In Other Words, I Love You #FullMovie
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00:00I've always described the world in words.
00:00:06People, moments, places.
00:00:09But in that moment, I forgot them all.
00:00:12Be careful.
00:00:13We're talking about the king of Ashford.
00:00:15He's hot.
00:00:16I don't find bullies attractive.
00:00:19Good morning.
00:00:20He's lonely and kind of pathetic.
00:00:22Breathe the room before opening your mouth.
00:00:25American.
00:00:26She said you'd be moving in today.
00:00:29There's been some kind of misunderstanding.
00:00:31I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:42If you don't do anything about it, it's only going to get worse.
00:00:46You're right to everyone, including her.
00:00:50You didn't have to come.
00:00:52Don't tell me what I have to do.
00:00:58I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:13You okay?
00:01:13Like my mom.
00:01:15Self-made, stubborn, and never wrong.
00:01:19Almost there.
00:01:20You excited to see you first day?
00:01:21She calls this a fresh start.
00:01:22I call it terrifying.
00:01:31You've got this.
00:01:32Just be yourself.
00:01:34That's kind of the problem.
00:01:36I'm stuck in space.
00:01:45Started lazy running through my brain every day.
00:01:52Heaven in my dead now.
00:01:55You're not staying.
00:01:56You're okay?
00:01:57You're okay?
00:01:57I want to stay anyway.
00:02:01I want to stay again.
00:02:03Okay.
00:02:06Morning, class.
00:02:09And you're not seated because...
00:02:12I don't have a seat.
00:02:15Ah, a new transfer.
00:02:17Alice Keaton, right?
00:02:18Let's see.
00:02:19There's a spot.
00:02:23Next to Charles.
00:02:25Charles' case, Sherry.
00:02:26Seriously?
00:02:27A charity case sitting next to Charles?
00:02:30God.
00:02:30What is she?
00:02:32Quiet.
00:02:33Charles.
00:02:37I've always had words for everything.
00:02:40But in that moment...
00:02:42I forgot them all.
00:02:49Charles, move your things.
00:02:57I'd rather not.
00:02:58She'll be a distraction.
00:03:00From what?
00:03:01Sleeping.
00:03:02From everything.
00:03:03If anything, Charles,
00:03:05Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:10With all due respect, sir,
00:03:12her previous school was American.
00:03:15I highly doubt that.
00:03:16That's enough.
00:03:20She can sit here.
00:03:21It's fine.
00:03:25Back to Goldie.
00:03:27You got it.
00:03:28I'm Sherry Vaughn.
00:03:29Alice Keaton.
00:03:30It's very important that we look at the...
00:03:32What he's talking about their experience of the time.
00:03:39Wait.
00:03:41You sat next to Charles?
00:03:42She didn't.
00:03:43You totally shut her down.
00:03:44Oh, knew it.
00:03:45Don't take it past me.
00:03:46He's impossible.
00:03:48Can everyone stop acting like the goal is getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:56I...
00:03:57I've seen Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:01I don't find bullies attractive.
00:04:03Hey, be careful.
00:04:04You're talking about the king of Ashford.
00:04:07The what?
00:04:08His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:13Everyone's tried to get close.
00:04:15No one can get past his ego.
00:04:17You're not the first to get iced.
00:04:18Okay.
00:04:19First of all, I wasn't iced.
00:04:21It's more like a mutual decision.
00:04:24And second, I think he's arrogant, cold, thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated, like he's faking at all.
00:04:34Honestly, I just think he's lonely and kind of pathetic.
00:04:40What?
00:04:41No, go on.
00:04:48You were saying I'm lonely and pathetic.
00:04:55Next time, read the room before opening your mouth, American.
00:05:01We're not in Kansas anymore, Alice.
00:05:22Hey, how was your first day?
00:05:24Uh, good.
00:05:26Anything exciting happen?
00:05:27Not really.
00:05:28Super uneventful.
00:05:30Really?
00:05:31How's your new job?
00:05:33Yeah, all right.
00:05:34Get this?
00:05:35They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently, the young master won't mind the company.
00:05:41The young master.
00:05:44This is your boss's house.
00:05:47Yeah?
00:05:48Isn't it credible?
00:05:48I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:06Wow.
00:06:07Rich people.
00:06:09You've topped yourselves again.
00:06:13Stephen King.
00:06:16First edition.
00:06:17Breaking and entering now.
00:06:29How American of you.
00:06:30I...
00:06:31You've been paying rent here in my head.
00:06:44Time to fight it hard.
00:06:52You can get up now.
00:06:54I...
00:06:54I'm trying.
00:06:55Wait.
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:06I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:12Wait.
00:07:13Your house?
00:07:14My house.
00:07:16My house.
00:07:16My library.
00:07:17And now, apparently, my unwanted guest.
00:07:21Ah, Master Charles.
00:07:24You must be Miss Alice, Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:29There...
00:07:29There's been some kind of misunderstanding.
00:07:32You see, I'm not actually moving in.
00:07:34Is that so?
00:07:36Yeah.
00:07:36I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:44Well, if you're sure, then absolutely not.
00:07:48Come on, Alice.
00:07:51You must stay.
00:07:54It'll be fun.
00:07:57My dear classmate.
00:08:00I'm dead.
00:08:02Like, mentally, socially, and actually dead.
00:08:06Just trying to figure out how exactly my life went off the rails.
00:08:17Get it together, Alice Keaton.
00:08:19You've been through hell.
00:08:20I was sure I'd never find someone to make my head spin around.
00:08:24Actually, no.
00:08:26This is hell.
00:08:30Good morning.
00:08:31Good morning.
00:08:36Sir, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:51That's often closed for months.
00:08:53She's going to be late.
00:08:59Hey, how long is this thing going to take?
00:09:02Maybe I'll just walk?
00:09:03Five miles to school.
00:09:07Okay.
00:09:08If I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:17Or die of exhaustion on the way.
00:09:21What are you doing here?
00:09:23Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for me?
00:09:31Relax.
00:09:31I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait.
00:09:39Since you're already here,
00:09:41maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:49Seriously?
00:09:50Your car is huge.
00:09:52Yeah.
00:09:54And I'm not a fan of sharing.
00:09:56Says the guy who forced me to live in his house.
00:09:59Well, if it's all I'm mine,
00:10:01now it won't and leaves the need for me.
00:10:03Unbelievable!
00:10:04Unbelievable!
00:10:13Ashford Institute, please.
00:10:20Who needs an entitled brat anyway?
00:10:22Sir, you called the cab.
00:10:25Why not just give Miss Keaton a lift?
00:10:26Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:36She's new.
00:10:37Everybody's already talking.
00:10:39So you're worried about her?
00:10:41You're overthinking.
00:10:42I just don't like drama.
00:10:50Asshole.
00:10:51Who?
00:10:52Morning, Klaus.
00:10:56Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr. Kenwood,
00:11:06care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:12You seem very entertained by Golding.
00:11:13I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:19I think his ending is...
00:11:21weak.
00:11:23Wait, wait.
00:11:24You actually read it?
00:11:25Quiet.
00:11:28That's an interesting take.
00:11:29Explain.
00:11:30He had the set-up for something brutal.
00:11:35Something honest.
00:11:36In the end,
00:11:37he backed out.
00:11:39He could have left the boys on the island.
00:11:41Forced them to confront
00:11:41the collapse of all morality.
00:11:43Let them choose survival.
00:11:45Or death.
00:11:46But instead,
00:11:47he gave them a rescue boat.
00:11:49Slapped a happily ever after
00:11:50on a book about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised, Charles.
00:12:00Didn't think you had
00:12:01such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:09So,
00:12:10a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:13I'm always a model student, sir.
00:12:17Let's not get ahead of ourselves.
00:12:28I think Golding knew exactly
00:12:30what he was doing
00:12:31by ending the book that way.
00:12:32It's not mercy,
00:12:34it's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:41You don't just walk back into society
00:12:43and forget you're a monster.
00:12:44Golding didn't save them,
00:12:45he left us with the discomfort
00:12:47of pretending they could be saved.
00:12:48That's an interesting take,
00:12:50Miss Keaton.
00:12:51You still think it's a harsh critique?
00:12:53In some ways,
00:12:54but not harsh enough.
00:12:57Yes,
00:12:57it's a critique of toxic masculinity,
00:12:59but still,
00:13:00Golding sympathized with them.
00:13:03And the civilized world?
00:13:04Toxic,
00:13:05violent,
00:13:05he didn't call that out
00:13:06nearly as much.
00:13:07So yeah,
00:13:08I don't think Golding pushed far enough,
00:13:10but I think it's unfair
00:13:11to call it a happy ending.
00:13:12Thank you,
00:13:17Miss Keaton.
00:13:18Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay,
00:13:25that's kind of epic.
00:13:26Golding faced major backlash
00:13:28when he first published the book.
00:13:30Good literature will always divide opinions.
00:13:35What's happening to me?
00:13:42Okay,
00:13:43what is going on?
00:13:44Why is everyone staring at me?
00:13:46Well,
00:13:47you're new
00:13:48and apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle
00:13:53of this epic feud
00:13:54as you've seen in years.
00:13:55We're not even fighting.
00:13:57Well,
00:13:57according to everyone,
00:13:58you confessed your love on day one,
00:14:00got rejected,
00:14:01begged to sit next to him,
00:14:03got rejected again.
00:14:04And today in class,
00:14:06you broke down crying about
00:14:07not believing in happy endings
00:14:09and stormed out in tears.
00:14:12If you were there,
00:14:13Sherry,
00:14:14that is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe
00:14:19and they want Charles to be flawless,
00:14:22untouchable.
00:14:23Wow.
00:14:24Is misogyny like a rich kid thing
00:14:26or just a British specialty?
00:14:28Honestly,
00:14:29both.
00:14:30But seriously,
00:14:31Alice,
00:14:32some people already see you as a threat.
00:14:34Okay.
00:14:42Loaded.
00:14:44Looks like the new girl's in
00:14:45for a rough first semester.
00:15:01Hello?
00:15:02Hello?
00:15:04Hello?
00:15:06Is somebody out there?
00:15:09Oh, come on!
00:15:10Come on!
00:15:22Fine.
00:15:24Seriously?
00:15:40Oh, shit.
00:15:46What the hell?
00:15:49Anne,
00:15:50I thought you were having dinner with Alice.
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:55Maybe you've seen her this evening?
00:15:59Yikes.
00:16:00Looks like the new girl's in
00:16:01for a rough first semester.
00:16:08Shit.
00:16:14Alice!
00:16:15Alice!
00:16:16Mr. Pelton,
00:16:17Charles Kenwood here.
00:16:18I was wondering if I could get the timetable
00:16:20for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have it sent over.
00:16:25Check the common room in the library.
00:16:26I'll take the rest.
00:16:28Alice!
00:16:30Alice!
00:16:30Alice!
00:16:30Come on, Alice.
00:16:42Come on, Alice.
00:16:46Close your eyes and jump.
00:16:49It's fine.
00:16:50You're fine.
00:16:51Hey, Mr. Nonchalant.
00:17:03Hey, Mr. Nonchalant.
00:17:17Are you happy with how we end?
00:17:24Is it warm enough?
00:17:26What are you doing here?
00:17:29Can you get off me first?
00:17:33Did I ask for two months?
00:17:36Is it my fault?
00:17:39I thought we would party.
00:17:40You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life
00:17:45might earn me basic manners.
00:17:46Someone just dumped swamp water on me.
00:17:50Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:54Wow.
00:17:55You should try falling out of a window
00:17:57into someone's arms
00:17:58and getting insulted for it.
00:17:59Wouldn't recommend it.
00:18:00You're heavier than you look.
00:18:01I hope you pull your shoulder.
00:18:11Are you okay?
00:18:12No.
00:18:13But I will be.
00:18:16Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry.
00:18:21I can handle it.
00:18:22You shouldn't have to.
00:18:25I'm sorry.
00:18:31Did you just apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:47Alice?
00:18:48Over here.
00:18:49Oh my God.
00:18:52You okay?
00:18:55Why are you drenched?
00:18:57Yeah.
00:18:57I just took a weird shower.
00:19:00Top exploded.
00:19:03Come on.
00:19:03Let's go you home.
00:19:14Alice Keaton, right?
00:19:17I heard you stay to the whole thing for attention.
00:19:19I heard you stay to the whole thing for attention.
00:19:27I know how this place works.
00:19:45If you don't do anything about it,
00:19:47it's only going to get worse.
00:19:50I'll look into it.
00:19:52Charles?
00:19:55Good on you.
00:19:55How many of you would speak up?
00:20:02I can't believe someone actually locked you in.
00:20:04That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:08Busy protecting their golden boys and trust funds.
00:20:10Well, for what it's worth,
00:20:12I heard Charles looked pretty freaked out
00:20:15when he ran out last night.
00:20:17Please, he just didn't want a lawsuit.
00:20:18Being a scholarship student has its perks,
00:20:39like saving a fortune on tuition
00:20:41and getting into schools
00:20:43that normally wouldn't even let you pass the gates.
00:20:45Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:52Oh, no, no, no, no.
00:20:52But sometimes,
00:20:53being here means standing behind
00:20:55and watching Ashford Elites
00:20:57go on a two-week enrichment program
00:20:59you can never afford.
00:21:02Have fun.
00:21:03Bring me something
00:21:05overpriced
00:21:06and
00:21:07unnecessary.
00:21:10The trip cost 20 grand in pounds,
00:21:13which translates to
00:21:14mom's salary for half a year.
00:21:17So, yeah,
00:21:18I didn't go.
00:21:19What are you doing here?
00:21:42Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This,
00:21:49this is not even your kitchen.
00:21:51And this is not even your house.
00:21:52And yet,
00:21:53you're here,
00:21:54dressed like this.
00:21:55Just don't,
00:21:56look,
00:21:56go away.
00:21:57Hard not to,
00:21:58when you're walking around
00:21:59dressed like that.
00:22:01What do you guys call it?
00:22:02Um,
00:22:03buzzkill?
00:22:05Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people
00:22:13live for that kind of thing.
00:22:15Why do you think?
00:22:18Why would I go?
00:22:23I could practically recite the itinerary
00:22:25in my sleep.
00:22:27Florence,
00:22:28walk in the great footsteps
00:22:29of Dante,
00:22:30Michelangelo,
00:22:31Da Vinci,
00:22:32and Titian,
00:22:33or Tiziano,
00:22:34if you want to sound
00:22:35extra pretentious.
00:22:37Then Venice,
00:22:38because everybody loves a good canal
00:22:39and getting lost
00:22:40in the most confusing city
00:22:41on earth.
00:22:43Next stop,
00:22:43Napoli,
00:22:44marvel at Pompeii,
00:22:46pretend you're shocked
00:22:47ancient people had plumbing.
00:22:49The final stop,
00:22:51Paris,
00:22:52the ultimate city of romance.
00:22:54And,
00:22:55naturally,
00:22:56Woody Allen's
00:22:57favourite city
00:22:58outside of New York.
00:23:01That's
00:23:02word for word.
00:23:03I told you,
00:23:05I've done this tour
00:23:06so many times
00:23:07I could run it.
00:23:08Okay,
00:23:08but still,
00:23:09it's Europe.
00:23:10Most people would kill
00:23:11for that chance.
00:23:11Most people haven't had
00:23:12their phones stolen
00:23:13in Paris.
00:23:15Twice.
00:23:16Also,
00:23:17I hate the accommodations.
00:23:18Aren't they all
00:23:19five-star hotels?
00:23:21Standard rooms
00:23:21in five-star hotels?
00:23:23No,
00:23:23thank you.
00:23:25Wow.
00:23:26Some were born in Rome,
00:23:27huh?
00:23:28That's unfortunate.
00:23:29It's a very chaotic city.
00:23:30One word of advice?
00:23:32Shut up.
00:23:32That's two words.
00:23:36You're weird.
00:23:36You're loud.
00:23:37You're annoying.
00:23:38You're in my kitchen.
00:23:39You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:43Come back when you've got
00:23:44a shirt on.
00:23:45Come back with normal clothes on.
00:23:46You didn't have to come.
00:23:47Don't tell me what I have to do.
00:23:58Master Charles,
00:23:59roads are flooded.
00:24:00Staff won't make it tonight.
00:24:01Will you be alright
00:24:01sorting dinner?
00:24:02I've got it sorted.
00:24:19Jesus,
00:24:19what are you doing?
00:24:21Relax.
00:24:23I'm here to make a deal.
00:24:25What deal?
00:24:26You nearly gave me
00:24:27a heart attack.
00:24:27You'll survive.
00:24:33I'm not selling my body.
00:24:39I'm not selling my body.
00:24:45Wow.
00:24:46I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52Staff's off tonight.
00:24:53I'm buying dinner.
00:24:55I'm buying dinner.
00:24:58Did you seriously think
00:24:59I'd spend a hundred pounds on...
00:25:01No, I'm...
00:25:02Jesus.
00:25:03Wait.
00:25:04You think I'm not worth
00:25:06one hundred pounds?
00:25:08I'm not spending one hundred pounds
00:25:10to snort you back up.
00:25:12You know what?
00:25:12Dinner's cancelled.
00:25:13Are you sure about that?
00:25:19I present to you
00:25:21meatball spaghetti,
00:25:22stir-fried veggies,
00:25:23and french fries.
00:25:24You're welcome.
00:25:26Interesting combo.
00:25:27Well, I know we're not in Italy or France,
00:25:29but this will do.
00:25:31It's...
00:25:32Good.
00:25:39Was that a compliment?
00:25:41Although...
00:25:41I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries,
00:25:48likely born in South America.
00:25:51You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win
00:25:57every argument, don't you?
00:25:58To be fair,
00:26:00you make it very easy.
00:26:02It's only easy
00:26:04because it costs you
00:26:04hundred pounds.
00:26:06You know,
00:26:06if you'd ask for more,
00:26:07I probably would have given it to you.
00:26:08I'll make sure we have to do it.
00:26:24Okay, Alice.
00:26:25It's fine.
00:26:26You're fine.
00:26:32911, what's with your emergency?
00:26:41911, what's with your emergency?
00:26:43It's my dad.
00:26:44He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane constant traffic shutdown.
00:26:48We'll get you as soon as we can.
00:26:49Please, you're not well.
00:26:51I understand.
00:26:52Can you confirm your address?
00:26:54Yes.
00:26:55Daddy.
00:26:56Yes, I'm right here.
00:26:58Hi.
00:26:58My daughter.
00:27:01Please stay with me, Dad.
00:27:02Please.
00:27:07No.
00:27:09Please wake up.
00:27:15Dad, please.
00:27:15Please don't leave me.
00:27:17Please.
00:27:18Please.
00:27:19Please.
00:27:20Please.
00:27:21Please.
00:27:22Please.
00:27:23Please.
00:27:24Please.
00:27:25Please.
00:27:26Please.
00:27:27Please.
00:27:28Please.
00:27:29Please.
00:27:30Please.
00:27:31Please.
00:27:32Please.
00:27:33Please.
00:27:34Please.
00:27:35Please.
00:27:36Please.
00:27:37Please.
00:27:38Please.
00:27:39Please.
00:27:40Please.
00:27:41Please.
00:27:42Please.
00:27:43Please.
00:27:44Please.
00:27:45Please.
00:27:46you what are you doing here
00:27:51you were crying loudly kind of hard to ignore right sorry for the night wait
00:28:06you know snarky come back not tonight i'm too tired if you're here to argue knock yourself out
00:28:13you were calling for your dad right hurricane hit new york power went down traffic froze
00:28:22dad had a stroke but he couldn't get help in time
00:28:27i sat there with a candle while he laid there peaceful
00:28:36but he was asleep but he wasn't
00:28:43so that's why you and your mom moved here
00:28:47this used to be our hometown after dad left
00:28:52we had nowhere else to go
00:28:55what are you doing
00:29:02come on
00:29:07wait i thought the power was out
00:29:25it is we have our own generator
00:29:28wow rich people houses her
00:29:30just for tonight
00:29:31i'll allow it
00:29:33allow what
00:29:36you can call this place your house
00:29:38so enjoy it
00:29:39stephen king's first edition
00:29:41alan gisberg's handwritten letters
00:29:43jane austen's notes
00:29:44all yours
00:29:46this
00:29:50is your home
00:29:52alice keaton
00:29:54careful
00:30:00almost sounded sweet
00:30:02don't push it
00:30:04okay then
00:30:04i have
00:30:08one request
00:30:11what is it
00:30:14are you ever going to make a move
00:30:23wait
00:30:24give me a second i'm thinking
00:30:26you had one wish
00:30:28anything in the world
00:30:30and in the middle of a thunderstorm
00:30:32inside a literal mansion
00:30:34you chose chess
00:30:36yeah got a problem
00:30:38it's just so cool like
00:30:40spies or genius villains in movies
00:30:43it's literally a board game
00:30:44says the guy who owns a custom set
00:30:47wait does the knight go diagonally
00:30:50for the tenth time
00:30:52it moves in an l shape
00:30:54one
00:30:55two
00:30:57then turn
00:30:58there
00:31:00happy
00:31:01ecstatic
00:31:04god no
00:31:04that's suicide
00:31:05or a brilliant long term sacrifice
00:31:08you are playing checkers at a chess board
00:31:09still beating you in sarcasm
00:31:11you literally haven't won any past arguments
00:31:13golding disagrees
00:31:14it's going to be a long night
00:31:16oh my god no
00:31:18why wasn't that
00:31:18you can't do that
00:31:20i can't do that as well
00:31:21oh my god
00:31:22you had to shop a trip
00:31:24when about it all wrong
00:31:26tried to pull you in close
00:31:28as we're locked on your phone
00:31:30buy yourself work
00:31:31because i'm moving on
00:31:32oh you're
00:31:34showing up at me the word
00:31:37holding your heart
00:31:40there inside your hands
00:31:41maybe
00:31:42maybe
00:31:42he's not so awful after all
00:31:45um
00:31:53who are you
00:31:54what are you doing here
00:32:01well your parents said you were still at home
00:32:02thank god you skipped that boring grand tour
00:32:05who needs italy and france again
00:32:07right
00:32:08when did you get back
00:32:09last night
00:32:10from zurich
00:32:11you didn't answer my messages
00:32:13i missed you
00:32:15anyway
00:32:17thought i'd come surprise you
00:32:18apparently
00:32:19i'm transferring to ashford
00:32:21your parents were so thrilled
00:32:23they didn't tell me about this
00:32:24i wanted to deliver the happy news myself
00:32:26they said it'd be lovely for us to
00:32:29reconnect
00:32:29you know
00:32:31considering the engagement
00:32:32and all
00:32:33engagement
00:32:34oh
00:32:36did no one tell you
00:32:38he's promised
00:32:40old money stuff
00:32:41very retro
00:32:42i didn't agree to that
00:32:43you didn't have to
00:32:44it's never up to us
00:32:46where did you find this little
00:32:49toy
00:32:50serena
00:32:50i can hear you you know
00:32:51oh
00:32:53an american
00:32:54how
00:32:55refreshing
00:32:57goodbye
00:33:01wait
00:33:02where are you going
00:33:19you still owe me breakfast
00:33:20you only paid for dinner
00:33:22i have homework
00:33:24goodbye
00:33:25your little toy
00:33:29has quite the temper
00:33:30serena
00:33:31can you please just stop
00:33:32what
00:33:33teasing the help
00:33:34that's her
00:33:41that's the one from
00:33:42kenwood's house
00:33:43was she like
00:33:45the maid or something
00:33:46oh my god
00:34:02what's wrong with people
00:34:04they're saying you live with charles
00:34:06oh and serena
00:34:07what about her
00:34:08well apparently she told everyone you were caught sneaking into his room
00:34:12of course she did
00:34:14careful alice
00:34:27you're starting to look desperate
00:34:29come to the music room
00:34:46urgent
00:34:46i just remembered
00:34:48i need to check something
00:34:49you guys go ahead
00:34:50yeah okay
00:34:51tell her
00:34:58is someone there
00:34:59seriously
00:35:00they've been getting old
00:35:02wait
00:35:14music room
00:35:16what
00:35:17james
00:35:19is anybody in here earlier
00:35:21just miss serena
00:35:22said she was waiting for you
00:35:24sir
00:35:26sir it's raining
00:35:28come on alice you're fine
00:35:41you're not that girl again
00:35:44wait can you remind me one more time
00:35:53rooks move in straight lines
00:35:57bishops move diagonally
00:36:00and knight
00:36:01the knight's the weird one
00:36:03rooks
00:36:08straight lines
00:36:10bishops
00:36:12diagonally
00:36:14hello
00:36:15the text
00:36:36are you okay
00:36:37are you hurt
00:36:38i'm okay
00:36:41i saw the text
00:36:43and i thought
00:36:43i didn't see the message
00:36:44serena took my phone
00:36:46i didn't know
00:36:47i'm sorry
00:36:48i'm okay
00:36:49you're gonna catch a cold
00:36:52you're freezing
00:36:53you didn't have to come
00:36:54don't tell me
00:36:58what i have to do
00:36:59give me hope
00:37:02that feels
00:37:03like hope
00:37:05that wasn't a mistake
00:37:24if that's what you're about to say
00:37:25i wasn't going to
00:37:29i wasn't going to
00:37:29i'm really bad at this you know
00:37:42what kissing
00:37:44hiding feelings
00:37:46all right
00:37:47all right
00:37:47all right
00:37:47dump those ewok pyjamas
00:38:10oh you wish
00:38:12seriously
00:38:14it's a cock block
00:38:16you kissed me
00:38:18that's basically
00:38:20consent
00:38:21to everything
00:38:23dangerous words keaton
00:38:28i might hold you to that
00:38:30you'll be working in pairs
00:38:41on your comparative essays
00:38:42the list is on the board
00:38:44one two three four
00:38:49are you okay
00:38:53you're distracting
00:39:14you're welcome
00:39:23they're either enemies
00:39:28we secretly married
00:39:29honestly
00:39:31brave
00:39:32i was sure i'd never find someone
00:39:36to make my head spin around
00:39:38no one's ever gonna be the thing i need
00:39:41they all just let me down
00:39:42but baby
00:39:44you saved me
00:39:46till i'm brand new
00:39:48everything's so different now
00:39:51so the night goes in an l shape right
00:39:56why is that the only one you remember
00:39:58because it's weird
00:39:59and i like weird
00:40:02check
00:40:10you're cheating
00:40:17i'm winning
00:40:18there's a difference
00:40:19you are very distracting
00:40:21and you like it
00:40:23charles
00:40:34we need to talk
00:40:36i expected poor judgment
00:40:46but this in my house
00:40:48it isn't what it looks like
00:40:50no
00:40:50kissing a servant's daughter
00:40:53in the family library
00:40:54enlighten me then charles
00:40:56we came back tonight
00:40:57after speaking with serena
00:40:59imagine our surprise
00:41:01walking in on
00:41:02this
00:41:03she isn't just
00:41:04you have no right
00:41:06to barge in
00:41:07on my property
00:41:08i care about her
00:41:12i'm not ashamed
00:41:14that's enough
00:41:14why do you care
00:41:18we're protecting our son's future
00:41:21and our name
00:41:23you think this protects me
00:41:25we think
00:41:26she does not belong
00:41:27in your world
00:41:28then maybe i don't either
00:41:33you're ready to give up everything
00:41:37for a girl you barely know
00:41:39yes
00:41:42then
00:41:43are you sure
00:41:45she's ready
00:41:47i'm asking you
00:41:54do you think she's ready
00:41:55to lose everything
00:41:57regardless of how little
00:41:58that is
00:41:59just to be with you
00:42:00what are you talking about
00:42:02you left us no choice son
00:42:03you shouldn't disobey your father
00:42:05pelton
00:42:08it's frederick kenwood
00:42:11ah
00:42:11mr kenwood
00:42:12how can i help
00:42:13if a scholarship student
00:42:15were to violate
00:42:16our behavioural code
00:42:18in a public setting
00:42:19with photographic evidence
00:42:21would that warrant
00:42:22a review
00:42:22yes sir
00:42:24so
00:42:28answer me again
00:42:30do you think she's ready
00:42:32to lose everything
00:42:33just to be with you
00:42:34charles
00:42:46what happened
00:42:47did your parents say something
00:42:48are they mad
00:42:48is everything okay
00:42:49pack your things
00:42:51you can't stay here anymore
00:42:54what
00:42:55my parents fired your mother
00:42:59she's leaving
00:43:00so you
00:43:01wait why
00:43:02is it because of us
00:43:04we can fix this
00:43:05i'll get a job
00:43:06stop it
00:43:07you don't get it
00:43:08if i don't walk away from this
00:43:10they'll cut me off
00:43:11okay
00:43:12no card
00:43:14no trust
00:43:15no support
00:43:16nothing
00:43:17then
00:43:18then we'll figure it out
00:43:20we don't need all that
00:43:22do you really think
00:43:24i'm going to live like that
00:43:25so that's what this was
00:43:30just fun
00:43:31until it got inconvenient
00:43:33what did they promise you
00:43:36nothing
00:43:39they just reminded me
00:43:43of what's
00:43:44real
00:43:44charles
00:43:48i'm not stupid
00:43:49you don't just turn into a cold stranger
00:43:52because of one conversation
00:43:53what did they threaten you with
00:43:55what did they threaten you with
00:44:02this is the difference between me and you
00:44:04what
00:44:05you think you know me
00:44:07or what i have
00:44:08you don't
00:44:10alice
00:44:11you're still lying
00:44:12i'm not
00:44:13alice
00:44:14look around you
00:44:15this mansion
00:44:16you thought was a museum
00:44:18it's
00:44:19my
00:44:19house
00:44:20my
00:44:21world
00:44:22i was bored into this
00:44:24i am not choosing
00:44:25between this
00:44:26and something i picked up
00:44:30for a moment
00:44:31of fun
00:44:32don't do this charles
00:44:36you don't mean it
00:44:37it was fun
00:44:38but you
00:44:40you don't compare to what i own
00:44:43i'll survive the loss
00:44:46right
00:44:49i should have known
00:44:52guys like you
00:44:55you don't end up with girls like me
00:44:59you play with them then you throw them away
00:45:03go to sleep alice
00:45:25you
00:45:28yeah around me feels so heavy but depleted
00:45:31but i find this the place to test myself
00:45:37so heavy side
00:45:39you
00:45:40it's
00:45:40it's
00:45:41it's
00:45:42it's
00:45:43it's
00:45:43it's
00:45:44it's
00:45:45Oops.
00:46:04Oh, sorry.
00:46:06Didn't see that.
00:46:07Then again, nobody does.
00:46:10Move, please.
00:46:12Try begging.
00:46:15You know what?
00:46:19Keep it.
00:46:25Poor thing.
00:46:27So dramatic.
00:46:29Don't.
00:46:30Excuse me?
00:46:32I warned you.
00:46:33Walk away, Serena.
00:46:45Last week's group assignments were mostly forgettable, but one pair surprised me in a good way.
00:47:03Charles Kenwood and Alice Keaton.
00:47:06Would you mind giving us a short summary?
00:47:07She loves the sound of her own voice.
00:47:10Better have it.
00:47:11I couldn't stay.
00:47:12I couldn't wait.
00:47:14I thought that you should know that I would have.
00:47:18Can hang around.
00:47:19Our essay explored what happens when two fundamentally different voices meet, like logic and chaos, or silence and noise.
00:47:27Different worlds, different rules.
00:47:32At first glance, they clash.
00:47:35But what makes the story interesting is what happens next.
00:47:39Confusion.
00:47:40Curiosity.
00:47:41But in the end, some stories aren't about staying.
00:47:45And yes, there is no such thing as a happy ending.
00:47:47And yes, there is no such thing as a happy ending.
00:48:01Is she still talking about the essay?
00:48:06Miss Keaton.
00:48:08Dramatic as always.
00:48:10All right.
00:48:11Thank you, Alice.
00:48:12That was...
00:48:14later.
00:48:16Are you okay?
00:48:17Bingo.
00:48:18That good literature always stirs something.
00:48:24Hello?
00:48:25Hi, here's Alice Keaton.
00:48:26This is Whitmore Press.
00:48:27We've been following your work.
00:48:28We'd like to offer you a long-term publishing contract.
00:48:31Name your price.
00:48:32We'll make it work.
00:48:33Sorry, what?
00:48:45That's...
00:48:45kind of insane.
00:48:47Who's behind this?
00:48:48Your sponsor wishes to remain anonymous.
00:48:52Can...
00:48:52Can I meet them?
00:48:53I want to.
00:48:56Please.
00:48:58Or at least tell me a name.
00:49:03Sorry, they wish to stay in office.
00:49:05So they're only interested in work, not the person.
00:49:07I'd really like to meet them.
00:49:08I'm sorry, Miss Keaton.
00:49:09They were very good.
00:49:11I think the most generous offer we've ever given in a zero answer.
00:49:13I see.
00:49:15Congratulations again.
00:49:21You got the interview.
00:49:22It's just an interview.
00:49:23I haven't gotten it yet.
00:49:24Still, Alice Keaton at Oxford.
00:49:27That's iconic.
00:49:28You okay?
00:49:38Yeah.
00:49:40I'm so excited!
00:49:41It's done, Mr. Kenwood.
00:49:55Miss Keaton signed the contract.
00:49:58Good.
00:50:00It's a generous deal.
00:50:01You sure you don't want it to know?
00:50:03No.
00:50:04No, it's better if I stay out of her life.
00:50:17Congratulations, Alice Keaton.
00:50:20Go live the life you were always meant to.
00:50:28Your engagement and advancement should align perfectly with the Foundation Gala.
00:50:32And the Browns already offered to host the London Reception.
00:50:38It's all coming together beautifully.
00:50:44I've lost my appetite.
00:50:48I'll go check on him.
00:50:54What's your problem, Charles?
00:50:56Disengagement is not happening.
00:51:03It's not up to you.
00:51:04You know that.
00:51:04Serena, we're not doing this.
00:51:08You've changed.
00:51:12Or maybe I finally just stopped pretending.
00:51:14I'll go check on you.
00:51:42Charles!
00:51:44You're the sponsor.
00:51:45You've been funding Alice Keaton this whole time.
00:51:50So?
00:51:51You lied to everyone, including her.
00:51:54I protected her.
00:51:58You loved her.
00:52:00Still do.
00:52:02Let it go, Serena.
00:52:05There's no point.
00:52:13I need a favour.
00:52:17Find out when the Oxford interview is.
00:52:20And make sure Alice Keaton won't show up.
00:52:27Anything?
00:52:28No?
00:52:30She's not answering.
00:52:32The interview's almost over.
00:52:33Well, she won't just not show up.
00:52:35Something's wrong.
00:52:37Where's Alice?
00:52:39When was the last time you heard from her?
00:52:41Last night.
00:52:42She said she was prepping all evening.
00:52:48James, track someone for me.
00:52:51Wait, where are you going?
00:53:00Chill, okay?
00:53:02Who won't hurt you?
00:53:03Yeah, we're just supposed to keep you awake from the interview.
00:53:06That's it.
00:53:10Oh!
00:53:11Shit!
00:53:15Come back!
00:53:16Shit!
00:53:17Come back!
00:53:18Oh!
00:53:28Oh!
00:53:37Oh!
00:53:38I remember how I meant
00:53:46Didn't need a second guess
00:53:50Hey, hey, hey, Alice, Alice
00:53:56Alice, stay with me, stay with me, stay with me, Alice
00:54:00Alice
00:54:01You're awake
00:54:08Where, where am I?
00:54:11Local clinic, passerby brought you in
00:54:14Passerby
00:54:15He found you on the side of the road
00:54:18He had to leave, he didn't leave a name
00:54:20Oh
00:54:22The interview, what time is it?
00:54:26Easy, it's okay
00:54:28Someone already contacted the university
00:54:30And sent in your writing samples
00:54:32They've rescheduled your interview for tomorrow
00:54:34Wait, what, who?
00:54:36No idea, but it's all taken care of
00:54:38What did you say?
00:54:43Nothing
00:54:43I just
00:54:45Had a dream
00:54:56Yeah
00:54:56Did you?
00:54:58I got in!
00:55:00Oh, I knew it
00:55:04Too bad Charles isn't here to watch you crush it
00:55:07He's not here
00:55:09Oh, you didn't know
00:55:12Know what?
00:55:14He left
00:55:15A few days ago, yeah
00:55:16Everyone doesn't really know where he went
00:55:18Honestly, Ashford's been quieter without him
00:55:21It's probably for the best
00:55:22Come on
00:55:23The summer I met Charles Kenwood was loud
00:55:36Chaotic
00:55:38Unexpected
00:55:39And with his absence
00:55:43Come on
00:55:44It ended quietly
00:55:45It ended quietly
00:55:47Like summers always do
00:55:51To see
00:55:52And joining us today
00:56:05The decade's most unexpected literary phenomenon
00:56:09Alice Keaton
00:56:10Thank you for having me
00:56:11Now, your words moved millions
00:56:14They say your stories feel real
00:56:17Especially the ones about love
00:56:19Thank you
00:56:20Which brings us to the most obvious question
00:56:22How's your dating life like these days?
00:56:24No comment
00:56:26A little bird told me that the past four years has been just writing and working
00:56:31Not even a single date
00:56:32Let me guess a bird named Sherry
00:56:34She caught me
00:56:35Still no comment
00:56:36Alright, alright
00:56:37No matter what you say
00:56:39You write love
00:56:40Like someone who's lived it
00:56:43If you're so real
00:56:44Because once
00:56:45I did
00:56:46With someone who felt like chaos and clarity
00:56:49And no one ever quite matched the light after that
00:56:53And let's give it up for Alice Keaton one more time
00:56:57Congratulations Alice
00:57:08The numbers just came in
00:57:10You broke your own record
00:57:11That's incredible
00:57:14We're thinking celebration
00:57:15Press
00:57:16Photos
00:57:17Maybe tonight
00:57:18Actually
00:57:19There's something I'd rather do
00:57:21I'd like to meet with the person who
00:57:24Believed in me first
00:57:26My sponsor
00:57:28You sure?
00:57:29Yeah
00:57:30Just once
00:57:31Tonight
00:57:337pm
00:57:34Good evening
00:57:45Good evening
00:57:50May I sit?
00:57:56Hey Mr. Nonchalant
00:58:01Hi
00:58:04Hi
00:58:05You look well
00:58:09And you look like you just stepped out of a GQ cover
00:58:13You always did
00:58:16You were expecting someone else
00:58:18I was
00:58:20Hoping
00:58:22But I guess I always knew
00:58:25I didn't come here to confuse you
00:58:28Or to reopen anything
00:58:29I just wanted to say congratulations
00:58:34Oh
00:58:36Thank you
00:58:37Thanks for keeping me
00:58:39Didn't know you're still reading
00:58:41You were rich enough not to do so
00:58:43Always
00:58:45Either way
00:58:47Your sponsorship started my career
00:58:49So
00:58:50No
00:58:50No
00:58:52You earned everything
00:58:53Every word
00:58:57Every page
00:58:59Every reader
00:59:01That's what I came to say
00:59:04That's what I came to say
00:59:04It was good to see you again
00:59:09I hope
00:59:10Charles
00:59:10Can you just
00:59:13Wait a little longer
00:59:16I think I knew it was you
00:59:24There was one email
00:59:27You said something
00:59:30It felt familiar
00:59:31Really?
00:59:32Kind of had that
00:59:33Rich asshole with a conscience energy
00:59:36Very on brand
00:59:37I should have anonymized my grammar
00:59:40Too late
00:59:41Your semicolon usage gave you away
00:59:43Still the only girl I know
00:59:45Who flirts through punctuation
00:59:46Still the only guy I know
00:59:48Who uses why else unironically
00:59:49You've changed
00:59:53But
00:59:55Not really
00:59:57You haven't changed
01:00:00But maybe you've grown into
01:00:03Who you really were
01:00:04Anyway
01:00:07I wanted to say
01:00:09Thank you
01:00:11And
01:00:12Thanks for being here tonight
01:00:15You didn't have to come
01:00:17Don't tell me what I have to do
01:00:19You didn't have to come
01:00:23Don't tell me
01:00:26What I have to do
01:00:37If you could go back
01:00:48If you had the chance
01:00:49To do it all again
01:00:50Would you do anything differently?
01:00:57No
01:00:58I see
01:01:08I know my answer now
01:01:13I didn't have the power
01:01:14Back then
01:01:15Not enough to protect you
01:01:17I couldn't watch you get crushed
01:01:19Because of me
01:01:19Because of my name
01:01:22My family
01:01:23I didn't want to be the reason
01:01:27You lost everything
01:01:28So you just disappeared
01:01:30Without a word
01:01:31If you had the chance
01:01:35To see the world
01:01:36Without me weighing you down
01:01:38If you still chose me
01:01:40After that
01:01:41You keep saying
01:01:45You wanted to give me a choice
01:01:46But you made a choice for me
01:01:50Did it ever cross your mind
01:01:53That maybe
01:01:54I would have chosen you anyway
01:01:58I didn't think I was the smart choice
01:02:06You weren't
01:02:08But
01:02:10I never claimed to be that smart
01:02:12This is me
01:02:21Right
01:02:22I'm still mad at you
01:02:31You know
01:02:31I'm still in love with you
01:02:35You know
01:02:36Do you want to come in for a bit?
01:02:48You're asking your ex
01:02:49Who you haven't seen in four years
01:02:52To come into your hotel
01:02:54At approximately 11pm
01:02:56You were right
01:02:58You never were that smart
01:03:00You don't have to come
01:03:02Don't tell me
01:03:04What I have to do
01:03:05It's almost like you say
01:03:08The last thing is where you go
01:03:12Stop quoting yourself
01:03:20I recycle
01:03:21It saves energy
01:03:22This feels wildly irresponsible
01:03:26You sound like a disclaimer
01:03:27You're the one who wants called romance a distraction
01:03:30I said that
01:03:31Yeah
01:03:32Before calling Wuthering Heights overrated
01:03:34Still is
01:03:35You're lucky you're a good kisser
01:03:37That is cute
01:03:42Don't you dare quote poetry
01:03:45I wasn't going to
01:03:46I forgot all of it the day you left
01:03:48Then shut up
01:03:50And prove it
01:03:52I still can't believe this is happening
01:04:00I told you
01:04:01They're either worst enemies
01:04:02Or secretly married
01:04:03And I told you
01:04:04They're both
01:04:05I vow to always
01:04:33Tell you the truth
01:04:34Except for when you ask
01:04:36How your cooking was
01:04:37Then I lie
01:04:38Respectfully
01:04:40I vow to keep choosing you
01:04:43Loudly
01:04:45Quietly
01:04:46Always
01:04:48Even when you forget to do the laundry
01:04:51Is he actually good at this?
01:04:56I mean
01:04:56He did beat over at song
01:04:58I vow to argue with you
01:05:03At least twice a week
01:05:03Especially over Shakespeare
01:05:05I vow to write you
01:05:07In your every story
01:05:08Even when I say I didn't
01:05:10You will always be a part of my life
01:05:13If she quotes Austen in this toast
01:05:16I'm out
01:05:17No you're not
01:05:17You're going to cry harder
01:05:19I can't believe you picked Paris
01:05:32I can't believe you picked Paris
01:05:44Such a cliche honeymoon destination
01:05:47Guard your phone
01:05:49Relax
01:05:50Just don't dress like a walking inheritance
01:05:52And you'll be fine
01:05:53You are not wearing that on our honeymoon
01:05:58Please Alice go change
01:06:01Don't tell me what I have to do
01:06:03No
01:06:08No no no no that is not an invitation
01:06:11Do not take off these clothes
01:06:13Overruled
01:06:14You look much better without them
01:06:16To the ones who loved in silence
01:06:24In chaos
01:06:25In chapters
01:06:26You will find your way home
01:06:29Don't turn away
01:06:34Don't turn away
01:06:35Fuck you
01:06:36Banking
01:06:36I've got it
01:06:37This freaking Joy
01:06:38trust me
01:06:39You have to be pissed
01:06:40Oh Hi
01:06:40This is my love
01:06:41You have to be the van
01:06:42It's up to us to make sure that we can gain what's been passed through these books.
01:07:09Help us develop, learn, and grow.
01:07:12Evermore.
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1:06:45
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