Jonathan Bailey, Andrew Garfield, Harris Dickinson & Riz Ahmed Watch Iconic Videos

Vanity Fair

What do Jonathan Bailey, Andrew Garfield, Harris Dickinson &amp; Riz Ahmed like to watch on the Internet? From the iconic Sweet Berry Wine episode from 'Tim and Eric Awesome Show, Great Job!' to Psycho Dog Man interview, find out what the boys really like to watch when they're just hanging out.   Director: Claire Buss Director of Photography: Donny Johnson Editor: Cory Stevens; Jordan Calig Talent: Andrew Garfield; Harris Dickinson; Jonathan Bailey; Riz Ahmed Producer: Madison Coffey Senior Producer: Benjamin Whitley  Line Producer: Natasha Soto-Albors Production Manager: Andressa Pelachi Associate Production Manager: Elizabeth Hymes Global Head of Talent: Alison Ward Frank Camera Operator: Jacqui Sharah Gaffer: Matt Bohun Audio Engineer: Greg Scholes Production Assistant: Bella Fullard; Jake Grainger Post Production Supervisor: Christian Olguin Post Production Coordinator: Stella Shortino Supervising Editor: Eduardo Araujo Assistant Editor: Billy Ward Senior Manager; Creative Development: Hannah Pak Director; Creative Development: Claire Buss Director; Content Production: Lane Williamson Senior Director; Programming &amp; Development: Ella Ruffel Executive Producer: Ruhiya Nuruddin

Transcript

00:00I've just realized it's one of the worst things you can do is show people videos.

00:02It's horrible, it's horrible.

00:04Isn't it?

00:04I've just suddenly realized.

00:06It's quite stressful.

00:07It's horrible.

00:14Hello, my name's Jonathan.

00:16The Ports.

00:17I'm Riz.

00:18I'm Harris.

00:19I'm Andrew and we're going to watch some of our favorite YouTube videos.

00:23We were talking earlier and like men of a certain generation,

00:26sorry to leave you out of this and leave you out of this lately,

00:29but like early YouTube videos,

00:30it's impossible to find favorites that aren't in some way offensive.

00:34There's always something offensive.

00:35And when did it start?

00:36It signed 19-tickety-two.

00:38No, it didn't.

00:40No, it didn't.

00:41That's a made-up tie.

00:43It wasn't the 19-tickety-two.

00:44No, no.

00:45Like, do you remember Unforgivable?

00:46Do you remember those Unforgivable?

00:47I was going to choose Unforgivable.

00:48Dude, we were born in the same year, but we can hide five.

00:51It is offensive, but like, we're brothers.

00:53Wait, wait, wait.

00:54Did you give options?

00:55Yeah.

00:56How many did you give?

00:57I've got a lot of time on my hands.

00:58Yeah.

00:59You guys know Steve Brühl?

01:00Yeah.

01:01There he is.

01:02Hey, Jenny.

01:03Hey, Wayne.

01:04I don't even like wine, but guess what?

01:06You're going to like it.

01:07I need some cheese.

01:09Steve, what kind of wine is that you're drinking?

01:11I can't see, hun.

01:12Sweetberry wine!

01:14I'm supposed to spit it out.

01:18But no way, Jose.

01:20My spin this stuff out, it tastes like fruit.

01:22He's so good.

01:23Have any of you guys worked with him?

01:25Steve?

01:26No.

01:27Did you film with him in South Spain, a Western?

01:29Oh, yeah.

01:30So good.

01:31John C. Reilly is a genius, and Tim and Eric also show a great job is a great show.

01:37I don't know.

01:38It was just one that I would watch over and over and over again.

01:40And he was genuinely wasted doing this, and he got really, really drunk doing it.

01:45I don't know.

01:45It just felt iconic to me.

01:47Great taste.

01:49I've just realized it's one of the worst things you can do is show people videos.

01:52It's horrible.

01:53It's horrible.

01:54Isn't it?

01:55I just suddenly realized.

01:56It's quite stressful.

01:57It's horrible.

01:58It's like a step up from having the orcs.

01:59Totally.

02:00Oh, God.

02:01The orcs.

02:02The orcs.

02:03The orcs.

02:04C.S.

02:05I think Harris wants to go next.

02:07I don't care.

02:08Mine's not that deep.

02:09It doesn't need an introduction.

02:10I'm excited.

02:11Well, there's an endless list of regulations that govern dogs these days.

02:14So how is it that these two are roaming their neighborhood, frightening the locals, and

02:18the council isn't stopping it?

02:20This day morning, I came out into the front yard, and the dogs were across the boat.

02:25And as soon as they saw me, they came bounding over.

02:29And I just made it into the front door in time.

02:34Is that real?

02:35It's real.

02:36It's not real.

02:37It is real.

02:38It's not real.

02:39It is real.

02:40On the left.

02:41The poor wife.

02:42Did you see that for 40 years?

02:44I think he's created this whole, like, scandal just so he could do that.

02:47Yeah.

02:48It's also like that politician recently.

02:49You know when the guy tried to criticize him because he said he's not from Australia?

02:53He went, oh, you watch it, son.

02:55I've punched blokes in the mouth for that.

02:56It was as bad as this.

02:57But it was, like, genuine, like, politician on a platform.

03:00It does feel a bit xenophobic that you're only bringing up Australian stuff.

03:03No.

03:04But also...

03:05And mocking.

03:06No, I think the Australians, he's bringing up a xenophobic.

03:08That's slightly different.

03:10Yeah, actually, yeah.

03:11Fuck you.

03:12Sorry, I got you, man.

03:14Let's do it.

03:15Mine is very, very straightforward.

03:16Classic, boring, harmless.

03:17It's just Joe Pischi acting like a psycho.

03:19Oh.

03:20I'm in the middle of the fucking weeds laying down.

03:22He comes over, he says, what are you doing?

03:23This is my favorite film.

03:24Here you're resting.

03:25On a fucking beach in a park.

03:27I said, I'm resting.

03:28I know I'm resting.

03:29I'm resting.

03:30They put me in, they start giving me all kinds of questions.

03:31It's hard to believe it's the same guy from Home Alone.

03:33He says, no, you're going to tell me something today, tough guy.

03:36I said, all right, I'll tell you something.

03:37Go fuck your mother.

03:40That laugh, man.

03:41It's a big choice.

03:43I mean, yeah.

03:44Yeah.

03:45He's really committed to that same.

03:50Do you know the way he says, pal pink?

03:52It reminds me so much of my uncle.

03:54I mean, my uncle would literally do that.

03:55He would go halfway through a joke and then halfway, he'd just start doing sound effects.

03:59And just assume that you understand.

04:00He goes, in he comes, turns around,

04:02and you're like, what the fuck are you talking about?

04:07This is where it's all about, this moment.

04:09How the fuck am I funny?

04:11What the fuck is so funny about me?

04:13Tell me.

04:13Tell me what's funny.

04:14Get the fuck out of here.

04:21What's amazing about this scene is you might think it's the kind of scene you'd cut in a film,

04:24but it's got, it contains a whole film within this.

04:26Yeah.

04:27Do you know what I mean?

04:27Like, Hendry slightly insider, outsider.

04:29This guy's a loose cannon.

04:31Ends the scene with you may fold under questioning.

04:33But how do you as a director set that up for the actors to do that?

04:36You know what I mean?

04:37Like, it's, I don't think we get the opportunity to do that as much maybe as they did in that period.

04:42Where you think they just had more time or?

04:44I don't know.

04:45I think the focus is more on the technical maybe now than it is on kind of letting the performances live.

04:49And I mean, I've definitely had moments where filmmakers have allowed that and created a space for that.

04:55But like, what a beautiful gift for us to be able to.

04:58Yeah, to have that playground.

04:59I went up to Ray Liotta once.

05:01The only time I met him at Venice Film Festival.

05:03And I approached him.

05:04He was sat in the corner of a bar.

05:05I went to the back and just went up to him and said,

05:07Mr. Liotta, I just wanted to say Goodfellas is my favourite film.

05:10Your performance in that.

05:11It's one of the most important things to me.

05:13And it's why I became, and just before I could even finish the sentence, he'd go,

05:16I know.

05:17And he just got the sense that people say this to me.

05:21They say a war all the time.

05:22A war all the time.

05:23A war all the time.

05:24A war all the time.

05:25It's just everyone comes up to him going,

05:26that you've changed my life.

05:27That you've changed my life.

05:28He's like, I'm trying to have a drink.

05:30Yeah, you don't need to finish.

05:32Yeah, yeah, yeah.

05:33I've heard this one six times today.

05:35This was the easiest decision I've ever made in my life.

05:37Oh, come on.

05:38That'll be yellow, big road.

05:39That'll be yellow, big road.

05:40That'll be yellow, big road.

05:41That'll be yellow, big road.

05:42That'll be yellow, big road.

05:43Stop.

05:44Wait.

05:45Yes.

05:46Yes.

05:47Yes.

05:48To celebrate how the scoring of a movie can change the narrative.

05:52Oh, that's great.

05:53I'll try to work out something that sums up the feeling when you go to a festival with all

05:57your mates.

05:58That's excellent.

05:59It's perfect, man.

06:00This is what we used to do.

06:01Put music over the wrong video.

06:02It's so good.

06:03If there was a night, if there was a night that you could go to.

06:04Yeah.

06:05What a good theme.

06:06Well, we dress up as Wizard of Oz and just wait.

06:07Yeah.

06:08Munchkin night.

06:09I think it's called Glastonbury.

06:10This is a really mushroom friendly film.

06:11Yeah.

06:12I mean, watching this, Paris tells me that this is a really mushroom friendly film.

06:17Yeah.

06:18I mean, watching this, Paris tells me that this is a really mushroom friendly film.

06:23Yeah.

06:24Yeah.

06:25There's so many things.

06:26Salad fingers.

06:27Yeah.

06:28Yeah.

06:29You were going to go with that.

06:30The one that you didn't.

06:31Hubert, you taste like soot and poo.

06:32So you would have chosen that.

06:33You would have chosen Unforgivable.

06:34No, I would not have chosen Unforgivable.

06:35Leroy Jenkins.

06:36Remember the Leroy Jenkins one?

06:37Yeah.

06:38It's really good.

06:39Have you seen Leroy Jenkins?

06:40It's really weird.

06:41Oh, do you know what?

06:42Let's keep going.

06:43Let's keep going.

06:44Yeah.

06:45Yeah.

06:46Yeah.

06:47Yeah.

06:48Yeah.

06:49Yeah.

06:50Yeah.

06:51Yeah.

06:52Yeah.

06:53Yeah.

06:54Yeah.

06:55Yeah.

06:56Let's just keep this round two.

06:57Get my USB.

06:58Yeah.

06:59Yeah.

07:00Yeah.

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