18Good night.
00:27:21I told you, she's doing it again.
00:27:23Kira is not stalking us.
00:27:25You don't seem too convinced I'm wrong.
00:27:27Why would she?
00:27:28What she did before was different.
00:27:29She followed you around.
00:27:31She showed up at your office.
00:27:32She called us at all hours.
00:27:34It was right before our wedding.
00:27:35It was a hard time for her.
00:27:36Bullshit.
00:27:38You know what?
00:27:38You didn't believe me then either.
00:27:40All right.
00:27:40I'll call her tomorrow.
00:27:42I refuse to live like this.
00:27:43We're going to sort this out tonight.
00:27:44Kira?
00:27:44Oh, what are you doing?
00:28:06You can't break in there.
00:28:07Why not?
00:28:08She does it to us.
00:28:11Where are you going?
00:28:13I'm trying to back.
00:28:19Kira?
00:28:24God, it's cold in here.
00:28:30Get a flashlight.
00:28:30Okay.
00:28:32Okay.
00:28:39Paris.
00:28:39Paris.
00:28:39Paris.
00:28:47Paris.
00:28:52What is it?
00:29:22I don't know, it's not writing.
00:29:41Oh my God!
00:29:43Oh my God!
00:29:44Don't go, don't go! Call 911!
00:29:46Here he is!
00:30:16Here!
00:30:27Here!
00:30:29Here!
00:30:31Here!
00:30:36Dr. Travis, you have a visitor in the main lobby.
00:30:50Dr. Travis, a visitor in the main lobby.
00:30:53Ira Hayden.
00:31:01We're friends.
00:31:02We found her.
00:31:04Has their family been contacted?
00:31:06Is she all right?
00:31:07I'm waiting on the results of a couple of tests, but she should be.
00:31:12There's markings all over her.
00:31:15What were those?
00:31:16Teeth marks.
00:31:18Okay.
00:31:20Someone bit her?
00:31:22And there's also some bleeding indicating a possible sexual assault.
00:31:31Can I see her?
00:31:32Sorry, I'm limiting contact pending a full psych evaluation.
00:31:37If there's any changes, I'll let you know.
00:31:44I'm sorry, Harris.
00:31:47Oh, well.
00:31:48Good news is she's not stalking you.
00:31:52You know what?
00:31:52That's not fair.
00:31:53Oh, no.
00:31:55Sorry.
00:31:56I'll give us a call.
00:32:11Hello?
00:32:12Uh, hi.
00:32:13Uh, is this Advance's number?
00:32:17Yeah, hold on.
00:32:18Okay.
00:32:18I'll give you a call.
00:32:19Okay.
00:32:20Okay.
00:32:21Okay.
00:32:22Okay.
00:32:22Okay.
00:32:23Okay.
00:32:23Okay.
00:32:24Okay.
00:32:24Okay.
00:32:25Okay.
00:32:25Okay.
00:32:26Okay.
00:32:27Okay.
00:32:27Okay.
00:32:28Okay.
00:32:28Okay.
00:32:29Okay.
00:32:29Okay.
00:32:30Okay.
00:32:31Okay.
00:32:31Okay.
00:32:32Okay.
00:32:32Okay.
00:32:33Okay.
00:32:33Okay.
00:32:34Okay.
00:32:35Okay.
00:32:35Okay.
00:32:36Okay.
00:32:37Okay.
00:32:37Okay.
00:32:38Okay.
00:32:39Okay.
00:32:40Okay.
00:32:41Okay.
00:32:42Okay.
00:32:43Okay.
00:32:44Okay.
00:32:45Okay.
00:32:46Okay.
00:32:46Okay.
00:32:47Okay.
00:32:47Sid, who was that?
00:32:57I can't talk right now, but you've got to come over.
00:32:59You've got to come over and check this out, man.
00:33:01Sid, slow down.
00:33:17I'm sorry, I'm sorry.
00:33:32Who's that?
00:33:40Doctor?
00:33:42I need a doctor!
00:33:46Somebody help this person!
00:33:58There was somebody there!
00:34:00Oh, God!
00:34:01There was somebody there!
00:34:07Let's go.
00:34:15Hey.
00:34:16You guys made it.
00:34:17What's going on?
00:34:18You've got to come check this out.
00:34:19But be careful when you come in, the thermal sensors are on.
00:34:28Thermal sensors?
00:34:29I think I'm being haunted.
00:34:30Well, I would not go that far, Mr. Vance.
00:34:31Hunting requires some level of paranormal activity.
00:34:32Yeah, uh, Sid.
00:34:33Where are these people?
00:34:34Who are you?
00:34:35Who are you?
00:34:36Who are you?
00:34:37Vincent Cochet and who are you?
00:34:38Vincent Cochet and who are you?
00:34:39These are my friends, Harrison and Alison.
00:34:41And this is my assistant.
00:34:42Colleague.
00:34:44Francis Calpepa.
00:34:45Francis Calpepa.
00:34:46Okay?
00:34:47I think I'm being haunted.
00:34:48I think I'm being haunted.
00:34:49I would not go that far, Mr. Vance.
00:34:50Hunting requires some level of paranormal activity.
00:34:52Yeah, uh, Sid.
00:34:53Who are these people?
00:34:54Who are you?
00:34:55Vincent Cochet and who are you?
00:34:56These are my friends, Harrison and Alison.
00:34:57level of paranormal activity.
00:34:59Yeah, uh, Sid.
00:35:00Who are these people?
00:35:01Who are you?
00:35:03Vincent Cochet, and who are you?
00:35:05These are my friends, Harrison, Allison.
00:35:08And this is my assistant.
00:35:10Colleague.
00:35:12Francis Calpepa.
00:35:14They're ghost hunters.
00:35:15Paranormal investigators.
00:35:17We are from the parapsychology department
00:35:20at Madison College.
00:35:21Mr. Vance answered my advertising,
00:35:25offering a reward to anyone experiencing
00:35:27a paranormal phenomena, which we have yet to see.
00:35:30I got your phenomena.
00:35:32Hey, what makes you think you're being haunted?
00:35:35Some weird shit's been happening to me, man.
00:35:37I mean, I hear noises and footsteps,
00:35:39and there's these little fires.
00:35:41Listen, we have been here 10 hours,
00:35:43and the scariest thing we've seen is your bathroom.
00:35:46Well, maybe that's because you don't know what you're doing.
00:35:48Or maybe we are investigating the claims of someone
00:35:51whose biggest decision of the day is whether
00:35:52to get drunk or stoned.
00:35:54Hey, why don't you read between the lines?
00:35:56OK, OK, OK.
00:35:58Can we please maintain some level
00:36:00of scientific environment here?
00:36:02I mean, these two have been at it all day.
00:36:03That's long enough.
00:36:05We are gone.
00:36:06I think it's happening to us, too.
00:36:11I mean, I think we're being haunted.
00:36:13I'm Vincent Cochet, paranormal investigator.
00:36:25Hello.
00:36:29Do you remember when you first noticed the activities?
00:36:33Maybe three weeks ago?
00:36:35Go on.
00:36:38It started with noises, thumping, scratching.
00:36:43I thought it was the pipes.
00:36:44But then tonight, a woman broke into our house.
00:36:48I thought it was Kira.
00:36:49But when I saw her tonight, I knew it wasn't her.
00:36:52But there was a woman in the room.
00:36:55I'm not sure if you are aware, but your time frame coincides with Mr. Vance's first claim
00:37:00of activity, you know?
00:37:02Did you see each other at the time?
00:37:04Well, yeah, a friend died in a car accident.
00:37:07We saw each other at the funeral.
00:37:09You didn't tell me you went to a funeral, Mr. Vance.
00:37:12I told her.
00:37:13You told me that you went to a cemetery.
00:37:14You didn't say anything about a funeral.
00:37:16Because I didn't go to the funeral.
00:37:17I met them at the reception, and then later we went back.
00:37:20Back where?
00:37:22The cemetery.
00:37:25At night?
00:37:26Mm-hmm.
00:37:27What?
00:37:28It's just weird, that's all.
00:37:30Did your friend Kira also go back to the cemetery?
00:37:34Yeah?
00:37:35She was there.
00:37:36Did something happen?
00:37:37No.
00:37:38I think we should tell him.
00:37:43Tell us what?
00:37:44Yeah.
00:37:45Tell us what?
00:37:46Look, Sid got drunk and pissed on a grave.
00:37:48Well, yeah, but that's not it.
00:37:50We also sort of danced.
00:37:52You what?
00:37:54You know, danced on some graves.
00:37:57Wait.
00:37:58I'm sorry, you danced on graves?
00:38:00Sid found a card about dancing, and yes, we danced on graves.
00:38:04It's a big deal.
00:38:05What card?
00:38:06Do you still have it?
00:38:07I don't even remember getting home that night.
00:38:08I'm not sure if you are aware of the possible ramifications of...
00:38:12We didn't do anything.
00:38:13Yeah, you did.
00:38:14It's called burial desecration.
00:38:16Yes.
00:38:17Get the camera out.
00:38:18Hey, check this out.
00:38:23Hasn't done that before.
00:38:242.10 a.m. Mr. Venn's apartment witnessing what I suspect to be a low-level spectral manifestation.
00:38:30Of a giant's burning footprints.
00:38:31Ah!
00:38:32It's not spectral.
00:38:33Ah!
00:38:34It's not spectral.
00:38:35Ah!
00:38:36Does this reward cash or check?
00:38:37Mrs.
00:39:03I spoke to the nurse at the hospital, she said she's keeping an eye on Kiera.
00:39:17Best place for her.
00:39:18Yeah.
00:39:19I just hope these people from the college can help.
00:39:22They said they were experts.
00:39:24And do you guys see all that equipment?
00:39:27And besides, they have a really creepy house.
00:39:33I'm Vincent Couchet.
00:39:42Oh, hello.
00:39:44Nice house.
00:39:47It was left by a wealthy alumnus who committed his life to a parapsychology study.
00:39:52We're being taped.
00:39:54Experiments are conducted throughout the house in case anything happens.
00:39:58Happens.
00:40:00Evidence of the paranormal is the holy grail.
00:40:04Please.
00:40:11So, its origin is not clear, but the verse was obviously intended as a celebration of life.
00:40:18By dancing on grapes.
00:40:19Well, it's a common practice amongst pagan religions.
00:40:22Druidism, Satanism, Wicca.
00:40:25They sort of all embrace this live-for-the-moment philosophy.
00:40:28What has its concern is the following verse.
00:40:31The grave dancers lament.
00:40:33Oh, fool.
00:40:34Oh, lout.
00:40:35Oh, unfortunate one.
00:40:36The dead now mocked.
00:40:37Their time has come.
00:40:38Heed these words.
00:40:39For souls do roam.
00:40:40And though be dead, follow you home.
00:40:41Its rage will swell as nights grow bright.
00:40:42Despair and fear this fatal plight.
00:40:43From moon to moon you'll have this guest.
00:40:44To seal thy fate and lay you at rest.
00:40:46Scary, huh?
00:40:59But you found my friend wasn't a simple rhyme celebrating life.
00:41:04It was a spell.
00:41:07A curse.
00:41:11Simple rhymes had it right in life.
00:41:13It was a spell, a curse.
00:41:15How does a curse get on a bereavement card?
00:41:18Well, dangerous occult mediums are fairly commonplace.
00:41:21Tarot cards, Ouija boards, that sort of thing.
00:41:24Sounds like a lawsuit to me.
00:41:25You're shitting me.
00:41:26We're dancing on a grave, what?
00:41:28We pissed off a ghost?
00:41:29Three.
00:41:30One for each grave.
00:41:34Well, how do we end it?
00:41:35I mean, there's got to be a grave dancer's cure or something, right?
00:41:41No.
00:41:43None that we are aware of.
00:41:46So we're going to be haunted forever?
00:41:48The curse lasts from moon to moon.
00:41:52One month.
00:41:54One month.
00:41:56It's already been over three weeks.
00:41:59It will persist until the final moment of the final night.
00:42:04Or...
00:42:05Or what?
00:42:07Until you are laid to rest.
00:42:11You mean until we're killed?
00:42:16Well, the curse is tied to the lunar cycle and moon to moon.
00:42:21Its rage will swell as night grows bright.
00:42:24So the closer we get to the full moon, the more severe the hauntings will become.
00:42:28You're saying we're all going to end up like Kira?
00:42:30According to the lament, yes.
00:42:33If we can identify the grave you danced on and get some idea of who these people were,
00:42:40it may help us to keep you safe.
00:42:42Which is why we need you to take us to Crescent View Cemetery.
00:42:45Screw that.
00:42:46I'm not going back there.
00:42:47Not a good idea.
00:42:48If we don't, there is no way of knowing what could be coming next.
00:42:53No way.
00:42:54God, I'm not going back there.
00:43:12Kira Hayden?
00:43:42He's here, he's here.
00:44:00Who's here?
00:44:01Get out of here.
00:44:02Let me help.
00:44:03Come on, don't touch me.
00:44:05He hates when other people touch me.
00:44:08Get out of here!
00:44:09Oh, God.
00:44:10Get out of here.
00:44:19No!
00:44:20No, no, no!
00:44:21Stop it!
00:44:22No!
00:44:23Let's go!
00:44:24No!
00:44:25Please!
00:44:26No!
00:44:27No!
00:44:28No!
00:44:29No!
00:44:30No!
00:44:31No!
00:44:32No!
00:44:33No!
00:44:34No!
00:44:35No!
00:44:36No!
00:44:37No!
00:44:38No!
00:44:39No!
00:44:40No!
00:44:41No!
00:44:42No!
00:44:43No!
00:44:44No!
00:44:45No!
00:44:46No!
00:44:47No!
00:44:48No!
00:44:49No!
00:44:50No!
00:44:51No!
00:44:52No!
00:44:53No!
00:44:54No!
00:44:55No!
00:44:56No!
00:44:57No!
00:44:58No!
00:44:59No!
00:45:00No!
00:45:01I don't get it.
00:45:03You'd think ghosts would dig hanging out from moon to moon.
00:45:06Why are they so pissed?
00:45:07Well, the curse pulled them in from the other side.
00:45:09Maybe it'd hurt.
00:45:11Whatever the reason, Mr. Vance,
00:45:14they clearly don't dig it.
00:45:16Mm-hmm. Dig it.
00:45:18What are you saying?
00:45:18That if I danced on John Perez's grave,
00:45:22I get haunted?
00:45:23What about Mother Teresa?
00:45:24Look, you can't just decide to be haunted.
00:45:27I mean, there's more to it than that.
00:45:28There's spirit, there's state of mind,
00:45:30that sort of a thing.
00:45:31Yeah, but why wait?
00:45:32I mean, why not just kill us now?
00:45:34Who says they are not trying?
00:45:37Maybe they are not strong enough yet.
00:45:39Yeah, tell that to Kira.
00:45:41This is it.
00:45:43This is the spot.
00:45:44Yeah, this looks familiar.
00:45:54Oh, you gotta be joking.
00:45:55I'm not joking.
00:45:57This area is designated for the city's undesirables.
00:45:59The murderers, the rapists,
00:46:01the mentally ill,
00:46:02the socially unacceptable.
00:46:04Found it!
00:46:05Are you sure this is yours?
00:46:18Positive.
00:46:22What about Kira's?
00:46:25Kira was dancing well next to me to my left.
00:46:29I don't know.
00:46:29It's gotta be it here.
00:46:31Yeah, definitely.
00:46:32This is it.
00:46:33The tree.
00:46:35Remember the tree.
00:46:44I'm afraid your friend is in trouble.
00:46:46I tried calling, but he wouldn't let me.
00:47:02I tried.
00:47:03It's okay.
00:47:05We're here for you.
00:47:06They said you and Allison found me?
00:47:11Yeah.
00:47:12They scared us.
00:47:14We heard someone try to attack you and a nurse.
00:47:17It's not what you think.
00:47:19I know.
00:47:19Kira, um, you're not the only one having these experiences.
00:47:29Yeah.
00:47:30We're being haunted, too.
00:47:32It's because of that night in the cemetery, isn't it?
00:47:36Yeah.
00:47:37We've met some people who are trying to help us once we work this out.
00:47:40I'm not staying here.
00:47:41No, you have to.
00:47:42I think this is the best place for you.
00:47:43It has security, the whole thing.
00:47:45I'm going with you.
00:47:46No, you have to stay.
00:47:49I'm going with you.
00:48:00What we have found sheds some light on your experiences.
00:48:12This is Dennis?
00:48:13Yes.
00:48:15He's a happy-looking kid.
00:48:17Born October 5th, 1948, to Robert and Claire Faberly.
00:48:22Dennis was a quiet, sickly child with an unfortunate affinity for fire.
00:48:26By age 5, he'd set numerous minor blazes and ended up burning down his father's feet store.
00:48:33It's believed he started the blaze, which accidentally burnt down his house in 1956,
00:48:37killing Dennis, his two siblings, and his parents.
00:48:40But if it was an accident, why is he buried in the psycho section of the graveyard?
00:48:46Well, the locals didn't think it was an accident.
00:48:50Emma Westbrook.
00:48:51A well-liked and respected high school music teacher.
00:48:56In 1923, she began an affair with a married man named Theodore Gusford.
00:49:01How do you know that?
00:49:02A confession to the police.
00:49:03And after Theo ended the affair, Emma was so distraught that she broke into his house and killed his wife.
00:49:11She killed someone?
00:49:12With an axel.
00:49:13And then she waited for him to come back and kill them.
00:49:21When the police found her, she was sitting in the Gusford's living room, covered in blood, playing the piano.
00:49:31Okay.
00:49:33Kira.
00:49:33The grave you danced on had good riddance on the stone, and for good reason.
00:49:41The person buried there was William Langer.
00:49:43Don't I get a picture?
00:49:51He was a judge.
00:49:53And by all accounts, an outstanding citizen.
00:49:56A church-going guy, family man, charitable.
00:49:59When he died in 1890, the town was going to set up a memorial until they found his journals.
00:50:06What kind of journals?
00:50:08Personal ones.
00:50:10Um, sort of detailing his appetite for bizarre sexual exploits.
00:50:16Sadom as a case in self-utilization, torture.
00:50:21And then there was this.
00:50:23Um, she was found dead in Langer's basement.
00:50:27She was in a cage.
00:50:29Wow.
00:50:31We sure know how to pick him.
00:50:33We head back to my house.
00:50:36Wait it out.
00:50:37A few days from now, life returns to normal.
00:50:39I don't have a few days.
00:50:42That bastard's getting stronger.
00:50:44I can feel it.
00:50:46They are all getting stronger, and the lament is quite clear.
00:50:49To seal thy fate and lay you at rest.
00:50:54I'm afraid you can't wait it out.
00:50:55Why'd you call us down here?
00:50:57To tell me that I'm going to be killed by a piano teacher?
00:51:00No.
00:51:01Axe-murdering piano teacher.
00:51:03We called you here to tell you that we may have found a solution.
00:51:08There was this documented case of the lament in 1935.
00:51:11The victim did something, and it ended the curse.
00:51:17What?
00:51:18Um, well, it's, um, it's a little extreme.
00:51:23A little extreme.
00:51:30Burial desecration is the root of your problems.
00:51:33You rebury the body, the curse is over.
00:51:34Burial desecration is the root of your problems.
00:52:04Burial desecration is the root of your problems.
00:52:05Burial desecration is the root of your problems.
00:52:06Burial desecration is the root of your problems.
00:52:07Burial desecration is the root of your problems.
00:52:08Burial desecration is the root of your problems.
00:52:09Burial desecration is the root of your problems.
00:52:10Burial desecration is the root of your problems.
00:52:11Burial desecration is the root of your problems.
00:52:12Burial desecration is the root of your problems.
00:52:13Burial desecration is the root of your problems.
00:52:14Burial desecration is the root of your problems.
00:52:15Burial desecration is the root of your problems.
00:52:16Burial desecration is the root of your problems.
00:52:17Burial desecration is the root of your problems.
00:52:18Burial desecration is the root of your problems.
00:52:19I need to kill you.
00:52:49Keep an eye on the others.
00:52:51What?
00:52:53I have to do this alone?
00:52:55Hey.
00:52:57Just slide him in.
00:52:59Make sure you get every single piece.
00:53:13Jesus, you scared the shit out of me.
00:53:15Make sure you get every single piece.
00:53:17Why?
00:53:18If not, this is all for nothing.
00:53:20Go away.
00:53:22Every single piece.
00:53:24Okay.
00:53:26Hey, Dirt.
00:53:36Hey, Dirt.
00:53:48Hey, Dirt.
00:53:50It's disgusting.
00:54:00Hey, Dirt.
00:54:02Hey, Dirt.
00:54:12It's disgusting.
00:54:14Hey, Dirt.
00:54:16Hey.
00:54:20I can see.
00:54:30Hey, Dirt.
00:54:32Hey.
00:54:34To be continued...
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