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'Springsteen: Deliver Me from Nowhere' Director Scott Cooper Shares Issues With the Box Office | THR Video
The Hollywood Reporter
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6 weeks ago
'Springsteen: Deliver Me from Nowhere' director Scott Cooper chats with THR on the carpet for the Academy Governors Awards and opens up about his feelings on the film hitting theaters and unpacks the issues he sees with the box office.
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00:00
Now that Springsteen is out in the world, how are you kind of feeling about everyone finally getting to see it?
00:05
Well, I'm of two minds.
00:07
I love the response of people who have been incredibly moved or touched by the film
00:13
and who have felt motivated to reconnect with a loved one maybe that they had been estranged from.
00:23
I'm happy to hear that people are seeking the therapeutic help
00:28
that they've wanted to because they see that Bruce Springsteen was suffering
00:31
and he got the kind of help that he most desperately needed.
00:36
If I'm being honest, I wish more people were coming to the movies.
00:40
I think there are a lot of reasons why they aren't coming.
00:44
And I think there are things that we can do to make sure that their viewing experience is more pleasurable.
00:52
And it's dispiriting, I have to say.
00:55
If a movie isn't a sequel or a prequel or if it isn't raining concrete or glass, it's hard to get them out.
01:04
And I have to think fewer ads bombarding them prior to the screening starting.
01:12
Longer windows so that they don't say to themselves,
01:15
oh, well, this is going to be in my home in two weeks.
01:19
Lower ticket prices.
01:20
Varying ticket prices during the week.
01:24
It's expensive to get a sitter for parking and tickets and concessions.
01:30
So I understand that.
01:32
But for someone who makes a living as a filmmaker,
01:36
not even considering what's coming with AI,
01:39
you want people to be transported in a room filled with strangers
01:44
where they're focused just on the movie and they aren't looking at their phone while they're watching,
01:51
which is what they do at home.
01:52
It's not the same experience.
01:55
And it's a problem that many of the movies that are being celebrated this season
01:58
and kind of here tonight have had similar box office problems.
02:02
So, I mean, how much do you kind of, how much do you take that in versus kind of just...
02:08
Oh, well, I certainly take it in.
02:09
Yeah.
02:09
And it's hard when you think, well, this movie might connect on a wider basis and then it doesn't.
02:17
And I hate to see from my fellow filmmakers who are, you know, feeling despondent or dispirited
02:25
because people aren't coming to the movies.
02:28
I think you also want to make sure that the people who are financing your movie want to do it again.
02:35
You know, it is show business after all.
02:39
And the more and the better movies do, the more independent cinema you'll see,
02:44
the more studio films you'll see that are challenging, that are original, that are daring.
02:49
Otherwise, I think it's going to be, you know, rather bleak.
02:54
I hate to say that.
02:55
And you mentioned AI.
02:56
I mean, how do you kind of look at that and what's coming
02:59
and how do you factor that into your kind of what you have planned?
03:02
Oh, well, I think it's inevitable.
03:07
My only hope is that audiences will crave a human experience
03:11
and not something that's synthetic.
03:14
For cheap entertainment.
03:16
I mean, look, I imagine when, in the mid-19th century,
03:19
when people were painting and then photography comes in, you know, later in the century,
03:24
you know, they can both exist, right?
03:27
And they have for centuries.
03:31
That's, I think, the most positive look.
03:33
I mean, maybe there are tools that we can use to make filmmaking cheaper,
03:37
but also keep it incredibly human.
03:38
You know, I'm a pretty analog guy.
03:43
If you've seen my movies, you know, they certainly feel like,
03:48
I hope that they come from a different era,
03:49
but, you know, it's a wave that's creeping in and I see it.
03:53
It's starting to come around my ankles and I know it's only going to rise.
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