{Desiderando Giulia} 1986 - Giulia, who has no limits in her s*xual fantasies. - video Dailymotion

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Desiderando Giulia is a steamy romance drama about a young man's passionate relationship with Giulia, who has no limits in her sexual fantasies.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00Grandi

00:00:14Grandi role in the film Strasse to Julie.

00:00:18The film was also shot by Johan Leisen,

00:00:32Valeria Dobichy,

00:00:37Sergio Rubini

00:00:41and others.

00:00:42and also Giuliano Calandra.

00:00:52The film was Gianfranco Clerici and Andre Barzini.

00:01:02Operator Mario Bulpiani.

00:01:06The composer Antonio Secchi.

00:01:12OperatorID.

00:01:18OperatorID почему apoy.

00:01:23OperatorID.

00:01:25Annesiaщо.

00:01:27Create video.

00:01:29OperatorID,

00:01:30...

00:01:31...

00:01:32...

00:01:50...

00:01:52...

00:01:54...

00:01:56...

00:01:58...

00:01:59I'm going to leave.

00:02:01You don't like the spectacle?

00:02:03It's a stupid piece.

00:02:06It's again starting.

00:02:17Listen, you want to go like this all night?

00:02:20That's the whole evening?

00:02:22I'll go inside.

00:02:24Come on, come back.

00:02:26Listen, if you don't want to go to the theater,

00:02:27you can write it first, right?

00:02:29Well, if you don't want to go to the theater,

00:02:31you could tell me before.

00:02:44Ciao.

00:02:46Hello.

00:02:47Hello.

00:02:56Is there something wrong?

00:02:58What?

00:02:59Is there something wrong?

00:03:00No, no, no.

00:03:01It's okay.

00:03:04I'll leave it for dinner.

00:03:06It's hot.

00:03:07It's hot.

00:03:08Now, I'm going to go.

00:03:09I'm going to go.

00:03:10Yes.

00:03:11Go.

00:03:12Did he go?

00:03:16Oh.

00:03:17Yes, sir, sir.

00:03:19I'm not going to go.

00:03:21No, sir.

00:03:22Thanks, sir.

00:03:23Sorry.

00:03:24You're wrong, sir.

00:03:25I'm not going to go.

00:03:56Here it is.

00:04:26Here it is.

00:04:28Here it is.

00:04:30Here it is.

00:04:32Here it is.

00:04:34Here it is.

00:04:36Here it is.

00:04:38Here it is.

00:04:40Here it is.

00:04:42Here it is.

00:04:44Here it is.

00:04:46Here it is.

00:04:48Here it is.

00:04:50Here it is.

00:04:52Here it is.

00:04:54Here it is.

00:04:56Here it is.

00:04:58Here it is.

00:05:00Here it is.

00:05:02Here it is.

00:05:04Here it is.

00:05:06Here it is.

00:05:08Here it is.

00:05:10Here it is.

00:05:12Here it is.

00:05:14Here it is.

00:05:16Here it is.

00:05:18Here it is.

00:05:20Here it is.

00:05:22Here it is.

00:05:24Here it is.

00:05:26Here it is.

00:05:28Here it is.

00:05:30Here it is.

00:05:32Here it is.

00:05:34Here it is.

00:05:36La cattiveria è un calcolo.

00:05:38Meglio la cattiveria della noia di Dallas.

00:05:41E' la questione della conduzione dello Stato,

00:05:43che poi è anche la questione del calcio scommesse.

00:05:46E di chi l'ha criticata?

00:05:47Sai che non ti ci vedo a lavorare con uno come Benberg.

00:05:50E l'amore?

00:05:53L'amore?

00:05:54Si, l'amore.

00:05:56Un deprimente processo di riproduzione biologica.

00:06:00Benberg, lei ha detto che le mode si sono disciolte nel brodo del postmoderno.

00:06:05Tu sei uno strano profumo.

00:06:08La ringrazio e molti auguri.

00:06:35La ringrazio e molti auguri.

00:06:39Lo scusate.

00:06:41La ringrazio e molti auguri.

00:06:44Il nostro corso.

00:06:45E, il nostro corso.

00:06:47Il nostro corso.

00:06:49It's all full of congruence.

00:07:07Here, for example, you say, she's going to get the Bataro and he's going to get the Bataro.

00:07:10What Bataro?

00:07:11But at the time of the presentation, you were able to say something different.

00:07:16What is different? You are sleeping? I already explained this to you.

00:07:19Well, why should she stout from the other side?

00:07:26Well, look. Here it is written.

00:07:29She loved herself more than herself.

00:07:34Listen, what do you say, if we go for today?

00:07:37Listen, what do you say, if we go for today?

00:07:46Good morning.

00:07:47I'm afraid.

00:07:49You're afraid of me.

00:07:50You're Stefan, right?

00:07:52You're called Stefan, right?

00:07:54I'm Amalia.

00:07:56And I'm Amalia.

00:08:02You've already been introduced.

00:08:04This is my sister.

00:08:06You didn't want to eat with us?

00:08:08He was just going to leave.

00:08:10I'm happy to eat with you.

00:08:12But at least the idea is original.

00:08:13The environment.

00:08:14You like it?

00:08:15You like it?

00:08:17So?

00:08:19Yes.

00:08:20Yes.

00:08:21Yes, I like it.

00:08:23It's weird.

00:08:24It's weird.

00:08:25And how much you like it?

00:08:27And how much you like it?

00:08:29Yes.

00:08:30Well, it's a bit of a problem.

00:08:31Then go ahead and break it up.

00:08:33It's a problem.

00:08:35It's a real problem.

00:08:36For you, every mistake.

00:08:37It's a personal burden.

00:08:39You're listening to me?

00:08:41It's a real problem.

00:08:42It's a real problem.

00:08:43Tomorrow, there should be a real cooperation, without fear.

00:08:47You understand?

00:08:51Hey, Stefano!

00:08:52Oh, Stefano!

00:08:54You've never seen it yet!

00:08:56Piero!

00:08:57What are you doing here?

00:09:02You don't want to go to a bar?

00:09:04We'll go to a bar.

00:09:08Good evening!

00:09:09Piero?

00:09:10Giulio?

00:09:11Piero?

00:09:12Giulio?

00:09:13А это Emilia, писатель.

00:09:14Здравствуйте.

00:09:15Мы вместе работаем.

00:09:18Ну, ты действительно не хочешь ехать?

00:09:20Нет, нет.

00:09:21Тогда поехали, Giulio.

00:09:22До свидания.

00:09:23До свидания.

00:09:32Как её зовут?

00:09:34Giulio?

00:09:35Как Giulio дальше?

00:09:36Giulio Tassi.

00:09:37Нет, нет.

00:09:38Ты что, её знаешь?

00:09:39Да нет.

00:09:40По-моему, где-то я с ней встречался.

00:09:44Но...

00:09:45Ну...

00:09:47Ты, может быть, действительно хочешь?

00:09:48Пойдём?

00:09:49Я тебя оставлю с ними, они что-то праздную.

00:09:51Это, знаешь, праздники.

00:09:52Это не по мне.

00:09:54Эй!

00:09:55Пошли!

00:09:56Пошли!

00:09:57Потому что я, может быть, сейчас подойду.

00:09:58Нет, нет, нет!

00:09:59Я не хочу.

00:10:00Пока.

00:10:01Спокойной ночи.

00:10:07Ха-а-а-а-а-а-а-а-а-а-а-а-а-а-а-а-а.

00:10:10Алё!

00:10:11Стефано, это Эмилио.

00:10:13Ты спал уже?

00:10:14Нет, нет.

00:10:15Прости, пожалуйста.

00:10:17Вот это вот девушка, которую мы встретили, Giulio.

00:10:20Ты не знаешь, где она живёт?

00:10:21Ты что, с ума сошёл?

00:10:22В Ости.

00:10:23Лунго-маре Тосканелли.

00:10:26Лунго-маре Тосканелли.

00:10:28А номер дома 176-й.

00:10:30Восьмая квартира.

00:10:32No, no, I can't explain to you anymore.

00:10:36Bye.

00:11:32But you didn't want to go to sleep, eh?

00:11:44Come on, open it up.

00:11:45Well, what?

00:11:47Did you not want to sleep?

00:11:49Hello.

00:11:50You remember me?

00:11:51You remember me?

00:11:52Yes, I was with Stefano.

00:11:54Yes, I saw you with Stefano today, right?

00:11:59But we already met in the theater.

00:12:01In the theater?

00:12:03And what's going on in the theater?

00:12:05What's going on in the theater?

00:12:09Weird.

00:12:12It's a very impressive scene.

00:12:14Seriously?

00:12:18I can go?

00:12:20Really?

00:12:21It's not late.

00:12:23Well, it's too late, I guess.

00:12:26Or on the other hand?

00:12:28You have this system with all the women?

00:12:30You're with all the women?

00:12:31No?

00:12:32It's the first time.

00:12:34No, it's the first time.

00:12:35You want to experiment with me?

00:12:36And you want me to experiment with me?

00:12:39Good night.

00:12:39It's the first time.

00:12:40It's the first time.

00:12:41It's the first time.

00:12:43EMILEO

00:13:13EMILEO

00:13:43EMILEO

00:13:47EMILEO

00:13:49I

00:13:50ROLL

00:13:51Non

00:13:52Non

00:13:53I

00:13:54ROL Ro

00:13:56L

00:13:57You don't need anyone.

00:14:02Yes, you are the friend of Steffano Bemberg.

00:14:05Yes, you are the friend of Steffano Bemberg.

00:14:07Why do you remember me?

00:14:09Why should I remember you?

00:14:11Yes, yes.

00:14:13You were yesterday evening.

00:14:15Yes, let's see you.

00:14:17That's why I didn't scare you.

00:14:19Okay.

00:14:27That's it.

00:14:49De presenta, Emilio.

00:14:51And present, Emilio.

00:14:55I've already presented each other.

00:14:59Well, since I didn't know.

00:15:01Emilio.

00:15:03Writer.

00:15:0510 years ago, I wrote a single novel.

00:15:09Great success in criticism.

00:15:11All 70 excerpts are sold.

00:15:13Now I work editor-in-law.

00:15:17I'm suffering from nationality.

00:15:21I see journalists,

00:15:23psychoanalytics,

00:15:25anyone else.

00:15:27Rambo.

00:15:29And they take me away.

00:15:31It's so sad to me.

00:15:33They're doing a trip.

00:15:35And those who are on both sides,

00:15:37I'm depressed.

00:15:39Excuse me, you always turn the cigarette from the part of the filter.

00:15:41You, by the way, want to drink a cigarette from the filter.

00:15:45It's only when I'm nervous.

00:15:47I feel like if you had a car on top of the filter.

00:15:51And a bar of the filter.

00:15:57So, I don't remember anything.

00:15:59What do I have to remember?

00:16:01The bar of the theater.

00:16:03The bar of the theater.

00:16:05The bar of the theater.

00:16:07You fought with someone.

00:16:09And then the camera.

00:16:11I found out.

00:16:12And then the camera.

00:16:13And then at the top of all these costumes.

00:16:20Probably, there there is something very workshops.

00:16:23Something very有 ring.

00:16:24Yes.

00:16:25It's exactly right.

00:16:26It's really angry.

00:16:30Something that I can't forget.

00:16:32I can't remember what happened, but what happened to me.

00:16:48It was like...

00:16:51It was like we knew each other.

00:16:57It was wonderful.

00:16:59It was natural.

00:17:03You were more fun, when you had seven clothes and a tirol's hair in the head.

00:17:07No, you can do it so hard, if you wear a funny shirt or a tirol's shirt.

00:17:14You're not so cool, as you want to say.

00:17:16Maybe you're right. Maybe.

00:17:26Well, what do you say?

00:17:28What do you say?

00:17:29You're not so cool.

00:17:30But you're not so cool.

00:17:32It's better than you.

00:17:33It's better than you.

00:17:34It's better than you.

00:17:35It's better than you.

00:17:36It's better than you.

00:17:37It's better than you.

00:17:38You're not so cool.

00:17:39You're not so cool.

00:17:40You're not so cool.

00:17:41You're not so cool.

00:17:42You're not so cool.

00:17:43You're not so cool.

00:17:44You're not so cool.

00:17:45You're not so cool.

00:17:46You're not so cool.

00:17:47You're not so cool.

00:17:48You know, in this moment...

00:17:49You're identical to my mum.

00:17:50You're identical to my mum.

00:17:51You're identical.

00:17:52You know, at this moment, you're so similar to the mother.

00:17:57Absolutely, like a couple of water.

00:18:01This dress.

00:18:03You remember the party of Palazzo Farnese?

00:18:06You remember the holiday in Palazzo Farnese?

00:18:08In 1958.

00:18:10And I thought something else will get better.

00:18:145-minute break.

00:18:22You know what I like?

00:18:27It's really beautiful.

00:18:29It's really beautiful, right?

00:18:30Yes.

00:18:32Yes.

00:18:34Well, let's see.

00:18:52Ready to go?

00:18:54Ettore.

00:18:55So, ready?

00:18:57Ettore.

00:18:58Uno.

00:18:59Due.

00:19:00Autore.

00:19:01Partito.

00:19:02Go with the car.

00:19:03Now go, Giulia.

00:19:05Go, go, go.

00:19:07Believe me, Giulia.

00:19:08Stop.

00:19:09Good.

00:19:10Who takes the cat?

00:19:12One more.

00:19:13Who takes the cat?

00:19:15Now take the cat.

00:19:17You're wonderful.

00:19:19Yes, of course.

00:19:21Good morning.

00:19:23Good morning.

00:19:24She's with Giulia?

00:19:25She's always safe.

00:19:26Emilio.

00:19:27Emilio.

00:19:28How do you find me?

00:19:29Emilio.

00:19:30Emilio.

00:19:31How do you find me?

00:19:32You have to find me.

00:19:33Emilio.

00:19:34How do you find me?

00:19:35You have to find me?

00:19:36You have to find me.

00:19:37Well, your phone is a little bit of a vulgar.

00:19:40He's a very good person.

00:19:41Well, in general, you're a good person.

00:19:42I'm not going to leave.

00:19:43Bye.

00:19:44Emilio.

00:19:45You have to find me.

00:19:46Where do you get me?

00:19:47Where do you get me?

00:19:48How do you get me?

00:19:49I'm going to find you later.

00:19:50Where?

00:19:51Where?

00:19:52Where?

00:19:53Where?

00:19:54Where?

00:19:55Where?

00:19:56Where?

00:19:57Where?

00:19:58Where?

00:19:59Where?

00:20:00Where?

00:20:02Where?

00:20:03You've come to go first.

00:20:04Where?

00:20:05Where?

00:20:06Where?

00:20:07Where?

00:20:08Where?

00:20:09Where?

00:20:10Where?

00:20:23Where?

00:20:24Where?

00:20:25Here.

00:20:26hmm.

00:20:27Oh, my God, I'm so hungry, and then they won't go anymore.

00:20:34These ugly conversations.

00:20:39But this is my home.

00:20:42My friend of the artist lived during the funeral.

00:20:45Do you like it?

00:20:46Yes, wait a second.

00:20:48I'll come back.

00:20:57How are you?

00:21:23How are you?

00:21:25Well, how are you?

00:21:27Everything is fine.

00:21:29But this evening I feel a little out of relief.

00:21:31I'm so hungry.

00:21:34First of all, I'm always good.

00:21:36Maybe because in this city...

00:21:38I always need to be in good mood.

00:21:42But when I first came to Rima, it was all possible.

00:21:47But then...

00:21:49I don't do anything here.

00:21:53I don't understand why I came to tell you about these things.

00:21:57I don't understand why I tell you all this.

00:22:00Is it sad?

00:22:01No, it's not the other way.

00:22:02It's nice that you tell me about it.

00:22:05We don't know so much each other.

00:22:08Look, if you start talking, you won't go anymore.

00:22:12I think you're not supposed to talk anymore.

00:22:16You don't want to listen to me.

00:22:18I know.

00:22:19I don't want to stay here.

00:22:20We go?

00:22:21Let's go somewhere else.

00:22:22I don't want to stay here.

00:22:24Now.

00:22:25Julia!

00:22:30Julia, where are you?

00:22:31Julia, where are you?

00:22:32Julia!

00:22:33Julia!

00:22:34Julia!

00:22:57Julia!

00:22:59Julia!

00:23:01Julia!

00:23:04Julia!

00:23:06Julia!

00:23:31It's not easy to continue, you're not here with the test.

00:23:38No, useless.

00:23:43You're right, sorry.

00:23:45Yes, you're right, I'm not in the form.

00:23:47Sorry.

00:23:52Have you seen it again, Julia?

00:23:54You've seen it again, yes.

00:23:56Why do you ask?

00:23:58Because I won't play with you too much.

00:24:00I wouldn't play with you too much.

00:24:02I wouldn't play with you too much.

00:24:03You know, it's like in the restaurant.

00:24:05She went to eat and left.

00:24:07And you're not in her taste.

00:24:09Do you think?

00:24:10If she's finished, it's finished.

00:24:15And it's quickly.

00:24:17I...

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00:28:07I don't know how you work together.

00:28:28You know how you work together.

00:28:31You're so different.

00:28:33You're so different.

00:28:34In fact, in my opinion, your brother now hates me.

00:28:36In other words, he's so nice.

00:28:38I think he doesn't like me, but in my heart he's so nice.

00:28:43Oh, don't start again, please.

00:28:46You're real professionals.

00:28:48Don't start.

00:28:49Please.

00:28:55You don't seem to exaggerate, eh?

00:28:57I think it's enough.

00:28:59Yeah, let me know.

00:29:00It's time for my life.

00:29:08I don't care about anything.

00:29:13Well, if you want, I can leave.

00:29:15Oh, my God.

00:29:16I need a little help.

00:29:20Oh, my God, you're so nice.

00:29:23Oh, my God...

00:29:24Oh, my God.

00:29:25Oh, my God.

00:29:31Oh, my God.

00:29:33Oh, my God.

00:29:37Oh, my God.

00:29:38Thank you, brother.

00:29:39Wow.

00:29:40That's what I was seeing.

00:29:41Oh, my God.

00:29:42What do you want to say?

00:30:12What do you want to say?

00:30:14That I have always been different.

00:30:18But...

00:30:20I think now I've found you.

00:30:22What do you need?

00:30:24Everything!

00:30:26You won't be able to manage my life.

00:30:28I'm not going to be able to do it for you.

00:30:30I don't support you anymore.

00:30:34You don't need to be able to do it.

00:30:36You're going to be able to do it.

00:30:38You're going to be able to do it.

00:30:40You're going to be able to do it.

00:30:42You're going to be able to do it.

00:30:44You're going to be able to do it.

00:30:46You're going to be able to do it.

00:30:48You're going to be able to do it.

00:30:50You're going to be able to do it.

00:30:52You're going to be able to do it.

00:30:54You're going to be able to do it.

00:30:56You're going to be able to do it.

00:30:58You're going to be able to do it.

00:31:00You're going to be able to do it.

00:31:02You're going to be able to do it.

00:31:03You'll be able to do it.

00:31:04You're a piece of shit.

00:31:09You're a piece of shit.

00:31:11You're a piece of shit.

00:31:28Everything here?

00:31:30Everything here?

00:31:31Everything here.

00:31:32What was I written?

00:31:35It's better than what I wrote.

00:31:38It depends on the points of view.

00:31:40It depends on the point of view.

00:31:42Right.

00:31:44But in this case I decide.

00:31:46Well, in this case I can decide.

00:31:53What do you do?

00:31:55You're a piece of paper.

00:32:00Reprendi il tuo manoscritto.

00:32:02Bili abratto sua rucopis.

00:32:04Emilio.

00:32:05Emilio.

00:32:06Non ti incazzare.

00:32:07Non ne nada tak zavaditsa.

00:32:10Cerca invece di scrivere qualcosa che funzioni.

00:32:12Tu lo so ne pisi stonibu, che vuit polis su spechum.

00:32:15O se non sei capace, farsi sostituire.

00:32:17Si.

00:32:18Ma, e se tu ne puoi scegliere, nadi se me zamedo.

00:32:20Probabilmente tak luce bude.

00:32:21E' troppo lontano da me, non ne sono capace.

00:32:24Ya...

00:32:25Casta, ne mogu...

00:32:26...poniatte eto.

00:32:27Non abbiamo piu tempo per i dubbi.

00:32:29Non abbiamo piu tempo per i dubbi.

00:32:31Emilio.

00:32:32Se ne sono cento dietro di me, pronti prendere il mio posto.

00:32:35Ma che cosa credi?

00:32:36Che anche a me non sia venuta la voglia di volare.

00:32:38Che?

00:32:39C...

00:32:40C...

00:32:41C...

00:32:42C...

00:32:43Se ne sono cento dietro di me, mi sono detto, che va benissimo così.

00:32:46Io credo, che e tak tutto va bene.

00:32:48Il libro è bellissimo.

00:32:50E anche se non è vero, ci sarà sempre un critico disposto a sostenerlo.

00:32:54E, in ogni caso,

00:32:55se non c'è vero, ci sarà sempre un critico disposto a sostenerlo.

00:32:58E, in ogni caso, non c'è vero.

00:33:00E, in ogni caso, non c'è vero.

00:33:01E, in ogni caso, non c'è vero.

00:33:03E, in ogni caso, non c'è vero.

00:33:06E a me non c'è vero.

00:33:07E a me non c'è vero.

00:33:08E a me non c'è vero.

00:33:09Emilio, ma dov'è risparito?

00:33:29Tu dove hai scelto?

00:33:30Potrei farti la stessa domanda.

00:33:32Io voglio dire che il tuo domanda è successo.

00:33:35Che cosa ti è successo?

00:33:36Hai una faccia distrutta.

00:33:38Provi.

00:33:39Si, si sciupato.

00:33:41Mi è così, mi è scelto.

00:33:43E tu guardi per me, bledo.

00:33:47Ma ho un periodo per me, mi è scelto.

00:33:50Che scemo, eh?

00:33:53Perché non mi hai chiamato?

00:33:54No, perché tu non mi ha chiamato?

00:33:59Dai, andiamo.

00:34:01Poi, andiamo.

00:34:02Poi, andiamo.

00:34:03Poi, andiamo.

00:34:04Lo sai.

00:34:28Lo sai che non è la prima volta che vengo qui?

00:34:30Tu sai?

00:34:31Ho sperato di incontrarti.

00:34:33No, non è la prima volta che vengo qui.

00:34:35Ho sperato di te incontrarti.

00:34:37Tanto bene mi vuole.

00:34:38Ti, andiamo.

00:34:40Ti, andiamo.

00:34:41Non è la prima volta che vengo qui.

00:34:42Non è la prima volta che vengo qui.

00:34:42What are those people? Who is the Honourable?

00:34:50That other, Franco, who is? What does he want?

00:34:54Franco, Franco, who are these? What are these types?

00:34:58I don't know, I like them.

00:35:02But it's enough for everyone to read Morales.

00:35:05One like this, Montecitorio, so you?

00:35:09This one you have to eat!

00:35:12No!

00:35:13No!

00:35:14No!

00:35:16No, Julia!

00:35:18No!

00:35:20Oh!

00:35:23Oh!

00:35:25Oh!

00:35:26Oh!

00:35:28Alla prima tentazione!

00:35:31You know, while we were doing it...

00:35:35Well, when did we do this?

00:35:37No!

00:35:38At some point the Honourable has been put on a risk.

00:35:41Suddenly the Honourable of the Parliament began to cry.

00:35:45Stop!

00:35:46Stop crying!

00:35:47I'm sorry!

00:35:48How does he cry?

00:35:50I don't believe it!

00:35:54I don't believe it!

00:35:56And what do you think?

00:35:58You want to listen?

00:35:59Let's go!

00:36:00You want to stop?

00:36:01Emilio!

00:36:02You heard me!

00:36:03But what did you say?

00:36:04You insulted me?

00:36:05Why did you feel así?

00:36:06That's what you're angered!

00:36:07All the time!

00:36:08I'm sorry!

00:36:09I do not know what you have and what's happening!

00:36:12I'm feeling like an idiot.

00:36:13Look at me!

00:36:14It was just a game for fun!

00:36:15Julia!

00:36:16Excuse me!

00:36:18Excuse me!

00:36:19Excuse me!

00:36:20Sorry!

00:36:21I'm sorry!

00:36:22I did not know what happened to me!

00:36:23I'm feeling a idiot!

00:36:25I'm feeling a idiot!

00:36:26This way it was just a joke.

00:36:28Julia!

00:36:29It's a game, you know?

00:36:31Julia, let's go!

00:36:33Yes, I'm coming!

00:36:35I'm coming, I'm coming!

00:36:37I'm too strong!

00:36:39I'm too strong!

00:36:41No, nothing's going to happen!

00:36:43Let's go!

00:36:53Moravia, where are you going?

00:36:55Where is Moravia?

00:36:57Moravia, will you?

00:36:59It's all-таки a picture of such a book!

00:37:01Please, let's try the light!

00:37:03Let's try the light!

00:37:05Okay!

00:37:07Moravia, I have to put it there!

00:37:09Stéphane Pember!

00:37:11Terminal!

00:37:13Hurry up!

00:37:15All the cards are in place!

00:37:17All the cards are in place!

00:37:23But you didn't receive my message?

00:37:25You received my message!

00:37:27You didn't receive my message?

00:37:29No!

00:37:30Excuse me, please!

00:37:32Listen, Emilio!

00:37:33Emilio, listen!

00:37:35It's about the next thing!

00:37:37Stéphane told me...

00:37:39What?

00:37:40He's in panic!

00:37:41He doesn't want to see you here today!

00:37:43What?

00:37:45What?

00:37:46Yes, yes!

00:37:47What a mess!

00:37:48What a mess!

00:37:49What a mess!

00:37:50What a mess!

00:37:51Emilio, I'm very sorry!

00:37:52But, still, I'm nervous!

00:37:54I'm nervous!

00:37:55I'm nervous!

00:37:56I'm nervous!

00:37:57He's nervous!

00:37:58TV, people, journalists, journalists, and conferences!

00:38:02This is the day of his exam!

00:38:05Yes!

00:38:06And he's afraid of your conscience!

00:38:07And he's afraid of your conscience!

00:38:09Where is he?

00:38:10No, he's not!

00:38:11No, he's not!

00:38:12No, he's not!

00:38:13No, he's not!

00:38:14He's not!

00:38:15No, you're not!

00:38:16He's not!

00:38:17Then!

00:38:18Tomorrow, but not today!

00:38:19He's not today!

00:38:20No, you're not today!

00:38:21He's not ready to get him!

00:38:22Emilio, where are you going?

00:38:23Where are you going?

00:38:24You're going!

00:38:25Where are you going?

00:38:26I'm going!

00:38:27You're the last one of your dear Stefano!

00:38:30You're the last one of your dear Stefano!

00:38:31He's the last one of your favorite Stefano!

00:38:33He doesn't want to be able to get him under his legs during the press conference!

00:38:37Why do you not talk to him?

00:38:39Me?

00:38:40You're the only one of my friends!

00:38:42You're the only one of my friends!

00:38:44You're the only one of my friends!

00:38:47Bye!

00:38:48Bye!

00:38:57Di Damien стumbe

00:39:05Then, here we are while you're following...

00:39:06Here we see later, alright?

00:39:07Goodbye!

00:39:08But there's two hours at the test...

00:39:09Yes Iنا...

00:39:10...I'll wait for two hours...

00:39:11What are you?

00:39:13How are you?

00:39:14Listen, at this moment, I'm horribly careful.

00:39:17You're perceiving furniture, right?

00:39:18I'm very, very tired.

00:39:19Tomorrow I'm going to Milan.

00:39:20Coming in Milan with you get a Friday...

00:39:22...I'm not going to Elad with you...

00:39:24I don't know when I'll come back.

00:39:27You'll meet me through my secretary for the next week.

00:39:39Let's start.

00:39:40Well, let's start.

00:39:43Amalia will not wait a long time.

00:39:45Amalia, I think, will not hold a long time.

00:39:48I'll tell you.

00:39:48Are you sure that this is a place of dinner?

00:39:49Are you sure that she knows about this dinner?

00:39:54Yes, of course.

00:39:55And I'll tell you what it is.

00:39:58It's my favorite dish.

00:40:00Irma.

00:40:05I'll tell you about your opinion on our Bemberg.

00:40:07I'll tell you about Bemberg.

00:40:11It's a wonderful book.

00:40:13I think it will be a great success.

00:40:16Yes, I'll tell you.

00:40:17I'll tell you, Irma.

00:40:19I'll tell you so curious.

00:40:21Well, he's so funny.

00:40:34Good evening.

00:40:36Good evening to everyone.

00:40:40How are you?

00:40:41How are you?

00:40:42Okay, thank you.

00:40:48You must have your administration.

00:40:52You are all right.

00:40:54Yes.

00:40:55You're wrong.

00:40:55You're wrong, Amalia.

00:40:55Tell you, how bad are the affairs?

00:40:58Until you got killed.

00:41:00All it was.

00:41:01All the journalists.

00:41:02All the journalists.

00:41:03Fuff.

00:41:04Fuff.

00:41:05Fuff.

00:41:06Fuff.

00:41:07Fuff.

00:41:08Fuff.

00:41:12You're wrong.

00:41:13I don't want to cry.

00:41:15I'm not asking you what you can do.

00:41:17I don't want to cry.

00:41:19I don't want to cry.

00:41:21Come on, come on.

00:41:23Come on.

00:41:25Come on.

00:41:33I don't want to cry.

00:41:35I don't want to cry.

00:41:37I don't want to cry.

00:41:39Amalia.

00:41:41Amalia, why do you do this?

00:41:43Amalia, why do you do this?

00:41:53Hi.

00:41:55Hi.

00:41:57Julia here?

00:41:59Okay.

00:42:01Bye.

00:42:03We have to go out.

00:42:05Where are we?

00:42:07They have called for a photographic service.

00:42:09Well, we need to set up a photo.

00:42:11What do you say?

00:42:12Yes, photo in the outside.

00:42:13Now?

00:42:14Yes, yes.

00:42:15Everything will go to the border.

00:42:16Right, Franco?

00:42:17Yes.

00:42:18Can I stay here then?

00:42:19No, don't wait.

00:42:20I'll do it very late.

00:42:22If I stay here, don't wait.

00:42:24I'll come back soon.

00:42:25Margarita.

00:42:26Come on.

00:42:27Margarita.

00:42:29How do you look?

00:42:31How do you look?

00:42:32How did I say?

00:42:33Let me stay here, please.

00:42:35Okay.

00:42:36Well, let me stay here.

00:42:37How do you do?

00:42:38Okay?

00:42:39Okay.

00:42:40Good.

00:42:41Please.

00:42:42Good night.

00:42:43Good night.

00:42:44Good night.

00:42:45Good night.

00:42:46Good night.

00:42:47Good night.

00:42:48Good night.

00:42:49Good night.

00:42:50Good night.

00:42:51Good night.

00:42:52Good night.

00:42:53Good night.

00:42:54Good night.

00:42:55Good night.

00:42:56Good night.

00:42:57Good night.

00:42:58Good night.

00:42:59Good night.

00:43:00Good night.

00:43:01Good night.

00:43:02Good night.

00:43:03Good night.

00:43:04Good night.

00:43:05Good night.

00:43:06Good night.

00:43:07Good night.

00:43:08Good night.

00:43:09Good night.

00:43:10Good night.

00:43:11And then, how were the photographs?

00:43:34And how was the photo-seance?

00:43:36Or maybe not exactly the photo-seance.

00:43:40I think there were photographs you did.

00:43:43But rather, it was a holiday.

00:43:46You're too rich.

00:43:57Well, and who was with you?

00:43:59Photographer?

00:44:06It's enough.

00:44:12It's enough.

00:44:13It's enough.

00:44:14It's enough.

00:44:15I know.

00:44:19It's an accident.

00:44:20It's an accident.

00:44:22It's impossible.

00:44:23I can't tell you.

00:44:25It's an accident.

00:44:27Assisticating...

00:44:28Sorry, Sir.

00:44:29Yes, I know.

00:44:30I know.

00:44:31It's an accident.

00:44:32You're serious about it, right?

00:44:33I do not know...

00:44:34But I know...

00:44:35Like you too, I can tell you.

00:44:37Including my friends.

00:44:38Ex카�engoite!

00:44:39voitura di tresor points...

00:44:40No...

00:44:41I cannot tell you...

00:44:42Sure.

00:44:43Do you understand what I'm talking about, right?

00:44:44what I'm saying, right?

00:44:45You're free from a great country, right?

00:44:47You're probably familiar with me.

00:45:08Give me a second.

00:45:14You're a liar.

00:45:16You're already hungry?

00:45:17You're already drinking?

00:45:18I don't understand what we do in this place.

00:45:21What do we do in this place?

00:45:22What do we do?

00:45:23We're only in restaurants.

00:45:25We're meeting you in restaurants, in bar.

00:45:28You're being with me at home.

00:45:31I'm hurting you.

00:45:33A month we're meeting you,

00:45:34and you're never invited to come to come to you.

00:45:36This is twice the first time to come to your world, right?

00:45:39It's never happened.

00:45:41You're not touching.

00:45:42I've never seen you before.

00:45:44Don't touch me.

00:45:46How are you?

00:45:47Oh, hello.

00:45:49Let me dance, go.

00:45:51Okay, let's go.

00:46:03It's good.

00:46:05Give me one more.

00:46:07It's good?

00:46:08Another one.

00:46:10Hey, Emilio.

00:46:11It's fun to find you here.

00:46:13Johnny, how are you doing here?

00:46:15I'm going to see you here.

00:46:17Let's go.

00:46:19Let's go.

00:46:21Let's go.

00:46:23Let's go.

00:46:25Let's go.

00:46:27Let's go.

00:46:29Let's go.

00:46:31Let's go.

00:46:33Let's go.

00:46:35Let's go.

00:46:37Let's go.

00:46:39Let's go.

00:46:41Let's go.

00:46:43Let's go.

00:46:45Let's go.

00:46:47Let's go.

00:46:48Let's go.

00:46:49Let's go.

00:46:51Let's go.

00:46:57Let's go.

00:46:58Do you still have one with me?

00:47:16I'd prefer not to talk to you.

00:47:17Do you have something to me with you?

00:47:19I don't want to talk about it.

00:47:21If you don't trust me.

00:47:24I want to tell you, if you're free, you've already been sold for $50,000, you deserve it too.

00:47:27I've already been sold for $50,000, I've already been sold for $50,000, I don't want to talk about it.

00:47:57Do you still have one with me?

00:48:04Do you still have one with me?

00:48:05Again Julia?

00:48:07You've never understood, right?

00:48:09You don't understand anything like that.

00:48:11In fact, no.

00:48:13No.

00:48:13One like you, but the one like you.

00:48:16What's your point?

00:48:17You're not even in trouble.

00:48:18You're not in trouble.

00:48:19You're not in trouble.

00:48:20I'm not in trouble.

00:48:21What's your point?

00:48:22It's not the case?

00:48:23What's your point?

00:48:24That's the case?

00:48:25It's the jungle that the African's leader.

00:48:28We've got enough, but don't wipe your chin.

00:48:31Wake up!

00:48:33We're back to this.

00:48:34Everybody, everybody.

00:48:36Wake up!

00:48:37We're back to this.

00:48:38We're back to this.

00:48:40Wake up!

00:48:41We're back to this.

00:48:43Everybody, everybody.

00:48:44Wake up!

00:48:45Why don't you stop it all?

00:48:46Why don't you stop it all?

00:48:47Everyone is so beautiful.

00:48:48Why do you stop it all?

00:48:49I don't believe that someone else can stop it all.

00:48:50I'm so beautiful.

00:48:51They're too beautiful.

00:48:53You can do it all with you.

00:48:54Who can be taught to?

00:48:55You can do it all.

00:49:00You can do it all.

00:49:01Happy, Julie!

00:49:02Because you can get away from her.

00:49:03You can do it all.

00:49:04Just promise me if you are not able to break her.

00:49:08My goodness, Julie, because you can't leave her.

00:49:12You stayed at the middle of the game.

00:49:14You can't do it if you're tired.

00:49:16You can't do it.

00:49:18You can't do it.

00:49:50Senti, posso salire?

00:49:56No, ho bisogno di dormire.

00:50:02Buonanotte.

00:50:03Stacco i veloci.

00:50:20Ma che fai là?

00:50:27Senti, cosa ho scoperto?

00:50:31Senti, cosa ho scoperto?

00:50:33Senti.

00:50:36Senti.

00:50:37Senti, senti, io ti ho mostro.

00:50:40C'è un altro tubo rotto.

00:50:42Look, it broke another pipe.

00:50:48And then?

00:50:50Do you remember how beautiful the house was when we were little?

00:50:53Do you remember what the house was when we were little?

00:50:56How much light was?

00:51:00Do you think the house is living with people?

00:51:03The house is living with people.

00:51:06Or, by the way, they die with you?

00:51:12These are your stupid pills.

00:51:14These are your stupid pills.

00:51:16You're exaggerating.

00:51:18You're increasing.

00:51:20Just a little.

00:51:22Just a little.

00:51:24Don't worry about me.

00:51:26Don't worry about me again.

00:51:28No, go, go.

00:51:30Go, go.

00:51:32Absolutely.

00:51:42Tomorrow we'll talk.

00:51:44Tomorrow we'll talk.

00:51:46Yes.

00:51:47We'll talk about everything.

00:51:48Of course.

00:51:50Come mai sei tornato?

00:51:52Come mai sei tornato?

00:51:54Come mai sei tornato?

00:51:56We'll talk about everything.

00:51:57Come mai can I be trying to find myself?

00:52:01Come mai sei thinking, little of paradoxes.

00:52:03Come mai seibeitenaro?

00:52:05How to hustle a Ceczio withngulo!

00:52:06People are the same.

00:52:07Come too.

00:52:08How about thingsizon?

00:52:09Look.

00:52:10You've been thinking, eh? You've been doing well.

00:52:19You've been right in time.

00:52:27Keep it.

00:52:29No, thanks.

00:52:37What are you doing?

00:52:39What are you doing?

00:52:41Let's play it.

00:52:44Ok, go.

00:52:46Then I'll do it.

00:53:04Here, I'll give it.

00:53:18Take care, let's go.

00:53:23It's good to come back to you, right?

00:53:34It's you, Brentani, Emilio.

00:53:36Yes.

00:53:36You, Emilio, Brentani, let's go with you.

00:53:39What happened?

00:53:40Let's go with us.

00:53:43Don't worry.

00:53:53Don't worry.

00:54:23Don't worry.

00:54:53Don't worry.

00:55:23Don't worry.

00:55:25Don't worry.

00:55:26Don't worry.

00:55:27Don't worry.

00:55:28Don't worry.

00:55:29Don't worry.

00:55:30Don't worry.

00:55:31Don't worry.

00:55:32Don't worry.

00:55:33Don't worry.

00:55:34Don't worry.

00:55:35Don't worry.

00:55:36Don't worry.

00:55:37Don't worry.

00:55:38Don't worry.

00:55:39Don't worry.

00:55:40Don't worry.

00:55:41Don't worry.

00:55:42Don't worry.

00:55:43Don't worry.

00:55:44Don't worry.

00:55:45Don't worry.

00:55:46Don't worry.

00:55:47Don't worry.

00:55:48Don't worry.

00:55:49Don't worry.

00:55:50Don't worry.

00:55:51Don't worry.

00:55:52Don't worry.

00:55:53Don't worry.

00:55:54Don't worry.

00:55:55Don't worry.

00:55:56Don't worry.

00:55:57Don't worry.

00:55:58Don't worry.

00:55:59Don't worry.

00:56:00Don't worry.

00:56:01Don't worry.

00:56:02Don't worry.

00:56:03Don't worry.

00:56:05Don't worry.

00:56:18I had to leave Amalia for her to fight with her, and she could not do anything.

00:56:42I knew it by Stefano.

00:56:43I knew it by Stefano.

00:56:45Stefano.

00:57:16You have to leave here.

00:57:18You have to leave here. You have to act.

00:57:22You have to act.

00:57:23You have to act.

00:57:25You have to act.

00:57:29Calm down.

00:57:30Calm down to me.

00:57:32I'll be back.

00:57:44Calm down.

00:57:46Calm down.

00:57:47Calm down.

{Desiderando Giulia} 1986 - Giulia, who has no limits in her s*xual fantasies.

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