Au Pair Girls. (1972 film)

deaddogsdam

Four foreign girls come to England as au pairs, and quickly become quite intimate with their employers, host families, and everyone else they encounter.  Astrid Frank - Anita Sector Johnny Briggs - Malcolm Gabrielle Drake - Randi Lindstrom Me Me Lai - Nan Lee (as Me Me Lay) Nancie Wait - Christa Geisler Joyce Heron - Mrs. Stevenson Daphne Anderson - Mrs. Howard Geoffrey Bayldon - Mr. Howard Roger Avon - Rathbone Rosalie Crutchley - Lady Tryke Harold Bennett - Lord Tryke Julian Barnes - Rupert John Le Mesurier - Mr. Wainwright Richard O'Sullivan - Stephen Derek Gray - Farmer Charles Morgan - Fred Marianne Stone - Mrs. Fairfax Lyn Yeldham - Carole Norman Chappell - Salesman Robin Ford - Croupier Ferdy Mayne - Sheik El Abab John Standing - Buster Steve Patterson - Ricky Strange Trevor Bannister - The Photographer Christine Donna - Karen Milton Reid - The Guard Marcia Fox - Eve Carole Catkin - Dawn Jack Arrow - Bowler-hatted Gent at Airport Maria Coyne - Naked woman washing car  Director - Val Guest

Transcript

00:00:00They come from here, they come from there

00:00:28No matter where they may come from, they're always welcome everywhere

00:00:34Au pair, with swinging hips, with swinging hair

00:00:40They got a dream to the swing scene, every fellow needs to share

00:00:46Au pair

00:00:51Today, you will take her far apart

00:00:57But soon, baby, love will start

00:01:02She will win your heart too

00:01:06You like her smile, but in a while

00:01:09You're bound to know that she's gonna go far away

00:01:13And leave you there

00:01:16Take care

00:01:19If you're all in love

00:01:22With a new au pair

00:01:28Au pair

00:01:34Au pair

00:01:40You'll take her far apart

00:01:50You'll take her far apart

00:01:51But soon, baby, love will start

00:01:56She will win your heart

00:01:59You like her smile, but in a while

00:02:03You're bound to know that she's gonna go far away

00:02:07And leave you there

00:02:10Take care

00:02:13If you fall in love

00:02:16With a new au pair

00:02:19Au pair

00:02:24Au pair

00:02:29Scandinavian airlines announce the arrival of their flight 369 from Stockholm

00:02:52Will the Trans Europa air crew report to the duty office at once, please?

00:02:59We'll try to take care

00:03:00We've heard

00:03:02We'll try

00:03:11Both by

00:06:51to meet your family oh yeah well now there is a mr. and mrs. Howard oh very

00:06:57nice people and a lovely house they have color TV the color TV

00:07:02well I suppose so but you must remember you are here to work not play oh yeah I

00:07:08work with them all day and in the evening I play with myself with TV is no

00:07:12good yeah I suppose yeah yeah here's the address miss Brandy Lindstrom yeah welcome

00:07:24to London dear

00:07:35all the above listed humanities are licensed by the US for ultimate

00:07:41destination Beirut Lebanon and any deviation therefore is contrary to US

00:07:46law and is strictly prohibited yours faithfully et cetera et cetera marine

00:07:52engineering corporation San Francisco oh oh sorry dad I didn't know you were

00:07:59dictating oh what the hell did you think I was doing having an orgy with this

00:08:02there's also a let's sign over the door which says do not enter and even if it

00:08:15wasn't lit it's common courtesy to not before entering

00:08:17Yes, Dad. I'm sorry.

00:08:18No, no, no. Not now, not now.

00:08:20Christ, you think it's your age.

00:08:22All right, Miss Fitch, I'll ring for you.

00:08:24Yes, Mr. Wimmer.

00:08:28All right, well, what's the problem?

00:08:30Well, there's no real problem, Dad.

00:08:32Would you mind not calling me Dad?

00:08:34You're supposed to be Deputy Managing Director of this company.

00:08:36Just call me B.W. like everyone else.

00:08:38Yes, B.W.

00:08:40Well, the point is that Mum, I'm sorry, er, Mrs. B.W.

00:08:43suggested that I should pick up the new Opeca.

00:08:45You mean you suggested it?

00:08:47Well, I mean, she may never have been in London before, you know.

00:08:49What is she? A deaf mute or something?

00:08:50She doesn't have to be picked up.

00:08:51Perhaps she can't speak in English.

00:08:52Well, of course she does.

00:08:53Everybody speaks English.

00:08:54Do you think I could have founded a business like this

00:08:56if I couldn't speak English?

00:08:57No, of course not.

00:08:58All right, well, just go, go.

00:09:00And send in Miss Fitch.

00:09:02Yes, Dad.

00:09:03B.W.

00:09:04Of course, if you feel I shouldn't.

00:09:06I said go!

00:09:10I mean, you know, I wouldn't like you to think.

00:09:12Will you piss off?

00:09:15Yes, Dad.

00:09:16B.W.

00:09:17Let's go.

00:09:18I'm sorry.

00:09:19We'll give you a minute.

00:09:20I'll give you a minute.

00:09:21Give it a minute.

00:09:22If you're on the other side,

00:09:24let's go, go.

00:10:30Oh, I do beg your pardon.

00:10:34Here's nothing.

00:10:36It could have been.

00:10:37It's all right.

00:10:39Excuse me, are you, uh, are you Miss Lindstrom?

00:10:42Yes.

00:10:43Oh, that's a bit of luck.

00:10:44I'm Mr. Wainwright.

00:10:46I'm Mr. Wainwright, your employer.

00:10:50Me, Mr. Wainwright.

00:10:53Oh, Mr. Wainwright.

00:10:55Oh, how you do?

00:10:56Oh, we do fine.

00:10:57And, uh, me have car outside.

00:11:00Yeah.

00:11:01And you, yeah, you have baggage.

00:11:03Yeah.

00:11:03Yeah, yeah, good.

00:11:04Two here.

00:11:07Not at all.

00:11:07You're a nice surprise for me.

00:11:09The feeling's mutual.

00:11:22Oh, you hurt yourself?

00:11:24No, no, no.

00:11:25But I almost lost my virginity.

00:11:26That's all.

00:11:26You are a virgin still?

00:11:28No.

00:11:29No, it's just a joke, Miss Lindstrom.

00:11:32Just an English joke.

00:11:34Oh, please.

00:11:35I am not Miss Lindstrom.

00:11:36My friends, they call me Randy.

00:11:39As a matter of fact, so do I mind.

00:11:56It's nice you pick me up, Stephen.

00:12:03Oh, that's okay.

00:12:04By the way, don't call me Stephen when we're at home.

00:12:06You know, my parents are a bit square.

00:12:09Oh, square, yeah.

00:12:11It's all right when we are alone.

00:12:13It certainly is.

00:12:16Sorry, are you cold?

00:12:17I can put the hood up if you like.

00:12:19In Danzig, this is not cold.

00:12:21In Kalimburg, in my home, the sea is now froze.

00:12:25We have to break the ice to swim.

00:12:28No, it's good.

00:12:30And after, in the steam room, we rub the bodies with hot oil.

00:12:41Stephen!

00:12:43I'm sorry, I must have been miles away.

00:12:46And you!

00:12:55I'm sorry, I'm sorry.

00:13:10Oh, you are perforated.

00:13:23It makes no never mind. I fix it.

00:13:26You can't fix it, Randy.

00:13:27Sure. I work in gas station. I fix other wheels.

00:13:30There isn't another wheel. The other wheel's being fixed.

00:13:33Oh, here's another car.

00:13:34Thank you very much.

00:13:45Is that okay? I fix this one.

00:13:48Oh, Randy, Randy, wait a minute.

00:14:04Oh, Randy, wait a minute.

00:14:34The gentleman's had a bunch of Fred, about three miles down the road.

00:14:40Oh, can't do nothing till Bert gets back.

00:14:43Then can't do nothing till that van's fixed.

00:14:45Then can't do nothing till we've got his wheel.

00:14:48Then can't do nothing.

00:14:48Excuse me, excuse me. How long is this can't do nothing going to take?

00:14:52Oh, can't do nothing for a couple of hours at least.

00:14:55Well, I mean, isn't there a pub or something here?

00:14:57Nothing, Steve, here, except Bert and me and his farm.

00:15:01Well, you're welcome to wait there if you wish.

00:15:02No, no, no.

00:15:03Oh, please, Stephen.

00:15:05In Denmark, my father, he have three forms.

00:15:07Has he now?

00:15:08Yes, he make pigs.

00:15:10Does he now?

00:15:11Well, that settles it.

00:15:13Fred'll bring the car around when it's ready.

00:15:16It's exciting to see real English form, no?

00:15:19No.

00:15:20Hey, hold on.

00:15:20I think this is it.

00:15:30Let's make sure.

00:15:31Yes, it's here.

00:15:33And there's TV, Ariel.

00:15:34It's good.

00:15:35Very good.

00:15:36You have been most assistable, Martin.

00:15:37How much do you want of me?

00:15:39Well, why don't we discuss that tonight?

00:15:40Tonight?

00:15:41Yes.

00:15:41I might even give it to you on the house.

00:15:43Pick up here at nine o'clock.

00:15:44Show you the London scene.

00:15:45Fantiscus.

00:15:47Oh, yeah, I think I make the scene with you.

00:15:49You can say that again.

00:15:50All right, out you get.

00:15:51No, I'm sorry.

00:16:12I don't need anything.

00:16:13It's not here.

00:16:15Oh, I, Anita.

00:16:17Au pair.

00:16:18I see.

00:16:19We were expecting someone rather different.

00:16:21Please come in.

00:16:23You better leave the luggage here for the moment.

00:16:25Nay, aren't you?

00:16:27One more to come.

00:16:29Oh, underbart TV.

00:16:31It is colour?

00:16:31I'm afraid not.

00:16:32Oh, why you not have colour?

00:16:34It's wonderful.

00:16:35At home, we even got in sauna room.

00:16:37You have sauna room?

00:16:38We have bathroom.

00:16:40That's a lot, then.

00:16:41See you outside tonight at nine o'clock.

00:16:44Okay.

00:16:45It's all right I go out tonight?

00:16:46Of course.

00:16:47Provided you're not back too late.

00:16:49Oh, no.

00:16:50Now you'll want to see your room.

00:16:51Oh, ja.

00:17:01I sleep alone?

00:17:02I trust so.

00:17:03In Sweden I sleep as two at once.

00:17:05Oh?

00:17:06Yeah, my sisters.

00:17:06I see.

00:17:09Your duties will not be too arduous.

00:17:11My husband must have his breakfast at 7.30 every morning, except Sundays.

00:17:157.30, sure.

00:17:16Mr. Howard is very strict about times.

00:17:19Your husband is good?

00:17:21So far.

00:17:22When men are good, it's always bitter.

00:17:25Hustle duties include washing and ironing.

00:17:27And where do I make it clean?

00:17:30I beg a pardon?

00:17:32Oh, bath.

00:17:33Where do you make a bath?

00:17:34I mean, take a bath.

00:17:35Yeah, yeah, yeah, bath.

00:17:37I'll show you.

00:17:44This is it.

00:17:45And there's the, um...

00:17:46Oh, yeah.

00:17:47It's all right.

00:17:48I bath me now?

00:17:49Well, yes.

00:17:50Tuck, tuck.

00:17:51Uh, be careful of the hot water.

00:17:53Mr. Howard doesn't like it wasteful.

00:17:56Oh, it's good for the hairs.

00:18:00Mr. Howard will be home soon.

00:18:01If you hurry, you can have tea with us.

00:18:02Oh, yeah.

00:18:03I hurry.

00:18:06And I thought Mr. Howard will dig me.

00:18:09Already I pick up a lot of English.

00:18:12Quite.

00:18:17Oh, sir.

00:18:19Oh, yeah.

00:18:21I'm home.

00:18:47I'm home.

00:18:51I'm home.

00:19:00Hilda!

00:19:01There's a leak in the bathroom.

00:19:04Alfred!

00:19:16Hilda!

00:19:18Hello, I am the girl.

00:19:21I am Mr. Howard.

00:19:25Hilda.

00:19:28Alfred!

00:19:29Alfred, I tried to tell you!

00:19:31Who's that?

00:19:33Who are you?

00:19:34What are you doing in my bathroom?

00:19:36Alfred, your blood pressure.

00:19:37What am I blood pressure?

00:19:39I'm insured against that.

00:19:40I'm not insured against internal flooding.

00:19:42Come out of there!

00:19:43Alfred, this is Anita, our new au pair.

00:19:50Who?

00:19:51Pair.

00:19:52Pair.

00:19:53What the hell?

00:19:53T

00:20:22Oh, my God.

00:20:52Oh, my God.

00:21:22Oh, my God.

00:21:53What young lady?

00:21:54The au pair girl, my lady.

00:21:56I just fetched her from the station.

00:21:59Au pair?

00:22:00Yes, my lady, to look after young Master Rupert.

00:22:04Oh, that one.

00:22:06Where is she?

00:22:08There you are, my dear.

00:22:09Good afternoon.

00:22:10How nice to see you.

00:22:12That is, if I could see you, step into the light, child.

00:22:17Oh, you're beautiful.

00:22:19Quite beautiful.

00:22:20Thank you, lady.

00:22:22Rupert, dear.

00:22:23Rupert.

00:22:29Rupert.

00:22:34Rupert.

00:22:35Come here, dear.

00:22:40Yes, Mother.

00:22:42This is Miss, um...

00:22:43Come here, dear.

00:22:46Lee.

00:22:46Nan Lee.

00:22:47It's a charming name for a charming girl.

00:22:49This is our only son, Rupert.

00:22:52Hello.

00:22:52Well, what do you say, Rupert?

00:22:57Oh, how do you do?

00:23:00That's right.

00:23:01I'm grooming Rupert for the concert hall.

00:23:04You play wonderful.

00:23:05Oh, yes, he has great talent.

00:23:07Just feel this.

00:23:11There's true greatness in that hand, don't you think?

00:23:14With, uh...

00:23:16Well, Rupert, what do you think of your new playmate?

00:23:19It's beautiful, Mother.

00:23:21I like it.

00:23:26If the au pair arrives today, you can't leave her alone in the house on her first night.

00:23:30Honestly, Mother, you talk more crap.

00:23:32Don't you think German girls can take care of themselves?

00:23:36Rikki Strange is appearing at Groover's tonight,

00:23:38and I'm not missing the freak-out of the month for any bloody au pair.

00:23:41For one night in the year, you'll do as you're told.

00:23:44All right.

00:23:44I'll take her, too.

00:23:46Krista Geisler, you're in for a groovy first night.

00:23:49Well, only if she wants to go, Carol.

00:23:51Are you kidding?

00:23:52It's Rikki Strange.

00:23:53Everyone wants to go, except you.

00:23:56Oh, that's probably her now.

00:23:58Great.

00:23:59Well, do give her a chance to settle in, Carol.

00:24:01Oh, ja.

00:24:06The room is very gemütlich.

00:24:09What is your word?

00:24:10Corsi?

00:24:11Well, it's not claridges, but it all works.

00:24:13Shower.

00:24:15Wunderbar.

00:24:17Please, I have a question.

00:24:19How do I call your father?

00:24:20Sir or Herr Fairfax?

00:24:22Take your pick.

00:24:22As long as it isn't hey you, he's not fussy.

00:24:24Good.

00:24:25Now, please, I have a question.

00:24:27Ja?

00:24:27Ever heard of Rikki Strange?

00:24:30Naturally.

00:24:30Well, you're going to meet him tonight.

00:24:33Tonight?

00:24:34What's the family?

00:24:35All taken care of.

00:24:36Now, let's choose your gear.

00:24:45Krista, you don't really wear these.

00:24:47Ja?

00:24:48You're having me on.

00:24:49No.

00:24:50I don't understand.

00:24:52They're just guaranteed passion killers, that's all.

00:24:55Hey, is your boyfriend kinky?

00:24:56That would be wild.

00:24:57I have no boyfriend.

00:24:58No special one.

00:25:00Well, whoever you sleep with.

00:25:01I do not sleep with.

00:25:03It has not yet happened.

00:25:06It hasn't happened.

00:25:09Intacto?

00:25:10Oh, man.

00:25:10This is too much.

00:25:12Please, if we change the subject, yes?

00:25:13We change more than the subject, Krista baby.

00:25:15We change you.

00:25:16But my uncle, he'd forget it.

00:25:29They come from here.

00:25:30They come from there.

00:25:32No matter where they may come from,

00:25:34they're always welcome everywhere.

00:25:36Oh, man.

00:25:41We're swinging hits.

00:25:42We're swinging hair.

00:25:44They add a dream to the swingin' scene.

00:25:47Every bell is keen to share.

00:25:50Oh, man.

00:25:55Today, you will say you're far apart.

00:25:59I'll say you're far apart.

00:26:01But soon, maybe a lot will start.

00:26:06She will win your heart.

00:26:10You like her smile, but in a while,

00:26:13you're bound to know that she's gonna go far away

00:26:16and leave you there.

00:26:19Take care if you fall in love with the new old pair.

00:26:27I'll say you're far apart.

00:26:41Bye-bye.

00:26:46Bye.

00:26:47Bye-bye.

00:26:48Bye-bye.

00:26:49Ah!

00:26:56Ah!

00:27:01Ah!

00:27:10Ah!

00:27:13The man says you can wait on his farm, you don't expect him to be in his barn.

00:27:42Please, Stephen, why do you not stop fermenting?

00:27:45Look, I don't know about in Calamine or where.

00:27:47Calimborg.

00:27:48Well, listen, in this country a farm is a farm and a barn is a barn.

00:27:54He explained this house's curse for fumigate.

00:27:57Well, I'd like to fumigate him.

00:27:58But it is necessary because he is full of terminates.

00:28:02Termites, termites.

00:28:04Yuck.

00:28:06So, now I do my clothes.

00:28:08Come, you hold my foot.

00:28:12More high, please.

00:28:17You are a very bad man, Mr. Stephen.

00:28:35Randy?

00:28:38Come here.

00:28:40Oh, now you tear my dress!

00:28:44I never touched it!

00:28:46I read about your kind.

00:28:48Rafe!

00:28:49Rafe!

00:28:50Rafe!

00:28:51Be quiet!

00:28:52For God's sake!

00:28:53Somebody might believe it!

00:28:54Only if you will buy new dress.

00:28:56Best dress!

00:28:57All right.

00:28:58All right.

00:28:59All right.

00:29:04Come on, Randy.

00:29:05Now, come on.

00:29:06Stop playing games.

00:29:07Just want to give you a bit of a cuddle.

00:29:09Now, what do you say, huh?

00:29:14Now, what does naughty Mr. Stephen say?

00:29:17Put that away before you hurt somebody.

00:29:24Oh, no!

00:29:25My dress again!

00:29:26Look!

00:29:27Never mind about the dress.

00:29:30I'll buy you another.

00:29:31Two of us.

00:29:32Come on.

00:29:33Take it off.

00:29:34I mean, we might be able to fix it.

00:29:36Oh, no.

00:29:37It is not so easy to undress, Randy.

00:29:39Randy!

00:29:40Watch it!

00:29:41Oh!

00:29:42Oh!

00:29:43Oh!

00:29:44Oh!

00:29:45Oh!

00:29:46Oh!

00:29:47Oh, my God!

00:29:48Oh!

00:29:49Oh!

00:29:50Oh!

00:29:51Oh!

00:29:52Listen, are you all right?

00:29:53Are you all right?

00:29:54Oh!

00:29:55That was your fault!

00:29:56My fault!

00:29:57Listen, I was trying to stop you, wasn't I?

00:29:58Oh!

00:29:59First you tear me two times, and then you wet me!

00:30:02I did no such thing!

00:30:04And you lose my ring in there!

00:30:07What kind of a ring is it?

00:30:09Expensive kind!

00:30:10Oh, look.

00:30:11Don't worry.

00:30:12I'll get it.

00:30:13I'll get it.

00:30:14Oh, yeah.

00:30:25How it feels to be wet, Stephen!

00:30:27Wonderful.

00:30:40Oh!

00:30:41Oh, yeah.

00:30:42Oh, yeah.

00:30:43Oh, yeah.

00:30:44I'm not trying to help you.

00:30:45Oh, yeah.

00:30:46Help me.

00:30:47I'm trying to help you.

00:30:48Oh.

00:30:49Oh!

00:30:50Oh!

00:30:51Oh, yeah!

00:30:52Oh!

00:30:53Oh!

00:30:54Oh!

00:30:55Oh!

00:30:56Oh!

00:30:57Oh!

00:30:58Hold it, Bert!

00:31:02These tires, Dan.

00:31:06Excuse me.

00:31:10Thank you very much. How much do I owe you?

00:31:14It cost you two pounds. Two pounds, right.

00:31:18I'm sorry, they're a bit soggy. Plus three pounds

00:31:22for towing to the garage. Towing? You took the ignition key.

00:31:26You couldn't start it. That's a bit stupid of me, wasn't it? Plus another three for Bert

00:31:30and me getting it here.

00:31:34Two, three. Thank you very much for your... You mind coupled, Bert?

00:31:38You could catch pneumonia standing around like that.

00:31:42So, it's good.

00:31:46Please, you get my baggage. I have dry clothes inside.

00:31:58Yes. Yes, of course.

00:32:02And no more rape.

00:32:04I wish you wouldn't keep on using that word.

00:32:08Oh, no.

00:32:14I've... I've lost it.

00:32:16Oh, bloody hell!

00:32:18I've lost a bloody car haste!

00:32:20Please, Stephen, I'm cold.

00:32:22Don't worry.

00:32:24I always travel with a spare.

00:32:26I keep it taped under the bumper.

00:32:28Come on, here you go.

00:32:30Come on, jump in!

00:32:32But my clothes!

00:32:34Listen, this key doesn't fit the front as well, you know.

00:32:36Fantastic.

00:32:38Come on now, look. Just relax, all right?

00:32:40Put the hood up, the heater on,

00:32:42and you'll be warm in no time at all.

00:32:44You go home now?

00:32:46What?

00:32:48I know you're joking.

00:32:49I thought I'd have a car on me.

00:32:50When what?

00:32:51Well, look, don't worry.

00:32:52I'll think of something.

00:32:53Right.

00:33:03You mean you've never been away from this place?

00:33:05Never.

00:33:06Well, Rathbone takes me for a drive now and then,

00:33:08to the village.

00:33:09Once we went to Bexley.

00:33:10That's almost 35 miles, Nan.

00:33:12But don't you have any friends?

00:33:14Oh, yes.

00:33:15Peggy and Sarah are my cousins.

00:33:17They come here twice a year.

00:33:19We have great fun.

00:33:20We play all sorts of games,

00:33:22like hide-and-seek.

00:33:23Let's play hide-and-seek, Nan.

00:33:25Come on!

00:33:26Okay.

00:33:42Come on, I'll push you.

00:33:43I haven't done this for years.

00:33:44You'll love it.

00:33:45Oh, not too high.

00:33:47Do you like it?

00:33:48Yes, one lead through, but not too hard.

00:33:49Oh, you're a scanty.

00:33:50Oh, you're a scanty.

00:33:51Oh, no.

00:33:52Oh, no.

00:33:53Oh, no.

00:33:54Oh, no.

00:33:55Oh, no.

00:33:56Oh, no.

00:33:57Oh, no.

00:33:58Oh, no.

00:34:00Oh, no, no.

00:34:01Oh, no, no, no.

00:34:02You haven't done the swing. Come on, I'll push you.

00:34:04I haven't done this for years.

00:34:06You'll love it.

00:34:08Not too high.

00:34:12Do you like it?

00:34:14Yes, but please, Rupert, not too hard.

00:34:16Oh, you're scaredy.

00:34:18Don't you want to go higher?

00:34:20I can go higher.

00:34:24And higher. Rupert.

00:34:26And higher.

00:34:28Rupert, stop it. Let me down.

00:34:30No, Rupert!

00:34:36Why did you do that, Rupert?

00:34:38You frightened me.

00:34:43I didn't mean to frighten you, Nan.

00:34:47It was only a game.

00:34:49Well, I don't like that sort of game.

00:34:51Well, what sort of game do you like, Nan?

00:34:54The kissing game. Do you like the kissing game?

00:34:57What's that?

00:34:59Peggy and Sarah and me often play it.

00:35:01It's easy. I'll show you.

00:35:02You have to close your eyes and guess how many fingers I'm holding up.

00:35:06All right?

00:35:07Go on, then close them.

00:35:09How many?

00:35:11Three.

00:35:12None. You pay a forfeit.

00:35:15Go on, your turn.

00:35:17Ready?

00:35:19Yes.

00:35:20Five.

00:35:21Five.

00:35:22I won again.

00:35:24I've never done that before.

00:35:42No.

00:35:56It's still very wet. It's more good tomorrow.

00:35:59Yes, well, press what you can out of it. It might stop the paper from peeling off.

00:36:04That's Markham. Please, I tell him to wait.

00:36:12Markham, please, wait. I still have work.

00:36:15She's not going out already.

00:36:16I said she could, Alfred.

00:36:18All right, Anita, you can get yourself ready now.

00:36:20Oh, duck, duck.

00:36:22Duck.

00:36:24I suppose she'll get pregnant like the last one.

00:36:42Go on.

00:36:44Come on.

00:36:54Let's go.

00:36:57At stop.

00:36:58At mom?

00:37:01Look up.

00:37:02I go now.

00:37:11All right, Anita.

00:37:12I have key, please.

00:37:13No, you do not have key.

00:37:15You get back here by 11.

00:37:17After that, we're in bed.

00:37:18I don't want my wife getting up to let you in.

00:37:20Okay, 11 o'clock.

00:37:22You're a nice man.

00:37:23I'll be good tomorrow.

00:37:32That's it.

00:37:37Numéro 27, un père et fance.

00:37:41Poor Malcolm.

00:37:43Maybe I'll try.

00:37:44I think I will.

00:37:45I'll work on a system.

00:38:02That's it.

00:38:21Un père et fance.

00:38:22I win.

00:38:23I win.

00:38:24Oh, big deal.

00:38:25You win 20 pence and so far I've lost 200 quid.

00:38:27Tonight?

00:38:29Malcolm, let's go now.

00:38:30Now, don't be silly.

00:38:31The moment I quit, it'll come up.

00:38:32It's a law of averages.

00:38:34You look after my seat and I'll go and get some more cash.

00:38:48The numbers 7, 8 and 9 are the flower numbers of the stars.

00:38:52If I may, I would like to place them for you.

00:38:55Oh, that seat is took.

00:38:57Then I shall untake it when he returns.

00:38:59Your stars must be of these three numbers.

00:39:03The star numbers.

00:39:05Nien ne va plus.

00:39:098, numéro 8.

00:39:10Noir, vert et ment.

00:39:11Eight.

00:39:12What is ordained is ordained.

00:39:14Eight.

00:39:14It is one of your numbers.

00:39:17I thought I told you to keep my seat.

00:39:19Ah, she did try, dear chap.

00:39:21I borrowed it for one spin of the wheel.

00:39:24They are your winnings, my flower child.

00:39:26May I suggest that you collect them?

00:39:28What's all this, then?

00:39:29I win, Malcolm.

00:39:30Big win.

00:39:31It's good, no?

00:39:31But how'd you get that lot?

00:39:33He chose flower number for me.

00:39:34Ah, did he?

00:39:35He did.

00:39:37I am the Sheikh El Abab at your service, dear chap.

00:39:40Quite frankly, I don't give a shit who you are.

00:39:41The type speaks for itself.

00:39:43Think you can just go around picking up anyone's woman here, there and everywhere?

00:39:46But not from London Airport, Mr. Minicamp.

00:39:49Come, my child.

00:39:50We will celebrate with some champagne while your money is changed.

00:39:55Nien ne va plus.

00:39:56Now you lost nothing and we start all over again.

00:40:24It's good big deal, no?

00:40:26Vingt-neuf noirs à Peripas.

00:40:31Six un, plein.

00:40:34Why'd he go like that?

00:40:35What is ordained is ordained.

00:40:37Just as it was ordained that you and I should meet tonight.

00:40:40How else would I be able to offer you the care and protection of my humble abode?

00:40:45And with my money!

00:40:56What are you doing?

00:40:57I must be able to offer you the care and protection of mydevilmen.

00:41:10Why do you know your level up?

00:41:11How many people do you know your Chanapt mezvahs' waited for years later?

00:41:13How many times do you know what I was born here?

00:41:16You hope it was your tail.

00:41:17You know how you brought your friend home here?

00:41:49Better and better every time, Ruby dear.

00:41:56You can serve the cheese, though.

00:41:58It really was wonderful.

00:42:01Oh, thank you.

00:42:01Cheese, my lord?

00:42:03Port?

00:42:04Afraid we've used the last of the port, sir.

00:42:07Just bring the cheese down here, Raffa, and I want some with my celery.

00:42:12Oh, you taught me never to eat celery without salt, Mother.

00:42:15You didn't use any salt.

00:42:17You're quite right, dear.

00:42:19I'm afraid my mind was on your beautiful music.

00:42:29Really, Rupert, you can sometimes be very tiresome.

00:42:34But I must say, I was most impressed by your playing tonight.

00:42:39You seem to give it a new emotion.

00:42:43Perhaps you inspired him.

00:42:44Well, I hope...

00:42:45Anyway, my dear, you're a welcome addition to the trike family.

00:42:48And I hope you'll be with us for many years.

00:42:52Come along, Henry.

00:42:54If you're going to go to sleep, wait up in bed.

00:42:56Port?

00:42:57No, bed, dear.

00:42:58Come on, look.

00:43:12Really, Rupert, sometimes you can be very tiresome.

00:43:15No, Rupert, stop it.

00:43:21You're afraid!

00:43:22Rupert, stop it!

00:43:29Go!

00:43:32I was not so sure your mother wasn't right.

00:43:35Oh, I'm sorry.

00:43:37Are you angry with me?

00:43:38Of course not.

00:43:41Close your eyes.

00:43:43How many?

00:43:45None.

00:44:02Come on, let's give this a brush.

00:44:04Did I do it right, Nan?

00:44:09Yes, you did it right.

00:44:11Oh, don't go.

00:44:12Well, it's getting late.

00:44:13Would you like me to play something for you?

00:44:15Nan, I'd like to play for you.

00:44:34What?

00:44:59How many?

00:45:33Rupert.

00:46:03Rupert.

00:46:33Rupert.

00:46:35Rupert.

00:46:37Rupert.

00:46:38Rupert.

00:46:39Rupert.

00:46:40Rupert.

00:46:41Rupert.

00:46:42Rupert.

00:46:43Rupert.

00:46:44Rupert.

00:46:45Rupert.

00:46:46Rupert.

00:46:47Rupert.

00:46:48Rupert.

00:46:49Rupert.

00:46:50Rupert.

00:46:51Rupert.

00:46:52Rupert.

00:46:53Rupert.

00:46:54Rupert.

00:46:55Rupert.

00:46:56Rupert.

00:46:57Rupert.

00:46:58Rupert.

00:46:59Rupert.

00:47:00Rupert.

00:47:01Rupert.

00:47:02Rupert.

00:47:03Rupert.

00:47:04He thinks it's another one.

00:47:07Come and look at this.

00:47:10This is a model of great-uncle's farm.

00:47:13I made it from an old photograph.

00:47:15Do you like it?

00:47:17Yes, Rupert.

00:47:18It's very well made.

00:47:20I've made a ship, too.

00:47:22No more tonight, Rupert.

00:47:24I've travelled a lot today.

00:47:26I'm tired.

00:47:27Tomorrow we'll look at your ship.

00:47:30Oh, all right, then, tomorrow.

00:47:34Sleep well, Rupert.

00:47:37May the white doves blanket you with peace.

00:47:41Chinese blessing.

00:47:45Good night, Nan.

00:48:04Good night.

00:48:28Oh, come in, Nan.

00:48:54I thought you might be asleep.

00:48:55Oh, no. No, I couldn't sleep.

00:48:58Please, sit down.

00:49:05Why are you crying, Nan?

00:49:07Did I make you cry?

00:49:08Of course not.

00:49:10I'm crying for both of us.

00:49:13Oh, Nan.

00:49:25I'm crying.

00:49:36I'm crying.

00:50:37And I'll take you fishing and birds nesting

00:51:00and rabbit catching.

00:51:05We'll have so much fun, then.

00:51:07You'll see.

00:51:08We'll see you next time.

00:51:38We'll see you next time.

00:51:46Fantastic.

00:51:47I do not recognize Ricky Strange.

00:51:50Oh, he's none of those.

00:51:51He's not here yet.

00:51:52Yet, we...

00:51:53Two rum and coats, please.

00:51:55I'll kill that bloody bastard.

00:51:58He is your boyfriend?

00:51:59One of them.

00:52:00Oh, you make love, is he?

00:52:02When the spirit moves him.

00:52:07Oh, I'm terribly sorry, darling.

00:52:09You've been damned uncool for me.

00:52:10I know.

00:52:11What happened?

00:52:12Wouldn't she leave?

00:52:13God, how fantastic.

00:52:14Where did you come from?

00:52:16Germany.

00:52:17This is Christa, our new au pair.

00:52:19Isn't she perfectly delicious?

00:52:20This is Captain Buster Taylor Stewart,

00:52:23better known as Jack the Ripper of the Teeny Bopper set.

00:52:26How do you do?

00:52:27Very well, considering his handicaps.

00:52:29Oh, yes.

00:52:29She's definitely a playmate of the year.

00:52:33Good God, what's that?

00:52:35Rum and Coke.

00:52:36No, no, no.

00:52:37Not on a night like this.

00:52:38It's absolutely too clear.

00:52:40Have these on me

00:52:41and get that lovely little bottom back here

00:52:43with some champagne.

00:52:46Now then, Lieber-Sherman,

00:52:47tell me about your hopes,

00:52:48your desires,

00:52:49and your nights out.

00:52:51His bark's worse than his bite.

00:52:52You just tell him to heal.

00:52:54I say, has she met raving Ricky yet?

00:52:56That's why I brought her.

00:52:58And great admirer, Ricky Strange.

00:53:00In Germany, he taught pop.

00:53:02That's what the old groner could do

00:53:03with a bit of a lift right now.

00:53:05Is he here yet?

00:53:06Yes, he's just gone into the dressing room.

00:53:07Excuse me, I'll be right back.

00:53:10And you leave her alone.

00:53:11No ear nibbling,

00:53:12no neck biting,

00:53:13and no touching her up.

00:53:15Crash, you'll think I'm a poof.

00:53:24Welcome, Chico.

00:53:25Later.

00:53:26Chup.

00:53:27Hi, you great big beautiful turn-on.

00:53:30Hi, Chico.

00:53:32Hi, Chico?

00:53:33Is that all I rate?

00:53:34No time for a full service, Chico.

00:53:36How about there in five?

00:53:37I didn't ask for a full service.

00:53:44That's better.

00:53:45You just saved your present.

00:53:46What present?

00:53:47A little something for the man who has everything.

00:53:49It's called a virgin.

00:53:51Out front?

00:53:52A Deutschland dolly

00:53:53where the hand of man

00:53:54has never set foot before.

00:53:55You certainly come up with them, Chico.

00:53:57So you just go out and give it that old, mm-mm.

00:54:00You know, it was really rather unfair of Count

00:54:03to say all those terrible things about me.

00:54:06I do not listen.

00:54:07I mean, you should.

00:54:09Because they're all true.

00:54:10Ha, ha, ha.

00:54:12I think Carol is your date, no?

00:54:15Oh, my dear Christa,

00:54:16don't you read the papers.

00:54:18We're all part of free Europe now.

00:54:21It's the common market.

00:54:22There are no boundaries.

00:54:23Now you're going to sit there

00:54:24and impede programme.

00:54:26Well, if she isn't, I am.

00:54:29Well, I was merely explaining to her

00:54:30about the common market.

00:54:32And you were just reaching

00:54:33the crux of the subject.

00:54:34Pour me a drink.

00:54:35Oh, well.

00:54:38My God, you've done some flying.

00:54:40Well, one has to return

00:54:42foreign hospitality.

00:54:43Please, you take.

00:54:44I spin already.

00:54:45You keep it that way, it's better.

00:54:47Hey, Blondie, crack her out!

00:54:49Just spoken to Ricky.

00:54:50He's crazy to meet you after his spot.

00:54:52Oh, so that's what it's all about, is it?

00:54:55Why, yes, Buster, I'd love to dance.

00:54:57When the new bottle arrives,

00:54:58save me a glass.

00:54:59I...

00:55:00Gesundheit!

00:55:02I thought you were being

00:55:04a bit possessive about Miss Germany.

00:55:07Because this one's for Ricky.

00:55:08I owe it to him, so don't touch.

00:55:10Owe it to him?

00:55:11Oh, one thing no one owes Ricky is first.

00:55:14Poor Buster, afraid you're going

00:55:15to miss out tonight.

00:55:16Well, I was doing fine

00:55:18until you prickled him.

00:55:19You'll just have to trust

00:55:20little Carol, won't you?

00:55:22You'll get your chance.

00:55:23But this is Christa's big night.

00:55:25You're a man you wouldn't understand.

00:55:32Great fellas, thanks.

00:55:37Okay people, this is it.

00:55:39As always, we are presenting

00:55:41our Groovers' Golden Guest star,

00:55:43Optima.

00:55:44And filling this spot tonight,

00:55:46standing right behind that door,

00:55:47is not a pin-up photograph,

00:55:48it's not a record sleeve,

00:55:50it's a man himself!

00:55:52Go, go, go, go, go, go, go, go, go!

00:56:22Oh, baby, when I feel your touch,

00:56:32I know I cannot get too much.

00:56:36Take me now, for now I know,

00:56:39no matter what, I want you so.

00:56:45My baby, I'm in love with you.

00:56:48My baby, I'm in love with you.

00:56:52You got me where you want me,

00:56:54it's where I want to be.

00:56:56My baby, won't you give your love to me?

00:57:00My baby, I'm in love with you.

00:57:04My baby, I'm in love with you.

00:57:06You got me where you want me,

00:57:08it's what I want to do.

00:57:11My baby, my sweet baby.

00:57:14My baby, my baby,

00:57:15I'm in love with you.

00:57:18Oh!

00:57:19Oh!

00:57:20Oh!

00:57:21Oh!

00:57:21Baby, well, now don't you know,

00:57:24it's...

00:57:26No.

00:57:29The sexy voice is Ricky Strange.

00:57:32I like.

00:57:37Oh, it's dry.

00:57:39Oh.

00:57:41Why are you so...

00:57:42Listen, because I'm trying to think,

00:57:43and that doesn't help.

00:57:44But you have thunked seven times already

00:57:47of seven people who do not answer their bell.

00:57:49The AA.

00:57:51The Alternative Association.

00:57:53In the glove box there.

00:57:54Open it, there's a little book.

00:57:56They may know another night key agent.

00:58:01Who uses Mary Quant Ginger Crush?

00:58:05What?

00:58:06It could not be Mr. David Stone,

00:58:09commercial photographer.

00:58:12David Stone.

00:58:14Perfect.

00:58:15Oh, who's a clever little girl?

00:58:17But I have not met him.

00:58:18Well, I only met him yesterday.

00:58:20Said he's bound to have some spare clothes in his gym.

00:58:22Good, good.

00:58:23A little higher.

00:58:24Lower.

00:58:25Up an inch.

00:58:26Too much, too much.

00:58:27Now hold it there.

00:58:30It's lovely.

00:58:34Oh, Christ, Karen, you've moved it.

00:58:37I told you to hold it.

00:58:39You've been holding a bleeding thing for 20 minutes.

00:58:42I know you have, dear.

00:58:43But down here we see boobs.

00:58:45Up here we don't see boobs.

00:58:46We want them to look at the body bubble bath oil.

00:58:49Karen, not boobs.

00:58:51I want another thing, dear.

00:58:52The fingers.

00:58:54Loving, caressing fingers.

00:58:57It's delicate, precious.

00:58:59It's phallic.

00:59:00It's the door.

00:59:03All right, we'll give it another try.

00:59:05Someone's ringing the bell.

00:59:06He's out!

00:59:07Stephen Wainwright, David.

00:59:09It's rather urgent.

00:59:10No boobs!

00:59:11Now, come on, erotic fingers stroking those bubbles.

00:59:15The man said it was urgent.

00:59:17Of course it's urgent.

00:59:18It's going to be in the blockmakers tomorrow.

00:59:23Please, David, come on, let me in just for a moment.

00:59:25Oh, hello, er, I'm Stephen Wainwright, er, we met yesterday.

00:59:32You were taking some pictures of my father's building.

00:59:34Well, I certainly didn't go around ringing bells and kicking his door down.

00:59:38No, no, I'm sorry about that.

00:59:39But this is rather an emergency.

00:59:41Oh, all right, come in and sit down.

00:59:45And let's have no more distraction, please.

00:59:48Okay, Karen, dear, once again.

00:59:51Er, the whole truth of the matter is, er, David, you see, er, she hasn't any clothes on.

00:59:57She hasn't got any clothes on because she's about to use a body bubble.

01:00:02No, it is because I fell in the water and then I was wetted.

01:00:06And now I am new kid.

01:00:08Yes, so I thought you might loan her a dress or something.

01:00:11Now, wait a minute.

01:00:13One dry and one wet.

01:00:15Before and after body bubble.

01:00:17Oh, I like it.

01:00:19I like it.

01:00:22I'll have to hide those.

01:00:23How's the figure?

01:00:24Very well, thank you.

01:00:25Well, stand up, dear, please.

01:00:26That's it.

01:00:26Now, turn, turn, turn it.

01:00:28Oh, perfect.

01:00:29Now, David, hold on a minute.

01:00:31That's it.

01:00:32Kneel down and take up the same position.

01:00:34That's it.

01:00:34Good.

01:00:34Now, take hold of it.

01:00:35Take hold of it.

01:00:37That's it.

01:00:37Yes.

01:00:38Good, good.

01:00:39Look, David, hold it a minute.

01:00:40Before and after body bubble.

01:00:43What is it?

01:00:44Boobless bath oil.

01:00:47I like it.

01:00:48I like it.

01:00:50Over here, dear.

01:00:54Oh, you sadistic bastard.

01:01:00Oh, why do you do that now?

01:01:02I don't know why.

01:01:02Who went again?

01:01:04Oh, you men.

01:01:05He's not a man.

01:01:06Come on.

01:01:09What an extraordinary couple.

01:01:11Hey, baby.

01:01:22Hey, baby.

01:01:26Baby I'm in love with you

01:01:28Baby I'm in love with you

01:01:32I'm in love with you

01:01:35Isn't he knockout?

01:01:48Oh yeah, he is knockout

01:01:50I am glad to see

01:01:54To see is one thing, to meet is another

01:01:56Come on

01:02:08Wild, just wild

01:02:10Well, here she is

01:02:12Krista, Ricky

01:02:18It is good to meet you

01:02:20Wunderbar

01:02:22Yeah

01:02:24Wunderbar

01:02:30With this necklace

01:02:32I thee reserve

01:02:34Oh

01:02:36You are most kind

01:02:38Your pad, Ricky

01:02:40Yeah, that's cool, Chico

01:02:42Oh

01:02:44Oh

01:02:46Oh

01:02:48Oh

01:02:50Oh

01:02:52Oh

01:02:54Oh

01:02:56Oh

01:02:58Oh

01:03:00Oh

01:03:02Oh

01:03:04Oh

01:03:06Oh

01:03:08Oh

01:03:10Oh

01:03:12Oh

01:03:14Oh

01:03:18Oh

01:03:22Oh

01:03:24Oh

01:03:26Oh

01:03:28Oh

01:03:30Oh

01:03:32Oh

01:03:34Oh

01:03:36Oh

01:03:40Oh

01:03:42Oh

01:03:44Oh

01:03:46Oh

01:03:48Oh

01:03:50Oh

01:03:52Oh

01:03:54Oh

01:03:56Oh

01:04:02Oh

01:04:04Oh

01:04:06Oh

01:04:08Oh

01:04:10Oh

01:04:12Oh

01:04:14Oh

01:04:16Oh

01:04:18Oh

01:04:20Oh

01:04:24Oh

01:04:26Oh

01:04:28Oh

01:04:30Oh

01:04:32Oh

01:04:34Oh

01:04:36Oh

01:04:38Oh

01:04:40Oh

01:04:42Oh

01:04:44Oh

01:04:46Oh

01:05:00Oh

01:05:02It's fine.

01:05:06So is it speaking German?

01:05:08It's fine.

01:05:17Nein, nein.

01:05:19That is verboten.

01:05:21A German bird without her boots?

01:05:23Never.

01:05:25Without her skirt?

01:05:27Ja.

01:05:29Without anything?

01:05:35Now that is Wunderbar Plus.

01:05:50You know, you don't look like a German bird somehow.

01:05:54No?

01:05:55How looks a German bird?

01:05:59Who cares, Chico?

01:06:01Who cares?

01:06:29No!

01:06:31No!

01:06:40What the hell?

01:06:41No!

01:07:42My dear, you don't know what a wonderful time I'm going to give you, I can't live in a couple of times.

01:07:51I'm sorry, old chap, but you really turned me on.

01:07:55Oh, be my guest.

01:07:56Oh, come here, you shattering creature.

01:08:10Ryan, please stop.

01:08:12Oh, that.

01:08:14Please stop.

01:08:15Do stop.

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01:09:47I'm usually terrific.

01:09:51Well, better than that.

01:09:55It's not just you.

01:09:58It's me also.

01:10:00I drink too much.

01:10:02And Carolyn...

01:10:05Oh, you're not crying because of Rick the stick.

01:10:10Oh, no, no, no, my angel. We can't lose any tears over lover boy.

01:10:16I thought I like him very much.

01:10:19Now.

01:10:20Good. Well, just leave it like that.

01:10:22You've made the royal cards, put it in your diary and forget it.

01:10:26I can never forget tonight.

01:10:28Why? Because he's Ricky Strange? Top Pop?

01:10:33No.

01:10:34Because he was my first time.

01:10:39Oh.

01:10:40Oh.

01:10:43And I am hating him.

01:10:45And me.

01:10:46And you.

01:10:49Everything tonight.

01:10:51Yes, well, I don't blame you, Oka.

01:10:59Come on.

01:11:02Get into this while Uncle Buster tells you the facts of Half-Life.

01:11:07You see, in this scene, I think it's serious.

01:11:11Nothing's, nothing's for real.

01:11:13It's all just one night stands.

01:11:15Do you understand?

01:11:16It's, uh,

01:11:17Einer Nacht, uh, um, uh...

01:11:20Oh, what the hell's a German for stands?

01:11:22I understand.

01:11:23I understand.

01:11:24Yes.

01:11:25You would, cause you're a smart girl.

01:11:28You're smarter than me, cause you're getting out of this whole bush, right?

01:11:33Yeah.

01:11:34It is not my scene.

01:11:37No.

01:11:38Come and get some rest.

01:11:44And don't worry about me.

01:11:46I'll be faithful old Rover at the foot of your bed.

01:11:53Thank her.

01:11:58For God's sake, don't tell anyone I spent the night on the sofa.

01:12:16No more?

01:12:17Did you hear a confession?

01:12:39Maybe he'll家?

01:12:40No.

01:12:42How long you work for the Shriek?

01:12:55Since we were 15.

01:12:57Are you his au pairs?

01:12:58No, his handmaidens.

01:13:00Each day he tries to make so many people happy.

01:13:03And then each night we try to make him happy.

01:13:06It's a good job, handmaiden.

01:13:08Better than au pair.

01:13:09I think I go to your agency.

01:13:12The Shriek alone makes his choice.

01:13:14And usually from his own kingdom.

01:13:16He has a kingdom.

01:13:17Two million people to whom he is a god.

01:13:19It's not possible.

01:13:20Each year he tries to make them a little happier.

01:13:23He has doubled their standard of living.

01:13:25Once they existed on only 10 pounds a year.

01:13:28Now they exist on 20.

01:13:30He sounds a very fine man, the Shriek.

01:13:32And very rich.

01:13:34He has 14 oil wells, 10 ruby mines, 8 palaces, also 20 cars and 6 yachts.

01:13:39No colour TV?

01:13:40Four in every room.

01:13:42Four!

01:13:43Oh, Fantiscus!

01:13:45I'm lucky to know such a man.

01:13:47And you're now ready to make him happy.

01:13:49Oh, yeah.

01:13:50Come, my child.

01:13:52We will drink a toast to the lucky stars that brought us together.

01:13:57Tac, tac.

01:14:05May your days be happy and your nights fulfill.

01:14:09Skål.

01:14:10Skål.

01:14:14Oh, it's better than aquavit.

01:14:17Have you ever had couscous, my child?

01:14:19What is couscous?

01:14:20It is the unmatchable dish of the East.

01:14:22Oh, it's not possible.

01:14:23Markham already feed me spaghetti.

01:14:28Oh, what is that?

01:14:30Is it bed?

01:14:31It is the couch of a myriad de life.

01:14:33Oh, Fantiscus!

01:14:35I try.

01:14:35No more jumping, little one.

01:14:51There are better ways to expend your energy.

01:15:06You are very beautiful, my little one.

01:15:20You fill me with great desire.

01:15:23Me too.

01:15:23I have great desire.

01:15:25Name it.

01:15:26And I should try to fulfill it.

01:15:28Please, I desire to see color TV.

01:15:30Now?

01:15:32Yes.

01:15:34I haven't seen in England yet.

01:15:35But I fear there is no TV after midnight.

01:15:38Tomorrow you may look.

01:15:39After midnight?

01:15:40It's after midnight now?

01:15:41Yes, but what is time when one is so young?

01:15:44Mr. Howard.

01:15:45He very cross.

01:15:46And Mrs. Howard in bed.

01:15:48I'm in very big trouble.

01:15:49My little Swedish delight.

01:15:51Why are you leaving me?

01:15:54Anita.

01:15:56My Swedish meat bow.

01:15:58Oh, my delight.

01:16:01Come back to me.

01:16:03Come back to me, Anita.

01:16:05Come back to me.

01:16:07Come back to me, Anita.

01:16:10My little bird.

01:16:11Where are you going?

01:16:13Why are you leaving me?

01:16:14It's big trouble.

01:16:15You help me, please.

01:16:16Your word is my command.

01:16:18You come, explain, Mr. Howard.

01:16:19Maybe he'll listen to you.

01:16:21Please.

01:16:22Mr. Howard.

01:16:23I...

01:16:28I...

01:16:32I...

01:16:46I...

01:16:47I...

01:16:50I...

01:16:51I...

01:16:51What do we do now?

01:17:11Well, we go to my office.

01:17:12Your office?

01:17:13You see, my dad's secretary keeps a dress in her locker, like I do in mine.

01:17:16You wear a dress?

01:17:18Oh, how bloody hell.

01:17:21I also have some drink, a couch, and the rest of the evening for unfinished business.

01:17:26So out you get.

01:17:27And we can make us...

01:17:29Oh, Christ.

01:17:31The key.

01:17:32I forgot.

01:17:33It was on the bunch I lost.

01:17:34We can't get in after all.

01:17:35So what we do?

01:17:37Well, we'll have to wait till the caretaker opens up in the morning, you know.

01:17:40Still give me time to have a shave and you time to tidy up.

01:17:43We'll just say you missed the plane.

01:17:44But it is not true.

01:17:46We can't tell him we spent the whole night together.

01:17:50And call it bald, they will never believe.

01:17:52What?

01:17:53My first night, I sleep in car park.

01:17:56Who says you're going to sleep?

01:18:02It's all right now.

01:18:04There is nothing to tear.

01:18:05There is nothing to tear.

01:18:06There is nothing to tear.

01:18:11There is nothing to tear chưa, sure.

01:18:12There is nothing to tear.

01:18:13There's nothing to tear.

01:18:14Sorry, I have nothing to tear.

01:18:15Iain church, I have nothing to tear.

01:18:16Iain people cannot tear.

01:18:18You do what I can do.

01:18:20There's nothing to tear.

01:18:21Iaine you madame.

01:18:22Iain youraz.

01:18:23You shouldn't do whatever they say.

01:18:24Iain your only"?

01:18:26If you didn't do whatever else, you want to tear.

01:18:28Sorry, that's how sweet I can eat.

01:18:29You spent the pain among thekami you.

01:18:31Iain you.

01:18:32You were not knowing how much it can dry.

01:19:40Ricky?

01:19:42Here is Crystal, Ricky.

01:19:48I do not see you again.

01:19:50Later, Chico.

01:19:52Later.

01:19:54Oh, what time is it?

01:20:12Oh, you want me to take you home?

01:20:16But I do not go home.

01:20:18If it is all right, I fetch my clothes and return this later.

01:20:20Auf Wiedersehen.

01:20:22What is that?

01:20:30My ex-Opair.

01:20:32Hmm?

01:20:33Oh, come here, you beautiful creature.

01:20:37Don't let's start that farce again.

01:20:39Farce?

01:20:41I'm not a kid.

01:20:43Oh, I should feel good.

01:20:45There isn't a child.

01:20:47I am, Jack.

01:20:49I have a son.

01:20:51I have a son.

01:20:53I have a son.

01:20:55I don't know.

01:20:57I am not a kid.

01:20:59I have a son.

01:22:05It's not that we haven't had the odd, unfortunate booking before, but this is ridiculous.

01:22:11Just have to try and find you something else.

01:22:15Good morning.

01:22:16I, Anita.

01:22:17Not trouble with your family?

01:22:19Oh, yeah, I'm out.

01:22:20No.

01:22:21Yeah, but it's good.

01:22:22I out and I in.

01:22:23And they're also in if they're out.

01:22:25Slowly, girl.

01:22:26More slowly.

01:22:27No, more slowly.

01:22:27Come quickly.

01:22:28Come with me.

01:22:43Those girls must be booked through my agency.

01:22:46And I need references.

01:22:47Fear not, dear madam.

01:22:51What is ordained is ordained.

01:22:53They come from here.

01:22:55They come from there.

01:22:57No matter where they come from.

01:22:59They're always welcome everywhere.

01:23:03Oh, fair.

01:23:05With swinging lips.

01:23:07And swinging hair.

01:23:09They had a dream to the queen.

01:23:11And seemed every girl I seemed to share.

01:23:13Oh, fair.

01:23:15Oh, fair.

01:23:16Oh, fair.

01:23:17Oh, fair.

01:23:18Oh, fair.

01:23:19Today, you were strangers far apart.

01:23:23Oh, fair.

01:23:24Oh, fair.

01:23:25But soon, baby, love will start.

01:23:29Oh, fair.

01:23:30She will win your heart.

01:23:33You like her smile, but in a while, you're bound to know that you're going to go far away.

01:23:40And if you're there, take care if you fall in love with the new old man.

01:23:55New old man.

01:23:57New old man.

01:23:59New old man.

01:24:01New old man.

01:24:05New old man.

01:24:08New old man.

01:24:11New old man.

01:24:12New old man.

01:24:13New old man.

01:24:14New old man.

01:24:15New old man.

01:24:16New old man.

01:24:17New old man.

01:24:18New old man.

01:24:19New old man.

01:24:20New old man.

01:24:21New old man.

01:24:22New old man.

01:24:23New old man.

01:24:24New old man.

01:24:25New old man.

01:24:26New old man.

01:24:27New old man.

01:24:28New old man.

01:24:29New old man.

01:24:30New old man.

01:24:31New old man.

01:24:32New old man.

01:24:33New old man.

01:24:34New old man.

01:24:35New old man.

01:24:36New old man.

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