- 2 months ago
Dr. Elaine Patterson (Lesley-Anne Down) is reluctantly put in charge of a new literacy program for prisoners at a Texas penitentiary for men
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Short filmTranscript
00:00:00Charlie from Skywatch World, we don't need to tell you, it is hot and muggin' already, it's 98th century, and more where that came from, traffic is luggage, normal just about everywhere, except there's the JFK Causeway, where last night on the storm, with the I'm calling, they're just saying, there is also a four car pileup, on the southbound inside lane, on the internet just north, up to the cliff, that's all for now friends, we'll be back to you in exactly 40 days,
00:00:29One, staff will be addressed by position, title and last name, example, officer Jones, two, no inmates allowed behind, on or in pod officer's desk, three, cutdowns will be done with your leaving, return into the pod, or any other time the staff deems appropriate,
00:00:57Four, you must be fully dressed when out of your room, five, you are not permitted to open the door of any living area, other than your own, or enter the living area of other residents, six, shirts, shoes and pants will be worn at all times, seven, permanent all-limit areas card, eight, the officers, three, the center staff, F, C, many doors on the side, just to leave the door,
00:01:27So, if that thing is to live with you, it won't be tiene, all the way people will be used, so, all the way, all the way, all the way onto that side is going to us and games are available.
00:01:34It's one of the craziest finest of dozens of buildings andraps, one one is also beendened to Bridge a month.
00:02:11You got a fucking problem, Collins?
00:02:28I don't like anyone interfering with my recreation time.
00:02:32Yeah, me neither.
00:02:35What's this faggot to you?
00:02:37Nothing.
00:02:41Good evening, ladies and gentlemen.
00:03:10Thank you all for coming.
00:03:12I get tired of the sound of my own voice rather quickly, so my lectures, these informal gatherings, tend to be more my answering any questions that you may have.
00:03:22Dr. Patterson, in Eve's Daughter you wrote, and I quote you,
00:03:25sex in the beginning was the primal power.
00:03:28Women were helpless before the dark mythical serpent, unquote.
00:03:33You ladies were just moths to the flame, so to speak?
00:03:37So to speak.
00:03:38You also wrote, and I quote you,
00:03:41throughout recorded history, women fought courageously and have finally extricated themselves from the accepted tyranny of victimization, unquote.
00:03:50If I may paraphrase you, you seem to say that women, for the most part, at least in this country, have accomplished free will and with that ability can confront the evil serpent and the hot flame.
00:04:08Well, actually, I carried it a step further.
00:04:13We don't deal with the fear of the flame, but rather with the flame itself, or the reptiles themselves, as it were.
00:04:24Do we have any other questions?
00:04:38Good night.
00:04:39Professor Patterson?
00:04:40Um, yeah.
00:04:41Could I, could you, could you mind?
00:04:44I'd be delighted.
00:04:45Can I share something with you?
00:04:46If you like.
00:04:47Your book changed my life.
00:04:49For the better, I hope.
00:04:50It takes three years to write a book and five minutes to destroy it.
00:04:55Yeah, I thought he was hard on you.
00:04:57But you handled yourself real well.
00:04:58You don't think I was just a little bit too strong?
00:05:01If professors around you have tender egos.
00:05:03We've got professors.
00:05:06How long have you known?
00:05:07James?
00:05:08No.
00:05:09Kate, about my promotion.
00:05:11Not long.
00:05:12When do I actually take over?
00:05:14When do I start?
00:05:15This coming semester.
00:05:16Oh, I'm so excited.
00:05:17I just can't wait.
00:05:18Sweetie, there is one thing that you should know.
00:05:21Prison.
00:05:22Prison?
00:05:23Yes.
00:05:24Prison.
00:05:25What about it?
00:05:26The chairman of the board of trustees has a pet project.
00:05:29It's prison reform.
00:05:30He wants you to inaugurate the literary program.
00:05:33It's only six and a half weeks.
00:05:34It'll soon be over.
00:05:35Six weeks with rapists and murderers?
00:05:39No, I can't wait.
00:05:40It isn't dangerous to have an armed guard at all times.
00:05:43Kate, I can't do it.
00:05:44Yes, you can.
00:05:47I mean, think of the challenge.
00:05:49Think of what you're doing.
00:05:51You are the youngest dean ever in one of the finest colleges in America.
00:05:56Of course you can do it.
00:06:00You can.
00:06:01Ah, good morning, Professor Patterson.
00:06:21You're looking great.
00:06:23Well, do you think I'll have a chance to invite you out to dinner sometime this week?
00:06:26Professor Evans.
00:06:28James.
00:06:29James, I find you very interesting.
00:06:32But my life, my schedule, my thoughts are rather crowded at the moment.
00:06:37I'm a very persistent man.
00:06:41Yes, you are.
00:06:41Charmingly so.
00:06:43So I will gently persist.
00:06:45Dr. Patterson.
00:07:00Yeah.
00:07:01Hi, I'm Jessica Ritten.
00:07:02I've been assigned to be your new secretary.
00:07:03So soon, I haven't been invested yet.
00:07:06Well, that's only a matter of days.
00:07:07Why don't I show you your office?
00:07:09Great.
00:07:10It's wonderful.
00:07:10It's wonderful.
00:07:40Professor Patterson, I presume.
00:07:56Unfortunately, your university president and our state senator are old school chums.
00:08:02Pain in the ass intellectuals.
00:08:05Think they're going to make solid citizens of these bastards in this place by lecturing them.
00:08:10What's your expertise?
00:08:14Literature.
00:08:15I teach literature.
00:08:17Literature.
00:08:18Jesus.
00:08:20Half the cons here never got through a C-spot run.
00:08:24Send in McBride.
00:08:28Look, warden, I didn't ask for this.
00:08:31I got promoted to a job I wanted very much.
00:08:34And this...
00:08:36assignment came with it.
00:08:40You're here.
00:08:41You're here.
00:08:41We'll make the most of it.
00:08:44This is McBride.
00:08:46He'll take you to your...
00:08:48students.
00:08:50One piece of advice, though.
00:08:53Don't believe anything these cons tell you.
00:08:57Don't get involved in their personal life.
00:08:59Keep your distance.
00:09:00That's three.
00:09:03What?
00:09:05Three pieces of advice.
00:09:08She can count.
00:09:09She can count.
00:09:23Let's go.
00:09:53please sit down my name is professor elaine patterson and i'm here to teach you what i can
00:10:14about english literature but before i can do that i'd like to know something about all of you
00:10:20i'm hector ramirez i'm a thief i steal cars and
00:10:25corazón de las mujeres hearts of women thank you mr ramirez i'm an embezzler want to buy some buns
00:10:35i'm not i found your book in the library i had to meet you it's wonderful i'm poli centeli you read
00:10:43one of my novels no i look at your photograph like the poets always say a picture
00:10:50is worth a thousand words
00:10:52you what is your story uh i'm rayette wilkes well why are you here rayette i just love languages
00:11:06really why such is love's transgressions griefs of my own lies heavy on my breast
00:11:16love is like like smoke made with fumes of size purged fire sparkling from a lover's eyes
00:11:28is fixed a sea nourished with love's tears thank you i'm encouraged
00:11:40good why don't you grace us with the sound of your voice then joe joe what joe dial go on where why are you here
00:12:04i don't know assault and battery with intent to kill
00:12:12and you drink collins
00:12:16harker collins
00:12:18enlighten me
00:12:20i got syphilis cut the crap collins my wife gave it to me so i strangled the bitch you know what
00:12:29you remind me of my wife he likes hurting people you know we've all done it hurt people but he likes
00:12:36it isn't that right collins
00:12:38he's not here to improve his reading skills either
00:12:43oh why is he
00:12:45probably wants to beat up on rayette some more
00:12:49before i die i'm gonna hurt any faggot i can get my hands on
00:12:55or
00:12:56or
00:12:56any faggot lover bastard
00:12:59who tries to stop me
00:13:02well
00:13:07i think for our first assignment we'll um
00:13:09we'll do dickens
00:13:11i'd like you all to go to the prison library
00:13:13and get one of dickens's novels
00:13:15if you can't find any mark twain will do
00:13:18i'm sure you all know mark twain
00:13:20um
00:13:21please
00:13:23write a report and give it to me on friday when we next meet
00:13:26a whole book
00:13:27unless you'd rather go back to the laundry
00:13:30also
00:13:32see
00:13:33if you can find
00:13:35anything similar to the way that you think or feel
00:13:37something that you wouldn't ordinarily talk about
00:13:40maybe something that you're not proud of
00:13:45something you're ashamed of
00:13:46or even frightened of
00:13:50can you do that
00:13:53mr dial
00:13:56can you
00:13:58class dismissed
00:14:05it went as well as could be expected today
00:14:21almost as well not quite as well
00:14:24actually i nearly lost control
00:14:26the men were quite volatile they live in an utterly alienated world
00:14:32they didn't care that i'm an author or was there to teach them
00:14:40one was especially how shall i say it
00:14:43vexing
00:14:44yes joe dial was vexing
00:14:47there's some very great mythical force at work
00:15:00it persuaded me to take a house here and now it needs me to discover that we are neighbors
00:15:04i suspect someone quite un-mythical told you where i live
00:15:08who would have told me
00:15:11oh probably uh
00:15:13kate miller
00:15:15oh this is a very clever neighbor that we have here
00:15:18all right
00:15:20if i agree to plead guilty to this small deceit will you invite us both in for coffee
00:15:24are you pleading guilty
00:15:25yes
00:15:25no
00:15:26no
00:15:26no i'm not pleading
00:15:28no
00:15:29i'm not inviting you in for coffee
00:15:32good night professor
00:15:35she will change her mind
00:15:45hector in your book report you wrote i'm like the artful dodger
00:16:02so i understand the book pretty good except for about half the words which are greek to me
00:16:09could you explain that to me
00:16:10i don't understand greek words
00:16:13no i meant why do you think that you're like the artful dodger
00:16:16well he's an hombre who arranges things and gets away the most of the time
00:16:21like me and my demolition derby
00:16:23you know what that is
00:16:25kind of like a race with cars crashing
00:16:27my new girlfriend i arranged one which is why i'm here
00:16:31i didn't pay for the cars i demolished
00:16:35you mean you stole them
00:16:36you could say that
00:16:37she just did you schmuck
00:16:39you missed class today mr donnell
00:16:53my lawyer was here
00:16:56legal stuff
00:16:57did my homework
00:17:03good
00:17:05well did it mean anything to you
00:17:10matter of fact it did
00:17:12huck in the river i could relate to that
00:17:16and the uh the black boy
00:17:20in the book jim perhaps he was
00:17:23red
00:17:24i didn't think of that
00:17:28it was just huck in the river
00:17:30but you see huck he gets ashore
00:17:33i mean i try but i just keep floating down that river
00:17:37what about the father
00:17:40what about him
00:17:42he was a drunk
00:17:45he was abusive
00:17:48i lied to you the other day
00:17:53about what
00:17:54i do know why i took your class
00:17:56paulie showed me that book
00:17:59with your picture on the back
00:18:01i wanted to see you
00:18:04i wanted to touch you
00:18:09i could see your pain
00:18:13we're all in pain
00:18:17mr dyer
00:18:17i mean we could just take more than men
00:18:22that's all
00:18:22is that so
00:18:23take it back
00:18:32what are you doing
00:18:36take it back
00:18:37take what back
00:18:38what you said
00:18:39what
00:18:40about pain and you and i
00:18:42i never said you and i
00:18:44yes you did
00:18:45you may not know it yet
00:18:46but you did
00:18:47take it back
00:18:49oh right i take it back
00:18:51okay
00:18:56give it to me
00:18:58read this when you get home
00:19:06york
00:19:13you
00:19:15you
00:19:16you
00:19:24you
00:19:31Hi, sweetie, it's me.
00:19:47I'm at the racquetball club.
00:19:49There's a court available in 40 minutes.
00:19:51I've had a tough day.
00:19:52I can do with a bit of a smash and a curse to mellow me out.
00:19:55How about you?
00:19:56Are you in the mood?
00:19:58Son of a bitch.
00:20:01Elaine?
00:20:03Hello?
00:20:04Son of a bitch.
00:20:31All right, all right, I give up.
00:20:47Is the storm passed, or are we still in the middle of it?
00:20:58What's going on, sweetie?
00:21:00Joe Dial.
00:21:01A student of mine at the prison gave me this letter.
00:21:06Dear Elaine, I need to be with you, alone in a room.
00:21:12I want to walk into this room and find you.
00:21:15You will be lying naked on the bed.
00:21:19I will not be able to speak to you because I don't know how.
00:21:23But this wouldn't matter.
00:21:26Because all these thoughts, I know, are already in your mind.
00:21:31As I walk to the bed, you will not smile at me, but only open your legs slightly.
00:21:41I will take off my clothes slowly and fold them up.
00:21:43Your eyes would whisper.
00:21:45Hurry, hurry.
00:21:46They'd also whisper.
00:21:48I understand, Dial.
00:21:49You needn't explain yourself.
00:21:51The river you can't escape from.
00:21:53The whimpering of all the victims of this world.
00:21:55I will not be victims, you and I.
00:21:59Dial, we will survive.
00:22:01Then I lay myself between your legs.
00:22:04I will enter you.
00:22:08As we climax, you will look at the rose on my arm and see each of the petals bleeding.
00:22:17And you will know in my own way that I love you.
00:22:24Son of a bitch.
00:22:25I'm tired.
00:22:36Generally, I was pleased with your first efforts.
00:22:38Most of you follow directions.
00:22:40You read a book.
00:22:41You try to interpret the author's meaning.
00:22:45Most of you.
00:22:47So, everyone gets a passing grade.
00:22:51Well, nearly everyone.
00:22:55I love you.
00:22:56I love you.
00:23:14Mr. Dial, were you ever to come into my bedroom, you would not need to fold your clothes neatly.
00:23:33Excessive neatness is a sign of a disturbed mind.
00:23:37I would, however, expect you to speak the words necessary to seduce, as you put it, a woman such as myself.
00:23:45The fact that I can speak the words is not enough.
00:23:47You would have to speak them to me.
00:23:49And since you will not, the scenario you so graphically described will never take place.
00:23:57You didn't understand this author's instinct at all.
00:24:01So no passing grade, Mr. Dial, your message is ignored.
00:24:06A CIDADE NO BRASIL
00:24:11A CIDADE NO BRASIL
00:24:16A CIDADE NO BRASIL
00:24:19Oh, my God.
00:24:49Oh, my God.
00:25:19Oh, my God.
00:25:49I'm a little scattered today.
00:25:53Crowded schedule.
00:25:56Crowded mind.
00:26:01What do they bring to mind for you?
00:26:03Nothing in particular.
00:26:04Crowded mind.
00:26:06But you seem so intent.
00:26:09Did I?
00:26:11No, mimes have been around for thousands and thousands of years.
00:26:13It's one of the earliest uses of drama and music together.
00:26:16You know what makes them so fascinating, these two?
00:26:23Are they fascinating?
00:26:24It's their use of costume.
00:26:26It's very calculated.
00:26:29Calculated?
00:26:31How can a simple black and white body stocking be calculated?
00:26:34Oh, absolutely calculated.
00:26:38What does it signify?
00:26:43The duality of our nature.
00:26:48The good and the evil.
00:26:49Well, those words are a little simplistic.
00:26:55It's more on our bright side.
00:26:58You know, illumination of the spirit, good intentions, grand ideas, noble ambitions.
00:27:03As opposed to?
00:27:04As opposed to our desires, our less noble ambitions, satisfaction of the self first, perversions.
00:27:11As well, large perversions.
00:27:13When does a perversion qualify as large?
00:27:15When it damages the spirit.
00:27:17Someone else's, or your own.
00:27:19When it gets out of control.
00:27:21It begins to possess you.
00:27:23You're a wealth of information.
00:27:25Ah, but there's more.
00:27:25Did you notice, for instance, that the girl's left side is white beneath the black makeup on her face,
00:27:30whereas the boy's left side is black beneath the white makeup on his face?
00:27:34Let me guess.
00:27:35It means we all have a masculine and feminine side.
00:27:39Precisely.
00:27:41God's little trick.
00:27:46In literature, there are readers and there are writers.
00:27:51Today, I would like you to be the writers.
00:27:54First, you have to think of a story.
00:27:57Why don't you start?
00:27:59I don't have a story.
00:28:01Everyone has a story.
00:28:03I don't have a story.
00:28:04All right, well, I'll get you started on one and you can finish.
00:28:09A man.
00:28:11Drifting, floating down a river.
00:28:14Lost.
00:28:16He can't free himself from this river because something or someone is on shore and stopping him getting ashore.
00:28:24What do you think it is that could be stopping him?
00:28:32Perhaps a memory?
00:28:34You're confused.
00:28:35What I'm telling you is an allegory.
00:28:40An allegory is when you use symbols to tell a story.
00:28:45People protect themselves with allegories.
00:28:49They have something that they have to get off their chest.
00:28:51Something that is so painful, so nakedly embarrassing, that they will use the symbols to hide behind.
00:29:01Like our dreams.
00:29:07Dreams are mostly allegories.
00:29:11Getting any ideas?
00:29:12No.
00:29:14All right.
00:29:14Let's say that the someone on shore is someone that the man who is drifting is very close to.
00:29:22A father.
00:29:24A sister.
00:29:25Your mother.
00:29:26Your mother.
00:29:26You feel like you're still under control there, professor?
00:29:39You still got me on your thumb like you did back there on there?
00:29:41I don't think so.
00:29:55No.
00:29:55You're just scared and you should because you fucking pissed me off back there.
00:30:01You're going to have to understand something.
00:30:02Nobody does that to me.
00:30:03Ever.
00:30:04Nobody, nobody puts me under their control.
00:30:06Do you understand that?
00:30:07Do you fucking understand that?
00:30:09Do you understand that?
00:30:12Good.
00:30:12Very good.
00:30:17Yeah.
00:30:19I understand.
00:30:22Now just let me go, okay?
00:30:26Where'd you go?
00:30:30Maybe.
00:30:31Maybe I should fuck you first, hmm?
00:30:33You're disgusting.
00:30:34Oh, come on now, Elaine.
00:30:35Tell me you haven't wanted to fuck me since the first day you saw me.
00:30:41Hmm?
00:30:44What buttons did I push, Kyle?
00:30:47What are you so scared of?
00:30:52I'm certainly not scared of you.
00:30:54No?
00:30:54No.
00:30:56Then why don't you talk to me?
00:31:01About what?
00:31:02Hmm?
00:31:03I don't know.
00:31:04What is it you want to hear?
00:31:05I don't know.
00:31:06Why don't you tell me anything?
00:31:08Oh, do you want to hear about my father?
00:31:10Is that what you want to hear about?
00:31:11Huh?
00:31:12How he ground my mother down so much that she took a rat poison cocktail.
00:31:16Is that what you want to hear?
00:31:17Hmm?
00:31:18Do you want to hear about how the spineless bastard threw his arms around my neck?
00:31:24Just whimpered.
00:31:25How could she do that to me?
00:31:28Do you want to hear that?
00:31:29If you want to tell me, I'll listen.
00:32:06Oh, my God.
00:32:36Wait at home.
00:33:06Wait at home.
00:33:36Wait at home.
00:34:06I told y'all sent me.
00:34:07It's for one time.
00:34:09One time only.
00:34:11So don't get any ideas.
00:34:13And leave it when you found it.
00:34:15I found it.
00:34:16I found it.
00:34:22I found it.
00:34:23I found it.
00:34:24I found it.
00:34:25I found it.
00:34:26I found it.
00:34:27I found it.
00:34:28I found it.
00:34:29I found it.
00:34:30I found it.
00:34:31I found it.
00:34:32I found it.
00:34:33I found it.
00:34:34I found it.
00:34:35I found it.
00:34:36I found it.
00:34:37I found it.
00:34:38I found it.
00:34:39I found it.
00:34:40I found it.
00:34:41I found it.
00:34:42I found it.
00:34:43I found it.
00:34:44I found it.
00:34:45I found it.
00:34:46I found it.
00:34:47I found it.
00:34:48I found it.
00:34:49Where are they?
00:34:50I don't know.
00:34:51Well, I don't want to clash with Dean Patterson.
00:34:54After all, it is your night.
00:34:56I was thinking I might wear those wide chiffon pants of mine with that gold jacket.
00:35:01What do you think?
00:35:02Sounds fine.
00:35:03God, sweetie, you sound tired.
00:35:04Good night, Kate, and thanks for the champagne.
00:35:06Not at all.
00:35:07You're entirely welcome.
00:35:08Good night, sweetie.
00:35:36You're welcome.
00:35:37Come on.
00:35:38I'm glad you got to go.
00:35:39I'm glad you're here.
00:35:40Come on.
00:35:41Back.
00:35:42You're beautiful.
00:35:43You're beautiful.
00:35:44I'm so glad you're here.
00:35:45You're very beautiful.
00:35:46You're beautiful.
00:35:47You're beautiful, friend.
00:35:48I'm so glad you're here.
00:35:49You're beautiful.
00:35:50I'm so happy.
00:35:51That's all right, Brother.
00:35:52Very beautiful.
00:35:53I find you.
00:35:54What?
00:35:55I'll be the next day.
00:35:56Do you find yourself?
00:35:57I find you for that.
00:35:59It's good.
00:36:00I my name is for you.
00:36:01What?
00:36:02Well, I'm so happy.
00:36:03You're beautiful.
00:36:04That's it. Step right out and follow the officer.
00:36:21Will, how you doing, Sam?
00:36:23I got these damn brakes fixed.
00:36:25Hey, Billy, you put on some weight since I saw you last.
00:36:28I'm pregnant, baby.
00:36:31Next.
00:36:34Name, please.
00:36:39Candy Harrow.
00:36:41ID.
00:36:56Take off them glasses.
00:36:59Next.
00:37:00Name, please.
00:37:01Nisa Fisher?
00:37:02Excuse me.
00:37:04What's in that room?
00:37:06Cavity search.
00:37:07What's in that room?
00:37:08Cavity search.
00:37:09What's in that room?
00:37:11What's in that room?
00:37:12Oh, no.
00:37:13Wait a minute.
00:37:14Who are you?
00:37:15I'm waiting.
00:37:16What's in the room?
00:37:17You can't see that.
00:37:18Oh, yes.
00:37:19Oh, no.
00:37:20Sure.
00:37:21Oh.
00:37:22Name, please.
00:37:23Nice to meet you.
00:37:24Nice to meet you.
00:37:25Nice to meet you!
00:37:26Uh...
00:37:27Nice to meet you.
00:37:28What's in that room?
00:37:30We have until one o'clock.
00:38:00My dear Elaine, we are here to honour you and your well-deserved appointment as head of the
00:38:18literary department.
00:38:19I'm sure that you will bring nothing but high praise on yourself and on the university.
00:38:24Congratulations.
00:38:25Thank you, Dean.
00:38:28Thank you all.
00:41:47Welcome to the real fucking world, princess.
00:41:53Get out of my house. I'm gonna call the police.
00:41:55Oh! Oh!
00:41:57What a great fucking idea, babe. Let's go for it.
00:42:01Do it. Call him.
00:42:03And let's tell him that you wanna fuck a convict, but his girlfriend won't let you.
00:42:10You fucking cow.
00:42:13And now, before all the little children go home,
00:42:19let's sum up our lesson of the day.
00:42:21Find your balls, honey.
00:42:23Don't fuck with the code of the streets.
00:42:26Hurt somebody before they hurt you.
00:42:37Class dismissed.
00:42:39You happy or down?
00:42:43You got to be free from all this shit out there.
00:42:49You got no bills.
00:42:51No traffic hassles.
00:42:53You got a health plan.
00:42:55You get laid and no women to bust your balls.
00:42:59God damn it, man, you got it made.
00:43:01I envy you.
00:43:05I don't even know why I go home at night.
00:43:07God damn foreigners are buying up America faster than inflation is rising.
00:43:17General Motors closing factories from Texas to Michigan.
00:43:23Six million Americans are on the unemployment line.
00:43:27I'm not allowed to buy a bill.
00:43:29I'm not allowed to buy a bill.
00:43:31I'm not allowed to buy a bill.
00:43:33Well, you're my favorite trustee, why I give you all the good jobs.
00:43:40Because you're one fine electrician.
00:43:45And a damn good listener.
00:43:48Are you listening, boy?
00:43:51You ready, Warden?
00:43:54Let's ride, sir.
00:44:03Night, Warden.
00:44:12I'm losing it, leaving this door open.
00:44:15Might give you some bad ideas.
00:44:17A smart cookie like you is back out in the street.
00:44:21I'm sorry, boy, but I couldn't live with my conscience
00:44:24knowing that I sent you straight back to hell.
00:44:28McBride will come and fetch you.
00:44:32Let's ride, sir.
00:44:4941 hours, 27 minutes.
00:44:52Tick-tock, tick-tock.
00:44:55And we will be one again.
00:45:0245 minutes only.
00:45:03I know that.
00:45:04I know that.
00:45:05I know that.
00:45:06I know that.
00:45:07I know that.
00:45:08I know that.
00:45:09I know that.
00:45:10I know that.
00:45:11I know that.
00:45:12I know that.
00:45:13I know that.
00:45:14I know that.
00:45:15I know that.
00:45:16I know that.
00:45:17I know that.
00:45:18I know that.
00:45:19I know that.
00:45:20I know that.
00:45:21I know that.
00:45:22I know that.
00:45:24I know that.
00:45:27I know that.
00:45:28I know that.
00:45:29This here is Professor Johnson.
00:45:45Looks like Dr. Patterson is not coming back.
00:45:50He's here to replace her.
00:45:52I want you all to listen up and pay attention.
00:45:56Here, dial.
00:45:57The warden wants to see you now, right now.
00:46:27Da, da, da.
00:46:41I thought you had some brains in that skull of yours.
00:46:46Why?
00:46:47Why to me?
00:46:49I'm a peaceful man.
00:46:52If only it had come to me, I would have advised you.
00:46:57Women are dangerous.
00:47:01Notes to women.
00:47:03You fuck them, dial.
00:47:05Period.
00:47:05I got a phone call this morning from some muckamuck asshole at City Hall.
00:47:13Got another phone call from some asshole at the university.
00:47:17You know what they wanted?
00:47:19My ass.
00:47:20My fucking ass.
00:47:22And for what?
00:47:23For a bitch.
00:47:26A friend of this other cunt that I never wanted in my prison in the first place.
00:47:34Someone's gonna pay for my suffering.
00:47:38Guess who, Mr. Dial?
00:47:39As of this moment, you lose all your privileges, you're no longer a trustee, and your movement
00:47:50is restricted to Zone A, too.
00:47:53And your conjugal visits are history.
00:48:00Now get your ass out of here.
00:48:03Oh, wait a minute.
00:48:05I forgot.
00:48:06It cost me $89.
00:48:13And my wife lost the warranty.
00:48:18Now think of it as a favor not for your warden, but for the wife of your warden.
00:48:23Fix it before I kill her.
00:48:30Hello, Buck.
00:48:32Yeah.
00:48:32Listen, as of now, Joe Dow is no longer a trustee.
00:48:37He's classified to F7.
00:48:41Okay.
00:48:46Really?
00:48:48I told you so.
00:48:50You never want to listen to me.
00:48:52Yeah.
00:48:53All right, okay.
00:48:59Friday, Sunday, whatever you want.
00:49:01You owe me one now.
00:49:03All right, then.
00:49:06Okay, I'll catch you.
00:49:08Bye-bye.
00:49:08Bye-bye.
00:49:09Bye-bye.
00:49:09Bye-bye.
00:49:09Bye-bye.
00:49:09Bye-bye.
00:49:10Bye-bye.
00:49:10Bye-bye.
00:49:11Bye-bye.
00:49:11Bye-bye.
00:49:12Bye-bye.
00:49:12Bye-bye.
00:49:13Bye-bye.
00:49:13Bye-bye.
00:49:14Bye-bye.
00:49:14Bye-bye.
00:49:15Bye-bye.
00:49:16Bye-bye.
00:49:17Bye-bye.
00:49:18Bye-bye.
00:49:19Bye-bye.
00:49:20Bye-bye.
00:49:21Bye-bye.
00:49:22Bye-bye.
00:49:23Bye-bye.
00:49:24Bye-bye.
00:49:25Bye-bye.
00:49:26Bye-bye.
00:49:27Bye-bye.
00:49:28Bye-bye.
00:49:29Bye-bye.
00:49:30Bye-bye.
00:49:31Bye-bye.
00:49:32Bye-bye.
00:49:33Bye-bye.
00:49:34Bye-bye.
00:49:35Bye-bye.
00:49:36That's right, Chuck.
00:50:06Good night, Warden.
00:50:36What do you think, Warden?
00:51:04Those Astros got a chance this year?
00:51:07Yeah, they do.
00:51:09But you don't.
00:51:13To paraphrase Dial, I danced close to the edge now with sanity nearly intact.
00:51:28I stepped back, never to venture toward that dark place again.
00:51:35I'm not going to do anything.
00:51:42I'm not going to do anything.
00:51:44I'm not going to do anything.
00:51:48Dr. Patterson, Detective Perlmutter's been looking for you.
00:52:07He says it's urgent.
00:52:10Thank you, Jessica.
00:52:13I think they're here.
00:52:16Dr. Patterson?
00:52:17Uh-huh.
00:52:18I'm Detective Perlmutter.
00:52:19Homicide.
00:52:20Detective Pierce?
00:52:21Well, um, what's wrong?
00:52:22I'd like to ask you a few questions.
00:52:23In regards to what?
00:52:24Dial.
00:52:25Joe Dial.
00:52:26Mr. Dial.
00:52:27Mr. Dial.
00:52:28Mr. Dial escaped, killed the warden and his driver.
00:52:29Oh, my God.
00:52:30I hope you forgive this intrusion, Dr. Patterson.
00:52:31But, uh, before Mr. Dial escaped, he wrote something that, uh, makes me tend to believe that you might.
00:52:35That's my fault.
00:52:36I'm not sure how to do it.
00:52:37I'll be a traitor.
00:52:38Well, uh, what's wrong?
00:52:39I'd like to ask you a few questions.
00:52:40In regards to what?
00:52:41Dial.
00:52:42Joe Dial.
00:52:44Mr. Dial escaped, killed the warden and his driver.
00:52:46Oh, my God.
00:52:51I hope you forgive this intrusion, Dr. Patterson.
00:52:56But, uh, before Mr. Dial escaped, he wrote something that, uh, makes me tend to believe that you might.
00:53:00I tend to believe that you might be able to shed some light on this investigation.
00:53:06Now, we are one.
00:53:10What do you suppose he meant by that?
00:53:15I mean, you being his literature teacher and all that,
00:53:18I thought maybe you might have some literary significance or something.
00:53:26I don't know.
00:53:30Mm-hmm.
00:53:35Yeah.
00:53:39You know, he printed that on the warden's wall after he killed him.
00:53:42We are one.
00:53:46We are one.
00:53:49You know, Dr. Patterson,
00:53:51I may suggest I can get a whole new security system by you.
00:53:57The boy's a psychopath.
00:54:00Completely unpredictable and a killer.
00:54:03That's just a precaution.
00:54:10Hi, sweetie. It's me.
00:54:13Pick up.
00:54:14Detective.
00:54:14Lane!
00:54:15Are you there?
00:54:17That's private.
00:54:18Well, call me.
00:54:19Well, I'm sorry.
00:54:22Just a force of habit.
00:54:25Listen, uh, just so happens, by the way,
00:54:29Dynamark Securities.
00:54:31That's best in town.
00:54:34Talk to a boy named Spiros.
00:54:36That's my brother-in-law.
00:54:37Well, if you mention my name, he'll give you a discount.
00:54:45Now, if Joe Dow happens to call again,
00:54:49you get in touch with me.
00:54:51Dr. Patterson?
00:54:58This here's McBride, your new warden speaking.
00:55:01Following are the new temporary prison regulations.
00:55:03All prisoners are ordered to abide by this.
00:55:07No inmates will be allowed out of their cells.
00:55:09Food will be brought in and consumed.
00:55:11No smoking, no television, no radio.
00:55:14No other electronic entertainment device will be allowed.
00:55:17All visitation privileges are suspended.
00:55:19Reading privileges are suspended.
00:55:21All trustee privileges are suspended.
00:55:23As of this moment,
00:55:26this here prison is functioning under state emergency regulations.
00:55:29Somewhere a baby is crying.
00:55:32Somewhere a day is dying.
00:55:35And a new day is born.
00:55:40I'm sorry, my boy, I'm doing.
00:55:42Yeah, I'm like a man.
00:55:47Somewhere a girl is crying.
00:55:50Somewhere love is dying.
00:55:53And a new life is born.
00:55:59Feel my fever.
00:56:03I'm afraid.
00:56:06Feel my fever.
00:56:10I'm afraid.
00:56:14Feel my fever.
00:56:17Pull me with your hand.
00:56:19I'm afraid.
00:56:22My fever.
00:56:23My fever.
00:56:25My fever.
00:56:28My fever.
00:56:32Here's you.
00:56:38So...
00:56:39So...
00:57:10Are they following us?
00:57:12Joe?
00:57:14Joe.
00:57:16Is that you?
00:57:23Are they following us?
00:57:24Yep.
00:57:26So, you've come home to Mama, baby.
00:57:29What could my little boy want?
00:57:31Just go to Jim's garage.
00:57:33Well, I don't know about that.
00:57:35Crazy!
00:57:35I'm not talking crazy, Joe.
00:57:37See, the cops hassled me about why you wrote We Are One.
00:57:44And I just really hope I told them the truth when I said it was about us.
00:57:50Because if you wrote it about that bitch, I'm going to pull the fuck over and have him mess you up and throw you right back where you belong, asshole.
00:57:58So, what do you say, baby?
00:58:00Oh, babe, you know how much I love you.
00:58:01I didn't mean what I said the other day.
00:58:03Joe, you didn't answer my question.
00:58:07Who are you one with?
00:58:09You.
00:58:10Only you.
00:58:11No shit.
00:58:12Damn it.
00:58:13You know I can't live without you.
00:58:14I love you, Joe.
00:58:22You know I'll do anything for you.
00:58:25How much money have you got?
00:58:27About a hundred bucks.
00:58:28Good.
00:58:29Put it back here.
00:58:29Throw it back here so I can get it.
00:58:30When you get to the garage, drive into the service bay and leave it there.
00:58:40Jim will know what to do.
00:58:42Tomorrow, come back and bring me some clothes, all right?
00:58:45You got it?
00:58:46Yeah.
00:58:50You're the best, babe.
00:58:52You bet I am, Joe.
00:59:00You got a light, sweetie?
00:59:23I think so.
00:59:30Any news about Joe?
00:59:34Well, you tell us.
00:59:35He can go fuck himself.
00:59:37Oh.
00:59:38Is that it?
00:59:39No, baby.
00:59:40And you can go fuck yourself, too.
00:59:48You'd be eating the back of my head.
00:59:51Yeah, that right.
01:00:00The number you have dialed has been disconnected, if you wish.
01:00:26Hello.
01:00:27You have reached the Corpus Christi University.
01:00:28To speak to the administration office, dial 368 and the number sign.
01:00:33For the alumni office, dial 367 and the number sign.
01:00:40My father never gave my mother nothing.
01:00:43Even on her deathbed, all I had was a dollar.
01:00:47I bought her a rose and a card.
01:00:49I put the rose in on the old jelly glass of water up in her dresser.
01:00:53I never knew if she saw it.
01:00:54Or if she read the card that I put next to it.
01:00:56I do know it's the next thing you knew she was dead.
01:00:59I looked up and I saw the petals falling.
01:01:03It was like tears.
01:01:08He didn't leave an ember.
01:01:11I'm sorry.
01:01:12I didn't realize it was personal.
01:01:14Young sweet thing, give me your ear.
01:01:32Feel the rhythm, yeah, the rhythm of the love I got in here.
01:01:35Take my hand in your hand.
01:01:36Trap it, uh, yeah.
01:01:37In quicksand, eat me, my big round bear.
01:01:40Ow!
01:01:42God, I missed you, babe.
01:01:44You know, I've been thinking all night.
01:01:48And I thought it all worked out.
01:01:50We gotta get the hell out of here.
01:01:52I'm gonna take care of you.
01:01:54It's gonna be okay.
01:01:55You don't have to worry anymore.
01:01:56I brought you your clothes, your pretty blue shirt.
01:01:59I got you for your birthday.
01:02:01Your favorite jeans, you know, the ones, babe, with the hole in your butt.
01:02:04Love them.
01:02:05And your snakes, give boots.
01:02:06Also, Jordan gave me an address.
01:02:08We will be safe.
01:02:10We're in this together, babe.
01:02:11All the way.
01:02:12Just you and me.
01:02:13And we're gonna be free.
01:02:14We're young, Joe.
01:02:15We're young.
01:02:16We're gonna get the hell out of here.
01:02:18We're gonna make something of ourselves.
01:02:19Ah, dreams.
01:02:24So many dreams.
01:02:25We're gonna do it, Joe.
01:02:27We're gonna do it.
01:02:44Turn off the car.
01:02:46Keep your hands in the air.
01:02:47Open up that trunk, Andy.
01:02:51Open up that trunk.
01:02:59Open up the fucking trunk.
01:03:10It's clear.
01:03:11Stop harassing me.
01:03:18You want to look like Rodney King ass, huh?
01:03:20Huh?
01:03:20You look more like Whoopi.
01:03:22I'm gonna sue your fucking ass.
01:03:24Boy, we have to throw your big butt in the can.
01:03:26For what?
01:03:28Impersonating a nigger and doing a bad job of it.
01:03:30That's what we need in another white prick on the police force.
01:03:34Make you happy to be the first white prick you've seen in years.
01:03:37You did it again, Joe.
01:03:47This here's a 38 special.
01:03:49Fire six shots.
01:03:51It's double action.
01:03:56I'll take it.
01:03:57I'll take it.
01:04:27I'll take it.
01:04:57I'll take it.
01:05:04Dial!
01:05:07Dial, you stay away from me, do you hear?
01:05:09Don't you come near me!
01:05:12Do you hear me?
01:05:13Don't you come near me!
01:05:14Don't you touch me!
01:05:18Where are you, Dial?
01:05:21Where are you?
01:05:22You broke my heart!
01:05:23Stay away from me, Doc!
01:05:23I'll kill you!
01:05:24I don't believe you, Dr. Patterson.
01:05:25You're waiting for me.
01:05:26You knew I'd come.
01:05:27No!
01:05:28Please, I don't want to kill you.
01:05:29Don't shoot me.
01:05:30I own you.
01:05:31I own your soul.
01:05:32I own your body.
01:05:33I'm in your brain, Elaine.
01:05:34I've been in your body.
01:05:35You can't get rid of me anymore, Elaine.
01:05:39You can't get rid of me anymore, Elaine.
01:05:40I own you.
01:05:41I own your soul.
01:05:42I own your body.
01:05:43I'm in your brain, Elaine.
01:05:44I've been in your body.
01:05:45You can't get rid of me anymore, Elaine.
01:05:48You can't get rid of me anymore, Elaine.
01:05:55Dial, please.
01:05:57Just go, I promise you.
01:05:59I won't tell anyone that you were here.
01:06:03Just go.
01:06:04I won't tell you, Elaine.
01:06:05I won't tell anyone you were here.
01:06:07I promise.
01:06:11Is that what you want, Elaine?
01:06:15Is that what you really want?
01:06:18All right, I'll go.
01:06:22But tell me that first time you came to see me, you wanted me.
01:06:27You wanted me bad, didn't you?
01:06:38You still want me.
01:06:43Tell me you love me.
01:06:47No.
01:06:48Please say it.
01:06:49No.
01:06:51I can't.
01:07:03You will.
01:07:07You will.
01:07:12See you soon.
01:07:17See you soon.
01:07:18See you soon.
01:07:19See you soon.
01:07:47I'm sorry.
01:07:48I'm sorry.
01:07:56See you soon.
01:07:57See you soon.
01:08:02I've got to go.
01:08:06My love don't live here anymore.
01:08:08I don't live here anymore
01:08:10You don't love me
01:08:12Release the chains and set me free
01:08:18Set me free
01:08:38Hey
01:08:40Help me, please
01:08:47We are one
01:08:52Now I understand
01:08:54You see, you, Dr. Patterson
01:08:56You're the type of individual that's attracted to
01:08:58and lacks personal danger
01:09:00There's no moral judgment there, of course
01:09:02Your personal life is your personal life
01:09:04But I think if you'd have
01:09:06told me the truth about we are one
01:09:08I think we, the police, might have been able
01:09:10to do something about it
01:09:12But be that as it may
01:09:14It's never too late
01:09:16Inspector Paul Mutter, shall we get to the point here
01:09:18Obviously, Professor Patterson is in very grave danger
01:09:20Now, if I may suggest, you surround
01:09:22her house with police that can be seen
01:09:24in order to deter this man from coming
01:09:26there again
01:09:28Uh-huh
01:09:30Well, Professor Evans
01:09:32Dr. Patterson's house is under
01:09:34close surveillance by the police
01:09:36And we will have
01:09:38a police woman
01:09:40pretending to be Dr. Patterson
01:09:42Uh
01:09:44And if I might suggest
01:09:46I think it'd be a good idea if, uh, Miss Patterson
01:09:48stayed here for a night, or maybe a few nights
01:09:50under your protective roof
01:09:52Because, uh, being the, uh, psychopath that Mr. Dial is
01:09:58I'm certain that he will return
01:10:00to the object of his obsession
01:10:04For as you well know
01:10:05Postman
01:10:06Postman always rings twice
01:10:08Ha-ha
01:10:12Ha-ha, Bill, what the hell does that mean?
01:10:14Come on, Bill, man
01:10:16Professor Evans
01:10:18Come on, Sherlock
01:10:20What's the matter with you?
01:10:34Damn
01:10:50My friend sent me two pounds a month from Rome, and believe me, I drink all of it.
01:10:57Listen, Elaine, you don't have to say anything, but I want you to know that I care for you
01:11:08very much. And that I'm here for you. I don't want to ask you any questions.
01:11:19Well, that's really all I've got to say.
01:11:27James, you are a very, very nice man. My only regret is that I didn't take your invitation
01:11:38for espresso soon.
01:12:01Bye-bye.
01:12:03Bye.
01:12:05Bye-bye.
01:12:07Bye-bye.
01:12:09Yeah.
01:12:11Nice, dude.
01:12:15Yeah.
01:12:17Hey, don't shoot.
01:12:37I'm delivering flowers.
01:12:39I forget you all.
01:12:40Turn around.
01:12:41Get your hands behind your back.
01:12:44Get up and get the rail.
01:12:45Whiskey.
01:12:46Timmy's got a gun.
01:12:49You're under arrest.
01:12:50Don't move.
01:12:52Put your hands behind your back.
01:12:56Whiskey.
01:12:57Timmy's got a gun.
01:12:58You're under arrest.
01:13:00You're under arrest.
01:13:01You're under arrest.
01:13:02You're under arrest.
01:13:03You're under arrest.
01:13:04You're under arrest.
01:13:05You're under arrest.
01:13:06You're under arrest.
01:13:07You're under arrest.
01:13:08You're under arrest.
01:13:09You're under arrest.
01:13:10You're under arrest.
01:13:11You're under arrest.
01:13:12You're under arrest.
01:13:13You're under arrest.
01:13:14You're under arrest.
01:13:15You're under arrest.
01:13:16You're under arrest.
01:13:17You're under arrest.
01:13:18You're under arrest.
01:13:19You're under arrest.
01:13:20You're under arrest.
01:13:21You're under arrest.
01:13:22You're under arrest.
01:13:23You're under arrest.
01:13:24You're under arrest.
01:13:25I liked it.
01:13:26I liked it.
01:13:27I liked it.
01:13:28I liked it.
01:13:29I liked it.
01:13:30I liked it.
01:13:35Here, kitty, kitty, kitty, kitty, kitty, kitty, kitty.
01:13:37Here, kitty, kitty, kitty, kitty, kitty.
01:13:40Here, kitty, kitty.
01:13:44Look who's here.
01:13:45The big lover himself.
01:13:47What happened, babe?
01:13:49She sent you to hell?
01:13:50Found herself a bigger stud?
01:13:52Yeah, you were right.
01:13:56She fucked me.
01:13:58But you know what?
01:13:59Now we're gonna fuck her.
01:14:01Come on.
01:14:03I need you to fucking help me on this.
01:14:06I gotta find her.
01:14:07I'm doing this for Russ.
01:14:10You know I love you, baby.
01:14:12Right?
01:14:15Dr. Patterson's office, may I help you?
01:14:17Hi, this is Sharon from...
01:14:20Excuse me.
01:14:23Wexler and Hill are Dr. Patterson's publishers.
01:14:27It's urgent that Mr. Hill speak to Dr. Patterson immediately.
01:14:31I'm sorry she's not in.
01:14:33Could you please tell us where she can be reached?
01:14:36I'm sorry I can't.
01:14:38I understand, but it's really, really urgent that we talk to her.
01:14:43I'm really sorry, Sharon.
01:14:45Um...
01:14:46I could set up a conference call.
01:14:47Would that be convenient for you?
01:14:49Yeah, that's great.
01:14:50Fantastic.
01:14:51I'm gonna put you on hold for one moment.
01:14:53Don't go away.
01:14:58Sharon, are you still there?
01:14:59Yeah.
01:15:00Holding.
01:15:01Okay.
01:15:02It's ringing now.
01:15:03Hello.
01:15:04This is Professor James Evans.
01:15:05You know the routine.
01:15:06Leave me a message after the beep.
01:15:08I'm sorry.
01:15:09That's the best I could do.
01:15:10You're a sweetie pie.
01:15:11We're just gonna try back later.
01:15:12Ciao.
01:15:13Where are you going, Joe?
01:15:16We're through.
01:15:17What is that, Jack?
01:15:18Don't go away.
01:15:19Don't go away!
01:15:20I'm gonna go away!
01:15:21And the villain goes by.
01:15:23Some Jack OH・・!
01:15:24What about him?
01:15:25Yeah.
01:15:26You have a joke to the dude?
01:15:27You were a joke?
01:15:28You're just gonna try back later.
01:15:29So...
01:15:38Where are you going, Joe?
01:15:40The throat?
01:15:41We're through.
01:15:44So
01:16:14I don't know.
01:16:44I don't know.
01:17:14I don't know.
01:17:44I don't know.
01:18:14I don't know.
01:18:44I don't know.
01:19:14I don't know.
01:19:43I don't know.
01:19:55I don't know.
01:19:56Is this what you wanted, you fucking cunt?
01:19:58I don't know.
01:19:59I'm suffocating.
01:20:01I'm suffocating.
01:20:02I'm suffocating.
01:20:03I can't communicate myself to anybody.
01:20:06I'm suffocating.
01:20:13I'm suffocating.
01:20:14I'm suffocating.
01:20:15I can't communicate myself to anybody.
01:20:18Nobody fucking understands me.
01:20:19I killed myself for you.
01:20:25I died for you and you didn't give a fuck.
01:20:28You didn't give a fuck, did you?
01:20:31Why'd you leave me, mommy?
01:20:32Why'd you leave me, mommy?
01:20:38You betrayed me.
01:20:39You betrayed me.
01:20:48You weren't there when I came back.
01:20:51I came back.
01:20:52How could you leave me with him?
01:20:58Don't you ever touch my mother.
01:21:00Don't hurt my mother.
01:21:01I'll kill you.
01:21:02I'll kill you.
01:21:03I'll kill you.
01:21:08Let's have some fun, huh?
01:21:14Let's have some fun.
01:21:17Sit.
01:21:18I said sit there now.
01:21:22We're gonna play a little show and tell now.
01:21:33Okay?
01:21:35Take off your panties.
01:21:39Not your skirt.
01:21:41Take off your panties.
01:21:43Good.
01:21:53Very good.
01:21:56Now take off your bra.
01:22:13I can hear a heartbeat.
01:22:26Are you getting aroused?
01:22:34Look at me.
01:22:35Look at me!
01:22:43I can't see you.
01:22:44I can't see you.
01:22:45I can't see you.
01:22:46I can't see you.
01:22:47I can't see you.
01:22:48I can't see you.
01:22:49I can't see you.
01:22:50I can't see you.
01:22:51I can't see you.
01:22:52I can't see you.
01:22:53I can't see you.
01:22:54I can't see you.
01:22:55I can't see you.
01:22:56I can't see you.
01:22:57I can't see you.
01:22:58I can't see you.
01:22:59I can't see you.
01:23:00I can't see you.
01:23:01I can't see you.
01:23:02I can't see you.
01:23:03I can't see you.
01:23:04I can't see you.
01:23:05I can't see you.
01:23:06I can't see you.
01:23:07I can't see you.
01:23:08I can't see you.
01:23:09I can't see you.
01:23:10Come to Mama Joey.
01:23:16Joey.
01:23:20Say it!
01:23:22Come to Mama Joey.
01:23:28Say it. Say it.
01:23:32Say it, come to Mama Joey.
01:23:34Come to Mama.
01:23:36Come to Mama Joey.
01:23:40I don't want to hurt you.
01:23:46I hate myself when I do it.
01:23:48But I know what's good for you.
01:23:52Because I love you.
01:23:54I love you.
01:24:04Don't tell me you love me.
01:24:06I don't love you.
01:24:10Tell me you love me.
01:24:12Say it.
01:24:14I don't love you.
01:24:16Tell me you love me.
01:24:22I don't love you.
01:24:24I don't love you.
01:24:26No!
01:24:28I don't love you.
01:24:30I don't love you.
01:24:32I don't love you.
01:24:34I don't love you.
01:24:50Mama loved you, Joe.
01:24:52I don't love you.
01:24:54I don't love you.
01:24:56I don't love you.
01:24:58I don't love you.
01:25:00I don't love you.
01:25:02I don't love you.
01:25:04Oh, my God.
01:25:34Oh, my God.
01:26:04Oh, my God.
01:26:34Oh, my God.
01:26:36Oh, my God.
01:26:38Oh, my God.
01:26:40Oh, my God.
01:26:42Oh, my God.
01:26:44Oh, my God.
01:26:46Oh, my God.
01:26:48Oh, my God.
01:26:50Oh, my God.
01:26:52Oh, my God.
01:26:54Oh, my God.
01:26:56Oh, my God.
01:26:58Oh, my God.
01:27:00Oh, my God.
01:27:02Oh, my God.
01:27:04Oh, my God.
01:27:06Oh, my God.
01:27:08Oh, my God.
01:27:10Oh, my God.
01:27:12Oh, my God.
01:27:14Oh, my God.
01:27:16Oh, my God.
01:27:18Oh, my God.
01:27:20Oh, my God.
01:27:22Oh, my God.
01:27:24Oh, my God.
01:27:26Oh, my God.
01:27:28Oh, my God.
01:27:30Oh, my God.
01:27:32Oh, my God.
01:27:34Oh, my God.
01:27:36And I hope you're all surviving this hot and muggy weather.
01:27:40That's 8% humidity again today, and traffic is almost back to normal.
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