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Antiques Road Trip Season 31 Episode 6

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Transcript
00:00Find the wheel of a classic car.
00:01Here we go.
00:02Woo-hoo-hoo!
00:03And a goal to scar Britain for antiques.
00:06The aim?
00:07To make the biggest profit at auction.
00:09But it's no mean feat.
00:11There'll be worthy winners...
00:12I can't stop smiling!
00:14...and valiant losers.
00:15Right, I retire.
00:16Will it be the high road to glory?
00:17Oh, look at that!
00:20Or the slow road to disaster?
00:22Oh.
00:23Oh, dear.
00:24This is Antiques Road Trip.
00:28Yeah.
00:30Out in the countryside, there's an air of anticipation,
00:35as antiques expert Tamina Gaffar
00:38has something in store for her fellow auctioneer, Philip Zerrill.
00:43I can hear something.
00:44I can hear a rumble.
00:46Is it thunder?
00:47More like greased lightning.
00:49Oh, look at that!
00:51Ha-ha-ha!
00:52That's brilliant!
00:54Will you look at you?
00:56A slightly souped-up 1959 for popular.
01:00Do you know my first car was one of these?
01:02Was it?
01:02Absolutely.
01:03I'm really sorry to do this to you, but...
01:05Can I have a drive?
01:07Go on, then.
01:08As it's you.
01:12Get ready!
01:14We have liftoff!
01:16Go!
01:17Oh, yes.
01:18Snack me fitted behind the wheel.
01:21Let's go tripping!
01:23Ah!
01:24Yeah, pretty noisy in the cockpit of the Ford Pop.
01:29This, they will do 200 miles an hour.
01:32Not with me in it.
01:33Crumbs.
01:35Now, this being their first time together,
01:38let's get the important questions out of the way.
01:40If you had to choose one crisp flavour that you could only...
01:44Five cheese, onion.
01:45Yeah!
01:46Salt and vinegar for me.
01:47You seem to be bonding already, aren't we?
01:49Tamina hails originally from the world of finance.
01:53Now a hot-shot auctioneer,
01:56she has notched up world-record results on the rostrum
01:59and is a revered authority on Indian and Islamic art.
02:03Phil is the OG of the road trip family.
02:07A one-time P.E. and geography teacher,
02:10a gavel-wielder, specialises in Royal Worcester
02:13and has a bonjour for turning things into coffee tables.
02:17This is your second road trip, isn't it?
02:19It is.
02:20Not a newbie anymore.
02:21I've got a horrible feeling.
02:23You will have learnt a lot from that as well.
02:25Armed with a daily budget of £200 each,
02:28whoever wins the most auctions out of five
02:31is the road trip champ.
02:34Where are we off to today, then?
02:35Are you really looking forward to Liverpool?
02:37I am.
02:38I don't get out of London much, actually.
02:41Well, London and Liverpool are very similar, you know.
02:43How so?
02:44They're both thinking in with help.
02:45Ha ha!
02:46Oh, dear.
02:47That's right, Phil.
02:48Our tour kicks off in Liverpool
02:50and will take a thoroughly lovely gallivant around Hull,
02:54zip to the Midlands and slake over to Oxfordshire
02:57before ending up in Cornwall.
02:58Whoa!
03:00And the thing about Liverpool in those kind of 60s,
03:03it was iconic for everything
03:04because you had all the groups.
03:06I want you to tell me to stop when you've heard of one.
03:09OK.
03:09Gerry and the Pacemakers.
03:11No!
03:12All right.
03:13Calm down, Phil.
03:14What about Cilla Black?
03:15Oh, yeah.
03:16I do Cilla Black.
03:17Blind date.
03:18My first cat was called Cilla Black.
03:21Surprise, surprise!
03:24Today, we're going to have a
03:25Laura, Laura laughs
03:27around north-west England.
03:29Skipping around Merseyside,
03:31ending in Milton Green in Cheshire.
03:33But we launch this adventure in the city of Liverpool.
03:38Boasting more number-one pop-hit singles
03:41than any other city in the world,
03:43with a ticket to ride
03:45to lots of dough,
03:47let the shopping commence.
03:49All you need is love, eh?
03:51How good is this, eh?
03:53Oh, that's exciting.
03:55It is, isn't it?
03:56We're venturing in here.
03:58Pilgrim's Progress Antiques.
04:00Right.
04:01I don't want you to dawdle.
04:02I want you to keep up.
04:04Follow me at all times.
04:05Humour him, Tommy.
04:07And I'll show you the ropes.
04:08Just keep up, all right?
04:09Make sure you don't dawdle.
04:10Fair names.
04:11Looks like you're on your own, Phil.
04:13This was once home
04:14to a 19th-century cotton merchant.
04:17Nowadays, it has three floors
04:18stuffed at the gunnels with antiques.
04:20Now, who should we start with?
04:23Ooh.
04:23Ooh, how about Tamina?
04:25She has £200 stuffed in her purse.
04:30Now, this looks like it could be
04:33Indian or possibly Southeast Asian.
04:38It has the quintessential peacock on it,
04:41which is such an icon
04:43of Indian and Southeast Asian art.
04:45This looks like a modern example
04:47of a sort of Anglo-Indian hardwood carving.
04:53You can tell from the lack of patterning
04:55on these visible edges
04:56that this is likely to have been made
04:58for possibly the tourist market.
05:01Now, it's £145,
05:03and it's a lovely thing to have in someone's home,
05:06but I don't think it's quite right
05:08for what I'm looking for.
05:09While Tamina rummages further,
05:12let's find a film.
05:14Quick impersonation for you.
05:15Oh, here we go.
05:17What's that?
05:18Short-hand typist.
05:20I think that's his favourite joke.
05:25Tamina does love a clock chime.
05:27What are you doing?
05:29Hello.
05:30You're trying to win?
05:31I'm trying to win.
05:32Double your money.
05:33Come on.
05:34Let's see how this works.
05:38Well, nothing's happened.
05:40Patience, Philip.
05:41Oh.
05:42Here I look.
05:42You haven't got a neck.
05:45So what have you got?
05:48Oh, nothing.
05:48It means I've won absolutely nothing.
05:50Oh!
05:52Everyone's a winner.
05:53What have we won?
05:54Two P each.
05:55Here's to better results at the auction, eh?
05:58Right, let's chum along with Tamina.
06:01Oh, for me.
06:03You shouldn't have.
06:04Admirers everywhere.
06:09These look fun.
06:12It's quite lovely.
06:14It's nice that they're a pair.
06:16Often with anything glass,
06:18you can imagine that they'd often be broken or chipped,
06:22and these seem relatively intact.
06:24So, um, the shell symbol
06:26is a classically romantic one
06:29used a lot with the Victorians.
06:32I guess there's their image of Aphrodite, goddess of love,
06:36rising out of the water
06:37in a giant shell.
06:40These could add some real romanticism to someone's home.
06:43The shell was popular with the smoochie Victorians,
06:46but also featured heavily in the snazzy Art Deco period.
06:50This looks like an Art Deco-style wall sconce.
06:54And nowadays, I can imagine these being perhaps wall-mounted,
06:58flanking a mantle,
06:59or, um, placed decoratively on a table.
07:03And they're £18.
07:04That's sort of where I would expect them to be at auction,
07:09but I reckon...
07:10..I'm going to take a chance here.
07:14And hopefully I can celebrate.
07:17I see what you did there.
07:19That's dealer Nikki.
07:21Hi, Nikki.
07:22Hiya.
07:22I found this lovely pair of shells.
07:25They're beautiful, aren't they?
07:26I thought so too.
07:28Now, the ticket price said £18 on them.
07:31I think that's fair.
07:32Excellent.
07:33So, I'll have £20 for you.
07:35Let me just find some change.
07:37There you go.
07:38Thank you so much.
07:39Brilliant.
07:40Bye.
07:41Let's hope it's a sure thing.
07:44Tamina now has £182.
07:48Er, Philip?
07:50Do you know what?
07:51That is a very, very cool thing.
07:53Look at that.
07:55That is a 1960s table.
07:58Um, attributed to or by John Piper.
08:01It's called the London Skyline Table,
08:03because, not surprisingly, that's the London Skyline.
08:06And, um, they were made for Terence Conran.
08:09And they're really cool, really stylish.
08:12This is a lovely bit of mid-century stuff.
08:15John Piper was a household name
08:17as an official war artist in World War II.
08:20He was renowned for his focus
08:22on the British landscape and architecture.
08:24There is, however, a problem with this,
08:26and it's got a bit of damage on the corner here
08:29where the full micro is missing.
08:30What do I think that's worth?
08:31I think on a bad day, it's worth £70 or £80.
08:35On a good day, it's worth somewhere between £150 and £200.
08:39How much does it cost, Phil?
08:41There's no price on it.
08:42Let's ask Nicky, then.
08:44Nicky, you have got some stuff in here, haven't you?
08:46Just a bit, yeah.
08:47That coffee table down there, it's the London Skyline.
08:51Yeah, yeah.
08:52Yeah, I couldn't see a prize ticket on it.
08:54It's £75, I think, is what we're asking for that.
08:57OK, what's the best on that?
08:59£65.
09:00It's got a bit of form I could chipped off the one corner,
09:04and I don't know how much that's going to hold it back.
09:06So I could give you £60 if that's any good?
09:08Yeah, I'll go for it.
09:09Thank you very much, indeed.
09:10Right.
09:10What a generous lady, eh?
09:13Phil now has £140 remaining.
09:16Come on, Phil.
09:18Wait a minute.
09:19You don't have anything.
09:20Oh, wait and see.
09:21It's something.
09:22Do you know what?
09:23I'm going to turn it into a coffee table.
09:25I see what you did there, Phil.
09:28Now, back on the road,
09:29the mighty mobile has a special place in Phil's heart.
09:33So my first car is a Ford Op.
09:37Am I riding a bike?
09:39What?
09:39Look in this.
09:41Well, there's a slight difference.
09:43From big beasts to something far more delicate and dainty,
09:48our jolly pals have skedaddled to Dibbinsdale Nature Reserve
09:52in Brombrough on the Wirral,
09:55once an area of study for Nora Fisher Macmillan,
09:59one of Britain's great conchologists
10:01that's an expert on mollusks to you and I.
10:05The early 20th century was a time
10:07when women were often relegated
10:09to the sidelines of scientific inquiry.
10:12Not so would Nora.
10:15A lifelong dedication to the study of shells
10:17contributed greatly to the modern world
10:20battling with climate change.
10:22Phil and Tamina are meeting Lianna Dixon,
10:27great admirer and fellow scientist within the museum where Nora once worked.
10:33That looks a hugely scientific piece of kit there.
10:35This is an example of what Nora Macmillan would have used to survey the pond here at Dibbinsdale.
10:41A sieve and a stick.
10:42Yeah, so she was a very resourceful woman, so she'd use whatever she could find to hand.
10:47That's wicked, isn't it?
10:48From a very early age, Nora was fascinated with shells.
10:52And by six years old, she could identify more than 30 species.
10:58This was not just a hobby.
11:00This was a calling.
11:02Fast forward to 1933.
11:05Age 25, Nora joined the curatorial staff at Liverpool Museum.
11:09She faced a few challenges as a woman studying in this field.
11:15So when she got married in 1937,
11:17she was actually forced to leave her job as a curator at the museum
11:21due to the marriage bar policy.
11:24This wasn't prevalent in all jobs at the time.
11:26It was quite common in local government.
11:29This discriminatory practice was prevalent from the Victorian era
11:33right through to the 1970s.
11:36That's bonkers, isn't it?
11:37Yeah.
11:37And actually, like, it's less than 100 years ago
11:40and it just feels so archaic, doesn't it?
11:43Yeah, I was so surprised when I learned about that.
11:45It didn't fazed Nora.
11:48She managed to keep researching,
11:49eventually returning to Liverpool Museum in the 1950s
11:53when she was sadly widowed.
11:55Now back to our wannabe conchologists
11:58who are searching for mollusks.
12:01So maybe try to get a bit deeper into the mud
12:03because, yeah, they might be hiding down the bottom
12:06on this cold day.
12:09Studying mollusks is vital for conservation.
12:12It can identify species that may be endangered
12:15and detects changes in habitat
12:17due to pollution or global warming.
12:20Bring a bit of the vegetation with you.
12:22That's a lot of the vegetation, isn't it?
12:24We might fill the whole tree.
12:26Trust Philip.
12:27Now, have we found anything?
12:29See, I wouldn't know what on earth I was looking for, would you?
12:32It's called...
12:33I found one.
12:34A European fingernail clam.
12:37It does look a little bit like a fingernail.
12:38Right, you bring the tray and I'll bring the old dooby-dooby.
12:42That's the technical term.
12:46Next stop, the World Museum in Liverpool.
12:49Nora curated the shell collection here for 50 years
12:52and through her meticulous care,
12:55it's one of the most significant in Britain.
12:58And Tamina's getting a peek behind the curtain.
13:01What are we going to have a look at now?
13:04So, we're going to have a look at the conchology store
13:06to have a look at some of the shell specimens
13:08that we've got in the museum.
13:09The conchology collection as a whole
13:11has over 260,000 specimens.
13:15So, this is some of Nora's personal collection of shells
13:19that she curated and put into the museum here.
13:22I think Phil would love to have a look at some of these.
13:25Yeah, I'll take some from Woodsley Pond
13:26and have a look at them in the lab.
13:29Where, with microscope at the ready, there's a curious Phil.
13:33So, we found some specimens from the exact pond
13:36that we were at earlier.
13:37So, these are ones that Nora collected herself.
13:40Oh, they're looking, aren't they?
13:41Yeah, so, these are called Limnea auricularia.
13:45Let's take a closer look.
13:48Isn't that beautiful?
13:49And these are the older snails,
13:51so they've lived a little bit longer.
13:53So, they must have been in, yeah, quite nice living environment.
13:57So, that pond that we went to,
13:58are there any snails that are kind of peculiar to that pond?
14:01I think a lot of them, they're quite common and widespread,
14:04but it's still important to record the common species
14:07so we can see how ponds and habitats are changing over time
14:11and the impacts of climate change.
14:13Nora was a highly regarded voice in the world of conchology.
14:17Throughout her career, she authored over 400 publications,
14:21including a book called British Shells.
14:24Which was the go-to guide for about 30 years
14:27for people wanting to identify shells and study them.
14:30And it's only recently been superseded.
14:33Now, how about looking at Phil's catch from the pond?
14:37Oh, doesn't that look sweet, though, there?
14:38You can see it actually is a clamshell, can't you?
14:40You can see the inspiration in our art world, can't you?
14:44Mm-hmm.
14:45Well, shells were used a lot in early Islamic Sasanian art.
14:49What a lot?
14:50Sasanian, it was 6th to 8th century early Islamic art.
14:54I was around then.
14:55Oh, I was.
14:55Do you think if she'd have been around today,
14:58the scope would have been so much greater for her?
15:00She's a pioneer in her field,
15:03and so she paved the way for us now.
15:06And, yeah, it's inspirational to read about her
15:08and other women in entomology.
15:10Nora Fisher-McMillan died in 2003, aged 95.
15:15She bridged the gap between Victorian male experts
15:19and 20th-century possibilities.
15:22She contributed greatly to the study of biodiversity and conservation
15:27long before they became mainstream,
15:29proving that the pursuit of knowledge knows no gender.
15:36Now, from mollusks to motors, just look at that S-cargo.
15:41Oh, dear.
15:43It crunched very quietly, doesn't it?
15:46Ah!
15:47Oh, lordy.
15:50Nighty-night!
15:52What a beautiful morning.
15:55Tamina's turn driving today.
15:57Oh.
15:58Maybe not.
16:02Would it be all feel all right if I swore?
16:06Fudge.
16:10What are you laughing at?
16:12Is this what the olden days were like?
16:15While they deal with the car,
16:17here's yesterday's refresher.
16:19Tamina was super frugal, scooping up the pair of glass-clam-form lightshades.
16:25It was quite lovely.
16:27So, she is still properly minted, with £182 to splurge.
16:34Phil also bought just one item, the mid-century coffee table.
16:39Do you know what?
16:40That is a very, very cool thing.
16:42So, he has 140 smackers to play with.
16:45And, yippee!
16:47The car's working.
16:49How are you getting on with trying to strike a deal with the shopkeepers?
16:52Is that easy or tough?
16:53Deals are tricky, I have to say.
16:55Because I think they know if I like it, I'm probably going to buy it.
17:00Wait for it.
17:01I feel a Phil top tip coming on.
17:03What you need to develop is that kind of Philip Serrell.
17:07Really?
17:09How much?
17:10How much?
17:11He's so giving.
17:15Are you getting the grips of the car?
17:17I am.
17:18The car's allowing me to drive.
17:21It's got a powerful steering driver.
17:25Whoa.
17:27All right, Phil.
17:30Now, shopping ahoy, we're tagging along with Tamina.
17:34Frodsham next stop.
17:36The town was once home to one-time 007 Daniel Craig.
17:41Come on, Miss Moneypenny.
17:44Let's get spending.
17:45In here, at Hampton Village and Antiques Emporium.
17:50Doesn't it look lovely?
17:52Tamina has 182 smackers to play with, remember?
17:59These are very sweet.
18:01These are Indonesian puppets.
18:04Puppetry is a very core part of Indonesian culture.
18:08These ones are called Wayangolic.
18:11They would have puppet shows at weddings and birthdays,
18:16any major congregational ceremony.
18:19They would often depict stories of good versus evil.
18:23The good puppets, or the good guys,
18:26would always be shown on the right-hand side of the stage,
18:29and the evil would be on the left.
18:32The market for them is really for the more historic pieces,
18:36and these ones seem much newer,
18:39so it wouldn't really be for me at the moment.
18:42I like them.
18:43What else can we find?
18:44This has caught my eye.
18:54This looks like a Chinese snuff bottle.
18:58What's nice about this one is that it has its stopper.
19:01Here you've got a very delicately painted,
19:04what looks to be like a market scene,
19:07and this would have been reverse painted,
19:10so painted from the back using a hooked brush.
19:15For an artist to have painted something like this backwards
19:17and in a mirror image would have taken such skill.
19:20Inside painting was a technological feat
19:24of the imperial workshops of the 19th century.
19:27We often find lots of European snuff bottles.
19:31It was considered such a European activity
19:34that in Indian paintings from the 1800s,
19:37European characters were depicted holding their nose
19:40because they were synonymous with snuff consumption.
19:45Fascinating. Any price?
19:48No, it's £38.
19:50It's sort of around the price point
19:52that I expected to make at auction.
19:54Maybe if I can get a little bit off it,
19:56I think there's a profit to be made here.
19:58Let's leave Tamina to her rootling
20:00and find a wandering serral.
20:03He's just a little north in the Cheshire town of Widness,
20:08thought to be the location where Paul Simon wrote
20:10Homeward Bound in 1965.
20:14Someone who will remember the hit parade
20:17is old hipster Phil.
20:19Vintage barn, get ready.
20:21Here he comes.
20:24There is a sea of goodies aplenty.
20:27Phil has £140 to spend.
20:30I don't think I've got a career in that, really.
20:38Stop larking about and get mooching.
20:40This piece of furniture is absolutely lovely.
20:43It's mahogany.
20:43It's got bracket feet.
20:45If you open it up, it'll have secret drawers
20:47because they all do.
20:48And there you are, look.
20:52Now, the trick is, have a look in here
20:54and find a bag of gold sovereigns.
20:58And all of a sudden, that makes this very, very appealing.
21:01Empty.
21:03What a pity, eh?
21:04I can tell you.
21:05The man who runs this shop, he's been there before me.
21:07But, you know, it's a lovely piece of furniture.
21:12A bureau without damage on it like this
21:15would have been worth £500 to £800.
21:17You put that into auction today, £30.
21:21I'll walk on.
21:23Look out for secret drawers
21:25and you never know what might be hiding.
21:28Now, plenty more to explore.
21:30See, what I love about all this stuff
21:34is the story that it tells.
21:36Not until about 1730, 1740,
21:37we were eating off lumps of wood, lumps of metal.
21:40We didn't have porcelain in this country
21:42until about 1745.
21:44English porcelain actually kind of is blue and white.
21:47Looks like it might be Chinese or Oriental.
21:50And that's where all this design comes from.
21:52So this is, in my opinion, probably 19th century.
21:57In the old days, you'd have called it willow pattern.
21:59You know, everybody's granny had some
22:00willow pattern on the piece of furniture at home.
22:04Quintessentially British,
22:05this iconic pattern was inspired by a Nanking design
22:08imported from China around 1810.
22:12But this stuff is all very, very usable, I think.
22:15So if you wanted six tea cups and saucers and side plates,
22:19you know, what better way to have your afternoon tea
22:21than on something like this?
22:22And I don't know how much it is.
22:24I'm going to think about that much a lot.
22:25While he does that, let's hop back to Frodsham.
22:30This is Punch of Punch and Judy fame.
22:40The story of Punch and Judy, a quite controversial one.
22:43Punch being the villainous figure that he was.
22:47So much so that at one point in 1947,
22:50they tried to ban the puppet show in schools.
22:53But it's been so loved.
22:55It's been going for 350 years in the UK.
22:58A divisive figure, Punch has origins
23:02in a 16th century Italian comedy puppet,
23:05Policienetto.
23:07The much-loved seaside show emerged in the UK in 1662,
23:11proving to be an instant success
23:13with fun-starved audiences.
23:16Punch terrorised his wife, Judy.
23:18He was always depicted in this grotesque way,
23:21but I've never seen something quite as hideous as this.
23:25This is a doorstop.
23:28It's cast iron.
23:29Very heavy, as it should be.
23:30Even though we don't see many Punch and Judy shows anymore,
23:34it's still a story that we're all very familiar with.
23:37Hit me with the price.
23:38Now, the ticket price here says £55.
23:43It's a risk at auction,
23:46but I definitely have to get some money off to make a profit.
23:50Let's see what they can do.
23:52Let's take that ugly fella along to dealer Dave
23:55and grab that Chinese snuff bottle priced at £38 on the way.
24:00Dave, hi.
24:02Hi, sweetie.
24:03Now, I've found two very different things.
24:07Now, the snuff bottle says £38 on it.
24:10Do you reckon you can get it down to a nice round £30?
24:13OK, I'll do it for £30.
24:15Oh, thank you.
24:16And Mr Punch at £55?
24:19I'll do it for £45.
24:20Oh, that would be lovely.
24:21Thank you so much.
24:23£70.
24:25Thanks so much, Dave.
24:26Thank you very much.
24:27Bye-bye.
24:28Tamina now has £107.
24:31As Mr Punch would say,
24:33that's a way to do it.
24:37Back to Widness and the man in the very nice duffel coat.
24:41The first rule of the antique and auction trade at the minute
24:45is whatever you do,
24:46do not buy a corner cupboard.
24:49That's a corner cupboard, isn't it?
24:50But it's a little bit different to the norm,
24:53and the reason why is this.
24:54This is oak, OK?
24:56But look at these lovely panels here.
24:58So this is Pollard Oak, or Burr Oak.
25:01Almost like chewed toffee.
25:02It's lovely.
25:03It's got a real feel to it.
25:05So this is trying to be Georgian with its double drawers and H-inches.
25:12There's a lot of intellect in this antique business, you know.
25:15These are called H-inches because they look like Hs.
25:18I think it's probably a bit later than that.
25:20I'm going to try and buy this, because I like it.
25:24I'd have this in my home, you know.
25:26So whatever you do,
25:27don't buy a corner cupboard.
25:29Unless...
25:31Let's do this one.
25:32Rightio.
25:34Along with the unpriced teacups and saucers,
25:36let's talk dosh with dealer Dean.
25:39Dean, you've got a good shop in there.
25:41Oh, cheers, mate.
25:42Lots and lots of really lovely things.
25:44So what would be your best on the little service,
25:47the blue and white service?
25:4830 quid on there.
25:49Right, what about the corner cupboard?
25:51Do that for 20 for it.
25:53Can I do the two for 40 quid?
25:55Go on.
25:55A cheeky little wink there.
25:57Hey, good man.
25:57Hold on, I've got to pay you quick and run out of the shop.
26:00That's 20 pounds for the teacups and saucers
26:02and 20 for the corner cupboard.
26:04Dean, you're a gent.
26:05Take care, bye.
26:07A nice round 100 still in hand.
26:10The cupboard will be sent on to auction
26:12and whistling Phil will pop back for the rest of his crockery.
26:17Hello, I spy Tammy now.
26:20She's enjoying herself.
26:23Oh, I've got no strategy
26:24other than don't buy anything that I don't like.
26:29That's Phil Serrell's top advice
26:32and I'd be foolish not to take it.
26:35Our girl has arrived in the hamlet of Milton Green in Cheshire.
26:39Situated within 15 acres of farmland,
26:44Applegate's antiques and crafts,
26:47better watch out.
26:48Here comes Tamina.
26:50There's oodles of plunder to get stuck into
26:53and with 107 pounds to splash,
26:56let's see what goodies tempt Tamina.
27:00Hello, chum.
27:01You all right?
27:03Phil, what do you think?
27:05Yeah, easy mistake.
27:06He's just too tall for Phil.
27:08Oh, what's this?
27:13This looks like a Kashmiri papier-mâché lacquer box.
27:19Papier-mâché was used in the 1700s, 1800s in India.
27:23Yeah, and it was back in the 14th century
27:26when Persian artisans first brought this incredible art form to Kashmir.
27:31Kashmiri papier-mâché lacquerware like this
27:35would have been used to make really quite prized decorative items
27:39but also really massive things like tables and chairs.
27:43Traditionally, the patterns are drawn entirely freehand,
27:46which requires a high level of skill.
27:48It's priced at 37 pounds,
27:52which for an object this small may struggle at auction.
27:56It's rare that we see such a nice example in relatively good condition,
28:02although there's a little bit of damage to the lid,
28:06which might mean that I could get a little bit of money off it.
28:10While Tamina rummages further,
28:12looks like we've got company.
28:16Phil has a total of 100 pounds.
28:19So let the mooch begin.
28:21What I love about this job
28:27is that we kind of...
28:29Antiques has become the thing, you know,
28:31and everybody collects antiques
28:33and we waste not, want not.
28:34Spot on, Phil.
28:35Antique furniture is likely to have a carbon footprint
28:3916 times lower than a modern equivalent.
28:43You have to look very hard in these cabinets
28:46because there is always something, always something.
28:49Oh, blimey, look at those.
28:51Now, here's a pair of Royal Worcester painted fruit pin dishes.
28:56There's two reasons why I can't buy them.
28:58The first reason is that's 370 pounds.
29:02And the second reason is they're already sold.
29:05Sometimes you can have a Royal Worcester plate
29:07with a fruit painted centre
29:09and the edge of the plate gets chipped or damaged
29:13and they'll cut the middle out
29:15and mount it in silver like that
29:17and they look like the real McCoy.
29:20I can tell you that these are the real McCoy
29:23because if you look at them closely,
29:24you can see that little circular panel in the middle
29:27is slightly domed.
29:29Now, you wouldn't have that on a fruit centre.
29:30So, they're lovely, I can't afford them.
29:34They're already sold, but somebody's going to really enjoy those.
29:38Splendid.
29:40Let's keep rummaging, eh?
29:41You see, this kind of metalware is very much evocative
29:47of the arts and crafts period.
29:50You've got a copper top base
29:52and then you've got this beaten brass effect to the top.
29:55It says on the label it's a caddy.
29:57From 1662, the tea caddy was a hot trend.
30:01The word evolved from the Malaysian caddy,
30:05which was a measure of one and a quarter pounds of tea.
30:09It's bizarre, isn't it?
30:10I actually think the back of it is more attractive
30:12than the front of it.
30:14It's priced at 28 pounds.
30:16What's it worth?
30:17Probably 15 to 30 quid's worth at auction.
30:20But it's something I can consider.
30:23I'll have a think about that one.
30:24Now, how about a breather outside?
30:29Do you know what?
30:30I reckon you can get in these things.
30:33Uh-oh.
30:37Bad idea.
30:39Do you know, actually, there's a problem now.
30:42Tamina, I've got myself in, but I can't get out.
30:45Not sure I can help you here, Phil.
30:47How much money have you got left?
30:48Over 100 pounds.
30:49Could you go and give it to them, please,
30:50and get me out these damn things?
30:51I'm not sure that's money well spent, Phil.
30:54I will see you later.
30:54No.
30:55Oi!
30:56Don't worry, Phil, you'll get yourself out.
30:58What am I going to do?
30:59Yeah, should have thought of that
31:01before you stuck your head in there.
31:03While Phil sorts himself out,
31:05let's follow Tamina.
31:08Hey, Phil, I found something.
31:11Yes, lovely.
31:12Blimey, it didn't take him long, did it?
31:14I quite like that.
31:16It says it's Keswick School.
31:18So, if you look on the back of it,
31:19it should have KSI on it.
31:20Oh, yes, it does.
31:22Keswick School of Industrial Arts.
31:23So, there was, like, an old school there
31:25that was all about industrial art.
31:27So, and Keswick's stuff
31:28is quite sought after and collectible.
31:30The school was set up in 1884.
31:33It offered free arts and crafts
31:35training for local miners
31:37facing unemployment.
31:39I quite like the fact that it's beaten,
31:40but I suspect it's quite late.
31:42Mm-hmm.
31:43It would have been lovely
31:44to have got something a bit earlier.
31:46Isn't it lovely?
31:47Phil's sharing his knowledge.
31:49How much is it?
31:50On the edge, let's have a look.
31:5118 pounds?
31:52Well, that's no money, is it?
31:54I mean, what's that going to make at auction?
31:56I would have thought
31:56if you have a bad day,
31:58it's 10 or 15 quid,
31:59and I would think if you have a good day,
32:01you might get yourself up to 30 pounds.
32:02That's what I think.
32:03I think this could be
32:05something I might want to try at auction.
32:07What do you think?
32:07I'm just trying to work out
32:09why I'm trying to help you beat me.
32:12That's never right, is it?
32:14Is you nice, Phil?
32:16Yes, he is.
32:18Deal time.
32:19We also have the papier-mâché box at 37.
32:23There's Amanda to talk money to.
32:25Amanda, hi.
32:26Hi.
32:27I found these two things.
32:29Now, this one's 18 pounds.
32:32Mm-hmm.
32:32It's fine.
32:33What's the best you can do on this one?
32:35I can do 30.
32:37Oh, that would be lovely.
32:38That gives me a chance at auction, yeah.
32:41That's a total of 48 pounds.
32:4350.
32:44Thank you very much.
32:46We'll get your two-pound change.
32:47Thank you very much.
32:50See you later, Amanda.
32:51Bye.
32:52Most kind, Amanda.
32:54Tamina's all bought up,
32:55with 59 pounds left.
32:58Uh-oh.
32:59Phil's on his wonders again.
33:01I come from a farming family.
33:02That's an old cast-iron pig trough.
33:05I really like that kind of stuff.
33:07It's an agricultural bygone.
33:09Probably last part of the 19th, early 20th century.
33:14This Mexican hat-style pig feeder
33:17is an excellent example of sustainable living
33:20because it can be repurposed in the garden.
33:23Tell us how, Phil.
33:24What you will do is put it on your decking,
33:27on your patio or whatever,
33:29and use it as a feature with soil in there
33:31and flowering shrubs all the way around.
33:33But I actually quite like it.
33:35I think there's no price on there.
33:38So that's something I'm going to have to go in and ask about.
33:43Might as well do that now, might I?
33:45Why not?
33:46Phil's also going to ask about the tea caddy at 28 pounds.
33:50Look out, you've got another one, Amanda.
33:52Hello, hello, hello.
33:53Hi.
33:54Hello.
33:55Let's begin with the unpriced pig trough.
33:58What's the best you could do that for?
34:00The very best.
34:00That's about 30.
34:01Is that the...
34:02Just tell me what your very best is.
34:04Yes, yeah, that's the best I could do.
34:05OK. What about the best on that, my love?
34:08Erm, 25.
34:10What about if I gave you 50 quid for the two?
34:13Which, by my maths, is 30 and 20.
34:16OK, yeah.
34:17All right, you're an angel.
34:18Thank you very much indeed.
34:20Merci beaucoup, Amanda.
34:23That leaves Phil with 50 snackers.
34:27What about this, is this?
34:28Yeah.
34:28Thanks for your health.
34:29Well, I don't know, I'm very envious of that now.
34:31I wish I'd seen it first.
34:32Oh.
34:33That's it.
34:34The shopping is done and dusted.
34:37Back in the motor.
34:38Ooh.
34:39Looks like something out of a Batman movie, doesn't it?
34:42You know what worries me about this auction?
34:45What?
34:46Well, I'm kind of thinking I might have helped you beat me.
34:50That Kazakh train?
34:51No, no.
34:51I wouldn't be annoyed if I were you, and it did really, really well.
34:56We'll soon find out.
34:58Shut-eye beckons.
35:01Watch out.
35:02Our revved-up road trippers are fizzing with joy for their very first auction.
35:08What do you reckon?
35:10I am cautiously optimistic.
35:12Well, I am wildly peasant, too.
35:15Good luck.
35:17Be gentle.
35:18I will.
35:21After a good old cha-cha-cha around Liverpool and Cheshire, we're in Rossyth in Fife.
35:28For number one of our best-of-five auction contest at Free Bridges Auction House, sending in the room, on the phone, and on the World Wide Web.
35:40Today's gavel basher is Will Bowler.
35:43£300, fair one and all done, selling at £300.
35:47Phil dished out £150 on five auction lots, so what's your fave, Will?
35:52So we've got the hammered brass and copper tea caddy, which is really nice, and what makes it desirable is the fact it's got its inner lining.
36:02Without that, usually they don't tend to go for as much money, so I feel that it's going to do very well.
36:07Tamina also scooped up five lots, spending £141.
36:12Are you impressed, Will?
36:14The Keswick School of Art stainless steel tray, we have the rope effect around the trim.
36:18It'll appeal to a lot of people who have bars, just a centrepiece.
36:22It's a very stylish thing.
36:24Right, find your seats and let's get comfy.
36:28How are you feeling, too?
36:28I'm excited.
36:29For sale, what do you reckon?
36:30A million pounds.
36:32As little as that.
36:34Yeah.
36:34As little as that.
36:37Good to aim high.
36:39Phil is first with a set of willow pattern teacups and saucers.
36:44See, I took the view that if you went to a modern department store, you couldn't buy what I bought for £23.
36:52Is that because nobody wants to?
36:55Ouch.
36:57I've got a bed here at £28 on the book here at...
36:59It'll do. I'll take that.
37:01I've got £30, I've got £35.
37:02Ooh!
37:03Armours up.
37:04Selling at £35.
37:05Well, do you know what?
37:07I've surprised myself.
37:08A profit from the get-go.
37:10Well done, Phil.
37:11To this gracious me.
37:13Your turn, Tamina, with a pair of glass clamshell-formed light shades.
37:17I think they're quite fun things, actually.
37:19I only paid £89.
37:21Have you no conscience at all?
37:24Did you say conscience?
37:26£20 for it.
37:27Surely worth that.
37:28£20, but I have online.
37:29Yeah, I'll...
37:30You into money, kid.
37:31Yes, you too.
37:32Fair one and all done.
37:33Selling at £20.
37:36Let's share the braid.
37:38Another profit.
37:40I've still got a bargain, and I've still got a profit.
37:43Now, ole!
37:44Today, it's Phil's Mexican hat pig feeder.
37:47I want you to imagine a big straw Mexican sombrero, right?
37:53OK.
37:54And then I want you to imagine that it's made out of cast iron and weighs about four tonnes.
37:58And it goes straight in there at £65.
38:01And it goes straight in there at £65 bid.
38:02Ooh!
38:02Do you use it as a planter or whatever you want it to be?
38:05Put the hammer down before they change their minds.
38:07At £65, fair one and all done.
38:09Selling at £65.
38:10Awful lot of pig farmers around here, let me tell you.
38:13Lucky for you.
38:14Ha-ha!
38:15Great result.
38:17I knew it all the time.
38:19You did say, didn't you?
38:20Tamina's turn now with the Mr. Punch doorstop.
38:24So, try and imagine the ugliest character in...
38:30Hey, just leave me at it, all right?
38:32We can start here at £30 bid.
38:34Oh!
38:35£35 at £35.
38:36We've got £40 here at £40.
38:37I'm looking for one more.
38:39£45 at £35.
38:39Well done.
38:40You're done, well done.
38:41Selling at £45.
38:42Thank you, sir.
38:44The Mr. Punch fan club must be on their holes.
38:47This is heavy.
38:48Yeah, absolutely right.
38:50I specialise in heavy.
38:53No comment.
38:55Look, it's Phil's London Skyline coffee table.
38:59I know that they're really collectible,
39:01but it might have...
39:02Unlike myself, it's got a few condition issues.
39:07And I can start here at £50,
39:09but to eat at £50 up.
39:10There you go.
39:11Gosh, I think that's cheap.
39:12Selling at £50.
39:13I mean, do you know, that's just the way the cookie crumbles.
39:18Lovely thing, but don't fret, Phil.
39:20Still plenty to go.
39:22£80.
39:23£80.
39:23£80.
39:25Pull yourself together, man.
39:28Onwards with Tamina's Chinese snuff bottle.
39:31They paint it from the inside out.
39:33It looks pretty.
39:35£20.5 in the room.
39:37At £20.5 at £20.5 at £22.5 at £22.5 at £4.5.
39:41I've got £28 now here.
39:42Do you want £30?
39:42£30.5.
39:44Do you want to come back at £35?
39:45They do.
39:46Well done.
39:47You're in business.
39:48At £35.5.
39:49Fair one and all done.
39:50Selling at £35.
39:52Hey.
39:53What's on you?
39:54Not to be sneezed at, another profit for Tamina.
39:58Trust your eye, kid.
39:59Trust your eye.
40:01Sage advice.
40:02Phil next with the brass and copper tea caddy.
40:04It's a flexy look.
40:08What was it meant to be?
40:11Would you please not ask difficult questions?
40:14I've got a red to you at £35 on the book.
40:16I'll take it.
40:17Yeah?
40:17It's red to £40.
40:18I've got £45.
40:19Take that as well.
40:21Armours up.
40:22Selling at £45.
40:23Flexy use.
40:24Get in.
40:26Sip, sip, hooray.
40:28That will brew nicely.
40:29Did you, Brad?
40:30Well done.
40:32Can we serve up another profit with Tamina?
40:34Here's Keswick tray.
40:36Oh, we'll both be winners if it does well.
40:38Eh?
40:39And then it's your fault if it doesn't.
40:41£40, thank you.
40:42Oh!
40:43Well done, Phil.
40:44£40, selling at £40.
40:46Hey!
40:48Good teamwork, I think, there.
40:52Serol's in disbelief.
40:54Well done, Tamina.
40:56On to the corner cupboard for Philip.
40:58It was £20.
41:01There's money to be made there, surely?
41:04Don't call me Shirley.
41:05I've got a bid there, actually, on £30.
41:06I've got £30 here at £30.
41:07Yes, it's price too.
41:08And £5.
41:09I've got £40.
41:10At £40 and £5.
41:11And that takes my commission bid out.
41:12It's £45 here in the room at £40.
41:13That, I have to tell you, is double what I thought it would make.
41:15£45, fair warning.
41:17Selling at £45.
41:18Thank you, sir.
41:19Nice.
41:20Excellent result, Phil.
41:21You're reaping the rewards today.
41:25It's the final world.
41:26Tamina's papier-mâché box.
41:29So, Phil, have you ever made anything out of papier-mâché?
41:34Do you know, all the time, I can't stop.
41:36£30, but a half, thank you.
41:37You're at £35 and £40.
41:38There you are.
41:39£5, I've got £50.
41:40I've got £60.
41:40£60, I've got £60.
41:41£60, I've got £60.
41:42£5, I've got £70 now.
41:43Well done, you.
41:44Good stuff.
41:45And £5, I've got £80 now.
41:47£80 bidder at £80, actually.
41:48That's a top go, isn't it?
41:49Well done, you.
41:49Surprise me at £80 bidder at £80.
41:51Hey!
41:51All done.
41:52Selling at £80.
41:53That's great!
41:55Biggest profit so far.
41:58Well, that's it.
41:59All over.
42:00A top shout, that.
42:02Well done.
42:04What a good day, I thought.
42:06Get out of here.
42:08Let's tot up the figures, eh?
42:10Tamina began with £200, and after all auction costs,
42:14she's made a profit.
42:15For £30.90.
42:19Phil also began with £200.
42:22After costs, he's made a lovely profit of £38.30p.
42:29It's a close one, but today's auction champ is Phil.
42:33But still, four more to go.
42:36The overall profit at the end of the week will go to children in need.
42:40Well, Phil.
42:41Well, who'd have thought that?
42:43Well, I would have.
42:44You've got form for winning.
42:45Is that good or winning?
42:47Winning.
42:47Come on.
42:49Toodle pit.
42:51Next time, with Phil and Tamina, we've got mysteries.
42:55Well, why would they be there?
42:58Meows!
42:58Oh, I've got a good feline about this.
43:02Oh, mayhem.
43:03Oh, boy.
43:05I've got a good feline about this.
43:06I've got a good feline about this.
43:06I've got a good feline about this.
43:07I've got a good feline about this.
43:08I've got a good feline about this.
43:09I've got a good feline about this.
43:10I've got a good feline about this.
43:10I've got a good feline about this.
43:11I've got a good feline about this.
43:12I've got a good feline about this.
43:13I've got a good feline about this.
43:14I've got a good feline about this.
43:15I've got a good feline about this.
43:16I've got a good feline about this.
43:17I've got a good feline about this.
43:18I've got a good feline about this.
43:19I've got a good feline about this.
43:20I've got a good feline about this.
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