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Cine Hub
  • 9 hours ago
Transcript
00:00:00.
00:00:30Valeria Dobichy, Sergio Rubini, and others, as well as Giuliano Calandra.
00:00:52Scenarists Gianfranco Clerici and Andre Barzini.
00:01:00Operector Mario Bulpiani.
00:01:06Composer Antonio Secchi.
00:01:25Regisseur Andrea Barzini.
00:01:27Regisseur Andrea Barzini.
00:01:32События и персонажи этого фильма вымышлены.
00:01:36Всякое сходство с реальными событиями и людьми чисто случайно.
00:01:40Джулия!
00:01:51Джулия!
00:01:52Ну что, что с тобой? Я тебя не понимаю.
00:01:58Я ухожу. Что, тебе не нравится спектакль?
00:02:02Да глупая пьеса.
00:02:04Опять началось.
00:02:07Опять началось.
00:02:16Смотри, будешь идти вперед всю вечер?
00:02:20Ну, так весь вечер, что ли, будет?
00:02:22Джулия!
00:02:24Давай, возвращайся.
00:02:25Смотри, если ты не хочешь идти в театр, ты можешь даже дать мне, да?
00:02:28Ну, если бы в театр ты идти не хотела, могла бы и раньше мне сказать.
00:02:32Привет.
00:02:33Привет.
00:02:34Привет.
00:02:35Привет.
00:02:36Привет.
00:02:37Привет.
00:02:46Привет.
00:02:58Что, что-нибудь не так?
00:03:00No, no, no, everything's fine.
00:03:02I've left dinner in cold.
00:03:04I'll leave you dinner.
00:03:06Everything's hot.
00:03:08Now, now, I'll go.
00:03:30I'll go.
00:04:00Here it is.
00:04:02Please.
00:04:04They gave you a new manuscript to correct me.
00:04:07What?
00:04:08You gave me a new book to edit?
00:04:11And I heard that Bemberg will again perform on television.
00:04:15He's a real rock star.
00:04:18What did you do with him?
00:04:21I saw it yesterday.
00:04:25What did you do now?
00:04:27What did you do now?
00:04:29Did you write a novel?
00:04:35Where did she go?
00:04:37Where did she go?
00:04:39She went there.
00:04:41I saw it.
00:04:57What did she go?
00:04:59I saw it.
00:05:00I saw it.
00:05:01I saw it.
00:05:03The Gorda of the Bonson.
00:05:05This is a popular story.
00:05:08Who did she go?
00:05:10Bemberg, she said...
00:05:12I saw it.
00:05:13She said it was a popular for every DP.
00:05:15She said it was a popular for them...
00:05:16...
00:05:17...
00:05:19...
00:05:20...
00:05:21Bemberg, do you want to be more precise, please?
00:05:25I said that in a society show, there is only a form.
00:05:29You know, the tendency is the mimesi.
00:05:31You look at Arbasino and Orietta Berti.
00:05:34I'm going to the curious, your famous cattiveria is a calculation.
00:05:37Better the cattiveria of the noia of Dallas.
00:05:40It's a question of the state's conduit,
00:05:43and then it's also a question of the competition.
00:05:45And who's criticating Arbasino?
00:05:47I don't see you working with someone like Bemberg.
00:05:50I'm sorry, I'm sorry.
00:05:52E l'amore?
00:05:53L'amore?
00:05:54Sì, l'amore.
00:05:57Un deprimente processo di riproduzione biologica.
00:06:00Bemberg, lei ha detto che le mode si sono disciolte nel brodo del postmoderno.
00:06:05Tu sei, uno strano profumo.
00:06:08La ringrazio e molti auguri.
00:06:20Tu sei, l'amore ho vot
00:06:22Attrapevo un dl stup。
00:06:23Erika!
00:06:26ninja!
00:06:27Erika!
00:06:29Erika!
00:06:31Erika!
00:06:32Erika!
00:06:33Erika!
00:06:33Erika!
00:06:36Erika!
00:06:38Erika!
00:06:39Erika!
00:06:41Erika!
00:06:42It's all full of congruence.
00:07:07If you say you're going to get the baby and you're going to get it, what's the baby?
00:07:11What's the baby?
00:07:12When you're going to get the baby, you can say it completely different.
00:07:16What's the other?
00:07:17What's the other?
00:07:18You're going to sleep?
00:07:19I've already explained this.
00:07:20Why do you love it from other side?
00:07:22Do you love it more than yourself?
00:07:26Look, it's written here.
00:07:29She loved it more than yourself.
00:07:32Listen, what do you say if we're going to get it today?
00:07:38Listen, maybe I'll get it today.
00:07:45Good morning.
00:07:46Good morning.
00:07:47I'm afraid.
00:07:49Ah, you're afraid of me.
00:07:51You're Stefano, right?
00:07:52Your name is Stefano, right?
00:07:54I'm Amalia.
00:07:55And I'm Amalia.
00:07:57I'm afraid of you already presented.
00:08:02Ah, you already met.
00:08:04This is my sister.
00:08:05Would you like to eat with us?
00:08:06You wouldn't want to eat with us?
00:08:08He was just going to leave.
00:08:10I'm happy to eat with you.
00:08:11I'll eat with you.
00:08:12At least the idea is original.
00:08:14The orientation.
00:08:15You like it?
00:08:16You like it?
00:08:17Yes.
00:08:18So?
00:08:19Yes.
00:08:20Yes.
00:08:21Yes, yes, it's nice.
00:08:23It's bizarre.
00:08:25It's strange, right?
00:08:26And how much it's all you like?
00:08:29And then you have to go with this resistance.
00:08:31Then you have to go with this resistance.
00:08:34I'm afraid of you.
00:08:35For me, every mistake is my own mistake.
00:08:39And this is my own fault.
00:08:40You listen to me?
00:08:42You listen to me?
00:08:43Tomorrow
00:08:45should be true.
00:08:46You understand?
00:08:47You understand?
00:08:48Hey, Stefano!
00:08:52Oh, Stefano!
00:08:54Piero!
00:08:55Piero!
00:08:56Piero!
00:08:57Piero!
00:08:58Piero!
00:08:59Piero!
00:09:00Piero!
00:09:01Piero!
00:09:02Piero!
00:09:03we can, like you, dove to come OVER
00:09:05a city of an army.
00:09:06He..
00:09:07Nasce is a business owner.
00:09:08Heie.
00:09:09Oh wow..
00:09:10He is the business owner!
00:09:12He is the business owner so far to be mı?
00:09:15Punches!
00:09:16He is the business owner of them?
00:09:17Fine..
00:09:18So…
00:09:20We...
00:09:21Then let's go to Julia.
00:09:23No, no, no.
00:09:25Why?
00:09:27Why don't you have a bad party?
00:09:31What's her name?
00:09:33Julia?
00:09:35Julia.
00:09:37Julia Tassi.
00:09:39No, no.
00:09:41I've met her somewhere.
00:09:43No.
00:09:45No.
00:09:47No.
00:09:49I'll stay with you.
00:09:51I'll celebrate you.
00:09:53It's not for me.
00:09:55Let's go.
00:09:57Let's go.
00:09:59No, no, no.
00:10:01Bye.
00:10:11Hello?
00:10:12It's Emiliu.
00:10:13You already?
00:10:15No, no.
00:10:17I'll give you a contract.
00:10:19Julia.
00:10:21You don't know where she lives?
00:10:23You're gone?
00:10:25Lungomare Toscanelli.
00:10:27Lungomare Toscanelli.
00:10:29No. 176.
00:10:318.
00:10:33No, I can't explain to you.
00:10:35I can't explain to you.
00:10:37I can't explain to you.
00:10:39Bye.
00:10:41No, no.
00:10:43Don't
00:10:47No.
00:10:49See the end.
00:10:51No.
00:10:53Okay.
00:10:58I can't .
00:11:01Come see.
00:11:03Oh, my god.
00:11:05I know.
00:11:07Ciao e grazie della sera.
00:11:37Ma non volevi andare a dormire?
00:11:43Dai, ti apro.
00:12:07Non volevo andare a dormire.
00:12:37Non volevo andare a dormire?
00:13:07Non volevo andare a dormire, non volevo andare a dormire?
00:13:37Non volevo andare a dormire?
00:13:39Non volevo andare a dormire?
00:13:43Non volevo andare a dormire?
00:13:45Non volevo andare a dormire?
00:13:47Non volevo andare a dormire?
00:13:49Non volevo andare a dormire?
00:13:51Non volevo andare a dormire?
00:13:53Non volevo andare a dormire?
00:13:55Non volevo andare a dormire?
00:13:57Non volevo andare a dormire?
00:13:59Non volevo andare a dormire?
00:14:01Non volevo andare a dormire?
00:14:03Non volevo andare a dormire?
00:14:05Non volevo andare a dormire?
00:14:07Non volevo andare a dormire?
00:14:09I forgot to remember that I should remember it.
00:14:12You forgot to remember it.
00:14:14We'll see you in the morning.
00:14:16Let's see you in the morning.
00:14:18Okay.
00:14:39I'm a writer.
00:15:09I have a lot of success in criticism.
00:15:11I have a lot of success.
00:15:13Now I work editor-in-law.
00:15:15I suffer from a lack of diversity.
00:15:19I see journalists,
00:15:23journalists,
00:15:25people,
00:15:27Rambos,
00:15:29and they give me so sad
00:15:31to me.
00:15:33They have a job
00:15:35in the tropics.
00:15:37Excuse me, you always turn the cigarette from the front of the filter.
00:15:41You want to buy a cigarette from the filter?
00:15:43Only when I'm nervous.
00:15:45Only when I'm nervous.
00:15:47I feel like if you have six capots
00:15:49and a tyrolese bar in your head.
00:15:57So you really don't remember?
00:15:59What do you remember?
00:16:01The bar of the theater.
00:16:03The bar of the theater.
00:16:05You were fighting with someone.
00:16:07You were fighting with someone.
00:16:09And then the camera.
00:16:11I looked at you.
00:16:13And then on top of all these costumes.
00:16:15It should be a success.
00:16:17Something that I can't remember.
00:16:19Something that I can't remember.
00:16:21Something that I can't remember.
00:16:23I can't remember.
00:16:25What happened?
00:16:27Something that I can't remember.
00:16:29Something that I can't remember.
00:16:31I can't remember.
00:16:33What happened?
00:16:35What happened?
00:16:37What happened?
00:16:43What was that?
00:16:44What a big difference.
00:16:45Like that!
00:16:50When we decided our own hands ago,
00:16:51It was like we know each other a long time ago.
00:16:57It was beautiful.
00:16:59It was natural.
00:17:03It was more fun when you saw the capote and the tirol's hair in the head.
00:17:21Well, what do you say?
00:17:26Well, what do you say?
00:17:27Well, let's go.
00:17:30Let's go.
00:17:31It's more beautiful.
00:17:36Your hand on the side.
00:17:38You're crazy.
00:17:40You're crazy.
00:17:41You're crazy.
00:17:42You're crazy.
00:17:51You're crazy.
00:17:52You're crazy.
00:17:53You're crazy.
00:17:54You're crazy.
00:17:55You're crazy.
00:17:56You're crazy.
00:17:57You're crazy.
00:17:58I'm crazy.
00:17:59It's like two couple of water.
00:18:01This dress.
00:18:02You remember the parade at Palazzo Farnese?
00:18:06You remember the parade at Palazzo Farnese?
00:18:08In 1958.
00:18:10I thought it was a good one.
00:18:13That's a good one.
00:18:15Five-minute break.
00:18:16You are crazy.
00:18:20I've already understood, if I like it, I don't like it.
00:18:22You already understood, what I like?
00:18:28It's really beautiful, right?
00:18:30Yes.
00:18:32Yes, try it.
00:18:34Well, try it.
00:18:50Are you ready?
00:18:54Ettore.
00:18:56So, ready?
00:18:58Ettore.
00:19:00One, two.
00:19:02Go with the car.
00:19:04Now go, Giulia.
00:19:06Come on, come on, Giulia.
00:19:08Stop.
00:19:10Good.
00:19:12Who takes the cat?
00:19:14Who takes the cat?
00:19:18Great.
00:19:20Yes, sure.
00:19:22Good morning.
00:19:24Are you okay?
00:19:26Good morning.
00:19:28With Giulia you're always safe.
00:19:30Emilio.
00:19:32Emilio.
00:19:34How did you get me?
00:19:36Well, how did you get me?
00:19:38He's a very vulgar person.
00:19:40Well, in general, he's a very good person.
00:19:42Well, I want to go out.
00:19:44Emilio.
00:19:46Well, wait, where are you?
00:19:48How are you going to go?
00:19:50We will go back later.
00:19:51Where?
00:19:52Where?
00:19:54Where?
00:19:55Where?
00:19:56Where?
00:19:57Where?
00:19:58Where?
00:19:59Two.
00:20:00Two.
00:20:02Two.
00:20:03Two.
00:20:05Two.
00:20:07Two.
00:20:08Three.
00:20:09Two.
00:20:11Two.
00:20:12One.
00:20:13One.
00:20:14You came first, but you didn't want to come before.
00:20:20I was just terrified, it was very important.
00:20:24Come on.
00:20:26What a nice cookie.
00:20:28How did I get this cookie?
00:20:30I'll tell you something, and then we won't go anymore.
00:20:34These awkward conversations.
00:20:36Maybe it was mine.
00:20:39Well, this is my home.
00:20:42I was a artist who lived during the funeral.
00:20:45Do you like it?
00:20:46Yes, wait a second.
00:20:48I'll come back.
00:21:09How are you?
00:21:24Well, how are you?
00:21:26Good.
00:21:27Everything is fine.
00:21:28But this evening I feel a little tired.
00:21:30Happy.
00:21:31And I'm so tired.
00:21:33First I was always good.
00:21:35Maybe because in this city...
00:21:38I always need to be in a good mood.
00:21:41Everything seemed possible.
00:21:42But when I first arrived in Rima, it seemed possible.
00:21:46Or you gave me everything that you expected.
00:21:49What did you expect?
00:21:50What did you do?
00:21:52I don't understand why I'm telling you about yourself.
00:21:57I don't understand why I'm telling you about yourself.
00:22:00It's sad.
00:22:01No, it's sad.
00:22:02It's sad that you're telling me about yourself.
00:22:05We don't know each other.
00:22:08Look, if you start talking, it's not so much.
00:22:12I think you're not supposed to talk anymore.
00:22:16You're not interested to listen to me.
00:22:18I know.
00:22:19I don't want to stay here.
00:22:20We're going?
00:22:21Let's go somewhere.
00:22:22I don't want to stay here.
00:22:24Now?
00:22:26Julia!
00:22:29Julia, where are you?
00:22:31Julia!
00:22:32Julia!
00:22:33Julia!
00:22:38Julia!
00:22:39Julia!
00:22:43Julia!
00:22:44Giulia.
00:23:04Giulia.
00:23:14E' inutile proseguire, non ci sei con la testa.
00:23:38Non, non è facile.
00:23:43Hai ragione, scusami.
00:23:45Tu è vero, non mi sono in formazione.
00:23:46Ma ti senti?
00:23:52Hai visto Giulia?
00:23:54Hai visto ancora una Giulia?
00:23:56Ma perché ti spieghi?
00:23:58Perché io non ci giocherai troppo.
00:24:00Io non ci giocherai troppo.
00:24:02Non ci sia con la testa.
00:24:04Non ci sia con la testa.
00:24:06E tu non ci sia con la testa.
00:24:08Tu pensi?
00:24:12Se la testa è finita,
00:24:14è finita.
00:24:16E' inutile.
00:24:18E' inutile.
00:24:20Io?
00:24:22No.
00:24:23No, è finita...
00:24:25Ci lavoriamo lì...
00:24:26Predita 축itario.
00:24:27Ma adesso è finita la testa.
00:24:28Io discussi?
00:24:30Io ci voglio parlare prima...
00:24:32No, io ci parlo meglio polvere...
00:24:33quello che devo dire...
00:24:35Si, sì, si, e non ne lasliamo più...
00:24:36Non ci schiacchino, non ci chiamiam lì...
00:24:38Mi ci vai parlando...
00:24:39Non ci parlie, non hoo se tu...
00:24:40No, ti vuole dire...
00:24:41E allora...
00:24:42No, Claudia, no!
00:24:43No, but no!
00:24:44That's why you are talking!
00:24:45Why are you doing it?
00:24:47Then you'll talk about it!
00:24:49We'll drink the beer, too?
00:24:52Oh, too.
00:24:54Oh, well, if we have our money, we'll bring it.
00:24:56Bye, bye!
00:24:56Bye!
00:24:58Bye, bye, bye, bye!
00:24:59Bye, bye!
00:25:01Bye, bye, bye, bye!
00:25:02I'm a little bit more than I can do it.
00:25:09I'm a little bit more than I can do it.
00:25:12Hello?
00:25:13This is an answer.
00:25:16I can't do it.
00:25:18Oh!
00:25:19That's what I can do!
00:25:20Oh!
00:25:21Oh!
00:25:22Oh!
00:25:23Oh!
00:25:24Oh!
00:25:25Oh!
00:25:26Oh!
00:25:27Oh!
00:25:28Oh!
00:25:29Oh!
00:25:30Oh!
00:25:31as
00:25:33as
00:25:39as
00:25:44as
00:25:46as
00:25:48as
00:25:56as
00:25:58Let's go.
00:26:07Come on, let's go.
00:26:08Let's go.
00:26:28The End
00:26:50I'm afraid of this game!
00:26:52All right, enough! I'm afraid of the game!
00:26:58Emilio! Emilio, calm down!
00:27:16Wait, Emilio!
00:27:18What are you doing?
00:27:20What are you doing?
00:27:22I can't tell you!
00:27:24I can't tell you!
00:27:26Listen to me!
00:27:28I've never promised anything!
00:27:30I'm wrong!
00:27:32I'm wrong!
00:27:34I thought that everything will be different!
00:27:38I'm wrong!
00:27:40I'm wrong!
00:27:42I'm wrong!
00:27:44I'm wrong!
00:27:46I'm wrong!
00:27:48I'm wrong!
00:27:50I can't tell you!
00:27:52Let's do it!
00:27:54Let's go!
00:27:56...
00:27:58...
00:28:00...
00:28:04...
00:28:08...
00:28:10...
00:28:14I don't know how you work together, you two.
00:28:28I don't know how you work together.
00:28:32You're so different.
00:28:34In fact, in my opinion, your brother hates me.
00:28:36In fact, he's nice to me.
00:28:38I think he doesn't hate me, but he's very nice to me.
00:28:43Oh, don't start, please.
00:28:45You're real professionals.
00:28:47Don't start, please.
00:28:55You don't seem to exaggerate, eh?
00:28:57I think it's enough.
00:28:58How much?
00:28:59Yeah, stop it!
00:29:00One more time in life.
00:29:13I don't know.
00:29:14If you want to go, I'll leave.
00:29:15See you later.
00:29:17We're getting together.
00:29:18See you later.
00:29:20Don't tell me.
00:29:21You've been watching.
00:29:22Let's go.
00:29:24Let's go.
00:29:52You're too bad.
00:29:54Don't get down.
00:29:56Don't get down.
00:29:58You're too bad.
00:30:00You're too bad.
00:30:02Why are you all this?
00:30:04You're funny.
00:30:06Maybe.
00:30:08But you're not giving me an account.
00:30:10What do you want to say?
00:30:12That I'm like that.
00:30:14You're not like that.
00:30:16You're not like that.
00:30:18You felt better?
00:30:20I think, I found myself.
00:30:22What do I need?
00:30:24That's all.
00:30:26No matter who I am.
00:30:28You're not going to fight me for my life.
00:30:30I'll not support you.
00:30:34You're not falling from me.
00:30:38You're a little hiding in this house.
00:30:44You're so dark.
00:30:46Here you will.
00:30:48No, no, no, no, no.
00:31:18All this?
00:31:29All this?
00:31:30All this.
00:31:31All this?
00:31:32All this.
00:31:33It was better than what I wrote.
00:31:36It's better than what I wrote.
00:31:38It depends on the point of view.
00:31:40It depends on the point of view.
00:31:42Yes.
00:31:43But in this case I decide.
00:31:46But in this case where do you decide?
00:31:53What do you do?
00:31:55What do you do?
00:32:00Take your manuscript.
00:32:02Take back your hand.
00:32:04Emilio.
00:32:05Emilio.
00:32:06Don't fuck you.
00:32:07Well, you don't need to ask yourself.
00:32:09Try instead of writing something that works.
00:32:12You better write something that will be useful.
00:32:15Yes.
00:32:16But if you don't want to do it, find yourself a mistake.
00:32:19Maybe it will be better.
00:32:21It's too far from me.
00:32:22I'm not capable of.
00:32:24I can't understand this.
00:32:26But we have more time for the doubts.
00:32:28There is no time for the doubt.
00:32:30Emilio.
00:32:31There are 100 behind me ready to take my place.
00:32:34What do you think?
00:32:36What do you think?
00:32:37That's what you think?
00:32:38What do you think?
00:32:39What do you think?
00:32:40What do you think?
00:32:41What do you think?
00:32:42What do you think?
00:32:43I've seen that 100 behind me.
00:32:44I've told you that it's fine.
00:32:45I think that everything will be fine.
00:32:47It's a beautiful book.
00:32:49It's a wonderful book.
00:32:50And even if it's not true,
00:32:51there will always be a critic willing to support it.
00:32:53And in any case, even if there will be a commercial success,
00:32:57there will be a critical success.
00:32:58A critical success?
00:32:59A critical success?
00:33:00Is it clear?
00:33:01O' Where do I start?
00:33:03I can't wait for the question!
00:33:04I can't wait for the question.
00:33:06No.
00:33:24Emilio!
00:33:25Do you think you have disappeared?
00:33:26Where do you go?
00:33:27Where are you going to go?
00:33:28Where are you going!
00:33:29I could ask you the same question.
00:33:31I can ask you the same question.
00:33:33What happened to you?
00:33:35What happened to you?
00:33:37You have a face distrutted.
00:33:39Robin?
00:33:41Yes, you are stuck.
00:33:43You were so bad.
00:33:45Look at yourself, you're blind.
00:33:47I have a terrible period in life.
00:33:49I'm bad.
00:33:51What a fool.
00:33:53Why didn't you call me?
00:33:55Why didn't you call me?
00:33:59Come on, let's go.
00:34:01Come on.
00:34:02Come on.
00:34:03Come on.
00:34:04Come on.
00:34:23You know...
00:34:25You know, it's not the first time I come here.
00:34:30Who is this?
00:34:31I was going to meet you.
00:34:33This is the first time I come here.
00:34:35I hope to get you in distress.
00:34:36You're so good.
00:34:37You're so good.
00:34:38You're so good.
00:34:40You're so good.
00:34:42Okay.
00:34:45Look there.
00:34:51Who is he?
00:34:52Who is he?
00:34:53What is he?
00:34:54Franco.
00:34:55How can you talk?
00:34:56Kara?
00:34:57Who is so much?
00:34:58What does he tell you?
00:34:59You are fred by it?
00:35:00I don't know.
00:35:01I love it.
00:35:02I love them.
00:35:03How won't you read in class?
00:35:05A such a dish like this Montecitorio is so.
00:35:09This is what you have to eat.
00:35:12No!
00:35:13Oh, man!
00:35:15Come here!
00:35:16Come here!
00:35:18Come here!
00:35:20Come here!
00:35:23Oh, oh, oh!
00:35:25Oh, oh, oh!
00:35:27Oh, oh, oh!
00:35:29Oh, oh, oh, oh!
00:35:31Oh, oh, oh, oh!
00:35:33Oh, oh, oh!
00:35:34Well, when did we do it?
00:35:37When did we do it?
00:35:40Suddenly the Republican of our parliament started to cry.
00:35:44Stop!
00:35:45Stop!
00:35:46Just say it!
00:35:47How did he cry?
00:35:49I don't believe it.
00:35:54I don't believe it.
00:35:56And yet, do you want to listen?
00:35:58Let's go.
00:35:59Let's go.
00:36:01Let's go.
00:36:02Let's go.
00:36:03Let's go.
00:36:04Let's go.
00:36:05Let's go.
00:36:06Let's go.
00:36:07Let's go.
00:36:08Let's go.
00:36:09Let's go.
00:36:10Let's go.
00:36:11Let's go.
00:36:12Let's go.
00:36:13Let's go.
00:36:14Let's go.
00:36:15Let's go.
00:36:16Let's go.
00:36:17Let's go.
00:36:18Let's go.
00:36:19Let's go.
00:36:20Let's go.
00:36:21Let's go.
00:36:22Let's go.
00:36:23Let's go.
00:36:24Let's go.
00:36:25Let's go.
00:36:26Let's go.
00:36:27Let's go.
00:36:28Let's go.
00:36:29Let's go.
00:36:30Let's go.
00:36:31Let's go.
00:36:32Let's go.
00:36:33Let's go.
00:36:34Let's go.
00:36:35Let's go.
00:36:36Let's go.
00:36:37Let's go.
00:36:38Let's go.
00:36:39Let's go.
00:36:40Let's go.
00:36:41Let's go.
00:36:42Let's go.
00:36:43Let's go.
00:36:44Let's go.
00:36:45Let's go.
00:36:46Let's go.
00:36:47Let's go.
00:36:48Let's go.
00:36:49Let's go.
00:36:50Let's go.
00:36:51Let's go.
00:36:52Let's go.
00:36:53Let's go.
00:36:54Let's go.
00:36:55Let's go.
00:36:56Let's go.
00:36:57Let's go.
00:36:58Let's go.
00:36:59Let's go.
00:37:00Let's go.
00:37:01Let's go.
00:37:02Let's go.
00:37:03Let's go.
00:37:04Let's go.
00:37:05Let's go.
00:37:06Let's go.
00:37:07Let's go.
00:37:08Let's go.
00:37:09This is the terminal.
00:37:12Oh, fast.
00:37:14The cartels are in place.
00:37:24But you didn't receive my message.
00:37:26Have you received my message?
00:37:28No.
00:37:29Excuse me, please.
00:37:31President Emilio...
00:37:33Emilio, listen to me.
00:37:35The next one.
00:37:37He told me...
00:37:39What?
00:37:40He's in panic.
00:37:41He doesn't want to see you here today.
00:37:44What?
00:37:45Yes.
00:37:46Yes, yes.
00:37:47What a mess.
00:37:49Oh, you idiot.
00:37:50Emilio, I'm very sorry.
00:37:52But I'm nervous.
00:37:54I'm nervous.
00:37:55He's nervous.
00:37:56He's nervous.
00:37:57He's nervous.
00:37:58He's nervous.
00:37:59He's nervous.
00:38:00He's nervous.
00:38:01He's nervous.
00:38:02He's nervous.
00:38:03He's nervous.
00:38:04He's nervous.
00:38:05Yeah.
00:38:06He's nervous.
00:38:07He's nervous.
00:38:08He's nervous.
00:38:09He's nervous.
00:38:10He's nervous.
00:38:11Yes.
00:38:12Where is he?
00:38:13No, no, no, no.
00:38:14You can't.
00:38:15You're nervous.
00:38:16You can't break your head down.
00:38:17But not today.
00:38:18I'm clear.
00:38:19But not today.
00:38:20You don't need to be worried.
00:38:22Emilio, where are you going?
00:38:24You're where?
00:38:25You're going.
00:38:26The last one of your dear Estefano is that you don't want to meet your friend, Estefano.
00:38:33He doesn't want me to put him under his legs during the press conference.
00:38:37Why don't you talk to him?
00:38:39Me?
00:38:40You're the only one.
00:38:42You're the only one.
00:38:44You're the only one.
00:38:47Bye.
00:38:56The last one is coming.
00:39:03Then you'll read it when you're done.
00:39:05There's also I.
00:39:06We'll see you later, okay?
00:39:07But it's two hours I wait.
00:39:09Well, it's already two hours I wait.
00:39:11How are you?
00:39:13How are you?
00:39:14Listen, in this moment I'm terribly busy.
00:39:16You know, I'm very, very busy.
00:39:18Tomorrow I'm going to Milan.
00:39:20Tomorrow I'm going to Milan.
00:39:23I don't know when I'm back.
00:39:26You'll meet me through my secretary for the next week.
00:39:39Let's start the same way.
00:39:40Well, let's start.
00:39:43Amalia won't wait a long time.
00:39:45Amalia, I think, will not wait a long time.
00:39:47I'll hope.
00:39:48I'm sure you'll know about dinner.
00:39:50Are you sure she knows about dinner?
00:39:53Yes, of course.
00:39:55And she's going to cook it.
00:39:57It's my favorite dish.
00:39:59Irma.
00:40:00I'm sure you'll see your opinion on our Bemberg.
00:40:07What do you say about Bemberg?
00:40:11It's a wonderful book.
00:40:13And I think it will be a great success.
00:40:16I hope.
00:40:17I hope.
00:40:18I'm so curious.
00:40:20Well, he's so funny.
00:40:21Good evening.
00:40:34Good evening.
00:40:35Good evening.
00:40:36Good evening.
00:40:40How are you?
00:40:41How are you?
00:40:43Good evening.
00:40:48Have to licenciate the majority.
00:40:51It's everything all out of the gate.
00:40:53Thanks for having fun.
00:40:54But sure.
00:40:55Tell everyone's how bad the things are all.
00:40:58At least you'll be watching.
00:40:59Did your uncle tell him everything?
00:41:01You had a come.
00:41:02Jítulo 2, wheels selling everything.
00:41:07What is the meaning of the truth?
00:41:10You're a coward, don't cry, I'm not asking you.
00:41:15I'm not asking you what to do.
00:41:18What do you want to do?
00:41:19I'm a liar.
00:41:21Come on, come on.
00:41:22Come on.
00:41:24Leave me.
00:41:30The truth is.
00:41:33I don't want to beat you, I don't want to beat you, Amalia.
00:41:40Amalia, why do you do this?
00:41:43Well, Amalia, why do you do this?
00:41:53Hi.
00:41:54This is Julia.
00:41:55Hi.
00:41:56Julia, are you here?
00:41:58Yes.
00:41:59Okay.
00:42:00Bye.
00:42:01Okay, bye.
00:42:02Emilio!
00:42:03But we have to go out.
00:42:04Where are we?
00:42:05We are already going.
00:42:06Where are we?
00:42:07They have called for a photographic service.
00:42:09Well, there needs to be a photo-seance.
00:42:11What do you say?
00:42:12Yes, photos outside.
00:42:13Now?
00:42:14Yes, yes.
00:42:15Everything will go abroad.
00:42:16Right, Franco?
00:42:17Yes.
00:42:18Can I come here then?
00:42:19No, don't wait, because I'll be very late.
00:42:22Well, if I stay here, don't wait, I'll be back very late.
00:42:25Margarita.
00:42:26Well, come, come, it's already 10 hours.
00:42:27Margarita.
00:42:29How do I look?
00:42:30How do I look?
00:42:31Yes.
00:42:32How did I say?
00:42:33Let me stay here, please.
00:42:35Okay.
00:42:36Well, let me stay here.
00:42:38Okay?
00:42:39Okay, please.
00:42:40Good night.
00:42:41Good night.
00:42:42Good night.
00:42:43Good night,ma1.
00:42:51I don't know.
00:42:52I don't know if your house is being silly, you're either.
00:42:54You're not
00:43:07The End
00:43:32And then, how were the photographs?
00:43:34Well, and how was the photo-seance?
00:43:36Did you feel tired?
00:43:37Maybe they weren't exactly the photographs, but...
00:43:39I think there were no photographs you were doing.
00:43:42It's a beautiful feast, eh?
00:43:43It's too much fantasy.
00:43:45It was a holiday.
00:43:46You have too much fantasy.
00:43:53Who's the road, this wall?
00:43:54The photographer?
00:43:57Well, and who was with you?
00:43:58Photographer?
00:44:04Actually, what was the photo-seance?
00:44:07What is the photo-seance?
00:44:10What was the photo-seance?
00:44:13Basta.
00:44:14Stop.
00:44:31Come on.
00:44:32Yeah, I know.
00:44:34It's an absurd report. It's impossible.
00:44:37It's impossible to have связи.
00:44:40Absurdly.
00:44:41I forget about everything else.
00:44:43You understand what I'm talking about, right?
00:44:45You look at a beautiful country, right?
00:44:49You probably know it's a good place.
00:45:02You know it's a good place.
00:45:32You know it's a good place.
00:46:02It's good.
00:46:05You give me one too?
00:46:06It's good.
00:46:08It's good.
00:46:10Hey, Emilio.
00:46:11Hey, Emilio.
00:46:13It's fun to find you here.
00:46:16I don't know.
00:46:16I don't know.
00:46:17I don't know.
00:46:17I don't know.
00:46:18Good job, let's do it.
00:46:26Garganta, garganta, garganta, garganta.
00:46:48Garganta, garganta, garganta.
00:47:18Garganta, garganta, garganta, garganta.
00:47:48Garganta, garganta, garganta.
00:48:18Garganta, garganta, garganta.
00:48:20Garganta, garganta.
00:48:22Garganta, garganta, garganta.
00:48:24Garganta, garganta, garganta.
00:48:28I'm running up, but don't worry about it.
00:48:30Wake up, you're back to this, you're back to this.
00:48:35Wake up, you're back to this, you're back to this.
00:48:39Wake up, you're back to this, everybody, wake up, you're back to this.
00:48:46Ma perché non gli fai smettere?
00:48:47E perché mai? Sono così belli insieme.
00:48:50Ma perché non gli fai smettere?
00:48:52Non credo che qualcuno possa segnare qualcosa.
00:48:54Sono così bellissimi.
00:48:55Non è vero che qualcuno possa insegnare a te, Stefano?
00:49:02Tu ti racconti delle balle, Emilio.
00:49:05Stai con Giulia perché non riesci a liberartene.
00:49:08Però poi...
00:49:09Sei rimasto a metà.
00:49:13Bravo!
00:49:14Ты так и не решаешься идти до конца.
00:49:16Ты застрял на полдороге.
00:49:17АПЛОДИСМЕНТЫ
00:49:18Наkamera
00:49:23.
00:49:24...
00:49:39Stop the world!
00:49:41Stop the world!
00:49:43Stop the world!
00:49:45Stop the world!
00:49:47Stop the world!
00:49:49Stop the world!
00:49:55Senti, posso salire?
00:49:57No, ho bisogno di dormire.
00:50:01Buonanotte.
00:50:03Stai qui, veloci.
00:50:09Senti.
00:50:25Ma che fai la?
00:50:27No sono si stai.
00:50:29Dovina cosa ho scoperto.
00:50:31Ugadai che è il nostro lato.
00:50:33Poi.
00:50:35Vieni a vedere.
00:50:37Cosa c'è?
00:50:39C'è un altro tubo rotto.
00:50:43E allora?
00:50:48E allora?
00:50:49Ti ricordi come era bella la casa quando eravamo piccoli?
00:50:53Cosa c'è?
00:50:55Cosa c'è?
00:50:57Cosa c'è?
00:50:59Cosa c'è?
00:51:01Cosa c'è?
00:51:03Cosa c'è?
00:51:05Cosa c'è?
00:51:07He dies with you.
00:51:11These are your ugly pills.
00:51:16You're exaggerating.
00:51:18You're increasing.
00:51:19Just a little.
00:51:21Just a little.
00:51:24Don't worry about me.
00:51:26You're going to leave again?
00:51:28No, go.
00:51:29Go.
00:51:30Go.
00:51:31You're absolutely confident?
00:51:37No.
00:51:43Tomorrow we'll talk.
00:51:44Tomorrow we'll talk.
00:51:45Yes.
00:51:46We'll talk about everything.
00:51:47Of course.
00:51:53Have you ever come back?
00:52:07You've been thinking, eh?
00:52:08You've been doing well.
00:52:09You've done well.
00:52:10You've been thinking, eh?
00:52:11You've done well.
00:52:12You've done well.
00:52:19You've been there for time.
00:52:27Hold me.
00:52:29No, thanks.
00:52:37What are you doing?
00:52:39What are you doing?
00:52:41Let's play it!
00:52:44Ok, let's go.
00:52:46Then I'll do it!
00:52:48Let's play it!
00:52:50Let's play it!
00:52:52Let's play it!
00:52:54Let's play it!
00:52:56Let's play it!
00:52:58Let's play it!
00:53:03Tien, I'll give it!
00:53:05Two!
00:53:06It's a gift to you, thank you!
00:53:18It's good to come back!
00:53:31It's good to come back, right?
00:53:34It's you, Brentani, Emilio?
00:53:35Yes.
00:53:36Yes, Emilio, Brentani!
00:53:38Let's go!
00:53:39What's going on?
00:53:40Let's go!
00:53:43Don't worry!
00:53:48Smoke on the beat
00:54:01Smoke on the buzz!
00:54:06Volevi, sweet!
00:54:07Cut the Fill so much!
00:54:09What's coming?
00:54:10Let's play!
00:54:13Music...
00:54:16Oh, my God.
00:54:18Oh, my God.
00:54:20Oh, my God.
00:54:22Oh, my God.
00:54:46Let's go, let's go.
00:55:16We have killed her, Stefano. You and I.
00:55:29We killed her, Stefano. You and I.
00:55:32Don't say stupid, Emilio.
00:55:34I know how much she brought her behind the death of your sister.
00:55:37I know that she's dead of your sister.
00:55:41Farsi delle colpe non serve a nulla.
00:55:43Если ты будешь себя винить, никому от этого лучше не будет.
00:55:50È cominciato tutto con Giulio.
00:55:52Все началось с Giulio.
00:55:54Quando si corre dietro a qualcuno, ci si dimentica di tutto il resto.
00:55:57Я думаю о ней, забываю обо всем остальном доме.
00:56:01Perché il resto era questa casa?
00:56:08Она это то, что мне было нужно.
00:56:13Я вырвался из дома.
00:56:16Я бежал из этой ловушки и оставлял одну Амалию, чтобы она боролась с одиночку.
00:56:26И она ничего не могла сделать.
00:56:28Я знаю об этом, об Степане.
00:56:44Я знаю об этом.
00:56:45Я знаю об этом.
00:57:01You have to get out of here.
00:57:18You have to go from here. You have to act.
00:57:31You have to go from here.
00:57:43Calm down.
00:57:46Calm down.
00:58:01Calm down.
00:58:14Calm down.
00:58:19Calm down.
00:58:21Calm down.
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