- 6 hours ago
Raw Deal (1948) Synopsis Violent and viscerally sexual, Anthony Mann's muscular low-budget noir tells the tale of a framed gangster's quest for vengeance after he busts out of prison. Once freed, gangster Joe Sullivan and his girl friend Pat set off to find the mobster who set him up. The kidnapping of Ann Martin, the social worker who wrote to Joe in prison, leads the fugitive into a romantic triangle of death, passion and tragedy.
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00:01:29This is the day. This is the day. The last time I shall drive up to these gates. These iron bars that keep the man I love locked away from me.
00:01:38Tonight he breaks out of these walls. It's all set. 11.30. That's the word I'm bringing him.
00:01:49I don't know which sounds louder. My heels and my heart. It's always this way when I go to sea.
00:01:57Joe Sullivan.
00:01:58Joe Sullivan.
00:01:58Yeah.
00:01:59Joe Sullivan.
00:01:59Yeah. Okay.
00:02:05You'll have to wait a couple of minutes. He's got another visitor with him.
00:02:08Is that official?
00:02:20No. I probably have no business telling you, but I wanted you to know.
00:02:24Mm-hmm. How long you been with that lawyer of mine?
00:02:28Oh, since a little before your trial. Just about a year.
00:02:32Not just about a year. It has been a year.
00:02:34Yeah. So you think if I keep my nose clean and my teeth brushed, that maybe you can give me a parole out of this rat trap in two or was it three years?
00:02:43More likely, three.
00:02:45Three. That's fine.
00:02:50Would you wait three years for me?
00:02:54Would I?
00:02:56Well, I...
00:02:58I didn't mean you particularly any dame.
00:03:02I don't know. That would depend.
00:03:06Yeah. Yeah, I guess it would.
00:03:09Whatever happened to that messenger boy that flunkied out the office?
00:03:14Roy? He's still there.
00:03:17You running all these errands for him now?
00:03:22I've always been interested in your case since we handled it.
00:03:26You must be.
00:03:27This is the third time now.
00:03:29Second.
00:03:30You counting them?
00:03:34My time's about up.
00:03:36If I can be of any help, write me at 105 Rochester.
00:03:42I wish you'd work on that parole.
00:03:44Think about it.
00:03:45Yeah, sure, sure, I will.
00:03:47Next time you come up, don't wear that perfume.
00:03:50Why not?
00:03:52It doesn't help a guy's good behavior.
00:03:54Yeah.
00:03:54Okay, Miss Martin.
00:04:15You may go in now, Miss Cameron.
00:04:17Hey, Sullivan.
00:04:31You have another visitor.
00:04:32You've got five minutes left.
00:04:38Hi.
00:04:38Hi.
00:04:40Girl can't trust a guy even when he's locked up in the pen.
00:04:43Turn off the green lights.
00:04:45You remember her?
00:04:47How could I forget her?
00:04:48She practically sat in your lap all through the trial.
00:04:56You don't have to wait any longer.
00:05:04When?
00:05:05Tonight, 11.30.
00:05:09Rick's got everything set.
00:05:11He's okay.
00:05:14He ought to be.
00:05:16You took the rap for him.
00:05:18Hey, hey, none of that now.
00:05:23What are the plans?
00:05:25Voices up.
00:05:26Keep your voices up.
00:05:29You'll hardly notice any change in the place.
00:05:32Everything's just as it was before.
00:05:34Oh, good.
00:05:36Good.
00:05:36I'm glad to hear it.
00:05:37I think it's really perfect.
00:05:40All my friends do, too.
00:05:42Especially Rick.
00:05:44Rick.
00:05:45Well, he ought to know.
00:05:49Well, if I, uh, if I need anything, I know where I can reach you.
00:05:53And, uh, thanks.
00:05:57Thanks a lot for coming up.
00:05:59Heck, you don't have to thank me for anything, Joe.
00:06:01Joe, be careful.
00:06:02Sure.
00:06:03Sure, I'll be careful.
00:06:07I want to breathe.
00:06:10That's why I want out of this place.
00:06:12So I can take a deep breath again.
00:06:14I still don't get it, Rick.
00:06:41Spring and Joe clear.
00:06:43When he finds out you crossed him on the Spokane Mills job, he'll come gunning.
00:06:49Ow, boss.
00:06:53Explain it to him, Fantale.
00:06:55I don't get it either.
00:06:57Only I ain't asking questions.
00:06:58You ever try to make a jailbreak, Spider?
00:07:05No.
00:07:06You're smart.
00:07:08Tell me, what's the percentage of a guy getting out of his cell without getting cut down?
00:07:12One in a thousand.
00:07:14Good.
00:07:15It gives him 999 chances of being cut down.
00:07:20Supposing he makes that, what are his chances of getting over the wall?
00:07:24Well...
00:07:24One in ten thousand?
00:07:26Yeah.
00:07:27You're getting better than Einstein.
00:07:29Now, supposing he makes that, they'll throw a dragnet around the town, and he still has a thousand miles of open country between him and Frisco.
00:07:36Yeah, there's the chances.
00:07:38Add them up for yourself.
00:07:40You've always got somebody else to pull the trigger for you, don't you?
00:07:43Even the cops.
00:07:44Why not?
00:07:45It's legal.
00:07:47Besides, I like to help my friends.
00:07:49So I grease open the first door.
00:07:52And even the seconds.
00:07:56I'm really nice to Joe.
00:07:58I like him and Pat.
00:07:59I open up three doors, and let him take his chances.
00:08:07Like a ton of bricks.
00:08:08He was screaming he wanted out.
00:08:10When a man screams, I don't like it.
00:08:12Especially a friend.
00:08:14He might scream loud enough for the DA to hear.
00:08:17I don't want to hurt the DA's ears.
00:08:19He's sensitive.
00:08:19For the DA's ears.
00:08:30I don't want to hurt the DA's ears.
00:08:32I don't want to hurt the DA.
00:08:34He's sensitive to the DA.
00:08:40I don't want to hurt the DA.
00:08:43waiting
00:08:55waiting
00:08:57all my life it seems as if I've been waiting for Joe
00:09:01Joe
00:09:03Joe, be careful
00:09:06careful
00:09:13I don't know
00:09:26I don't know
00:09:34I don't know
00:10:48You're okay, baby. This stuff fits perfect.
00:10:52Why not? I guess I ought to know your size by now, Joe.
00:10:56Joe, it's so good to be close to you again.
00:10:58Hey, stay on that wheel.
00:11:00Got to keep ahead of that dragnet.
00:11:01Where's the map?
00:11:05In your shirt pocket.
00:11:11Got to be a third and park at 1142.
00:11:15We'll make it.
00:11:16Joe, Joe, look inside the bag.
00:11:18There are two passports and tickets for Panama.
00:11:21We're sailing from Frisco in three days.
00:11:23Three days?
00:11:24It's kind of tight.
00:11:26It's the only boat I could get.
00:11:28How about Rick?
00:11:30When do I meet him?
00:11:31Day after tomorrow, Crescent City.
00:11:33Good.
00:11:35You're wonderful, baby.
00:11:37I don't know what I'd do without you.
00:11:38Remember to tell me later, with gestures.
00:11:44What's that, the motor?
00:11:45Well, it can't be.
00:11:46I just had it tuned.
00:11:47Well, don't tell me.
00:11:48You didn't have sense enough to fill it up.
00:11:49I may be nuts about you, Joe, but I'm not crazy.
00:12:04There's your answer.
00:12:05Some of them got the gas tank.
00:12:06Joe, what are we going to do?
00:12:08We never ditched it, baby.
00:12:08Ditch it.
00:12:09It's no good.
00:12:10New tickets for heaven and we get stuck in this bird.
00:12:15This is the place.
00:12:37We should have been out of town by this time.
00:12:40But now we're stuck here.
00:12:41Our only chance is to hide out somewhere.
00:12:46Joe has a plan.
00:12:48I don't like it.
00:12:50208.
00:12:50208.
00:13:11129.
00:13:17209.
00:13:22209.
00:13:23209.
00:13:26219.
00:13:32219.
00:13:33229.
00:13:34219.
00:13:34219.
00:13:35After that whiff of perfume, I couldn't wait three years.
00:13:57Joe, what are you doing here?
00:14:00How did you get out?
00:14:01Mustn't touch.
00:14:02Joe, how did you...
00:14:05Your police call is on that radio.
00:14:14Is that for you?
00:14:16Yeah.
00:14:17They had the whole brass band out.
00:14:19Shooting fireworks.
00:14:22How did you kick off?
00:14:23Joe, this is crazy.
00:14:24It's insane.
00:14:26And it's still at large.
00:14:27Repeat, the escapee is Joseph Emmett Sullivan, six feet one, sandy red hair, blue eyes, known to have changed clothes.
00:14:38He is desperate.
00:14:39All cars broadcast.
00:14:42That is all.
00:14:43Joe, you don't stand the ghost of a chance.
00:14:45I'm calling Sheriff Car 12 on U.S. 50, going east toward Grevelo.
00:14:51Gray, Plymouth, Sedan.
00:14:53Escaped convict reported in it.
00:14:55That is all.
00:14:56Good.
00:14:57They're starting to run in circles.
00:14:59That means Spokane next.
00:15:01I'll bring you up to date, baby.
00:15:04It's a dragnet as tight as your fist around this town.
00:15:07I need to hide out for a couple of days.
00:15:08Joe, your best bet is to go back.
00:15:10Go back?
00:15:11Turn yourself in.
00:15:12Are you kidding?
00:15:13It's still not too late.
00:15:16Before you get in too deep, let me call the police.
00:15:20You think after the mess I went through I turned myself in willingly?
00:15:24Maybe one of us is not very bright.
00:15:27That's right.
00:15:29Look, I went to see you a couple of times at that jail.
00:15:31Why do you think I went?
00:15:33Your baby blue eyes?
00:15:34It could be.
00:15:35I got interested in a kid I read about and some records.
00:15:38When he was 12, there was a fire and he risked his life to save eight other kids.
00:15:41He got a medal for it.
00:15:43I got to wondering what happened to that kid.
00:15:45How would I know?
00:15:48Maybe there were other fires.
00:15:50Maybe he became a fireman.
00:15:52Maybe he got burned.
00:15:53I wouldn't know.
00:15:54I'm staying here with you like it or not.
00:15:59I don't know how to talk to you.
00:16:02If I had a gun, I'd stop you.
00:16:05You don't need a gun, baby.
00:16:06Sheriff's substation to state trooper control.
00:16:10All covered at the points Oak Creek Canyon, Lincoln Park,
00:16:13to cut off the Salida.
00:16:15Busy little guys.
00:16:18How about it?
00:16:20Are you going to behave yourself or...
00:16:21All right, Joe.
00:16:22All right.
00:16:23You win.
00:16:24Maybe I was all wrong.
00:16:26Oh, good.
00:16:28Good.
00:16:30That'll make it a lot easier on all of us.
00:16:32I'll have my partner come up.
00:16:34Partner?
00:16:34Yes.
00:16:35Yeah.
00:16:38Do you mind if I put some clothes on?
00:16:41No, no, no.
00:16:41Go ahead.
00:16:41Go ahead.
00:16:54Bring me to step in, Chancellor, please.
00:16:55Sorry, Mr. I'm engaged.
00:16:58Engaged?
00:17:00Hey, Cap.
00:17:01Hold it.
00:17:01I'll be right down.
00:17:03Okay, okay.
00:17:04Okay.
00:17:04What do you think you're doing?
00:17:30How much did you get across?
00:17:31Oh, I'm going to brain you with this.
00:17:37You did it for my sake, no doubt.
00:17:39What do you think I'm doing?
00:17:40Playing hopscotch?
00:17:41You'll ruin the only hideout I've got.
00:17:47You got a car?
00:17:48No.
00:17:56Little car, eh?
00:17:58Get your clothes on.
00:17:59We're getting out of here.
00:17:59Oh, no, just you.
00:18:02You want me to dress you?
00:18:06I'll leave this door open.
00:18:15Pat?
00:18:16Yes.
00:18:20Are you expecting a call?
00:18:22Yeah, cops.
00:18:23She's got telephone answers.
00:18:24Oh, cute.
00:18:24Look what I found.
00:18:25Could be her answer.
00:18:27Two girls in a car might get through.
00:18:28They might at that, but I don't like it.
00:18:30Well, I hope we get dressed.
00:18:31Must tie?
00:18:32Yes.
00:18:34K-R-O-X to state trooper control.
00:18:37Highway 12 covered.
00:18:38State route to Florence covered.
00:18:41Also, Cripple Creek Junction covered.
00:18:44Highway 66 covered.
00:18:47That is all.
00:18:48Cripple Creek Junction covered.
00:18:49I don't know.
00:18:49I don't know.
00:18:55Stop bumbling and get it on.
00:19:07Pat.
00:19:09Cops.
00:19:11Back way.
00:19:12Back way.
00:19:12Back way.
00:19:12Back way.
00:19:12Back way.
00:19:12Back way.
00:19:13Back way.
00:19:14Back way.
00:19:15Back way.
00:19:15Back way.
00:19:16Back way.
00:19:17Back way.
00:19:18Joe, listen.
00:19:20You've had your say.
00:19:22If you want to know what happened to that kid with the medal, he had to hock it at 16.
00:19:26He got hungry.
00:19:34Patrol car 3, reporting Captain Field at the roadblock, Carter Creek Junction.
00:19:40All the points are covered except Rockville Bend.
00:19:48State trooper patrol 8 reporting.
00:19:49This must be it.
00:19:50Rockville Bend and adjacent points covered.
00:19:53That does it.
00:19:54And if he gets through this dragnet, he's as slippery as a nail and a barrel full of oil.
00:20:04We've made it all right.
00:20:06We've gotten out of town.
00:20:08But for some strange reason, I feel worse than before, like a two-time loser.
00:20:15Maybe it's the letdown.
00:20:18Though there are still the roadblocks up ahead.
00:20:21Or maybe it's because of her sitting next to Joe where I should be.
00:20:26Where I would be if she weren't there.
00:20:30If she weren't.
00:20:32Why don't we ditch her now, Joe?
00:20:34Until we get through the roadblock.
00:20:37Any chance of being picked up and talking out of turn.
00:20:40But she's just a fifth wheel.
00:20:42Listen, if you really love him, why don't you talk him out of this?
00:20:48I want whatever he wants.
00:20:50If he wants out, I'm with him all the way, up or down, make a break.
00:20:53Why were you so anxious to get him a parole?
00:20:56We interrupt this broadcast for a moment to bring you a special police bullet.
00:21:00Attention all citizens and peace officers of Solida County.
00:21:04Be on lookout for a stolen light gray Dodge convertible.
00:21:08License number starts with 92.
00:21:10Dangerous criminal may be armed.
00:21:13Keep sharp lookout.
00:21:14Joe, what are we gonna do?
00:21:16Will you get off that one note?
00:21:17How do I know what we're gonna do?
00:21:19Make up as we go along.
00:21:25I'm sorry, Pat.
00:21:27That's all right.
00:21:30Huh?
00:21:34There's a gas station up ahead.
00:21:35Yeah.
00:21:36Maybe...
00:21:37Yeah.
00:21:38Yeah.
00:21:39Keep your eye on Miss Law and Order here.
00:21:43She might go soprano on us.
00:21:45You got your gun?
00:21:47Uh-huh.
00:21:48Use it if you have to.
00:21:50It'll be a pleasure.
00:21:51It could be fun.
00:21:53What about the keys?
00:21:55Leave them.
00:22:07Beware the keys.
00:22:09Leave them.
00:22:11Leave them.
00:22:23Be with you in a minute.
00:22:24All right, take your time.
00:22:26We want to stretch our legs anyhow.
00:22:41Hey, you got a match?
00:22:57Yeah, I think so.
00:23:08Hey, what are you doing there?
00:23:10Let's go.
00:23:25Hey, come back here.
00:23:30Use their car.
00:23:40He's coming, all right.
00:23:41Hope he gets a flash.
00:23:42Oh, no.
00:23:43Wish you luck.
00:23:44He's coming, all right.
00:23:45Hope he gets a flash.
00:23:46Oh, no.
00:23:47Wish you luck.
00:23:49Patrols on all roads.
00:23:50Keep sharp lookout.
00:23:51Light gray Dodge convertible wanted.
00:23:52The license number starts with 9-2.
00:23:54May be on.
00:23:55That is all.
00:23:56That is all.
00:23:57Shhh.
00:23:58Shhh.
00:23:59Shhh.
00:24:00Shhh.
00:24:01Shhh.
00:24:02Shhh.
00:24:03Shhh.
00:24:04Shhh.
00:24:05Shhh.
00:24:06Shhh.
00:24:07Shhh.
00:24:09Shhh.
00:24:10Shhh.
00:24:11Shhh.
00:24:12Systems immediately.
00:24:13Brothers like it can go in.
00:24:14Susie.
00:24:15Tealみas.
00:24:32This is it, all right.
00:24:53What are you stopping me for?
00:24:55Come on, get out.
00:24:56Now look, boys, I'm chasing some guy that stole my car.
00:24:59Okay, Ray, see if he's loaded.
00:25:00Loaded? Why should I be loaded?
00:25:02I'm telling you, I'm chasing this guy.
00:25:03Sure, you want us to chase up ahead, don't you?
00:25:05Yeah, certainly. We can catch him.
00:25:06He's only up...
00:25:07Turn the car around.
00:25:08But look, I can prove that I...
00:25:09Get in and turn the car around.
00:25:12Oh, what's the use?
00:25:13Oh, my God.
00:25:14Oh, my God.
00:25:14Oh, my God.
00:25:19I'll see you next time.
00:25:19Thank you, everybody.
00:25:21Oh, my God.
00:25:23Oh, my God.
00:25:25Oh, my God.
00:25:27What happened, officer?
00:25:51It's okay. We got the guy we wanted. Keep moving.
00:25:53Okay, Patty, let her go.
00:25:59Glad you didn't talk.
00:26:02You'd have shot, wouldn't you?
00:26:04Would I?
00:26:12Well, they got the right car, but the wrong guy.
00:26:14Sullivan pulled a car switch.
00:26:16Yeah? Which way was the wrong car with the right guy heading?
00:26:19It was a Willis station wagon.
00:26:20The last information was they were headed to the southwest, toward the Blue Mountain range.
00:26:25Sent out a four-state alarm.
00:26:26Oregon, Idaho, Nevada, California.
00:26:29I'm on my way.
00:26:30Attention. Four-state alarm.
00:26:32Oregon, Idaho, Nevada, California.
00:26:36We pulled over to a side road to relax a bit before heading for Oscar's Tavern,
00:26:42our hideout in the hills.
00:26:43There was the smell of the pines in the sky.
00:26:50I suddenly felt, I don't know, big and small at the same time.
00:26:59Also, freezing.
00:27:01Can't you build the fire up a little, Joe?
00:27:03What do you want to do, give him a beacon light?
00:27:06I got big enough chances as it is.
00:27:08Do we have to go to Oscar's?
00:27:09We might miss Rick.
00:27:10We've got to get rid of that car, don't we?
00:27:14And Crescent City, Rick Coil, 50 grand.
00:27:19Little pictures have big ears.
00:27:21Oh, she'll behave.
00:27:22Smell that?
00:27:37That's that breath of fresh air I've been wanting for a long time.
00:27:41Is it?
00:27:43That air is only good for a certain kind of man.
00:27:46A free man.
00:27:48What do you call this?
00:27:49I'm free now.
00:27:50Are you?
00:27:52Feeding out of bean cans?
00:27:54Running from one hole in the ground to the next?
00:27:55You call that free?
00:27:57Joe, turn up the music a little.
00:27:59Maybe it'll drown out that static.
00:28:08What's that?
00:28:12That was only a chipmunk.
00:28:14Free, aren't you?
00:28:15Don't let it get under your skin, Joe.
00:28:28Someday before we're through, I'm going to tear you apart and forget to put you to...
00:28:32There's a horseman coming down the hill.
00:28:40There's a horseman coming down the hill.
00:28:41There's a horseman coming down the hill.
00:28:41Come on, Pat.
00:28:42Come on, Pat.
00:28:42Help me put out the fire.
00:28:44Let's go.
00:28:45Oh, come on.
00:28:46Let's go.
00:28:47Good evening.
00:28:47Good evening.
00:28:47Hi.
00:28:47You folks got a campfire permit?
00:28:49Good evening.
00:29:03Hi.
00:29:04You folks got a campfire permit?
00:29:05Oh, oh, that's right.
00:29:08Come on, Pat, help me put out the fire.
00:29:10Not the birth on it.
00:29:11It's really my fault.
00:29:12She's from out of state, but I ought to know better.
00:29:15Well, we've got to be mighty careful.
00:29:16Oh, yes, I know what a bad fire can do.
00:29:20We were just about to leave.
00:29:21We stopped for a bite to eat.
00:29:23You girls alone?
00:29:24Yes.
00:29:25I promised my friend a camping trip.
00:29:28You know, I really should run you in for this.
00:29:30But you've been pretty nice about it.
00:29:32Oh, by the way, you haven't any firearms.
00:29:34No, of course not.
00:29:36Well, good night.
00:29:38Have a nice trip.
00:29:46Well, pretty close.
00:29:56Oh, boy, I thought that was it.
00:29:58Yeah, me too.
00:30:00Thanks, Anne.
00:30:02Thanks?
00:30:03I didn't do it for you.
00:30:04I did it for that kid.
00:30:06You'd have shot him down.
00:30:08I saw you with that gun.
00:30:09I saw the look on your face.
00:30:11You're a murderer.
00:30:12Oh, wait a minute.
00:30:13I may have romanticized you before, but now I know you.
00:30:17You're something from under a rock.
00:30:20You don't have to worry about me turning you in anymore.
00:30:23I don't have to.
00:30:25You'll get yours somehow, sometime, somewhere.
00:30:30What does she know?
00:30:32Come on, will you have to make time?
00:30:35Don't bet.
00:30:39Paul.
00:30:40This is a silly way to celebrate your birthday, Ricky.
00:30:44Come on.
00:30:45You're making me nervous.
00:30:46Not so fast, Rick.
00:30:48But I thought we were going to have a party, not a card game.
00:30:52Guess this just isn't your lucky day.
00:30:55Do you?
00:30:56And you, you go dance with Brock or the waiter.
00:31:00You're bothering me.
00:31:06I see they haven't caught Joe yet.
00:31:08They'll catch him.
00:31:13You seem to be enjoying yourself, Fanteil.
00:31:17You know, someday I'm going to figure out something for you.
00:31:20Something very special.
00:31:22And very funny.
00:31:24This is for your birthday.
00:31:26Good.
00:31:27I'll continue this later.
00:31:31Look, boss, I'd like a word with you.
00:31:33It'll keep...
00:31:34No, it won't.
00:31:34It's about what you...
00:31:34Put some more gruboisi in there.
00:31:36Just a drop or two.
00:31:37Look, boss, you don't know...
00:31:38Sit down, Spider.
00:31:48That's beautiful.
00:31:50Joe.
00:31:52Joe what?
00:31:53The word just came through.
00:31:54Joe Sullivan.
00:31:54He's in the clear.
00:31:57The Mid-In-To-One shot.
00:31:59You even greased the doors.
00:32:00Supposed to meet him, Crescent City, tomorrow night.
00:32:03With 50 grand.
00:32:04This sure is your birthday.
00:32:15Take her away.
00:32:16She should have been more careful.
00:32:18He's a brute.
00:32:19I don't know why you slipped to him.
00:32:20Oh, my God.
00:32:21Let's help us all the room.
00:32:22Be careful.
00:32:24Be careful.
00:32:24Come on.
00:32:24What's the matter, Fanteil?
00:32:28Joe, didn't you like that?
00:32:30Don't you have anything to say?
00:32:33You were having a lot of fun, weren't you?
00:32:37All right.
00:32:38This'll amuse you.
00:32:40You're going to meet Joe for me tomorrow night...
00:32:43...in Crescent City.
00:32:43I don't want him to meet me, ever.
00:32:49We drove all night through the quiet hills.
00:32:52Joe hadn't said a word.
00:32:55I knew, or thought I knew, what was going on inside of him.
00:32:59She was getting under his skin.
00:33:03Once I tried to talk to him about it, but he told me to shut up.
00:33:07Joe, when did they let you out?
00:33:27They didn't.
00:33:28It's a hot crate, Oscar.
00:33:31I see.
00:33:32Pull him in the shed.
00:33:37Pull him in the shed.
00:33:52Word hasn't gotten up here about me yet, huh?
00:33:54Well, we're out of the main lane.
00:33:55Good.
00:33:56Now, this is Pat and Ann.
00:33:59We want some food and a different car.
00:34:01Food's easy, but the only crate I got is that one up on the jack in there.
00:34:05Won't have it ready until late tonight.
00:34:08Well, that'll be okay if I can get to Crescent City by 12 o'clock.
00:34:11Come on.
00:34:12You kids want to get washed up.
00:34:15How's Fran?
00:34:16Word as usual.
00:34:18Oh!
00:34:19Oh!
00:34:19What a dumb, stupid, out things that do.
00:34:23He's darn high heels.
00:34:24Come on, come on.
00:34:25Up the cradle.
00:34:29Got to break a leg to get you to hold me lately.
00:34:33I'm a big help.
00:34:34Shut up.
00:34:35I've been okay.
00:34:40Deep down, I guess I have no real beef at what I know is happening.
00:34:46Watching him, one thing keeps ringing inside of me.
00:34:50He's never really told me he loved me.
00:34:54Funny how that keeps coming back now.
00:34:58I hadn't minded it before.
00:35:00I'd always been more than ready to take him at any terms.
00:35:06No.
00:35:07Lucky, it's only his brain, hmm?
00:35:10Hmm?
00:35:10Oh, yeah.
00:35:13Yeah, you'll be okay in the morning, kid.
00:35:15Just, uh, keep off it.
00:35:18Remember that time we were dancing at the pavilion?
00:35:20I sprained it then, too, when you said that...
00:35:24You're not listening.
00:35:26Oh, I'm sorry.
00:35:30What were you saying?
00:35:32Nothing important.
00:35:39Empty, Heidi.
00:35:40I think I'll hop down and see if Vosky's got a fresh pack.
00:35:43No, I've got some right here.
00:35:45No.
00:35:46Mine's all gone, too.
00:35:51I'll be right back.
00:35:52You, Mac, take the road up to the right.
00:36:17Frank, Bob, and Chuck, come around Hooker's Pass up the back.
00:36:21Ray and Don, take the side turnpike.
00:36:24And the rest of you, follow the foot lanes.
00:36:28And remember, all of you, close in on him from every side.
00:36:32Don't give him a chance.
00:36:34Remember, he's dangerous.
00:36:37Okay, let's go.
00:36:44Oscar, you seen Ann?
00:36:46No, I haven't seen it.
00:36:48I should have this quick and shape in the hair for three quarters of an hour.
00:36:51Fine.
00:36:51Fine.
00:36:51Fine.
00:36:51Fine.
00:37:17Enjoying the view?
00:37:18I was.
00:37:22Wait.
00:37:23Let me go, Joe.
00:37:25It's the perfect spot for a guy meets gal.
00:37:28Moonlight, water, everything.
00:37:32Even music.
00:37:33Except that I'm not the girl, and you're not the guy.
00:37:37Oh, that's right, isn't it?
00:37:40I seem to remember that I'm something from under a stone.
00:37:44But if you want to know you're right,
00:37:45I am something from underneath a rock.
00:37:48A whole pile up.
00:37:49Corkscrew alley.
00:37:50Dean's Orphanage.
00:37:52That famous rock that hits you in the back of the head
00:37:54after you've tried to help someone.
00:37:55Not to mention that heap I busted out of called the state pen.
00:38:00Yeah.
00:38:01Yeah, a whole tiny little pile of rocks.
00:38:05I'm climbing right up on them until I reach the top.
00:38:09To what end?
00:38:10More crime?
00:38:18I wanted to see how you'd react when you got kissed by something from under a stone.
00:38:22That bothers you, doesn't it?
00:38:25What do you know about anything?
00:38:27You've probably had your bread buttered on both sides since the day you were born.
00:38:31Safe.
00:38:32Safe on first, second, third, and home.
00:38:35Well, that's what you think.
00:38:38Just because I own a car and a tailored suit and my nails are clean,
00:38:42you think I've never had to fight?
00:38:44I got an education, sure.
00:38:45I suppose that means I was born with a silver spoon, doesn't it?
00:38:48My father was a schoolteacher.
00:38:51He died in the War of the Depression.
00:38:53Only he didn't get any medals or any bands or any bonus.
00:38:58He left three children.
00:39:00You think you had to fight.
00:39:02The only way you know how to fight is that stupid way with a gun.
00:39:05Well, there's another way you've probably never even heard of.
00:39:07It's the daily fight that everyone has.
00:39:10To get food and an education, to land a job and keep it.
00:39:14And some self-respect.
00:39:16Safe.
00:39:17I never asked for anything safe.
00:39:20All I want is just a little decency, that's all.
00:39:47I want you to leave Joe alone.
00:39:49You understand?
00:39:50You're poisoned to him.
00:39:52He was sure of himself, knew where he was going until you came along.
00:39:55If it makes you feel any better, Joe means nothing to me.
00:39:58Not now.
00:39:59Then that's for nothing.
00:40:02Thanks.
00:40:03I probably deserved that.
00:40:16Joe!
00:40:17Joe!
00:40:18Yeah?
00:40:19I just got a phone call.
00:40:21A guy ran amok.
00:40:22Kill somebody.
00:40:23It's heading this way.
00:40:24Listen.
00:40:25Come on, get in the house.
00:40:37Kill the lights.
00:40:37Tell me how you made it.
00:40:57I saw her.
00:40:58Joe!
00:41:18I should have let my own hounds out.
00:41:20That had kept them off.
00:41:21Let me in.
00:41:28That water will blow your head off.
00:41:31Let me in.
00:41:32Let me in.
00:41:33Let me in, please.
00:41:35Please.
00:41:38Please.
00:41:41Please.
00:41:43Let the poor slob in.
00:41:45Joe, use your head.
00:41:46Don't be a chump.
00:41:48Joe, you can't.
00:41:49You can't.
00:41:50You can't.
00:41:53Open it up, Oscar.
00:41:57Thanks.
00:41:58Thanks.
00:42:02What did he do?
00:42:04This dumb fool killed someone and lamed up here.
00:42:06No.
00:42:07No, it wasn't just someone I killed.
00:42:09It wasn't just someone.
00:42:10It was her.
00:42:12I don't know why.
00:42:14I don't know why I did it.
00:42:16I loved her.
00:42:17I don't know why.
00:42:18I don't know why.
00:42:19I don't know why.
00:42:20Let's get out of here.
00:42:25Oh, it's no good.
00:42:26No.
00:42:27Nothing's no good.
00:42:28Oh, I wish I was...
00:42:29Get him a drink for him.
00:42:30Not for a wife murderer.
00:42:31Yeah.
00:42:32Yeah, I murdered her.
00:42:34Oh, it's no good without you, man.
00:42:37It's no good.
00:42:38Get the tear gas, Bruce.
00:42:55We'll ring the house boys and smoke them out if we have to.
00:43:02Anyone in there come out or we'll come and get you out.
00:43:05I got it coming to me.
00:43:10I got it coming.
00:43:11I got it coming.
00:43:12I got it coming.
00:43:13No, no.
00:43:14I got it coming to me.
00:43:15I deserve to be.
00:43:16I got it coming.
00:43:27Mary, it's no good without you.
00:43:35That could be you.
00:43:54Quick, Joe.
00:43:55One of them's headed this way.
00:43:56Get in that store room.
00:43:57I'll take care of them.
00:43:58Come on.
00:44:05Come on.
00:44:06Come on.
00:44:14Everyone okay here?
00:44:15Yeah.
00:44:16Good.
00:44:17He threatened us and made us turn out the lights.
00:44:22Mind if you use your phone?
00:44:23No.
00:44:24Go ahead.
00:44:26State police, please.
00:44:29I hope it didn't upset you, ma'am.
00:44:30No.
00:44:35Hello, Jim?
00:44:36Yeah.
00:44:37All's clear here.
00:44:39Up at Oscar's Tavern.
00:44:41It was a little rough, but he had it coming to him.
00:44:44Time?
00:44:45About 9.20.
00:44:47See you later.
00:44:49Oh, good night, folks.
00:44:50Good night.
00:44:51Sorry about all the trouble.
00:45:01You should be in Crescent City in two hours.
00:45:05That'll put you there before midnight.
00:45:07Thanks, Oscar.
00:45:08As soon as I get my door from Rick, I'll take care of you.
00:45:11That's okay.
00:45:12My regards to Rick.
00:45:13Then keep on your toes.
00:45:14Be careful.
00:45:15Right.
00:45:30I'll drop hearts and flowers over at the bus station, then hop over and meet Rick at Grimshaw's.
00:45:54Be back with 50 G's.
00:45:55I think I ought to go with you.
00:45:58Ha-ha.
00:45:59Bogo stick?
00:46:00You'd be a big help.
00:46:01Give that ankle some rest.
00:46:02Are we staying here long?
00:46:04There's long enough to collect.
00:46:07Be careful.
00:46:08And come back soon.
00:46:10You bet.
00:46:11You bet I will.
00:46:12As they say, life begins with 50 G's.
00:46:27You can let me watch this.
00:46:37I can never get it more than two stories high.
00:46:39Why don't you just build bungalows?
00:46:42Why don't you just take that hole in your head and close it?
00:46:47Looks like he ain't go to show.
00:46:50Yeah.
00:46:51That'll break my heart, too.
00:46:52Especially if the cops have already kissed them off.
00:46:57Guess maybe I'll close up.
00:46:59Try and get some sleep.
00:47:00Yeah, close up.
00:47:09Here comes the car.
00:47:13Pull the shade down.
00:47:14I'll be in the back room rolling out the red carpet.
00:47:20What are we stopping here for?
00:47:21This isn't the bus terminal.
00:47:23No.
00:47:24No, it isn't, is it?
00:47:26I thought if you didn't mind waiting, I'd take care of my business first.
00:47:31Give me a little more time.
00:47:32That'll put you on the bus.
00:47:38In a second thought, you'd better come on in with me.
00:47:44You little gadget.
00:47:47Walt rings up the sale even before you buy anything.
00:47:49Hello, Joe.
00:47:50Glad to see you.
00:47:51Hello, Walt.
00:47:52Ricky?
00:47:53Yeah.
00:47:54Waiting for you in the back room.
00:47:56Why don't you pick yourself out of here?
00:47:57A little memento of a trip.
00:47:58Say, for a boy and a girl?
00:47:59Or better yet, a boy and two girls?
00:48:00Thanks.
00:48:01I will.
00:48:04You little gadget.
00:48:05Walt rings up the sale even before you buy anything.
00:48:06Hello, Joe.
00:48:07Glad to see you.
00:48:08Hello, Walt.
00:48:09Ricky?
00:48:10Yeah.
00:48:11Waiting for you in the back room.
00:48:13Otherwise, you can pick yourself out a trinket.
00:48:16A little memento of a trip.
00:48:18Say, for a boy and a girl?
00:48:21Or better yet, a boy and two girls.
00:48:26Thanks.
00:48:27I will.
00:48:28Oh, yes.
00:48:29I've got some very fine things here.
00:48:30Now you take that...
00:48:31See?
00:48:32Told you he had a cash register mine.
00:48:33Rings every time he opens his mouth.
00:48:41Where is he?
00:48:42Right here.
00:48:43Which one?
00:48:57They ain't bad.
00:48:59Only I'm a more reasonable facsimile thereof.
00:49:03I recognize the signature.
00:49:05Good.
00:49:07I always said it's a pleasure talking to a sharp guy.
00:49:10You don't waste breath.
00:49:12Precious thing, breath.
00:49:13Yeah.
00:49:15Yeah.
00:49:16Well, that's the way it is.
00:49:17Some guys win, some guys lose.
00:49:19Would you mind putting your hands up a little higher?
00:49:23Thanks.
00:49:25Cat Skinner, get his gun.
00:49:31Turn around now, jerk.
00:49:32And I hope you don't mind me calling him a jerk.
00:49:36Go right ahead.
00:49:40Called that a lot lately.
00:49:42Much better language.
00:49:44Grimmy, what would you charge me to mount a head?
00:49:47A good-looking head, a smart head.
00:49:50Busted itself right out of the big house, got by all the roadblocks and ran right smack in here.
00:49:55It get itself mounted.
00:49:57What a smart head.
00:50:00Gonna tell Ricky, too, how you mistook this grizzly for him.
00:50:03He'll get a kick out of that.
00:50:06He might even die laughing.
00:50:10Now move, crumb.
00:50:16Outside.
00:50:18The sand is soft.
00:50:19You won't hurt yourself when you fall.
00:50:24Come on, move.
00:50:27Come on.
00:50:28Come on, come on.
00:50:29Come on.
00:50:30Come on.
00:50:31Come on.
00:50:33Go away!
00:50:56Come on.
00:51:26Come on.
00:51:56Come on.
00:52:26Come on.
00:52:56Come on.
00:52:58Come on.
00:53:00Come on.
00:53:02Come on.
00:53:18Sam.
00:53:20Sam.
00:53:24Joe, Joe, he's dead. I've killed the man.
00:53:36No, no, no, you didn't. You didn't kill him.
00:53:40Oh. Oh, thank heaven. You're sure?
00:53:45Yes, yes.
00:53:49But I might. I could.
00:53:53Don't think about it, Ann.
00:53:56I picked up the gun, and then I saw him about to...
00:54:01Ann, don't. Don't.
00:54:04How could I have ever...
00:54:06Ann, listen. Listen, if it makes you feel any better,
00:54:10try and think about it this way. You did it to save my life.
00:54:14I know I'm not worth it, but then...
00:54:17Oh. Oh, yes, you are.
00:54:23Oh, Joe. Joe, I do love you.
00:54:41We'll talk about it later.
00:54:54Look, Pat. Don't ask questions. Do as I say.
00:54:56Rent a car and meet me on the beach road below town. Right away.
00:55:12What's wrong?
00:55:30That's the end of the line. There's a car over there waiting for us.
00:55:40Come on. Take him. Take him and go off.
00:55:48Joe!
00:55:50Together like a bird and a cat.
00:55:53Last night was last night.
00:55:57Go on. Do what I tell you.
00:56:01Keep your nose powdered. Drive carefully.
00:56:03Don't pick up any hitchhackers.
00:56:05Or ex-convicts.
00:56:07They might hurt you.
00:56:10Joe.
00:56:12You don't dare look at me.
00:56:15Go on, Anne. Go on. Get out when I tell you.
00:56:31I suppose I should feel some kind of victory.
00:56:35But I don't.
00:56:37I even feel sorry for her.
00:56:40Passing her like this.
00:56:43She, too, is a dame in love with Joe.
00:56:46And she's lost.
00:56:48I've been behind that eight ball too often myself.
00:56:53Not to know how she feels.
00:56:56How she feels.
00:57:18How many, please?
00:57:36Oh, five. Just five.
00:57:42Look, Rick.
00:57:45I've been watching the roads all morning, like you told me.
00:57:50I'm just one guy.
00:57:53That'll be a dollar.
00:57:55Here you are.
00:57:57Uh, is this the shortest way back to San Francisco?
00:58:00Yes, ma'am.
00:58:07Look, if you'll close that sewer or you're something just turned up,
00:58:10I think you're gonna like.
00:58:15Come on.
00:58:32In less than an hour, we'll be leaving San Francisco.
00:58:36Now that we're actually going, I...
00:58:38I have a kind of feeling for the city.
00:58:41Even Corksboro Alley.
00:58:44Way over on the other side.
00:58:46To where I grew up.
00:58:48Jump rope.
00:58:49Cried.
00:58:50Laughed.
00:58:52Fell in love.
00:58:53And now...
00:58:55Joe.
00:58:57What are you doing with the gun?
00:58:59I'm gonna kiss a friend of ours goodbye.
00:59:02Rick?
00:59:04You know a better friend?
00:59:06Joe.
00:59:08Oh, Joe, that's a sucker funny.
00:59:11I won something.
00:59:14You didn't think I was gonna leave without paying any mortgage.
00:59:17But, darling, our boat leaves in two hours.
00:59:20I'll be back any time.
00:59:21Yes.
00:59:23Or six feet under.
00:59:25That's where you'll be.
00:59:27Don't you see?
00:59:29That's just what he wants you to do.
00:59:30He's been praying for you to walk in.
00:59:33He's gonna get his prayer.
00:59:34Joe.
00:59:35Joe, listen.
00:59:37This is your one chance to break free.
00:59:40Don't throw it away on him.
00:59:41He's not worth it.
00:59:43There you go, Pat.
00:59:44There you go, Pat.
00:59:48Nobody pulled a punch like that on me and got away with it.
00:59:51You mean you'd risk your one chance?
00:59:53Our chance?
00:59:54Just to get back at him?
00:59:56You seem to forget.
00:59:57He tried to put a meat stamp on me.
00:59:59Also, there's a little matter of 50 Gs.
01:00:01Why do I care about the 50 Gs?
01:00:03You're alive.
01:00:04That's all I care about.
01:00:08That you don't understand.
01:00:11I've got to.
01:00:14You're alive.
01:00:19Okay.
01:00:21Hey, go ahead.
01:00:22Go to him.
01:00:23Pin his ears back.
01:00:24Be a hero.
01:00:25Get yourself shot down in the process.
01:00:28What do I care?
01:00:29You're dead.
01:00:31Caught again.
01:00:33Doesn't mean a thing to me.
01:00:34Not a thing.
01:00:35No, no.
01:00:36Look, Pat.
01:00:37No, not Pat.
01:00:38Pat sees the name.
01:00:39A little dumb bunny who'll wait 10, 20, maybe 30 years.
01:00:42Who'll sit and cry and wait.
01:00:43Go ahead.
01:00:44If I hadn't asked you, I'll let you do it.
01:00:45Keep her name out of this.
01:00:46Why?
01:00:47Who is she that I can't mention her?
01:00:48Chiseling little doll face.
01:00:49What is she to you that I'm not?
01:00:50Got it.
01:00:51I see.
01:00:52She's got her hooks into you good.
01:00:53She's wormed away into you so that you don't know what you're saying, you don't know what you're doing.
01:00:55Got it.
01:00:56And I can't even mention her name.
01:00:57That sweet-talking, precious little...
01:00:58And I can't even mention her name.
01:00:59That sweet-talking, precious little...
01:01:00If I hadn't asked you, I'll let you do it.
01:01:05Keep her name out of this.
01:01:06Why?
01:01:07Who is she that I can't mention her?
01:01:09Chiseling little doll face.
01:01:12What is she to you that I'm not?
01:01:14Got it.
01:01:15I see.
01:01:16She's got her hooks into you good.
01:01:17She's wormed away into you so that you don't know what you're saying, you don't know what you're doing.
01:01:20Got it.
01:01:21And I can't even mention her name.
01:01:22That sweet-talking, precious little...
01:01:24What?
01:01:32Okay, Joe.
01:01:33Okay, do what you want.
01:01:54Come on, get inside.
01:01:55Look what I brought you, Rick.
01:02:04So you let Joe get away.
01:02:05You must have a lot of nerve to show...
01:02:06Now wait a minute, Rick.
01:02:07What for?
01:02:08Excuses?
01:02:09Who's she?
01:02:10What do I want with her?
01:02:11This is Joe's girlfriend.
01:02:12His particular girlfriend.
01:02:13She was with him on the whole trip.
01:02:14Yeah?
01:02:15Where's Pat and Joe?
01:02:16Where's Pat and Joe?
01:02:17I don't know.
01:02:18I don't know.
01:02:19I have no idea.
01:02:20I have no idea.
01:02:21Naturally, you have no idea.
01:02:22Naturally, you have no idea.
01:02:27There are ways of finding out.
01:02:28There are ways.
01:02:29There are ways.
01:02:30There are ways.
01:02:31I don't know.
01:02:32I have no idea.
01:02:33Naturally, you have no idea.
01:02:34There are ways of finding out.
01:02:36There are ways.
01:02:37There are ways.
01:02:48There are ways.
01:02:53There are ways.
01:02:58I almost did something I never dreamt I'd ever do.
01:03:18I almost called the police.
01:03:22I was going to...
01:03:24Well, I... I don't know how to...
01:03:38What's the trouble? I don't know how to...
01:03:40Okay. Okay.
01:03:45You've given me a thousand things before without my asking?
01:03:54Come on. Let's go. Get your things.
01:04:09My things?
01:04:10Sure, sure. The clothes you bought for us this afternoon.
01:04:12The fellow and these girls are going to take a boat trip.
01:04:14They usually dress for it, don't they?
01:04:28Come on. Get into your duds and we'll get out of here.
01:04:30Did she spell?
01:04:32No, she didn't know where he was. You. I gave you a set-up and what happened. I don't even know where he is. Rick.
01:04:50I just got the word. Pat Cameron at the Clark Hotel. Joe with her? Don't know, they didn't see him. Maybe he's coming to see you, Rick. I've got to stop him before he gets here. What do you suggest? Have you got any other bright ideas? Yeah. Now you guys get down to the alley. I want the whole street covered. Get down there and get him. I don't want to see him.
01:05:08I'll bet you don't. Maybe he ain't coming here, boss. Maybe, maybe he's trying something else. I gotta know where he is. Here, get on the phone, Spider. Call Pat Cameron. What for? Don't argue with me. Just call her. I'll tell you what to say. Okay, you'll see.
01:05:23Joe? Joe? Joe, I'm ready. You ready? Sure. Oh, honestly, and they talk about women and their makeup. How much time have we? Forty minutes. That's plenty of time. You wanted us to look like a couple of true blues, didn't you, instead of hamsters?
01:05:38Well, in your case, I don't think it's going to help any. How much time have we? Forty minutes. That's plenty of time. You wanted us to look like a couple of true blues, didn't you, instead of hamsters?
01:05:52I don't think it's going to help any. Now, is this up? Yeah. No, now, Joe. Now, quit hopping around. Every second counts.
01:06:02You get it. Hello? Rick Coyle's got Ann. Ann Martin. If Joe don't show by 12.30, you won't recognize her.
01:06:16And if you ask me personally, you better come quick. Yes. Yes, thanks.
01:06:25Who was it?
01:06:29Who was it?
01:06:32The, uh, the desk clerk. He wanted to know if we were checking out, if we needed anything.
01:06:37Well, I hope you told it. We could use a police escort down to that freighter.
01:06:41As a matter of fact, they could use a carton of cigarettes.
01:06:46No, Joe. We haven't got time. We'll, uh, pick them up on the way.
01:06:52What's the matter with you, Pat? You feel all right?
01:06:55All of a sudden, I'm... I'm scared.
01:07:00Don't worry. We'll make it okay.
01:07:09Come right in, Captain Fields.
01:07:12Good evening, Sergeant.
01:07:14I'm looking for this specimen.
01:07:17Oh, Joe Sullivan. One of our local boys.
01:07:21Where did he used to hang out?
01:07:23Around the docks, the wharf area.
01:07:25I've been tailing that guy for over 60 hours.
01:07:27I'm sure he's landed back in San Francisco.
01:07:30Sergeant, I need your help. I don't want him to skip the country.
01:07:35I'll have my men cover the dock area.
01:07:46Take it easy. I almost jumped out of your skin.
01:07:56I'm all right.
01:07:58Sure. As soon as this boat pulls out, we'll both feel a lot better.
01:08:16Nice, snug little place.
01:08:31Hey, sailor.
01:08:33Is the captain a God-fearing man?
01:08:35Huh?
01:08:37Does he carry a Bible?
01:08:39I guess so.
01:08:41I understand at sea a captain can legally perform a marriage.
01:08:44Si, si.
01:08:46That is a lucky thing, marriage at sea.
01:08:48I'll go tell the captain in about an hour?
01:08:50Yeah, yeah, in about an hour.
01:08:53Joe.
01:08:58Joe, I...
01:08:59Don't. Don't try to say it.
01:09:01I know we haven't talked about this before, but...
01:09:04we're kind of making a fresh start, aren't we?
01:09:07Joe, you really want to?
01:09:08Sure. Sure, I do.
01:09:10We've got to do it right.
01:09:11We've got to do the whole thing right.
01:09:13We've got to do the whole thing right.
01:09:14We've got to do the whole thing right.
01:09:25Light's a first go.
01:09:27We're fogging out in a minute.
01:09:34You know, I, uh...
01:09:36I've been doing a lot of thinking lately.
01:09:37No laugh.
01:09:40In five or ten minutes we'll be...
01:09:43pulling out.
01:09:45Pulling out for a new country.
01:09:48Leaving everything behind.
01:09:52Maybe...
01:09:53Maybe we can make a different life for ourselves in South America.
01:09:57A good life.
01:09:59Far good, I hear.
01:10:02I've never been there myself, but some friend of mine told me.
01:10:09It's a...
01:10:10good place.
01:10:12New place.
01:10:14Might be able to...
01:10:15get a little...
01:10:16little ranch...
01:10:18business or something.
01:10:20It's that fresh.
01:10:23Decent.
01:10:26Have a house.
01:10:28Kids, maybe.
01:10:29Bring them up right.
01:10:32Scrub them all up.
01:10:33Send them off to school.
01:10:34And...
01:10:45There's the engines.
01:10:50Five, six minutes we'll be shoving off.
01:10:53You know, with everything we got on a ball, we ought to be able to make something out of ourselves.
01:10:56Something that...
01:10:58Something decent.
01:10:59Something that...
01:11:01The noise of...
01:11:02Afraid of the daylight.
01:11:03Why didn't he stop talking?
01:11:05When the clock stopped moving,
01:11:07he was singing everything I'd ever wanted to hear.
01:11:10All my life.
01:11:12The lyrics were his all right.
01:11:14But the music, hands.
01:11:16Hands.
01:11:17Suddenly I saw that every time he kissed me, he'd be kissing hands.
01:11:21Every time he held me, spoke to me, danced with me, ate, drank, played, sang.
01:11:25It would be Anne.
01:11:27Anne.
01:11:28Anne!
01:11:34Joe.
01:11:36Joe, listen.
01:11:38I lied to you.
01:11:39That phone call.
01:11:41It wasn't the desk clerk.
01:11:42It was Spider.
01:11:44Anne's in trouble.
01:11:45Bad trouble.
01:11:47She's with Rick.
01:11:55Adonis.
01:11:56And the crew.
01:11:57The entertainer.
01:11:58The water.
01:11:59Road.
01:12:00The air.
01:12:01The air.
01:12:03With his kunt, the air.
01:12:04The air.
01:12:05The air.
01:12:06The air.
01:12:07It was the air.
01:12:09The air.
01:12:09Yes, sir.
01:12:10That's true.
01:12:11As you're on.
01:12:12The air.
01:12:13The air.
01:12:14The air.
01:12:15The air.
01:12:16Why don't you watch where you're going?
01:12:26Who says so?
01:12:27Come on, get off the street.
01:12:28Kids like you ought to be in bed at this hour.
01:12:46Or do I have any plans for you?
01:12:58Let us go.
01:13:02Let's walk on.
01:13:06Why don't you have to be in bed?
01:13:10Oh, my God.
01:13:40Oh, my God.
01:14:10Oh, my God.
01:14:40Oh, my God.
01:15:10Oh, my God.
01:15:39You wouldn't do anything, would you, Joe?
01:15:43You always were a square guy.
01:15:46Joe, you know I never carry a gun.
01:16:09Oh, my God.
01:16:19Oh, my God.
01:16:28Oh, my God.
01:16:30Oh, my God.
01:16:32Oh, my God.
01:16:41Oh, my God.
01:16:43Oh, my God.
01:16:45Oh, my God.
01:16:49Oh, my God.
01:16:58Oh, my God.
01:17:00Oh, my God.
01:17:02Joe.
01:17:03Joe.
01:17:03Joe.
01:17:07Joe.
01:17:11Joe, darling.
01:17:13Joe.
01:17:22Joe, darling.
01:17:26Joe, darling.
01:17:35Hey.
01:17:36Hey.
01:17:37Hey.
01:17:38None of that.
01:17:39Don't cry.
01:17:40I got my breath of fresh air.
01:17:47I got my breath of fresh air.
01:17:48I got my breath.
01:18:07happiness on his face.
01:18:11In my heart, I know that this is right for Joe.
01:18:17This is what he wanted.
01:18:37This is what he wanted.
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