- 1 day ago
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00:00:00And you don't stop, and you don't quit.
00:00:25Now I'm the man with the plan, and the b-boy stance, and all the ladies in the jam know who I am, with the power to make it move, when I write a groove, I don't snooze, I kick it off nice and smooth, and when the beat goes down, feet hit the ground, the breakers start spinning all round and round, and everybody don't stop, cause we don't stop, we just rock, you feel it, we don't need those drops.
00:00:55That's a long time, I'm the man, I'm the man.
00:01:02Hey, get it! Again! My food.
00:01:08No no, my food. Leave her alone! Sorry I didn't leave her alone.
00:01:14Oh, Jesus, look at her!
00:01:16Stop!
00:01:17Stop!
00:01:18Stop!
00:01:19Hey!
00:01:20Don't talk to her!
00:01:21Okay, have it.
00:01:22Your fault!
00:01:23I'm gonna kill you!
00:01:24Stop!
00:01:25No, Lisa!
00:01:26Stop!
00:01:27Stop!
00:01:28Stop!
00:01:29He's hurting your mommy!
00:01:30No!
00:01:31Call the cops!
00:01:32No!
00:01:33Lisa!
00:01:34I won't do that to your father!
00:01:39No!
00:01:41No!
00:01:46No!
00:01:59Man, I hate moving.
00:02:00Daddy's gonna be pissed that we gone.
00:02:02Hey, grab those boxes and put them in the living room.
00:02:04We gotta get the truck back in an hour, so hurry up!
00:02:08Take those damn headphones off!
00:02:09Didn't you learn your lesson about having those things on?
00:02:11You're not my father.
00:02:12You weren't even there.
00:02:13Why do you think we're moving now?
00:02:14And I was working!
00:02:15Yeah, you're always working, Eladio.
00:02:17Because I got to.
00:02:18Maybe I wouldn't have to if our pops was worth a damn, huh?
00:02:20Who's gonna take care of this family if not me?
00:02:22You?
00:02:25I do what I got to to help mommy.
00:02:27And the best way you can help is to stop daydreaming
00:02:29and think about how you can pitch in around here.
00:02:31I'm not gonna have mommy working three jobs while you're in La La Land.
00:02:45I'm not gonna have automatically, Rust.
00:02:46It's better.
00:02:47indicator, right?
00:02:48Remember all yes?
00:02:49subjective needs to leave the room
00:02:50at the room whenever bunctions and get торgar完了
00:02:52and the desert is right behind here.
00:02:53Here remember.
00:02:54How do you again?
00:02:55Can I stay walking over here?
00:02:56Rogers is going to give up, 하면 not her day?
00:02:57Now, you're at home!
00:02:58I wanna say torment.
00:02:59Now, now, I'm going to
00:03:08I don't want nothing at all, I don't want nothing at all, nothing at all, show me now that you really mean it, I ain't playing for games.
00:03:35Oh, Nicky, don't get you.
00:03:44Have a good one.
00:03:48Sorry, I'm here now.
00:03:54Ay, que calor, they need some air conditioning back here. How many of these have we got to dress?
00:04:05Damn!
00:04:07I need a favor.
00:04:08No.
00:04:09Please, Lisa.
00:04:10Mm-mm.
00:04:11Last time I got into trouble because of you.
00:04:13Please, I know a place where we can make double what we were making before.
00:04:17I need the money.
00:04:19I know you do too.
00:04:24One hour.
00:04:25What?
00:04:26That's it, okay?
00:04:27Okay, okay.
00:04:28Oh, we're getting drunk.
00:04:29Oh, we're getting drunk.
00:04:30Oh, we're getting drunk.
00:04:31Feet on the ground.
00:04:33Hands to the sky.
00:04:37Oh, do you wanna dance with me tonight?
00:04:42DJ is playing a song.
00:04:44The mood is right.
00:04:46Oh, do you wanna dance with me tonight?
00:04:50Follow me on the floor under flashing lights.
00:04:54Thank you, thank you. We'll be here all night.
00:05:00Damn!
00:05:01I gotta go.
00:05:02My brother told me to pick up stuff for dinner, and he's gonna kill me.
00:05:05Okay.
00:05:06All right.
00:05:07Wait.
00:05:08Oh, my gosh.
00:05:20Use you.
00:05:24I like my music.
00:05:29Mira, voy a cocinar hoy un arroz con habichuelas.
00:05:31¿Tú piensas comer?
00:05:35TÃrate la carne a la olla.
00:05:38Y otra cosa, como otras cosas.
00:05:40Mira, ya, ya, ya, que estoy comiendo. Déjame comer.
00:05:49Esto me está quedando...
00:05:51Un café, mami.
00:05:56Gracias, mami.
00:05:57Gracias, mami.
00:06:09Y no te preocupes con esto.
00:06:10¿Me escuchas?
00:06:12Nosotros venimos aquà para pasar fresco.
00:06:15¿Vale?
00:06:16One day I'll be so rich, mommy
00:06:22I'm gonna take care of you
00:06:23I'm gonna buy you a new car
00:06:26Mamita, the only thing I want you to do
00:06:29Is to take care of yourself
00:06:31Don't ever count on anybody taking care of you
00:06:35Okay?
00:06:37Yeah
00:06:37But if you just so happen to be rich
00:06:41What?
00:06:42I want a conversation
00:06:42Beat that
00:06:44I, I gotta go
00:06:47You come straight home after work, okay?
00:06:50I love you, mommy
00:06:51I love you
00:06:52I hear your boys are jelly bean
00:07:02Yeah, we go way back
00:07:04What was jelly bean?
00:07:07It's the main DJ at the boombox basement
00:07:08Where it is, they just got Modano
00:07:10Oh, where it is from?
00:07:13Can you introduce me?
00:07:14The jelly?
00:07:15No, Deron Reagan
00:07:16Yeah
00:07:17Sure thing, but you know in this city nothing's free
00:07:19Especially when it comes to jelly bean
00:07:21What do you want?
00:07:30Hell no
00:07:31Jelly bean's always got a funny talent
00:07:32Besides, guy won't go unless you come with us
00:07:35I don't even like him like that
00:07:36Girl, who said you're gonna be into him?
00:07:38Just pretend it's an extra long trip in the stock room
00:07:40Is your brother even gonna let you go?
00:07:42Of course he will
00:07:43Why wouldn't he?
00:07:44Girl, I run the show at home
00:07:46Hell no
00:07:47Why?
00:07:49Heladio, please!
00:07:51No
00:07:51You know how many pervs and weirdos go to places like that to pick up on young girls?
00:07:55You're gonna be with me
00:07:56It's a bar
00:07:58It's a bar
00:07:58You're 15
00:07:59It's seen that there won't be an alcohol
00:08:01Heladio, stop and listen to me
00:08:03I ain't gonna live and die in this neighborhood and never be nothing
00:08:08I want to take care of mommy one day
00:08:11What's that got to do with this club?
00:08:13There are gonna be people there who can help me
00:08:15Give me a shot at singing
00:08:17There you go
00:08:18Head in the sky again
00:08:19I'll take out the trash
00:08:21For a month
00:08:22We can make it, we can make it work
00:08:27Coming from a far land where they never stay
00:08:38They don't ever contested, they're too afraid
00:08:40But I'm rocking the road so they'll be blessed to my
00:08:42While the DJ's crushing like an insect fight
00:08:44From the west, the east, the north to the south
00:08:46When I step into the body, people stand on our count
00:08:48Just wanna have a good time, I'll be doing just fine
00:08:50All I need is 30 seconds, I'ma rock around
00:08:52Yeah, I'm wrestling down
00:08:53Is that him?
00:08:55Can you introduce me?
00:08:57I don't know him like that
00:08:58I thought you said he wasn't home
00:09:02No, he is
00:09:03After the sex
00:09:04Try to get us into the green room
00:09:07Gone
00:09:07Figure out myself
00:09:11I'm going home
00:09:13I got homework to do
00:09:14Damn, my bad
00:09:19Damn, my bad
00:09:21Jelly bean
00:09:22Jelly bean
00:09:23Jelly bean
00:09:24Oh my god
00:09:25Johnny, my man, what's up?
00:09:26We don't mind the talking
00:09:27Parlay all day, I went offense
00:09:28We played offense, y'all on defense
00:09:29False and you pretend I'm getting equal
00:09:30Yeah, Brian
00:09:31Oh my god
00:09:32Oh my god
00:09:33Oh my god
00:09:34Oh my god
00:09:35Oh my god
00:09:36Oh my god
00:09:37Oh my god
00:09:38Oh my god
00:09:39Oh my god
00:09:40Y'all on defense
00:09:41False and you pretend
00:09:42I'm getting equal
00:09:43Yeah, rockin'
00:09:44Beat the boys in the place
00:09:45Getting down to the break
00:09:46And another group space
00:09:47Get rockin'
00:09:48One time a song
00:09:49Going from the late night
00:09:50To the early morning
00:09:51Get rockin'
00:09:52No time for the chat
00:09:53I'm doing my dance
00:09:54All across the map
00:09:55Get rockin'
00:09:56I roll C-K-I-N-G
00:09:58And that's how you
00:09:59She don't mess with me
00:10:02She gonna sneak backstage
00:10:03Take the tray
00:10:04What?
00:10:05Take the tray
00:10:11Thank you
00:10:12I mentioned it
00:10:17How much?
00:10:18Duh
00:10:20Duh
00:10:21Those are the prices
00:10:23Inflation, my man
00:10:24You got better options
00:10:25I suggest you get to it
00:10:26I got business going on here
00:10:28I hear you help singas
00:10:29She's on the headphone
00:10:30Singas?
00:10:31Nah
00:10:32I help artists
00:10:33If they're worth it
00:10:34Well I'm worth it
00:10:35The best damn pipes
00:10:36You're here all night
00:10:37Okay, shawty
00:10:38Let's hear you blow
00:10:39I got sunshine light in my way
00:10:40You're trying to be the clown
00:10:41But just float away
00:10:42Don't matter about the sticks in my way
00:10:43You're trying to be the clown
00:10:44But just float away
00:10:45Don't matter about the sticks and the stones you say
00:10:46Cause your world's about to flood in your air
00:10:47I got sunshine light in my way
00:10:48You're trying to be the clown but just float away
00:10:52Don't matter about the sticks and the stones you say
00:10:54Cause your world's about to flood in your air in my way
00:10:59Cause I'm rolling
00:11:00You're trying to be the clown but just float away
00:11:01Sounds good
00:11:02I got sunshine light in my way
00:11:05You're trying to be the clown but just float away
00:11:09Don't matter about the sticks and the stones you say
00:11:12Cause your world's about to flood in your air in my way
00:11:16Cause I'm rolling
00:11:19Rolling
00:11:20Try to stop as we just keep going
00:11:23We're gonna do it
00:11:24Who is she
00:11:25All right
00:11:33Fresh
00:11:34I see ya
00:11:35So what's your name?
00:11:36Lisa
00:11:37Lisa Velez
00:11:39All right
00:11:40Lisa
00:11:41Lisa Velez
00:11:42How old are ya?
00:11:43Eighteen
00:11:45Who's buggin'
00:11:48Fifteen
00:11:53Hmm, all right, Lisa, leave me your digits.
00:12:11Oh man, I just need a couple of intros, that's all.
00:12:16I told you, monita,
00:12:18ain't no one looking for a singer with your look.
00:12:23What you mean, what's wrong with my look?
00:12:25Look, I love you the way you are,
00:12:28but these record executives,
00:12:30they start barking about silly things like looks and image.
00:12:34But you know I can sing my ass off.
00:12:37I know it, but they don't.
00:12:40And you don't get past a record label
00:12:42without them thinking about your image, or theirs.
00:12:46And besides, these record labels,
00:12:49they're full of whack-ass scam artists
00:12:51just waiting to take advantage of a young buck like you.
00:12:54Well, I ain't exactly no young buck.
00:12:57You still working with your pops?
00:12:59Sampling the product?
00:13:01It's homey.
00:13:03Dealing only leads down one path.
00:13:05So, help me get another path.
00:13:13Thank you, guys.
00:13:17Yo, Shorty.
00:13:20I heard you singing over there.
00:13:21It was fresh.
00:13:23You from around here?
00:13:24We're on the way.
00:13:25Tell us the kitchen.
00:13:26Word.
00:13:27Well, look, I got this joint
00:13:28that I've been working on for a minute.
00:13:29Hey!
00:13:29I think that you're coming up.
00:13:30Don't be forced on me.
00:13:31Whoa!
00:13:32I'm trying to talk to her.
00:13:33You know what I'm saying?
00:13:34Yeah, she ain't even trying to holler at you.
00:13:35Look, bro.
00:13:36Homie.
00:13:37I got a band.
00:13:38And we need a lead singer.
00:13:40Jelly Bean told me that she was looking.
00:13:42Got a few producers that are interested,
00:13:44you know, if you want to audition.
00:13:45My name's Mike Hughes.
00:13:47Here's my number and address to the recording studio.
00:13:50Play drums.
00:13:51Maybe we can make some music together.
00:13:54Just music, man.
00:13:55Time to go.
00:13:56You ain't going to know I listened to that guy.
00:13:58No, of course not.
00:14:00I know that.
00:14:02Robert, come over to the opportunity to tell me
00:14:06he's just really dope.
00:14:07I got this guitarist.
00:14:08He's really amazing.
00:14:09I got this girl.
00:14:10She's walking.
00:14:10She's going to be amazing, too.
00:14:12Hold up.
00:14:13This is her.
00:14:14Hey.
00:14:15There's someone I want you to meet.
00:14:16Come over here.
00:14:17This is Rocco.
00:14:18He's the man who's been working.
00:14:19I'm going to be a man who's been working.
00:14:20I'm going to be a man who's been working.
00:14:21Hey.
00:14:22There's someone I want you to meet.
00:14:23Come over here.
00:14:24This is Rocco.
00:14:25He's the man who's been working.
00:14:26He's the manager.
00:14:27Hi.
00:14:28Rocco.
00:14:29We just need five minutes.
00:14:31You got three, Mike.
00:14:33Okay.
00:14:34Okay.
00:14:35Lisa, come on.
00:14:36I saw one I want you to meet.
00:14:37This is Spanador.
00:14:38Nice to meet you, Spanador.
00:14:39I heard you can sing.
00:14:40I heard you can play.
00:14:41Yeah, yeah.
00:14:42Let's go.
00:14:43Did you practice a song?
00:14:44Mike wrote it.
00:14:45Yeah.
00:14:46I worked in the last night.
00:14:47Ready?
00:14:48Let's go.
00:14:49When do you think you're going to record the song?
00:14:53No booth.
00:14:54One mic.
00:14:55See what you got.
00:14:56The booth.
00:14:57Come on, man.
00:14:58Guys.
00:14:59Hey.
00:15:00Let's listen to him.
00:15:01Come on.
00:15:02Hey.
00:15:03Let's listen to him.
00:15:04Come on.
00:15:05No.
00:15:06No.
00:15:07No.
00:15:08No.
00:15:20No.
00:15:21Thanks.
00:15:22We'll let you know.
00:15:24Alright.
00:15:25Come on, man.
00:15:26Let's do one.
00:15:27Bye.
00:15:28Come on.
00:15:29I'm sorry.
00:15:30I'm sorry.
00:15:31I'm sorry.
00:15:32I'm sorry.
00:15:34Oh, man, let's give him another shot.
00:15:35At least of my time, right?
00:15:36We got to go.
00:15:37We got all this stuff to do.
00:15:39Hey, why don't you play a song you know?
00:15:43Something you're comfortable with.
00:15:45Hey, guys, back her up, whatever she wants.
00:15:48Yeah, of course.
00:15:51So what you want to see?
00:15:52Hey, guys, let's give her another shot.
00:15:54Something she know.
00:16:04Oh, oh, oh, oh, oh, oh, oh.
00:16:15Uptown, downtown, the funk is on the move.
00:16:23Cartier and Louis Vuitt is sure to set the mood.
00:16:26When we're alone in your mind
00:16:34Only a fool would ever try to hide
00:16:38Let your hold a struggle again
00:16:41Leave me in the air feeling high
00:16:45Yeah!
00:16:52What about Hell's Kitchen's trio?
00:16:54Wow.
00:16:54No, that sounds like my abuelo's band.
00:16:56Or something like that.
00:16:57I didn't think you could get any worse
00:16:58than your last suggestion, but...
00:17:00But what?
00:17:01It's gotta be slick.
00:17:02It's gotta be, you know, something that screams
00:17:03we're all about culture, hip-hop, and music.
00:17:07And that we can jam.
00:17:08Yeah.
00:17:11Cult jam?
00:17:12That's fly.
00:17:14Mm-hmm.
00:17:14I got it.
00:17:16Lisa and cult jam.
00:17:18Okay.
00:17:19I'm feeling it.
00:17:20All right, but it needs that extra flavor, you know?
00:17:23Because Lisa ain't your everyday girl.
00:17:25That's what I'm saying.
00:17:26Mm-hmm.
00:17:27No.
00:17:28She's not.
00:17:30Oh.
00:17:30No, Lisa.
00:17:32Ain't your everyday girl?
00:17:33She's uniquely blessed.
00:17:35How about...
00:17:37Lisa...
00:17:39Lisa...
00:17:39And cult jam.
00:17:42Yo.
00:17:43That's fresh.
00:17:44Right?
00:17:45Don't you think, Lisa?
00:17:47Yeah, that's a joint.
00:17:49I'm down.
00:17:49We got a name.
00:17:51Lisa, Lisa, and cult jam.
00:17:54I wonder if I take you home
00:17:56Would you still be your home, baby?
00:17:59Because I need you tonight
00:18:01I like the bass in that progression.
00:18:03If I take you home
00:18:04You're welcome.
00:18:05Would you still be your home, baby?
00:18:08Because I need you tonight
00:18:10Oh-oh
00:18:10Brothers are some of the best producers in town.
00:18:18This is Grant Berry.
00:18:18Thank you so much.
00:18:21Lisa, sweetheart.
00:18:25You're incredible.
00:18:26That sound is amazing.
00:18:29The men...
00:18:30The men are going to go gaga for you.
00:18:34I told you.
00:18:35Yeah, you did.
00:18:36So what's next?
00:18:38Tour?
00:18:39Let's not get ahead of ourselves.
00:18:42Typically, we test the song.
00:18:44See how it lands in different markets
00:18:46before we actually sign an artist.
00:18:49How do you do that?
00:18:51We send the record to a few friendly DJs in the UK.
00:18:54And we'll be right back with Radio FM UK.
00:19:01Come on.
00:19:02The label better not have sent me rubbish like the last time.
00:19:07That was pure yank nonsense.
00:19:11I mean, if it hits, you start talking contracts.
00:19:14If not,
00:19:15you know, the music world is littered with one-hit wonders.
00:19:19Who is this again, mate?
00:19:23A lot of them crash and burn.
00:19:25Don't worry.
00:19:27Rocco here is going to make sure everything runs smoothly.
00:19:30Isn't that right, Rocco?
00:19:31Yep.
00:19:32So it's my job to book you gigs,
00:19:33find the producers,
00:19:34and work on promotions.
00:19:36Hey, mommy.
00:19:38Did you find it all right?
00:19:39Yeah.
00:19:40Hello, man.
00:19:43Hello, mom.
00:19:44Pleasure to meet you.
00:19:46Me too.
00:19:47Barry Connor.
00:19:48I just have a few papers that need your signature.
00:19:51Let's step out for a second.
00:19:53Okay.
00:19:55I'll catch right up to you.
00:19:56Turn it back on, bro.
00:19:59Maybe, uh, and then...
00:20:01You know that we can't proceed unless she signs, right?
00:20:05I mean, it's just too much risk with an underage artist.
00:20:08So walk her through it, okay?
00:20:11Oh, yeah.
00:20:13Do we need a lawyer or anything?
00:20:15No.
00:20:15The contracts are standard.
00:20:17New artists usually sign as is.
00:20:19Oh, cool.
00:20:23Let's run this.
00:20:24I love a beat.
00:20:27Please, mommy.
00:20:33No.
00:20:34I don't know him.
00:20:35I don't know what I'm signing.
00:20:37What if something happens?
00:20:38Nothing is going to happen.
00:20:39I do, nina.
00:20:40I see how they look at you.
00:20:43I know what these men want.
00:20:45And it's not just your voice.
00:20:46No, you don't know what they want, mommy.
00:20:47Mira.
00:20:48Lisa.
00:20:50Everything okay?
00:20:51Yeah.
00:20:52We're almost done.
00:20:54All right.
00:20:55All right.
00:20:55Mommy.
00:20:56I'm a singer.
00:20:57I need to be singing.
00:21:00I can move us to a better neighborhood.
00:21:03And you won't even have to work anymore.
00:21:05Lisa, that's not your job.
00:21:07You once told me
00:21:09to never count on someone to take care of me.
00:21:13Mm-hmm.
00:21:15You said to do it yourself.
00:21:18So this is me
00:21:19doing it myself.
00:21:21I don't know.
00:21:37All right.
00:21:44We need to get you guys
00:21:45back in the studio right away.
00:21:48Contracts are signed.
00:21:51To go home, celebrate.
00:21:54Tomorrow, we get to work.
00:21:56Come on.
00:21:56Go, mom.
00:21:57Listen, hotness, kid.
00:21:58That's what I'm talking about.
00:22:00Come on.
00:22:01Hey, sweetheart.
00:22:02Sweetheart.
00:22:03Lisa.
00:22:03Can I talk to you a second?
00:22:05Yeah.
00:22:05There's a lot of work, time, and money
00:22:08that goes into making you a star.
00:22:10I need to make sure
00:22:11I'm not wasting any of that
00:22:12so you're not pregnant or nothing, right?
00:22:16Pregnant?
00:22:18I'm 15.
00:22:19Like I said,
00:22:20there's a lot that goes into young stars.
00:22:23I need to make sure I'm not wasting it.
00:22:25I don't need a pregnant teenager on the road.
00:22:27You got me?
00:22:27You don't have to worry about me, Mr. Khanna.
00:22:30I'm locked in.
00:22:31Good answer.
00:22:32Good answer.
00:22:32And call me Barry.
00:22:37Yes, sir.
00:22:40Barry.
00:22:42I gotta go.
00:22:43My mom's waiting for me.
00:22:45Okay.
00:22:51Yo, Lisa, you ready?
00:22:52We gotta go.
00:22:57Yo, Lisa.
00:22:58We gotta go.
00:22:59Yeah, yeah, I'll be right there.
00:23:03Right.
00:23:04Hurry up.
00:23:05We gotta get going.
00:23:06Let's get now.
00:23:08I know.
00:23:13Huh?
00:23:14Oh, that's what was taking you so long, huh?
00:23:18Wow.
00:23:19Yo, Lisa, in a month, every girl's gonna be covering her eye, trying to look just like you.
00:23:28Baby, I know you're wondering why I won't go over to your place.
00:23:35In California, Governor Jerry Brown won the Democratic nomination.
00:23:38It's the 160th day of 1982, in case you're coming.
00:23:41That some people were reminded that actors are people.
00:23:45So what does this mean for AIDS patients in this country?
00:23:49Pittsburgh beat the New York Mets.
00:23:50Hello, Pittsburgh.
00:23:51It's 6-2.
00:23:53And the Los Angeles Lakers won their second national basketball championship.
00:23:58Three in six years.
00:23:59L.A. comes to Boston and wins the world title.
00:24:02Wow.
00:24:02What's up, baby?
00:24:31What's your name?
00:24:31What's up?
00:24:32You're looking mad good.
00:24:34My name's Javi.
00:24:35Take my number.
00:24:51We got a problem with it?
00:24:54What?
00:24:56Put lines wrapped around the block.
00:24:58Lisa, Lisa, in a cold jam, a catapult and freestyle.
00:25:02From New York's underground clubs into mainstream fame.
00:25:05And they are about to go national, baby.
00:25:07On Top American Countdown, a show that has taken some of the hottest stars of today and
00:25:12catapulted them into the stratosphere.
00:25:14And today is Lisa Lisa's turn.
00:25:16This is that lover.
00:25:17You already know what it is.
00:25:19Back to you.
00:25:19Come on, make the noise.
00:25:20Come on.
00:25:21Come on.
00:25:22Come on.
00:25:23Come on.
00:25:23Come on.
00:25:25Every home in America watches the bands on this show.
00:25:28And Chuck Ryder is a titan of the industry here.
00:25:31If you don't screw up tonight, America will love you by tomorrow.
00:25:34Hey, where's Crafty at?
00:25:42All right, starlings.
00:25:43It's showtime.
00:25:48It feels like someone died in here.
00:25:51I'm just nervous, that's all.
00:25:54Are you ready?
00:25:57Yeah, we're right here.
00:26:00We got it.
00:26:00Yeah.
00:26:01Okay, I meant just you.
00:26:05Chuck likes a little personal touch, a little pre-show interview.
00:26:09I'm sorry, fellas.
00:26:11But don't worry, you can watch her right here on the live feed.
00:26:15No, but we're a band.
00:26:17And you'll play as one.
00:26:18Just a quick chat before with you.
00:26:22Let's go.
00:26:27Ladies and gentlemen, from Lisa, Lisa, and Cult Jam, please welcome Lisa, Lisa.
00:26:41I love you, too.
00:26:45Welcome to the show.
00:26:48So, how are you doing today, Lisa?
00:26:50Well, I'm great.
00:26:50Very excited to be here.
00:26:52And how does it feel to be in this position?
00:26:54Well, it's a dream come true.
00:26:57Tony, I thought you weren't dealing.
00:27:10Look, I'm not, man.
00:27:11I'm networking.
00:27:12You never know where the next gig's gonna come from.
00:27:14Besides, I think this dude right here, you know, some record execs.
00:27:17Right.
00:27:18Sure.
00:27:18Got a line on a gig.
00:27:24Word.
00:27:25An audition.
00:27:26New band looking for backup singers.
00:27:29You mean I'm not backup?
00:27:30Tony, no.
00:27:32But look where you are.
00:27:34It's gotta be this game.
00:27:37Hey.
00:27:38You wanna spend your whole life looking over your shoulder?
00:27:40Just because it didn't work out last time doesn't mean you quit.
00:27:42It doesn't mean you stop trusting people.
00:27:47It's show business.
00:27:49It's the music game.
00:27:50And the music game takes time.
00:27:56Think about it.
00:27:57Think about it.
00:27:59All right.
00:28:01Peace.
00:28:02Peace.
00:28:03You ain't back.
00:28:08I ain't back.
00:28:09Not for long.
00:28:14Mike, listen.
00:28:14I got this.
00:28:15Figure it out.
00:28:16Figure it out.
00:28:16All right.
00:28:17Spon it all.
00:28:17Where's she gonna go with number two?
00:28:19No, number two is not gonna work, bro.
00:28:20We need another audition.
00:28:22She looks the best.
00:28:23It doesn't matter if she looks the best, bro.
00:28:24We need another audition.
00:28:25We don't have time for another audition.
00:28:27Well, I don't know what you want me to say,
00:28:28but not one of them blend with our sound.
00:28:30Word.
00:28:31What do we do, Alex?
00:28:32We're going tour in a month.
00:28:33Well, we keep searching.
00:28:35We already behind on schedule.
00:28:37We either pick a team today or we push.
00:28:40The label not waiting on us.
00:28:43We got bands lined up right now that's ready to go.
00:28:46All right, Rocco.
00:28:46Just give me another hour.
00:28:47I can find some ladies.
00:28:48I go around to fit that, Baptist.
00:28:50I'll find you a whole lot of girls who can sing best music.
00:28:52Make an executive decision.
00:28:53We're going with number two.
00:28:54No, we're not going with number two.
00:28:55Are we going with two?
00:28:56It's all good.
00:28:57Are we going with two?
00:28:58Staring out the window, hoping to catch you walking by.
00:29:03Staring out the window.
00:29:05I think I've seen her lay apart.
00:29:08While these tears broke down my eyes, staring out the window.
00:29:12Just can't believe it's done and gone, staring out the window.
00:29:23Hey, pack your bags, folks, because we're going on tour.
00:29:37Cigarettes don't affect your voice?
00:29:39No.
00:29:40I mean, they actually give it a little raspy bass.
00:29:42I don't mind having it.
00:29:43Those things will kill you, you know.
00:29:44Well, whenever the government comes out with a study saying these are bad for you, I'll
00:29:48stop.
00:29:50I'm Lisa.
00:29:52Tony.
00:29:53How long are you visiting it for?
00:29:55I grew up singing on street corners.
00:29:58Yeah, me too.
00:30:00Listen, you know it's not going to be what you think it is, right?
00:30:05What's that?
00:30:06I mean, this music industry.
00:30:08You know, it's just like the streets.
00:30:10Use it or it'll use you.
00:30:12So you've got to watch yourself.
00:30:13Everybody's going to try to take a piece of you and you can't let them.
00:30:16Yeah, where are you going?
00:30:18Look, I mean, most of these dudes want a backup singer that's something to look at.
00:30:23And I'm not that.
00:30:25Then why'd you come?
00:30:26Because I promised a friend.
00:30:29But I know the game.
00:30:33Don't smoke these menthols on the road.
00:30:36They'll mess up with your boys.
00:30:37And I can't have that.
00:30:41Whatever.
00:30:42I was trying to quit anyway.
00:30:45Hey.
00:30:46Go home, pack a bag, because it's going to be a ride.
00:30:49Come on, baby.
00:30:58We're done soon.
00:31:00Yeah, baby.
00:31:00A little longer, okay?
00:31:01You gotta go.
00:31:03Come on.
00:31:06I mean, what's this about?
00:31:08Come on, you know.
00:31:09Baby, no, no, no.
00:31:11They're going to have to, you know, check my makeup again.
00:31:14Stop.
00:31:15I thought we had dinner plans tonight.
00:31:17Yo, this city's so crazy sometimes, I almost had to scrap with a bunch of teenagers.
00:31:22Excuse me.
00:31:23Okay.
00:31:23Signatures.
00:31:25Okay.
00:31:25More promotional tours means more papers to sign.
00:31:30Again?
00:31:31Hey, that's the life of a big star.
00:31:33Jesus Christ.
00:31:34Wow, a commercial?
00:31:36Yeah.
00:31:38We rearranged a few things so, you know, you could sneak it in.
00:31:42Well, I was supposed to go home after this set.
00:31:47I haven't seen my family in a year.
00:31:50This is a national commercial.
00:31:52It's a lot of money.
00:31:54I just, it's been concert after concert.
00:31:58You said you wanted to be a star, right?
00:32:00This is the pace you have to work at.
00:32:02So, give her creative control.
00:32:05Yeah, that's not the way we do things around here, but thanks.
00:32:08Do it anyway.
00:32:08Yeah, I want creative control.
00:32:13Lisa.
00:32:14I want to start putting my stamp on this.
00:32:16I want to get involved in the creative.
00:32:19I want to help with the set design and the choreography and to pick up the dancers, right?
00:32:24Yeah, she does it anyway.
00:32:32Of course, you'll be involved.
00:32:35Let's go.
00:32:38Let's get to work.
00:32:39Yo, sweetheart, are we ready or what?
00:32:40In a minute, baby.
00:32:41The record label needs you, all right?
00:32:43This is not the other way around.
00:32:44I want you.
00:32:45All right, perfect.
00:32:45You know what?
00:32:46I want to go.
00:32:47Hurry up.
00:32:48Hold on, man.
00:32:49Lisa, come on.
00:32:49Here's your hand right here.
00:32:51Tyra, you ready?
00:32:52Let's go.
00:32:52Look at the camera.
00:32:53Three, two, one.
00:32:58Perfect, perfect.
00:32:58Hold on.
00:32:59Please, please, please.
00:32:59All right, hold on.
00:33:00A second.
00:33:01Can I get an idea, please?
00:33:02No.
00:33:02You know she's not part of this group, right?
00:33:10What do you mean?
00:33:11Yo, I'm right here.
00:33:12You can say it to my face.
00:33:13I'm talking to Lisa.
00:33:14What's your problem?
00:33:15The problem is we don't need any more voices offering their opinions on music, fashion,
00:33:19and photo shoots.
00:33:21Fellas, let's take a little break.
00:33:23What do you mean, break?
00:33:24Yeah, I had some flash spandex I wanted to flash, man.
00:33:26Well, nobody want to see you with no spandex.
00:33:29You know, we're just going to focus on a few shots of Lisa alone.
00:33:33Why don't you guys go to craft service, grab a coffee.
00:33:39Hey, yo.
00:33:40This was your band, Mike.
00:33:42You got two little girls telling you what to do.
00:33:44One is just the background, same thing.
00:33:46One more time ago, I used to hope and played it, I would find a little back day for those things to this crime and fame.
00:33:52They dreamin' by the fame and the diamond.
00:33:54Come on, wait a second, wait a second.
00:33:56Hey, hey, you're good, you're good.
00:34:00Hey, man.
00:34:00Yo, Rick, I'm going to talk to you for a second.
00:34:12Of course.
00:34:14I just want to make sure you know that we're a band.
00:34:17I know Lisa going to get all the attention since she's the lead singer.
00:34:21But anything that we should be doing, we should be doing together.
00:34:25Interviews.
00:34:26Photo shoots.
00:34:29Everything.
00:34:29All right.
00:34:34Is that all?
00:34:40Yeah.
00:34:41Good to hear.
00:34:43Catch up with you on tour.
00:34:45Keep up the great work, fellas.
00:34:48Fantastic shoot today.
00:34:51Fantastic!
00:34:57That's dope.
00:34:58Why does she have to redo it?
00:35:00Yeah, I mean, it still needs a final mix, but we're close, Tony.
00:35:02We're close.
00:35:03Come on.
00:35:03No, we got it, we got it.
00:35:09Sounding good, sounding good.
00:35:12What's going on?
00:35:13Hey, Lisa, you're crushing that track.
00:35:18Come join us.
00:35:19Okay.
00:35:22Guys, the label's happy, so I'm happy.
00:35:26That's good.
00:35:28I know I don't have to tell you things are different now.
00:35:31We're playing in bigger venues.
00:35:32You guys are going to be on the road longer.
00:35:34That means more money.
00:35:35I mean, more money.
00:35:36More money.
00:35:37Hey, so you have to stay focused.
00:35:40You're not stars yet.
00:35:42Speak for yourself.
00:35:43Ha!
00:35:44I'm a star.
00:35:44I don't speak a star.
00:35:46All right, guys.
00:35:47Hey, great job today.
00:35:48Get out of here.
00:35:49See you tomorrow.
00:35:50Wait.
00:35:52Hey, I'm going to go to the camera.
00:35:53Okay, there.
00:35:53All right.
00:35:54Hey, Lisa, so you have a moment?
00:35:56Yeah, sure.
00:35:56It's business.
00:36:02Baby, I'll see you in the car in a second, yeah?
00:36:06I'll get the car.
00:36:09Don't be long.
00:36:10Baby.
00:36:14So, Rocco, I think...
00:36:15So, I picked up some papers.
00:36:17I just need you to go over some of it.
00:36:20If you need help, I can go over it with you.
00:36:23Yeah, I can, um, take a look at it later.
00:36:27Should probably get over it.
00:36:28Hey.
00:36:30I don't want someone to ask you.
00:36:33Wait, it's Rocco.
00:36:34Stop.
00:36:35That's looking good.
00:36:36Come here.
00:36:38Hey, what the hell are you doing, Rocco?
00:36:40Stop.
00:36:41No, stop, Rocco.
00:36:42You're playing too much.
00:36:44Hey, Rocco.
00:36:45Wait, stop.
00:36:47What are you doing?
00:36:49What's that all about?
00:36:50Stop playing.
00:36:51Can you stop doing it?
00:36:53Rocco, stop.
00:36:54I've been thinking about you all at this.
00:36:56Stop, Rocco!
00:36:59You played too much.
00:37:02See you later.
00:37:18You good?
00:37:19Yeah.
00:37:21You sure?
00:37:22I said I'm good.
00:37:23Just leave me alone, okay?
00:37:24Right, all right.
00:37:25Whatever.
00:37:25Jeez.
00:37:37Look at these.
00:37:40Oh, man.
00:37:41You ready to go spend some money?
00:37:42Hell yeah!
00:37:43Okay.
00:37:45Okay.
00:37:47Wow.
00:37:49No, this is it.
00:37:51Right?
00:37:52Oh, I love this card.
00:37:54What?
00:37:55Mm-mm-mm.
00:37:57I know.
00:37:58Do you take cash or check?
00:38:00Yeah, which one is it?
00:38:03It doesn't matter.
00:38:04I love this.
00:38:07Whoa!
00:38:09Oh yeah!
00:38:11Oh!
00:38:13But you had something in mind for us
00:38:17When I look into your eyes
00:38:21I can't stop the rhythm
00:38:23Should've known it only was a daydream
00:38:27What did I expect?
00:38:31Giving you my heart
00:38:33You're just playing a song
00:38:35Baby song!
00:38:36Hey!
00:38:38Let's get out of here, let's go
00:38:40Yo, this is fly
00:38:42Right?
00:38:43What?
00:38:44Nikki, can you find me this in a medium, please?
00:38:46Thank you
00:38:47Thank you
00:38:48You look amazing
00:38:50Oh my God
00:38:51Where's the guy?
00:38:52How's it happy?
00:38:53We gotta go
00:38:54Oh, I'm sorry
00:38:55I love you
00:38:56Love you too
00:38:57I'm sorry
00:38:58Get back, get back
00:38:59Chill, chill, chill
00:39:01Watch out, come on
00:39:02Sorry guys, so nice to meet you
00:39:04Thank you
00:39:06Wow
00:39:10Please, I love you
00:39:11It's the first time
00:39:12Mommy will come see me
00:39:13No, just
00:39:14Just get on the train
00:39:15And come on
00:39:18Shh
00:39:19Let me hear you say
00:39:20Mommy
00:39:21Mommy
00:39:22Mommy
00:39:23Hi, my mom
00:39:25Oh, I'm so glad you're here
00:39:26You're beautiful
00:39:27Oh my God
00:39:28You lost weight
00:39:29I've got a surprise for you
00:39:30Okay
00:39:31Yeah, I'll show you after the show
00:39:32Come on
00:39:33Okay
00:39:34This is for you
00:39:39This is for you
00:39:41What do you mean?
00:39:44It's yours
00:39:46No, I can't believe this
00:39:49Did you see what Lisa bought me?
00:39:51Oh my God
00:39:52Why did you do this?
00:39:53You know we were all saving up the bitch in and buy her car
00:39:55I know, I know
00:39:56I just wanted to do this for you
00:39:57No, no, that's not the point
00:39:58Ay, Eladio
00:39:59Why can't you just be proud of me?
00:40:01For once in your life
00:40:02Don't you just say
00:40:03I'm proud of you, Lisa?
00:40:05Why can't you do that?
00:40:06It kills you to think that I can leave
00:40:08And do something more
00:40:09And you're just stuck here
00:40:10You don't know what you're talking about
00:40:12Oh my
00:40:15Look at her
00:40:16Just let her have this
00:40:20Mommy, look at this
00:40:22The power's here
00:40:24Oh, and check the glove company
00:40:26Yeah
00:40:29What is that?
00:40:35This
00:40:36This
00:40:37This isn't
00:40:38What is he?
00:40:41Well, thank you, God
00:40:44Thank you, God
00:40:47Glory to God
00:40:48Thank you
00:40:49I bought the house
00:40:52It's yours, Mommy
00:40:54Forever
00:40:56No one can take it away from you
00:40:59You don't gotta worry about anything ever again
00:41:03Oh, my God
00:41:04My mommy
00:41:05Well, everything's just perfect now, isn't it?
00:41:08Eladio
00:41:11Eladio
00:41:14I love you, but I can't be sitting around waiting for you
00:41:17You heard?
00:41:18Okay
00:41:20You know how my job is
00:41:22And I told you you can come on the road with me
00:41:24You know?
00:41:25I'm not gonna follow you around like a little pet, okay?
00:41:27I'm a man
00:41:28I know
00:41:29I know you are
00:41:30And I need to work, okay?
00:41:31And I've been trying to be supportive
00:41:34Let me tell you something
00:41:36When you're gone, I feel like my only job is to wait on the phone
00:41:40Mommy!
00:41:41And I mean what?
00:41:42That's the only thing I've been doing these past few months
00:41:45I'm surprised you remembered it was my damn birthday
00:41:49Yeah
00:41:50I told you
00:41:51I'm working
00:41:52I don't know how many times we have to have the same argument over and over again
00:41:56Does working include letting a bunch of guys all up in your grill?
00:41:59What the hell are you talking about?
00:42:02Let them touch you, feel all over you, hmm? Is that what you like?
00:42:05Okay, I don't know where this is coming from, but you bugging me
00:42:07Oh yeah, I'm bugging?
00:42:11Stop, Javi, wait, wait!
00:42:14What?
00:42:15What do you want? What do you want?
00:42:16What do you want from me?
00:42:18You wanna be with me?
00:42:19Of course
00:42:22Marry me
00:42:26I love you, okay? I do
00:42:30I don't want to sit here
00:42:32Wondering if you're mine
00:42:36Baby, I'm yours
00:42:38Yeah
00:42:39Then marry me
00:42:41Marry me, or I'll go home
00:42:42Pack my things and leave
00:42:44Cause as is
00:42:45This isn't gonna work
00:42:51It's your choice
00:42:54Okay
00:42:58Okay
00:43:00Really?
00:43:02Let's get married
00:43:03We're getting married
00:43:04You out of your mind?
00:43:05What is your problem?
00:43:06Lisa, you guys are 20 years old
00:43:09How do you, either of you know what a commitment is?
00:43:12You guys are just two kids playing house
00:43:13Don't do this
00:43:14Wait until you're older and out of this game
00:43:15You don't understand, Eladio
00:43:16All the time it's the same thing
00:43:17No, no, no, no, I understand plenty
00:43:18You trust people when you shouldn't
00:43:19Mami
00:43:20Say something, por favor
00:43:21Mamita, please
00:43:22Why?
00:43:23Why do you want to get married so young?
00:43:25I love him, Mami
00:43:26How do you know it's love?
00:43:28Nana
00:43:29You will find someone who will love you
00:43:30You will
00:43:31You will
00:43:32I saw it in my dreams
00:43:33A man who will love you
00:43:34Who you will have children with
00:43:35But it's not Javi
00:43:36But it's not Javi
00:43:38I love him, Mami
00:43:39I love him, Mami
00:43:40How do you know it's love?
00:43:42Nana
00:43:43You will find someone who will love you
00:43:48You will
00:43:50I saw it in my dreams
00:43:52A man who will love you
00:43:54Who you will have children with
00:43:59But it's not Javi
00:44:05Congratulations
00:44:09Una amiga muy sincera
00:44:14Que me quiera, que me quiera
00:44:19AhÃ
00:44:26Busca
00:44:27Dale
00:44:28Javi
00:44:35Some guys will promise you a marriage made in heaven
00:44:40But I'm gonna stick to my guns
00:44:44Lisa Lisa of Lisa Lisa and the Colt Jam began simply as Lisa
00:44:49A young Puerto Rican girl who dreamed of being a singing sensation
00:44:53That dream started to come true in 1985
00:44:56When the music producer group went looking for a female lead
00:44:59And stumbled across the 16-year-old scene
00:45:01In that same year, they renamed the band Lisa Lisa and Colt Jam
00:45:06Producing three top-selling hits which brought the band to platinum status
00:45:12Both Lisa and the band attribute their success to their street-wise sound
00:45:19Lisa Lisa has been compared with other top-selling artists such as Debbie Gibson, Paula Abdul, and even Madonna
00:45:26Their most recently released album is purposefully called Straight to the Top
00:45:32A place where Lisa Lisa and Colt Jam hope to be for a very long time
00:45:36Man, I'm glad I ain't got no sisters
00:45:40Wake up
00:45:42There they are
00:45:44There they are
00:45:52Okay, listen, shaving is like farming
00:45:56You gotta start with little strokes and go up each side
00:46:00Like that
00:46:02Can't believe you never did this before
00:46:04Don't you have sisters?
00:46:07No
00:46:09You got me now
00:46:10Hello?
00:46:14Oh, hey, babe
00:46:16Of course, I'm in my hotel room
00:46:17Where else would I be?
00:46:21Oh
00:46:28All right
00:46:31I'll be home in two weeks
00:46:34Okay
00:46:35Okay
00:46:37I love you
00:46:47He's going out with his boys again, huh?
00:46:49Yeah
00:46:54It's the third time this week
00:46:56I think it's funny, huh? He always wants to know where you're at
00:46:58But you never ask him where he's going
00:47:00No need
00:47:01I trust him
00:47:03Javi!
00:47:05I'm home
00:47:16Baby!
00:47:32You know, if Barry finds out...
00:47:35I know...
00:47:38Are you sure it was positive? Like, does your mom know?
00:47:45What'd she say?
00:47:46She said not to have his child?
00:47:47She said that he reminded me of his child
00:47:49She said that he reminded me of his child
00:47:51You know, if Barry finds out...
00:47:52I know
00:47:54I know
00:47:56Are you sure it was positive? Like, does your mom know?
00:48:00What'd she say?
00:48:01What'd she say?
00:48:08She said not to have his child
00:48:13She said that he reminded her of my dad
00:48:16And...
00:48:18And reminded me what a mistake it was to marry him
00:48:21I don't know
00:48:22Maybe I loved him because I wanted a man to love me
00:48:29But my father didn't do it
00:48:33Why don't you ever talk about your family?
00:48:42Ain't nothing to talk about
00:48:47Ain't nothing to talk about
00:48:51What do you do when you go back home? Where do you go?
00:48:54I got places
00:48:58Look...
00:49:00I mean, most kids...
00:49:02Most kids have memories of being a kid
00:49:05Like, happy memories of love and their parents and family
00:49:08And...
00:49:10I just don't got that
00:49:12And I'm okay with it
00:49:15That's why I enjoy moments like this
00:49:18Making new memories
00:49:20Time with you
00:49:22One of my best friends
00:49:25One of your best friends?
00:49:27I better be at the top of that very short list
00:49:30Look, see...
00:49:31Miss Tony
00:49:33That's why I should have never said nothing
00:49:35Aw, you call me your best friend
00:49:36Oh, look
00:49:37You're so cheesy
00:49:38That's why I don't open up to people, okay?
00:49:42Seriously, though
00:49:44What are you gonna do?
00:49:48I can't have a baby
00:49:51They'll lose everything, Tony
00:49:53I'ma help you
00:49:55Thank you
00:49:56I'ma help you
00:49:57I'ma help you
00:49:58I'ma help you
00:49:59I'ma help you
00:50:01I'ma help you
00:50:02I'ma help you
00:50:04Can you just...
00:50:05Can you just...
00:50:06Can you just leave me alone for a minute?
00:50:08Like it is
00:50:10The more I think about
00:50:14How much I let me down
00:50:17I need a new day to start the rest
00:50:21Time to get back to me
00:50:23Gotta go
00:50:24Yes, I know it
00:50:33Hey, but you see Shorty over there?
00:50:36You think I'll get her a little drink?
00:50:38I mean, she look good, but I mean...
00:50:40It's up to you, really
00:50:41Come on!
00:50:42Yo, what up, Tony?
00:50:43What's up?
00:50:44Damn!
00:50:45Girl, you look busted.
00:50:46You go get some sleep.
00:50:48Trying to, dude.
00:50:49Needed a little something.
00:50:51How's Lisa?
00:50:52I know she wasn't feeling well
00:50:53She's good
00:50:54You sure?
00:50:55Yeah, she's tired, that's all
00:50:56Cause I think Javi's on the outs
00:50:58Thank God
00:50:59Hated that dude
00:51:01Yo, what can I get for you?
00:51:02Bartender, let me get, um...
00:51:04Let me get a whiskey
00:51:05Double
00:51:07Oh, damn
00:51:09You drink like a dude
00:51:20You flirt like one, too
00:51:28Excuse me, fellas
00:51:30Got some business to take care of
00:51:38Oh, no
00:51:39Come on, come on
00:51:41Damn!
00:51:43Oh, Mike
00:51:44Mike, man
00:51:45She's stealing your girl
00:51:47Again
00:51:48I gotta use a baffle
00:51:51Oh, Mary
00:51:52Snap out of it
00:51:53Why am I paying a tab on time?
00:51:56I got it, I guess
00:52:06Under the pale moon rising
00:52:09A minute to midnight
00:52:12Yeah, we know
00:52:13Time is running out
00:52:15Never mind
00:52:18Never mind
00:52:20Keep on smiling
00:52:22Now, Lisa, it's important that you listen to what I have to say, okay?
00:52:26Okay?
00:52:28We just got your results back
00:52:30And, uh...
00:52:32It says that you have ductal carcinoma breast cancer
00:52:37You'll need to start treatment right away
00:52:40Have work
00:52:42I have to travel for a few concert dates
00:52:45I'm afraid that's not possible
00:52:47If you don't treat it now, the chances of it spreading rapidly increase
00:52:51Limiting the chances of survival
00:52:55Survival?
00:52:57Mm-hmm
00:53:01I can't stop touring
00:53:02I'll lose everything
00:53:04I'll lose everything
00:53:06Is there someone we can call?
00:53:07No, no one
00:53:09No, no, I don't want anyone to know about this
00:53:13Doctor, can we prepare a travel kit for her to do treatments?
00:53:19Yeah
00:53:21I can coordinate with the hospitals in the city that she's traveling to and we can monitor her that way
00:53:26That works
00:53:29We can start your treatment tomorrow
00:53:33A word with you, please
00:53:41That is my place
00:53:43Do you understand?
00:53:46Okay, I understand
00:53:47Alright
00:53:56Hey, Mamita
00:54:02I know
00:54:05If I stop touring, it all stops
00:54:09The music, the sponsorships
00:54:14Then I just paid off my mom's car
00:54:17Her house
00:54:19You know, I took advancements to...
00:54:21I took advancements to...
00:54:23I took advancements to make that happen
00:54:26And I can't, I can't stop
00:54:29My mommy, my mommy's just gonna...
00:54:33She was so happy
00:54:35She was so happy
00:54:37I can't stop, you understand? I can't stop
00:54:42We're gonna fix it
00:54:44We're gonna fix it so that you don't have to stop, okay?
00:54:47You're gonna be okay
00:54:48You're gonna be okay
00:54:51You're gonna be okay
00:54:53We're gonna pray for you
00:54:55Here, mama
00:54:56Here, here, take this
00:54:58Yes
00:55:03You're gonna be okay
00:55:08By the way, my daughter
00:55:11She loves your music
00:55:12She does
00:55:16She does
00:55:18She looks up to you so much
00:55:20A lot of little Latinas look up to you
00:55:23I...
00:55:25Listen, mama
00:55:27You got this, okay?
00:55:29You're gonna be okay
00:55:33You hear me?
00:55:42Hey, come here
00:55:44We need to have a meeting
00:55:46I've been looking over the contracts and something seems off
00:55:48You notice your pay?
00:55:50Uh, yeah, yeah, it's been a little life
00:55:51I haven't thought about it
00:55:53I'm exhausted, can we talk about it later?
00:55:55Tony said that we should...
00:55:57Tony's not a part of this band
00:55:59We need to have a conversation between us
00:56:01And just us, Lisa
00:56:02I gotta go, Mike
00:56:18We need to do it soon
00:56:23Look, I'm sick and tired of this, Alex
00:56:26Tony
00:56:27What is this?
00:56:30It's your paycheck.
00:56:31Thought I'd hand delivery.
00:56:33Why? What do you want?
00:56:35You're not one to beat around the bush.
00:56:37Maybe you are.
00:56:39I wanted to ask about your friendship with Lisa.
00:56:42What am I friendship?
00:56:44The reporter was prying the other day,
00:56:46assuming she's a lesbian.
00:56:47You know, I corrected her, of course,
00:56:49but having those kinds of questions,
00:56:52it doesn't benefit anyone. It doesn't.
00:56:57Back off, Lisa.
00:56:59You down?
00:57:01Yeah.
00:57:03Yeah, I think so. Thanks.
00:57:22Hey, you got a lighter on you?
00:57:24Yeah.
00:57:25Let's make time for a chat over the break.
00:57:29I don't want to see everything slip away
00:57:31over one person.
00:57:33We'll have lunch.
00:57:35Okay.
00:57:47You have a drink?
00:57:49I'm gonna need an advance when those jobs rob were arranged.
00:58:02Sure.
00:58:03Got a few bills that popped up.
00:58:05Um...
00:58:07What upcoming jobs?
00:58:08I...
00:58:09I don't see anything.
00:58:10Oh, the commercial.
00:58:11I signed the paperwork a while back.
00:58:19Ah, here it is.
00:58:21It seems like that deal fell through.
00:58:23What?
00:58:24Yeah.
00:58:25Did they say why?
00:58:27The client pulled out?
00:58:29No.
00:58:30No, that can be.
00:58:31I...
00:58:32I...
00:58:33I just spoke to them.
00:58:34I had a whole creative, uh, conversation about...
00:58:37about the commercial and what I wanted to do with it.
00:58:39I...
00:58:40They were excited about us.
00:58:43Look.
00:58:44I heard Barry said he didn't agree with the creative.
00:58:47And that was a deal breaker for them.
00:58:49So, he turned down the commercial.
00:58:51Hmm.
00:58:54I'm so sick of this.
00:58:55I've had enough.
00:58:56Whoa, whoa, whoa.
00:58:57Get your hands off of me.
00:58:58Mr. Barry.
00:59:00How dare you?
00:59:02Excuse me?
00:59:04We are the band.
00:59:06You don't turn down a job without letting all of us decide!
00:59:11Okay.
00:59:12This is how the industry works.
00:59:15You signed the contract.
00:59:17You belong to us.
00:59:19We decide what's best.
00:59:21Or we find another band who will accommodate us as we need them to do.
00:59:32Go home.
00:59:33Get some rest.
00:59:34You look like hell.
00:59:38Yeah.
00:59:39Hold on.
00:59:40Lisa!
00:59:43Remember.
00:59:44There's plenty of girls waiting in line to take your place.
00:59:50Hey.
00:59:51Hey.
00:59:52Yeah, no.
00:59:53No, I just had to give someone a little attitude adjustment.
00:59:55Uh-huh.
00:59:57Do you have a phone I can use?
00:59:59Sure, baby.
01:00:00No.
01:00:01No.
01:00:02No.
01:00:03No.
01:00:04No.
01:00:05No.
01:00:06No.
01:00:07No.
01:00:09We got to talk.
01:00:11I stopped by accounting.
01:00:13I pulled up all contracts.
01:00:14And?
01:00:15Barry and Rocco turned down that commercial.
01:00:18Man, what the hell are we gonna do?
01:00:20I think we should bring in Toni.
01:00:22She's done this before.
01:00:23She's a backup singer, period!
01:00:25Okay, do you have a problem without female schooling you?
01:00:26That's your problem!
01:00:27Knock it off!
01:00:28Both of you!
01:00:29We need to figure out how to get out of these contracts before we tear each other apart
01:00:34They the bad guys not us man. Yeah
01:00:37Right, I know a guy who's done this before I'm gonna give him a call
01:00:42Oh, so we can't call Tony, but we can call a stranger. We barely know great. Lisa, please
01:00:48We need to figure out what we're gonna do first before we'll let him know. Yeah
01:00:52What?
01:00:54There's a few execs at the label that are concerned with your friendship with Tony
01:00:57Who cares if I'm friends with Tony?
01:00:59You just listen to her way too much. You don't like the fact that I'm close to her or that she's gay. What that's ridiculous
01:01:06You know how many gay musicians are out there? A lot. You have a lot on your plate
01:01:12You just don't need another voice in your head giving you advice. Yeah, come on Lisa
01:01:17This is our band. We started this together. Lisa. Hey, I like Tony
01:01:23Okay
01:01:25And I don't care what she does for her free time, you know, but
01:01:29This
01:01:31This could hurt us
01:01:33No, it won't
01:01:36She's like a sister. She's my best friend
01:01:40Tom is money
01:01:42Do it
01:01:45Stop worrying about Tony and start looking into the contracts and how we keep losing money because of these guys
01:01:52You don't need you all right? This is not the only thing I told you we don't need her. She's wet. Don't stab at me like that
01:02:04Don't stab at me like that
01:02:06Get out of these contracts before we tear each other apart
01:02:08This is our band's best or we find another band who will accommodate us as we need them to do
01:02:14Okay, I'm a man. There are plenty of girls waiting in line. We started this together
01:02:18There's a few execs at the label that are concerned about you for what you want to do
01:02:21I see how they are
01:02:25The band's here to take you to the mall
01:02:27Lisa, come on
01:02:28Yeah, I'll be right there
01:02:30Lisa, what are you doing?
01:02:32Rocco says the place is packed
01:02:34Can you meet him?
01:02:36I can't hear him. I'll be right there
01:02:38Yeah, I said I'll be right there
01:02:41This is a great turnout
01:02:51I can't do this anymore
01:02:59What?
01:03:00I need a break
01:03:01All right, you'll get a break soon
01:03:02I promise
01:03:03No, now!
01:03:04Girl, you better calm down
01:03:05I said you would get a break
01:03:08All right, the sooner you start, the sooner you will finish
01:03:12Get back to work
01:03:13Hey, I'm sorry about that
01:03:19That should never happen
01:03:27Hi, thank you so much for your patience
01:03:33Thank you
01:03:34Oh, this is such a good challenge
01:03:37Come on, Lisa
01:03:38I've been waiting all day
01:03:39Hey, can I please get a kiss?
01:03:40I'm sorry, no, just an autograph
01:03:41Come on, you look fine
01:03:42Come on, Lisa, please, fine
01:03:43Sorry, just an autograph
01:03:44I said no, man
01:03:45Tony
01:03:46Oh, we good?
01:03:47We good?
01:03:49What the hell are you doing, Tony?
01:03:51What?
01:03:51You can't be letting dudes get all grabby like that
01:03:53These are fans
01:03:53They're the reason why we're here
01:03:55We can't be handling things like this
01:03:57What the hell is that supposed to mean?
01:03:58It means how we gotta be more thoughtful
01:04:00How you handle situations, don't we?
01:04:02Not everything is a confrontation
01:04:04What the hell is the matter with you?
01:04:06You've never had an issue before, alright?
01:04:08You look tired and, I mean
01:04:09Okay, you're one to talk
01:04:11You know what?
01:04:13I don't need this, alright?
01:04:15Because all I was doing was making sure
01:04:16You were alright like I always do
01:04:18Oh, you don't!
01:04:19Don't check on me for once
01:04:21I already have a brother
01:04:22I don't need another one hovering over me
01:04:25You good?
01:04:47Yeah, I'm good, I'm just tired, you know, what's going on.
01:05:05Oh, man.
01:05:07Riding in style.
01:05:08That's nice.
01:05:09Look at this, man.
01:05:10What is lame-ass Tony riding with us to the show for?
01:05:14I don't know, man.
01:05:15Ask Lisa.
01:05:16I will.
01:05:17What you asking me for?
01:05:19Got a mind reader?
01:05:28Why aren't you listening to Rocco?
01:05:30The label doesn't want her around, and she's messing with our money.
01:05:33I invited her, Mike.
01:05:34Yeah, and that's the problem.
01:05:35We keep making all these decisions without consulting the group.
01:05:38And we're sick and tired of it.
01:05:39Right, Alex?
01:05:40Guys, listen, look, I'm a lover, not a fighter, all right?
01:05:43Can we just talk about it later?
01:05:44Right now, we just need to focus.
01:05:45No, we can't talk about it later.
01:05:47I was going to keep this between just us, but I had a lawyer look over everything.
01:05:53And those contracts that we signed, put Rocco in charge of everything.
01:05:57He screwed us.
01:05:58He screwed us.
01:05:59Nah.
01:06:00You screwed yourself.
01:06:01I already told you.
01:06:02The music game.
01:06:03You either hustle or you get hustled.
01:06:05And you got hustled.
01:06:07Yeah.
01:06:08Just like your daddy be hustling you, right?
01:06:11Who the hell are you talking to?
01:06:12I'm talking to you.
01:06:13I'm talking to you.
01:06:14I'm talking to you.
01:06:15I'm talking to you.
01:06:16Chill.
01:06:17Chill.
01:06:18Chill.
01:06:19Chill.
01:06:20Chill.
01:06:21You need to be out of here now.
01:06:22Chill out.
01:06:23Stop.
01:06:24Mike, stop dissing her.
01:06:25This is the biggest night of our careers and you guys are walking in a damn car?
01:06:29Man, what are we going to do about these contracts?
01:06:41Nothing.
01:06:42What do you mean nothing?
01:06:43Those contracts are signed.
01:06:45We signed them.
01:06:46I just bought my mom a house.
01:06:48My brother a car I'm paying for my sister's college.
01:06:51That can all go away tomorrow like that.
01:06:54Let's just ride this wave until we can renegotiate.
01:06:58Cause I ain't going back to folding sweaters in the stock room.
01:07:01You hear me?
01:07:28I know.
01:07:29You can't fight everybody, Tony.
01:07:31You're lucky Barry wasn't there.
01:07:32Me?
01:07:33I don't care about Barry.
01:07:34All right?
01:07:35He's the one that started it.
01:07:36Stop.
01:07:37Stop.
01:07:38I can't handle this.
01:07:39Handle what?
01:07:40The truth?
01:07:41I've been saying the same thing over and over and over.
01:07:42Now it's happening.
01:07:43Now it's a problem.
01:07:44What is up with you?
01:07:45You've been acting different from once now.
01:07:46You never acted like this.
01:07:47I always kept it real with you.
01:07:48He, in fact, has been talking to me crazy and I'm not going to keep around with it.
01:07:50Maybe you don't know what the hell you're talking about, Tony.
01:07:51Okay.
01:07:52Maybe I can stick up for myself.
01:07:53Do it.
01:07:54The rise of hip hop and electronic dance music is forcing the freestyle genre to fade.
01:08:15I'll be back in a minute to check on you.
01:08:39It's Lisa.
01:08:40Lisa.
01:08:41Hi.
01:08:45It's Lisa.
01:08:56I was just dét a lie about his knownoku burning.
01:08:57I don't know that.
01:08:58I'm sorry but...
01:08:59No...
01:09:00I can't go...
01:09:02Yay.
01:09:03She's killing it, right?
01:09:04I'll just show you what you got.
01:09:05Beta-da-da-da-da...
01:09:07Beta-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da.
01:09:12Oh, we got a whole ton and we got a whole ton and realised it's so hot on.
01:09:14What's up?
01:09:16I stopped out to get my chick.
01:09:18Ain't no way to rehearsing.
01:09:20Who was that? She's cute.
01:09:24Tony!
01:09:26Do you have a minute?
01:09:28Come in a bit.
01:09:44What's up?
01:09:46I'm going to go!
01:09:48I need to sleep.
01:09:50I need to sleep.
01:09:52I need to sleep.
01:09:54I need to sleep.
01:09:56Ah, see how she's on the train.
01:09:58I need to sleep.
01:10:00Ah, look.
01:10:02We're here.
01:10:04Come on, 물!
01:10:06We're here!
01:10:08What is it?
01:10:10Really?
01:10:12Look what the cat's wrong in.
01:10:26I need a job, man.
01:10:31Is that all you need?
01:10:37Hey!
01:10:40I told you.
01:10:42You'll be back.
01:10:51This love we have could be real.
01:10:54Let me show you how I feel.
01:10:58Oh, boy.
01:11:01We can make it, we can make it work.
01:11:05Hey, that was good.
01:11:06I want to do it one more time, okay?
01:11:07Great job.
01:11:08Hey, look who's back.
01:11:10It's so good to see you, Lisa.
01:11:12Lisa, you look terrible.
01:11:16You're not pregnant, right?
01:11:17Shut up, Spanador.
01:11:19Who's that?
01:11:21That is...
01:11:24Spanador?
01:11:27Mike.
01:11:28Mike!
01:11:31Lisa, hear me out.
01:11:32Where's Stoney?
01:11:35Where's Stoney?
01:11:35Where's Stoney?
01:11:38Lisa!
01:11:38I told you.
01:11:48Barry!
01:11:50I'm going to have to call you back.
01:11:52What happened to Stoney?
01:11:54I was going to explain it to you.
01:11:56Who the hell is that to let her go?
01:11:57It was a group decision.
01:11:58I'm a part of this group.
01:12:01Stoney's toxic, okay?
01:12:03She's violent.
01:12:03We do not need an individual like that on the road.
01:12:07She's a liability.
01:12:07I need her.
01:12:08I need her on the road.
01:12:10I want her back.
01:12:11No.
01:12:12What?
01:12:13It was a management decision.
01:12:15I'll just go bring her back here.
01:12:16You know, if you go after her, I have to believe that you are not serious about your career.
01:12:22You could lose everything you have worked for.
01:12:26And for what?
01:12:28Some lesbian?
01:12:30How dare you?
01:12:32What does it matter who she sleeps with or who she is?
01:12:38You don't like Stoney because she sees through your lives.
01:12:43Mm-hmm.
01:12:44You don't like her because she teaches me about snakes like you.
01:12:47I'm not going to go on without her.
01:12:53Period.
01:12:54Whoa, whoa, whoa, whoa.
01:12:55You're from the ghetto.
01:12:57You never graduated from high school.
01:12:59You cannot make it in this business without someone like me.
01:13:11Watch me.
01:13:16Mm.
01:13:17Have you seen Tony?
01:13:27I'm sorry, girls.
01:13:28I can't write.
01:13:31Lisa?
01:13:32Why are you looking for Tony?
01:13:34Is she using again?
01:13:36I didn't know she used.
01:13:37You don't want to know she used.
01:13:41Maybe not.
01:13:42Well, Pops, she's using again.
01:13:44She'll be with him.
01:13:44He's a drug addict pimp.
01:13:46He's living somewhere in the projects.
01:13:48If you find him, you'll find her.
01:13:51Thanks.
01:13:52Hey, Lisa.
01:13:53You got to save her.
01:13:55If she stays in the projects, she'll end up just like her father.
01:13:59Music's all she has.
01:14:00Can we just get an autograph?
01:14:04Get out of the way.
01:14:05Hey, Lisa.
01:14:06Be careful.
01:14:08Project's no place for a girl after sunset.
01:14:10Yo, I don't think she's breathing.
01:14:14She'll be all right.
01:14:18I don't know, B. We need to do something.
01:14:21It's your daughter, man.
01:14:23It's a grown-ass woman.
01:14:25She ain't did nothing she ain't want to do.
01:14:27Tony!
01:14:28What the hell is that?
01:14:29Tony!
01:14:29Are you here?
01:14:31Hey, get the piece, man.
01:14:32Hold me down.
01:14:33What the hell are you doing here?
01:14:38You hear me talking to you?
01:14:39Tony.
01:14:40Tony.
01:14:41Tony.
01:14:41Hey!
01:14:42Tony!
01:14:43Tony!
01:14:43Tony!
01:14:44No, no.
01:14:45Get up.
01:14:46Get up.
01:14:47She's barely breathing.
01:14:49She ain't going nowhere.
01:14:54She's going to die.
01:14:56We all got to go sometime.
01:14:58But you?
01:14:59You ain't going nowhere, Baudicua.
01:15:01There are off-duty police officers waiting for me outside.
01:15:14If they come over here and they spot that pile of cocaine you got there,
01:15:20they're going to pick you up for the multiple warrants you probably have
01:15:24and you will die in prison.
01:15:26You hear me?
01:15:31Don't get outside.
01:15:39Having babies don't make you a father.
01:15:42Caring for them does.
01:15:45You ain't no father.
01:15:48Hey, Baudicua.
01:15:50Don't ever let her come back here.
01:15:52What day is it?
01:16:16Tuesday?
01:16:19You've been out all night.
01:16:25Oh.
01:16:27This?
01:16:30It's the latest in accessories.
01:16:32The chemo pack.
01:16:33I've had her for a while.
01:16:40Doc told me after...
01:16:44Javi and I split up.
01:16:49But why?
01:16:51Why didn't you say anything?
01:16:53I didn't tell anyone because I was...
01:16:56because I was scared.
01:17:01Scared of what?
01:17:03Scared of losing everything.
01:17:07You know, when I was a kid,
01:17:09I would stand on a chair in the kitchen
01:17:12and just dream I was on a stage singing.
01:17:15You know, that I was the one
01:17:19coming out of Radio City Music Hall
01:17:20in a limo.
01:17:24That I would take care of mommy
01:17:26and that I would make
01:17:27Elaglio proud.
01:17:30They'd see me all successful.
01:17:36For a while it felt like
01:17:38everything we were living
01:17:40was that dream.
01:17:46And the moment
01:17:47anyone said cancer,
01:17:50I would...
01:17:51I would just lose it all.
01:17:57That everything would be gone.
01:17:59You know, the tour, the bands,
01:18:01the money.
01:18:05You?
01:18:08I was terrified of losing you.
01:18:10And I was so angry at you.
01:18:17Why did you do that?
01:18:20I once...
01:18:23I asked a junkie...
01:18:28how did he start getting high?
01:18:31This guy was a track star.
01:18:33He...
01:18:34I don't know, he ended up...
01:18:36strung out in the projects most nights.
01:18:39But he said when you...
01:18:42spend your life...
01:18:45being numb...
01:18:48drugs help you to feel something.
01:18:51And I guess I just...
01:18:53I just wanted to feel something.
01:18:55I've been selling rock for my pops.
01:18:58It was never about the money.
01:18:59I just wanted him to love me.
01:19:05Tony.
01:19:06I guess I just...
01:19:08I gotta accept the fact
01:19:10that he'll never be able to do that.
01:19:15You can't force anyone
01:19:17to love you the way you want.
01:19:18I know that.
01:19:23Now.
01:19:26Do you?
01:19:27You're my best friend.
01:19:39My sister.
01:19:40My family.
01:19:43I don't ever want to lose you.
01:19:46You'll ever lose me.
01:19:48You got that?
01:19:49I don't ever want to lose me.
01:19:53Then no more secrets?
01:19:57No secrets.
01:20:00Because sisters don't keep secrets.
01:20:04Okay?
01:20:08No more secrets.
01:20:11I think there's one more person
01:20:12you need to tell.
01:20:13It's been so long since I've seen you, baby.
01:20:27What are you doing here?
01:20:29I'm sorry, Mommy.
01:20:32I've been busy.
01:20:34I have so much to tell you.
01:20:36But what are you doing Saturday night?
01:20:43It will be your life.
01:20:49It will be your life.
01:20:58We did it, Mom.
01:21:05Yes, we did.
01:21:13I will, I will.
01:21:21I know I'll take you.
01:21:25I know I'll take you.
01:21:32Hi, Mommy.
01:21:34Baby.
01:21:35I got you seats in the front row.
01:21:40We'll eat after, yeah?
01:21:41Mm-hmm.
01:21:41Mm-hmm.
01:21:43Yeah.
01:21:46Yeah, baby.
01:21:48I'm so beautiful.
01:21:53Yeah.
01:21:55Yeah?
01:21:57It's time.
01:22:02I'll see you later.
01:22:03Yeah.
01:22:05Hey.
01:22:07I got you something.
01:22:11What?
01:22:11I thought I lost them.
01:22:15It was in some of the boxes from when you moved.
01:22:18Ha.
01:22:19I figured you might need it, since you never went anywhere without them.
01:22:28Lisa, it's not that I didn't think you could take the D-Train alone or pay for Mama's bills or do all of this.
01:22:47I just, I just, I wanted to be the one to do that for you, so you didn't have it as tough as I did.
01:22:59I just, I wanted to be the one to take care of my little sister.
01:23:03And if I never told you this, I've never been more proud of anyone in my entire life.
01:23:19I love you, sis.
01:23:20I love you, sis.
01:23:25Oh, yeah.
01:23:27Oh, yeah.
01:23:27Hello, New York! Are you ready for this?
01:23:51Can you feel a big bit in my heart? Can you see my life shine through the dark?
01:23:57Can you feel a big bit in my heart? Can you see my life shine through the dark?
01:24:03Can you see that you must be a part? Oh, that beat in my heart, that beat in my heart.
01:24:20I'm Lisa.
01:24:22Tony.
01:24:27Let me hear you scream!
01:24:29We're gonna do this my way, or not at all.
01:24:59Don't you have sisters?
01:25:11You got me now.
01:25:29Oh, you're so cheesy.
01:25:36Can we stay in love, New York?
01:25:39Are you ready for this?
01:25:40Can you feel the beat within my heart?
01:25:42Can you see my love shine through the dark?
01:25:44Can you feel the beat within my heart?
01:25:46Can you see my love shine through the dark?
01:25:48Can you see that you must be a part of that beat in my heart?
01:25:51Tony!
01:25:52Tony!
01:25:53Get up!
01:25:54Get up!
01:25:55That beat in my heart.
01:25:59That beat.
01:26:00Let's go!
01:26:10You're my best friend.
01:26:11I don't ever want to lose you.
01:26:13You want to know about my life?
01:26:20Well, here you go.
01:26:24Hopefully, I'll be back.
01:26:25I'll be back.
01:26:26I'll be back.
01:26:27I'll be back in the dark.
01:26:29Oh, yeah.
01:26:31You'll be back.
01:26:34Oh, yeah.
01:26:35You'll be back, fly, fly away
01:26:42Oh yeah, yeah
01:26:46You'll be back for death
01:26:49You can back away
01:26:54It will be all right
01:27:00It will be all right
01:27:04It will be all right
01:27:34And it seems life is too much
01:27:38When it seems so hard to make tomorrow count
01:27:46You'll be back, fly away
01:27:50You'll be back, fly away
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