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Thunderbolts: Struggling to Save the World & Our Own Minds | Recap & Explained
The Take Film TV Movie
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20 hours ago
Thunderbolts has become a hit with audiences because it went back to what works and managed to meet the moment. In this video, we're unpacking what it got right about one of the biggest battles...
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00:00
Thunderbolts, the new Marvel film starring Florence Pugh as Yelena Belova, Sebastian Stan
00:04
as Bucky Barnes, and more, is a welcome change of pace from recent MCU fare. One of the biggest
00:10
reasons it resonates so much is that it wasn't afraid to actually be about something. While a
00:16
lot of superhero films and shows across the board have felt like they've lost their way in their
00:20
connection to their human elements over the recent years, Thunderbolts has found success
00:25
by going in the opposite direction. It confronts the humanity of its characters and their situations
00:31
head on, unafraid of exploring the dark while also remembering to find the light. So let's take a
00:37
closer look at what Thunderbolts really has to say, and why audiences have connected with it so much.
00:43
We open on Yelena going through the motions of a mission while unpacking the deep emptiness she
00:48
feels. There's something wrong with me. She may be good at her job, but she feels like she's living
00:56
a life without purpose. Valentina is facing impeachment for her work with a biochemical company,
01:03
whose sentry project aimed to create superhumans who, unlike the Avengers, could be controlled.
01:09
In the effort to thwart her trial, she enlists a group, Yelena Belova, Ava Starr, Taskmaster,
01:14
and John Walker, to destroy the laboratory and thus conceal her involvement. Eventually,
01:20
they realize that they've all been instructed to take each other out too, since their knowledge
01:24
of the project creates more loose ends. And it is a trap set to explode and destroy all remaining
01:30
evidence, including them, but they're able to escape just in time. Realizing she's got a big
01:36
problem on her hands, not only are the mercenaries still alive, they had also run into Bob, a subject of
01:42
the experiment who was thought to be dead. Valentina brings her own team to take them out.
01:47
But it turns out that those sentry trials did work to some degree. Bob very much has some superpowers,
01:53
though he doesn't quite seem able to control them. He uses them to help the others escape.
01:58
Bob is captured, and Valentina decides to try to use him for her own gain. After teaming up with Red
02:04
Guardian and eventually Bucky Barnes, the team decides to try to save Bob. During his time with
02:09
Valentina, however, he has changed. He's now even more powerful than before, and seemingly much more
02:16
in control. At Valentina's behest, he easily fights off the Thunderbolt's crew, but then also starts to
02:22
wonder, if he's so powerful, why should he have to follow anyone's orders? Fearing losing control over
02:29
him, they hit the kill switch, which essentially locks Bob down inside his own mind. But instead of
02:34
fully incapacitating him, this instead leads to his dark alter ego, the Void, totally taking over.
02:42
Not just him, but soon all of New York City itself. This isn't just a literal darkness, however.
02:48
While trapped in this in-between space, people are stuck essentially reliving their worst memories.
02:55
This Void represents an issue many people have to contend with, and that Yelena herself was already
03:01
battling. Becoming so overwhelmed by your own grief and trauma that you become unable to even
03:07
imagine a light at the end of the tunnel. And everyone here is dealing with this to some degree.
03:12
These are people who have done a lot of bad things in their lives, and have all but given up on the
03:17
idea of redemption. This Void pulls this into its own separate dimension. Actually trapping everyone,
03:24
replaying these terrible moments, unable to escape. Already in a state of despair and disillusionment
03:30
herself, Yelena decides to take the plunge and enter the darkness. She's met with terrible
03:36
memories from her own past. Things she had tried to suppress, but that had always been bubbling
03:41
under the surface, threatening to pull her under. She's eventually able to reach Bob's own
03:46
consciousness and finds that he, too, is trapped. In Bob, we see a literalized version of the split
03:52
of one's being that can come from mental illness and anguish. The darkest parts of ourselves threaten
03:58
to totally subsume the rest of us. Yelena understands this on a personal level. She,
04:03
too, became trapped by who she was, what she had done and was forced to do, and had come to feel
04:09
that she was in such a deep hole that there was no way out, and no point of even trying to get out.
04:16
You see some Bob, however, how important it is to fight through those feelings, and also how you can't
04:21
do it alone. She and the other Thunderbolts join together to help give Bob the courage and belief in
04:27
himself to be able to fight back and gain control over his own mind, in turn vanquishing the void.
04:33
While a shadow superhuman overtaking an entire city is fantastical superhero fodder, the basic
04:39
struggles at the heart of the story are intimately relatable to so many. But while we might not be
04:45
getting literally taken over by the darkness, many of us are struggling with the effects of mental
04:51
health issues and a society that exacerbates them. According to a 2022 data from the National
04:56
Institute of Mental Health, approximately 23% of adults in the US were dealing with mental health
05:01
issues, 6% with serious mental illness. Only around half of people dealing with mental illness had
05:07
received mental health treatment over the previous year. Treating and dealing with mental illness can
05:12
be difficult for a number of reasons. Lack of access to care, the cost of care, the illness itself
05:17
leading one to avoid treatment, etc. But there's also the issue of outside factors, the way the
05:23
world and society we live in contributes to our issues. And this is the level that Thunderbolts
05:28
really connects on. It's not just one issue, but multiple compounding problems, psychological and
05:35
physical, local and global, that come together to make it feel like we're up against nearly impossible
05:41
odds. There's a feeling among many young adults of being constantly up against something seemingly
05:47
insurmountable. Losing, getting back up and brushing yourself off, only to get knocked down again and
05:53
again. And starting to wonder if it really is even possible to turn things around. Millennials,
05:59
for example, were long chided for being overly optimistic about being able to change things for
06:03
the better. But as time has gone on and they've continued to get hit with wave after wave of
06:08
institutional and societal failure, that optimism has depleted. According to a report by the Bennett
06:14
Institute for Public Policy at the University of Cambridge, during the late 1990s and early 2000s,
06:19
as the first cohort of millennials were in their late teens and university years, millennial
06:24
satisfaction with democracy was in fact higher than among their parents' generation. Only following
06:29
the early 2000s recession did millennial satisfaction with democracy begin to trend downwards, before
06:35
crashing lower with the global financial crisis. This suggests that the democratic disconnect
06:40
is not a given, but the result of concrete factors in millennial life trajectories.
06:45
That, of course, isn't something that's restricted to millennials. Gen Z are following a similar path
06:50
and feel even worse off because they never even got that momentary optimism about the future.
06:56
The report notes,
06:57
Moreover, this last point illustrates a broader injustice produced by wealth inequality.
07:21
Society in which the chances of success or failure in life depend less upon hard work
07:27
and enterprise, and more upon inherited wealth and privilege. The Void showcases this interplay of
07:33
the inner mental world and the outer physical world. Bob agreed to join the Sentry Trials in the first place
07:39
because he was miserable with his life and hoped that this would be a chance for change, to finally turn
07:44
things around. But instead, those richer and more powerful used him for their own interests,
07:50
without any thought to how it would affect him as a person. In this way, he's an interesting contrast
07:56
with Steve Rogers, who was also pulled into an attempt to morph a regular guy into a superhuman.
08:02
Neither had any idea what they were really signing up for. And when the experiments work, both are used by
08:08
those in power for their own ends. Steve becomes disillusioned due to realizing that the world isn't like he
08:14
imagined it to be at all. Bob's biggest struggle is more internal. Even after he gains enough power to free
08:22
himself from their grasp, he still isn't free because he becomes trapped in a prison of his own making.
08:28
The only way he was able to find some kind of control was to take it through violence and attempting to pull
08:34
others down with him. But even when it might seem like the core of who he was had been totally consumed and erased,
08:41
it's still there in his subconscious trying its best to hold on. And deep, deep down, as disillusioned and
08:48
despondent as she might feel, Yelena feels this within herself, too. The film opens with her delving
08:55
into how miserable and hopeless she feels, how her life feels without purpose. But over the course of
09:01
her story, we see again and again that her spark hasn't been totally snuffed out. When it feels like all is lost
09:08
and we're in an unwinnable situation, there is still that little voice in us that wants to try
09:14
one more time to fight back. To fight for ourselves. But it can take that outside help to remind us that
09:21
we do deserve to follow that voice. To make it stand for ourselves. And to finally make it out the other
09:28
side. A big part of the reason Thunderbolts works so well is because it goes back to a basic tenet of
09:34
storytelling. Ordinary people in extraordinary situations. These characters aren't superheroes.
09:40
They're everyday people who have been thrust into situations against their will again and again.
09:45
Trying to figure out how to do the right thing. Or if there even is a right thing. They're not
09:51
optimistic about this world or their ability to survive it because they don't have the protection
09:56
of super abilities. They know they're just going to have to use what they've got to go up against
10:01
whatever comes their way. And a lot of the time, that sucks. With all of the other real superheroes
10:08
still out and about in this world, some might wonder why these people ended up having to save
10:14
the world this time. But the people with the power to effect change not showing up when they're needed
10:19
most and leaving everyone else to their own devices isn't terribly far fetched. While the fight against the
10:25
void is out of this world, the real battle of the film is against something very human. And that's what
10:31
makes it feel so genuinely powerful when they do overcome the darkness together. It's also notable that
10:37
the film managed to dive into all of these themes in a way that feels relatable, without getting
10:42
distractingly melodramatic or feeling like it just hand weighs away everything at the last minute for a happy ending.
10:48
Is it enough to pull people back into being hype about the MCU? Only time will tell. But that also doesn't
10:54
really matter because it works well as a film on its own. Which is actually why it works so well.
11:00
Obviously it's connected to the larger MCU canon and events, but because the themes are about genuine
11:06
things that everyone can relate to and understand, you don't feel like you need to have seen the last
11:10
45 MCU releases to connect to the film or understand what's going on. Since the loss of the Avengers,
11:17
there's been a hunt for replacements. Sentry Program hoped to make some new superhumans that could be
11:22
more easily controlled. President Ross asks Sam Wilson to restart the group in Captain America
11:28
Brave New World. But here, Valentina takes control in a swift PR move to save herself yet again,
11:34
branding this team the new Avengers. This switch from brightly colored superpowered quippy heroes to
11:40
downtrodden normal people who are just trying their best does feel very fitting for our current moment.
11:47
We're all entering this alarming new era together. And we're all going to have to come together to
11:53
find that light on the other side. That's the take! Click here to watch the video we think you'll love.
12:00
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