‎‎Rostros del pasado: Contacto en Francia - Documental (1999) - Vídeo Dailymotion

Vicsion Spear

Viajando a través del tiempo para desentrañar viejos enigmas. Gracias a las excavaciones y a los restos encontrados en estas se han podido resolver misterios del pasado.  ‎Meet the Ancestors‎‎ (más tarde ‎‎Ancestors‎‎) es una ‎‎serie documental de la‎‎ ‎‎BBC Television‎‎ emitida por primera vez en 1998. Documentó la excavación arqueológica y la reconstrucción científica de restos humanos. La serie fue introducida por el arqueólogo ‎‎Julian Richards‎‎ y a menudo incluía reconstrucciones faciales de ‎‎Caroline Wilkinson‎‎.‎  Titulo original:  Meet the Ancestors  Sigue mi pagina de Face: https://www.facebook.com/VicsionSpear/  #documentales #españollatino #historia #relatos

Transcript

00:00Rostros del pasado

00:23La desolación

00:29El cristianismo

00:32Y la historia de un monje descubierta durante la investigación realizada en un cementerio solitario a orillas del mar

00:39Contacto en Francia

00:46Esta semana he cruzado el mar a Guernsey, pero no es el final de mi viaje

00:50Tengo que cruzar el mar una vez más, porque esas burias fueron encontradas en la costa de Guernsey

00:55En una isla pequeña roca

00:57La diminuta isla es Lihú, situada en la costa noroccidental de Guernsey

01:05Está deshabitada actualmente y solo es accesible cuando las mareas bajas dejan al descubierto la carretera rocosa

01:11Hola, Heather

01:12Hola, Julio

01:13Este es un lugar glorioso, ¿no?

01:14Bienvenido a Lihú, sí, es

01:16Al llegar fui recibido por Heather Severe, la arqueóloga de Guernsey

01:20La excavación se está realizando en un priorato benedictino en ruinas

01:26El cual tiene una vista espectacular sobre el Atlántico

01:28¿Qué hemos caminado aquí, entonces?

01:31Este es el final de la iglesia, pero pensamos que esto fue una edición más tarde

01:34No pensamos que esto fue parte de la construcción original

01:36El golpe impetuoso de las olas amenaza con barrer las ruinas del monasterio hacia el mar

01:42Así que el servicio del Museo Guernsey y un grupo de fieles voluntarios han estado salvando y rescatando las partes amenazadas

01:49Durante este proceso se han encontrado con algunas tumbas

01:53Justo al lado de la capilla del priorato y cerca del borde erosionado del acantilado

01:58Al subir la marea quedamos incomunicados con tierra firme

02:26Fue esta quietud y soledad lo que atrajo a los monjes medievales hacia Lijú

02:31Mi ansiedad aumentó a medida que comencé a encontrar numerosos fragmentos de huesos humanos

02:50Otra señal de una tumba profanada

02:52Hasta que tropecé con una losa de piedra

02:56Que suena un poco diferente, ¿no?

03:01Quizás estas losas servían de tapa para la tumba

03:04Pero tendría que esperar para averiguarlo

03:06Comenzaba a atardecer y en breve terminaríamos la labor del día

03:10El único lugar de la isla en pie es una casa de dormitorios

03:16Es un lugar austero

03:19Pero la comida y la compañía son excelentes

03:29Compartiré mi estancia aquí con otros 20 excavadores

03:38Y también las labores

03:41A la mañana siguiente el tiempo era frío y nublado

03:47Pero con el sol también surgieron mis esperanzas de encontrar intacta la tumba

03:52Al remover algunas rocas pudimos ver su verdadera extensión

03:55Había sido cuidadosamente construida y las losas sí formaban la tapa de la tumba

04:00Una de las losas está en la cabeza de la tumba

04:11En una posición bien inestable

04:13Me preocupaba que hubiera aplastado cualquier hueso debajo de ella

04:17¿Qué daños había causado y cómo removerla sin causar aún más daños?

04:30All right, okay, you got it

04:33Okay

04:35I was convinced that that huge stone would have crushed the skull

04:46It was just in the wrong place

04:48But it was just literally resting on it

04:50It's all perfect

04:52It's absolutely incredible

04:53What do you reckon, Heather?

04:55Who could this be?

04:56Somebody buried so close to the church in such a fantastic grave

04:59It's obviously someone quite important, isn't it?

05:02Possibly one of the priors

05:03Even though it's outside the church itself

05:05With any luck, there might be something in the grave itself

05:08As well as the skeleton that might give us a clue

05:10Más tarde ese mismo día llegó Jane Brain, nuestra ilustradora

05:18Llegó en el momento perfecto

05:21We've just lifted a stone off that end

05:25This is going to be very important

05:26Right next to the south wall of the church as well

05:29So, you know, all of the hints, I think, are here

05:32Like you say, that this is somebody pretty important

05:35So, bone preservation is quite good

05:37Surprisingly

05:37I mean, Heather was saying

05:39Very unusual for Guernsey

05:41Normally you don't get bone at all

05:43Because it's granite, the soil's acid

05:45The bone disappears

05:46But for some reason

05:47These bones are in absolutely wonderful condition

05:51Mientras yo limpiaba la tumba

05:55Jane comenzó su trabajo

05:56I wanted to make some color notes

05:58I find it much more useful

06:00Than just having a photograph to work from

06:02Because you can pick up

06:05A lot more of the subtleties of the color in the landscape

06:07When you're actually there

06:08And you can relate those to what's in your paintbox

06:11Which is the difficult bit

06:12So this is just a very loose, washy drawing

06:16Using the color

06:18Which will go with all the other information

06:20That I've gathered into the final painting

06:23Colors are very nice

06:25There's a lot of violet, I suppose

06:27In the stone on the beach

06:29And that's, I think, very much

06:31Reflected in the sky as well

06:33The sea is very dark at the moment

06:36It's lovely, it's lovely color

06:37Very, almost an indigo blue

06:39It's beautiful

06:39With a light on it

06:41Comenzando por las ruinas existentes

06:46Jane va a tratar de reconstruir el priorato

06:49Y el paisaje de los alrededores

06:51Como se veían en su esplendor en el siglo XIV

06:53Afortunadamente, Heather

06:55Encontró algunos datos muy útiles

06:57De la apariencia original

06:58This design was found on a stone

07:01In a farmhouse at Leray

07:03Just across the causeway

07:04On mainland Guernsey itself

07:05And it shows a representation of the priori

07:08And the date on it is actually 1114

07:11We think the nave end of the church

07:13Was probably built first

07:14And then the chancel added on afterwards

07:16This is looking from the north

07:18In 1899, Kerry Cortese

07:20Un arquitecto inglés

07:21Inspeccionó las ruinas

07:23Y basado en ilustraciones anteriores

07:25Dibujó varios planos que muestran

07:26Cómo pudo ser el priorato

07:28That's great

07:29I think that's probably enough for now

07:31I'm sure there'll be more questions

07:32La tumba estaba ahora

07:37Completamente abierta

07:38Y lo que había dentro

07:39Parecía ser el esqueleto

07:41De un hombre alto

07:42De con textura fuerte

07:43Quizás

07:44Algunos de los monjes

07:45Que vivieron en Lijú

07:46Lamentablemente

07:50Cuando intentamos remover los huesos

07:52Estaban en peores condiciones

07:54De lo que pensábamos

07:55I think this bone's going to fall to bits

07:59I don't think there's anything I can do about it

08:02I suspect that it got crushed when that rock fell in

08:06Yeah, look, there it goes

08:10I hate it when bones crumble like this

08:16But sometimes they're so fragile

08:18That no matter how careful you are

08:20There's absolutely nothing you can do

08:21Okay

08:24It feels horribly crumbly

08:27And all of this is very, very delicate

08:30Okay, here we go

08:35El cráneo que permaneció enterrado debajo de la loza

08:42También estaba en muy mal estado

08:43Well, I have to say

08:45I think that was probably the worst one

08:49I've ever, ever had to lift

08:50Because

08:51Well, you did it very well

08:53Well, it was halfway in between

08:54I mean, it wasn't totally intact

08:55And it wasn't a pile of fragments

08:57Because a pile of fragments

08:58In some ways is a lot easier

08:59Because you just lift the pieces out one by one

09:02And you know that you've got to stick it together afterwards

09:04But this

09:05You want so much to preserve what's there

09:09Después de remover cuidadosamente los huesos

09:14Regresé al dormitorio

09:16Allí Heather me mostró los hallazgos

09:18Que su equipo hizo en el priorato

09:20We've got quite a range of building materials

09:23From the prairie itself

09:24We've got these wonderful floor tiles

09:26That were made in Beauvais

09:28In northern France

09:29I mean, they're so bright, aren't they?

09:30Just sort of yellow

09:31And this incredible green colour

09:34But of course it only survives

09:36Where, you know, it hasn't been walked on

09:37Or you get it on the edge of the tiles as well, don't you?

09:40That's where you really get a chance

09:41To see what the colour was like

09:42Yeah

09:43But there's lots of stuff for the building

09:44The priory come from France

09:45It would seem more logical

09:46I mean, it's closer than it is to England

09:48Yes, it does

09:48They brought in this limestone

09:50From Comte in Normandy

09:52And you can see this piece

09:54That's got a very nice carving on it

09:56And we think the Nasons came with the stone

10:00Although the carved pieces

10:01Probably came in already carved

10:04What's he in a prefabricated priory?

10:07Well, yeah, almost

10:08And it's this lovely sundial

10:10Is that made of contrast

10:11Yes, we were very pleased to find that this year

10:14Wonderful

10:15You can see on the top here

10:17Some of the mortar

10:19Where it would have been attached

10:20And the marks where Mason would have chiselled it out

10:24It's got this wonderful representation of the sun

10:27It's a bit like a starfish here in the centre

10:29And then the lines radiating out

10:32And Roman numerals in Gothic style

10:35And it went from six to six, apparently

10:39Right, so

10:40The floor tiles are coming from France

10:44And the stone for the decorative details

10:46Coming from France

10:47What are they putting on the roof?

10:49Slates

10:49And again, these are

10:51Are they from France, are they?

10:52Yes, we would imagine so

10:53And what are these things, Heather?

10:56These are ridge tiles

10:58Which would have gone on the very top of the roof

11:00Yeah

11:00And glazed again

11:02So lots of clues

11:03As to what the missing bits of the building look like then

11:05And you've got coins as well

11:07They're died, yes

11:08Can I have a look?

11:09Yes, indeed

11:10That's a rather splendid one

11:11We think that's Edward III

11:12So that would be dated to about 1350

11:15You can actually see his head and shoulders on the coin there

11:19But we do get a lot of coins on the site

11:21Which again seems odd

11:23I mean, the monks were

11:25They were collecting taxes, weren't they?

11:27They could collect taxes from people around here

11:29Yes, we think it was a date of priory

11:31So they were sort of paying their dues

11:33To the mother house

11:34So many of our finds from Lihu were French

11:51The building stone

11:53The floor tiles

11:53The pottery

11:54Even the coins

11:55But if the monks were French too

11:57Then I think I found where they came from

12:04This is the Abadía del Mont Saint-Michel

12:08Erigida en lo alto de una roca

12:10Con vista hacia la costa de Normandia

12:12Al norte de Francia

12:13During the 100 years war

12:16The English conquered the whole of Normandia

12:18With the exception of this place

12:20And looking at these walls

12:21Which make it look more like a fortress than an abbey

12:24I think I can see why

12:25Durante su apogeo

12:29La Abadía fue el hogar

12:31De más de 70 monjes benedictinos

12:33Aunque ahora solo quedan tres

12:35Pero

12:36¿Cuál fue la conexión entre el Mont Saint-Michel y Lihu?

12:40El hermano André nos lo explicó

12:42La diferencia entre un priory y una abbey

12:44C'est que un priory

12:45Est

12:47Sous la juridiction

12:49De la abbey

12:50L'abbé

12:51Ici du Mont Saint-Michel

12:52Ave de nombreux priory

12:53Tout autour du Mont Saint-Michel

12:55Il faisait partie

12:57Du territoire de la abbey du Mont Saint-Michel

13:00Y donc

13:00Les revenus

13:02Les bénéfices

13:04Qui étaient faits

13:05Sur les terrains

13:05Qui appartenaient a ces priory

13:07Revenaient a la abbey du Mont Saint-Michel

13:09Y c'était la abbey du Mont Saint-Michel

13:10Qui gerait

13:11Tout ce grand patrimoine foncier

13:13Así que las ganancias recolectadas de los prioratos como Lihu

13:23Se usaban para construir y mantener esta monumental abadía

13:26Con sus grandes comedores donde los monjes se reunían para comer

13:29Y por supuesto con lo más importante

13:31La gran capilla

13:32So were the monks on Lihu

13:35Sent from here

13:36Certainement qu'il y avait

13:38Au moins un des moines

13:40Et souvent le prieur

13:42Qui venait

13:44Directement de l'abbaye

13:46Ils pouvaient recruter

13:47De façon locale

13:49Mais il y avait toujours

13:51Au moins

13:51Au départ

13:52Un ou deux membres

13:53Qui appartenaient

13:54A l'abbaye

13:55Frère André

13:56What would you say

13:57Is at the heart of Benedictine life

13:59Je crois que le coeur de la règle de Saint-Benoît

14:03C'est évidemment

14:05Que la vie du moine

14:08Est centrée

14:09Sur la louange de Dieu

14:13Donc sur la prière

14:15Et comme le moine

14:18Pour pouvoir prier

14:21Il doit aussi vivre

14:22Il doit aussi manger

14:23Il doit se développer

14:26Il doit

14:26Il faut aussi

14:31Qu'il puisse travailler

14:33De ses mains

14:34La règle de Saint-Benoît

14:35Il est vraiment moine

14:36Celui qui travaille

14:37Et quand on a

14:38Quand on regarde

14:39Une abbaye

14:40Comme le Mont-Saint-Michel

14:41On s'aperçoit

14:43Que le travail

14:44De l'homme

14:45Exalté

14:47Par la foi

14:48Par le désir

14:50De faire pour Dieu

14:51Quelque chose de bien-être

14:52Donne un résultat

14:54Ce n'est pas extraordinaire

14:55Qu'est-ce de bien-être

14:56Tristemente

15:06Llegó la hora

15:06De dejar la abadía

15:07Y bajar de las alturas

15:09Y continuar mi búsqueda

15:10De la identidad

15:10De nuestro hombre

15:11Desde el Mont-Saint-Michel

15:13Crucé el mar

15:14Para ir a Bradford

15:15Aquí en la Universidad

15:17De Bradford

15:18La especialista

15:18De huesos

15:19Charlotte Roberts

15:20Estudió el esqueleto

15:21De nuestro hombre

15:22De Lee-Hoo

15:23Pero

15:23¿Era cierta

15:24Mi idea inicial

15:25De que era

15:26La tumba

15:26De la búsqueda

15:27De la búsqueda

15:28De la búsqueda

15:29De la búsqueda

15:30De la búsqueda

15:31De la búsqueda

15:32De la búsqueda

15:33De la búsqueda

15:34De la búsqueda

15:35Y sus ojos son muy interesante.

15:38Él tiene evidencia de la muerte de los ojos antes de la muerte.

15:42Y los sockets se han quedado.

15:44¿Va este uno aquí?

15:45Sí.

15:46Y al principio, creo que hay un buen tooth.

15:50Aquí, ¿sí? La black hole.

15:52Indicando que tiene suga en su diet.

15:55Y, interesante, hay mucha mucha wearidad en los ojos,

15:59que se relaciona muy bien con este, este pequeño depósito.

16:02Y lo que se llama un torus.

16:04Es un extra bit de bone que se ha creado en el interior de la chua.

16:07Y es conocido en personas que tienen una muy corta dieta.

16:11Si tienes que que, y que, y que, y que,

16:13para que la comida de la comida en tu boca,

16:15su cuerpo reacta por formar la sangre.

16:18¿Qué es el resto de la salud?

16:19Bueno, su sucesión no tiene mucho,

16:22aparte de la parte de la parte de abajo, en la parte de abajo.

16:26Y la tibia y la fibula, de ambos lados,

16:30hay evidencia de la enfermedad.

16:31Es decir, se ve muy bien.

16:34Es más o menos como este.

16:37Pero, ¿sí, todo esto?

16:38Es un horrible, pitted, striated...

16:42It's this whole new bone that's formed on the bone.

16:47And there are two diseases that could lead to this change.

16:50One is leprosy, an infection,

16:53and the other is a treponemal syndrome,

16:56and there are four different diseases within that syndrome.

16:59One of them is venereal syphilis.

17:01Oh, we're talking about a monk here.

17:04Yeah, well, hell, they could have been badly behaved monks.

17:10Solo había una forma de confirmar o refutar la teoría de Charlotte.

17:15Enviamos una muestra del hueso de la pierna

17:17a un laboratorio especializado en Gottinger, Alemania,

17:20donde se preparó para que el doctor Michael Schultz

17:22la estudiara en el microscopio.

17:24Here we have the ground section from the left tibia,

17:31and we have the external surface in the normal light.

17:36If we switch now to the polarized light,

17:40all we do now is now I look for a piece

17:42which show us the disease bone.

17:46So, here we have the secondary surface

17:54which is built up by the newly built bone formation

17:59caused by the periostal reaction.

18:03So, we have an irregular surface.

18:07I think it's great what we found

18:08because we can make a focus on two groups of disease,

18:13tryponema disease in the sense of endemic syphilis

18:16and leprosy.

18:18Both diseases could be.

18:20I would say maybe this changes possible

18:24tryponema disease, leprosy is more probable.

18:28For me, now, I would favorite leprosy.

18:32¿Podrían los huesos agregar algo más

18:34a esta historia fascinante?

18:37Paul Bott, de la Universidad de Bradford,

18:40ha desarrollado una técnica para rastrear

18:42el lugar de nacimiento y el lugar donde vivió una persona,

18:45examinando los isótopos de plomo de los dientes.

18:48Es ver a descubrir una marca geográfica

18:50en el diente de nuestro monje.

18:52¿Sería inglés, francés o un habitante de Guernsey?

18:56So what I've done here is to plot our man on this diagram

19:00of one lead isotope against another.

19:03There are three kind of ore fields, if you like,

19:05that we can consider.

19:07I've plotted on here the Mendips field,

19:09England, and the Pennine field.

19:12In northern France, really,

19:14the principal lead producing area there

19:16would be Brittany.

19:17So a monk sits right in the middle of all the things?

19:20A man sits in the middle of kind of everything,

19:22which is a bit kind of, maybe a bit confusing.

19:25I mean, I can't be absolutely certain,

19:27but I favor that he's probably,

19:29probably getting most of his lead

19:31from manufactured sources.

19:32So I think on this evidence,

19:34you would say that he'd probably had,

19:36he'd had exposures to manufactured lead

19:38in early childhood,

19:40but that lead was from England rather than France.

19:43It's very probable that the rest of the plume

19:47processed in the bones of our man

19:49have come from the envases to drink

19:51or from the same drink.

19:53It's known that in the medieval era

19:55they used the envases of plume

19:56to make the wine, the beer and the cidre,

19:59and even the metal was used

20:00as a sweetener in the final products

20:02without knowing their toxic effects.

20:05Generally, there's very, very different access to metals.

20:08And those people, obviously,

20:10the highest status people that have higher access to metals

20:12tend to have these higher lead exposures.

20:16So I think there's some indications here

20:17that you're dealing with rather more,

20:19a high-status individual

20:21rather than a low-status individual.

20:22What you're saying is

20:24that the values you've got from this person

20:27who we assume is a monk from Lehu,

20:30they fit more with the values

20:32that you'd expect to get from mainland Britain.

20:35They don't seem to fit with Guernsey.

20:36They don't seem to fit with northern France.

20:39Well, it's not conclusive, obviously,

20:42but it's, you know,

20:43that's the balance of probability, I would say.

20:47En la Universidad College, en Londres,

20:49Robin Richards escaneó el cráneo

20:51y está por reconstruir su rostro.

20:54Right, well, this is the scan we've just done

20:57of the skull itself.

20:59So the next stage in the process

21:01is to put the landmarks on

21:03that are used as reference points.

21:06Usando estos puntos de referencia,

21:08Robin toma un rostro promedio

21:10y lo coloca sobre el cráneo de nuestro hombre.

21:13Pocos segundos después,

21:14es revelado un rostro del pasado.

21:17It shows

21:18the fact that he does look rather flat

21:20in the middle of his face.

21:22All of this is only a matter of

21:24making the best attempt we can

21:27at what we think he might have looked like,

21:29rather than saying,

21:31this is the spitting image of the man.

21:33En su estudio,

21:35Jane transforma el rostro computarizado

21:37en la imagen de alguien que parece estar vivo.

21:40I'm enjoying working on this one.

21:41He's got a very distinctive face.

21:44We're reconstructing him

21:45as a Benedictine monk

21:47and he would have had a tonsure.

21:50That means that the top of his head

21:51would have been shaved,

21:53leaving just a fringe of hair

21:55all the way around.

21:57As he was a relatively young man,

21:58I don't think he would have been

21:59going bald.

22:00I think we'll show him with hair

22:01right across his forehead.

22:05Ahora sabemos que nuestro monje

22:06nació en Inglaterra

22:07y la datación con radiocarbono

22:09parece indicar que murió

22:10alrededor del año 1250

22:12después de Cristo,

22:14pero fue enterrado en Lijú.

22:16¿Cómo hizo un viaje así

22:17hace más de 700 años?

22:19Esta es una réplica

22:26de los primeros botes medievales

22:27construida por Edwin Gifford.

22:30Le pregunté si este fue el tipo de bote

22:32que usó el monje para viajar.

22:33A bordo también se encuentra

22:51John Adams,

22:52un arqueólogo náutico

22:53que ha investigado

22:54los primeros métodos

22:55de navegación.

22:57¿Cómo encontraron

22:58los primeros marineros

22:59la ruta desde Inglaterra

23:00hasta las Islas del Canal?

23:30Si tuvimos la ruta,

23:32podríamos usar la ruta

23:33la ruta de la ruta

23:34donde podríamos usar

23:35la relación entre el ángulo

23:37de la ruta

23:39de la ruta

23:39para determinar

23:40donde el norte es.

23:41¿Qué otras formas

23:42podríamos usar

23:43para encontrar

23:43donde se fue?

23:44Podemos usar

23:44algo llamado

23:44la ruta

23:45y esto es

23:46una navegación

23:47que no ha cambiado

23:48por años

23:48y años

23:49y es efectivamente

23:52una ruta

23:52de lead

23:52attached a un line

23:53y en el fondo

23:55de la ruta

23:56podemos poner

23:57un poco de tallow

23:58y puedo hacer

24:00esto sobre la ruta

24:01y la ruta

24:03es knotted

24:04en intervalos

24:04y eso

24:05que relaciona

24:06a fathoms

24:07así que puedo

24:08decir

24:08qué depth

24:08de agua

24:09que estoy en

24:09cuando el lead

24:10hits el seabed

24:11little bits

24:12de gravel

24:13stick a eso

24:13y puedo

24:14pullece

24:14y puedo

24:15y puedo

24:15decir

24:16si pasas

24:17las mudbanks

24:18y he ido

24:18a la gravel

24:19shoals

24:20que estoy

24:20conociendo

24:21mi port

24:23de destination

24:23o algo

24:24así

24:25es un

24:26muy importante

24:26aid

24:27que seafarer

24:28es still

24:28carried

24:29a day

24:29¿verdad?

24:30¿verdad?

24:31¿verdad?

24:32¿verdad?

24:33¿verdad?

24:34¿verdad?

24:35¿verdad?

24:36¿verdad?

24:37¿verdad?

24:37These days

24:38we just switch

24:38on a GPS

24:39receiver

24:39and if

24:40that

24:40fails

24:41we

24:41talk

24:42to

24:42somebody

24:43on

24:43a

24:43mobile

24:43phone

24:43or

24:44get

24:44an

24:44electronic

24:44compass

24:45or

24:45look

24:45at

24:45our

24:45radar

24:46but

24:47the

24:47medieval

24:47seafarer

24:48couldn't

24:48do

24:48any

24:48of

24:49¿Qué es lo que hicieron?

25:19¿Qué es lo que hicieron?

25:49¿Qué es lo que hicieron?

26:19Al estudio de Jane llegó Heather, proveniente de Guernsey. Era el momento de mostrarle las reconstrucciones realizadas.

26:49Sí, muy bien.

27:19We have done some research

27:20and it appears that there was

27:22what could be called a hospice

27:25just on the other side of the coast

27:27on Guernsey itself

27:28so it's feasible that the monks perhaps

27:31had some sort of role in tending

27:32those people who could have been lepers

27:34That might have been where he got it from

27:36Yes

27:37This is the face of a man whose bones

27:40indicate a childhood of comfort

27:42perhaps even of wealth

27:43but in England, not in Guernsey

27:46where he ended his days

27:47We'll never know what led him to make

27:49that perilous journey across the seas

27:51to the little rocky island of Lehu

27:52Here, he lived his life as a Benedictine monk

27:56a life of prayer and work

27:58of ministering to the poor and the sick

28:00and perhaps this is how he contracted leprosy

28:03If this terrible disease had developed

28:06and disfigured his kindly face

28:08then, as a leper

28:09he would have been excluded from his own church

28:12from contact with anyone

28:14except his fellow sufferers

28:15He devoted his life to the service of God

28:18and to helping to relieve the suffering of others

28:21but if he'd lived longer

28:23he'd have paid a terrible price for his compassion

28:26Si está interesado en profundizar más sobre arqueología

28:37puede visitar nuestro sitio web

28:39o llamar a la línea telefónica de la BBC History 2000

28:42...

28:43how could you like things out of your mind?

28:46...

28:48...

28:49...

28:51...

28:57...

29:02...

29:02Gracias.

‎‎Rostros del pasado: Contacto en Francia - Documental (1999)

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