{Frightmare} 1974 - A woman, after escaping a death sentence, moves to an isolated farmhouse with her husband. - video Dailymotion

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Horror-Psychotronic-UK  A woman, after escaping a death sentence, moves to an isolated farmhouse with her husband, but craves blood and surgery again. Is her old self back?   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00Transcription by CastingWords

00:00:30CastingWords

00:01:00CastingWords

00:01:29CastingWords

00:01:59I don't know.

00:02:29I don't know.

00:02:59In both circumstances, I have nothing further to add, my lord, except to draw your attention

00:03:03to the specialist's report on the defendants.

00:03:05Thank you, Mr. Brunskill.

00:03:08Edmund and Dorothy Yeats.

00:03:15It is not my intention to distress this court further by summarizing your crimes, as I

00:03:20think my views will be in accord with those of every civilized man and woman in this country.

00:03:24During 22 years on the bench, I have not found a more sickening nor disturbing case.

00:03:30I will concede that you Yeats were not wholly aware of the depths of degradation to which

00:03:35your wife had sunk.

00:03:36Ultimately, though, your complicity and guilt were beyond question.

00:03:42Normally, I would have no hesitation to impose the death penalty on you both.

00:03:47However, in view of the doctor's reports in front of me, I have no alternative but to make

00:03:52out a section 65 order that you both be committed within 28 days to a mental institution.

00:04:00And let the members of the public be assured that you shall remain in this mental institution

00:04:06until there can be no doubt whatsoever that you are fit and able to take your place in society again.

00:06:26Oh, my God.

00:06:56Come on, come on, hurry up.

00:07:01Nice people, how are they?

00:07:03Yeah, who cares?

00:07:06No trouble, right?

00:07:12I'm scared to death.

00:07:26Oi, stop that, I'm watching you.

00:07:32You're getting jealous, are you?

00:07:34You're getting done, she's underage.

00:07:36Just out of a convent.

00:07:37It wasn't a convent.

00:07:38Did you get one left for me?

00:07:39I'll get your own.

00:07:42Now, you're going down, will you?

00:07:44I'll be OK.

00:07:53Can I have a vodka and lemon in a pint?

00:07:55How old are you?

00:07:56Eighteen.

00:07:57I'll paint you.

00:07:58Eighteen, I tell you.

00:08:18Oh, love again.

00:08:19He wouldn't serve me.

00:08:21Why?

00:08:22He was a real bastard, Alec.

00:08:24What's up?

00:08:25Oh, he said this was a nice place.

00:08:26He didn't serve tart.

00:08:27Oh, he did, did he?

00:08:29Yeah.

00:08:30We'll see about that, Alec.

00:08:31Alec!

00:08:32Alec!

00:08:33What's that?

00:08:34What's that?

00:08:35Him over there?

00:08:36Yeah.

00:08:37I want to work with you, mate.

00:08:38Wait a turn, will you?

00:08:39How would you like a fist in your face, you smart bastard?

00:08:40Is this what you're going to get?

00:08:41What's the matter with you?

00:08:42Piss off!

00:08:43What did you call this girl?

00:08:44What did you call her?

00:08:45Nothing, I called her nothing.

00:08:46Well, she's underage.

00:08:47Who says she is?

00:08:48What did you call her?

00:08:49He called me a tart, Alec.

00:08:50Call her a tart, eh?

00:08:51I didn't call her anything.

00:08:52Right, that's it, John.

00:08:53Out.

00:08:54Pronto.

00:08:55You, I said out.

00:08:56I couldn't believe it.

00:08:57It's true, it's true.

00:08:59I was just kidding.

00:09:00I couldn't believe that.

00:09:01He couldn't believe it.

00:09:02What did you call her?

00:09:03What did you call her?

00:09:04What did you call her?

00:09:05Nothing, I called her nothing.

00:09:06You know what I mean?

00:09:07What did you call her?

00:09:08Nothing, I called her nothing.

00:09:09No, what did you say?

00:09:10Well, she's underage.

00:09:11Who says she is?

00:09:12What did you call her?

00:09:13He called me a tart, Alec.

00:09:14Call her a tart, eh?

00:09:15I didn't call her anything!

00:09:16Right, that's it, John.

00:09:17Out.

00:09:19Pronto.

00:09:20You, I said out.

00:09:21I don't believe it.

00:09:25It's true, it's true.

00:09:26I think he pushed his wife out of bed because he wanted a map finished.

00:09:33Oh, you've got to laugh, haven't you?

00:09:36Haven't you, Greg?

00:09:38Oh, yes, very funny.

00:09:40He's probably analysing the psychology of humour.

00:09:45No, no, I stopped work at six.

00:09:47I had heard it before.

00:09:48What do you do?

00:09:50I'm afraid I'm a psychiatrist.

00:09:51Don't apologise, Graham.

00:09:53It's a force of habit.

00:09:54People tend to go quiet every time I mention it.

00:09:56Well, Jackie would.

00:09:57She knows quite a lot about psychiatry.

00:09:59Merle, I don't.

00:10:00Do you go to one?

00:10:01Me?

00:10:02No, it's just that a sister needs one.

00:10:05Merle.

00:10:06Sorry.

00:10:09My sister's a bit of an extrovert.

00:10:11Her!

00:10:12She's a bit wild, but she's perfectly all right.

00:10:14Well, if she's your sister, she must be.

00:10:16Well, yes, that's meant to kill off the conversation as usual, Graham.

00:10:29Well done.

00:10:30I think I'll get some more wine.

00:10:34That's him.

00:10:35Good night, Mike.

00:10:36See you tomorrow.

00:10:36Hello, barman.

00:10:48Give us a drink, barman.

00:10:50Where are you going, eh?

00:11:02We didn't finish our chat.

00:11:04Come on.

00:11:06Don't you want to have a chat?

00:11:08There's a friend of yours here.

00:11:10Do you remember her?

00:11:12Do you remember her?

00:11:13Yeah.

00:11:17Now, you were a bit rude to her.

00:11:19Do you remember that?

00:11:21She's lying to you.

00:11:22I wouldn't serve her a drink, that's all.

00:11:23She's...

00:11:24I thought she was underage.

00:11:26Calling her a lie now, are you?

00:11:28Are you?

00:11:29Mike!

00:11:37Mike!

00:11:38Let me!

00:11:40Let me!

00:11:43Let's get out of here.

00:12:13Come on, Deb!

00:12:25Come on, are you?

00:12:29What are you doing?

00:12:34Tater!

00:12:35Where are we going?

00:12:36Rocky's going to play football, okay?

00:12:38Oh, God, we went there last night.

00:12:40I hate that place.

00:12:42What's that?

00:12:43I'm not going to that gaff.

00:12:44I think I'll go home.

00:12:46I'll let you lift.

00:12:47Do what you want, but don't hang around.

00:12:49The law's coming.

00:12:49Well, it was marvellous.

00:13:02You're really so good at this sort of thing, it makes me mad.

00:13:03Yes, well, I'm, uh, thinking of taking it up for a living.

00:13:07Bye.

00:13:08Thanks a lot, Mo.

00:13:09Thanks for coming, Guy.

00:13:10Bye.

00:13:11Bye, love.

00:13:11I'll see you tomorrow.

00:13:12Right, love.

00:13:13Ah, don't forget McDonald's latecomer's porridge.

00:13:15Look who's talking.

00:13:16Now, now.

00:13:17Hey, can I help you with that?

00:13:18Oh, yes.

00:13:19I'd like a bit of that sort of thing.

00:13:20Oh, well, uh, can I give you a ring tomorrow?

00:13:22Yes.

00:13:23Please.

00:13:24Now, that's enough of that sort of thing.

00:13:25He's got his career to think of.

00:13:26Yeah, well, so has he.

00:13:27God, finals in six days.

00:13:28Yeah.

00:13:29Good night, all.

00:13:30Right, good night.

00:13:31See you.

00:13:32Bye.

00:13:33Bye.

00:13:34Bye.

00:13:35Bye.

00:13:36Bye.

00:13:37Bye.

00:13:38Bye.

00:13:39Bye.

00:13:40Bye.

00:13:41Bye.

00:13:42Bye.

00:13:43Bye.

00:13:44Bye.

00:13:45Bye.

00:13:46Bye.

00:13:47Did you, uh, like her, Graham?

00:13:49Yeah, well, she...

00:13:50Actually, she was, um, uh, rather super.

00:13:53I told you she was a lucre.

00:13:55You didn't believe me.

00:13:56Well, are you coming or, uh...

00:13:58No, no, no, no.

00:13:59I'll be keeping here tonight.

00:14:00Yeah.

00:14:01I'll see you tomorrow.

00:14:02Right, fine.

00:14:03See you.

00:14:04Bye.

00:14:05Bye.

00:14:06Bye.

00:14:07Bye.

00:14:08Bye.

00:14:09Bye.

00:14:10Bye.

00:14:11Bye.

00:14:12Bye.

00:14:13Bye.

00:14:14Bye.

00:14:15Bye.

00:14:16Bye.

00:14:17Bye.

00:14:18Bye.

00:14:19Bye.

00:14:20Bye.

00:14:21Bye.

00:14:22Bye.

00:14:24I suppose you know what time it is.

00:14:46What are you doing?

00:14:47Nothing. I'm going to bed.

00:14:50It's five past two in the morning.

00:14:51That's why I'm going to bed.

00:14:53Debbie, I've told you before.

00:14:55I'm not interested in what you've told me before.

00:14:58I'm not interested in you.

00:14:59So why are you so interested in me?

00:15:03I'm responsible for you.

00:15:04Well, don't be. Our parents are dead and you're not my mother,

00:15:08however much you'd like to think you are.

00:15:09I was made responsible for you when you got slung out of that orphanage,

00:15:12you silly little...

00:15:12Don't keep calling it an orphanage.

00:15:14Orphanage, convent, what difference does it make?

00:15:17Oh, don't be so childish.

00:15:21I'm old enough to do what I like.

00:15:23You're only 15 and I'm buggered if I'm going to...

00:15:25Debbie, look, I don't want to have to wait up for you again.

00:15:31Don't give me that.

00:15:33I beg your pardon?

00:15:35Well, you're not setting up for me.

00:15:36You're waiting to go out.

00:15:37What are you dressed for?

00:15:39You're waiting to go out like you always do.

00:15:41And don't say you don't because I've heard you.

00:15:43You creep out and you creep back two hours later.

00:15:45And if you can go out at two o'clock, I can come in at two o'clock.

00:15:53Do you know who they were?

00:15:55Now I couldn't see.

00:15:56I know them.

00:15:58One of them's called Alec.

00:15:59They've been here before.

00:16:01Your barman turned up yet?

00:16:02Now he must have gone home, I suppose.

00:16:05Funny the way they were laying into him.

00:16:08I thought you would have come inside to get patched up.

00:16:11Can you have anything, Sergeant?

00:16:12There's quite a bit of blood around here.

00:16:15We'd better find out what's going on, hadn't we?

00:16:16There's quite a bit of blood around here.

00:16:46There's quite a bit of blood around here.

00:16:51I've been here for sure.

00:16:53I've seen him.

00:16:55I've seen him.

00:16:56Oh, my God.

00:17:26Oh, my God.

00:17:56Oh, my God.

00:18:26Don't get too near the fire.

00:18:38It's spitting.

00:18:39Must be a piece of slate on it.

00:18:41You made me jump.

00:18:43Didn't mean to.

00:18:45I can't stay long, I'm afraid.

00:18:47Yes, you're later than usual, aren't you?

00:18:49Yes, I had some trouble.

00:18:51Debbie's found out.

00:18:52What?

00:18:54That I creep out of the house at all hours of the night.

00:18:58Oh, dear.

00:19:00Oh, dear.

00:19:01That was inevitable, wasn't it?

00:19:02Hmm.

00:19:04I'll make something up, I suppose.

00:19:10Have you brought it?

00:19:11Of course I've brought it.

00:19:14Good.

00:19:16How is she?

00:19:18She's better, I think.

00:19:19Well, better than she has been, anyway.

00:19:22Although...

00:19:22What?

00:19:25I don't want her to hear me.

00:19:27Well, where is she?

00:19:28I don't know.

00:19:29But she's taken to just standing, listening.

00:19:32I don't know why.

00:19:33What were you going to say?

00:19:35Well, it could be my imagination, but...

00:19:38I have a feeling that she's trying to make me believe that she is better.

00:19:43You mean she's guessed what we're doing?

00:19:45Jackie!

00:19:47Hello, darling.

00:19:49Hello, Mother.

00:20:01How are you, dear?

00:20:03Very well.

00:20:04You?

00:20:07You're standing there letting that fire go out, aren't you, really?

00:20:10We're going to bed soon.

00:20:11Yes.

00:20:12Well, I still have one or two things to do, haven't I?

00:20:16Yes.

00:20:17Just one or two little things.

00:20:23It's such fun being a night person, isn't it, Jackie?

00:20:27Some people are day people, but we like being night people, don't we?

00:20:31Night people.

00:20:32How's your migraine?

00:20:35I...

00:20:35I haven't had migraine for many, many months now.

00:20:38I thought you knew that.

00:20:41Things have been so very much better since we came here.

00:20:44I think I left all my headaches and problems behind at the other place.

00:20:50I closed the door very carefully when I left and I locked them all in.

00:20:54Perhaps you won't be needing the parcels for very much longer.

00:21:00Thank you so much for bringing it, Jackie.

00:21:02Oh, dear.

00:21:10It's left a mark on the table.

00:21:15I'll see to it, Dorothy.

00:21:17Why don't you just go and take it away?

00:21:20Thank you so much.

00:21:33I'll see you next week?

00:21:34Next week.

00:21:35She doesn't know.

00:21:44I'll just sit here and get these ideas.

00:21:51I must go.

00:21:52Are you all right for money?

00:21:55Yes, thank you, dear.

00:21:56We've got everything we need.

00:21:58We haven't even touched the Joseph's Christmas bonus yet.

00:22:01He's a very generous man.

00:22:03All right, then.

00:22:04Good night, Dad.

00:22:06Good night, dear.

00:22:07Take care.

00:22:07I'll see you next week.

00:22:08I'll see you next week.

00:22:37I'll see you next week.

00:23:07I'll see you next week.

00:23:37I'll see you next week.

00:24:07I'll see you next week.

00:24:08I'll see you next week.

00:24:09I'll see you next week.

00:24:10I'll see you next week.

00:24:11I'll see you next week.

00:24:12I'll see you next week.

00:24:13I'll see you next week.

00:24:14I'll see you next week.

00:24:15I'll see you next week.

00:24:16I'll see you next week.

00:24:17I'll see you next week.

00:24:18I'll see you next week.

00:24:19I'll see you next week.

00:24:20I'll see you next week.

00:24:21I'll see you next week.

00:24:22I'll see you next week.

00:24:23I'll see you next week.

00:24:24I'll see you next week.

00:24:25I'll see you next week.

00:24:26I'll see you next week.

00:24:27I'll see you next week.

00:24:28I'll see you next week.

00:24:29I'll see you next week.

00:24:30I'll see you next week.

00:24:31I'll see you next week.

00:24:38I'll see you next week.

00:24:39I'll see you next week.

00:24:40Marini saw Mechick the Bowman?

00:24:42That's right.

00:24:44And you went over to him?

00:24:45No, just Alec and the boys.

00:24:47Well, I stayed by the bikes with the other two girls.

00:24:51What did Alec do?

00:24:53I don't know.

00:24:54He followed this guy around the corner and we heard a bit of shouting.

00:24:58And Alec said that this guy ought to watch you as being cheeky too.

00:25:01That's all, and then they came back and we went home.

00:25:05You didn't ask what happened?

00:25:06No, he wouldn't have told me anyway.

00:25:08And you didn't see the Bowman again?

00:25:10No.

00:25:13I see.

00:25:15It's not quite the story as Marini told it.

00:25:17Look, it's what happened.

00:25:21Fair enough.

00:25:24Whether this goes any further or not

00:25:26will depend on what Mechick the Bowman has to say.

00:25:30Meanwhile, young lady,

00:25:32I should be careful of the company you keep.

00:25:38Right, two ultimatums.

00:25:42Firstly, if the police ever come here again,

00:25:44I'm not covering up for you.

00:25:45Do you understand?

00:25:46And secondly, my salary will not support two people.

00:25:49You've got three interviews.

00:25:50If you haven't got a job by the end of the week,

00:25:52you can get out, which is what you want to do anyway.

00:25:54You can fend for yourself and see how that grabs you.

00:25:56There you are.

00:25:58Now, don't touch it.

00:25:59How am I supposed to blow my nose?

00:26:00With great difficulty.

00:26:02With the cast and operational personnel

00:26:04of the Robin Hood Junior production...

00:26:05There you are.

00:26:06Now, don't touch it.

00:26:07How am I supposed to blow my nose?

00:26:09With great difficulty.

00:26:10I think I'm coming into a corner for the rest of the day.

00:26:15You in your small corner and me in mine.

00:26:17Everything's really getting me down, Mel.

00:26:21Darling, in this job,

00:26:23anything less than the screaming abdabs is perfectly normal.

00:26:27Hello?

00:26:38Yes?

00:26:40Why?

00:26:41I've got to talk to you.

00:26:45I wouldn't have phoned if it hadn't been urgent.

00:26:48But...

00:26:49Look, I'm outside.

00:26:50I've driven Sir Josie to his stockbrokers.

00:26:52It won't take long, I promise you.

00:26:54It's terribly difficult.

00:26:57Please, Jackie.

00:26:59It's about Dorothy.

00:27:03All right.

00:27:04All right, I'll come out.

00:27:10I've got to go and see somebody.

00:27:12Can you...

00:27:13Yes.

00:27:14Don't worry.

00:27:18Come in.

00:27:24Never mind, αυτ services company.

00:27:26Never mind.

00:27:27Come in, Nick.

00:27:28Listen.

00:27:29Sit down James.

00:27:30Like a

00:27:37Never mind,

00:27:39The nggak doctor.

00:27:40Come on the house.

00:27:44That's a pain mixed to life.

00:27:45It's a pain.

00:27:46It's a pain.

00:27:47Whatever you bite.

00:27:48Don't worry,

00:27:50Never mind.

00:27:51I won't kill you.

00:27:52Whatever you wanna fight,

00:27:54Mrs. Crosby, I read this advert in Time Out. I think it's very interesting that...

00:28:11Yes, I'm sure you do, dear. It's a fascinating, fascinating subject.

00:28:15Come in. Your timing is immaculate. I've just put the kettle on.

00:28:24Yeah? You bet I do. I'll be down in a while.

00:28:54Aren't I rude, keeping you waiting like that? You don't mind, do you?

00:29:02Of course not.

00:29:04We must get down to work.

00:29:07It's so... I don't know what to say. It's all so accurate.

00:29:14Exciting, isn't it?

00:29:16It's a bit unnerving.

00:29:19You should have finished that earlier.

00:29:26It's... it distracts me.

00:29:28I'm sorry.

00:29:29Swords, swords, swords, swords. It's all strife, isn't it? Strife and heartache and loneliness. Not a lot of friends.

00:29:53None at all to speak of.

00:29:58No.

00:30:00No close family ties.

00:30:08No romantic involvement. Not even round the corner.

00:30:12Never. Never any.

00:30:19This is the card that shows what lies ahead, Lillian.

00:30:27Oh, it's symbolic, of course.

00:30:29It predicts an end to the strife and the loneliness.

00:30:34Very soon.

00:30:35It was last night after you left.

00:30:48That still doesn't prove she knows we're tricking her.

00:30:50It does.

00:30:52And I've found something else as well.

00:30:54What?

00:30:55I didn't want you to know, Jackie.

00:30:57Oh, for Christ's sake. I've been involved in this since I was eight years old.

00:31:01What could they possibly be that you can't tell me about?

00:31:04Look, I just want you to trust me.

00:31:06Come down tonight and talk to her.

00:31:08No.

00:31:11Look, I can't seem to make her talk to me.

00:31:13But you can. She'll tell you the truth.

00:31:15I can't come tonight.

00:31:16I'm going out.

00:31:18I've got a dent.

00:31:19Oh, that woman has had enough of my time already.

00:31:21I'm not going to let her wreck my love life as well.

00:31:25Look, I'm sorry, Dad, but I've got to draw the line somewhere.

00:31:31Jackie.

00:31:36I didn't want to show you.

00:31:37Show me.

00:31:54Don't touch me.

00:31:55What have they done to you?

00:31:57I can never forgive you, Mark.

00:31:59You must go to the police now.

00:32:01You have no feelings.

00:32:02No idea of how I suffer.

00:32:04And what can I do, I'm sure.

00:32:06Yes, I wanted to know that, too.

00:32:08That's all right. Robin's seen it. I'll ask him what happened.

00:32:11I feel so guilty about this.

00:32:13Oh, don't worry. Can't be helped.

00:32:14Look, I'll take you home.

00:32:16You do no such thing.

00:32:17I've ruined the evening already.

00:32:18I'm not going to let you put yourself out any further.

00:32:20Don't be silly. It doesn't matter.

00:32:22It means a lot to me.

00:32:24My bus goes from over the road.

00:32:26It drops me right past my door.

00:32:28Promise you'll ring me tomorrow?

00:32:29Yeah, all right.

00:32:31I'm terribly sorry.

00:32:33I'm sorry.

00:33:03God, I can't stand much more of this.

00:33:33I'm sorry.

00:33:39Can I look?

00:33:40Hello, Mel.

00:33:41Why?

00:33:43Hello, Graham.

00:33:46I thought you were studying all evening.

00:33:47I thought you were going out all evening.

00:33:50OK, OK, I'll go to the pub.

00:33:51No, you don't.

00:33:52Don't be a martyr.

00:33:53We're all friends here.

00:33:54Friendship does have its limits.

00:33:56I am not suggesting a menage a trois, dear.

00:33:59Thank God for that.

00:34:00Oh, go and make the coffee.

00:34:02coffee. It's freezing out, isn't it? I can go if you like. Sit down, Graham, and don't pretend you've

00:34:09got any intention of leaving. What's with this 9.30 routine? She slapped your face or something. I

00:34:14should have had to go home. Some relative coming down from Glasgow. Oh, she didn't mention it to

00:34:19me. I think it was an excuse, actually, but don't tell her I said so. No, of course not. Mind you,

00:34:24you're probably right. Is there someone else? Someone else? No, it's that sister of hers.

00:34:31She's driving Jackie up the wall, the little cow. Ah, yes, you mentioned her at dinner. Hmm. What's wrong

00:34:37with her? What's wrong with her? What's right with her? She's a bloody delinquent. She's absolutely

00:34:42uncontrollable. Do you know they had the police there this morning? What didn't Jackie tell you? No,

00:34:47she didn't tell me. Ah, she wouldn't. She spends half her life trying to sort that kid's life out,

00:34:52and then pretends everything's peaches and cream. The sooner they get that kid to a psychiatrist,

00:34:56the better. Ah, well, here I am. You wait till you're asked. He'll wait a long time. Well,

00:35:01I'd better offer, then. What, now? Why not?

00:35:04Ah. Oh, come here. Come here. Come here, Jackie. I'm not going to make a big thing of this. The

00:35:23Oh, come in. Come in, Jackie.

00:35:33I'm not going to make a big thing of this, Dad.

00:35:35I'm staying half an hour and that's all.

00:35:37Don't go in yet. I won't have a word with you.

00:35:39This is a waste of time, you know.

00:35:41I've been thinking about what you've shown me.

00:35:44There's a simple explanation. There must be.

00:35:47Keep your voice down, please.

00:35:49Dad, she's been in an asylum for 15 years.

00:35:51She must be cured.

00:35:53We've both been in an asylum, Jackie.

00:35:56Well, then you ought to know it better than anyone else.

00:35:58I found something else this evening, Jackie.

00:36:00Oh, God, no.

00:36:01Look.

00:36:04What are they?

00:36:05Tarot cards.

00:36:07Found them in a drawer.

00:36:08So?

00:36:09Well, it takes two to play that game, Jackie.

00:36:12And if I'm not the other one, who is?

00:36:16Who are you talking to, Eddie?

00:36:21Oh, Jackie, it's you. How nice.

00:36:30How are you feeling, Mother?

00:36:34See, see how much I've done since I saw you last week.

00:36:37I've almost felt...

00:36:37How are you feeling, Mother?

00:36:41Pardon, dear?

00:36:42You heard what I said.

00:36:46Mother, I know we agreed not to talk about the past,

00:36:49but Dad and I have been discussing...

00:36:51Jackie.

00:36:52I've got such a migraine tonight, I can hardly see the stitches.

00:36:55The migraine you haven't had for months.

00:36:58I don't understand, dear.

00:37:00You understand every word I say, Mother.

00:37:02You just choose to ignore most of it, that's all.

00:37:05Jackie, don't.

00:37:06There's no...

00:37:06I don't know what's come over you, Jackie.

00:37:08Just tell me one thing, Mother.

00:37:11Are you well?

00:37:12Am I well, dear?

00:37:13I don't understand.

00:37:15You know what I mean.

00:37:17I...

00:37:17Have you started again?

00:37:21Oh, how can't you?

00:37:25How can you ask me that?

00:37:26How can you be so cruel?

00:37:29That was months ago.

00:37:31Years ago.

00:37:33That was in the old place.

00:37:35So long ago, so many years ago, all over so long ago.

00:37:41Then what are these?

00:37:55Hello.

00:37:56You Debbie?

00:37:56Yeah.

00:37:58Is your sister in?

00:37:59No.

00:38:01She's not?

00:38:03Oh, any idea when she'll be back?

00:38:04Well, my name's Graham Haller.

00:38:09Actually, it was you I wanted to speak to.

00:38:12Do you mind if I come in for a minute?

00:38:20They come and go.

00:38:23Lonely people.

00:38:25All lonely people.

00:38:26Not a friend in the world.

00:38:28And I help them.

00:38:29I haven't got a friend in the world.

00:38:33You know that.

00:38:35Only you.

00:38:36We're trying to help you, Mother.

00:38:38You're trying to help me back into that asylum.

00:38:41That's what you're trying to do?

00:38:43Trying to trick me into thinking I'm not better than I am.

00:38:47All right, then, Mother.

00:38:48All I've done is ask you one question.

00:38:50And I've given you an answer.

00:38:53I never go out of this house.

00:38:56It's so lonely here all day.

00:38:59Can't I have any interests?

00:39:03And those cards are my property.

00:39:04Give them back to me, you thief.

00:39:08You don't like me having anything of my own, do you?

00:39:11I'm not allowed to keep everything.

00:39:16Oh, Eddie.

00:39:19They even took my baby away from me.

00:39:22My only child.

00:39:25She...

00:39:26She doesn't even know I exist.

00:39:29Oh, now, Dorothy.

00:39:30Won't have you upsetting yourself like this.

00:39:33There's no need.

00:39:34We're going to forget that any of this happened.

00:39:37You...

00:39:38You plotted it all between you.

00:39:45No, no.

00:39:47Jackie insisted on coming down.

00:39:49Dad!

00:39:50It's all over now.

00:39:52We're going to forget that any of this ever happened.

00:39:55We're not going to mention it again.

00:39:58And we're going to go on just like we were.

00:40:01Just the two of us together.

00:40:02Hmm?

00:40:05Well, I've lost my mind.

00:40:08I'll get you another one, dear.

00:40:20You know how I look forward to your visits, Jackie.

00:40:24With your little parcels.

00:40:27I do appreciate the trouble you take.

00:40:29You know that, don't you?

00:40:30You will keep on bringing them, won't you, dear?

00:40:35Just to please me.

00:40:37You will, won't you?

00:40:39And...

00:40:45And...

00:40:46Did anyone ever tell you you've got a great bedside manner?

00:40:51Did anyone ever tell you you've got a great bedside manner?

00:41:06I don't think that's quite the right expression, is it?

00:41:08Well, it is for what I've got in mind.

00:41:18Thank you, Doctor.

00:41:19Graham.

00:41:20Thank you, Graham.

00:41:21You were telling me about the orphanage.

00:41:25No, I wasn't.

00:41:27You said you didn't like it.

00:41:28I didn't like it.

00:41:29Look, I don't want to talk about it.

00:41:31It's boring.

00:41:31Did you resent being there?

00:41:36Are you screwing Jackie?

00:41:40I asked first.

00:41:41Well, if I tell you, will you tell me?

00:41:45No.

00:41:46That's not fair.

00:41:49Did you ever see a photo of your parents?

00:41:52I don't know.

00:41:54I can't remember.

00:41:56I don't even care about them.

00:41:58Why should I?

00:41:58I haven't even met them.

00:41:59I think you do care, Debbie.

00:42:01I think you care very much.

00:42:03Well, he's a great showman, but I can't stand his music.

00:42:25Oh, he's a great musician.

00:42:27He was at the Rainbow last week.

00:42:28Really?

00:42:28I know he had hysterics.

00:42:30We waited for him to come out afterwards, but he didn't come.

00:42:33No.

00:42:33Jackie went there because he didn't get home till three.

00:42:35Did you?

00:42:37Oh, hello, Jackie.

00:42:40How long have you been here?

00:42:41Not long.

00:42:42We've just been having a little chat.

00:42:43You don't mind, do you?

00:42:45It's time you were in bed.

00:42:47Oh, for Christ's sake!

00:42:49Don't shout at me.

00:42:50I'll shout at you.

00:42:51I'll shout at you whenever I like!

00:42:53Chewing off!

00:42:54Well, where do you think you're going?

00:42:56Out.

00:42:56You're not, you know.

00:42:57Try and stop me!

00:42:58Don't treat her like a child.

00:43:11Thank you very much.

00:43:12How much do I owe you for that piece of analysis?

00:43:14Why don't you try sitting down and talking to her for a change?

00:43:16Well, I'll certainly think about that, Graham.

00:43:18After all, you seem to have achieved so much.

00:43:20Yes, we were getting on quite well, actually.

00:43:22Talking about me, I suppose.

00:43:23No, mostly about your parents.

00:43:25No, mostly about your parents.

00:43:55No, mostly about your parents.

00:44:15No, mostly about your parents.

00:44:17I just wish you'd asked me first, that's all.

00:44:37But you would have said no.

00:44:39Look, Jackie,

00:44:41Mer says you like to pretend that nothing's the matter.

00:44:44But something is the matter, and Debbie can be helped.

00:44:47By you?

00:44:49Yes, I'd like to try.

00:44:51Look, it's too early to draw any conclusions.

00:44:53I'd have to spend much more time with her,

00:44:54but it's pretty obvious that she's suffering from some identity problem.

00:44:58I can't stand that jargon.

00:44:59Yes, well, it's very simple if you just listen.

00:45:04Look, on the surface, she seems cold and insensitive,

00:45:10but that's because she's got no background, no roots.

00:45:13She doesn't seem to have been given much understanding in the orphanage.

00:45:17So this is the result.

00:45:20But Debbie's got an additional problem in the shape of a close relative, you,

00:45:24who refuses to tell her anything about her parents.

00:45:26Now, why won't you discuss it with her?

00:45:28You must remember them.

00:45:29Listen, the one thing you're conveniently leaving out, Graham,

00:45:32is the fact that I know a damn sight more about her than you do,

00:45:34and I know how to handle it.

00:45:36Jackie, I'm sorry, but I don't think you do.

00:45:40Jackie, I'm trying to help.

00:45:43I want to help you.

00:45:44I don't need help.

00:45:46Graham, I'm very tired.

00:45:47We're going to have to leave it there.

00:45:49Yes, you've had a very busy evening, haven't you?

00:45:54Good night, Graham.

00:46:02How are you going to do it?

00:46:04Somerset House.

00:46:06Did Jackie ask you to?

00:46:08No.

00:46:10Why are you doing it, then?

00:46:13I don't know, really.

00:46:16I think you need your head examined.

00:46:39What's all this about, Deb?

00:46:50Come here.

00:46:51You come here.

00:47:02This yours?

00:47:03I use it to keep things in.

00:47:06I've got some in here for you.

00:47:09Nice.

00:47:18Jesus Christ.

00:47:20Nasty, isn't it?

00:47:22How did he get in there?

00:47:24I put him in there.

00:47:25Why?

00:47:26Well, if he was left where he was, you'd be in a cell by now.

00:47:30I didn't do that to him.

00:47:31Look at his head.

00:47:33I didn't do that.

00:47:34Who did, then?

00:47:35But I hardly...

00:47:36Oh, Christ.

00:47:37What are we going to do?

00:47:38Dump him off.

00:47:39Where?

00:47:40Well, you bring your brother's van round tonight, and we'll go and stick him in the quarry.

00:47:44No.

00:47:47Leave him there, then.

00:47:48Go ahead.

00:47:49There was a call after you at reception.

00:47:50Ah, yes, uh, Dave.

00:47:51Oh, excuse me.

00:47:52Excuse me, David.

00:47:53Dr. Lytell!

00:47:54Could you spare me a moment now, please, sir?

00:47:55Oh, Graham, of course.

00:47:56By all means, come on in.

00:47:57I should have seen you long ago, but I just had one of those morning.

00:47:58Right.

00:47:59Thank you, sir.

00:48:00Now, what's your problem?

00:48:01Forgive me if I potter a bit or a talkie?

00:48:02Well, it's a favour, actually, sir.

00:48:03I was wondering if you could give me an introduction to one of the supervisors at the Lansdowne Hospital.

00:48:04The Lansdowne?

00:48:05Well, that's a bit off your back.

00:48:06Well, it's a favour, actually, sir.

00:48:07I was wondering if you could give me an introduction to one of the supervisors at the Lansdowne Hospital.

00:48:08The Lansdowne?

00:48:09Well, that's a bit off your beat.

00:48:10What are you working on?

00:48:11Well, it's a patient of mine, sir.

00:48:12She's under the impression that her pa...

00:48:13She?

00:48:14No.

00:48:15No.

00:48:16No.

00:48:17No.

00:48:18No.

00:48:19No.

00:48:20No.

00:48:21No.

00:48:22No.

00:48:23No.

00:48:24No.

00:48:25No.

00:48:26No.

00:48:27No.

00:48:28No.

00:48:29No.

00:48:30No.

00:48:31No.

00:48:32No.

00:48:33No.

00:48:34No.

00:48:35No.

00:48:36No.

00:48:37No.

00:48:38No.

00:48:39No.

00:48:40No.

00:48:41Yes, it's a young lady.

00:48:42Well, I see.

00:48:43Well, she's under the impression that her parents are dead, but they're not.

00:48:46I found out that they were committed to the Lansdowne in 1957, and I'm trying to find out why.

00:48:51Well, you have been busy.

00:48:58Well, I think it's important, sir.

00:49:00Is it vital?

00:49:02Yes, I think so.

00:49:06Fair enough.

00:49:07If it's vital, I'll get you in touch with Matt Lawrence.

00:49:10He's the medical superintendent, Mr. Lanza.

00:49:12Oh, well, I didn't expect you to go to all that trouble, sir.

00:49:15No, no, it's nothing. He and I are old friends.

00:49:18We were at King's together.

00:49:20Give me a line, will you?

00:49:26Did you cut them, dear?

00:49:28Yes.

00:49:29Then we shall see what we shall see.

00:49:40You warm enough?

00:49:42I'm fine, thanks.

00:49:44It does get so chilly here sometimes.

00:49:47You didn't come by car, did you?

00:49:50Why?

00:49:52No, I don't think you did.

00:49:54Now this signifies you, dear, the Queen of Pentacles.

00:50:00Cunning, passionate, self-reliant.

00:50:05This covers you.

00:50:07This crosses you.

00:50:09This beneath you.

00:50:10This behind you.

00:50:12This crowns you.

00:50:14And this is before you.

00:50:17I think you've had a sudden loss, haven't you?

00:50:38Not a death.

00:50:40A sudden departure.

00:50:43Someone you love.

00:50:45I think it's your husband.

00:50:51Yes?

00:50:55Yes.

00:50:59You did say your name was Delia, didn't you?

00:51:05You don't like being left on your own, do you, Delia?

00:51:10You're frightened you're going to be left by yourself.

00:51:15Well, don't worry about that, will you, Delia?

00:51:21You said you were alone.

00:51:23Sometimes the little animals come in.

00:51:27And go all over the place.

00:51:29They're awfully naughty.

00:51:31Do you like little animals, little squirrels and things?

00:51:34And not all that fussy.

00:51:37There's one peeping at you down there.

00:51:40No, not really.

00:51:44No, not really.

00:51:53My husband.

00:51:56Will he come back?

00:51:59What else do you know about him?

00:52:01Nothing.

00:52:02But I know everything about you.

00:52:06One look and I know it all.

00:52:09Then perhaps you'd like to tell me.

00:52:12Perhaps you'd like to tell me.

00:52:15Perhaps I wouldn't.

00:52:17Delia.

00:52:18Delia.

00:52:23Look, I've paid you a considerable amount of money.

00:52:29There is your considerable amount of money!

00:52:36There is your future!

00:52:37You're quite mad.

00:52:53I suppose you know that.

00:53:07You've locked this door!

00:53:29You've locked this door!

00:53:37He's locked!

00:53:42He's locked.

00:53:43I saw his half way.

00:53:44He's locked.

00:53:48He's locked.

00:53:50He's locked.

00:53:59He's locked.

00:54:02I've locked on the door.

00:54:03Help me. She's not dead yet.

00:54:28Dorothy.

00:54:33Dorothy.

00:54:37Dorothy.

00:54:41Dorothy.

00:54:42Oh, my God.

00:54:47Oh, my God.

00:54:52Oh, my God.

00:54:56Oh, my God.

00:55:03I had to do it. I had to do it. I had to. I had to.

00:55:15I had to do it. I had to do it. I had to. I had to.

00:55:27I had to do it.

00:55:31She's the first?

00:55:36What have you been doing to them?

00:55:40What have you been doing to them?

00:55:43she was a cannibal i'm sorry i can't put it more daintily than that i'm afraid

00:55:51the fact is she ate people

00:55:53horrified but thankfully quite unique caused a bit of a scandal in 1957

00:56:01probably you remember i'm afraid i was a bit too young oh yes yes of course i tend to forget

00:56:07what was the case history oh it goes way back what is it down please

00:56:14here we are yes she had a pet she was very fond of when she was a girl

00:56:25rabbit or something similar and it died i'm afraid the parents were foolish enough to use it as food

00:56:31it was right in the middle of the depression late 20s early 30s meat was hard to get hold of

00:56:35as she found out she went into such shock that she twisted the horror of the situation into

00:56:42something pleasurable she began killing animals and dissecting them eating them secretly of course

00:56:49nobody found out about for years oh god she was especially interested in their brains i remember

00:56:54they held some sort of weird fascination for her how long before she started on on people

00:57:02well by the time she met her husband what was his name edmund that's only 55 she was a hopeless case

00:57:09the craving had become almost uncontrollable and he had seen has helped her to find human victims

00:57:15they killed six people before they were caught they were sent here in 1957

00:57:20it was the only case of caribanthropy on record in this country carry what

00:57:26cannibalism pathological cannibalism there's a couple of cases in the united states almost

00:57:31unheard of anywhere else they had children this couple didn't they oh you're one up on me then

00:57:37oh yes there was a daughter born in 1948

00:57:42jackie jacqueline that's right yes she was the daughter of the father's previous marriage

00:57:48she was sent to live with an aunt who later died apparently

00:57:50and was now a daughter deborah born shortly after the couple were committed yeah they put her in

00:57:55an orphanage that's right suddenly it all makes sense you know i've also felt that the father was

00:58:02the more interesting of the parents you see it's always been my opinion that he should never have

00:58:06been committed it was never really established that he had anything to do with the actual murders

00:58:10we knew about them certainly but i think it was more of a case of his being

00:58:14totally devoted to his wife turning a blind eye to absolutely anything that she might do

00:58:19you know even towards the end i was almost certain that he was deliberately faking derangement in

00:58:26order that he might remain here with his wife towards the end you mean they died no no they were

00:58:30released that was some months ago he's got a job i believe um some aristocrat's dog's body or

00:58:35something released well don't look so flabbergasted about it we didn't kick them out just for the fun

00:58:41of it they're completely cured as sane as you or i

00:58:44you won't tell anyone will you eddie it'll be our secret won't it you won't tell will you

00:58:56you haven't got much choice have i no one would be interested

00:59:01these people they've no friends no relations no one will miss them

00:59:08are they all in here most of them

00:59:12let's go back eddie

00:59:37when did you find out about the parcels find out dear you've known all along haven't you

00:59:44well i wanted to please you eddie you started as soon as you left the lansdown didn't you

00:59:50let's go back eddie it's not right that you should be here

00:59:55in future i'll come here by myself

00:59:59in future

01:00:01you're gonna tell me everything that's just my jacket everything

01:00:14i couldn't bear it eddie what to be sent back you won't be sent back

01:00:29you do understand then i understand

01:00:35and you're not angry with me

01:00:39i always wonder why people got glasses of water thrust at them when they've been crying

01:00:46it relaxes you really

01:00:59do you want to talk about it

01:01:06yes i do quite honestly

01:01:09oh i'm sorry i interrupted you breaking down like the fragile creature i'm not

01:01:14um you were saying you've been researching something no it can wait

01:01:21come on tell me what's wrong

01:01:24i feel like falling on my knees and asking for forgiveness

01:01:27why i was wrong about debbie i should have taken everybody's advice

01:01:33now it's too late why she got involved in a fight a couple of nights ago a man was killed

01:01:42she told you no i found her jacket covered in blood i had to force her to tell me

01:01:49did did debbie kill the man no no her her boyfriend so called he

01:01:55he hit him with a thing a bicycle chain debbie panicked and hit hit the body christ

01:02:06come on that's the worst over now finding out and then having to tell me

01:02:10i don't know i'm so worried about the police there's no need to be debbie's committed a crime

01:02:16i want to do all i can to help you both my offer still holds you know i don't deserve you do i

01:02:22we'll have to do something about that inferiority complex of yours won't we

01:02:27she here in her room

01:02:36we're leaving now debbie okay oh don't worry it'll be all right graham knows what to do

01:02:50oh you better give me the key

01:02:55we'll be back as soon as we can see you soon debbie now stay here till we get back won't you

01:02:59please

01:03:18so

01:03:20That was done with a bicycle change.

01:03:41Look, I'm sorry, but I don't understand.

01:03:44What are you talking about?

01:03:45I might have a word for your sister, please, miss.

01:03:48What did you mean when you said it was more than murder?

01:03:50Exactly what I said.

01:03:52Now, if we can go back to your flat, please.

01:04:01She's gone, Graham, she's gone.

01:04:03The wardrobe's empty and her suitcase is missing.

01:04:05This is a missing persons called all units.

01:04:09Deborah Yates, aged 15 and wanted for questioning

01:04:11in connection with the murder of Douglas Metchick on February 27th,

01:04:14is missing from her home in Beaufort Street, SW10.

01:04:17It's five foot two, light brown hair, light colouring.

01:04:22It's a bit early for me.

01:04:35You're over 18, aren't you?

01:04:37Early in the evening, idiot.

01:04:39Well, just think of it as Dr. Heller's nerve tonic.

01:04:41Mine hasn't even more than a tonic, I can tell you.

01:04:45Neat.

01:04:46Of course.

01:04:46Cheers.

01:04:51Better?

01:04:52Give it time.

01:04:55I've made rather a mess of it, haven't I?

01:04:57Oh, I wouldn't say that.

01:04:59You would if you knew everything.

01:05:01I think I do.

01:05:02You don't, Graham.

01:05:03That's the trouble.

01:05:04I was at Lansdowne today.

01:05:08Oh, God.

01:05:10And I still wouldn't say you'd made a mess of anything.

01:05:12What I can't understand is why you feel you've still got something to be guilty about.

01:05:16Look, your parents were certified sane, Jackie,

01:05:19and that's the way you've got to learn to treat them.

01:05:22I know it must have been difficult for you,

01:05:24but don't you see it's all over now?

01:05:26It's not all over, Graham.

01:05:28I'm afraid it's just beginning again.

01:05:30I can't see nothing.

01:05:43We're in the middle of nowhere.

01:05:45What is all this?

01:05:46Look, I told you, it's a place where they won't find us.

01:05:48Stay here.

01:05:49I want to see if everything's all right.

01:05:51Well, hurry up.

01:05:53Freezing me bollocks off out here.

01:05:56I don't like your gloomy face, Eddie.

01:06:00Reminds me of a gower-goyle.

01:06:03I've done me enough here already.

01:06:06Only the little animals are happy.

01:06:10They come and see me sometimes when you're not here, Eddie.

01:06:13I wish you could be here during the day to see them.

01:06:17What's the matter?

01:06:19You hear noise?

01:06:21Someone else in the house.

01:06:22Who are you?

01:06:33Hello, Dad.

01:06:33I can't believe it.

01:06:59It's our little girl, Eddie.

01:07:01It's true.

01:07:02Hasn't she grown?

01:07:04My God, I wanted to protect her from this.

01:07:07We were going to tell you, Eddie, in time.

01:07:12How long has she known?

01:07:13I've always known.

01:07:16Jackie told me.

01:07:18She promised.

01:07:20She promised me.

01:07:21Who else have you told?

01:07:26My boyfriend outside.

01:07:28She's so grown up, isn't she?

01:07:30Oh.

01:07:31Oh.

01:07:33Oh.

01:07:34Oh.

01:07:35Oh.

01:07:36Oh.

01:07:37Oh.

01:07:38Oh.

01:07:39Oh.

01:07:40Oh.

01:07:41Oh.

01:07:42Oh.

01:07:43Oh.

01:07:44Oh.

01:07:45Oh.

01:07:46Oh.

01:07:47Oh.

01:07:48Oh.

01:07:49Oh.

01:07:50Oh.

01:07:51Oh.

01:08:21Oh.

01:08:22Oh.

01:08:23Oh.

01:08:24Oh.

01:08:25Oh.

01:08:26Oh.

01:08:27Oh.

01:08:28Oh.

01:08:29Oh.

01:08:30Oh.

01:08:31Oh.

01:08:32Oh.

01:08:33Oh.

01:08:34Oh.

01:08:35Oh.

01:08:36Oh.

01:08:37Oh.

01:08:38Oh.

01:08:39Oh.

01:08:40Oh.

01:08:41Oh.

01:08:42Oh.

01:08:43Oh.

01:08:44Oh.

01:08:45Oh.

01:08:46Oh.

01:08:47Oh.

01:08:48Oh.

01:08:49Oh.

01:08:50Oh.

01:08:50What the hell were you thinking of, Jackie? It's absolutely ludicrous.

01:09:11It was Dad's idea.

01:09:13A week after they left Lansdowne, he realized something was wrong.

01:09:16Dorothy used to just sit and gaze into the fire.

01:09:19It seemed she was pining away.

01:09:20So you decided to play amateur psychiatrist.

01:09:23You seriously thought you could diminish her so-called killing instincts by pretending you were doing it for her

01:09:28and taking down these ridiculous things that you bought from the butchers.

01:09:31It seemed to work.

01:09:33And anyway, Dad wouldn't consider the alternative.

01:09:36And what was the alternative?

01:09:37She'd be sent back to Lansdowne.

01:09:39I'm sorry, Jackie. You don't know what the hell you're thinking about.

01:09:43Dorothy was in the best care for 17 years.

01:09:45She was certified sane.

01:09:47I swear, there's still something wrong.

01:09:49All right. She's probably going through a period of readjustment.

01:09:52But if there is something wrong, it can easily be remedied by a course of outpatient treatment.

01:09:56In her own home, if necessary.

01:09:58I never considered anything like that.

01:10:01I had nobody to talk to.

01:10:03Well, you have now.

01:10:04Eight o'clock.

01:10:15Well, what about it?

01:10:17Well, you could be down there in an hour and a half.

01:10:20It's hardly likely a psychiatrist to make a house call in the middle of the night, is it?

01:10:23Oh, that's right.

01:10:27You could go for a reading.

01:10:28With her set of marked tarot cards.

01:10:41You're going?

01:10:43Hmm.

01:10:44Something else I want to check on.

01:10:45About Dorothy.

01:10:46No, about Debbie.

01:10:48Debbie?

01:10:49Hmm.

01:10:50After all, she is Dorothy's daughter.

01:10:52Hmm.

01:10:53Hmm.

01:10:54Hmm.

01:10:55Hmm.

01:10:56Hmm.

01:10:57Hmm.

01:10:58Hmm.

01:11:08No alternative.

01:11:09No alternative, Eddie.

01:11:11The boy knew everything.

01:11:13I mean, we've got to wipe the slate clean, haven't we?

01:11:16How many more?

01:11:17How many more are before the slate is wiped clean?

01:11:22One more.

01:11:25Jackie.

01:11:25No.

01:11:26No.

01:11:27No!

01:11:28Stop kidding yourself, Dad.

01:11:33Forget about Jackie.

01:11:34She's an enemy.

01:11:35I won't listen to this.

01:11:36She's an enemy, I tell you.

01:11:37She's going to break this family if you want your sins.

01:11:39You don't know what you're talking about.

01:11:40I know, Father.

01:11:41That's all she wants to do, break us up.

01:11:43She tried to keep me away from you for as long as she could, didn't she?

01:11:46No, no.

01:11:47No arguing.

01:11:48Not when we're all together again.

01:11:51This has gone too far, Deborah.

01:11:53I can't handle this anymore.

01:11:55Is it for you?

01:12:01We never have visitors.

01:12:06Police?

01:12:08Take her to the attic, Dorothy.

01:12:09All right, Eddie.

01:12:10This way, dear.

01:12:11Oh, good evening.

01:12:37I'm sorry to trouble you so late.

01:12:38I wonder if Mrs. Yates could give me a reading.

01:12:40At this time of night, I'm afraid.

01:12:42Well, um, look, it's rather difficult for me, you see.

01:12:44I'm staying overnight in the area, and I'm leaving early in the morning, so I won't get

01:12:48another chance.

01:12:49Perhaps you can call in next time you're passing.

01:12:51Perhaps I can persuade you, you see.

01:12:52I'm rather worried about my health.

01:12:53Um, I think I may be very ill, and I'd like to know one way or the other.

01:12:59You understand?

01:13:00Come in.

01:13:01Oh, I'm very grateful.

01:13:02I won't stand here longer than necessary.

01:13:06Wait here.

01:13:07If you, I'll sell my wife.

01:13:23We'll go through.

01:13:32Mrs. Yates?

01:13:42Hail to thee, Knight of Pentacles.

01:13:48I'm sorry?

01:13:50You are the Knight of Pentacles.

01:13:53This is your card.

01:13:55Oh, I see.

01:13:58Sit down.

01:14:00The other side.

01:14:02Would you like me to pay you beforehand?

01:14:14Yes.

01:14:15Yes.

01:14:28Yes.

01:14:29Would you like me to see?

01:14:30I'm sorry.

01:14:32Yes.

01:14:33This covers you. This covers you. This beneath you. This behind you. This crowns you. This is before you.

01:14:54Your name was...

01:14:57Robin. I'm a commercial traveller, just staying in the village for one night.

01:15:01How did you know about me?

01:15:03A friend recommended you.

01:15:04His name?

01:15:06Well, he's not exactly a friend. It was a party and I heard him talking about you.

01:15:13Do you travel in medical supplies?

01:15:16No.

01:15:18I see healing hands.

01:15:22You're either something to do with the hospital or you're a doctor.

01:15:26Well, that'll be all the doctors I've been to. There have been so many.

01:15:30It's not the doctors you've been to. I'm telling you, it's you.

01:15:39Well, I was a medical student once. It was a long time ago.

01:15:43Were you now?

01:15:46You're worried about something?

01:15:48Yes, very.

01:15:49A girl.

01:15:50No.

01:15:51Two girls.

01:15:52Two girls.

01:15:53There's a romantic involvement with one and some other involvement with the other. Now, what is it?

01:16:02Isn't that strange? I come back to the healing hands.

01:16:15Why are you lying to me?

01:16:17I'm not lying to you.

01:16:20You called me Mrs. Yates.

01:16:26You've come here for a purpose.

01:16:28To have my fortune told.

01:16:29No, no. There's something else. Now, what is it?

01:16:31I've told you, I'm worried about... I'm worried about...

01:16:33Be quiet.

01:16:34You've come here to search. You're searching for... No. No, not searching. Investigating. Investigating me!

01:16:50You're dead right, he is.

01:16:54Debbie!

01:16:55What did he tell you his name was?

01:16:57This is Robin, my dear.

01:17:00This is Graham, my dear.

01:17:02Dr. Graham Haller, to be exact.

01:17:05One of Jackie's little friends.

01:17:07She sent him down here to put you back in the nut house.

01:17:10No, that's not true. You know it isn't.

01:17:11You lie, you lie, you lie, you lie!

01:17:16I have the proof here in the cards!

01:17:19Come on, love. We're waiting for you.

01:17:27I'm sorry, Merla. I just can't concentrate.

01:17:30Oh, don't worry, kid. We'll wind it up.

01:17:32No, we'll go on.

01:17:34No, no. It was just one of my stupid ploys to try and get your mind off things.

01:17:38You're obviously not up to it.

01:17:40Oh, I'm sorry.

01:17:41Don't worry, kid. We'll have a chat instead.

01:17:43After all, that's what you came round for, isn't it?

01:17:45Yes, very much so.

01:17:48I just couldn't bear sitting alone in the flat, just waiting.

01:17:53Well, what are friends for?

01:17:55Oh, bugger. Hang on a minute.

01:17:58What really drove me out tonight?

01:18:04What?

01:18:05I knew that any second the phone would ring and it would be the police to say they'd found Debbie.

01:18:10That'd be the end, wouldn't it?

01:18:12Jackie, you're building this up into something it isn't.

01:18:16Why would it be the end? They don't send 15-year-old girls to prison anymore, you know.

01:18:19They send them to a reformatory.

01:18:21They're not going to send Debbie anywhere.

01:18:23Jackie, it's for you.

01:18:25Who knows I'm here?

01:18:27Well, I wouldn't swear to it, but it sounds like Debbie.

01:18:30Hello?

01:18:31Jackie?

01:18:32It's Debbie.

01:18:33Debbie, where are you?

01:18:34I'm at the farm.

01:18:35What?

01:18:36I'm at the farm with Mum and Dad.

01:18:37But how?

01:18:38Look, I can't explain now.

01:18:39Will you come down?

01:18:40Yes, of course.

01:18:41Graham's here.

01:18:42Yes, I know.

01:18:43You will come down, won't you?

01:18:44Straight away.

01:18:45Okay, see you then.

01:18:46Debbie?

01:18:47I'm flying high with an ace.

01:18:48You it.

01:18:49Was it her?

01:18:50No, I'm at the farm.

01:18:51I'm at the farm.

01:18:52I'm at the farm.

01:18:53I'm at the farm.

01:18:54What?

01:18:55I'm at the farm with Mum and Dad.

01:18:56But...

01:18:57How?

01:18:58Look, I can't explain now.

01:18:59Will you come down?

01:19:00Yes, of course.

01:19:01Graham's here.

01:19:02Graham's here.

01:19:03Yes, I know.

01:19:04You will come down, won't you?

01:19:06Straight away.

01:19:07Okay, see you then.

01:19:08Debbie?

01:19:09I'm flying high with an ace.

01:19:10You it.

01:19:11Was it her?

01:19:13Yes.

01:19:14Well, where is she?

01:19:15Well, she's found a place to hide.

01:19:18Oh, are you going?

01:19:19I must.

01:19:20Well, what about the police?

01:19:22I don't know.

01:19:23I don't know.

01:19:24Jackie!

01:19:41People n' hear.

01:19:42People n' hear.

01:19:43Well, no!

01:19:44Come on, you.

01:19:45My friend...

01:19:46I don't know.

01:19:47I don't know.

01:19:48No.

01:19:49No.

01:19:50No.

01:19:51I don't know.

01:19:52You can't believe my son.

01:19:53I don't know.

01:19:55I don't know.

01:19:56I don't know.

01:19:57I don't know.

01:19:58You can't believe my son.

01:19:59No?

01:20:00The little boy, who knows why.

01:20:02Will.

01:20:03Come on.

01:20:04No?

01:20:05No?

01:20:06No?

01:20:07No.

01:20:08No.

01:20:09Oh, my God.

01:20:39Debbie, is that you?

01:20:59I almost hoped you wouldn't come, Jackie.

01:21:02What are you prowling around with the bloody lights off for?

01:21:05I won't be spoken to like that in my own home, especially by you.

01:21:09Especially by me. What am I supposed to have done?

01:21:12You hurt me, Jackie. You've hurt all of us.

01:21:16What are you talking about?

01:21:19What's Debbie been saying to you?

01:21:22She's told us the truth.

01:21:24And you believed it?

01:21:26She is my daughter.

01:21:27And I'm not, I suppose.

01:21:29We both feel closer to Deborah.

01:21:33You stupid old man.

01:21:34How dare you?

01:21:35You've been taken in by a 15-year-old delinquent.

01:21:38All right, then.

01:21:39If that's the way we want it, you can get along without me.

01:21:42You can all get along without me.

01:21:43I'll wash my hands of the lot of you.

01:21:44Shh!

01:21:46Oh, Jackie, if only you hadn't come.

01:21:49What is it?

01:21:51What's going on?

01:21:53Where's Graham?

01:21:54Who?

01:21:54The man?

01:21:56For God's sake, I'm not going to stand here talking to you in the bloody twilight.

01:21:59No, Jackie.

01:22:01Don't put the lights on.

01:22:03What's the matter with you?

01:22:05Nothing.

01:22:09You've been hit.

01:22:11You've been hit with something.

01:22:13Who was it?

01:22:16It was Dorothy, wasn't it?

01:22:18She did it with this.

01:22:22The stepmother's a very sick woman, Jackie.

01:22:24How sick?

01:22:26How sick?

01:22:28She's had a very serious relapse, I'm afraid.

01:22:33Jackie, I love her.

01:22:36Can you understand that?

01:22:38But I can't do any more for her now.

01:22:42Deborah's looking after her.

01:22:44Looking after her?

01:22:45What do you mean, looking after her?

01:22:48She's with her now.

01:22:49A 15-year-old girl?

01:22:50I don't believe it.

01:22:53They have a lot in common, you know.

01:22:56More in common than you would think.

01:23:03Where's Graham?

01:23:04Where is he?

01:23:06They said she was well again.

01:23:10They said she was well.

01:23:11Graham?

01:23:16Graham!

01:23:19Leave us alone, Jackie.

01:23:41No!

01:24:09No! No!

01:24:11No!

01:24:12No!

01:24:13No!

01:24:14No!

01:24:15No!

01:24:16Shut up the stupid screaming!

01:24:26He knew!

01:24:27He knew!

01:24:28Why did you let them?

01:24:35No!

01:24:36No!

01:24:37No!

01:24:39No!

01:24:43No!

01:24:47No!

01:24:48No!

01:24:52Please!

01:24:53Please, no!

01:25:10Dad!

01:25:11Gaffley, please help me!

01:25:14Help me, Dad!

01:25:15No!

01:25:16Dad, please help me!

01:25:23And let the members of the public be assured that you shall remain in this mental institution

01:25:30until there can be no doubt whatsoever that you are fit and able to take your place in society again.

{Frightmare} 1974 - A woman, after escaping a death sentence, moves to an isolated farmhouse with her husband.

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