In Other Words, I Love You #Dramabox

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In Other Words, I Love You #Dramabox    #EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

Transcript

00:00:00I've always described the world in words people moments places all through metaphors and margins

00:00:11okay like my mom self-made stubborn and never wrong

00:00:18what was there you excited for your first day she calls this a fresh start I call it terrifying

00:00:30you've got this just for yourself that's kind of the problem

00:01:00okay

00:01:04morning class

00:01:07and you're not seated because

00:01:11I don't have a seat

00:01:14ah a new transfer Alice Keaton right

00:01:18let's see

00:01:19now there's a spot next to Charles

00:01:24Charles case sorry

00:01:26seriously a charity case sitting next to Charles

00:01:30god what is she

00:01:32quiet

00:01:33Charles

00:01:37I've always had words for everything

00:01:40but in that moment

00:01:44I forgot them all

00:01:47Max

00:01:53Charles move your things

00:01:56i'd rather not

00:01:58she'll be a distraction

00:01:59from what

00:02:01sleeping

00:02:02from everything

00:02:03if anything

00:02:04Charles

00:02:04miss Keaton will be a positive influence on you

00:02:07she was top of her class at a previous school

00:02:08with all due respect sir

00:02:11her previous school was American

00:02:13I highly

00:02:16doubt that

00:02:16that's enough

00:02:19she can sit here

00:02:21it's fine

00:02:22back to

00:02:25Golding

00:02:26you got it

00:02:27I'm Sherry Bourne

00:02:29Alice Keaton

00:02:29it's very important that we look at

00:02:32what he's talking about

00:02:34their experience of the time

00:02:36wait

00:02:40you sat next to Charles

00:02:42she didn't

00:02:42you totally shut her down

00:02:44oh knew it

00:02:45don't take it personally

00:02:46he's impossible

00:02:47can everyone stop acting like the goal is getting into his pants

00:02:51what

00:02:52he's hot

00:02:53everyone

00:02:53cannabis

00:02:54I

00:02:56I've seen

00:02:57Connor

00:02:58he's not my type

00:02:59you're joking

00:03:00I don't find bullies attractive

00:03:03hey

00:03:03be careful

00:03:04you're talking about the king of Ashford

00:03:06the what

00:03:07his family basically own the school

00:03:10and the town

00:03:11maybe even the country

00:03:12yeah

00:03:13everyone's tried to get close

00:03:15no one can get past his ego

00:03:16you're not the first to get iced

00:03:18okay

00:03:19first of all

00:03:19I wasn't iced

00:03:21it's more like

00:03:22a mutual decision

00:03:23and second

00:03:24I think he's arrogant

00:03:26cold

00:03:27thinks he's untouchable

00:03:28but if you really look at Charles

00:03:30he just seems isolated

00:03:32like he's faking out

00:03:33honestly

00:03:34I just think he's lonely

00:03:36and kind of pathetic

00:03:37what?

00:03:41no, go on

00:03:43you were saying I'm lonely

00:03:50and pathetic

00:03:51next time

00:03:56read the room

00:03:59before opening your mouth

00:04:01American

00:04:01we're not in Kansas anymore

00:04:05Alice

00:04:06hey, how was your first day?

00:04:24uh, good

00:04:25anything exciting happened?

00:04:27not really

00:04:28super uneventful

00:04:28uneventful

00:04:29really?

00:04:30how's your new job?

00:04:32yeah, alright

00:04:33get this?

00:04:35they said we can stay in the servant's wing

00:04:36seriously?

00:04:37hmm

00:04:38apparently the young master won't mind the company

00:04:40the young master

00:04:42this is your boss's house

00:04:46yeah

00:04:47isn't it credible?

00:04:49I mean, I wouldn't call it a house

00:04:51it's

00:04:51a museum

00:04:54with better landscaping

00:04:56wait here

00:05:00I'll talk to the butler

00:05:01wow

00:05:07rich people

00:05:09you've topped yourselves again

00:05:11Stephen King

00:05:15first edition

00:05:17breaking and entering now

00:05:28how American of you

00:05:31I

00:05:31you can get up now

00:05:53I

00:05:54I'm trying

00:05:55wait

00:05:56are you serious?

00:06:00well, you said you were trying

00:06:01what is wrong with you?

00:06:05funny

00:06:05I was about to ask you the same thing

00:06:08what are you doing in my house?

00:06:11you

00:06:11wait

00:06:13your house

00:06:15my house

00:06:16my library

00:06:17and now

00:06:18apparently

00:06:19my unwanted guest

00:06:21ah, Master Charles

00:06:23you must be Miss Alice

00:06:25Anne's daughter

00:06:26she said you'd be moving in today

00:06:27she what?

00:06:29there

00:06:29there's been some kind of misunderstanding

00:06:31you see

00:06:32I'm not actually moving in

00:06:34is that so?

00:06:36yeah

00:06:36I'm not staying here

00:06:38like at all

00:06:38that's a shame

00:06:39your mother seemed quite pleased with the arrangement

00:06:41well

00:06:42I just don't think it's appropriate

00:06:44well

00:06:45if you're sure

00:06:46then absolutely not

00:06:47come on

00:06:50Alice

00:06:50you

00:06:52must

00:06:53stay

00:06:54it'll be

00:06:55fun

00:06:56my dear

00:06:58classmate

00:07:00I'm dead

00:07:02like mentally

00:07:03socially

00:07:04and actually dead

00:07:06just trying to figure out

00:07:14how exactly my life went off the rails

00:07:16get it together

00:07:18Alice Keaton

00:07:19you've been through hell

00:07:20I'm sure I'd never find someone

00:07:22I'll make my head spin around

00:07:24actually no

00:07:25this is hell

00:07:28hey

00:07:29good morning

00:07:32wow

00:07:39wow

00:07:40sir is that Miss Keaton?

00:07:49what thing doesn't know

00:07:50that shop's been closed for months

00:07:52she's going to be late

00:07:54hey

00:08:00how long is this thing going to take

00:08:02maybe I'll just walk

00:08:03five miles

00:08:05to school

00:08:06okay

00:08:08if I sprint

00:08:09maybe I'll make it before first period

00:08:11or die of exhaustion on the way

00:08:14or die of exhaustion on the way

00:08:18or die of exhaustion on the way

00:08:19what are you doing here?

00:08:23didn't you already leave?

00:08:24wait

00:08:25wait

00:08:26did you come back for me?

00:08:30relax

00:08:31I forgot my textbook

00:08:34don't flatter yourself

00:08:35wait

00:08:36since you're already here

00:08:41maybe you could be a decent person

00:08:43and give me a ride

00:08:44no

00:08:45seriously?

00:08:49your car is huge

00:08:51yeah

00:08:52and I'm not a fan of sharing

00:08:55says the guy who forced me to live in his house

00:08:59unbelievable

00:09:04Ashford Institute please

00:09:15thank you

00:09:17who needs that entitled brat anyway

00:09:22sir

00:09:23you called the cab

00:09:24why not just give Miss Keaton a lift?

00:09:27why not just give Miss Keaton a lift?

00:09:31why not just give Miss Keaton a lift?

00:09:33and lift

00:09:34and have the whole school go crazy

00:09:36she's new

00:09:37everybody's already talking

00:09:39so you're worried about her?

00:09:41you're overthinking

00:09:42I just don't like drama

00:09:50asshole

00:09:51who?

00:09:53morning class

00:09:54back to Golding

00:09:57remind me what he's saying through Lord of the Flies

00:10:03Mr Kenwood

00:10:05Mr Kenwood

00:10:06care to share what you found so amusing?

00:10:08not particularly

00:10:10oh

00:10:11I insist

00:10:12you seem very entertained by Golding

00:10:14I'm not entertained by Golding sir

00:10:17on the contrary

00:10:19I think his ending is

00:10:21weak

00:10:22wait wait

00:10:24do I actually read it?

00:10:25quiet

00:10:26that's an interesting take

00:10:29explain

00:10:33he had the setup for something brutal

00:10:35something honest

00:10:36but in the end

00:10:37he backed out

00:10:38he could have left the boys on the island

00:10:40forced them to confront the collapse of vulnerability

00:10:42let them choose survival

00:10:44or death

00:10:46but instead

00:10:47he gave them a rescue boat

00:10:49slapped a happily ever after

00:10:50on a book about savagery

00:10:56it's a waste

00:10:57don't you think?

00:10:58I'm delightfully surprised Charles

00:11:00didn't think you had such strong literary opinions

00:11:03I'm always a model student sir

00:11:05let's not get ahead of ourselves

00:11:09so

00:11:10a critique of Golding's mercy

00:11:12anyone disagree?

00:11:13anyone disagree?

00:11:29I think Golding knew exactly what he was doing by ending the book that way

00:11:33it's not mercy

00:11:34it's irony

00:11:35how so?

00:11:39the rescue isn't a happy ending

00:11:41you don't just walk back into society

00:11:43and forget you're a monster

00:11:44Golding didn't save them

00:11:45he left us with the discomfort

00:11:47of pretending they could be saved

00:11:48that's an interesting take

00:11:50Miss Keita

00:11:51you still think it's a harsh critique?

00:11:53in some ways

00:11:54but not harsh enough

00:11:57yes

00:11:58it's a critique of toxic masculinity

00:12:00but still

00:12:01Golding sympathized with them

00:12:03and the civilized world?

00:12:05toxic

00:12:06violent

00:12:07he didn't call that out nearly as much

00:12:08so yeah

00:12:09I don't think Golding pushed far enough

00:12:10but I think it's unfair to call it a happy ending

00:12:17thank you Miss Keaton

00:12:19well said

00:12:20anyone else?

00:12:23both opinions are valid

00:12:24okay

00:12:25that's kind of epic

00:12:26and let's not forget

00:12:27Golding faced major backlash when he first published the book

00:12:31good literature will always divide opinions

00:12:36what's happening to me?

00:12:38okay

00:12:39what is going on?

00:12:44why is everyone staring at me?

00:12:46well

00:12:47you're new

00:12:48and apparently had a thing with Charles

00:12:50a what now?

00:12:51you two are in the middle of the most epic feud as you've seen in years

00:12:56we're not even fighting

00:12:57well according to everyone

00:12:58you confessed your love on day one

00:13:00got rejected

00:13:01begged to sit next to him

00:13:03got rejected again

00:13:04and today in class

00:13:06you broke down crying about not believing in happy endings

00:13:09and stormed out in tears

00:13:11you were there Sherry that is not what happened

00:13:15doesn't matter

00:13:17people believe what they want to believe

00:13:19and they want Charles to be flawless

00:13:22untouchable

00:13:23wow

00:13:24is misogyny like a rich kid thing or just a British specialty?

00:13:28honestly

00:13:29both

00:13:30but

00:13:31seriously Alice

00:13:32some people already see you as a threat

00:13:42okay

00:13:43loaded

00:13:44looks like the new girl is in for a rough first semester

00:14:03hello?

00:14:05hello?

00:14:07is somebody out there?

00:14:09oh come on!

00:14:24fine

00:14:25seriously?

00:14:42oh shit

00:14:48what the hell?

00:14:50Anne

00:14:51i thought you were having dinner with Alice?

00:14:53she hasn't come home

00:14:54her phone is off

00:14:55maybe you've seen her this evening?

00:14:59yikes

00:15:00looks like the new girl is in for a rough first semester

00:15:09shit

00:15:14hey

00:15:15Alice

00:15:16Mr Pelton

00:15:17Charles Kenwood here

00:15:18i was wondering if i could get the timetable for Alice Keaton

00:15:21she hasn't come home

00:15:22i'll have it sent over

00:15:23i'll have it sent over

00:15:25check the common room in the library

00:15:26i'll take the rest

00:15:30Alice

00:15:31Alice

00:15:32come on Alice

00:15:33close your eyes and jump

00:15:47it's fine

00:15:49you're fine

00:15:50you're fine

00:15:51you're fine

00:15:52help

00:15:54you're fine

00:15:57no

00:16:00no

00:16:01no

00:16:02no

00:16:03no

00:16:04no

00:16:05no

00:16:06no

00:16:07no

00:16:08no

00:16:09no

00:16:10Hey, Mr. Nonchalant

00:16:17Are you happy with how we ended?

00:16:24What? What are you doing here?

00:16:27Can you get off me first?

00:16:31You're welcome

00:16:42I didn't say thank you

00:16:44I figured saving your life might earn me basic manners

00:16:47Someone just dumped swamp water on me

00:16:50Excuse me if I'm not feeling very polite

00:16:52You smell like a biology experiment

00:16:54Wow

00:16:56You should try falling out of a window into someone's arms and getting insulted for it

00:17:00I recommend it

00:17:01You're heavier than you look

00:17:04I hope you pull your shoulder

00:17:11Are you okay?

00:17:13No

00:17:14But I will be

00:17:16Someone did this on purpose

00:17:18What do you think golden boy?

00:17:21Don't worry I can handle it

00:17:22You shouldn't have to

00:17:25I'm

00:17:27Sorry

00:17:29Did you just apologize to me?

00:17:42Don't get used to it

00:17:43I wouldn't dream of it

00:17:44Alice?

00:17:45Over here

00:17:46Oh my god

00:17:47You okay?

00:17:48Why are you drenched?

00:17:49Yeah, I just took a weird shower, tap exploded

00:18:01Come on, let's get you home

00:18:03Come on

00:18:04Let's get you home

00:18:15Alice Keaton right?

00:18:16I heard she staged the whole thing for attention

00:18:20I know how this place works

00:18:33If you don't do anything about it, it's only going to get worse

00:18:37I'll look into it

00:18:38Charles?

00:18:39Good on you

00:18:40How many here would speak up?

00:18:41I can't believe someone actually locked you in, that's insane

00:18:42Where the hell was the school when this was happening?

00:18:55Busy protecting their golden boys and trust funds

00:18:56Well for what it's worth

00:18:57I heard Charles looked pretty freaked out when he ran out last night

00:18:59Please, he just didn't want a lawsuit

00:19:00He didn't want a lawsuit

00:19:30Being a scholarship student has its perks, like saving a fortune on tuition and getting

00:19:42into schools that normally wouldn't even let you pass the gates.

00:19:45Hey!

00:19:46We miss you in Paris!

00:19:49Though there are enough Americans to remind us of you.

00:19:52But sometimes, being here means standing behind, and watching Ashford elites go on a two-week

00:19:58enrichment program you can never afford.

00:20:02Have fun!

00:20:04Bring me something overpriced and unnecessary.

00:20:11The trip cost 20 grand in pounds, which translates to mom's salary for half a year.

00:20:17So yeah, I didn't go.

00:20:20Uh, what are you doing here?

00:20:27Do you not believe in shirts?

00:20:28Do you not believe in dignity?

00:20:31It's comfortable.

00:20:33You look like a rejected Ewok.

00:20:36This, this is not even your kitchen.

00:20:50And this is not even your house.

00:20:52And yet, you're here, dressed like this.

00:20:55Just don't look.

00:20:56Go away.

00:20:57Hard not to, when you're walking around dressed like that.

00:21:01What do you guys call it, um, buzzkill, cock block.

00:21:05You're insufferable.

00:21:06You're the one cosplaying at breakfast.

00:21:10You know what?

00:21:11I don't get it.

00:21:12Why didn't you go on that tour?

00:21:13I thought rich people live for that kind of thing.

00:21:15Why do you think?

00:21:19Why would I go?

00:21:23I could practically recite the itinerary in my sleep.

00:21:26Florence.

00:21:27Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.

00:21:32Or Tiziano, if you want to sound extra pretentious.

00:21:36Then Venice, because everybody loves a good canal and getting lost in the most confusing

00:21:41city on earth.

00:21:42Next stop, Napoli.

00:21:44Marvel at Pompeii, pretend you're shocked.

00:21:47Ancient people had plumbing.

00:21:48The final stop, Harry, the ultimate city of romance.

00:21:54And, naturally, Woody Allen's favourite city outside of New York.

00:22:01That's word for word.

00:22:04I told you, I've done this tour so many times I could run it.

00:22:07Okay, but still, it's Europe.

00:22:09Most people would kill for that chance.

00:22:11Most people haven't had their phones stolen in Paris.

00:22:14Twice.

00:22:16Also, I hate the accommodations.

00:22:18Aren't they all five-star hotels?

00:22:20Standard rooms in five-star hotels.

00:22:23No, thank you.

00:22:25Wow.

00:22:26Some were born in Rome, huh?

00:22:27Well, that's unfortunate.

00:22:28It's a very chaotic city.

00:22:30One word of advice?

00:22:31Shut up.

00:22:32That's two words.

00:22:33You're weird.

00:22:34You're loud.

00:22:35You're annoying.

00:22:35You're in my kitchen.

00:22:36You have three other kitchens.

00:22:37And I prefer this one.

00:22:38Just for today.

00:22:39Come back when you've got a shirt on.

00:22:40Come back with normal clothes on.

00:22:41You didn't have to come.

00:22:42Don't tell me what I have to do.

00:22:43That's a Charles.

00:22:44Roads are flooded.

00:22:45Staff won't make it tonight.

00:22:46Will you be alright sorting dinner?

00:22:48I've got it sorted.

00:22:49I've got it sorted.

00:22:50I've got it sorted.

00:22:51I've got it sorted.

00:22:56I've got it sorted.

00:22:57I've got it sorted.

00:23:03Jesus, what are you doing?

00:23:20Relax.

00:23:21I'm here to make a deal.

00:23:24What deal?

00:23:25What deal? You nearly gave me a heart attack.

00:23:31You'll survive.

00:23:33I'm not selling my body.

00:23:38I'm not selling my body.

00:23:44Wow. I am deeply offended.

00:23:48That thought disgusts me.

00:23:50Then what are you doing?

00:23:51The staff's off tonight. I'm buying dinner.

00:23:55Did you seriously think I'd spend a hundred pounds on...

00:24:00No, I'm...

00:24:01Jesus.

00:24:03Wait. You think I'm not worth one hundred pounds?

00:24:07I'm not spending one hundred pounds to snort Chewbacca.

00:24:11You know what? Dinner's cancelled.

00:24:15Are you sure about that?

00:24:19I present to you.

00:24:20Meatball spaghetti, stir-fried veggies, and french fries.

00:24:23You're welcome.

00:24:25Interesting combo.

00:24:26Well, I know we're not in Italy or France, but this'll do.

00:24:30It's...

00:24:32Good.

00:24:38Was that a compliment?

00:24:40Although...

00:24:41I am obliged to inform you.

00:24:43Meatball spaghetti isn't Italian. It's American.

00:24:46And french fries, likely born in South America.

00:24:49You should read more.

00:24:51Put it down.

00:24:53I paid for it.

00:24:55You really just have to win every argument, don't you?

00:24:57To be fair, you make it very easy.

00:25:00It's only easy because it costs two hundred pounds.

00:25:03You know, if you'd ask for more, I probably would have given it to you.

00:25:06I'll make sure I'm in it.

00:25:07I'll make sure I'm in it.

00:25:08Okay, Alice.

00:25:09It's fine.

00:25:10You're fine.

00:25:119-1-1.

00:25:12What's for your emergency?

00:25:149-1-1.

00:25:15What's for your emergency?

00:25:169-1-1.

00:25:17What's for your emergency?

00:25:189-1-1.

00:25:19What's for your emergency?

00:25:20It's my dad.

00:25:21He needs help.

00:25:22He just had a stroke.

00:25:24Okay, miss.

00:25:40Hurricane's constant traffic shut down.

00:25:41We'll get to you as soon as we can.

00:25:44Please, he's not well.

00:25:45Oh, you're just gonna get to me.

00:25:47as soon as we can, right?

00:25:48Please, he's not well.

00:25:50I understand.

00:25:51Can you confirm your address?

00:25:54Dad, yes, I'm right here.

00:25:56Hi.

00:25:58My daughter.

00:26:00Please stay with me, Dad.

00:26:01Please.

00:26:06No.

00:26:08Please wake up.

00:26:13Dad, please.

00:26:15Please don't leave me.

00:26:17I don't know.

00:26:18I don't know.

00:26:26I don't know.

00:26:38I don't know.

00:26:42I can't.

00:26:44you what are you doing here

00:26:50you were crying loudly kind of hard to ignore right sorry for the night wait you know snarky

00:27:06come back not tonight i'm too tired if you're here to argue knock yourself out

00:27:11you were calling for your dad right hurricane hit new york power went down traffic froze

00:27:21dad had a stroke but he couldn't get help in time

00:27:26i sat there with a candle while he laid there peaceful like he was asleep

00:27:38but he wasn't

00:27:41so that's why you and your mom moved here this used to be our hometown

00:27:48after dad left we had nowhere else to go

00:27:54what are you doing

00:28:00come on

00:28:05wait i thought the peril was out it is we have our own generator

00:28:26wow rich people houses her just for tonight i'll allow it

00:28:32allow what you can call this place your house

00:28:36so enjoy it stephen king's first edition alan gisberg's handwritten letters

00:28:41jane austen's notes all yours

00:28:44this is your home

00:28:51alice keaton

00:28:53careful

00:28:58almost sounded sweet

00:29:00don't push it

00:29:02okay then

00:29:03i have

00:29:07one request

00:29:09what is it

00:29:12are you ever going to make a move

00:29:21wait

00:29:21give me a second i'm thinking

00:29:23you had one wish

00:29:26anything in the world

00:29:27and in the middle of a thunderstorm

00:29:29inside a literal mansion

00:29:31you chose

00:29:33chess

00:29:34yeah

00:29:34got a problem

00:29:35it's just so cool like spies or genius villains in movies

00:29:40it's literally a board game

00:29:42says the guy who owns a custom set

00:29:44wait does the night go diagonally

00:29:48for the tenth time

00:29:49it moves in an l shape

00:29:51one

00:29:53two

00:29:54then turn

00:29:55there

00:29:57happy

00:29:58ecstatic

00:29:59suicide

00:30:03or a brilliant long-term sacrifice

00:30:05you are playing checkers at a chessboard

00:30:07still beating you in sarcasm

00:30:09you literally haven't won any past arguments

00:30:11golding disagrees

00:30:12it's going to be a long night

00:30:14oh my god

00:30:15no

00:30:16why what's going on that

00:30:16you can't do that

00:30:17you can't do that

00:30:18no no no oh my god

00:30:20you had to shop a trip and about it all wrong

00:30:24to pull you in close as we're locked on the phone

00:30:28all yourself work cause i'm moving on

00:30:31you're not gonna be a problem

00:30:32oh yeah

00:30:32showing up at my door

00:30:35holding your heart there inside your hands

00:30:41maybe

00:30:41he's not so awful after all

00:30:51um who are you?

00:30:52your parents said you were still at home

00:30:56What are you doing here?

00:30:58Well, your parents said you were still at home.

00:31:00Thank God you skipped that boring grand tour.

00:31:03Who needs Italy and France again, right?

00:31:05When did you get back?

00:31:06Last night. From Zurich.

00:31:08You didn't answer my messages.

00:31:12I missed you.

00:31:13Anyway, thought I'd come surprise you.

00:31:15Apparently, I'm transferring to Ashford.

00:31:18Your parents were so thrilled.

00:31:20They didn't tell me about this.

00:31:22I wanted to deliver the happy news myself.

00:31:24They said it'd be lovely for us to reconnect.

00:31:27You know, considering the engagement and all.

00:31:31Engagement?

00:31:33Oh, did no one tell you?

00:31:36He's promised.

00:31:37Old money stuff. Very retro.

00:31:39I didn't agree to that.

00:31:41You didn't have to. It's never up to us.

00:31:45Where did you find this little toy?

00:31:47Serena?

00:31:48I didn't hear you, you know.

00:31:49Oh, an American.

00:31:52How refreshing.

00:31:58Goodbye.

00:31:59Wait.

00:32:00Where are you going? You still owe me breakfast.

00:32:06You only paid for dinner. I have homework. Goodbye.

00:32:09Your little toy has quite the temper.

00:32:15Serena, can you please just stop?

00:32:16What? Teasing the help?

00:32:17That's her. That's her. That's the one from Kenwood's house.

00:32:23Was she, like, the maid or something?

00:32:24Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.

00:32:29What?

00:32:30No.

00:32:31Wanna come, though?

00:32:33.

00:32:35,

00:32:36That's her!

00:32:37That's the one from Kenwood's house.

00:32:38Was she, like, the maid or something?

00:32:51oh my god what's wrong with people they're saying you live with Charles

00:33:04oh and Serena what about her apparently she told everyone you were caught

00:33:08sneaking into his room of course she did

00:33:21careful alice you're starting to look desperate

00:33:41come to the music room urgent I just remembered I need to check something you guys go ahead

00:33:51help is someone there seriously this is getting old

00:34:11wait music room what

00:34:16James is anybody in here earlier just miss Serena said she was waiting for you

00:34:22sir

00:34:24sir it's raining

00:34:36come on alice you're fine

00:34:39you're not that girl again

00:34:41wait can you remind me one more time

00:34:51okay rooks move in straight lines

00:34:54yeah

00:34:55bishops move diagonally and knight

00:34:57a knight

00:34:58the knight's the weird one

00:35:04rooks

00:35:06straight lines

00:35:08bishops

00:35:10diagonally

00:35:11the text

00:35:21okay you hurt I'm okay I saw the text and I thought I didn't see the message

00:35:28The text.

00:35:33Are you okay?

00:35:35Are you hurt?

00:35:36I'm okay.

00:35:38I saw the text and I thought...

00:35:40I didn't see the message.

00:35:42Serena took my phone.

00:35:43I didn't know.

00:35:44I'm sorry.

00:35:45I'm okay.

00:35:48You're going to catch a cold.

00:35:49You're freezing.

00:35:50You didn't have to come.

00:35:54Don't tell me what I have to do.

00:35:58That wasn't a mistake.

00:36:20If that's what you're about to say.

00:36:23I wasn't going to.

00:36:28You're really bad at this, you know.

00:36:40What?

00:36:41Kissing?

00:36:41Hiding feelings.

00:36:42Dump those Ewok pyjamas.

00:36:52Dump those Ewok pyjamas.

00:37:07Oh, you wish.

00:37:10Seriously.

00:37:11It's a cock block.

00:37:12You kissed me.

00:37:16That's basically consent to everything.

00:37:24Dangerous words, Keaton.

00:37:25I might hold you to that.

00:37:27You'll be working in pairs on your comparative essays.

00:37:39The list is on the board.

00:37:43One, two, three, four.

00:37:45Paper planes.

00:37:48Are you okay?

00:37:49Fly me to outer space.

00:37:54That's where I'll see your face.

00:37:58And have you with me.

00:38:04It may seem dark.

00:38:08But you always like my spark.

00:38:11You're welcome.

00:38:23They're either enemies or secretly married.

00:38:27Honestly.

00:38:28Faith.

00:38:29I was sure I'd never find someone to make my head spin around.

00:38:35No one's ever gonna be the thing I need.

00:38:37They all just let me down.

00:38:39But baby, you saved me.

00:38:42Time brand new.

00:38:45Everything's so different now.

00:38:49So, the night goes in an L shape, right?

00:38:52Why is that the only one you remember?

00:38:54Because it's weird.

00:38:57And I like weird.

00:39:06Check.

00:39:12You're cheating.

00:39:14I'm winning.

00:39:15There's a difference.

00:39:16You are very distracting.

00:39:18And you like it.

00:39:20I will be the four young day.

00:39:24I'll be the new dark and space.

00:39:28Hold you in my arms.

00:39:30Charles.

00:39:32We need to talk.

00:39:40I expected poor judgment.

00:39:43But this in my house?

00:39:45It isn't what it looks like.

00:39:46No.

00:39:48Kissing a servant's daughter in the family library.

00:39:51Enlighten me then, Charles.

00:39:53We came back tonight after speaking with Serena.

00:39:56Imagine our surprise walking in on this.

00:39:59She isn't just...

00:40:01You have no right to barge in.

00:40:03On my property.

00:40:07I care about her.

00:40:09I'm not ashamed of that.

00:40:10That's enough.

00:40:14Why do you care?

00:40:15We're protecting our son's future.

00:40:18And our name.

00:40:20You think this protects me?

00:40:22You think she does not belong in your world.

00:40:28Then maybe I don't either.

00:40:31You're ready to give up everything.

00:40:34For a girl you barely know.

00:40:38Yes.

00:40:39Then are you sure she's ready?

00:40:43I'm asking you.

00:40:50Do you think she's ready to lose everything, regardless of how little that is, just to be with you?

00:40:56What are you talking about?

00:40:58You left us no choice, son.

00:41:00You shouldn't disobey your father.

00:41:04Pelton.

00:41:06It's Frederick Kenwood.

00:41:07Ah, Mr. Kenwood.

00:41:09How can I help?

00:41:10If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?

00:41:20Yes, sir.

00:41:23So, answer me again.

00:41:27Do you think she's ready to lose everything just to be with you?

00:41:30Charles, what happened? Did your parents say something? Are they mad? Is everything okay?

00:41:47Pack your things.

00:41:49You can't stay here anymore.

00:41:50What?

00:41:53My parents fired your mother.

00:41:55She's leaving.

00:41:57So are you.

00:41:57Wait, what? Why?

00:41:59Is it because of us?

00:42:00We can fix this. I'll get a job.

00:42:02Stop, stop it. You don't get it.

00:42:05If I don't walk away from this, they'll cut me off.

00:42:08Okay?

00:42:08No card.

00:42:10No trust.

00:42:11No support.

00:42:13Nothing.

00:42:14Then...

00:42:15Then we'll figure it out.

00:42:16We don't need all that.

00:42:18We can...

00:42:19Do you really think I'm going to live like that?

00:42:24So that's what this was?

00:42:26Just fun until it got inconvenient.

00:42:30What did they promise you?

00:42:35Nothing.

00:42:35They just reminded me of what's real.

00:42:44Charles, I'm not stupid.

00:42:46You don't just turn into a cold stranger because of one conversation.

00:42:49What did they threaten you with?

00:42:56What did they threaten you with?

00:42:58This is the difference between me and you.

00:43:00What?

00:43:01You think you know me.

00:43:03Or what I have.

00:43:04You don't, Alice.

00:43:07You're still lying.

00:43:08I'm not, Alice.

00:43:10Look around you.

00:43:11This mansion you thought was a museum.

00:43:14It's my house.

00:43:16My world.

00:43:18I was bored into this.

00:43:20I am not choosing between this

00:43:22and something I picked up for a moment of fun.

00:43:30Don't do this, Charles.

00:43:32You don't mean it.

00:43:33It was fun.

00:43:35But you?

00:43:37You don't compare to what I own.

00:43:41I'll survive the loss.

00:43:45Right.

00:43:47I should have known.

00:43:50Guys like you don't end up with girls like me.

00:43:52You play with them, then you throw them away.

00:43:59Go to sleep, Alice.

00:44:00Go to sleep, Alice.

00:44:00This fall is a little more than I expected.

00:44:18In so deep, I can barely see myself.

00:44:22You're around me feels so heavy, but depleted.

00:44:30But I find just a place to test myself.

00:44:33I'm not going to die.

00:44:42Oops.

00:44:44Oops.

00:44:45Oops.

00:44:46Oops.

00:44:47Oh, sorry.

00:44:49oh sorry didn't see that then again nobody does move please try begging

00:45:09you know what keep it

00:45:19poor thing so dramatic don't excuse me i warned you walk away serena

00:45:49last week's group assignments were mostly forgettable but one pair surprised me in a good way

00:45:57charles kenwood and alice keaton would you mind giving us a short summary

00:46:03she loves the sound of her own voice better have it

00:46:06i couldn't stay i couldn't wait i thought that you should know that i would have

00:46:14our essay explored what happens when two fundamentally different voices meet

00:46:20like logic and chaos or silence and noise different worlds different rules

00:46:26at first glance they clash but what makes the story interesting is what happens next

00:46:34confusion curiosity but in the end some stories aren't about staying

00:46:40and yes there is no such thing as a happy ending

00:46:52and yes there is no such thing as a happy ending

00:46:56is she still talking about the essay

00:46:58miss keaton dramatic as always all right thank you alice that was laid

00:47:11are you okay

00:47:12that's kind of insane who's behind this your sponsor wishes to remain anonymous

00:47:40can can i meet them i want to please or at least tell me a name

00:47:52sorry they wish to stay in office so they're only interested in words not the person

00:47:55i'd really like to meet them i'm sorry miss keaton they were very good

00:47:59i think the most generous offer we've ever given a disability right now

00:48:03i see congratulations again

00:48:09you got the interview it's just an interview i haven't gotten in yet

00:48:13still alice keaton at oxford that's iconic

00:48:16for your love

00:48:18i'll be gone

00:48:25you okay

00:48:27yeah i'm so excited

00:48:37it's done mr kenwood miss keaton signed the contract

00:48:47good

00:48:48it's a generous deal you sure you don't want it to know

00:48:52no no it's better if i stay out of her life

00:48:56congratulations alice keaton go live the life you were always meant to

00:49:11your engagement announcement should align perfectly with the foundation gala

00:49:21and the browns already offered to host the london reception

00:49:26it's all coming together beautifully

00:49:31i've lost my appetite

00:49:32i'll go check on him

00:49:42what's your problem charles

00:49:47this engagement is not happening it's not up to you you know that serena we're not doing this

00:49:55you've changed

00:49:56it's not up to you

00:49:59or maybe i finally just stopped pretending

00:50:15i

00:50:17i

00:50:19i

00:50:21i

00:50:23i

00:50:25Tarz, you're the sponsor.

00:50:32You've been funding Alice Keaton this whole time.

00:50:37So?

00:50:38You lied to everyone, including her.

00:50:41I protected her.

00:50:45You loved her.

00:50:47Still do.

00:50:49Let it go, Serena.

00:50:52There's no point.

00:50:55I need a favour.

00:51:04Find out when the Oxford interview is.

00:51:07And make sure Alice Keaton won't show up.

00:51:14Anything? No?

00:51:16She's not answering.

00:51:18The interview's almost over.

00:51:20Well, she won't just not show up.

00:51:22Something's wrong.

00:51:24Where's Alice?

00:51:26When was the last time you heard from her?

00:51:28Last night.

00:51:29She said she was prepping all evening.

00:51:34James, track someone for me.

00:51:38Wait, where are you going?

00:51:39Chill, okay?

00:51:40Chill, okay?

00:51:48It won't hurt you.

00:51:50Yeah, we're just supposed to keep you away from the interview.

00:51:53That's it.

00:52:01Shit!

00:52:02Come back!

00:52:03I remember how men...

00:52:15I remember how men...

00:52:16I remember how I met, didn't need a second guess.

00:52:37Hey, hey, hey, Alex, Alex.

00:52:42Alex, stay with me, stay with me, stay with me, Alex.

00:52:53You're awake?

00:52:55Where, where am I?

00:52:57A local clinic. Passer-by brought you in.

00:53:00Passer-by?

00:53:02He found you on the side of the road.

00:53:04He had to leave, he didn't leave a name.

00:53:07Oh.

00:53:10The interview, what time is it?

00:53:12Easy, it's okay.

00:53:14Someone already contacted the university,

00:53:16and sent in your writing samples.

00:53:18They've rescheduled your interview for tomorrow.

00:53:20Wait, what, who?

00:53:21No idea, but it's all taken care of.

00:53:27What did you say?

00:53:28Nothing.

00:53:30I just...

00:53:32had a dream.

00:53:34I got him!

00:53:44Oh, I knew it!

00:53:49Too bad Charles isn't here to watch you crush it.

00:53:53He's not here.

00:53:55Oh, you didn't know?

00:53:57Know what?

00:53:59He left.

00:54:00A few days ago, yeah, everyone doesn't really know where he went.

00:54:04Honestly, Astra's been quieter without him.

00:54:06It's probably for the best.

00:54:07Come on.

00:54:14Alice?

00:54:15The summer I met Charles Kenward was loud.

00:54:22Chaotic.

00:54:23Unexpected.

00:54:24And with his absence...

00:54:28Come on!

00:54:30It ended quietly.

00:54:32Like summers always do.

00:54:36And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.

00:54:55Thank you for having me.

00:54:56No, your words moved millions.

00:54:59They say your stories feel real, especially the ones about love.

00:55:05Which brings us to the most obvious question.

00:55:07How's your dating life like these days?

00:55:09No comment.

00:55:10A little bird told me that the past four years has been just writing and working, not even

00:55:16a single date.

00:55:17Let me guess a bird named Sherry.

00:55:19She caught me.

00:55:20Still no comment.

00:55:21Alright, alright.

00:55:22No matter what you say, you write love like someone who's lived it.

00:55:28If you're so real.

00:55:29Because once, I did.

00:55:31That's why today we hear Sherry's story behind...

00:55:34Alice Keaton's...

00:55:35And no one ever quite matched the light after that.

00:55:38And let's give it up for Alice Keaton one more time.

00:55:43Congratulations, Alice.

00:55:44The numbers just came in.

00:55:45You broke your own record.

00:55:46That's... incredible.

00:55:47We're thinking celebration?

00:55:48Press?

00:55:49Photos?

00:55:50Maybe tonight?

00:55:51Actually, there's something I'd rather do.

00:55:52I'd like to meet with the person who believed in me first.

00:55:56My sponsor.

00:55:57You're sure?

00:55:58Yeah.

00:55:59Just once.

00:56:00Tonight, 7pm.

00:56:01Good evening.

00:56:02Good evening.

00:56:03Good evening.

00:56:04Good evening.

00:56:05Good evening.

00:56:06Good evening.

00:56:07Good evening.

00:56:08Good evening.

00:56:09May I sit?

00:56:10Good evening.

00:56:11Good evening.

00:56:12Good evening.

00:56:13May I sit?

00:56:14Hey, Mr...

00:56:15Hey, Mr...

00:56:16No, no.

00:56:17No, no, no, no...

00:56:18Bye, 7 p.m.

00:56:30Good evening.

00:56:35Good evening.

00:56:38May I sit?

00:56:48Hi.

00:56:50Hi.

00:56:53You look well.

00:56:56And you look like you just stepped out of a GQ cover.

00:57:00You always did.

00:57:02You were expecting someone else.

00:57:05I was...

00:57:07Hoping.

00:57:09But I guess I always knew.

00:57:11I didn't come here to confuse you.

00:57:14Or to reopen anything.

00:57:15Hope you liked the attention.

00:57:17I just wanted to say congratulations.

00:57:20Oh.

00:57:24Didn't know you're still reading.

00:57:26You were rich enough not to do so.

00:57:29Always.

00:57:31Either way...

00:57:33Your sponsorship started my career, so...

00:57:35No.

00:57:36No, you've...

00:57:37You earned everything.

00:57:41Every word.

00:57:43Every page.

00:57:46Every reader.

00:57:48That's what I came to say.

00:57:53It was good to see you again.

00:57:54I hope.

00:57:55Charles.

00:57:57Can you just...

00:58:00Wait a little longer?

00:58:01No longer.

00:58:08I think I knew it was you.

00:58:11There was one email.

00:58:13You said something.

00:58:15Felt familiar.

00:58:16Really?

00:58:18Kinda had that...

00:58:19Rich asshole with a conscience energy.

00:58:21Very on brand.

00:58:23I should have anonymized my grammar.

00:58:24Too late.

00:58:25Your semicolon usage gave you away.

00:58:28Still the only girl I know who flirts through punctuation.

00:58:31Still the only god I know who uses wiles unironically.

00:58:34You've changed.

00:58:35But...

00:58:36Not really.

00:58:37You haven't changed.

00:58:38But...

00:58:39Not really.

00:58:40You haven't changed.

00:58:41But...

00:58:42Maybe you've grown into who you really were.

00:58:44Anyway...

00:58:45I wanted to say...

00:58:47And...

00:58:48Thanks for being here tonight.

00:58:49You didn't have to come.

00:58:50Don't tell me what I have HAVE TO DO.

00:58:56You didn't have to come.

00:58:59Don't tell me what I have to do.

00:59:02Don't tell me what I have to do.

00:59:03ルク.

00:59:06You didn't HAVE to come.

00:59:08Don't tell me what I have to do.

00:59:11what I have to do.

00:59:32If you could go back, if you had the chance to do it all again,

00:59:35would you do anything differently?

00:59:41No.

00:59:47No.

00:59:52I see.

00:59:56I know my answer now.

00:59:58I didn't have the power back then.

01:00:00Not enough to protect you.

01:00:02I couldn't watch you get crushed because of me.

01:00:05Because of my name, my family.

01:00:09I didn't want to be the reason you lost everything.

01:00:12So you just disappeared without a word.

01:00:15If you had the chance to see the world without me weighing you down,

01:00:22if you still chose me after that...

01:00:25You keep saying you wanted to give me a choice.

01:00:31But you made a choice for me.

01:00:34Did it ever cross your mind that maybe...

01:00:39I would have chosen you anyway?

01:00:43I didn't think I was the smart choice.

01:00:51You weren't.

01:00:54But I never claimed to be that smart.

01:00:56This is me.

01:01:06Right.

01:01:14I'm still mad at you, you know.

01:01:16I'm still in love with you, you know.

01:01:28Do you want to come in for a bit?

01:01:30You're asking your ex, who you haven't seen in four years,

01:01:36to come into your hotel at approximately 11pm.

01:01:40You were right.

01:01:42You never were that smart.

01:01:44You don't have to come.

01:01:46Don't tell me what I have to do.

01:01:48Stop quoting yourself.

01:02:04I recycle.

01:02:05It saves energy.

01:02:08This feels wildly irresponsible.

01:02:10You sound like a disclaimer.

01:02:11You're the one who wants called romance a distraction.

01:02:14I said that.

01:02:15Yeah.

01:02:16Before calling Wuthering Heights overrated.

01:02:18Still is.

01:02:20You're lucky you're a good kisser.

01:02:26That is cute to me.

01:02:27Don't you dare quote poetry.

01:02:29I wasn't going to.

01:02:30I forgot all about the day you left.

01:02:33Then shut up.

01:02:35And prove it.

01:02:42I still can't believe this is happening.

01:02:43I told you.

01:02:44They're either worst enemies or secretly married.

01:02:46And I told you.

01:02:47They're both.

01:02:48They're both.

01:02:49I vow to always tell you the truth.

01:03:18Except for when you ask how your cooking was, then I lie, respectfully.

01:03:25I vow to keep choosing you, loudly, quietly, always, even when you forget to do the laundry.

01:03:36Is he actually good at this?

01:03:40I mean, he did beat over at sarcasm.

01:03:45I vow to argue with you at least twice a week, especially over Shakespeare.

01:03:50I vow to write you into every story, even when I say I didn't.

01:03:55You will always be a part of my life.

01:03:58If she quotes Austen in this toast, I'm out.

01:04:01No you're not, you're gonna cry harder.

01:04:03I can't believe you picked Paris.

01:04:15Such a cliché honeymoon destination.

01:04:18Guard your phone.

01:04:20Relax, just don't dress like a walking inheritance and you'll be fine.

01:04:24You are not wearing that on our honeymoon.

01:04:27Please, Alice, go change.

01:04:28Don't tell me what I have to do.

01:04:29No.

01:04:30No.

01:04:31No.

01:04:32No.

01:04:33No.

01:04:34No.

01:04:35No.

01:04:36No.

01:04:37No.

01:04:38No.

01:04:39No.

01:04:40No, no, no, no.

01:04:41That is not an invitation to...

01:04:42Do not take off these clothes.

01:04:43I've ever ruled.

01:04:44You look much better without them.

01:04:46I miss home.

01:04:48There's a feeling in my life.

01:04:51To the ones who loved in silence, in chaos, in chapters, you will find your way home.

01:04:54I miss home.

01:04:55It's a very nice relationship, I miss home.

01:04:58Yeah.

01:04:59I miss you.

01:05:00I miss home.

01:05:01I miss you.

01:05:02But there's a feeling in my life.

01:05:06I miss home.

01:05:07Okay, I miss my love.

01:05:08I miss you.

01:05:09I miss home.

01:05:12I'll be home.

01:05:42it's up to us to make sure that we can gain what's been passed through these books

01:05:51help us develop learn and grow

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