[Hot 2025🔥] In Other Words Still You _ Dramabox _ G7
[Hot 2025🔥] InOtherWordsILoveYou_Dramabox
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[Hot 2025🔥] InOtherWordsILoveYou_Dramabox
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Short filmTranscript
00:00:00I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call it
00:00:24terrifying
00:00:31got this just for yourself that's kind of the problem
00:00:48okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see no there's a spot next to Charles seriously
00:01:27the charity case sitting next to Charles God what is she quiet Charles
00:01:36I've always had words for everything but in that moment I forgot them all
00:01:46Charles move your things I'd rather not she'll be a distraction from what
00:02:01sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:06influence on you she was top of her class at a previous school with all due
00:02:11respect sir her previous school was American I highly doubt that that's
00:02:19enough she can sit here it's fine
00:02:24back to Goldie thank you you got it I'm Sherry Vaughn Alice Keaton it's very important that we look at
00:02:32what he's talking about their experience of the time
00:02:40wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it past me he's impossible
00:02:48can everyone stop acting like the goal is getting into his pants what he's hot everyone kind of is
00:02:55I I've seen Connor he's not my type you're joking I don't find bullies attractive hey be careful you're talking about the king of Ashford
00:03:06Ashford the what his family basically own the school and the town maybe even the
00:03:12country yeah everyone's tried to get close no one can get past his ego you're not the
00:03:18first to get nice okay first of all I wasn't iced it's more like a mutual decision and
00:03:24second I think he's arrogant cold thinks he's untouchable but if you really look at
00:03:30Charles he just seems isolated like he's faking out honestly I just think he's lonely and kind of pathetic
00:03:41what no go on
00:03:49you were saying I'm lonely and pathetic
00:03:57next time read the room
00:04:00before opening your mouth American
00:04:05we're not in Kansas anymore Alice
00:04:23hey how was your first day
00:04:25uh good
00:04:27excited cabin
00:04:28not really super uneventful
00:04:31really
00:04:32how's your new job
00:04:33yeah all right
00:04:35get this
00:04:35they said we can stay in the servants wing
00:04:38seriously
00:04:39apparently the young master won't mind the company
00:04:42the young master
00:04:43the young master
00:04:45this is your boss's house
00:04:47yeah
00:04:48it's incredible
00:04:50i mean i wouldn't call it a house
00:04:52it's
00:04:54a museum
00:04:55with better landscaping
00:04:56wait here i'll talk to the butler
00:05:08wow rich people
00:05:10you've topped yourselves again
00:05:11the young master can
00:05:13the young master can
00:05:15he's isn't
00:05:15the young master can
00:05:16even
00:05:17first edition
00:05:19oh
00:05:19oh
00:05:20oh
00:05:20oh
00:05:21oh
00:05:21oh
00:05:22oh
00:05:23oh
00:05:23oh
00:05:24oh
00:05:24oh
00:05:25oh
00:05:25oh
00:05:25oh
00:05:26oh
00:05:27oh
00:05:27oh
00:05:28oh
00:05:29oh
00:05:29oh
00:05:29oh
00:05:30oh
00:05:30How American of you.
00:05:54You can get up now.
00:05:55I... I'm trying.
00:05:57Wait!
00:06:00Are you serious?
00:06:02Well, you said you were trying.
00:06:04What is wrong with you?
00:06:06Funny. I was about to ask you the same thing.
00:06:09What are you doing in my house?
00:06:12You... wait... your house?
00:06:16My house, my library, and now, apparently, my unwanted guest.
00:06:23Ah, Master Charles.
00:06:25You must be Miss Alice, Anne's daughter.
00:06:27She said you'd be moving in today.
00:06:29She what?
00:06:30There... there's been some kind of misunderstanding.
00:06:33You see, I'm not actually moving in.
00:06:35Is that so?
00:06:37Yeah, I'm not staying here, like, at all.
00:06:39That's a shame. Your mother seemed quite pleased with the arrangement.
00:06:42Well, I just don't think it's appropriate.
00:06:45Well, if you're sure, then absolutely not.
00:06:50Come on, Alice.
00:06:52You must stay.
00:06:55I'm feeling, you know.
00:06:56It'll be... fun.
00:06:58My dear... classmate.
00:07:01I'm dead.
00:07:03Like mentally, socially, and actually dead.
00:07:07dead just trying to figure out how exactly my life went off the rails get it together
00:07:20alice keaton you've been through hell i'd never find someone to make my head spin around
00:07:26actually no be the thing i need they all just let this is hell
00:07:41wow
00:07:46sir is that miss keaton what thing doesn't know that's often closed for months she's going to be late
00:08:01okay how long is this thing gonna take maybe i'll just walk five miles to school
00:08:09okay if i sprint maybe i'll make it before first period
00:08:12or die of exhaustion on the way
00:08:20or die of exhaustion on the way what what are you doing here didn't you already leave
00:08:29wait did you come back for me relax i forgot my textbook don't flatter yourself wait
00:08:42since you're already here maybe you could be a decent person and give me a ride
00:08:50no seriously your car is huge yeah and i'm not a fan of sharing says the guy who forced me to live in
00:09:01this house unbelievable
00:09:16ashford institute please thank you
00:09:19who needs that entitled brat anyway sir you called the cab why not just give miss keaton a lift
00:09:35why not just give miss keaton a lift and have the whole school go crazy
00:09:38she's new everybody's already talking so you're worried about her you're overthinking i just don't like drama
00:09:47oh
00:09:53asshole
00:09:55who
00:09:55who
00:09:55morning class
00:09:59back to golding remind me what he's saying through lord of the flies
00:10:03mr kenwood care to share what you found so amusing not particularly oh i insist you seem very entertained by golding
00:10:18i'm not entertained by golding sir on the contrary i think his ending is
00:10:24is weak wait wait do i should embed it quiet that's an interesting take explain
00:10:36he had the setup for something brutal something honest in the end he backed out he could have left
00:10:43the boys on the island forced them to confront the collapse of vulnerability let them choose survival
00:10:48or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:59it's a waste don't you think i'm delightfully surprised charles didn't think you had such strong
00:11:05literary opinions i'm always a model student sir let's not get ahead of ourselves
00:11:12so a critique of golding's mercy anyone disagree
00:11:18i think golding knew exactly what he was doing by ending the book that way
00:11:36it's not mercy it's irony how so
00:11:40the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:48golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:52that's an interesting tape mosquito you still think it's a harsh critique in some ways but not harsh enough
00:12:01yes it's a critique of toxic masculinity but still golding sympathize with them
00:12:06and the civilized world toxic violent he didn't call that out nearly as much so yeah i don't think
00:12:13golding pushed far enough but i think it's unfair to call it a happy ending
00:12:20thank you miss keaton well said anyone else
00:12:24both opinions both opinions are valid okay that's kind of epic golding faced major backlash when
00:12:32he first published the book good literature will always divide opinions what's happening to me
00:12:54okay what is going on why is everyone staring at me
00:13:01well you're new and apparently had a thing with charles a what now you two are in the middle of the
00:13:07most epic feud i should've seen in years we're not even fighting well according to everyone you
00:13:12confessed your love on day one got rejected begged to sit next to him got rejected again and today in
00:13:20class you broke down crying about not believing in happy endings and stormed out in tears you were
00:13:27there sherry that is not what happened doesn't matter people believe what they want to believe
00:13:34and they want charles to be flawless untouchable wow is massaging like a rich kid thing or just a
00:13:41british specialty honestly both but seriously alice some people already see you as a threat
00:13:56okay loaded looks like the new girl's in for a rough first semester
00:14:11hello hello hello is somebody out there oh come on
00:14:38fine
00:14:41seriously
00:14:57shit
00:15:02what the hell
00:15:05anne i thought you were having dinner with alice she hasn't come home her phone is off
00:15:09maybe you've seen her this evening
00:15:14yikes looks like the new girl's in for a rough first semester
00:15:18she's
00:15:23shits
00:15:29alice
00:15:30Alice?
00:15:31Mr Pelton, Charles Kenwood here.
00:15:33I was wondering if I could get the timetable for Alice Keaton.
00:15:36She hasn't come home.
00:15:37I'll have it sent over.
00:15:40Check the common room in the library.
00:15:41I'll take the rest.
00:15:42Alice!
00:15:43Come on, Alice, close your eyes and jump.
00:16:04It's fine, you're fine.
00:16:13What are you doing here?
00:16:43Can you get off me first?
00:16:54You're welcome.
00:16:58I didn't say thank you.
00:16:59I figured saving your life might earn me basic manners.
00:17:03Someone just dumped swamp water on me.
00:17:05Excuse me if I'm not feeling very polite.
00:17:07You smell like a biology experiment.
00:17:09Wow.
00:17:10You should try falling out of a window into someone's arms and getting insulted for
00:17:14it.
00:17:15Wouldn't recommend it.
00:17:16You're heavier than you look.
00:17:20I hope you pull your shoulder.
00:17:22you're heavier than you look at.
00:17:27Are you okay?
00:17:28No, but I will be.
00:17:32Someone did this on purpose.
00:17:33What do you think, golden boy?
00:17:35Don't worry.
00:17:36Don't worry.
00:17:37I can handle it.
00:17:38You shouldn't have to.
00:17:40I'm sorry.
00:17:43Sorry.
00:17:46Did you just apologize to me?
00:17:58Don't get used to it.
00:17:59I wouldn't dream of it.
00:18:00Alice?
00:18:01Over here.
00:18:02Oh my god.
00:18:03You okay?
00:18:04Why are you drenched?
00:18:05Yeah, I just took a weird shower.
00:18:06Tap exploded.
00:18:07Come on, let's get you home.
00:18:09Alice Keaton, right?
00:18:11I'm sorry.
00:18:12I'm sorry.
00:18:13I'm sorry.
00:18:14I'm sorry.
00:18:15You're very sorry.
00:18:16I'm sorry.
00:18:17I'm sorry.
00:18:18I'm sorry.
00:18:19I'm sorry.
00:18:20I'm sorry.
00:18:21I'm sorry.
00:18:22I'm sorry.
00:18:23I'm sorry.
00:18:24I'm sorry.
00:18:25I'm sorry.
00:18:26I'm sorry.
00:18:27I'm sorry.
00:18:28I'm sorry.
00:18:29Alice Keaton, right?
00:18:32I heard she staged the whole thing for attention.
00:18:59I know how this place works.
00:19:01If you don't do anything about it, it's only going to get worse.
00:19:05I'll look into it.
00:19:08Charles.
00:19:09Good on you.
00:19:12Not many here would speak up.
00:19:18I can't believe someone actually locked you in.
00:19:20That's insane.
00:19:21Where the hell was the school when this was happening?
00:19:23Busy protecting their golden boys and trust flags.
00:19:26Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:32Please.
00:19:33He just didn't want a lawsuit.
00:19:52Being a scholarship student has its perks.
00:19:55Like saving a fortune on tuition.
00:19:57And getting into schools that normally wouldn't even let you pass the gates.
00:20:02Hey!
00:20:03We miss you in Paris.
00:20:04Though there are enough Americans to remind us of you.
00:20:07Ugh.
00:20:08But sometimes, being here means staying behind.
00:20:11And watching Ashford elites go on a two-week enrichment program you can never afford.
00:20:16Have fun.
00:20:17Bring me something overpriced and unnecessary.
00:20:26The trip cost twenty grand in pounds.
00:20:29Which translates to mom's salary for half a year.
00:20:32So, yeah.
00:20:33I didn't go.
00:20:34What are you doing here?
00:20:39Do you not believe in shirts?
00:20:40Do you not believe in dignity?
00:20:41It's comfortable.
00:20:42You look like a rejected Ewok.
00:20:43This, this is not even your kitchen.
00:20:44And this is not even your house.
00:20:45And yet, you're here dressed like this.
00:20:46Just don't, look, go away.
00:21:14Hard not to, when you're walking around dressed like that.
00:21:18What do you guys call it?
00:21:20Buzzkill?
00:21:22Cockblock.
00:21:23You're insufferable.
00:21:24You're the one cosplaying at breakfast.
00:21:26You know what?
00:21:27I don't get it.
00:21:28Why didn't you go on that tour?
00:21:29I thought rich people lived for that kind of thing.
00:21:32Why do you think?
00:21:38Where would I go?
00:21:40I could practically recite the itinerary in my sleep.
00:21:44Florence, walk in the great footsteps of Dante, Michelangelo, da Vinci and Titian, or Tiziana
00:21:51if you want to sound extra pretentious.
00:21:54Then Venice, because everybody loves a good canal and getting lost in the most confusing
00:21:58city on earth.
00:22:00Next stop, Napoli, marvel at Pompeii, pretend you're shocked ancient people had plumbing.
00:22:06The final stop, Paris, the ultimate city of romance.
00:22:11Naturally, Woody Allen's favourite city outside of New York.
00:22:19That's word for word.
00:22:21I told you.
00:22:21I've done this tour so many times I could run it.
00:22:24OK, but still, it's Europe.
00:22:27Most people would kill for that chance.
00:22:29Most people haven't had their phones stolen in Paris.
00:22:31Twice.
00:22:32Twice.
00:22:33Also, I hate the accommodations.
00:22:35Aren't they all five-star hotels?
00:22:37Standard rooms in five-star hotels.
00:22:40No thank you.
00:22:41Wow.
00:22:42Some were born in Rome, huh?
00:22:44That's unfortunate.
00:22:45It's a very chaotic city.
00:22:47One word of advice?
00:22:48Shut up.
00:22:49That's two words.
00:22:50You're weird.
00:22:51You're loud.
00:22:52You're annoying.
00:22:53You're in my kitchen.
00:22:54You have three other kitchens.
00:22:55And I prefer this one.
00:22:56Just for today.
00:22:57Come back when you've got a shirt on.
00:22:58Come back with normal clothes on.
00:22:59You didn't have to come.
00:23:00Don't tell me what I have to do.
00:23:01Master Charles, roads are flooded.
00:23:14Staff won't make it tonight.
00:23:15Will you be alright sorting dinner?
00:23:17I've got it sorted.
00:23:22I've got it sorted.
00:23:35Jesus, what are you doing?
00:23:37Relax.
00:23:40I'm here to make a deal.
00:23:41What deal? You nearly gave me a heart attack.
00:23:47You'll survive.
00:23:49I'm not selling my body.
00:23:53Wow, I am deeply offended. That thought disgusts me.
00:24:07Then what are you doing?
00:24:09The staff's off tonight. I'm buying dinner.
00:24:14Did you seriously think I'd spend £100 on...
00:24:17No, I...
00:24:18Jesus.
00:24:20Wait. You think I'm not worth £100?
00:24:25I'm not spending £100 to snort Chewbacca.
00:24:28You know what? Dinner's cancelled.
00:24:32Are you sure about that?
00:24:34I present to you...
00:24:37Meatball spaghetti, stir-fried veggies, and french fries.
00:24:40You're welcome.
00:24:42Interesting combo.
00:24:43Well, I know we're not in Italy or France, but this'll do.
00:24:47It's...
00:24:49Good.
00:24:56Was that a compliment?
00:24:57Although...
00:24:59I am obliged to inform you.
00:25:01Meatball spaghetti isn't Italian.
00:25:03It's American.
00:25:04And french fries, likely born in South America.
00:25:07You should read more.
00:25:10Put it down.
00:25:12I paid for it.
00:25:13You really just have to win every argument, don't you?
00:25:15To be fair...
00:25:17You make it very easy.
00:25:19It's only easy because it costs £200.
00:25:22You know, if you'd ask for more, I probably would have given it to you.
00:25:25Wait a minute.
00:25:26Hey, Alice, it's fine.
00:25:43You're fine.
00:25:51911, look for your emergency.
00:25:57911, what's for your emergency?
00:25:59It's my dad.
00:26:00He needs help.
00:26:01He just had a stroke.
00:26:02Okay, miss.
00:26:03Hurricane constant traffic shut down.
00:26:04We'll get to you as soon as we can, right?
00:26:06Please, he's not well.
00:26:08I understand.
00:26:09Can you confirm your address?
00:26:12Dad.
00:26:13Yes, I'm right here.
00:26:14Alright.
00:26:16My daughter.
00:26:18Please stay with me, dad.
00:26:19Please.
00:26:24No.
00:26:26Please wake up!
00:26:31Dad, please.
00:26:33Please don't leave me.
00:26:55You...
00:27:06What are you doing here?
00:27:12You were crying.
00:27:14Loudly.
00:27:15Kind of hard to ignore.
00:27:18Right.
00:27:20Sorry for the noise.
00:27:22Wait.
00:27:23You know a snarky comeback?
00:27:25Not tonight.
00:27:26I'm too tired.
00:27:27If you're here to argue, knock yourself out.
00:27:32You were calling for your dad, right?
00:27:35A hurricane hit New York.
00:27:38Power went down.
00:27:39Traffic froze.
00:27:41Dad had a stroke.
00:27:43But he couldn't get out in time.
00:27:47I sat there...
00:27:48With a candle...
00:27:50While he laid there.
00:27:53Peaceful.
00:27:54But he was asleep.
00:27:59But he wasn't.
00:28:03So that's why you and your mum moved here?
00:28:06This used to be our hometown.
00:28:09After dad left, we had nowhere else to go.
00:28:18What are you doing?
00:28:20Come on.
00:28:27Wait, I thought the peril was out.
00:28:43It is.
00:28:45We have our own generator.
00:28:47Wow.
00:28:48Rich people houses her.
00:28:49As for tonight, I'll allow it.
00:28:53Allow what?
00:28:54You can call this place your house.
00:28:56So enjoy it.
00:28:57Stephen King's first edition.
00:28:59Alan Gisberg's handwritten letters.
00:29:01Jane Austen's notes.
00:29:03All yours.
00:29:08This is your home, Alice Keaton.
00:29:17Careful.
00:29:18Almost sounded sweet.
00:29:20Don't push it.
00:29:21Okay then.
00:29:22I have one request.
00:29:27One request.
00:29:28What is it?
00:29:30Are you ever going to make a move?
00:29:41Wait.
00:29:42Give me a second.
00:29:43I'm thinking.
00:29:44You had one wish.
00:29:45Anything in the world.
00:29:47And in the middle of a thunderstorm, inside a literal mansion, you chose chess.
00:29:54Yeah.
00:29:55Got a problem?
00:29:56It's just so cool, like spies or genius villains in movies.
00:30:00It's literally a board game.
00:30:02Says the guy who owns a custom set.
00:30:05Wait.
00:30:06Does the knight go diagonally?
00:30:08For the tenth time, it moves in an L shape.
00:30:12One.
00:30:13Two.
00:30:14Then turn.
00:30:15There.
00:30:16Happy?
00:30:17Ecstatic.
00:30:18You know.
00:30:19That's suicide.
00:30:20Or a brilliant long term sacrifice.
00:30:21You are playing checkers at a chess board.
00:30:23Still beating you in sarcasm.
00:30:24You literally haven't won any past arguments.
00:30:25Golding disagrees.
00:30:26It's going to be a long night.
00:30:27Oh my.
00:30:28No.
00:30:29Why?
00:30:30What's wrong with that?
00:30:31You can't do that.
00:30:32Can I do that?
00:30:33No, no, no.
00:30:34Oh my god.
00:30:35Can I do that?
00:30:36Oh my god.
00:30:37You had to shop a trip and about it all wrong.
00:30:39Had to pull you in close as we're locked on your phone.
00:30:41Buy yourself work cause I'm nothing on.
00:30:42Oh yeah.
00:30:43Showing up.
00:30:44Oh yeah.
00:30:45Oh yeah.
00:30:46Oh yeah.
00:30:47Oh yeah.
00:30:48Oh yeah.
00:30:49Oh yeah.
00:30:50Oh yeah.
00:30:51Oh yeah.
00:30:52Oh yeah.
00:30:53Showing up at the door.
00:30:56Holding your heart there inside your hands.
00:31:00Maybe he's not so awful after all.
00:31:10Um, who are you?
00:31:18What are you doing here?
00:31:19Well your parents said you were still at home.
00:31:21Thank god you skipped that boring grand tour.
00:31:24Who needs Italy and France again, right?
00:31:26When did you get back?
00:31:27Last night.
00:31:28From Zurich.
00:31:29You didn't answer my messages.
00:31:33I missed you.
00:31:34Anyway, thought I'd come surprise you.
00:31:36Apparently I'm transferring to Ashford.
00:31:39Your parents were so thrilled.
00:31:41They didn't tell me about this.
00:31:42I wanted to deliver the happy news myself.
00:31:43They said it'd be lovely for us to reconnect.
00:31:44You know, considering the engagement and all.
00:31:45Engagement.
00:31:46Oh.
00:31:47Did no one tell you?
00:31:48He's promised.
00:31:49Old money stuff.
00:31:50Very retro.
00:31:51I didn't agree to that.
00:31:52You didn't have to.
00:31:53It's never up to us.
00:31:54Where did you find this little toy?
00:31:55Serena.
00:31:56I didn't hear you.
00:31:57You know.
00:31:58Oh.
00:31:59An American.
00:32:00How refreshing.
00:32:01Goodbye.
00:32:02Wait.
00:32:03Wait.
00:32:04Wait.
00:32:33Wait.
00:32:34Wait.
00:32:35Wait.
00:32:36Where are you going?
00:32:38Do you still owe me breakfast?
00:32:39You only paid for dinner.
00:32:42I have homework.
00:32:44Goodbye.
00:32:46Your little toy has quite the temper.
00:32:49Serena, can you please just stop?
00:32:51What?
00:32:52Teasing the help.
00:32:59That's her.
00:32:59That's the one from Kenwood's house.
00:33:02Was she, like, the maid or something?
00:33:20Oh, my God.
00:33:21What's wrong with people?
00:33:23They're saying you live with Charles.
00:33:25Oh, and Serena.
00:33:26What about her?
00:33:27Well, apparently she told everyone you were caught sneaking into his room.
00:33:32Of course she did.
00:33:45Careful, Alice.
00:33:46You're starting to look desperate.
00:33:59Can we help me about my lesson?
00:34:01I know, it's 1066.
00:34:03Come to the music room.
00:34:05Urgent.
00:34:06I just remembered I need to check something.
00:34:08You guys go ahead.
00:34:09Yeah, okay.
00:34:16Hello!
00:34:17Is someone there?
00:34:19Seriously!
00:34:20This is getting old!
00:34:21Wait.
00:34:33Music room, what?
00:34:38James?
00:34:39Is anybody in here earlier?
00:34:41Just Miss Serena.
00:34:42Said she was waiting for you.
00:34:44Sir?
00:34:45Sir, it's raining!
00:34:58Come on, Alice.
00:34:59You're fine.
00:35:02You're not that girl again.
00:35:03Wait, can you remind me one more time?
00:35:13Okay.
00:35:14Rooks move in straight lines.
00:35:16Yeah.
00:35:17Bishops move diagonally.
00:35:19And knights...
00:35:19The knight's the weird one.
00:35:26Rooks.
00:35:26Street lines.
00:35:30Bishops.
00:35:32Diagonally.
00:35:33Hello?
00:35:34The text.
00:35:56Are you okay?
00:35:57Are you hurt?
00:35:58I...
00:35:58I'm okay.
00:36:00I...
00:36:00I saw the text and I thought...
00:36:02I...
00:36:02I didn't see the message.
00:36:03Serena took my phone.
00:36:05I didn't know.
00:36:06I'm sorry.
00:36:07I'm...
00:36:08Okay.
00:36:10You're gonna catch a cold.
00:36:12You're freezing.
00:36:12You didn't have to come.
00:36:16Don't tell me what I have to do.
00:36:18Give me hope that feels like hope...
00:36:33That wasn't a mistake.
00:36:42If that's what you're about to say.
00:36:45I...
00:36:46Wasn't going to.
00:36:48I'm really bad at this, you know.
00:37:01I'm really bad at this, you know.
00:37:03What?
00:37:03Kissing?
00:37:04Hiding feelings.
00:37:05Oh, I...
00:37:06Dump those Ewok pyjamas.
00:37:29Oh, you wish.
00:37:32Seriously.
00:37:34It's a cock block.
00:37:35You kissed me.
00:37:38That's basically consent to everything.
00:37:46Dangerous words, Keaton.
00:37:47I might hold you to that.
00:37:49You'll be working in pairs on your comparative essays.
00:38:02The list is on the board.
00:38:06One, two, three, four.
00:38:09Paper planes
00:38:11Are you okay?
00:38:12Fly me to outer space
00:38:15That's where I'll see your face
00:38:20And have you with me
00:38:24It may seem dark
00:38:30But you always like my spark
00:38:34In my heart
00:38:39You're welcome.
00:38:45They're either enemies
00:38:47Or secretly married
00:38:48Honestly
00:38:50Both
00:38:51I was sure I'd never find someone
00:38:55To make my head spin around
00:38:57No one's ever gonna be the thing I need
00:39:00They all just let me down
00:39:02But baby
00:39:03You saved me
00:39:05Till I'm brand new
00:39:07Everything's so different now
00:39:10So
00:39:12The night goes in an L shape, right?
00:39:15Why is that the only one you remember?
00:39:17Because it's weird
00:39:18And I like weird
00:39:21Check
00:39:29You're cheating
00:39:36I'm winning
00:39:37There's a difference
00:39:38You are very distracting
00:39:40And you like it
00:39:42I will be there for a young day
00:39:44I'll be there in the darkest days
00:39:49I'll hold you in my arms
00:39:52Charles
00:39:53We need to talk
00:39:56I expected poor judgement
00:40:05But this in my house
00:40:07It isn't what it looks like
00:40:09No
00:40:09Kissing a servant's daughter
00:40:12In the family library
00:40:14Enlighten me then, Charles
00:40:15We came back tonight
00:40:16After speaking with Serena
00:40:18Imagine our surprise
00:40:20Walking in on
00:40:21This
00:40:22She isn't just
00:40:23You have no right
00:40:25To barge in
00:40:26On my property
00:40:27I care about her
00:40:31I'm not ashamed
00:40:33That's enough
00:40:33Why do you care?
00:40:38We're protecting our son's future
00:40:40And our name
00:40:42You think this protects me?
00:40:44We think
00:40:45She does not belong in your world
00:40:48Then maybe I don't either
00:40:52You're ready to give up everything
00:40:56For a girl you barely know
00:40:58Yes
00:41:01Then
00:41:02Are you sure
00:41:04She's ready?
00:41:12I'm asking you
00:41:13Do you think she's ready
00:41:15To lose everything
00:41:16Regardless of how little
00:41:17That is
00:41:18Just to be with you?
00:41:20What are you talking about?
00:41:22You left us no choice, son
00:41:23You shouldn't disobey your father
00:41:25Pelton
00:41:28It's Frederick Kenwood
00:41:30Ah, Mr. Kenwood
00:41:32How can I help?
00:41:33If a scholarship student
00:41:35Were to violate our behavioral code
00:41:37In a public setting
00:41:39With photographic evidence
00:41:41Would that warrant a review?
00:41:43Yes, sir
00:41:44So
00:41:47Answer me again
00:41:49Do you think she's ready
00:41:51To lose everything
00:41:52Just to be with you?
00:41:55Charles
00:42:05What happened?
00:42:07Did your parents say something?
00:42:08Are they mad?
00:42:08Is everything okay?
00:42:10Pack your things
00:42:11You can't stay here anymore
00:42:14What?
00:42:17My parents fired your mother
00:42:18She's leaving
00:42:19So are you
00:42:21Wait, why?
00:42:22Is it because of us?
00:42:24We can fix this
00:42:25I'll get a job
00:42:26Stop, stop it
00:42:26You don't get it
00:42:27If I don't walk away from this
00:42:30They'll cut me off
00:42:31Okay?
00:42:33No card
00:42:33No trust
00:42:35No support
00:42:35Nothing
00:42:37Then
00:42:38Then we'll figure it out
00:42:40We don't need all that
00:42:41We can
00:42:42Do you really think
00:42:44I'm going to live like that?
00:42:45So that's what this was
00:42:49Just fun
00:42:51Until it got inconvenient
00:42:52What did they promise you?
00:42:58Nothing
00:42:59They just reminded me
00:43:03Of what's real
00:43:04Charles, I'm not stupid
00:43:09You don't just turn into a cold stranger
00:43:12Because of one conversation
00:43:13What did they threaten you with?
00:43:20What did they threaten you with?
00:43:22This is the difference between me and you
00:43:24What?
00:43:25You think you know me
00:43:26Or what I have
00:43:28You don't, Alice
00:43:30You're still lying
00:43:32I'm not
00:43:33Alice
00:43:33Look around you
00:43:35This mansion
00:43:36You thought was a museum
00:43:37It's my house
00:43:40My world
00:43:42I was bored into this
00:43:43I am not choosing
00:43:45Between this
00:43:46And something I picked up
00:43:50For a moment
00:43:51Of fun
00:43:51Don't do this, Charles
00:43:55You don't mean it
00:43:57It was fun
00:43:58But you
00:43:59You don't compare to
00:44:02What I own
00:44:02I'll survive the loss
00:44:06Right
00:44:09I should have known
00:44:12Guys like you
00:44:15Don't end up with girls like me
00:44:16You play with them
00:44:20Then you throw them away
00:44:21Go to sleep, Alice
00:44:32This fall is a little more
00:44:38Than I expected
00:44:39In so deep
00:44:43I can barely see myself
00:44:45Yeah, around me
00:44:49Feels so heavy
00:44:50But depleted
00:44:52But I find this
00:44:55The place
00:44:56To test myself
00:44:57To test myself
00:44:58Oops
00:45:04Oops
00:45:06Oops
00:45:07Oh, sorry
00:45:11Didn't see that
00:45:27Then again
00:45:28Nobody does
00:45:29Move, please
00:45:30Try begging
00:45:33You know what
00:45:39Keep it
00:45:40Poor thing
00:45:46So dramatic
00:45:47Don't
00:45:49Excuse me
00:45:51I warned you
00:45:52Walk away, Serena
00:45:55Last week's group assignments were mostly forgettable
00:46:18But one pair surprised me
00:46:20In a good way
00:46:21Charles Kenwood
00:46:23And Alice Keaton
00:46:24Would you mind giving us her short summary?
00:46:27She loves the sound of her own voice
00:46:29Better have it
00:46:30I couldn't stay
00:46:31I couldn't wait
00:46:33I thought they used to know that I would have
00:46:37Can hang around
00:46:38Our essay explored what happens when two fundamentally different voices meet
00:46:43Like logic and chaos or silence and noise
00:46:47Different worlds, different rules
00:46:50At first glance they clash
00:46:54But what makes the story interesting is what happens next
00:46:57Confusion, curiosity
00:47:00But in the end some stories aren't about staying
00:47:03And yes, there is no such thing as a happy ending
00:47:16And yes, there is no such thing as a happy ending
00:47:19Is she still talking about the essay?
00:47:22Miss Keaton
00:47:27Dramatic as always
00:47:29Alright
00:47:30Thank you Alice
00:47:31That was
00:47:32Layered
00:47:33Are you okay?
00:47:35A reminder
00:47:36That good literature
00:47:38Always stirs something
00:47:40Hello?
00:47:41Hi, here's Alice Keaton
00:47:43This is Whitmore Press
00:47:44We've been following your work
00:47:45We'd like to offer you a long term publishing contract
00:47:47Name your price, will?
00:47:48We'll make it work
00:47:49Sorry what?
00:47:50That's...
00:47:51Kind of...
00:47:52Insane
00:47:53Who's behind this?
00:47:54Your sponsor wishes to remain anonymous
00:47:55Can...
00:47:56Can I meet them?
00:47:57I want to
00:47:58Please
00:47:59Or at least tell me a name
00:48:01Sorry, they wish to stay in office
00:48:02So they're only interested in words, not the person
00:48:03I'd really like to meet them
00:48:04I'm sorry for to keep them
00:48:05They were very good
00:48:06I think it's the most generous offer we've ever given a disability right now
00:48:08I see
00:48:09Congratulations again
00:48:10No
00:48:11No
00:48:12No
00:48:13No
00:48:14No
00:48:15No
00:48:16No
00:48:17No
00:48:18No
00:48:19No
00:48:20No
00:48:21No
00:48:22No
00:48:23No
00:48:24No
00:48:25No
00:48:26No
00:48:27No
00:48:28No
00:48:29No
00:48:30No
00:48:34No
00:48:35No
00:48:36No
00:48:37Hello
00:48:38No
00:48:39I'll be playing
00:48:40You got the interview?
00:48:41It's just an interview, I haven't gotten it yet
00:48:43Still, Alice Kean at Oxford
00:48:44That's iconic
00:48:45No
00:48:46No
00:48:48You ok?
00:48:51Yeah
00:48:52wow
00:48:53I'm so excited
00:48:54I
00:48:55It took something saying
00:48:56No
00:48:57No
00:48:58No
00:48:59It's done, Mr. Kenwood. Miss Keaton signed the contract.
00:49:12Good.
00:49:13It's a generous deal. You sure you don't want it to know?
00:49:17No.
00:49:19No, it's better if I stay out of her life.
00:49:29Congratulations, Alice Keaton. Go live the life you were always meant to.
00:49:41Your engagement and advancement should align perfectly with the Foundation Gala.
00:49:46And the Browns already offered to host the London reception.
00:49:51It's all coming together beautifully.
00:49:56I've lost my appetite.
00:49:59I'll go check on him.
00:50:08What's your problem, Charles?
00:50:13Disengagement is not happening.
00:50:16It's not up to you. You know that.
00:50:17Serena, we're not doing this.
00:50:21You've changed.
00:50:25Or maybe I finally just stopped pretending.
00:50:29You've changed.
00:50:59this whole time.
00:51:03So?
00:51:04You lied to everyone, including her.
00:51:07I protected her.
00:51:11You loved her.
00:51:12Still do.
00:51:15Let it go, Serena.
00:51:18There's no point.
00:51:20I need a favour. Find out when the Oxford interview is.
00:51:32And make sure Alice Keaton won't show up.
00:51:40Anything with Myra?
00:51:42She's not answering. The interview's almost over.
00:51:45Well, she won't just not show up. Something's wrong.
00:51:50Where's Alice?
00:51:52When was the last time you heard from her?
00:51:54Last night. She said she was prepping all evening.
00:52:00James, track someone for me.
00:52:04Wait, where are you going?
00:52:13Chill, okay? Who won't hurt you?
00:52:16Yeah, we're just supposed to keep you away from the interview, that's it.
00:52:20Shit! Come back!
00:52:22Shit! Come back!
00:52:28Shit! Come back!
00:52:30Shit!
00:52:31It's so loud.
00:52:32Shit!
00:52:33You're not dealing with a warning, you're out.
00:52:34Shit!
00:52:35What's my name?
00:52:36Hey!
00:52:37Shit!
00:52:38Shit!
00:52:40Shit!
00:52:43Shit!
00:52:44You're out!
00:52:45Shit!
00:52:46Shit!
00:52:47Shit!
00:52:48Shit!
00:52:49You're out!
00:52:50Shit!
00:52:52Shit!
00:52:53Shit!
00:52:54Shit!
00:52:55I remember how it meant
00:52:59Didn't need a second guess
00:53:03Hey, hey, hey, Alice, Alice
00:53:09Alice, stay with me, stay with me, stay with me, Alice
00:53:13Alice
00:53:13You're awake?
00:53:22Where, where am I?
00:53:23A local clinic. Passer-by brought you in
00:53:26Passer-by
00:53:28He found you on the side of the road
00:53:31He had to leave, he didn't leave a name
00:53:32Oh
00:53:35The interview, what time is it?
00:53:39Easy, it's okay
00:53:40Someone already contacted the university
00:53:42And sent in your writing samples
00:53:45They've rescheduled your interview for tomorrow
00:53:47Wait, what, who?
00:53:48No idea, but it's all taken care of
00:53:53What did you say?
00:53:55Nothing
00:53:56I just
00:53:57Had a dream
00:54:00I got him!
00:54:12Oh, I knew it
00:54:17Too bad Charles isn't here to watch you crush it
00:54:20He's not here
00:54:22Oh, you didn't know
00:54:25Know what?
00:54:26He left
00:54:27A few days ago, yeah, everyone doesn't really know where he went
00:54:31Honestly, Ashford's been quieter without him
00:54:34It's probably for the best
00:54:35Come on
00:54:35Alice?
00:54:42The summer I met Charles Kenwood was loud
00:54:48Chaotic
00:54:50Unexpected
00:54:52And with his absence
00:54:56Come on
00:54:56It ended quietly
00:54:59Like summers always do
00:55:03And joining us today
00:55:18The decade's most unexpected literary phenomenon
00:55:22Alice Keaton
00:55:22Thank you for having me
00:55:24No, your words moved millions
00:55:27They say your stories feel real
00:55:30Especially the ones about love
00:55:32Thank you
00:55:32Which brings us to the most obvious question
00:55:35How's your dating life like these days?
00:55:37No comment
00:55:38A little bird told me that the past four years
00:55:41Has been just writing and working
00:55:44Not even a single date
00:55:45Let me guess a bird named Sherry
00:55:46She caught me
00:55:47Still no comment
00:55:49All right, all right
00:55:50No matter what you say
00:55:51You write love like someone who's lived it
00:55:55If you're so real
00:55:57Because once I did
00:55:58With someone who felt like chaos and clarity
00:56:01Behind Alice Keaton
00:56:03And no one ever quite matched the light after that
00:56:05And let's give it up for Alice Keaton one more time
00:56:09Congratulations Alice
00:56:20The numbers just came in
00:56:22You broke your own record
00:56:23That's incredible
00:56:27We're thinking celebration
00:56:28Press
00:56:29Photos
00:56:30Maybe tonight
00:56:31Actually
00:56:31There's something I'd rather do
00:56:34I'd like to meet with the person who
00:56:37Believed in me first
00:56:38My sponsor
00:56:40You're sure?
00:56:42Yeah
00:56:42Just once
00:56:44Tonight
00:56:457pm
00:56:46Good evening
00:56:58Good evening
00:57:03May I sit?
00:57:07Hey Mr. Nonchalant
00:57:13Hi
00:57:16Hi
00:57:18You look well
00:57:21And you look like you just stepped out of a GQ cover
00:57:26You always did
00:57:28You were expecting someone else
00:57:31I was
00:57:33Hoping
00:57:35But I guess I always knew
00:57:37I didn't come here to confuse you
00:57:40Or to reopen anything
00:57:42I just wanted to say congratulations
00:57:46Oh
00:57:48Thank you
00:57:50Didn't know you're still reading
00:57:53You're rich enough not to do so
00:57:56Always
00:57:58Either way
00:57:59Your sponsorship started my career
00:58:02So
00:58:03No
00:58:03No
00:58:04You earned everything
00:58:05Every word
00:58:09Every page
00:58:11Every reader
00:58:14That's what I came to say
00:58:16It was good to see you again
00:58:22I hope
00:58:22Charles
00:58:23Can you just
00:58:26Wait a little longer
00:58:29I think I knew it was you
00:58:37There was one email
00:58:40You said something
00:58:43It felt familiar
00:58:44Really?
00:58:45Kind of had that
00:58:46Rich asshole with a conscience energy
00:58:48Very on brand
00:58:50I should have anonymized my grammar
00:58:53Too late
00:58:53Your semicolon usage gave you away
00:58:56Still the only girl I know
00:58:58Who flirts through punctuation
00:58:59Still the only guy I know
00:59:01Who uses wiles unironically
00:59:02You've changed
00:59:06But
00:59:08Not really
00:59:10You haven't changed
00:59:13But maybe you've grown into who you really were
00:59:17Anyway
00:59:19I wanted to say
00:59:21Thank you
00:59:23And
00:59:25Thanks for being here tonight
00:59:27You didn't have to come
00:59:30Don't tell me what I have to do
00:59:32I do
00:59:33You didn't have to come
00:59:36Don't tell me
00:59:39What I have to do
00:59:40If you could go back
01:00:01If you had the chance to do it all again
01:00:03Would you do anything differently
01:00:05No
01:00:11No
01:00:11No
01:00:16I see
01:00:21I know my answer now
01:00:26I didn't have the power back then
01:00:28Not enough to protect you
01:00:30I couldn't watch you get crushed because of me
01:00:32Because of my name
01:00:35My family
01:00:36I didn't want to be the reason you lost everything
01:00:40So you just disappeared
01:00:43Without a word
01:00:44If you had the chance to see the world
01:00:49Without me weighing you down
01:00:51If you still chose me after that
01:00:54You keep saying you wanted to give me a choice
01:00:59But you made a choice for me
01:01:02Did it ever cross your mind that maybe
01:01:07I would have chosen you anyway
01:01:11I didn't think I was the smart choice
01:01:19You weren't
01:01:21But I never claimed to be that smart
01:01:25This is me
01:01:35Right
01:01:36I'm still mad at you, you know
01:01:44I'm still in love with you, you know
01:01:49Do you want to come in for a bit
01:01:58You're asking your ex
01:02:02Who you haven't seen in four years
01:02:05To come into your hotel
01:02:07At approximately 11pm
01:02:09You were right
01:02:11You never were that smart
01:02:13You don't have to come
01:02:15Don't tell me what I have to do
01:02:18Stop quoting yourself
01:02:34I recycle
01:02:35It saves energy
01:02:36This feels wildly irresponsible
01:02:40You sound like a disclaimer
01:02:41You're the one who once called romance a distraction
01:02:43I said that
01:02:45Yeah, before calling Wuthering Heights overrated
01:02:47Still is
01:02:49You're lucky you're a good kisser
01:02:51That is cute to me
01:02:56Don't you dare quote poetry
01:02:58I wasn't going to
01:02:59I forgot all of it the day you left
01:03:02Then shut up
01:03:03And prove it
01:03:05I still can't believe this is happening
01:03:13I told you
01:03:14They're either worst enemies
01:03:16Or secretly married
01:03:17And I told you
01:03:18They're both
01:03:18I vow to always tell you the truth
01:03:47Except for when you ask how your cooking was
01:03:50Then I lie
01:03:52Respectfully
01:03:53I vow to keep choosing you
01:03:57Loudly
01:03:58Quietly
01:04:00Always
01:04:02Even when you forget to do the laundry
01:04:05Is he actually good at this?
01:04:09I mean
01:04:09He did beat her at sarcasm
01:04:11I vow to argue with you at least twice a week
01:04:17Especially over Shakespeare
01:04:18I vow to write you and your every story
01:04:22Even when I say I didn't
01:04:24It will always be part of my life
01:04:26If she quotes Austen in this toast
01:04:30I'm out
01:04:30No you're not
01:04:31You're going to cry harder
01:04:32I can't believe you picked Paris
01:04:44Such a cliche honeymoon destination
01:05:00Guard your phone
01:05:02Relax
01:05:04Just don't dress like a walking inheritance
01:05:06And you'll be fine
01:05:07You are not wearing that on our honeymoon
01:05:11Please Alice go change
01:05:15Don't tell me what I have to do
01:05:17No
01:05:21No
01:05:23No no no no
01:05:23That is not an invitation
01:05:24Do not take off these clothes
01:05:26Overruled
01:05:27You look much better without them
01:05:30To the ones who loved in silence
01:05:37In chaos
01:05:38In chapters
01:05:39You will find your way home
01:05:42Sometimes I want to be on my own
01:05:49But I don't want to die alone
01:05:51God
01:05:51God
01:05:56Ouch
01:05:59it's up to us to make sure that we can gain what's been passed through these books
01:06:21help us develop learn and grow
01:06:29wow
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