Silent Hill f - Official ‘Combat and Character Design’ Behind the Scenes Feature - video Dailymotion

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00:00遅れず、忍術できている。

00:02凄い!

00:04遅れず、忍術できる。

00:07凄い!

00:09凄い!

00:10今は誰かと喋りたくて。

00:13凄い、凄い!

00:16何でも持ってる。

00:18凄い!

00:20凄い!

00:22凄い!

00:24In the past, Silent Hill series of combat skills are used to be a simple battle for a simple battle with guns and weapons.

00:40Because this film is a unique and unique in the 1960s in Japan.

00:46In order to keep the character as a normal character,

00:49We feel that this is a chance to create a new combat system for Silent Hill.

00:54For the use of the game, we designed some like Hinako-Jung

00:59and other people who can do the combat skills.

01:01For example, when you can catch up to the end of the attack,

01:05and you can catch up to the end of the attack,

01:06and you can catch up to the end of the attack.

01:07The fight is used to be used to fight against the attack,

01:09and to create an advantage for yourself.

01:11Also, when you have to fight against the attack,

01:14because of the attack of the attack,

01:16and they won't get into trouble,

01:17etc. such as the design of the reality of the design,

01:19to make sure that a lot of people can do their best.

01:22And Hinako, in the face of these threats,

01:25can also be able to find out

01:27all kinds of weapons can be equipped with each other.

01:30These tools have a lot of difference.

01:33For example,

01:34a small weapon of the machine,

01:36a fast move,

01:37an easy way to catch.

01:38A small weapon of the machine is a lot of speed,

01:41but can be used to protect the most of the攻擊.

01:44Even if you face the same enemy,

01:47it will also be based on what kind of weapon you have,

01:49and it will create a different battle experience.

01:52The players can also be able to use the equipment to adjust their skills,

01:56and please try to see different types of different types of combat,

01:59and reach the difficulty.

02:01However, Pinako is still a normal person,

02:03but if you have encountered the situation that can't be solved,

02:05it's best to go first.

02:09This time of the怪物,

02:10in the beginning of the design, we've lost a lot of skill.

02:13because it is not only needed to fill the game,

02:15it is also needed to discuss with the teachers

02:17to discuss every creature's behavior

02:18which represents the meaning of the meaning,

02:20and these meanings should be used to use what kind of view of the view,

02:23to ensure that the characters and the story

02:25have a close-to-knit relationship.

02:27In other words,

02:28the first one is to be able to be able to express

02:30the龍騎士老師's story魅力,

02:32and精神打造.

02:34These ideas,

02:35through Keira老師's design and design,

02:37will perfectly表現出

02:38what you've seen in the end of the world

02:39and the beauty of it and the beauty of it.

02:42In terms of these怪物 and the object

02:43究竟隱藏了什麼秘密,

02:45I don't want to talk too much.

02:47I think this part is to leave for the players

02:48to find out the experience.

02:52In other words,

02:53we will also use Hinako's character setting

02:57as a first-to-knit relationship.

02:59In my opinion,

03:00it is in the郊區's design.

03:02In the beginning,

03:03we thought that Hinako's

03:04this time in the潜意識

03:05was what kind of situation,

03:07and what kind of thoughts he had.

03:09In a different experience,

03:11we decided to work on the subject of the minor

03:12of the biblical story.

03:13We decided to finish this story

03:15to develop these details

03:17of theРЕLs.

03:18We discussed this part in the screen,

03:20we thought to question how do we have the way to go?

03:21We developed a way to get the way to go on.

03:22In fact, we realized that the years

03:23are different conditions in terms.

03:25In the end, we designed this project

03:27The path of the path is to make the environment

03:29in different stages of change.

03:31The purpose of the environment

03:33to become a key set of key blocks,

03:35and to become a unique and unique key key.

03:37This whole process

03:39is the way to the system

03:41to show the new structure

03:43to become a key set of key blocks.

03:45In the situation,

03:47we need to find the key to the key.

03:49In this key, we need to guide the character.

03:51We chose the character

03:53of the character.

03:55This is what we're using Kara's character's character.

03:59It's a suitable for us to match the advantage of the character's character.

04:02So we thought about what kind of characters would be different from the character's character.

04:06We also used to use the same character with Hinako and the dress as the character's character.

04:11Like a稻草 person who gave a name for the student's character.

04:15This whole picture of a strange character,

04:18and the character's character's character.

04:21We hope that the design of the documentary can continue to keep this IP-19 and maintain a lot of joy and魅力.

04:28So, in the background, we designed the design of the movie, the character, the character, and the detail of the documentary.

04:34The design of the documentary will not only be able to open a door,

04:37but also be able to enter the character's new and the real truth.

04:41Hinako is a person who faces the same age of the family,

04:46parents, friends and the same age of the year,

04:49who doesn't express and fix their feelings,

04:52and has a lot of subtle thoughts and emotions.

04:56We are very happy to be able to use the girl's daughter to express her,

05:00and through photo scan and motion capture,

05:03we will be able to make these emotions and actions into the game.

05:08This action was chosen to take place in Japan,

05:11and from the local actors,

05:13so that we can understand and understand

05:16the culture and value of Japan.

05:18Casting's performance in our game development

05:20is a relatively unique work.

05:22To maintain the content and the content of the game,

05:25the preparation and communication,

05:27is to ensure the camera's performance

05:29is the most important part.

05:31KONAMI, the actors,

05:33the MoCAP company and the Niba

05:35the four parties need to communicate and communicate.

05:38In the MoCAP,

05:40the director, the director,

05:42the director, the cinematographer,

05:44the director, the director,

05:45the director, the director,

05:46the director, and the director.

05:47The other members need to participate in the online

05:49way.

05:50Silent Hill F.

05:51has more than 90 minutes of performance.

05:54From the story,

05:55the character,

05:56the character,

05:57the character,

05:58the character,

05:59the data,

06:00the final performance.

06:01The huge amount of work

06:02for the first time of the Niba

06:03is a great challenge.

06:05The performance management

06:06needs to be按照

06:29and then he will be able to explain the needs of the action and the emotion.

06:31The director and the action of the action,

06:33and the fact of the analysis and the analysis of the action.

06:35Finally, as a game designer,

06:38we're able to ensure the content of the action is in the game.

06:41To make the content of the content of the content

06:43become a that everyone sees,

06:45is a really a complicated process.

06:48If you use a simple way to比喻,

06:50if the artist is a writer's writer,

06:53then we're going to be a writer's writer.

06:56In order to be able to express the world of teachers' books in the world,

06:59the team spent a lot of time to study and research the teachers' books.

07:04The most important thing is to understand what teachers want to express the content,

07:08and what the important thing is.

07:09Sometimes it may be in a movie, sometimes it may be in a sense.

07:13In our mind and mind,

07:15what are the things to show through the game,

07:18and what are the things to show through the演出,

07:20we can start to draw the story of teachers.

07:23This is a very subtle, important and important work.

07:28In the process, the pandemic increased the difficulty,

07:31but through many people' communication and understanding,

07:34they finally reached the conclusion and entered the audience.

07:38In the role of Hinako's mother-in-law's mother-in-law,

07:40there are many other actors and actors.

07:44These actors and actors are even included in themselves.

07:48In the role of Hinako's mother-in-law,

07:51both by using the detectives of a tool,

07:53and the skills to get in the response to the scene.

07:56And to make sure that the artist has performed the outcome

07:58through the artist.

08:00In the moment, we had a first of the rehearsals.

08:04There was nothing that we were playing here.

08:06There could be a scene showing where we were playing.

08:07There's no part of throwing even in our scenes.

08:08But I found out where he was playing with a house,

08:10what the nature of the devil is told,

08:13which I was produced.

08:15It was beautiful.

08:18The most difficult thing was when I was recording, I had to make a lot of mistakes.

08:28I had to make a lot of mistakes when I was working.

08:39When I was working on the show, it was the end scene.

08:46I've been waiting for a long time for a long time.

08:50I was so excited to see how the end was.

08:54I've experienced the short story of the short story,

08:57and I've experienced some of these things.

08:59I've experienced some of the characters in the past.

09:03It's a very valuable experience.

09:06The scene in the movie is a scene where there are two of them.

09:11That scene was the most difficult time for this time.

09:20I was thinking about who I am, where I am, where I am, what I am doing.

09:27I didn't know what I was going to do so.

09:30I couldn't get out of my eyes and couldn't do that.

09:35I was the first time I saw the movie on Silent Hill.

09:45It was a time I had to remember the time I could feel so hard.

09:50But I could have been able to do this great work.

09:56I was able to get this movie to the world so that I could not have any interest.

10:03This time, if I don't get away from this world,

10:06I think someone will be able to control me.

10:10It's a very strange feeling.

10:14The most important, the most important, the most important, the most important!

10:19The most important, the most important, the most important!

10:22I don't know!

Silent Hill f - Official ‘Combat and Character Design’ Behind the Scenes Feature

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