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00:00foreign
00:12foreign
00:14foreign
00:30She's a girl who's gone from me.
00:34I'm so angry.
00:36I'm telling you, she'll be angry.
00:39My house?
00:40My purpose?
00:41I'll sleep when I'm asleep.
00:42No.
00:43Go!
00:44Go!
00:45Go!
00:46Let's leave it.
00:47How's my camera?
00:48Go, leave.
00:49I think it's going to go through all the life.
00:52It's not okay.
00:56We'll be like this.
01:00I'm going to go and turn around and turn around.
01:13You won't leave your friend.
01:15He didn't take the phone.
01:17Yes.
01:18I'm going to turn around.
01:20You go.
01:30I'm going to hit the team.
01:41I'm looking forward to it.
01:44I'm trying to figure out how's it going.
01:47It seems complicated to me.
01:50allah khair karee abba ji kaha phasadiyya har katem pere naya amtihahan
01:59mujhe anadaza hai ye amir ghar ki bachiyan hai aur inke dhin bade naasuk hundhe
02:09maabaap ka gham ham ne bhi saa
02:13lekin is gham nye in bachiyan ko ee ladhi me piro dhia
02:20aap dhrust karen hai bhai bashir
02:22jab ye gham ham pere pada to hem apeni apeni jaga toot gaya
02:26aur is gham ka bhojh berdash na kar sake
02:29aisa bhi hota e baas jaga
02:32meinne purehi košish ki ki ki tootnene ke baat kahin ye ghar bikhar na jaye
02:36mein ab tuk joh bhi kar raha oon
02:38isme meeri yehi košish hai ki meeri beheni achse
02:40aur positive insano ki tarah behave karhe
02:43aur mein apeni zimedarii puree tariqe se nibaas kou
02:46kuch aise zimedarii mujh per bhi padiye
02:49aam alat me ager kisi bhai ke samanine
02:52aise situation wo tii
02:54kye ek amir admii
02:55uski bhen se
02:56is tarah ananfalanan shadhi kerta
02:58kus shayid wo isse anah ka musla bina leta
03:01ji ji ji
03:03aap
03:04aise hi situation me hai
03:05jiasse
03:06kye mein
03:07bas se fark etna hai
03:08kye bushra eek semjdaar rasul ji ji wii larki
03:10eekin meri beheni
03:11bushra ko joh kirdar me laye na
03:13usko nibhane ke liye
03:14usko aapna mizaj bedalna puna hai
03:16wana wana wese toh lardkiya aise hi ہوتi hai
03:22wopo shaykspierr nne kao nna
03:25haa
03:25kye ye dunia eek
03:27stage hi to hai
03:28aise hi hai
03:29aur jis tarah samiyah ko aap uske shok ki taraf la rye
03:34ya aapki nake ni hati hai
03:36aur aapke sehsan ka bedalna mein shayid Allah na kar sako
03:40washir baai
03:40samose
03:44hari samose
03:45hari samose
03:46mein bhi chalta ho saath
03:48kya
03:49lunch mein samose ho sakti hai
03:50kya samose ho sakti hai
03:51yoh hi jayegi guzr
03:53chal diye wahan
03:56jahhan pe le gai dagar
03:59kya samose ho sakti ka ranga eek kathang
04:04mein khud sadi khabar fikr mein muttala
04:08yess
04:10yess
04:11mera toh ho gya
04:12ab eek kilomiter ki don
04:14mein toh pahle pardhungi phir ptay ekhattay karungi
04:16jaisa likha hai waisa nnei karoogi toh nukcsaan hooga
04:19kya nukcsaan hooga
04:21game ke kuch rules hai
04:23rules follow nnei karoogi toh nukcsaan hooga na
04:25ab chup karungi aeg dhafa aur pardhungi
04:27pardhu pardhu pher dal laga ungi
04:29abhi toh pot taim hai
04:30chok muban zip
04:32sup
04:34pardhu
04:36pardhu
04:38rous rous ki ee
04:40bewa ja ki maztiyaan
04:42irti kirti shuru vol tha
04:47hori mein dhaliyaan
04:49vaisa kabhi meinne kuchh pakaaya toh nnei he
04:54lekin ye toh sirubh achha rahe ga
04:56ha chalo kamal he
04:57aaj ye toh jaroomi hoği jaje
04:58ndangach
05:07Can I get out of the car or get out of the time machine?
05:17Why is everything changed?
05:23I won't leave today! I won't leave today!
05:25I don't know when you're making me angry!
05:28Open the door!
05:30Open the door!
05:32Open the door!
05:34Open the door!
05:36Open the door!
05:37Open the door!
05:38After coming to me, my husband and my husband
05:40did not know that the police came to the door!
05:43I didn't think that in this age
05:45I'm going to leave the police at the door!
05:47What will you do now?
05:49God bless you!
05:54Where is it?
05:55Where is it?
05:56I won't leave today!
05:57I won't leave today!
05:59Come inside!
06:01Hey Sherry!
06:03You!
06:05You!
06:06You!
06:07Who?
06:08And where is it?
06:09What is it looking for?
06:11What are you...
06:12saying?
06:13Uncle...
06:14You TOMORROW...
06:15The doctor...
06:16The doctor...
06:17The doctor...
06:18I know!
06:19I am looking for the people...
06:20The doctor...
06:21You know....
06:22The doctor...
06:23The doctor...
06:24The doctor...
06:25You...
06:26You...
06:27The doctor!
06:27The doctor...
06:28What is it?
06:29What happened? You don't want to be sweet today?
06:41What are you doing?
06:43What's happening here?
06:45Uncle, don't hurt me. You're now being a aunt.
06:50Hey! You've put me in my hand.
06:53I'm with your mother. I'm hurting you.
06:55Hey, Suman. I'm going to ask you for my bad luck.
06:59Hey, let's go. You're going to take the wick first.
07:01Hey, stop.
07:02I'm telling you.
07:04Hey, you're coming.
07:06I'm telling you.
07:08I'm telling you.
07:09I'm not a horse.
07:10I'm not a horse.
07:11I'm telling you.
07:12Hey, Uncle.
07:13What would you tell me?
07:14You're going to kill me?
07:16Uncle, don't.
07:17I'm telling you.
07:19I'm telling you.
07:22I'm killing you.
07:25I'm killing you.
07:28When I saw you first,
07:29I felt a lot of your personality.
07:34You say that every person is our own.
07:39Can you see my own own?
07:40Yes.
07:41Where I entered,
07:43there was a girl.
07:44He was a senior.
07:46Home economics.
07:47His face is absolutely right.
07:50It's a great thing.
07:51And his hands are absolutely right.
07:53It's all like that.
07:54Okay.
07:55I asked him.
07:56I asked him.
07:57If you're cutting and slicing,
08:00then how does your hands hurt?
08:02What did he say?
08:04What did he say?
08:05He said in the kitchen,
08:07there were some basic rules.
08:10That only Texas and important rules.
08:12One is one,
08:13just cutting for the board.
08:14And without that.
08:15One,
08:16it wouldn't work any cut.
08:17And you have a set of cuttings
08:18with a cutting knife.
08:21All the food,
08:23all the vegetables,
08:25all eggها,
08:26all the corned stuff,
08:27all the oil.
08:28So,
08:29cut.
08:30So,
08:31My mother also said that they had so good knives.
08:39Yes.
08:41I asked her if she was so beautiful, she told me that she was in the kitchen with lemon peel and lemon peel.
08:51She put it in hand?
08:53She was so beautiful.
08:54My mother also used limo and rose water.
08:59Wow.
09:00Do you still have a life set for your mother?
09:03Yes.
09:05I have kept it very well.
09:08I can see.
09:12I know that I call you 25 times a day.
09:14Why don't you keep your phone like this?
09:16Then you're not going to call.
09:18You're not going to call me.
09:19You're not going to call me, madam.
09:21The next time I will be on release.
09:23Okay.
09:24And if I can call you, I will send you a text.
09:27If I can text you, I will send an emoji.
09:29I will send you a text.
09:30I will send you a text.
09:31I will send you a text.
09:32I will send you a text.
09:33I will send you a text.
09:34Is it okay?
09:35Are you enjoying it?
09:36No.
09:37Yes.
09:38Yes.
09:39I will send you a text.
09:40Yes.
09:41I will send you a text.
09:42I will send you a text.
09:43I will send you a text.
09:44I will send you a text.
09:45No.
09:46I will send you a text.
09:47No.
09:48I've put all these things together.
09:50What are you saying now?
09:52That day, when you were able to understand your plans,
09:56you were able to understand your plans, right?
09:59I'll tell you what else to tell you.
10:03Hmm.
10:04I don't know.
10:06I'm feeling weird.
10:08Are you kidding me?
10:10No. Why am I kidding?
10:12No, I'm kidding.
10:14What does this mean?
10:16You said something like this in my mind.
10:18I'm sorry.
10:19Myrub has been speaking to you.
10:21Hmm.
10:22I'm knowing.
10:23Yes.
10:24And that was the same thing.
10:25He killed himself.
10:27Why?
10:28That was the same thing,
10:30but the same thing,
10:32he cleaned all the trees and the trees,
10:34and all the trees,
10:36and the other two of them had to be clean.
10:38So, you know Meeraf's two of them?
10:40But then the end will be gone.
10:42Exactly.
10:43That's it! Mirab gave them the security of me.
10:48It's fun.
10:49It's fun. It's fun.
10:51When Bush came to help them,
10:53like a President Bush.
10:55That means, there are two soldiers in front of them?
10:57Yes, Third World War.
10:59Listen to yourself.
11:00From one side, Mirab.
11:01From the other side, Bushra.
11:02And he said,
11:03no, no, I won't leave you.
11:06So, Mirab attacked the Bushra
11:09that one side,
11:10and he took two towers.
11:12Oh, no.
11:13What do you mean?
11:14What did you miss this show?
11:16Yes, it was worth watching the scene.
11:19Then, Mirab and Nasra
11:22came to forgive him.
11:23He renewed his agreement.
11:25I mean, Bushra and his brother,
11:28I believe he's only a few people.
11:30Hmm.
11:31Now, there's no trouble in this plan.
11:33We do work.
11:35We do work.
11:36We sell his showroom.
11:38We understand him.
11:39We don't do anything.
11:40Hmm.
11:41Hmm.
11:42Hmm.
11:43Hmm.
11:44Hmm.
11:45Hmm.
11:46Hmm.
11:47Hmm.
11:48Hmm.
11:49Hmm.
11:50Hmm.
11:51Hmm.
11:52Hmm.
11:53Hmm.
11:54Hmm.
11:55Hmm.
11:56Hmm.
11:57Hmm.
11:58Hmm.
11:59Hmm.
12:00Hmm.
12:01Hmm.
12:02Hmm.
12:03Hmm.
12:04Hmm.
12:05Hmm.
12:06Hmm.
12:07Hmm.
12:09Hmm.
12:10So,
12:11Hmm.
12:12Hmm.
12:14Hmm.
12:15Hmm.
12:16Hmm.
12:17Hmm.
12:18Maybe,
12:19Nope.
12:20Hmm.
12:21Hmm.
12:22Hmm.
12:23There's huge weight.
12:24Hmm.
12:25Huh.
12:26Hmm.
12:27Hmm.
12:29Hmm.
12:30Hmm.
12:31Hmm.
12:32Oh,
12:33Hmm.
12:34and then my friend will give you a message.
12:37That's right, Irfan.
12:39I was leaving all the young people for their children.
12:44But when Bushra took your hand,
12:49I asked a question for my heart.
12:52I said, Bushra,
12:54this is your dream.
12:56Is it your happiness or your own?
12:59Do you know what the answer is?
13:02It's my pleasure.
13:05Oh, my God!
13:07You've been waiting for lunch?
13:09You've been waiting for lunch?
13:12Oh, my God!
13:15I wanted a few hours for a few hours.
13:22What's that, Irfan?
13:24I don't have to show the doctor's hands.
13:31Okay, go.
13:34It's my pleasure.
13:36Why are you so burdened?
13:40I understand, Irfan.
13:41This is the case.
13:43Which case?
13:44That is the case of the marriage.
13:47Oh, okay.
13:49Oh, this is brown.
13:51Yes, sir.
13:52Are you ready?
13:53Yes.
13:54What did you do?
13:55Yes.
13:56What did you do for lunch?
13:58He's a man who's in the kitchen.
14:00He's eating his own.
14:02He's eating his own.
14:03He's eating his own.
14:04We're going to get to the sleep.
14:05Why are you doing this?
14:06What do you do to God's prayer?
14:08Now, we're going to be the need of the people.
14:10We're going to get a problem.
14:11We're going to get a problem.
14:12We'll get to get a problem.
14:13How about you?
14:14If I'm going to fall so fast,
14:16then my dad was going to kill my brother.
14:18What's this mean?
14:19He's saying I had a film in dialogue.
14:23He's speaking like this.
14:24I'm running out of the way.
14:25Go.
14:26Okay, go.
14:27I'll show you.
14:28I will go away.
14:29I'll open the door.
14:31I'll open the door.
14:32You're going out.
14:33You'll fall back.
14:34Now, you're coming.
14:35We're going to see how it is.
14:36I know how it works.
14:38Oh, my father.
14:40I'm just trying to get your views.
14:42This is good with me.
14:51They are killing me in the main set.
14:56And I'm sitting here alone.
14:59Don't say anything to me.
15:09Hello, Mother?
15:11What are you saying, Mother?
15:16She reached her.
15:19She killed her.
15:22She also scared her.
15:24Mother, what did she do?
15:27What are you doing here, Mother?
15:34Mother, what did she do?
15:37She had to take her hand on her hand.
15:40She had to take her.
15:42Okay.
15:43Did she take her?
15:45Yes.
15:46Yes.
15:47What was she doing here?
15:49She said normal things.
15:51She's home.
15:52There's no plan to go out there.
15:54There's no plan to go out there.
15:56She's home.
15:57She's home.
15:58She's home.
15:59She's home.
16:00She's home.
16:01She's home.
16:02She's home.
16:03She's home.
16:04She's home.
16:05She's home.
16:06She's home.
16:07She's home.
16:08She's home.
16:09She's home.
16:10She's home.
16:11She's home.
16:12I'm home.
16:14What do you like to go back?
16:15She's home.
16:16I was about to go back.
16:18What do you want to go back?
16:19Was it done?
16:20It's done.
16:21It's been done.
16:22It's not even possible.
16:23Go back.
16:24And now, I'll see you later.
16:26I'll see you later.
16:28And you'll see me now.
16:30And you'll see me now.
16:32Okay.
16:34Confirm I have to.
16:47But they're not sure.
16:49But they're not.
16:51If you have to take care of them, then you will have to take care of them.
16:55Otherwise, you will be very happy.
17:03Oh, do you have to do a staring competition after that?
17:06I will show you a new one.
17:21I am going to do it. I am going to do it.
17:24Yay!
17:31Oh, good to see you.
17:33This is a very scary situation.
17:35Abba Ji, in the shock of the media,
17:38you will have to kill your girl.
17:40Vita Rizwan, you will have to take care of them.
17:43You will have to take care of them.
17:48God bless you.
17:49Sorry, God bless me.
17:51You will stay.
17:52You will not have to talk about this.
17:58You will stay.
17:59You will be able to take care of your child.
18:01You will be able to take care of them for a kilometer.
18:03You will have to take care of your home.
18:07Hey, Mr. Rizwan.
18:08Come here.
18:09Come here.
18:10Come here.
18:11Run, Rizwan.
18:12Run.
18:19Run behind him.
18:20Run.
18:21Run.
18:22Run.
18:23Run.
18:24Run.
18:25Run.
18:26Run.
18:27Run!
18:28Run!
18:29Run.
18:30Run!
18:31Run!
18:34Come here.
18:35Run!
18:36Run!
18:37I love you, I love you.
19:07Mr. Kusheer, I have spoken to you about half a minute.
19:13Half a minute?
19:15I mean, after marriage, I will come to the kitchen for help.
19:19What is the matter of hiding in it?
19:24You said that in front of your Salih,
19:30if you have been insulted, you will not cut.
19:34But now you are in front of your head.
19:37What?
19:39No?
19:41I mean, you don't do this.
19:45What is it inside of you?
19:49My brother?
19:53I mean, how are you doing?
20:08Other numbers of the people say that this city is bad,
20:23and they're giving insects that if the shell wasn't in me,
20:27I'll try something to finish,
20:29and I'll try something to repeat.
20:34Yes.
20:37We both will leave our own house.
20:39How do you live here alone with Rizwan and Abba Ji?
20:42Yes, that's what you have done with me.
20:44What was the need for this ghost?
20:47It's so hard to see my head.
20:48My head is so sad.
20:50And what was it supposed to be?
20:52Sweetie doesn't want to be.
20:53Who is the sweetie? What was it supposed to be?
20:55When I left this house,
20:57my ghost was closed in the house.
20:59We were going to play the drama here.
21:02So what will happen?
21:03The ghost will be coming, the police will be coming.
21:05The ghost will also need money for any college.
21:08We will also have money for her.
21:11With the sherry?
21:13Who else?
21:14No, no.
21:16No, no.
21:17I'm saying that we will send it to my mother to her.
21:24Yes, it's such a big house.
21:26There are so many houses.
21:27There are so many food.
21:29There are so many people.
21:31If my mother will come, then what will happen?
21:33Listen to me.
21:35I will take your own knowledge and take my own.
21:37I will not play on this stage.
21:40Mother, you are not playing.
21:41It's a very decent, ugly story.
21:43Like the ghost,
21:44there are five young children with five young children.
21:47Snow White?
21:48That's such a great story.
21:49I will not do a bad story.
21:52The seven boys are taking the girls to sing in the jungle.
21:55Why is this a way?
21:56It's such a wrong way.
21:57The girl tells her how to save her.
22:00I will not do the world in the world.
22:01I will not do such a drama.
22:03I will not do such a drama for God.
22:05I will not do such a drama for you.
22:07There will be no work for the production.
22:09But you will leave here.
22:11Then she will come back to the protein shake.
22:13Yes, right, right.
22:15I will call her phone.
22:17I will call her out of here.
22:19I will take her out of here.
22:20God bless you.
22:26Sir, what's your name of the game?
22:29I will call her out of here.
22:31What?
22:34Oh, what are you talking about?
22:36She is a ghost.
22:37She was angry in the house.
22:39What?
22:39She was looking for her to run.
22:41Do you want to catch her?
22:42Sir, Rizwan.
22:43OMZ, sir.
22:45Stop, stop.
22:46Sir, Rizwan.
22:48Stop.
22:49Sir, Rizwan, stop.
22:51Sir, Rizwan.
22:53Sir, Rizwan.
22:55Who is your tutor?
22:56Yes, sir.
22:57You understand this?
22:58He is a tutor?
23:01Yes, yes.
23:02This is Farid, brother.
23:04What?
23:05I am actually listening to my own.
23:07I have called my machine in the bag.
23:08I am putting it in the new cell.
23:10I am Rizwan Salim.
23:12M.A.M.Z.
23:17I am going to finish my thoughts.
23:19If you have to join in the two rows,
23:21then come back.
23:22I am going.
23:24You may also join us.
23:26My teaching method is like this.
23:29I understand.
23:30A healthy body carries a healthy mind.
23:33Are you also joining us?
23:43What is this, Farah?
23:45Why did you take me here?
23:47Now, Samia's track is a positive track.
23:50She was showing her face of Irfan's mother.
23:52She was supposed to be there with Irfan.
23:54You took me here.
23:55Why do you take my Body up?
23:58Why did you take me to the dog?
24:01She was looking home.
24:02She was from home.
24:04She will have her face.
24:05She is lying.
24:06Her hair is a bad thing.
24:07Susan came.
24:07A decent man.
24:09I am so proud.
24:10She has loved her hair.
24:12She has beaten her hair from her .
24:14What?
24:15Okay, Abadi.
24:16You're too much.
24:19I'm going to take my mom.
24:21I'm going to take Irfan.
24:22Yes, you go.
24:23You take them.
24:25My mom took him to take him.
24:28She took him to take him and kill him.
24:30She was running.
24:32She was running.
24:33She was running.
24:34She was running.
24:35And she was all the things that her character plays.
24:39I'm going to take my mom.
24:41Go, Zona.
24:43Look.
24:44At that moment,
24:45there is a scene in the inside.
24:47You need to take me to take my mom.
24:51You handle it.
24:52I'm going to take her.
24:54It's a drama.
24:55I can't leave my mom alone.
24:59Abadi.
25:00You don't have any role.
25:03My child was born.
25:05Look, this child.
25:07She was running away from her mother.
25:09Wow.
25:11Vishmilakhan.
25:13She's still here.
25:16If she gets the money to her,
25:18she will get the money from her.
25:20She will come.
25:21She will not come.
25:22She will come.
25:23Tell me.
25:24Yes.
25:25You go to the kitchen.
25:27You should buy some meat.
25:28Yes.
25:29You don't have to buy it.
25:30You don't have to buy it.
25:31You
25:36If you don't buy it too.
25:37You can blow it.
25:43This is for shopping.
25:47Khadid Peshwilet is made in this place.
25:52In his life, I had no idea that...
25:55I had no idea about that.
26:02When he goes through,
26:05he tells the facts about what he's going to do.
26:12That's how it is.
26:18Samia,
26:22we haven't talked about their memories about their memories.
26:27Brother Jan,
26:29something happened in the restaurant,
26:31it was an affair.
26:33If you don't understand the affair,
26:35what do you think?
26:38We need to investigate.
26:41The investigation was also happened.
26:44What happened?
26:50Why are you crying?
26:55My father is dead.
26:57I'm not your father.
27:02You have a lot of work with me.
27:04What's your work?
27:06You have to go to the emergency.
27:08I'll talk to Samia.
27:10I'll talk to you later.
27:11I'll talk to you later.
27:12Please.
27:13Brother Jan,
27:14go.
27:15I'll talk to you later.
27:16I'll talk to him later.
27:17I'll talk to you later.
27:19We'll talk to you later.
27:20We'll talk to you later.
27:26Myrath's son always tells me that he's always playing a game.
27:41He's playing a game.
27:45He's a big guy.
27:47He's a small guy, right?
27:49He's a fool.
27:51He put his head on his head and he's stuck.
27:58He's in his hand.
28:11How many heads are you?
28:16I'm saying that he had a tree here.
28:19By the way, I have no idea.
28:37She says something to our side.
28:41What did she say to me?
28:42I'm sorry.
28:44I can't say that.
28:46I think that the thapd was not possible to get the woman's hand.
28:50It was a uncle uncle.
28:52You had a wig check?
28:54Yes, it was a thapd.
28:56Wig?
28:58No, it was a technique that it was not.
29:02So, you think that he was uncle uncle?
29:07And he was a thapd that he didn't get the wig because he didn't get the wig?
29:10I will get the alpha.
29:13I have so much fun in the gym. I have so much fun in the gym.
29:17I have so much fun in the gym.
29:18I have so much fun in the gym.
29:20But if you eat a thapd too, this is a thing.
29:23That's a good thing.
29:25So, you know, Elon Musk and the world of the world,
29:29the other people of the world understand that the thapd also is a thapd.
29:33I don't think that the thapd also is a thapd.
29:35What about the thapd?
29:39Why do you think that the women who are the same,
29:42the women who are the same,
29:43they are the same for the women who are the same?
29:45Why do you think you are the same?
29:47I feel like they are the same for the women
29:49They are the same for the women who are the same.
29:51Every one thing is the same for them.
29:52I don't know why they will be the female.
29:54They will be the same for women.
29:55And the women who are the same for their own.
29:57For such women,
29:58you can have sex with the husband of the wife.
30:01that you don't have 6-6 kids in the Olympics.
30:03Some of them have won gold medals in the Olympics.
30:05And the same thing that Iman Khalifa did,
30:07that's a real man.
30:09Now I have to believe that you are what kind of man you are.
30:13Alpha Mil.
30:15Yes, Alpha Mil.
30:23Safiya!
30:26Safiya!
30:27Safiya is gone.
30:31Habib Sahib is with him and I don't know if he has a bag with him.
30:34Where is Safiya?
30:36I don't know, Habib Sahib is with him.
30:38How is it possible? It's time for lunch.
30:41How can you go to the house?
30:43In the garage, Mirob and his tutor were running.
30:47I told him to chase him. I don't know if he is.
30:49Mirob and Uriya are sitting in his room with a kitab.
30:52Where is it?
30:54He was running outside. Mirob, I saw him.
30:56Safiya has called him.
31:00Pindya,
31:01either you are crazy,
31:03or there is no such game in this house
31:05that has been a lot of fun in my mind.
31:07Tell me, this is Mirob's tutor.
31:09Where did he come from?
31:11Mirob?
31:12Mirob?
31:13Mirob?
31:14Mirob?
31:15Mirob?
31:16Mirob?
31:17Mirob?
31:21Mirob?
31:22Is he run away from this moment?
31:23This bushra?
31:24The bushra made the busha of my mother
31:25vintage kites with her mother, right?
31:27What?
31:28Sammy, you are learning to make it with my mother?
31:30What will have you gelecek?
31:32What's all about, plus, such a mess of the bushra?
31:35So much, so much, so much, so much.
31:37There's a mess of all the games.
31:38That's quite nice, so all the plans.
31:40What's going on?
31:47Tell me, I know that Safiya was at that time.
31:50What do you know?
31:51I was standing there,
31:52Mirab was running with her teacher.
31:54Khabib Sahib opened the gate for her.
31:56Safiya was cheering for her.
31:57She was a good friend.
31:59I told her if Mirab was safe or not.
32:02Safiya was on the ground and on the ground.
32:05How can I tell my route?
32:10Fafiya, she will not come back again.
32:29What's the emergency room?
32:34I have been asking you something like that for a minute.
32:38Where are we going?
33:08In the comedy dramas, they kill 100 people.
33:12But in actual life, they can't do anything.
33:16Let's listen to someone else's story.
33:19Remember to keep it.
33:21It's a bad thing.
33:23Yeah.
33:28So...
33:30The actual thing is that...
33:32What is the actual thing?
33:33My mother was out of the house, and she was sent to the house, and she was sent to the house and sent to the house.
33:43Oh.
33:46We can't send the Abba Ji to the house, right?
33:51Because they are controlling the supporting cast on the set.
33:56So, that's not possible.
33:59We've also sent the Abba Ji to the house today.
34:03That's right.
34:05My mother was crying a lot.
34:08I understand.
34:11I can understand.
34:14I know that you and Samia are saying something.
34:19You can't understand your mother's fault, right?
34:24I can understand.
34:26Look, it's only your mother's fault.
34:30I've got money from you.
34:32I know that my work is here.
34:35I've been here for 10 to 12 days.
34:38I can't understand this story.
34:40But I'll leave my mother's fault.
34:43Oh.
34:44Look, you're not a game.
34:51Mushra?
34:52No doubt, this is a drama.
34:55But mother is a mother.
34:57When she comes to mother, she doesn't have any other things.
35:01She doesn't have any other things.
35:03So, it's not that much.
35:04So, what's going on?
35:05What's going on?
35:06If you don't have any more hours, then what?
35:08Think it's your mind.
35:09What?
35:10No doubt.
35:11No doubt.
35:12I won't give you any more hours.
35:13I won't give you any more hours.
35:14No doubt.
35:15No doubt.
35:16You know?
35:17No doubt.
35:18No doubt.
35:19No doubt.
35:20No doubt.
35:22Reducer Kam ko artist ke saamne ronne se naat ni gartti.
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