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Sensacine
  • hace 20 horas
Transcripción
00:00I think I met you at a Comic-Con.
00:02No, now I remember what it was.
00:04That was when I was watching Hunger Games.
00:09I was watching it in a hotel room.
00:11All right.
00:12Three, six, nine, the goose drank wine.
00:15The monkey to the back on the street far line.
00:18The line broke, the monkey got choked.
00:20They all went to heaven in a little boat.
00:23Die, my love can best be described as a poetic, dramatic, and unexpectedly funny, tragic love story.
00:38Thank you.
00:43My favorite thing about the shoot was working with you.
00:47I loved working with you.
00:49Rob was so incredible, and he was amazing to act with and discuss scenes with.
00:57He's very smart.
00:58He's a great actor, and he's also really nice.
01:02And so, yeah, that was my favorite part.
01:04It was really lovely.
01:05It was such a kind of intense shoot.
01:09It was a real pleasure.
01:10It would be funny if you said your favorite part was like working with Sissy or somebody other than me.
01:16Everyone else.
01:17I love the weather.
01:20Oh, well, and having the babies.
01:22I also love having the babies.
01:25It's cute.
01:25It's actually seeing the babies.
01:26The baby was so young when it started as well, and it kind of grew as the movie was happening.
01:31It was very smart.
01:32Yeah.
01:32One of them could walk.
01:34No, they couldn't.
01:35That's insane.
01:36No.
01:38I'm pretty sure I could walk in the end.
01:39No.
01:40The baby.
01:40They could do something.
01:41They could definitely.
01:42One of them would look really different.
01:44One of them potentially could have been sitting up on their hands and knees.
01:49I've always wanted to work with Lynn Ramsey.
01:52I was a huge fan of Brat Catcher, Morbren Caller.
01:56I think that she's one of the greatest artists of our time.
02:00I've always wanted to work with her.
02:02I didn't really know if it would happen, and it wasn't until I came across this particular
02:09book that I thought this content is so perfect for her and couldn't believe that she said
02:18yes.
02:18Yeah, I love Lynn.
02:19I've been trying to work with her for ages as well, and I remember seeing this short she
02:29did called Little Deaths, which was on a DVD collection.
02:36I think it was on the, I don't even know where I saw it, but when I was like a teenager.
02:41And it's so incredible.
02:43I think it might have been a film school short.
02:46And then I think it must have been when I saw The Swimmer, that other short she did for
02:51the Olympics, and I was just like, there's something about her sensitivity, but she has
02:57a completely unique film language that I think everybody wants to work with her.
03:03I think I met you at a Comic-Con.
03:07Oh, I don't remember that.
03:08At the Hard Rock Hotel.
03:11No, now I remember what it was.
03:12I was, that was when I was watching Hunger Games.
03:18I was watching it in a hotel room.
03:20Right.
03:20By that, a lot of people have met me.
03:24Yeah, I was, that was when I was there.
03:25That's really helpful, bro.
03:26Thank you.
03:31Yeah, the movie is extremely physical.
03:34I think, fortunately, this ended up working out beautifully.
03:37Our crazy kind of like nude scene where we're attacking each other like tigers was the first
03:44day, which I think in retrospect really worked.
03:48Because after that, we were extremely comfortable.
03:50But even that, I don't think, was as vulnerable as the dance lessons that they made us do before.
03:56Because it was like interpretive dancing, and both of us are like easily embarrassed.
04:00And, you know, she would be like, and it was like, you're going in molasses.
04:04And like, it was just so humiliating.
04:07I think the nude scenes were a little bit more harsh than we've done.
04:11That makes sense.
04:13For me, personally, it was.
04:15It was extremely hot.
04:18Yeah, it was hot.
04:20Well, when we were shooting a dance scene, that's not actually in the movie, but we were
04:25dancing to our three, six, nine, in the middle of the middle of the time.
04:29And we had the Amel and Sniffers song as well, right?
04:32Yeah.
04:33Yeah.
04:33And she likes to have like live music kind of around on set, which is cool.
04:38It helps kind of like set a tone.
04:40My character in the movie is Grace.
04:45She has recently had a baby and is kind of suffering from an identity crisis and also
04:52has a fear of being bored and invisible.
04:55And she kind of starts enacting her inner life outward.
05:03I play Jackson, who's Grace's boyfriend.
05:09Baby daddy.
05:10Baby daddy.
05:12And he is a sort of musician or ex-musician.
05:16Lives in New York and they inherit this house and kind of he thinks it's a good idea to have
05:22a free house.
05:24And he's a kind of deeply unqualified person to be with a partner who's got some quite
05:36challenging mental issues.
05:39He's easily overwhelmed.
05:41He's, yeah, that's why I mean, and very lazy.
05:48Describe Lynn Ramsey's directing style as punk rock.
05:51Yeah.
05:52She's like one of the most free.
05:58She's free.
05:58Free.
05:59Free.
05:59There you go.
06:00Free.
06:00Mm-hmm.
06:01She's like one of the most friends.
06:02She's like four.
06:02She's like a two.
06:02She's like 12 days.
06:02She's like three.
06:03And we're kind of like giving you a name.
06:03She's like three.
06:04And we're like three.
06:04Yeah, so I just need you to have a key.
06:05I get one of the most free.
06:06I'm like three.
06:07So I'm just going to have a quick moment.
06:07Come on.
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