00:00Cojo told me Harry was in trouble, so I went round, and Harry was gone.
00:22Oki was there, with a knife in his hands, waiting for Harry to come back, or even Cojo.
00:35I stu-, stupidly, I confronted him, and he attacked me, and all I could do was fight
00:41him off, you know, pushing and shoving, and we fell on the floor, and then, that's it.
00:51He tried to kill me, it was an accident.
00:56The deceased was linked to your son, and a raid at the crime scene for drug offences
01:01occurred last week.
01:03You understand that raises questions for us?
01:06I'm sorry, I really am.
01:10If you carry a blade, you're more than likely going to get stabbed, that's what you lot say,
01:15right?
01:16Is she self-defence?
01:20You know, I know better than anyone, that it ain't easy being interviewed by the police.
01:27You know, I'm proud of you both.
01:30You told the truth, and that's all we can do, and your dad, he was fighting for his life.
01:39That scumbag was after your brother, and I know, it don't seem it right now, but we're
01:46lucky.
01:47Lucky?
01:48Dad's going to prison.
01:50He killed someone.
01:51Barney.
01:52No, Mum.
01:53No, I can't deal with this.
01:54I can't.
01:55Oh, love.
01:56Come on.
01:57It'll be okay.
01:58We all will.
01:59You okay?
02:00Have you taken your methadone?
02:01Look, I know you're struggling, darling, okay?
02:02But your dad did this for you, so you can't be spiralling right now.
02:17You've just got to stick to the plan, okay?
02:19Stay on the straight and narrow, and everything will be okay, I promise.
02:22I'm not okay, Mum.
02:24And this will never be okay.
02:45Nick?
02:47Any news?
02:50Didn't need to go to the pictures yesterday.
02:52You could've just stuck around here and watched the horror show.
02:55You'll have to turn your stomach.
02:57That's why we should count our blessings.
03:00Eh?
03:01You're home, and we're all safe and happy.
03:04Yeah.
03:05What night?
03:08We've got a visa.
03:11I can officially confirm that Santa Claus is in production.
03:15I finished it last night.
03:17Loved it.
03:18So I woke up this morning and thought, we've got an in-set day.
03:20Why not make it?
03:21All we need is this and a savage young director.
03:25I've done a list of some potential local cast members.
03:30I'm going to get some mates involved.
03:32Hair and make-up, stuff like that.
03:33It's all go.
03:34This is exactly what we need right now.
03:36I actually produced my own play quite a few years ago.
03:41If you're looking for a part, you're going to have to audition.
03:43Sorry.
03:44But, before we start, I did have a few ideas.
03:50What about making it about two sisters instead?
03:52Now's not a good time.
03:55Okay, well, I just thought that...
03:58Well, you thought wrong, okay?
04:06I don't believe this.
04:08I mean, he's just defending himself, isn't he?
04:10He'll be home before we know it.
04:12With any luck, that solicitor will pull his finger out.
04:14Yeah, well, when you've got a family, you don't need luck.
04:17You don't need Phil.
04:22Nicola, if you need to talk...
04:24No, look, it's fine.
04:26Everything's going to be fine, all right?
04:28Just, please, be quiet.
04:32Right.
04:33He's not answering, so we need to go and find him.
04:36Well, come on, let's go.
04:42Oh.
04:44Oki's dead?
04:45Yeah, after you left, Harry got away and...
04:48Teddy ran up there.
04:50Oki was out for blood.
04:51He came off worse.
04:54I'm sorry this has happened, okay, but...
04:57It's over now.
04:59It's done.
05:00Okay?
05:01That's right.
05:02You're safe now, yeah?
05:04I sent Teddy there.
05:07This is my fault.
05:08No, no, no, no, no.
05:09None of this is your fault.
05:11No, no, no.
05:13It's all finished now.
05:15Okay?
05:16You're safe.
05:20Kojo, just wait.
05:22It's the coroner.
05:23Well, he knows.
05:24Yeah.
05:25Please still need to talk to Kojo.
05:27I haven't slept.
05:28I was worried he was going to wander off again.
05:29I should have kept an eye on him.
05:30I should have kept...
05:31If you want to point fingers, point him across the road, Dad.
05:33You had a chance to think about that job in Dubai, yeah?
05:35We haven't had time.
05:36Well, maybe you should make some time.
05:37You should focus on your family.
05:42Let me focus on Kojo.
05:44You had a chance to think about our job in Dubai, yeah?
05:48We're having our time.
05:50Well, maybe you should make some time.
05:55You should focus on your family.
05:58Let me focus on Kojo.
06:09Oh, we first laid back and the dishwasher's on the blink.
06:14Between that and sorting out Ben's new prison canteen money this morning,
06:17I think I'm needing to have a holiday.
06:19Still, at least he's happy in this new place.
06:22Small comforts, eh?
06:28Look, just so you know, I'm not happy about Ross being ours either, okay?
06:32But him and Harvey...
06:33It's all right, Aunty Caff, I know.
06:39Bad enough, we've got Steven score every day.
06:41Why'd you actually let him in here?
06:42What, to spit on his hand roll?
06:43Uh, boys, leave it out, yeah?
06:44Leave it out.
06:45You should throw him out.
06:46No, I'll just go.
06:47Yeah, do us all a favour, bruv.
06:48Move.
06:49What?
06:50You're guilty now, are you?
06:51Oi!
06:52It's a bit late for a viney, innit?
06:53That's enough.
06:55Joel is banged up and Tommy done the right thing.
06:57End of.
06:58So leave him alone, let him finish his lunch.
07:03Show's over.
07:04All right?
07:05Go and sit down, Tommy.
07:06I'll bring you over your hot chocolate.
07:07My treat.
07:08I ain't got enough on me plate.
07:09I know, I know that, but...
07:10I wouldn't ask if it weren't family, you know?
07:11And this saliseries he's got, he's that bad, is he?
07:13Mm-hmm.
07:14Teddy's my brother, Phil.
07:15He needs help.
07:16I know, I know that, but...
07:17I wouldn't ask if it weren't family, you know?
07:18And this saliseries he's got, he's that bad, is he?
07:20Mm-hmm.
07:21Teddy's my brother, Phil.
07:22He needs help.
07:23I know that it was self-defence, but you know how these things can go on.
07:26All right, well, I saw Richie Monday.
07:27She's got a lot on, but...
07:28I'll give her a call, see what I can do.
07:29Thanks, mate.
07:30Thanks.
07:31See?
07:32See?
07:33We're all in this together, haven't we?
07:34Yeah.
07:35Yeah.
07:36Yeah.
07:37Yeah.
07:38Yeah.
07:39Yeah.
07:40Yeah.
07:41Yeah.
07:42Yeah.
07:43Yeah.
07:44Yeah.
07:45Yeah.
07:46Yeah.
07:47Yeah.
07:48Yeah.
07:49Yeah.
07:50Yeah.
07:51Yeah.
07:52Yeah.
07:53Yeah.
07:54Yeah.
07:55What's she doing now?
07:58Yeah, let's give this up to Kojo.
08:00Do you know why Dad's been beating himself up about keeping Kojo safe?
08:03And there you are, one of the few people actually could have kept him safe.
08:07Junior, don't.
08:08Kojo ain't the only victim here.
08:09He's the only one that's gonna suffer, though, ain't he?
08:11Do you know what?
08:12I owe Teddy Watts.
08:13What?
08:14Because he's just as much to blame as you and your poxy son.
08:16I said enough.
08:17It's Ranswell.
08:18All I care about is Kojo.
08:20So you should go, because this really isn't helping.
08:23I was trying to do something nice.
08:24I didn't want to upset him.
08:25Come on, you didn't.
08:26And so does he.
08:27It was a really lovely part.
08:28I hope he changed his mind.
08:29Mm-hm.
08:30Oh, thanks.
08:32I was trying to do something nice.
08:34I didn't want to upset him.
08:35Oh, you didn't.
08:36And so does he.
08:38It was a really lovely part.
08:42I was trying to do something nice.
08:46I didn't want to upset him.
08:48Oh, you didn't.
08:50And so does he.
08:52It was a really lovely part.
08:55I hope he changed his mind.
08:58Oh, thanks.
09:01He deserves a bit of fun.
09:03Right?
09:03Yeah.
09:08Boy troubled, eh?
09:09Oh.
09:10Well, you should tell her what my mum told me.
09:15Men are like a tall glass of wee in the Sahara.
09:19You know, necessary, but hard to stomach.
09:22She was a wise woman, my mum.
09:23Yeah, wise and single.
09:27Oh, so what's this?
09:28Oh, it's, er...
09:29It's Nigel's script.
09:31Lexi was thinking of making it, but, um...
09:33Well, then.
09:36But, but what? What's the problem?
09:38Well, between you and me, I think she's making a few nasty nervous.
09:43Do you act?
09:44Me?
09:46Well, I have been known to dabble.
09:50Yeah.
09:51Yeah.
09:54You know what my old dad used to say?
10:03If you let the nasty things affect you, they'll start defining you.
10:09He gave good advice, my dad.
10:11Didn't live by it, mind you, but...
10:13They're right, though.
10:15Ain't they?
10:16You're not the last person if she befended me.
10:18I just...
10:22I just believed him.
10:24You know, everything he was saying, everything Drake was saying, it made sense.
10:29But I was wrong.
10:33Maybe if I'd realised that earlier and stood up to him, then...
10:37Then none of this would have happened.
10:38When it really mattered, you did stand up to him.
10:43When he attacked me, you didn't hesitate.
10:44That's what's important.
10:47With all this madness going on, we'll be old news soon.
10:51It's just hanging there together, yeah?
10:54Yeah.
11:01Well, the cavalry's on his way.
11:06Billy's got Phil's hot-shot solicitor on your dad's case.
11:10I just want to be by myself, Mum.
11:11Harry.
11:20I wanted to take the fool for you.
11:23You know, I'm the one that should be behind bars, but you wouldn't have it.
11:29I think I'd rather be locked up than see you like this.
11:32Did your dad ever tell you the stories about how I didn't want you to box when you were a kid?
11:44No, true.
11:46I hated it.
11:49You were too handsome.
11:51You still are.
11:52And I still, I can't...
11:55I can't stand to see you in pain.
12:02Look, you're off the gear, but you're still not well.
12:04And it's easier to get gear in prison than it is on the streets these days.
12:07We couldn't risk it.
12:08Isn't that okay?
12:14He deserved to die.
12:17But you...
12:18You deserve to be free and healthy.
12:22And the only way you are going to be there is at home with us.
12:27So you can be upset.
12:30But you mustn't feel guilty.
12:33Right about that or about your dad.
12:36Because it was his choice.
12:39And it was the right one.
12:43Listen to me.
12:43Your dad is going to plead self-defense.
12:50We've got Phil's solicitor.
12:52He's going to be home sooner than you know.
12:56I'm telling you.
13:07Mr. C.
13:11Mr. C.
13:12It's me.
13:13I'm really sorry.
13:14I'm very sorry.
13:16I don't...
13:16Nigel, there you are.
13:28Looking all over for you.
13:29Now listen.
13:30I've got two words for you.
13:31Sex appeal.
13:33Now, Honey Mitchell is a beautiful woman.
13:36We can all agree on that.
13:37Yeah?
13:38But as a sexy, sassy, comedic copper...
13:40I'm sorry.
13:41She ain't police officer number two material.
13:44I'm sorry, but...
13:45Yeah, well, so you should be.
13:47Because if I've read this right, you need somebody to hit the comedy highs and get the men rubbing on their thighs.
13:53Now, Honey is sweet.
13:55But Kim is cayenne, yeah?
13:58I bring the fun.
13:59I bring the fire.
14:00I bring the heat.
14:02You don't need gracious.
14:03You need flirtatious.
14:05You need vocatious.
14:06You need fox on your box.
14:08Look, I'm not in charge of the casting list.
14:11Yeah, yeah, yeah.
14:11I know, I know, I know.
14:12But you have the final say.
14:15Do you know?
14:15This is your vision.
14:18And we both know that that vision is standing right in front of you.
14:23Imagine this.
14:23Look at this.
14:24Look at this.
14:25Kim Fox.
14:27Police officer number two.
14:29Look.
14:30There is no film.
14:32It's just a shoddy script I wrote years ago that means nothing now.
14:36So you and Lexi can just forget about it.
14:39I know I will soon enough.
14:41Well, I think it's good.
14:43I mean, I only read the first half of it, but I am hooked.
14:45And I'm normally the hooker, not the hooky.
14:48Not that I'm a prostitute or anything.
14:49But listen, if you change your mind, I've got another two words for you, yeah?
14:54Cast Kim.
14:56Yeah?
14:57I'll see you later.
15:00Hey!
15:01We get it!
15:13Hey.
15:16Look, I'm sorry, all right?
15:18I know your heart's in all the place.
15:23Cojo's asleep.
15:24Feels like an afternoon.
15:25We could go for a drink later.
15:27He's trying to end up on the same side.
15:30You know, you must be head over heels, Dad.
15:34I mean, now that Teddy's gone, you've got a free run at her, right?
15:37Things we do for love, eh?
15:38I told you.
15:41My focus is Cojo.
15:42I don't care about Nicola or anyone else.
15:45I can't argue with that.
15:47I mean, you've basically got my bags packed for me, right?
15:50But you know what?
15:51Maybe this family needs me to stick around and fight their corner.
15:53I'm sure obviously you're not.
15:55You know, Monique, moving on is not my fault.
15:58It's yours.
16:01You're scared about going back.
16:03Because it's easier to hear about Xavier calling another man, Dad.
16:09But it's quite another thing to actually see it.
16:11I get that.
16:12But don't put it on me, and don't make Cojo an excuse for you to do what's easier
16:16instead of what's right for you and your son.
16:20I've already booked my flight for tomorrow.
16:24Don't worry, Dad.
16:26The bag's already packed.
16:27Are you really going to make the same mistake again?
16:39Sorry.
16:40I've seen you with Tommy.
16:43Did he give you the poor me treatment yet?
16:45Oh, look, I will tell you what I told the boys.
16:47It is over now.
16:49Joel manipulated Tommy just as much as the rest of us.
16:52No, it's true.
16:55Tommy is nothing like Joel.
16:58Deep down, I know he's a good kid.
16:59A good kid who hid his mate after he nearly killed you.
17:02For hours.
17:03What?
17:05Let me guess.
17:07He made it out like he rung Ross straight away, yeah?
17:09He knew about the video of Avani 2.
17:13Does that sound like a good kid to you?
17:15He knew what Joel was.
17:18And he let him get away with it.
17:20Maybe Joel manipulated him.
17:23But don't let him manipulate you two.
17:27Come on, Jess.
17:31Come on, Jess.
17:35Come on, over there.
17:36Hiya.
17:36What are you bearing up?
17:42And it's not fair, but it's not fair, is it?
17:47No one knows that more than me, girl.
17:53Look, Emma.
17:56Is this for you?
17:59It's from your dad.
18:00I think he told you the story behind it, then.
18:12I'll keep it safe.
18:13I know you will.
18:23He told me to go to Will's party.
18:26I don't even like parties.
18:28Maybe if I'd have stayed here, I could have done something.
18:32No, I don't know.
18:35Come on.
18:37You cleverer than that.
18:41You know, your dad, he always said you were the best of us.
18:46And he's right.
18:49You're simply going to do something for me, pal.
18:51Will you help me through this, because I know you're scared, but I'm scared.
19:01Richie, right?
19:19Don't tell me.
19:20Phil's been nicked, too.
19:22Not today, no.
19:23It's, um...
19:25It's you I've come to see.
19:27But I've got a solicitor.
19:29Yes, you do.
19:29But from what I'm hearing, it'd have been better off without him.
19:33The police have spoken to the CPS, and...
19:37It's not good news, I'm afraid.
19:48You all right?
19:49Hmm.
19:52Kim's right, you know.
19:56It's not bad.
19:58That's a good thing, isn't it?
19:59I don't remember writing it.
20:04What happens?
20:05I mean, I know I wrote it.
20:06I just don't know how.
20:12I never did like writing.
20:15You remember our old English teacher, Mrs. Barnaby?
20:19Nasty old cow.
20:20Always used to wear sandals, you know, at her feet.
20:23Used to turn my stomach.
20:24She like me.
20:26Yeah.
20:27Never like me.
20:28It's a bang on and all about Shakespeare, but I couldn't take my eyes off her trotters.
20:34Put me off for life.
20:36I just keep thinking back then, I must have thought someone who'd see it, you know, see it, and, and, well, you know, maybe make it.
20:45Hope, Phil, keeps your fire burning, doesn't it?
20:51I could spend the rest of my life now trying, and I couldn't write a single page of this now.
21:03Because I'm, I'm not the same person who wrote this anymore.
21:16There's no fire.
21:18There's no hope.
21:20I'm just nothing.
21:22I mean, I, I was never a fighter or a lover, but I had this.
21:29I was sharp.
21:31Now.
21:35What am I?
21:39I'm nothing.
21:41I'm not responsible for my own actions.
21:46I, I don't remember writing it, Phil.
21:49Well, you don't, you don't have to write it again, do you?
21:55Because you already did that.
21:56That is yours.
21:57Yeah, no one can take that away from you.
22:00I mean, it don't matter if you can't remember writing it, because you did, you wrote it.
22:03As soon as I already had Kim collar me, you know, like, um, Steven Spielberg's right-hand man or something about it, but don't see it to me like you're nothing.
22:11I mean, you talk about wanting to take responsibility for your actions, or maybe that's the way to start, you know?
22:21Maybe it's a way of keeping that fire inside burning, hmm?
22:27It was only a few.
22:36He did the right thing in the end.
22:38It took a lot for him to do that, you know.
22:39Look, I am a good person, okay?
22:43And I thought that you were a good kid with a good heart who got manipulated too.
22:46Was I wrong?
22:48Am I an idiot all over again?
22:50You stood up for me, and I was just embarrassed.
22:52If I could take it all back, I would.
22:55I was scared, and I wanted to protect him, but after I found out what he had done, I had to call his dad.
23:02And again, Vicky, I am so, so sorry.
23:08Joel lied to you both.
23:10He manipulated you both, and now you both realise what he is, and now he's gone for good, okay?
23:16Okay?
23:22Look, I'm sorry, Amy's got me all...
23:27Vicky, if you need someone to talk to...
23:29Oh, Zoe would love that.
23:32I'm a cat-stealing stalker, ain't I?
23:35You might be a lot of things, but I don't think you that.
23:37Even if Zoe does think you.
23:41I know where you feel, all right?
23:43You go from mother hen to Christmas turkey.
23:47Hey, I know, trust me.
23:49You feel hurt, ashamed, angry.
23:52But you're not on your own.
23:54If you need to talk, I'm here, okay?
24:00I'm fine.
24:02Joel ain't gonna define me.
24:05I won't let him.
24:17I actually wrote and directed my own play in the 90s.
24:36Yes.
24:38It was about Queen Victoria.
24:41I could dig it out for you, if you like.
24:42Nah, I'm not really into period drama.
24:44Right, here you go.
24:47What's this?
24:48This is a start.
24:51Santa Claus is back in production.
24:54You actually want to do it?
24:56I do, as long as I can get the help of a young, brilliant, up-and-coming director.
25:01I'm in.
25:02And as a writer-director yourself, we could do with a helping hand, if you're interested.
25:08I'm in.
25:08Right.
25:10First order of business, been thinking about casting.
25:12And I've got a new idea about second police officer.
25:19Two words.
25:21Cast Kim.
25:25Voila.
25:26Mama's mac and cheese.
25:27Used to love my mac and cheese.
25:29What?
25:31Oh.
25:32Looks a bit ropey, doesn't it?
25:34Look, I'm out of practice.
25:35I'll get better, okay?
25:36Should we have a Chinese?
25:39Yeah.
25:42Look, I've got to get this.
25:44Supplier giving me aggro.
25:46Life goes on, eh?
25:52You okay?
25:58You?
26:00Teddy, is that you?
26:01Yeah.
26:03Yeah, it's me.
26:05How you doing?
26:06Are you all right?
26:07I'm all right.
26:09How are the boys?
26:11Good.
26:12Yeah, well, good now, anyway.
26:14That's good.
26:15That's good.
26:16Do you want to talk to them?
26:17No.
26:18No.
26:19Leave them be.
26:20I'll talk to them tomorrow.
26:23Is there any news?
26:24Have you spoken to Richie?
26:26Because Billy spoke to Phil, and he's managed to twist his arm.
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