- 3 months ago
- #homecoming2022
- #bengalimovie
- #dramafilm
- #fullmovie
A group of former youth theatre friends and misfits reunite after seven years on an eventful Durga Puja night at their old rehearsal space. This Bengali drama explores themes of friendship, nostalgia, and unresolved pasts as the group navigates their reunion. Discover what happens when old bonds are tested and new revelations come to light in this compelling film.
homecoming 2022 bengali drama reunion friends youth-theatre durga-puja
#Homecoming2022 #BengaliMovie #DramaFilm #FullMovie
homecoming 2022 bengali drama reunion friends youth-theatre durga-puja
#Homecoming2022 #BengaliMovie #DramaFilm #FullMovie
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PeopleTranscript
00:00:00Thank you very much.
00:00:30Thank you very much.
00:01:00Thank you very much.
00:01:29Thank you very much.
00:01:31Thank you very much.
00:01:33Thank you very much.
00:01:35No, that I am so close behind you that if you stretch out your hand, I think you can reach mine.
00:01:41Gross!
00:01:49Gross!
00:01:51Thank you very much.
00:01:53Thank you very much.
00:01:55Thank you very much.
00:01:57Thank you very much.
00:01:59Thank you very much.
00:02:29Thank you very much.
00:02:31Thank you very much.
00:02:35Thank you very much.
00:02:37Thank you very much.
00:02:41Thank you very much.
00:02:43Thank you very much.
00:02:45Thank you very much.
00:02:51Thank you very much.
00:02:53Thank you very much.
00:03:33I'll get to the console. I'll mark the changes in red.
00:03:35Yes, sir.
00:03:36Godo. Third bell.
00:03:40Yes?
00:03:41Hello, sir. Is this Mr. Abishai Jaita?
00:03:45He's got it.
00:03:46Alright. There's a courier for you.
00:03:49And I need your signature right there.
00:04:08Shakti Rūpini Vishra Jana Deel, Shārata Shrivi Mandita Pratipa, Mandire Mandire Dhyana Gosita.
00:04:19Vahamāyā Sanātani Shakti Rūpāruna Mai, Niniyātta Gu Prakārthi Dhytna Devi Narayani,
00:04:30Avarvaṁva Shakti Rūpārumaṁhāni, Vahamāyā Shri Rūpē Pratipa, Mandira Dhyana,
00:04:37Vahamāyā Tirmala Kauvārī Rūpādhāni Nini, Vahamāyā Vajra Rūpini Hintri, Ugrāshīva Dūdi,
00:04:47Vimruhdovāne Nini Khamunda, Niniyāvātta Gu Maini Atri, Eishatva Pratipa, Mandira Dhyana,
00:04:56勝肉 yaņotini Dhyana, Zeprīna.
00:05:08Man Liberaliti Hintri, Mes Informizāti Eishatva Rūpēruna Rūpāruma%,
00:05:16Photika repetition of Heā인이adrura sein recz
00:05:17Panабalina, C43, Gero Banta, Nini, Tarnoi Maini
00:05:17Tarnoi Fāināti Rūpēruna Rūpēruna, Nini, Niniion, Kolajīva Ganda, Nini, Nini, Nini…
00:17:37And she says,
00:17:38Let's go.
00:17:39Let's go.
00:17:40In fact, that was the first time we spoke face-to-face, you know?
00:17:45Okay.
00:17:46And now, I'm going to market it.
00:17:50Who is that?
00:17:52I can see.
00:17:54Okay.
00:17:55Who is that?
00:17:56Who is that?
00:17:57I don't know.
00:17:58I don't know.
00:17:59I don't know.
00:18:00I don't know.
00:18:01I don't know.
00:18:02Okay.
00:18:03But,
00:18:04I don't know.
00:18:05I feel like you've always seen sunrise.
00:18:08I don't know.
00:18:09But,
00:18:10you might still be like a happy.
00:18:12Oh my God!
00:18:14Shubho Naomi!
00:18:15Shubho Naomi!
00:18:16What's up, her dad?
00:18:17Shubho Naomi?
00:18:18Shubho Naomi!
00:18:19What?
00:18:20What do you want?
00:18:21What?
00:18:22What is your name?
00:18:23What?
00:18:24What?
00:18:25What?
00:18:26What?
00:18:27What's your name?
00:18:28You gave me the name of the lady.
00:18:29What?
00:18:30What?
00:18:31What?
00:18:32Sorry.
00:18:33Shruti, what were you and Sridhi?
00:18:38What happened again?
00:18:40It didn't get married.
00:19:03How many days are I going to tell you?
00:19:15Huh?
00:19:16What happened to me?
00:19:17What happened to me?
00:19:19What happened to me?
00:19:21I was waiting for the reunion again.
00:19:26I was waiting for my family.
00:19:28I was waiting for my aunt,
00:19:30I was waiting for my family.
00:19:32I was waiting for my family.
00:19:33My family was waiting for him.
00:19:34I was waiting for him,
00:19:35I was waiting for him to stand,
00:19:36and if he was waiting for him.
00:19:37I opened him somewhere…
00:19:38But, he was going to be waiting for my family.
00:19:40Then the guy was going to be ready!
00:19:42He was saving me for those men.
00:19:43He got hit him for a big surprise.
00:19:47Look.
00:19:48His plans were goin.
00:19:50So naturally, we were inspired,
00:19:51he was going to be such a brand solution through theater.
00:19:53I've gone to theater in education,
00:19:55theater therapy.
00:19:58I watched a network description of all the people
00:20:01We can't become the corporate that we hated, can't sell a theater.
00:20:15That morning, we saw this entire story.
00:20:20Darjeeling's interior is a picture of a homestead in the interior.
00:20:23We can't believe it.
00:20:25We can't control the damage.
00:20:28We can't control the damage.
00:20:32We can't control the damage.
00:20:36We can't control the damage.
00:20:58Nine years of unreleased content.
00:21:00The hard drive is a big deal.
00:21:02What's wrong?
00:21:03I'll show you the 10th birthday and make a video edit.
00:21:06The DSLR market is a kidnap for you.
00:21:08Don't you tell me how much about this footage?
00:21:10That's true.
00:21:11This archival footage is something else.
00:21:13Yeah, that's what I'm talking about.
00:21:15That's what I'm talking about.
00:21:17Shichita, why don't you use emoticons in your poems?
00:21:21Huh?
00:21:22There were punctuations that happened.
00:21:24Sentences seem incomplete without them.
00:21:27Rakesh.
00:21:28That's all the moves and the moves.
00:21:30That's all.
00:21:31That's all.
00:21:32That's all.
00:21:33That's all.
00:21:34That's all.
00:21:35That's all.
00:21:36I can't Ass up.
00:21:37But there won't be anything you use aedra.
00:21:38Silence and поэтому I am in stored information."
00:21:39There's no weight in there.
00:21:40Get behind you, Sm elle.
00:21:42I can't keep it.
00:21:43Put theические pain in your pocket.
00:21:44So we can reduce it.
00:21:45miteinander, let's ask you.
00:21:46There can't so much you have my feelings.
00:21:47Tota, and I have to send us that day in your pocket.
00:21:52So I want you to send us a text message.
00:21:57�
00:22:05I'm sorry, I'm sorry, I'm sorry.
00:22:35I'm so sorry, I can't get out of my way.
00:22:38I'm sorry, I'm so sorry.
00:22:40I can't get out of my way.
00:22:43I can't eat.
00:22:45What do you think?
00:22:49What do you think?
00:22:51I've never heard of my way.
00:22:54What did you think?
00:22:55Nargis?
00:22:57Yes, mum.
00:22:57Have you come first to the Delhi?
00:22:59Yes.
00:23:00The first time I'm here in Kolkata.
00:23:03It's the day of the order.
00:23:05It's too dirty, right?
00:23:07No, no, no.
00:23:08I don't want to eat it.
00:23:10I don't want to eat it.
00:23:12I don't want to eat it.
00:23:14Auntie, it's okay.
00:23:15Ever since I've come to Kolkata, I've just been stuffing myself with food.
00:23:19Golbari's Koshamangshaparota, Anadi Kevin's Mogulai, Uju's Chimney Soup, Paramount's Shorbot, Mitro Cafe's Kobiraji,
00:23:26and the Beef Malay Kababit Zakaria Street.
00:23:29Kolkata is pure food porn.
00:23:32I literally got the chills while downing the Bangla pegs at Khalashitola.
00:23:36It is where the Hungriolist poets used to get drunk.
00:23:39It's where alcohol and poetry seeped into their veins.
00:23:44Auntie, actually, Hoor Maa, Bangalito.
00:23:46She's got a CR.
00:23:48She's got a baby.
00:23:49She's got a baby.
00:23:50She's like Bangalashaito, Ghan, Chacha.
00:23:52She's got a baby.
00:23:54She's got a baby.
00:23:56She's got a baby.
00:23:57Spoken word, Kobi.
00:23:58Slam point.
00:23:59Like Andre Gibson?
00:24:01I love Kalkara.
00:24:02She's got a baby.
00:24:03She's got a baby.
00:24:04Ain't anything that's not here, Kobi.
00:24:05I'm not.
00:24:06She's got a baby.
00:24:07So did you just see the rap.
00:24:08She's got a baby.
00:24:10She's got a baby.
00:24:12Now I've never seen how bad the moment.
00:24:14She's got a baby.
00:24:15She's got booze, she's got happy.
00:24:17What did you see?
00:24:18She's got a baby.
00:24:22If you want to watch the TV, you will have to plan a whole night.
00:24:28You will have to get ready.
00:24:30Now, let's see.
00:24:31You don't have to worry about your health.
00:24:36Khokar, do you want to watch again?
00:24:42I don't know.
00:24:44Babu, do you want to eat?
00:24:46I don't know.
00:24:48Sunglass?
00:24:49Celebrity.
00:24:50Do you want to eat?
00:24:52I don't want to eat.
00:24:56Cohen, Marx, Morrison, Lalon, Mohin.
00:25:02This is what helped a canteen rockstar get through life
00:25:05and find the perfect excuse to bunk his chemistry classes.
00:25:10During those crazy but essential times,
00:25:15Shiji wrote me a song.
00:25:18It's a song.
00:25:19It's a song.
00:25:20Chilin noo mamra?
00:25:21They're like,
00:25:22And he'll do it.
00:25:23Yeah!
00:25:24Yeah!
00:25:25Yeah!
00:25:26There is no hope, no love you, no love you,
00:25:35there is no sin, it has been a dream.
00:25:44There is no laminar on the path, no love,
00:33:41What's up Shubhada?
00:33:43Let's go.
00:33:45Come here.
00:33:47Come here.
00:33:49Come here, come here.
00:33:51Come here, come here.
00:33:53Come here, come here.
00:33:55Hey Shubhada.
00:33:57I don't want to give you anything.
00:34:03What's up Shubhada?
00:34:05Hello Shubhada!
00:34:11Come here, come here.
00:34:13Come here.
00:34:19Come here.
00:34:21Come here, come here.
00:34:33How are you, man?
00:34:35I'm here in the shop.
00:34:39What about you?
00:34:41Okay.
00:34:43Let's go.
00:35:11Satsang with Mooji
00:35:41Oga Amaro Shabhabo
00:35:55Hi.
00:35:57Hello.
00:36:07I, I somehow don't like Bangla songs.
00:36:10I find them too cheesy.
00:36:12Yeah.
00:36:13But I really like your songs.
00:36:16I know them by heart.
00:36:17I sing them from the heart.
00:36:19I can feel that.
00:36:22I'm Madi.
00:36:24Madi?
00:36:25Like Madhuri?
00:36:27No.
00:36:30Madhu Porna.
00:36:31Madhu Porna.
00:36:32Hi Madhu Porna.
00:36:40Madhu Porna.
00:36:51Shababhi.
00:36:52Madhu morahi.
00:36:54Sauraisumma to escape.
00:36:55Madhu En одного.
00:36:56Dekhte vada bhaalan
00:37:02It's so funny.
00:37:03But why are your songs so lonely?
00:37:06Because we're all lonely.
00:37:10In the world, at boring parties,
00:37:13listening to cheesy Bengali music,
00:37:15waiting for someone to share a cigarette with.
00:37:20Pleasure?
00:37:21Pleasure is mine.
00:37:26Bhaal obashi.
00:37:34Taai tomare dekhte ashi.
00:37:43Taai tomare dekhte ashi.
00:37:56દેખા દીતે આશિને
00:38:09ભાલો બાશિમે બોને ભાલો બાશિને
00:38:25ભાલો બાશીમે બોલે ભાલો બાશીમે
00:38:40ભાલે
00:38:58They were in alternative theatre as well.
00:39:01See its obvious for an artist to be a child.
00:39:04But she was a child of the whole thing.
00:39:07I mean that's dinner.
00:39:10Taina.
00:39:13What is that?
00:39:16Taina.
00:39:19What is that?
00:39:22I don't have your new number.
00:39:25I don't have your new number.
00:39:29A channel has approached me to play the lead in the serial act.
00:39:32But you have a contract that you want.
00:39:53So last year when I was performing at the Madron,
00:39:55What?
00:39:56You came to San Francisco?
00:39:58Throughout the performance I was in my flow,
00:40:00but in the back of my mind I kept feeling like
00:40:02your face will pop up in the audience.
00:40:04It was like seeing an illusion within reality itself.
00:40:08All these years you didn't keep in touch.
00:40:11All these years you didn't keep in touch.
00:40:21But this feels more like a dream, right?
00:40:24Huh?
00:40:25Huh?
00:40:26Huh?
00:40:27Huh?
00:40:28Bedor manufactured a dream?
00:40:29Huh?
00:40:30Huh?
00:40:31Huh?
00:40:32Huh?
00:40:33Huh?
00:40:34Huh?
00:40:35Bedor manufactured a dream?
00:40:36Huh?
00:40:37Huh?
00:40:38Huh?
00:40:39Huh?
00:40:40Huh?
00:40:41Huh?
00:40:42Huh?
00:40:43Huh?
00:40:44Huh?
00:40:45Huh?
00:40:46Huh?
00:40:47Huh?
00:40:48Huh?
00:40:49Huh?
00:40:50Huh?
00:40:51At this time we met, it was eventful,
00:40:52and now you're coming back after all these years
00:40:54at the same time as my first visit to my mother's city of birth.
00:40:58And of course at the Amra reunion and the Durga Puja to the mix.
00:41:02FM.
00:41:03Even if this isn't a dream, this is surely like cinema, no?
00:41:21Shhh.
00:41:25Shhh.
00:41:33You had to choose this room.
00:41:36You chose this room.
00:41:37You came here before me. You came here first.
00:41:39Yeah, but you came here nonetheless.
00:41:41We found this room. Many years ago.
00:41:43Exactly.
00:41:44This was our room. Our little secret.
00:41:46And you had to bring that chick over here.
00:41:48I mean, what are you even doing with her?
00:41:50What are you doing with him?
00:41:51You got him here.
00:41:52A fucking... child.
00:41:54Wow. Very funny.
00:41:56You could have taken her somewhere else.
00:41:58But no, you came here. You had to come here.
00:42:00You did the same thing with Ishida that night.
00:42:02I was in that fucking party, okay?
00:42:04Fuck yes.
00:42:05And you and her shamelessly went inside the fucking loo to make out while I was outside.
00:42:09Ishida was your fucking best friend, not my fucking sister.
00:42:11Yes.
00:42:12You weren't even fucking talking to me that night.
00:42:17You know how humiliating it was for me?
00:42:22Nothing happened.
00:42:24We went inside and we passed out.
00:42:26And you kept telling everybody I'm not your boyfriend.
00:42:29You kept telling, telling everyone in college that I, I was...
00:42:33What was that, what was that word?
00:42:34Some romantic fucking inclination, no strings attached, artistic bullshit.
00:42:38And every time I touched a girl, you flipped out.
00:42:40So what was I supposed to do?
00:42:41What was I supposed to fucking do?
00:42:43You were supposed to drop me home that night.
00:42:45I was fucking stranded in the middle of Rajahat.
00:42:48Fucking Rajahat.
00:42:49All alone, by myself, at night.
00:42:51I had to go to every place.
00:42:53I fucking called.
00:42:54I messaged.
00:42:55You blocked me.
00:42:56You deleted me.
00:42:57You fucking blocked me.
00:42:58Yes, I did.
00:42:59And what did you do?
00:43:00Huh?
00:43:01You just ran away to Bombay.
00:43:03Because I had no one else.
00:43:05I fucking had no one else except for you.
00:43:10We were...
00:43:11We were meant to go house hunting together.
00:43:13We were meant to live together.
00:43:15Now I live with some fucking cute musicians in Warsaw.
00:43:19But it's good.
00:43:20Living with you would have been...
00:43:22Violent.
00:43:23Or...
00:43:24Crazy.
00:43:25You have not taken a single responsibility in your entire life.
00:43:29I got pregnant and you freaked out.
00:43:31Oh, let me tell you.
00:43:32I wanted to have that baby.
00:43:33I said, let's have that baby.
00:43:34Let's fucking run away.
00:43:35Run away into our future.
00:43:36Wow, run away, yeah?
00:43:37And what did you think, huh?
00:43:38What did you say?
00:43:39I would have trusted your fucking romanticism.
00:43:41Random romanticism.
00:43:42Don't fucking say that.
00:43:44Of course I will say that.
00:43:45I want it.
00:43:46Fucking grow up.
00:43:47I want to have that fucking baby.
00:43:49I like babies.
00:43:50I wanted that baby.
00:43:53I'm good with babies.
00:43:56I should take care of your Boromassi's...
00:43:57That Guttlu.
00:43:59Dipers were made of her...
00:44:01That ugly ugly child.
00:44:06Wow.
00:44:07First of all, he's not ugly.
00:44:08He's a very, very cute kid.
00:44:09And...
00:44:10Secondly, thank you.
00:44:11Thank you for helping me change my Boromassi's kid's diaper.
00:44:13When she was in the fucking hospital.
00:44:15I'm indebted to him, bros.
00:44:16For my entire life.
00:44:18Wow.
00:44:19All I'm fucking saying to you is...
00:44:21If I could change the diaper of Kutlu...
00:44:23...I could change my child's diaper too.
00:44:25I could change my child's diaper too.
00:44:26I should have a child.
00:44:27You did not want a child.
00:44:28You abandoned me.
00:44:29I could change my child's diaper too.
00:44:30I was going to take care of that baby.
00:44:31I wanted to have that baby.
00:44:32I was going to have that baby.
00:44:33Even though I didn't fucking know if it was mine.
00:44:34Fuck!
00:44:35Fuck!
00:44:36Fuck!
00:44:37Fuck!
00:44:38Fuck!
00:44:39I was going to take care of that baby.
00:44:41I wanted to have that baby.
00:44:42I was going to have that baby.
00:44:43Even though I didn't fucking know if it was mine.
00:44:45Fuck!
00:44:46Fuck!
00:44:47Fuck!
00:44:48Fuck!
00:44:49Fuck!
00:44:50Fuck!
00:44:51Fuck!
00:45:10When was the last time you cried?
00:45:13The day I left for Bombay.
00:45:15It was almost too late in Bombay.
00:45:27Did you study this to be an office?
00:45:28Yes.
00:45:29Yes.
00:45:30He built this office in Bhawnipur.
00:45:31That's from Netaji Bhawnipur from the Metro Station.
00:45:33I came to both of the house and Bhaasubas these days.
00:45:36Even in the morning, they were packed back into car by mattresses.
00:45:39The landlord and the landlord did so much problems.
00:45:42If you have a problem, then I'll get married.
00:45:45What are you talking about now?
00:45:47I've also literally moved into a house here.
00:45:49There's this curfew on my PG.
00:45:51I just can't deal with this shit anymore.
00:45:53I can't.
00:45:54That's why I told you,
00:45:55I don't want to call people.
00:45:57That's right.
00:45:59At the airport,
00:46:02you know,
00:46:03you know,
00:46:04you know,
00:46:05you know,
00:46:06you know,
00:46:07you know,
00:46:08you know,
00:46:09you know,
00:46:11you know,
00:46:12you know,
00:46:13you know,
00:46:14I think,
00:46:15I think,
00:46:16I think,
00:46:17I think that,
00:46:18the Nergis Kunna famous slam poet,
00:46:21the San Francisco issue,
00:46:23we should say.
00:46:28In the tree there is a clay,
00:46:30a clay,
00:46:31a clay,
00:46:32a clay,
00:46:33a clay,
00:46:34a clay,
00:46:35a clay,
00:46:36a clay,
00:46:37a clay.
00:46:38I'm not sure what that means.
00:46:39Different kind of films, different characters.
00:46:42Nobody works.
00:46:45But what about soul satisfaction?
00:46:48Industry kills an artist.
00:46:51I'm a therapist.
00:46:53I'm a Jani.
00:46:54I'm a fan of my own official fans.
00:46:57When you're a fan of the post,
00:46:59you're a fan of all of the people.
00:47:01Like, comment, share, and then the blood pressure.
00:47:04I'll give you a fan of the people.
00:47:06Please, please.
00:47:08Please, please.
00:47:09Please, please.
00:47:10Please, please.
00:47:11Please, please.
00:47:13Please, please.
00:47:14Okay!
00:47:29I don't know,
00:47:30but statistics never made sense to me.
00:47:34See, I'm all about living in the moment.
00:47:38So it's like that improvised ending of your play, right?
00:47:43So spoken word poetry is like a collection of those.
00:47:49Like the now and here.
00:47:52I think statistics enrich the magic of a moment if we recall it correctly.
00:48:00Corrected is just matha tege hai.
00:48:04Hey, 28th September, Mahalati nai virendo kishos nchi, YouTube-e,
00:48:11aatat kore calling bell vaj chhe.
00:48:14Aamakache hak to hai bavarar kakar chithi aashe.
00:48:18M.O.I.U.C.T.A.Golishabhurti.
00:48:23Raashta genaakhi, Eritage Hotel kore da da.
00:48:30That's when I knew that
00:48:32Pooja te aasthi abe, I have to come down.
00:48:45Aamakache kore chandir bhajade.
00:48:49Aamakache kore chandir bhajade.
00:48:53Aamakache kore chandir bhajade.
00:48:57Aamakache kore chandir bhajade.
00:49:00Aamakache kore cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha cha
00:49:30around the weekends the last time so on the first year when Amra was being
00:49:36formed what a crush work in a Facebook event is where there's Amra auditions at
00:49:422 p.m. come now come where oh the you don't have a place I'm each at the
00:49:48phone goes along KJ will buy Kota is a show you don't have a problem Jay
00:49:53you guys became a joint family and eventually Shavar adalada dress here
00:50:14the reality check happens when you graduate from college that's true
00:50:21as an actor group which is fair I'm not complaining yeah but that time I also
00:50:35have to then take the job off for now I can't be like sitting here that's why I
00:50:42flew away you escaped there's a fine line between running away and escape
00:50:54you guys are not even here during Durka puja
00:51:22the entire city has come out celebrating and y'all are just so alienated from the
00:51:32actual festivities
00:51:33I don't know for me it's like
00:51:43I've stepped inside a fairy tale I've always wanted to step into yeah I could live here forever
00:51:54that's what you think
00:51:57this is the Calcutta I was missing
00:52:13I'm not the only one of them hmm well here trong v Illinois
00:52:16and then you know
00:52:21he will get there
00:52:24I've been aa
00:52:30yeah
00:52:39Oh, oh, oh, oh, oh.
00:53:09Oh, oh, oh, oh, oh.
00:53:39Oh, oh, oh, oh.
00:53:41Oh, oh, oh, oh, oh.
00:53:44Oh.
00:53:46You know, and the rest records the highest number of right swipes in the country.
00:53:51So we go to the cafe and sometimes something happens.
00:53:54Sometimes it happens so much or nothing happens.
00:54:21Yeah, like a poga.
00:54:23Poga?
00:54:26But no one wants to eat.
00:54:28No food.
00:54:52Amra Kojon split in 2009.
00:54:57And then you met these guys.
00:55:01Godo said we should name it Amra.
00:55:21Let's go.
00:55:22Let's go.
00:55:23Let's go.
00:55:24Let's go.
00:55:25Let's go.
00:55:26Let's go.
00:55:27Let's go.
00:55:28Let's go.
00:55:31Rolling.
00:55:32People saw a moving image for the first time on the big screen in 1896.
00:55:37Lumiere Brothers screened La Siyotat.
00:55:40The first shot of the moving train scared the audience so much they started running away.
00:55:45It was a stampede.
00:55:47From then screens have started becoming smaller and smaller and have come to this.
00:55:52That was the idea behind our first play.
00:55:55An immersive and engaging experience will always keep up with changes in viewing pattern.
00:56:00So, how was Amra formed?
00:56:07Kolkata should be able to build.
00:56:11I don't know.
00:56:12I don't know.
00:56:13I haven't seen it when I got to make the first time.
00:56:16It's not a problem.
00:56:20It's so easy to be able to build and grow.
00:56:22We won't be able to build in terms of the last time.
00:56:24I also think so.
00:56:25It was the last time we had a tummling.
00:56:32We will go up again.
00:56:35Listen.
00:56:37In December, there will be a new year,
00:56:41there will be a resolution,
00:56:43there will be a good thing.
00:56:46Maybe,
00:56:48we need clarity.
00:56:51Hey Andrew, sorry sorry,
00:56:55I haven't had the time to check the mails man,
00:56:58I'm really sorry.
00:57:00Sorry?
00:57:02When are you coming back buddy?
00:57:04When are you back home?
00:57:09I'll call you when I'm back,
00:57:12I'll call you,
00:57:13I'll call you.
00:57:15Yeah,
00:57:16bye bye bye.
00:57:21Child.
00:57:24Alright.
00:57:26Child.
00:57:28Child.
00:57:29Uncleят who taking this.
00:57:31Boy�.
00:57:33red.
00:57:37Você tiver.
00:57:38Objection overruled.
00:57:41Okay.
00:57:42Overruled.
00:57:44Yeah.
00:57:46One other different.
00:57:48Hey, hey, hey.
00:58:18Hey, hey, hey.
00:58:48Hey, hey, hey.
00:58:50Hey, hey.
00:58:54Hey, hey, hey.
00:58:56You're in your reunion party.
00:58:58I will meet you there tomorrow.
00:59:00So, I'll meet you in Durga Bari and I'll meet you there.
00:59:07Right.
00:59:08Our reunion.
00:59:09I'll call you back.
00:59:11Hey Shubhuda, did you give me a scotch?
00:59:15Old monk.
00:59:18Taole, you should have a mega serial.
00:59:22How do you plan to make time for rehearsals?
00:59:25Oh, that.
00:59:27I told my group.
00:59:28You know, theatres like first love.
00:59:30Eventually you have to forget it, no?
00:59:33You said it.
00:59:34Change is the only constant.
00:59:39And?
00:59:40What's the camera?
00:59:43She wanted to stay with the group.
00:59:46Her attitude was suffocating me, man.
00:59:49You were right.
00:59:50Love is so fuck all, right?
00:59:52Artists should be free.
00:59:56I was wrong.
00:59:57You're right.
00:59:58You're right.
00:59:59You're right.
01:00:00You're right.
01:00:01Don't let yourself get lonely.
01:00:04Cheers.
01:00:05Cheers.
01:00:06Cheers.
01:00:07What's up, Subhu.
01:00:09You want to be sure that I should keep giving them a taste.
01:00:11What's up, Shubhu?
01:00:12You're talking about that I'll never know you like you.
01:00:15No, no, no, no, no.
01:00:17No, no, no, no, no.
01:00:18No, no, no, no.
01:00:19No, no, no, no.
01:00:20No, no, no, no.
01:00:22No.
01:00:23No, no, no, no.
01:00:24No, no, no, no, no.
01:00:25Distance makes the heart grow fonder, right?
01:00:29We know we love each other.
01:00:34I think for people like us, the only way to...
01:00:40...to have each other is...
01:00:42...is to stay apart.
01:00:47Okay.
01:00:56Okay.
01:01:01Okay.
01:01:05Agondi.
01:01:11Oh, my baby, love my fire.
01:01:14You know, in a few years, artificial intelligence will come to a place where...
01:01:28...an audience can create their own film.
01:01:32Like we choose our favorite player, teams, stadium.
01:01:36While playing FIFA, they will choose the film's cast, plot lines.
01:01:39Even zero in on a location based on satellite mapping.
01:01:44It will become a fucking video game.
01:01:46On a door, Bhilachish.
01:01:49There's no point in thinking of all these things sitting here in Kolkata.
01:01:54There's no point in running away from Calcutta...
01:01:56...and then criticizing Calcutta.
01:01:59If you've got to do something for the city...
01:02:02...you have to stay in touch with it.
01:02:06Today's pain, tomorrow's gain, Kolkata Municipal Corporation.
01:02:10Didn't you say that you were feeling claustrophobic, Shubha?
01:02:14Didn't you say that I was getting absorbed in this stagnant system?
01:02:16Come on, man. That's not this city's fault.
01:02:19The so-called middle-class educated intelligentsia...
01:02:22...are celebrating this regressive gimmicks and mediocrity...
01:02:24...and turning them into hits.
01:02:26Shubha.
01:02:26Shubha.
01:02:27You've been doing the same thing.
01:02:28You've been doing the same thing.
01:02:29You've been doing the same thing.
01:02:32The same thing.
01:02:34Born middle-class doesn't mean your dreams have to be middle-class.
01:02:40Audience need to start taking responsibilities too.
01:02:42Now they can splurge randomly...
01:02:45...but when it comes to art...
01:02:47...watching good theatre...
01:02:49...they say...
01:02:50...Oh, Baba!
01:02:51Tiki-ter Koto-dam!
01:02:54You tell them to watch a good film?
01:02:56Most of them will say...
01:02:57...Oh, pade-deke nebo.
01:03:02Mainstream...
01:03:02...Indie...
01:03:03...we have to let go of these tags...
01:03:05...and move towards co-existence.
01:03:10There is a need for independent spirit, though.
01:03:14What do you want to say about co-existence?
01:03:16Shubha...
01:03:17...you need to fix this big deal.
01:03:21This passion-pubation dichotomy is killing us.
01:03:25At least I'm in a creative field.
01:03:29Come down to our office one of these days...
01:03:31...and Rajdanga.
01:03:34Set to five next year.
01:03:36Next year?
01:03:39Kalkata, to my shop-no-jerekom...
01:03:40...a-ma-ke-odakom-hat-a-sop-no.
01:03:46Mama, to pay-chan-char-hen-a-just.
01:03:50Jekhani-hee-hee-jai-hee.
01:03:52America is the grusali-ki-hint-e-jai.
01:03:54We are all back at Rasta, in our real-style room to connect a Black Box Intimate Performance Studio
01:04:18The whole community is dreaming together
01:04:38We are going to have a cafe, there will be no wifi
01:04:42Pretend it's like the 90's and talk to each other, man
01:04:48I'm not an artist
01:04:50I'm not an artist
01:04:52I'm not an artist
01:04:54I'm not an artist
01:04:56I'm not an artist
01:04:58I'm an artist
01:05:00I'm an artist
01:05:02I'm an artist
01:05:04I'm an artist
01:05:06Calcutta Calling
01:05:12This recurring dream of yours
01:05:14If it becomes a reality
01:05:16You could call it Calcutta Calling
01:05:20Calling?
01:05:22If you are greater than your purpose
01:05:26It's a career
01:05:28If your purpose is greater than you
01:05:30It's a calling
01:05:36If you are more than your purpose
01:05:38Is there more than your purpose?
01:05:40What's your purpose?
01:05:42What's your purpose?
01:05:44?
01:05:46Thank you
01:05:48What are you?
01:05:50What are you doing?
01:05:52What are you doing?
01:05:54What are you doing?
01:05:56Have you done anything in this category?
01:05:58What are you doing?
01:06:00This is the company
01:06:02Let's go. Let's go.
01:06:09What if we get the second chance with the one that got away?
01:06:32Hello.
01:06:40Shugoda, actually, we had to leave.
01:06:44Lakshmi Adi had a call and uncle had severe breathing problems, so we got a little tense.
01:06:50Luckily, Dr. Sungupta is in Damana Singh, so we got him here.
01:06:57How is he now?
01:06:59Better. They're conducting a few tests.
01:07:02They're conducting a few tests.
01:07:04That's right.
01:07:14What is he doing?
01:07:18What did you say?
01:07:19What did he say, you know?
01:07:21What did he say?
01:07:23No. I'm vegan.
01:07:25Oh, do you know that one?
01:07:27What is he eating?
01:07:29I'm fine.
01:07:31Hey, brother!
01:07:33You're Sundays for lunch?
01:07:36Let's go.
01:07:37Come here.
01:07:38You stop.
01:07:40Come, how you got it?
01:07:41You're in trouble.
01:07:43Come when you're a liar.
01:07:45Nobody's running away-
01:07:48She said to me that day.
01:07:51I was gonna leave you alone.
01:07:53We'll come back for them.
01:07:54Shubu, let me drive you drunk.
01:07:56This one's for Amra.
01:07:56Amra!
01:07:57This one's for all of you who believe that Amra is a road and that road is the only road forward.
01:08:08There's a dusty dilapidated shop at Lal Bazaar's Chhatawala Lane.
01:08:13And through its dirt-stained windows, you can hazily see a few broken violins.
01:08:19If you touch one of their strings, all the others join in to sing a dissonant symphony.
01:08:26And if you dare to sing along, and your song seeks the road, then this is your city.
01:08:38This is a city for all those who still keep faith in revolutions.
01:08:43The ones who sing,
01:08:45Even when they know they're fighting when their chips are down.
01:08:49The broken, disheveled and prehistoric walls of the city flow like poetry,
01:09:10Where longing runs through the veins of the brick and mortar.
01:09:14The roads of the city know,
01:09:28The roads of the city know
01:09:42That a road is never right or wrong
01:09:46A road is a civilization's final cord
01:09:51A road is a civilization's burning wick
01:09:55A road knows that without love
01:09:59Anarchy becomes tired and weak
01:10:02A road knows where to go
01:10:06But still loses direction at the crossroads
01:10:09A road is always endless
01:10:12Because every time it ends
01:10:14It finds a way still
01:10:25It's all about being built
01:10:27I'm crazy
01:10:28I'm so scared
01:10:30I have to keep the roof
01:10:32And I'm so scared
01:10:35I'm so scared
01:10:37I'm scared
01:10:38And we need to be able to read
01:10:40If I ever hear a comment
01:10:42In this video, definitely
01:10:44Take a hero
01:10:46In the video
01:10:48And if I ever hear a comment
01:10:50You'd just miss my experience
01:10:52I have heard that you guys can still dare to dream
01:11:09You guys can still tell the stories you want to say
01:11:14That life and death can still make you wonder
01:11:18That your love can bloom like guns and roses
01:11:23One day the city streets will hear the youth screaming
01:11:28I think they are coming
01:11:29An old man will ask, what is coming?
01:11:34The procession, julush, michil, kishir michil
01:11:38The michil that will show us the way to the road that leads home
01:11:43For Calcutta is like the sun
01:11:47And the sun doesn't age
01:11:49The rise will surely happen
01:11:52When, where and how
01:11:55That the establishment is yet to find out
01:12:01And this rise will light up the path that will take us home
01:12:10And this path is the path to our homecoming
01:12:16Woo奇怪
01:12:17And this is the path to our homecoming
01:12:18And this lives vegans
01:12:19And this life will not come true
01:12:20And this livesen
01:12:21And this serenuit
01:12:23And this life will be done
01:12:26The reenacted
01:12:28The human human right
01:12:33Ironically, that was Shubho's first message on the group.
01:12:55He was better, they were doing a few check-up tests, in fact, I talked about Shubhoda when
01:13:16Dr. Sengupta informed that Uncle had a stroke, then ICU, ventilator and it was all over and
01:13:24like 30 minutes.
01:13:31Where did you go?
01:13:33Let's check it out.
01:13:39Let's check it out.
01:13:54Let's check it out.
01:14:09Let's check it out.
01:14:24Let's check it out.
01:14:39Let's check it out.
01:14:46I know, I didn't see you at night, but you're fine.
01:14:53I know, when there was a jeep, I had that.
01:14:56So I can't tell you something about Shubhai.
01:14:58I don't want to talk to him. I don't want to talk to him.
01:15:05Dad, I'm going to talk to you, right?
01:15:07I'm going to take a selfie.
01:15:09Okay.
01:15:14Do you want to release me in the next video?
01:15:17Sorry.
01:15:19I just had to call Mo and tell her, I'm sorry.
01:15:49I got back to Hyderabad by the afternoon.
01:15:58But I couldn't go to office that day.
01:16:08I promised Rubo that I won't do chemicals anymore.
01:16:19So I broke everything over my life'sbage.
01:16:22But I probably didn't do chemicals, I didn't know water to cause a lot.
01:16:26I was like keep everything out of that.
01:16:28ondesway.
01:16:36So?
01:16:38And you can walk around with hungry fire to oil at night.
01:16:44Friends, the people of Neatland seminars called mainlanding Blood.
01:16:48So...
01:17:07Joe.
01:17:48I told you me and Shontu have finalized everything with Mehta Estates.
01:17:57We come to the reunion.
01:17:59Now you don't want to sell the house.
01:18:01You never really watched any of that, so you won't get it.
01:18:05Oh, you're what the reason to do?
01:18:06I mean, you know, I don't know.
01:18:08I don't know if you have any of my parents.
01:18:10I don't know if you have any of my parents.
01:18:12I don't know if you have any of my parents.
01:18:15I don't know if you have any of my parents.
01:18:16What are you?
01:18:16Don't you dare think that told me to your father.
01:18:18I never really respected him, Ma.
01:18:20I was always afraid of him.
01:18:31Shontu Kanga Bolletio, Amra will be back at Rasta soon.
01:18:46Shontu Kanga Bolletio.
01:19:00Shontu Kanga Bolletio.
01:19:06Shontu Kanga Bolletio.
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