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  • 7 weeks ago
La productora, compositora y cantante colombiana celebra uno de los momentos más importantes de su carrera. Así lo compartió con People en Español.

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People
Transcript
00:00I think TRNA is very popular in Japan, France and Germany, because it's a very unusual song and
00:09especially very teatral, independent of the language, it has that part of communicating
00:16emotionally what is happening, because it starts so quiet with the classical piano,
00:21with the chords also in the French mode, it's very haunting, I feel.
00:26And suddenly it starts with the very aggressive, very metal, it's very unusual because the chords are just guitarists.
00:34It's a very atmospheric song, very cinematographic song, and many people have told me that it's like a video game,
00:42so I think this is what has called my attention, basically it has the ability to transport people out of reality to this fantastic world.
00:52For me, it's really important not to be alone in the musical, but also in the whole visual part, because my art,
00:59at the end, is intentional.
01:01I think the word that encompasses everything is intention, and absolutely everything has a sense in what I'm doing,
01:07both musically and visually, the sound and visual motives, the things that are repeated, the coherence in the narrative.
01:17So, the way I can assure myself that all this happens is obviously putting my hands on the work,
01:23especially because I have so much clarity in my mind of what I want to communicate.
01:27I mean, it's like having almost the script written, the thesis, in my mind.
01:32So, that's why I've always been so involved in all these layers of art,
01:37that at the end, it ends up doing much more work than I have to do,
01:41but that I do with a lot of love, because of that way I take the vision that I want to be 100% pure as I want.
01:47I have to work with artists like Major Lazer, like Patti Cantu, Devin Nova, Dariel Cano,
01:54artists full of K-Pop, Rock, Indie.
01:58I mean, it's been a way to explore those colors that I already have in my mind,
02:04but that, of course, I can mix them in ways that I wouldn't use them in my own music as artist.
02:11So, I love it because it allows me, I think that there is my spirit, Géminis,
02:16to be able to change my shirt even a thousand times more
02:20and be able to try other colors, other ways of writing, other themes,
02:24let's say, concepts that maybe I wouldn't sing, but that is like, well, I'm transforming myself in this other person.
02:28So, what can I say now that I'm in the shoes of this other person, of this artist?
02:33So, that really has been fascinating because I feel that he also keeps teaching me
02:38of new genres and movements that I can explore.
02:42The truth is, Deeplox always has its best notes on me.
02:47Because first, he was the one who said that I was like a Pandora,
02:51from that time came out my idea that I wanted to make a album of those,
02:54that I was like a Pandora, from that time came out.
02:57And this year, just in a stream that we were,
03:00he said that I was like a mix of metal with industrial, with cumbia,
03:07that I basically was like cooking ajiacos musicalmente,
03:12aparte, I love that he knows that the ajiacos is from Colombia.
03:14And yes, he said that I was the hermana latina of Nani Inch Nails,
03:18that I could call me Nine Inch Nails, and I was like, no, that's brutal.
03:22Aparte, siento que la tiene muy clara, como que identifica muy bien mis capacidades
03:26y mi sonido y lo que yo soy.
03:28Por eso yo creo que también trabajamos también juntos,
03:30porque él entiende completamente lo que soy capaz de hacer.
03:32que justo estuve nominada, me anunciaron como nominada a los Sona Warrior Awards,
03:39como Emerging Songwriter, que la verdad para mí, o sea, es un súper honor,
03:44sobre todo estar representando a los latinos ahí, porque soy la primera latina nominada,
03:50fui la única latina nominada, la única cacique en el evento, o sea, digamos,
03:55como que yo digo, en eso me enorgullece mucho estar abriendo este campo, esta voz de los latinos,
04:01de lo que estamos haciendo los latinos, sobre todo las mujeres latinas, en el campo internacional,
04:06o sea, y con la música del mercado anglo, porque al final eso es lo que quiero mostrar,
04:11que los latinos de verdad, o sea, podemos tener este crossover de ser globales,
04:15que estamos siendo globales, pero que también de este lado de la industria,
04:19de la composición, la producción, como de todo este behind the scenes,
04:21también estamos ahí picando piedra y abriendo el camino fuerte para las mujeres, sobre todo.
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