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Short filmTranscript
00:00:00People, moments, places.
00:00:04But in that moment, I forgot them all.
00:00:07Be careful. We're talking about the king of Ashton.
00:00:10He's hot.
00:00:11I don't find bullies attractive.
00:00:13Good morning!
00:00:15He's lonely and kind of pathetic.
00:00:17Breathe the room before opening your mouth.
00:00:20American.
00:00:21She said you'd be moving in today.
00:00:23There's been some kind of misunderstanding.
00:00:26I'm not staying here.
00:00:27You must stay.
00:00:30I heard you staged the whole thing for attention.
00:00:34Charles, we need to talk.
00:00:36If you don't do anything about it,
00:00:38it's only going to get worse.
00:00:41You're lying to everyone, including her.
00:00:44You didn't have to come.
00:00:46Don't tell me what I have to do.
00:00:57I've always described the world in words.
00:01:01People, moments, places.
00:01:04All through metaphors and margins.
00:01:07You okay?
00:01:08Like my mom.
00:01:10Self-made, stubborn, and never wrong.
00:01:13Almost there.
00:01:15You excited for your first day?
00:01:16She calls this a fresh start.
00:01:18I call it terrifying.
00:01:26You've got this.
00:01:27Just be yourself.
00:01:28That's kind of the problem.
00:01:31I'm stuck in space.
00:01:40I'm stuck in space.
00:01:41Got a daydream running through my brain every day.
00:01:46Heaven in my dead now.
00:01:50World's a boy, but I don't want to stay anyway.
00:01:54I want to stay again.
00:01:58Okay.
00:02:01Morning, class.
00:02:04And you're not seated because?
00:02:07I don't have a seat.
00:02:10Ah, a new transfer.
00:02:12Alice Keaton, right?
00:02:13Let's see.
00:02:17Ah, there's a spot.
00:02:19Next to Charles.
00:02:20Charles' case, charity.
00:02:22Seriously?
00:02:23A charity case sitting next to Charles?
00:02:25God, why is she?
00:02:27Quiet.
00:02:28Charles.
00:02:32I've always had words for everything.
00:02:35But in that moment,
00:02:39I forgot them all.
00:02:49Charles, move your things.
00:02:52I'd rather not.
00:02:53She'll be a distraction.
00:02:55From what?
00:02:56Sleeping.
00:02:58From everything.
00:02:59If anything, Charles,
00:03:00Miss Keaton will be a positive influence on you.
00:03:02She was top of her class at her previous school.
00:03:05With all due respect, sir,
00:03:07her previous school was American.
00:03:10I highly doubt that.
00:03:13That's enough.
00:03:14She can sit here.
00:03:15It's fine.
00:03:16Back to Goldie.
00:03:18You got it.
00:03:19I'm Sherry Vaughn.
00:03:20Alice Keaton.
00:03:21You got it.
00:03:22I'm Sherry Vaughn.
00:03:23Alice Keaton.
00:03:24You got it.
00:03:25I'm Sherry Vaughn.
00:03:26Alice Keaton.
00:03:27It's very important that we look at what he's talking about their experience of the time.
00:03:31Wait.
00:03:36You sat next to Charles?
00:03:37She didn't.
00:03:38You totally shut her down.
00:03:39Oh, knew it.
00:03:40Don't take it personally.
00:03:41He's impossible.
00:03:43Can everyone stop acting like the goal is getting into his pants?
00:03:46What?
00:03:47He's hot.
00:03:48Everyone kind of is.
00:03:51I...
00:03:52I've seen Connor.
00:03:53He's not my type.
00:03:54You're joking.
00:03:55I don't find bullies attractive.
00:03:57Hey!
00:03:58Be careful.
00:03:59You're talking about the king of Ashford.
00:04:01The what?
00:04:03His family basically own the school.
00:04:05And the town.
00:04:06Maybe even the country.
00:04:07Yeah.
00:04:08Everyone's tried to get close.
00:04:09No one can get past his ego.
00:04:11You're not the first to get ice.
00:04:13Okay, first of all, I wasn't ice.
00:04:15It's more like a mutual decision.
00:04:18And second, I think he's arrogant, cold, thinks he's untouchable.
00:04:23But if you really look at Charles, he just seems isolated, like he's faking out.
00:04:28Honestly, I just think he's lonely and kind of pathetic.
00:04:35What?
00:04:36No, go on.
00:04:38You were saying I'm lonely and pathetic.
00:04:51Next time, read the room before opening your mouth, American.
00:04:57We're not in Kansas anymore, Alice.
00:05:17Hey, how was your first day?
00:05:19Uh, good.
00:05:20Good.
00:05:21Anything exciting happen?
00:05:22Not really.
00:05:23Super uneventful.
00:05:25Really?
00:05:27How's your new job?
00:05:28Yeah, alright.
00:05:29Get this?
00:05:30They said we can stay in the servants' wing.
00:05:32Seriously?
00:05:33Hmm.
00:05:34Apparently, the young master won't mind the company.
00:05:36The young master.
00:05:38This is your boss's house.
00:05:41Yeah?
00:05:42Isn't that incredible?
00:05:43I mean, I wouldn't call it a house.
00:05:46It's a museum with better landscaping.
00:05:55Wait here.
00:05:56I'll talk to the butler.
00:06:02Wow.
00:06:03Rich people.
00:06:04You've topped yourselves again.
00:06:09Stephen King.
00:06:11First edition.
00:06:22Breaking and entering now.
00:06:24How American of you.
00:06:25I...
00:06:34You've been paying rent.
00:06:37Here in my head.
00:06:39Trying to fight it off.
00:06:47You can get up now.
00:06:49I...
00:06:50I'm trying.
00:06:51Wait!
00:06:54Are you serious?
00:06:55Well, you said you were trying.
00:06:58What is wrong with you?
00:07:00Funny.
00:07:01I was about to ask you the same thing.
00:07:03What are you doing in my house?
00:07:06You...
00:07:07Wait.
00:07:09Your house.
00:07:10My house.
00:07:11My library.
00:07:12And now, apparently, my unwanted guest.
00:07:17Ah, Master Charles.
00:07:19It must be Miss Alice, Anne's daughter.
00:07:21She said you'd be moving in today.
00:07:23She what?
00:07:24There...
00:07:25There's been some kind of misunderstanding.
00:07:27You see, I'm not actually moving in.
00:07:29Is that so?
00:07:30Yeah.
00:07:31I'm not staying here.
00:07:32Like, at all.
00:07:33That's a shame.
00:07:34Your mother seemed quite pleased with the arrangement.
00:07:36Well, I just don't think it's appropriate.
00:07:39Well, if you're sure, then...
00:07:40Absolutely not.
00:07:41Come on, Alice.
00:07:42You must stay.
00:07:43It'll be fun.
00:07:44My dear classmate.
00:07:45I'm dead.
00:07:46Like mentally, socially, and actually dead.
00:07:48Just trying to figure out how exactly my life went off the rails.
00:07:49Get it together, Alice Keaton.
00:07:50You've been through hell.
00:07:51I was sure I'd never find someone to make my head spin.
00:07:52Actually no.
00:07:53No ones ever gonna be the thing I need.
00:07:54They all just like me.
00:07:55I'm not dead.
00:07:56I'm not dead.
00:07:57You're not dead.
00:07:58I'm not dead.
00:07:59You're not dead.
00:08:00I'm dead.
00:08:01I'm dead.
00:08:02All day all day all day all night.
00:08:03I'm dead.
00:08:04I'm dead.
00:08:05I'm dead.
00:08:06I'm dead.
00:08:07Like mentally, socially, and actually dead.
00:08:08Just trying to figure out how exactly my life went off the rails.
00:08:12Get it together, Alice Keaton.
00:08:13Alice Keaton you've been through hell. Actually, no. This is hell.
00:08:25Uh, good morning!
00:08:29Wow.
00:08:41Sir, is that Miss Keaton? Well, f***ing doesn't know. That shop's been closed for months. She's going to be late.
00:08:54Okay, how long is this thing going to take? Maybe I'll just walk? Five miles to school!
00:09:02Okay, if I sprint, maybe I'll make it before first period.
00:09:07Or die of exhaustion on the way.
00:09:13Or die of exhaustion on the way.
00:09:16What are you doing here? Didn't you already leave?
00:09:21Wait, did you come back for me?
00:09:26Relax. I forgot my textbook. Don't flatter yourself.
00:09:31Wait! Since you're already here, maybe you could be a decent person and give me a ride?
00:09:42No.
00:09:44Seriously? Your car is huge!
00:09:47Yeah. And I'm not a fan of sharing.
00:09:51Says the guy who forced me to live in his house!
00:09:58Unbelievable!
00:10:00Asher Institute, please. Thank you.
00:10:15Who needs that entitled brat anyway?
00:10:17Sir, you called the cab. Why not just give Miss Keaton a lift?
00:10:21Why not just give Miss Keaton a lift?
00:10:26Why not just give Miss Keaton a lift?
00:10:28And have the whole school go crazy.
00:10:31She's new. Everybody's already talking.
00:10:34So you're worried about her?
00:10:35You're overthinking. I just don't like drama.
00:10:39Asshole.
00:10:46Who?
00:10:48Morning, Klaus.
00:10:50Back to Golding.
00:10:52Remind me what he's saying through Lord of the Flies.
00:10:59Mr. Kenwood, care to share what you found so amusing?
00:11:03Not particularly.
00:11:05Oh, I insist.
00:11:06You seem very entertained by Golding.
00:11:09I'm not entertained by Golding, sir.
00:11:12On the contrary, I think his ending is...
00:11:16weak.
00:11:18Wait, wait.
00:11:19You actually read it?
00:11:20Quiet.
00:11:23That's an interesting take.
00:11:24Explain.
00:11:27He had the setup for something brutal.
00:11:30Something honest.
00:11:31In the end, he backed out.
00:11:34He could have left the boys on the island,
00:11:35forced them to confront the collapsible morality,
00:11:37let them choose survival or death.
00:11:41But instead, he gave them a rescue boat,
00:11:44slapped a happily ever after on a book about savagery.
00:11:47It's a waste.
00:11:52Don't you think?
00:11:53I'm delightfully surprised, Charles.
00:11:55Didn't think you had such strong literary opinions.
00:11:58I'm always a model student, sir.
00:12:00Let's not get ahead of ourselves.
00:12:01I think Golding knew exactly what he was doing by ending the book that way.
00:12:27It's not mercy, it's irony.
00:12:30How so?
00:12:33The rescue isn't a happy ending.
00:12:36You don't just walk back into society and forget you're a monster.
00:12:39Golding didn't save them.
00:12:40He left us with the discomfort of pretending they could be saved.
00:12:43That's an interesting take, Miss Keeter.
00:12:45You still think it's a harsh critique?
00:12:48In some ways, but not harsh enough.
00:12:52Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:12:58And the civilized world?
00:12:59Toxic, violent.
00:13:00He didn't call that out nearly as much.
00:13:02So yeah, I don't think Golding pushed far enough,
00:13:05but I think it's unfair to call it a happy ending.
00:13:11Thank you, Miss Keeter.
00:13:13Well said.
00:13:14Anyone else?
00:13:17Both opinions are valid.
00:13:19Okay, that's kind of epic.
00:13:21Golding faced major backlash when he first published the book.
00:13:25Good literature will always divide opinion.
00:13:30What's happening to me?
00:13:35Okay, what is going on?
00:13:39Why is everyone staring at me?
00:13:41Well, you're new.
00:13:43And apparently had a thing with Charles.
00:13:45A what now?
00:13:46You two are in the middle of this epic feud as you've seen in years.
00:13:50We're not even fighting.
00:13:52Well, according to everyone, you confessed your love on day one,
00:13:55got rejected, begged to sit next to him,
00:13:58got rejected again.
00:13:59And today in class, you broke down crying about not believing in happy endings
00:14:04and stormed out in tears.
00:14:07You were there, Sherry.
00:14:08That is not what happened.
00:14:11Doesn't matter.
00:14:12People believe what they want to believe.
00:14:14And they want Charles to be flawless, untouchable.
00:14:18Wow.
00:14:19Is misogyny like a rich kid thing or just a British specialty?
00:14:23Honestly, both.
00:14:24But seriously, Alice, some people already see you as a threat.
00:14:36Okay.
00:14:37Loaded.
00:14:39Looks like the new girl's in for a rough first semester.
00:14:42Hello?
00:14:59Hello?
00:15:01Is somebody out there?
00:15:04Oh, come on!
00:15:05Fine.
00:15:32Seriously?
00:15:33Seriously?
00:15:34Oh, shit.
00:15:42What the hell?
00:15:44Anne, I thought you were having dinner with Alice.
00:15:47She hasn't come home.
00:15:48Her phone is off.
00:15:50Maybe you've seen her this evening?
00:15:54Yikes.
00:15:55Looks like the new girl's in for a rough first semester.
00:15:57She hasn't come home.
00:15:59She hasn't come home.
00:16:01She hasn't come home.
00:16:02I'll have her sent over.
00:16:03I'll have her sent over.
00:16:04Alice!
00:16:09Alice!
00:16:10Alice!
00:16:11Mr. Pelton, Charles Kenwood here.
00:16:13I was wondering if I could get the timetable for Alice Keaton.
00:16:16She hasn't come home.
00:16:17I'll have her sent over.
00:16:20Check the common room in the library.
00:16:21I'll take the rest.
00:16:25Alice!
00:16:25Come on, Alice.
00:16:41Close your eyes and jump.
00:16:43It's fine.
00:16:44You're fine.
00:16:46Hey, Mr. Nonchalant, are you happy with me?
00:17:16What are you doing here?
00:17:24Can you get off me first?
00:17:26Okay.
00:17:35You're welcome.
00:17:37I didn't say thank you.
00:17:39I figured saving your life might turn me basic manners.
00:17:41Someone just dumped swamp water on me.
00:17:44Excuse me if I'm not feeling very polite.
00:17:46You smell like a biology experiment.
00:17:49Wow.
00:17:50You should try falling out of a window into someone's arms and getting insulted for it.
00:17:54Wouldn't recommend it.
00:17:55You're heavier than you look.
00:17:58I hope you pull your shoulder.
00:18:00Are you okay?
00:18:06Are you okay?
00:18:07No.
00:18:08But I will be.
00:18:11Someone did this on purpose.
00:18:12What do you think, golden boy?
00:18:15Don't worry.
00:18:16I can handle it.
00:18:16You shouldn't have to.
00:18:20I'm
00:18:20sorry.
00:18:22Did you just apologize to me?
00:18:37Don't get used to it.
00:18:38I wouldn't dream of it.
00:18:42Alice?
00:18:43Over here.
00:18:44Oh, my God.
00:18:45You okay?
00:18:50Why are you drenched?
00:18:51Yeah.
00:18:52I just
00:18:52took a weird shower.
00:18:55Top exploded.
00:18:57Come on.
00:18:58Let's get you home.
00:19:09Alice Keaton, right?
00:19:10I heard you staged the whole thing for attention.
00:19:15I know how this place works.
00:19:40If you don't do anything about it, it's only going to get worse.
00:19:43I'll look into it.
00:19:47Charles?
00:19:49Good on you.
00:19:51How many of you would speak up?
00:19:57I can't believe someone actually locked you in.
00:19:59That's insane.
00:20:00Where the hell was the school when this was happening?
00:20:03Busy protecting their golden boys and trust funds.
00:20:05Well, for what it's worth,
00:20:07I heard Charles looked pretty freaked out when he ran out last night.
00:20:12Please.
00:20:12He just didn't want a lawsuit.
00:20:13Being a scholarship student has its perks,
00:20:33like saving a fortune on tuition
00:20:36and getting into schools
00:20:37that normally wouldn't even let you pass the gates.
00:20:41Hey, we miss you in Paris.
00:20:44Though there are enough Americans to remind us of you.
00:20:47But sometimes,
00:20:48being here means standing behind
00:20:50and watching Ashford Elites go on a two-week enrichment program
00:20:54you can never afford.
00:20:57Have fun.
00:20:58Bring me something overpriced
00:21:01and unnecessary.
00:21:05The trip cost 20 grand in pounds,
00:21:08which translates to
00:21:09mom's salary for half a year.
00:21:11So, yeah.
00:21:13I didn't go.
00:21:35What are you doing here?
00:21:37Do you not believe in shirts?
00:21:38Do you not believe in dignity?
00:21:40It's comfortable.
00:21:41You look like a rejected Ewok.
00:21:43This...
00:21:44This is not even your kitchen.
00:21:46And this is not even your house.
00:21:47And yet, you're here,
00:21:48dressed like this.
00:21:50Just don't look.
00:21:51Go away.
00:21:52Hard not to,
00:21:53when you're walking around dressed like that.
00:21:55What do you guys call it?
00:21:57Um...
00:21:58Buzzkill?
00:22:00Cockblock.
00:22:01You're insufferable.
00:22:02You're the one cosplaying at breakfast.
00:22:04You know what?
00:22:05I don't get it.
00:22:06Why didn't you go on that tour?
00:22:07I thought rich people live for that kind of thing.
00:22:10Why do you think?
00:22:11How would I go?
00:22:18I could practically recite the itinerary in my sleep.
00:22:22Florence.
00:22:23Walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.
00:22:27Or Tiziano, if you want to sound extra pretentious.
00:22:32Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:22:37Next stop, Napoli.
00:22:39Marvel at Pompeii.
00:22:41Pretend you're shocked.
00:22:42Ancient people have plumbing.
00:22:44The final stop, Paris.
00:22:47The ultimate city of romance.
00:22:49And, naturally, Woody Allen's favourite city outside of New York.
00:22:54That's word for word.
00:22:59I told you.
00:23:00I've done this tour so many times, I could run it.
00:23:03Okay, but still, it's Europe.
00:23:05Most people would kill for that chance.
00:23:06Most people haven't had their phones stolen in Paris.
00:23:09Twice.
00:23:10Also, I hate the accommodations.
00:23:13Aren't they all five-star hotels?
00:23:15Standard rooms in five-star hotels.
00:23:18No, thank you.
00:23:20Wow.
00:23:21Some were born in Rome, huh?
00:23:23That's unfortunate.
00:23:23It's a very chaotic city.
00:23:25One word of advice?
00:23:27Shut up.
00:23:27That's two words.
00:23:28You're weird.
00:23:31You're loud.
00:23:32You're annoying.
00:23:33You're in my kitchen.
00:23:33You have three other kitchens.
00:23:35And I prefer this one.
00:23:37Just for today.
00:23:38Come back when you've got a shirt on.
00:23:40Come back with normal clothes on.
00:23:41You didn't have to come.
00:23:42Don't tell me what I have to do.
00:23:53That's a Charles.
00:23:54Roads are flooded.
00:23:55Staff won't make it tonight.
00:23:56Will you be alright sorting dinner?
00:23:58I've got it sorted.
00:24:14Jesus, what are you doing?
00:24:16Relax.
00:24:18I'm here to make a deal.
00:24:20What deal?
00:24:21You nearly gave me a heart attack.
00:24:26You'll survive.
00:24:28I'm not selling my body.
00:24:34I'm not selling my body.
00:24:40Wow.
00:24:41I am deeply offended.
00:24:44That thought disgusts me.
00:24:46Then what are you doing?
00:24:47The staff's off tonight.
00:24:49I'm buying dinner.
00:24:50Did you seriously think I'd spend a hundred pounds on...
00:24:55No, I'm...
00:24:56I...
00:24:56Jesus.
00:24:58Wait.
00:24:59You think I'm not worth one hundred pounds?
00:25:03I'm not spending one hundred pounds to snort Chewbacca.
00:25:06You know what?
00:25:07Dinner's cancelled.
00:25:08Are you sure about that?
00:25:14I present to you.
00:25:16Meatball spaghetti, stir-fried veggies, and french fries.
00:25:19You're welcome.
00:25:21Interesting combo.
00:25:22Well, I know we're not in Italy or France, but this will do.
00:25:24Well, it's...
00:25:27Good.
00:25:34Was that a compliment?
00:25:36Although, I am obliged to inform you.
00:25:39Meatball spaghetti isn't Italian.
00:25:41It's American.
00:25:42And french fries, likely born in South America.
00:25:45You should read more.
00:25:48Put it down.
00:25:50I paid for it.
00:25:51You really just have to win every argument, don't you?
00:25:53To be fair, you make it very easy.
00:25:57It's only easy because it costs you a hundred pounds.
00:26:01You know, if you'd ask for more, I probably would have given it to you.
00:26:03I'll make sure the next time.
00:26:04I don't know.
00:26:15Okay, Alice.
00:26:20It's fine.
00:26:21You're fine.
00:26:29911, what's with your emergency?
00:26:36911, what's with your emergency?
00:26:38It's my dad.
00:26:38He needs help.
00:26:39He just had a stroke.
00:26:40Okay, miss.
00:26:41Hurricane's constant traffic.
00:26:42Shut down.
00:26:43We'll get to you as soon as we can.
00:26:44Please, he's not well.
00:26:46I understand.
00:26:47Can you confirm your address?
00:26:50Daddy, yes, I'm right here.
00:26:52All right.
00:26:54My daughter.
00:26:56Please, stay with me, Dad.
00:26:57Please.
00:27:02No.
00:27:04Please, wake up.
00:27:09Dad, please.
00:27:11Please don't leave me.
00:27:14Please, wake up.
00:27:26Please.
00:27:27Come.
00:27:27Please.
00:27:27I'm in.
00:27:33I'm in.
00:27:33you what are you doing here
00:27:46you were crying loudly kind of hard to ignore right sorry for the noise
00:27:59wait you know snarky come back
00:28:03not tonight i'm too tired if you're here to argue knock yourself out
00:28:10you were calling for your dad right hurricane hit new york power went down traffic froze
00:28:19dad had a stroke but he couldn't get help in time
00:28:25i sat there with a candle while he laid there
00:28:31peaceful but he was asleep but he wasn't
00:28:38so that's why you and your mom moved here this used to be our hometown after dad left
00:28:47we had nowhere else to go
00:28:50what are you doing
00:28:57come on
00:29:03wait i thought the power was out it is we have our own generator wow rich people houses
00:29:25just for tonight i'll allow it
00:29:30allow what you can call this place your house so enjoy it
00:29:35stephen king's first edition alan gisberg's handwritten letters jane austen's notes all
00:29:40all yours
00:29:45this is your home
00:29:47alice keaton
00:29:53careful almost sounded sweet don't push it okay then
00:30:02i have one request
00:30:08what is it
00:30:12are you ever going to make a move
00:30:17wait give me a second i'm thinking you had one wish anything in the world and in the middle of a thunderstorm
00:30:26inside a literal mansion you chose chess yeah got a problem it's just so cool like spies or genius
00:30:36villains in movies it's literally a board game says the guy who owns a custom set wait does the night go diagonally
00:30:44diagonally for the tenth time it moves in an l shape
00:30:49one
00:30:50two
00:30:51then turn
00:30:53there
00:30:55happy
00:30:55excited
00:30:59suicide
00:31:00or a brilliant long-term sacrifice
00:31:02you are playing checkers at a chess board still beating you in sarcasm
00:31:06you literally haven't won the past arguments
00:31:08golding disagrees
00:31:10it's going to be a long night
00:31:11oh my no
00:31:12why what's wrong with that
00:31:13dude you can't do that
00:31:14why what's wrong with that
00:31:15dude you can't do that
00:31:16can i do that as well
00:31:17can i not do that
00:31:18you had to shop a trip and about it all wrong
00:31:20tried to pull you in close as we're locked on your phone
00:31:24buy yourself work cause i'm moving on
00:31:27oh you're showing up at my door
00:31:32holding your heart there inside your hands
00:31:36maybe he's not so awful after all
00:31:47um who are you
00:31:49what are you doing here
00:31:53what are you doing here
00:31:55well your parents said you were still at home
00:31:57thank god you skipped that boring grand tour
00:32:00who needs italy and france again right
00:32:02when did you get back
00:32:03last night
00:32:04from zurich
00:32:05you didn't answer my messages
00:32:07i missed you
00:32:10anyway thought i'd come surprise you
00:32:12apparently i'm transferring to ashford
00:32:15your parents were so thrilled
00:32:17they didn't tell me about this
00:32:19i wanted to deliver the happy news myself
00:32:21they said it'd be lovely for us to
00:32:23reconnect
00:32:24you know
00:32:25considering the engagement
00:32:27and all
00:32:28engagement
00:32:30oh
00:32:31did no one tell you
00:32:33he's promised
00:32:34old money stuff
00:32:35very retro
00:32:36i i didn't agree to that
00:32:37you didn't have to
00:32:38it's never up to us
00:32:40where did you find this little toy
00:32:44serena
00:32:45you know
00:32:46oh
00:32:47an american
00:32:48how
00:32:49refreshing
00:32:54goodbye
00:32:55wait
00:32:56wait
00:33:12where are you going
00:33:13you still owe me breakfast
00:33:15you only paid for dinner
00:33:17i have homework
00:33:18goodbye
00:33:20your little toy has quite the temper
00:33:24serena can you please just stop
00:33:26what
00:33:27teasing the help
00:33:34that's her
00:33:35that's the one from kenwood's house
00:33:37was she like the maid or something
00:33:40oh my god what's wrong with people
00:33:58they're saying you live with charles
00:34:00oh and serena
00:34:01what about her
00:34:02well apparently she told everyone you were caught sneaking into his room
00:34:07of course she did
00:34:20careful alice
00:34:21alice
00:34:22you're starting to look desperate
00:34:35yeah
00:34:36can you help me about my accent
00:34:371066
00:34:38yeah
00:34:39come to the music room
00:34:40urgent
00:34:41er
00:34:42i just remembered i need to check something
00:34:44you guys go ahead
00:34:45yeah okay
00:34:46how do you think
00:34:47how do you think
00:34:48i have a big deal
00:34:49i have to ask you
00:34:50i have to ask you
00:34:51i have to ask you
00:34:52hello
00:34:53is someone there
00:34:54seriously
00:34:55this is getting old
00:34:57wait music room what
00:35:12james is anybody in here earlier just miss serena said she was waiting for you
00:35:19sir sir it's raining
00:35:27you're fine you're not that girl again
00:35:39wait can you remind me one more time okay rooks moving straight lines yeah bishops move diagonally
00:35:54a knife the knife's the weird one
00:35:58rooks straight lines bishops diagonally
00:36:09hello
00:36:10the text
00:36:31are you okay you hurt i i'm okay i i saw the text and i thought i didn't see the message
00:36:39serena took my phone i didn't know i'm sorry
00:36:43i'm okay you're gonna catch a cold
00:36:47you're freezing you didn't have to come
00:36:49don't tell me what i have to do
00:36:54give me hope that feels like hope
00:37:00that wasn't a mistake if that's what you're about to say
00:37:20i wasn't going to
00:37:27i'm really bad at this you know
00:37:37what kissing
00:37:39hiding feelings
00:37:41dump those ewok pajamas
00:38:05oh you wish
00:38:07seriously it's a cock block
00:38:11you kissed me that's basically consent to everything
00:38:18dangerous words keaton i might hold you to that
00:38:25you'll be working in pairs on your comparative essays
00:38:37the list is on the board
00:38:39one two three four
00:38:44are you okay
00:38:47that's where i'll see your face
00:38:56and have you with me
00:38:59it may seem dark
00:39:05but you always like my spark
00:39:10you're welcome
00:39:18they're either enemies we secretly marry
00:39:24honestly
00:39:26brave
00:39:27i was sure i'd never find someone to make my head spin around
00:39:33no one's ever gonna be the thing i need
00:39:36they all just let me down
00:39:37but baby
00:39:39you saved me
00:39:40till i'm brand new
00:39:43everything's so different now
00:39:46so the night goes in an l shape right
00:39:50why is that the only one you remember
00:39:53because it's weird
00:39:54and i like weird
00:39:57check
00:40:05you're cheating
00:40:11i'm winning
00:40:13there's a difference
00:40:14you are very distracting
00:40:16and you like it
00:40:18charles
00:40:29we need to talk
00:40:31i expected poor judgment
00:40:41but this in my house
00:40:43it isn't what it looks like
00:40:45no
00:40:45kissing a servant's daughter
00:40:48in the family library
00:40:49enlighten me then charles
00:40:51we came back tonight
00:40:52after speaking with serena
00:40:54imagine our surprise
00:40:56walking in on
00:40:57this
00:40:58she isn't just
00:40:59you have no right
00:41:01to barge in
00:41:02on my property
00:41:03i care about her
00:41:07i'm not ashamed
00:41:08that's enough
00:41:09why do you care
00:41:13we're protecting our son's future
00:41:16and our name
00:41:18you think this protects me
00:41:20we think
00:41:21she does not belong
00:41:22in your world
00:41:23then maybe i don't either
00:41:28you're ready to give up everything
00:41:32for a girl you barely know
00:41:34yes
00:41:37then
00:41:38are you sure
00:41:40she's ready
00:41:42i'm asking you
00:41:49do you think she's ready
00:41:50to lose everything
00:41:51regardless of how little
00:41:53that is
00:41:53just to be with you
00:41:55what are you talking about
00:41:56you left us no choice son
00:41:58you shouldn't disobey your father
00:42:00pelton
00:42:03it's frederick kenwood
00:42:06ah
00:42:06mr kenwood
00:42:07how can i help
00:42:08if a scholarship student
00:42:10were to violate our behavioral code
00:42:13in a public setting
00:42:14with photographic evidence
00:42:16would that warrant a review
00:42:17yes sir
00:42:19so
00:42:23answer me again
00:42:25do you think she's ready
00:42:27to lose everything
00:42:28just to be with you
00:42:29charles
00:42:41what happened
00:42:42did your parents say something
00:42:43are they mad
00:42:43is everything okay
00:42:44pack your things
00:42:46you can't stay here anymore
00:42:49what
00:42:50my parents fired your mother
00:42:53she's leaving
00:42:55so are you
00:42:56wait what why
00:42:57is it because of us
00:42:59we can fix this
00:43:00i'll get a job
00:43:01stop stop it
00:43:01you don't get it
00:43:03if i don't walk away from this
00:43:05they'll cut me off
00:43:06okay
00:43:07no card
00:43:09no trust
00:43:10no support
00:43:11nothing
00:43:12then
00:43:13then we'll figure it out
00:43:15we don't need all that
00:43:17we can
00:43:17do you really think
00:43:19i'm going to live like that
00:43:20so that's what this was
00:43:24just fun until it got inconvenient
00:43:27what did they promise you
00:43:30nothing
00:43:34they just reminded me
00:43:38of what's real
00:43:39charles i'm not stupid
00:43:44you don't just turn into a cold stranger because of one conversation
00:43:48what did they threaten you with
00:43:50what did they threaten you with
00:43:57this is the difference between me and you
00:43:59what
00:44:00you think you know me
00:44:02or what i have
00:44:03you don't
00:44:05alice
00:44:06you're still lying
00:44:07i'm not
00:44:08alice
00:44:09look around you
00:44:10this mansion you thought was a museum
00:44:13it's my house
00:44:15my world
00:44:17i was bored into this
00:44:19i am not choosing between this
00:44:21and something i picked up for a moment of fun
00:44:27don't do this charles
00:44:31you don't mean it
00:44:32well it was fine
00:44:33but did you
00:44:35you don't compare to what i own
00:44:38i'll survive the loss
00:44:41right
00:44:44i should have known
00:44:47guys like you don't end up with girls like me
00:44:51you play with them
00:44:55then you throw them away
00:44:56go to sleep alice
00:44:59go to sleep alice
00:44:59this fall is a little more than i expected
00:45:14in so deep i can barely see myself
00:45:20yeah around me feels so heavy but depleted
00:45:27but i find that's the place to test myself
00:45:33oops
00:45:42oh sorry
00:46:00didn't see that
00:46:02then again nobody does
00:46:04move please
00:46:05try begging
00:46:08you know what
00:46:14keep it
00:46:15poor thing
00:46:21so dramatic
00:46:22don't
00:46:24excuse me
00:46:26i warned you
00:46:27walk away serena
00:46:29last week's group assignments were mostly forgettable
00:46:53but one pair surprised me in a good way
00:46:57charles kenwood
00:46:58and alice keaton
00:47:00would you mind giving us a short summary
00:47:02if she loves the sound of her own voice
00:47:05let her have it
00:47:06our essay explored what happens when two fundamentally different voices meet
00:47:18like logic and chaos
00:47:20or silence and noise
00:47:22different worlds
00:47:24different rules
00:47:25at first glance
00:47:29they clash
00:47:29but what makes the story interesting is what happens next
00:47:33confusion
00:47:34curiosity
00:47:35but in the end some stories aren't about staying
00:47:38and yes there is no such thing as a happy ending
00:47:42and yes there is no such thing as a happy ending
00:47:55is she still talking about the essay
00:47:58miss keaton
00:48:02dramatic as always
00:48:04all right
00:48:05thank you alice
00:48:07that was
00:48:08later
00:48:09are you okay
00:48:12that good literature
00:48:14always stirs something
00:48:16hello
00:48:19hi this is alice keaton
00:48:21this is whitmore press
00:48:22we've been following your work
00:48:23we'd like to offer you a long term publishing contract
00:48:25name your price
00:48:27we'll
00:48:27we'll make it work
00:48:28sorry what
00:48:29that's kind of insane
00:48:42who's behind this
00:48:43your sponsor wishes to remain anonymous
00:48:45can
00:48:46can
00:48:46can i meet them
00:48:48i want to
00:48:51please
00:48:52or at least tell me a name
00:48:54sorry they wish to stay in office
00:49:00so their only interest in words
00:49:01not the person
00:49:02i'd really like to meet them
00:49:03i'm sorry but you said they were very good
00:49:05i think the most jealous of we've ever given a busy writer
00:49:08i see
00:49:10congratulations again
00:49:11you got the interview
00:49:17it's just an interview
00:49:18i haven't gotten in yet
00:49:19still
00:49:20alice keaton at oxford
00:49:22that's iconic
00:49:23you okay
00:49:32yeah
00:49:34i'm so excited
00:49:36it's done mr kenwood
00:49:50miss keaton signed the contract
00:49:51good
00:49:54it's a generous deal
00:49:55you sure you don't want it to know
00:49:57no
00:49:59no it's better if i stay out of her life
00:50:02i will be for you
00:50:05i'll be there in the darkest days
00:50:11congratulations alice keaton
00:50:14go live the life you were always meant to
00:50:18your engagement announcement should align perfectly with the foundation gala
00:50:27and the browns already offered to host the london reception
00:50:32it's all coming together beautifully
00:50:36i've lost my appetite
00:50:40i'll go check on him
00:50:45what's your problem charles
00:50:51disengagement
00:50:56it's not happening
00:50:57it's not up to you
00:50:58you know that
00:50:59serena we're not doing this
00:51:01you've changed
00:51:04or maybe i finally just stopped pretending
00:51:09you know that
00:51:13so
00:51:14oh
00:51:31Charles, you're the sponsor.
00:51:40You've been funding Alice Keaton this whole time.
00:51:45So?
00:51:46You lied to everyone, including her.
00:51:49I protected her.
00:51:53You loved her.
00:51:55Still do.
00:51:57Let it go, Serena.
00:52:01There's no point.
00:52:10I need a favour.
00:52:12Find out when the Oxford interview is.
00:52:15And make sure Alice Keaton won't show up.
00:52:22Anything?
00:52:23No?
00:52:25She's not answering.
00:52:26The interview's almost over.
00:52:28Well, she won't just not show up.
00:52:30Something's wrong.
00:52:31Where's Alice?
00:52:34When was the last time you heard from her?
00:52:36Last night.
00:52:37She said she was prepping all evening.
00:52:43James, track someone for me.
00:52:46Wait, where are you going?
00:52:47Chill, okay?
00:52:48It won't hurt you.
00:52:57Yeah, we're just supposed to keep you awake from the interview.
00:53:01That's it.
00:53:09Shit!
00:53:10Come back!
00:53:11I remember how I make...
00:53:12I remember how men...
00:53:28I remember how I met
00:53:41Didn't need a second guess
00:53:45Hey, hey, hey, Alex, Alex
00:53:51Alex, stay with me, stay with me, stay with me, Alex
00:53:55You're awake
00:54:03Where, where am I?
00:54:06A local clinic, passerby brought you in
00:54:09Passerby
00:54:10He found you on the side of the road
00:54:13He had to leave, he didn't leave a name
00:54:15Oh
00:54:17The interview, what time is it?
00:54:21Easy, it's okay
00:54:23Someone already contacted the university
00:54:25And sent in your writing samples
00:54:27They've rescheduled your interview for tomorrow
00:54:29Wait, what, who?
00:54:31No idea, but it's all taken care of
00:54:33What did you say?
00:54:38Nothing
00:54:38I just
00:54:40Had a dream
00:54:42I got him!
00:54:54I knew it!
00:54:59Too bad Charles isn't here to watch you crush it
00:55:02He's not here
00:55:04Oh, you didn't know
00:55:07Know what?
00:55:09He left
00:55:10A few days ago, yeah
00:55:11Everyone doesn't really know where he went
00:55:13Honestly, Asher's been quieter without him
00:55:16It's probably for the best
00:55:17Come on
00:55:18Thomas!
00:55:19I couldn't stay
00:55:20I couldn't wait
00:55:22I thought that you should know
00:55:24Thomas!
00:55:24I would have
00:55:25I'm hanging around
00:55:27The summer I met Charles Kenwood was loud
00:55:31Chaotic
00:55:32Unexpected
00:55:34And with his absence
00:55:38Come on!
00:55:38It ended quietly
00:55:42Like summers always do
00:55:46Did you feel it from across the room?
00:55:52Did you feel a little enchanted?
00:55:59And joining us today
00:56:00The decade's most unexpected literary phenomenon
00:56:04Alice Keaton
00:56:05Thank you for having me
00:56:06Now, your words moved millions
00:56:09They say your stories feel real
00:56:12Especially the ones about love
00:56:14Thank you
00:56:15Which brings us to the most obvious question
00:56:17How's your dating life like these days?
00:56:19No comment
00:56:21A little bird told me that the past four years
00:56:24Has been just writing and working
00:56:26Not even a single date
00:56:27Let me guess, a bird named Sherry
00:56:29She caught me
00:56:30Still no comment
00:56:31Alright, alright
00:56:32No matter what you say
00:56:34You write love like someone who's lived it
00:56:38If you're so real
00:56:39Because once
00:56:40I did
00:56:41With someone who felt like chaos and clarity
00:56:43Behind Alice Keaton
00:56:45And no one ever quite matched the light after that
00:56:48And let's give it up for Alice Keaton one more time
00:56:52Congratulations Alice
00:57:03The numbers just came in
00:57:04You broke your own record
00:57:06That's incredible
00:57:09We're thinking celebration
00:57:10Press
00:57:11Photos
00:57:12Maybe tonight
00:57:13Actually
00:57:14There's something I'd rather do
00:57:16I'd like to meet with the person who
00:57:19Believed in me first
00:57:21My sponsor
00:57:23You're sure?
00:57:24Yeah
00:57:25Just once
00:57:26Tonight
00:57:287pm
00:57:28Good evening
00:57:40Good evening
00:57:45May I sit
00:57:49Hey Mr. Nonchalant
00:57:55Hi
00:57:59Hi
00:58:00You look well
00:58:04And you look like you just stepped out of a GQ cover
00:58:08You always did
00:58:10You were expecting someone else
00:58:13I was
00:58:15I was
00:58:15Hoping
00:58:17But I guess I always knew
00:58:20I didn't come here to confuse you
00:58:22Or to reopen anything
00:58:24I just wanted to say congratulations
00:58:29Oh
00:58:31Thank you
00:58:32I didn't know you're still reading
00:58:36You're rich enough not to do so
00:58:38Always
00:58:40Either way
00:58:42Your sponsorship started my career
00:58:44So
00:58:45No
00:58:45No
00:58:46You earned everything
00:58:48Every word
00:58:52Every page
00:58:54Every reader
00:58:56That's what I came to say
00:58:58It was good to see you again
00:59:04I hope
00:59:05Charles
00:59:05Can you just
00:59:08Wait a little longer
00:59:11I think I knew it was you
00:59:19There was one email
00:59:22You said something
00:59:25It felt familiar
00:59:26Really?
00:59:27Kind of had that
00:59:28Rich asshole with a conscience energy
00:59:30Very on brand
00:59:32I should have anonymized my grammar
00:59:35Too late
00:59:35Your semicolon usage gave you away
00:59:38Still the only girl I know
00:59:40Who flirts through punctuation
00:59:41Still the only guy I know
00:59:43Who uses wild sign ironically
00:59:44You've changed
00:59:48But
00:59:50Not really
00:59:52You haven't changed
00:59:55But maybe you've grown into who you really were
00:59:59Anyway
01:00:01I wanted to say
01:00:03Thank you
01:00:05And
01:00:07Thanks for being here tonight
01:00:09You didn't have to come
01:00:12Don't tell me what I have to do
01:00:14You didn't have to come
01:00:18Don't tell me
01:00:21What I have to do
01:00:22If you could go back
01:00:43If you had the chance to do it all again
01:00:45Would you do anything differently?
01:00:52No
01:00:53No
01:00:58I see
01:01:03I know my answer now
01:01:08I didn't have the power back then
01:01:10Not enough to protect you
01:01:12I couldn't watch you get crushed because of me
01:01:14Because of my name
01:01:17My family
01:01:20I didn't want to be the reason
01:01:22And you lost everything
01:01:22So you just disappeared
01:01:24Without a word
01:01:26If you had the chance to see the world
01:01:31Without me weighing you down
01:01:32If you still chose me after that
01:01:35You keep saying you wanted to give me a choice
01:01:41But you made a choice for me
01:01:44Did it ever cross your mind that maybe
01:01:49I would have chosen you anyway
01:01:53I didn't think I was the smart choice
01:02:01You weren't
01:02:02But I never claimed to be that smart
01:02:07This is me
01:02:16Right
01:02:17I'm still mad at you, you know
01:02:26I'm still in love with you, you know
01:02:31Do you want to come in for a bit?
01:02:43You're asking your ex
01:02:44Who you haven't seen in four years
01:02:47To come into your hotel
01:02:49At approximately 11pm
01:02:51You were right
01:02:53You never were that smart
01:02:55You don't have to come
01:02:57Don't tell me what I have to do
01:03:00Stop quoting yourself
01:03:15I recycle
01:03:16It saves energy
01:03:17This feels wildly irresponsible
01:03:21You sound like a disclaimer
01:03:22You're the one who wants called romance a distraction
01:03:25I said that
01:03:26Yeah, before calling Wuthering Heights overrated
01:03:29Still is
01:03:30You're lucky you're a good kisser
01:03:33That is cute to me
01:03:38Don't you dare quote poetry
01:03:40I wasn't going to
01:03:41I forgot all of it the day you left
01:03:43Then shut up
01:03:45And prove it
01:03:52I still can't believe this is happening
01:03:55I told you
01:03:56They're either worst enemies
01:03:57Or secretly married
01:03:58And I told you
01:03:59They're both
01:04:00It's more than a night to let the ride
01:04:07Oh, it's so cool
01:04:11It's enough to let folks let it be
01:04:17I vow to always tell you the truth
01:04:29Except for when you ask how your cooking was
01:04:32Then I lie
01:04:33Respectfully
01:04:35I vow to keep choosing you
01:04:38Loudly
01:04:40Quietly
01:04:41Always
01:04:43Even when you forget to do the laundry
01:04:46Is he actually good at this?
01:04:50I mean
01:04:51He did beat her at song
01:04:52I vow to argue with you at least twice a week
01:04:58Especially over Shakespeare
01:05:00I vow to write you into every story
01:05:03Even when I say I didn't
01:05:05You will always be a part of my life
01:05:08If she quotes Austen in this toast
01:05:11I'm out
01:05:12No you're not
01:05:12You're going to cry harder
01:05:13For the rest of life
01:05:18For the rest of my life
01:05:22I can't believe you picked Paris
01:05:39Such a cliche honeymoon destination
01:05:42Guard your phone
01:05:44Relax
01:05:45Just don't dress like a walking inheritance
01:05:47And you'll be fine
01:05:48You are not wearing that on our honeymoon
01:05:53Please, Alice, go change
01:05:56Don't tell me what I have to do
01:05:59No
01:06:03No
01:06:04No, no, no, no
01:06:05That is not an invitation
01:06:06Do not take off these clothes
01:06:08You're overruled
01:06:09You look much better without them
01:06:11To the ones who loved in silence
01:06:19In chaos
01:06:20In chapters
01:06:21You will find your way home
01:06:23Sometimes I want to be on my own
01:06:30But I don't want to die alone
01:06:32God
01:06:33God
01:06:33God
01:06:34For the love
01:06:36I'll be more gone by the morning
01:06:39Oh
01:06:40My king
01:06:47It's up to us
01:06:59To make sure that we can gain what's been passed through these books
01:07:03Help us develop, learn, and grow
01:07:07No
01:07:07God
01:07:07How
01:07:08God
01:07:08How
01:07:09How
01:07:10God
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