- 8 hours ago
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00:00I'm sorry.
00:02I'm sorry.
00:04I'm sorry.
00:06I'm sorry.
00:08You're right.
00:10I'm sorry.
00:12Do you want to go to the right hand?
00:14You're right.
00:16You're right.
00:18I'm sorry.
00:20You're right.
00:22You can't make a smile.
00:28I wouldn't have seen anything.
00:30I wouldn't have seen anything.
00:32You can't make a smile.
00:34You're right.
00:36You're right.
00:38I got a smile.
00:40I'm sorry.
00:42I'm sorry.
00:44I'm sorry.
00:46I'm sorry.
00:48I'm sorry.
00:50So, I'm going to get 500 people to get out of here.
00:57I'm going to get a lot of money.
01:00I'm going to get money to buy a house.
01:05I'm going to get a lot of money.
01:10I'm going to get a lot of money.
01:15It's a good thing.
01:17It's a bad thing.
01:19You can't take it.
01:23So, so.
01:25If you're holding it, you can't take it.
01:31You can't take it.
01:33You can't take it.
01:41See you later.
01:43I don't know
02:15I'll tell you.
02:21I've always been a good man.
02:34Yes.
02:36How are you?
02:38Hey.
02:40I'm having a good job.
02:48Well...
02:50There's a lot of taste.
02:55Let's go.
02:57Come on.
03:03Please.
03:05Come on.
03:08Then...
03:10We're going for 10 minutes.
03:12Yes.
03:14Mr. Stadio.
03:16Mr. Otamano.
03:17Mr. Taniwa-yai.
03:19I'm not sure how to eat.
03:22Mr. Taniwa-yai.
03:23Mr. Taniwa-yai.
03:26Mr. Taniwa-yai.
03:29Mr. Taniwa-yai.
03:31Mr. Taniwa-yai.
03:33I'm not here yet.
03:35I'm not here yet.
03:40I'm not here yet.
03:43I'm not here yet.
04:03I'm not here yet.
04:10What did you talk about?
04:13Next is 10 days later.
04:23Are you looking for a new Okiyo-san?
04:28I'm looking for a woman.
04:32I'm looking for a good woman.
04:34I'm looking for a good woman.
04:36I'm looking for a woman.
04:38How do you feel?
04:40I've got a headache.
04:45I've grown a lot.
04:47I've grown a lot.
04:49I've grown a lot.
04:51I don't know.
04:53I've grown a lot.
04:55I'm looking for a woman.
04:57You've been saying it's a man.
04:59I've grown a lot.
05:01What do you mean?
05:05How can you feel?
05:07How do you feel like?
05:10You're feeling strong.
05:13How do you feel like?
05:15How do you feel like you are going to be your mother-in-law?
05:18How do you feel?
05:20むかし棚にいた楽器にてめえの名をつけたんだけどよ、てめえの名をてめえで呼ぶっていうのはまあ落ち着かねえもんでさ。
05:39最後なことが終わりで。
05:43It's been 20 years ago.
05:58If I wrote this piece, I'll be done with the studio.
06:13I'll be back.
16:47Sous-titrage ST' 501
17:17Your wife, and your wife, and your wife.
17:22That's right.
17:24That's right.
17:26Then.
17:28Yes.
17:29Your father, take care of your body.
17:32Take care.
17:34Yes.
17:38Did you have any questions, Uta?
17:43I don't know.
17:46I don't know.
17:48I don't know.
17:50I don't know.
17:52Well...
17:53Well, that girl, Uta's only one of them.
17:57I don't care.
18:01You'll be happy.
18:05Let's go.
18:16I don't know.
18:17There's a lot of people in heaven.
18:19Here we go.
18:21Try to get your hands off.
18:24Take care.
18:26I'll be very happy.
18:28There's a lot of people in the world.
18:30Take care.
18:31Take care.
18:32Take care.
18:33Take care.
18:34Take care.
18:35Take care about your mundo.
18:38I don't know.
19:08オロシャは去り寄ったか?
19:09はい。我が国はオランダとシンのほかは国を開いておらぬ。
19:14故にオロシャの望みを叶えることはできぬ。
19:18しかし長崎というところがあり、そこは唯一異国の船が出入りし、通称が行われる港であるともったいをつけ、心配を渡したところ、王にそれを見せるため、オロシャに舞い戻ったそうにございます。
19:38そうか。実に見事な裁きであるな。
19:45お褒めに預かり、強越至極に存じます。
19:50これは例の、あれであるな。
20:15はい。
20:17はい。
20:18お褒めに預かり、強越至極に存じます。
20:30お褒めに預かり、強越至極に存じます。
20:37世は全てこともなく穏やかな日々そんな中それは突然やってきたのでございます
21:00キンキン先生の板をお譲りいただけるんで
21:05この際名作起拍子の一角に加えてもらっちゃどうかって 親父がな
21:11実に良いな 起拍子の元祖たる鱗型屋のものが入ればぐっと値打ちが増す その他は実に良い方をする
21:22どうかお気になさらねえで
21:26けど 本当によろしいんですか
21:31うちはもう10年捨てねえし 万次郎のこともあるしだ
21:37万次郎とは
21:40長兵衛さんの弟さんで西村へに養しに行ったんだ
21:45あの万次郎さんのことってな
21:49お前歌丸を抱え込むのやめたんだろ
21:54これでやっと歌丸と仕事ができるって この間飲んだ時に嬉しそうによ
22:01いや そんな話聞いてねえんですけど
22:05えっ そうなのかい
22:09ええ
22:11ああ この間あいつその後断られちまったって話かね
22:18これで終わるか
22:27うた 邪魔するぞ
22:39うた 邪魔するぞ
22:46うた 邪魔するぞ
23:01いやすまねえな ちょっといいか
23:05いいよ なんかあったか
23:08ああ 西村屋と仕事するってほんとが
23:15なわけねえよな
23:19おお お前これ
23:25これ
23:31いや これは
23:34スタジュニーだよ
23:52ああ そうか
23:56そうだよな
24:00そうだよな
24:05ああ
24:09どれ
24:11ん?
24:21これ あんときのやり手か?
24:25うん
24:31その娘も水茶屋で見かけたな
24:33おお
24:35一体何描いてんだこれ
24:39恋心で
24:44うん
24:49いや
24:53すげえいい絵だけど
24:56これ売り方が難しいな
24:59別に売らなくてもいいよ
25:02売って欲しいと思って書いたもんじゃねえ
25:04じゃ何で描いてた?
25:07俺が恋をしてたからさ
25:23お前沖尾さんみたいな人見つけたのか
25:26いや
25:28ここの所のお前見て
25:30いい人探してんじゃねえかって思ってたんだよ
25:32I thought I was going to be the one who I was.
25:34Who are you?
25:36Are you in the middle of the house?
25:41That's what I'm saying.
25:44No.
25:46That's why...
25:48If I could be able to be a woman,
25:50I'd be so happy.
25:52Well...
25:54That's right, right?
25:57When I was with you,
26:00you're so happy.
26:03If I could be able to do that again,
26:07I thought I could be able to do that again.
26:10And who are you?
26:14I don't know.
26:17I just love you,
26:19but I don't have a name.
26:22Then I'll pass you on.
26:26That's fine.
26:28You don't have to worry about it.
26:30That's fine.
26:34Then...
26:35If you're good enough,
26:36you can teach me.
26:38I...
26:40I can't tell you about the studio.
26:45What?
26:49I...
26:51I can't talk about the studio.
26:53I...
27:03I...
27:04I...
27:05...
27:07I don't think you're going to take a look at this kind of扱い, isn't it?
27:14It's always the name of絵師, right?
27:17You...
27:19That's what I'm talking about.
27:21My daughter's girl is going to sell you from your painting,
27:26and it's the opposite of your painting.
27:29But...
27:30I didn't ask for that, right?
27:33いやあったこれからお前の名を必ず上にする
27:43西村屋の息子が面白いんだよ
27:46あんなことやりてこんなことやりてって山のように行ってきてさ
27:52その一つ一つがそうきたかっての具合でさ
27:58It's just an interesting book, but it's just a studio.
28:05Well, you know what I'm talking about.
28:09How do you do it?
28:11I'm not sure you're going to build it.
28:14I'm not sure you're going to take it.
28:16That's what I'm going to do.
28:21I'm going to take a look at the other books.
28:25Don't tell me what you're going to do.
28:29I'll do it.
28:31You're going to take a look at what you're going to do.
28:35Then I'll do it for you.
28:40I'll do it for you.
28:44I'll do it for you.
28:47You can't do it.
28:50You're going to be a kid.
28:52You're going to be a kid.
28:54Why do you do that?
28:56Why did you say that?
28:58Why did you say that?
29:00The studio is always like that.
29:03You're going to be, you're going to be,
29:06I'm going to be, you're going to be.
29:09What do you want?
29:11I'm going to be a kid.
29:13What's up?
29:14What's up?
29:15I'll do it for you.
29:16I'll do it for you.
29:19I'll do it for you.
29:22I'll do it for you.
29:24I'll do it for you.
29:29What?
29:35What are you?
29:39I'll do it for you.
29:46You're going to survive.
29:50I didn't know what I was going to do with a lot of bad memories.
32:45You're welcome.
32:47And great.
32:51I'm sorry.
32:54I'm sorry.
33:01I'm not going to die.
33:04I'm going to die.
33:06Yes.
33:08Are you going to die now?
33:11If you die now,
33:14you won't be able to die.
33:21I'm sorry.
33:23I don't want anything.
33:25I'll hold my hand at my heart.
33:27I'm not going to die.
33:31Let's go.
33:33If you don't die,
33:35you won't die.
33:37You won't die.
33:41This girl...
33:46I want to be with you.
33:49My daughter,
33:51my daughter,
33:54I'm Bye!
33:56My daughter too!
33:58Please!
33:59I'm ok...
34:01You're all sorry.
34:03You're all sorry.
34:04You're all sorry?
34:06You're all sorry.
34:08I'm sorry.
34:10I'm sorry.
34:11You're sorry.
34:13I'm sorry.
34:15I wanted to help someone.
34:29Come here.
34:34Please help me with your help.
34:41Your daughter, are you ready?
34:46I'm sure you're ready.
34:48It's not so important.
34:51When you come out of the car,
34:55it's like a dream and a dream.
34:57It's like a dream and a dream.
35:01My father?
35:03My father!
35:05My father!
35:07My father!
35:09My father!
35:31My father!
35:33My father!
35:37My father!
35:39My father!
35:41Why, I'd like to come to the throne of the Lord.
35:43I'd like to end his work.
35:45I'd like to end his gift.
35:51You know.
35:53I'd like to know that the Lord was the one.
35:55I'd like to know that Lord was the one.
35:57But in this case,
35:59I am not allowed to take the country.
36:03It is not a matter of fact, but
36:06I am not allowed to be the king.
36:12I am not allowed to be the king.
36:14I am not allowed to be the king.
36:29I'll go.
36:32Yes!
36:37The first time I'd like to say,
36:41I'd like to say,
36:44I'd like to say,
36:46I'd like to say,
36:49I don't think so.
36:52Yes,
36:53I don't think so.
36:56You're going to be late for what reason?
37:01I'm going to say that I'm going to be with you.
37:06I'm going to be with you.
37:11I'm going to be with you.
37:16I will be with you.
37:21you
37:51It doesn't matter whether it's a feast or a feast, but you can rest.
38:04I'll do this to you as a king as a king.
38:08某は越中を置いて他にこの難しき形勢を乗り切れる者はおらぬと。
38:27恐れながら難しき形勢とは。
38:32朝廷おろしゃ。
38:34朝廷もおろしゃも、素晴らしき越中の神が見事に肩をつけてくださいました。
38:39誠そればかりではございません。
38:42越中の神の契約のおかげで、ご抗議のお金蔵には十万両も蓄えが増えましてございます。
38:53越中。
38:58上様のため、徳川のため、誠。
39:06我が息子のため、ご苦労であった。
39:13佐々、下場されよ。
39:20心置きなく、願いを叶えよ。
39:25私ではないかも。
39:37私ではないかも。
39:42私ではないかも。
39:52私ではないかも。
39:55私ではないかも。
39:59私ではないかも。
40:06私ではないかも。
40:09嫌がらえようとも、決めたがらえようとも。
40:12やるべきことをやりとうじゃないかも。
40:13私ではないかも。
40:15クズだろうな。
40:21地獄へ。
40:25地獄へ落ちるかよ。
40:32けれど、この事態を呪ったのは越中の神様ただお一人。
40:47江戸っ子はこの失脚劇に大喜び。
40:51もっと知りたかないかい。
40:53お、一枚出る。
40:59参加。
41:00お、一枚出る。
41:15そなたが私に何の用だろう。
41:19お、一枚出る。
41:25お、一枚出る。
41:30地獄へ落ちる。
41:35地獄へ落ちる。
41:40地獄へ落ちる。
41:45地獄へ落ちる。
41:50地獄へ落ちる。
41:54地獄へ落ちる。
41:56地獄へ落ちる。
41:59ble、窄へ落ちる。
42:03拓盾 makes senseがもうよく戴う。
42:05地獄へ落ちる。
42:10I don't know.
42:40I'll see you next time.
43:10寺に奉納した頑門です .
43:14命懸けで国政を取ると誓い、慣性の改革を行いました。
43:22そのひとつが七部積金。
43:26節約した金でもみ蔵を設立してもみを蓄え、
43:30町人の基金に備えました。
43:34積み立てた金は商人に運用させ、
43:37増やしていったのです。
43:40また、ラクスマンの根室来航に危機感を抱き、伊豆や相模の沿岸を巡視。老中退任後、白川藩が暴走の警備を担当するにあたり、すの先に台場を築きました。
44:02貞信の墓所があるこの一帯は藩主を務めた白川藩にちなんで白川と呼ばれるようになりました。貞信が行った政策は幕末明治まで受け継がれていくのです。
44:26スタヤの十三郎と申します。
44:31今ご覧になった番組、4Kで楽しんでみませんか。
44:354K押せば、一足早く高画質・高音質で。
44:44謎解き、秘密の四方さん。
44:47花で埋め尽くされた伊藤寂中の不思議な傑作。
44:52超高精細3DCGで誕生の秘密が明らかに。
44:56トントントントンガラシ。
45:01トンガラシ。
45:02トンガラシは…
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